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  <description>Robert Falconer, also published under the title of The Musician’s Quest, tells the tale
  of a young man’s search for God and the meaning of life. After the death of his parents,
  Robert’s grandmother takes him in. Although she loves and cares for him, she adheres to
  an austere lifestyle and strict religious doctrines. As Robert struggles to find purpose, he
  is torn between the severe Christianity of his grandmother and the loving God he feels
  he knows. Full of genuine human sentiment and thoughtfulness, MacDonald’s novel has
  fascinated readers for over a century. The author himself considered Robert Falconer his
  favorite character, and beloved Christian writer C.S. Lewis cited it as one of the books
  that helped him start out on his spiritual journey.

  <br /><br />Kathleen O’Bannon<br />CCEL Staff
  </description>
  <pubHistory />
  <comments />
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  <DC>
    <DC.Title>Robert Falconer</DC.Title>
    <DC.Title sub="short">Robert Falconer</DC.Title>
    <DC.Creator sub="Author" scheme="short-form">George MacDonald</DC.Creator>
    <DC.Creator sub="Author" scheme="file-as">MacDonald, George (1824-1905)</DC.Creator>
    <DC.Publisher>Grand Rapids, MI: Christian Classics Ethereal Library</DC.Publisher>
    <DC.Subject scheme="LCCN">PR4967
</DC.Subject>
    <DC.Subject scheme="lcsh1">English literature</DC.Subject>
    <DC.Subject scheme="lcsh2">19th century, 1770/1800-1890/1900</DC.Subject>
    <DC.Subject scheme="ccel">All; Fiction;</DC.Subject>
    <DC.Date sub="Created">2000-07-08</DC.Date>
    <DC.Type>Text.Monograph</DC.Type>
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    <DC.Identifier scheme="URL">/ccel/macdonald/rfalconer.html</DC.Identifier>
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    <DC.Language scheme="ISO639-3">eng</DC.Language>
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    <div1 title="Title Page" n="i" shorttitle="" progress="0.04%" id="i" prev="toc" next="ii">

<p id="i-p1"><br />
</p>

<h2 id="i-p1.2">ROBERT FALCONER</h2>

<p id="i-p2"><br />
</p>

<h4 id="i-p2.2">BY</h4>

<p id="i-p3"><br />
</p>

<h2 id="i-p3.2">GEORGE MACDONALD, LL.D.</h2>

<p id="i-p4"><br />
</p>

<h4 id="i-p4.2">NEW EDITION</h4>

<p id="i-p5"><br />
</p>

<h4 id="i-p5.2">1900</h4>

<p id="i-p6"><br />
</p>

<p id="i-p7">This electronic text was created by John Bechard, London,
England (JaBBechard@aol.com)</p>

<p id="i-p8"><br />
</p>

<p id="i-p9">Note from electronic text creator: I have compiled a glossary
with definitions of most of the Scottish words found in this work
and placed it at the end of this electronic text.  This glossary
does not belong to the original work, but is designed to help with
the conversations and references in Broad Scots found in this
work.  A further explanation of this list can be found towards the
end of this document, preceding the glossary.</p>

<p id="i-p10"><br />
</p>

<p id="i-p11">Any notes that I have made in the text (e.g. relating to Greek
words in the text) have been enclosed in {} brackets.</p>

<p id="i-p12"><br />
</p>

<p id="i-p13"><br />
</p>

<p id="i-p14"><br />
</p>

<p class="c2" id="i-p15">TO</p>

<p id="i-p16"><br />
</p>

<p class="c2" id="i-p17">THE MEMORY</p>

<p id="i-p18"><br />
</p>

<p class="c2" id="i-p19">OF THE MAN WHO</p>

<p id="i-p20"><br />
</p>

<p class="c2" id="i-p21">STANDS HIGHEST IN THE ORATORY</p>

<p id="i-p22"><br />
</p>

<p class="c2" id="i-p23">OF MY MEMORY,</p>

<p id="i-p24"><br />
</p>

<p class="c2" id="i-p25">ALEXANDER JOHN SCOTT,</p>

<p id="i-p26"><br />
</p>

<p class="c2" id="i-p27">I, DARING, PRESUME TO DEDICATE THIS BOOK.</p>

<p id="i-p28"><br />
</p>

<p id="i-p29"><br />
</p>

<p id="i-p30"><br />
</p>

</div1>

    <div1 title="PART I.--HIS BOYHOOD." n="ii" shorttitle="" progress="0.12%" id="ii" prev="i" next="ii.i">

<p id="ii-p1"><br />
</p>

<p id="ii-p2">PART I.--HIS BOYHOOD.</p>

<p id="ii-p3"><br />
</p>

<p id="ii-p4"><br />
</p>

      <div2 title="CHAPTER I.--A RECOLLECTION." n="i" shorttitle="" progress="0.12%" id="ii.i" prev="ii" next="ii.ii">

<p id="ii.i-p1"><br />
</p>

<h2 id="ii.i-p1.2">CHAPTER I.</h2>

<p id="ii.i-p2"><br />
</p>

<p id="ii.i-p3">A RECOLLECTION.</p>

<p id="ii.i-p4"><br />
</p>

<p id="ii.i-p5">ROBERT FALCONER, school-boy, aged fourteen, thought he had never
seen his father; that is, thought he had no recollection of having
ever seen him. But the moment when my story begins, he had begun to
doubt whether his belief in the matter was correct. And, as he went
on thinking, he became more and more assured that he had seen his
father somewhere about six years before, as near as a thoughtful
boy of his age could judge of the lapse of a period that would form
half of that portion of his existence which was bound into one by
the reticulations of memory.</p>

<p id="ii.i-p6"><br />
</p>

<p id="ii.i-p7">For there dawned upon his mind the vision of one Sunday
afternoon. Betty had gone to church, and he was alone with his
grandmother, reading <i>The Pilgrim's Progress</i> to her, when,
just as Christian knocked at the wicket-gate, a tap came to the
street door, and he went to open it. There he saw a tall, somewhat
haggard-looking man, in a shabby black coat (the vision gradually
dawned upon him till it reached the minuteness of all these
particulars), his hat pulled down on to his projecting eyebrows,
and his shoes very dusty, as with a long journey on foot--it was a
hot Sunday, he remembered that--who looked at him very strangely,
and without a word pushed him aside, and went straight into his
grandmother's parlour, shutting the door behind him. He followed,
not doubting that the man must have a right to go there, but
questioning very much his right to shut him out. When he reached
the door, however, he found it bolted; and outside he had to stay
all alone, in the desolate remainder of the house, till Betty came
home from church.</p>

<p id="ii.i-p8"><br />
</p>

<p id="ii.i-p9">He could even recall, as he thought about it, how drearily the
afternoon had passed. First he had opened the street door, and
stood in it. There was nothing alive to be seen, except a sparrow
picking up crumbs, and he would not stop till he was tired of him.
The Royal Oak, down the street to the right, had not even a
horseless gig or cart standing before it; and King Charles,
grinning awfully in its branches on the signboard, was invisible
from the distance at which he stood. In at the other end of the
empty street, looked the distant uplands, whose waving corn and
grass were likewise invisible, and beyond them rose one blue
truncated peak in the distance, all of them wearily at rest this
weary Sabbath day. However, there was one thing than which this was
better, and that was being at church, which, to this boy at least,
was the very fifth essence of dreariness.</p>

<p id="ii.i-p10"><br />
</p>

<p id="ii.i-p11">He closed the door and went into the kitchen. That was nearly as
bad. The kettle was on the fire, to be sure, in anticipation of
tea; but the coals under it were black on the top, and it made only
faint efforts, after immeasurable intervals of silence, to break
into a song, giving a hum like that of a bee a mile off, and then
relapsing into hopeless inactivity. Having just had his dinner, he
was not hungry enough to find any resource in the drawer where the
oatcakes lay, and, unfortunately, the old wooden clock in the
corner was going, else there would have been some amusement in
trying to torment it into demonstrations of life, as he had often
done in less desperate circumstances than the present. At last he
went up-stairs to the very room in which he now was, and sat down
upon the floor, just as he was sitting now. He had not even brought
his <i>Pilgrim's Progress</i> with him from his grandmother's room.
But, searching about in all holes and corners, he at length found
Klopstock's <i>Messiah</i> translated into English, and took refuge
there till Betty came home. Nor did he go down till she called him
to tea, when, expecting to join his grandmother and the stranger,
he found, on the contrary, that he was to have his tea with Betty
in the kitchen, after which he again took refuge with Klopstock in
the garret, and remained there till it grew dark, when Betty came
in search of him, and put him to bed in the gable-room, and not in
his usual chamber. In the morning, every trace of the visitor had
vanished, even to the thorn stick which he had set down behind the
door as he entered.</p>

<p id="ii.i-p12"><br />
</p>

<p id="ii.i-p13">All this Robert Falconer saw slowly revive on the palimpsest of
his memory, as he washed it with the vivifying waters of
recollection.</p>

<p id="ii.i-p14"><br />
</p>

<p id="ii.i-p15"><br />
</p>

</div2>

      <div2 title="CHAPTER II.--A VISITOR." n="ii" shorttitle="" progress="0.48%" id="ii.ii" prev="ii.i" next="ii.iii">

<p id="ii.ii-p1"><br />
</p>

<p id="ii.ii-p2">CHAPTER II.</p>

<p id="ii.ii-p3"><br />
</p>

<p id="ii.ii-p4">A VISITOR.</p>

<p id="ii.ii-p5"><br />
</p>

<p id="ii.ii-p6">IT was a very bare little room in which the boy sat, but it was
his favourite retreat. Behind the door, in a recess, stood an empty
bedstead, without even a mattress upon it. This was the only piece
of furniture in the room, unless some shelves crowded with papers
tied up in bundles, and a cupboard in the wall, likewise filled
with papers, could be called furniture. There was no carpet on the
floor, no windows in the walls. The only light came from the door,
and from a small skylight in the sloping roof, which showed that it
was a garret-room. Nor did much light come from the open door, for
there was no window on the walled stair to which it opened; only
opposite the door a few steps led up into another garret, larger,
but with a lower roof, unceiled, and perforated with two or three
holes, the panes of glass filling which were no larger than the
small blue slates which covered the roof: from these panes a little
dim brown light tumbled into the room where the boy sat on the
floor, with his head almost between his knees, thinking.</p>

<p id="ii.ii-p7"><br />
</p>

<p id="ii.ii-p8">But there was less light than usual in the room now, though it
was only half-past two o'clock, and the sun would not set for more
than half-an-hour yet; for if Robert had lifted his head and looked
up, it would have been at, not through, the skylight. No sky was to
be seen. A thick covering of snow lay over the glass. A partial
thaw, followed by frost, had fixed it there--a mass of imperfect
cells and confused crystals. It was a cold place to sit in, but the
boy had some faculty for enduring cold when it was the price to be
paid for solitude. And besides, when he fell into one of his
thinking moods, he forgot, for a season, cold and everything else
but what he was thinking about--a faculty for which he was to be
envied.</p>

<p id="ii.ii-p9"><br />
</p>

<p id="ii.ii-p10">If he had gone down the stair, which described half the turn of
a screw in its descent, and had crossed the landing to which it
brought him, he could have entered another bedroom, called the
gable or rather ga'le room, equally at his service for retirement;
but, though carpeted and comfortably furnished, and having two
windows at right angles, commanding two streets, for it was a
corner house, the boy preferred the garret-room--he could not tell
why. Possibly, windows to the streets were not congenial to the
meditations in which, even now, as I have said, the boy
indulged.</p>

<p id="ii.ii-p11"><br />
</p>

<p id="ii.ii-p12">These meditations, however, though sometimes as abstruse, if not
so continuous, as those of a metaphysician--for boys are not
unfrequently more given to metaphysics than older people are able
or, perhaps, willing to believe--were not by any means confined to
such subjects: castle-building had its full share in the occupation
of those lonely hours; and for this exercise of the constructive
faculty, what he knew, or rather what he did not know, of his own
history gave him scope enough, nor was his brain slow in supplying
him with material corresponding in quantity to the space afforded.
His mother had been dead for so many years that he had only the
vaguest recollections of her tenderness, and none of her person.
All he was told of his father was that he had gone abroad. His
grandmother would never talk about him, although he was her own
son. When the boy ventured to ask a question about where he was, or
when he would return, she always replied--'Bairns suld haud their
tongues.' Nor would she vouchsafe another answer to any question
that seemed to her from the farthest distance to bear down upon
that subject. 'Bairns maun learn to haud their tongues,' was the
sole variation of which the response admitted. And the boy did
learn to hold his tongue. Perhaps he would have thought less about
his father if he had had brothers or sisters, or even if the nature
of his grandmother had been such as to admit of their relationship
being drawn closer--into personal confidence, or some measure of
familiarity. How they stood with regard to each other will soon
appear.</p>

<p id="ii.ii-p13"><br />
</p>

<p id="ii.ii-p14">Whether the visions vanished from his brain because of the
thickening of his blood with cold, or he merely acted from one of
those undefined and inexplicable impulses which occasion not a few
of our actions, I cannot tell, but all at once Robert started to
his feet and hurried from the room. At the foot of the garret
stair, between it and the door of the gable-room already mentioned,
stood another door at right angles to both, of the existence of
which the boy was scarcely aware, simply because he had seen it all
his life and had never seen it open. Turning his back on this last
door, which he took for a blind one, he went down a short broad
stair, at the foot of which was a window. He then turned to the
left into a long flagged passage or transe, passed the kitchen door
on the one hand, and the double-leaved street door on the other;
but, instead of going into the parlour, the door of which closed
the transe, he stopped at the passage-window on the right, and
there stood looking out.</p>

<p id="ii.ii-p15"><br />
</p>

<p id="ii.ii-p16">What might be seen from this window certainly could not be
called a very pleasant prospect. A broad street with low houses of
cold gray stone is perhaps as uninteresting a form of street as any
to be found in the world, and such was the street Robert looked out
upon. Not a single member of the animal creation was to be seen in
it, not a pair of eyes to be discovered looking out at any of the
windows opposite. The sole motion was the occasional drift of a
vapour-like film of white powder, which the wind would lift like
dust from the snowy carpet that covered the street, and wafting it
along for a few yards, drop again to its repose, till another
stronger gust, prelusive of the wind about to rise at sun-down,--a
wind cold and bitter as death--would rush over the street, and
raise a denser cloud of the white water-dust to sting the face of
any improbable person who might meet it in its passage. It was a
keen, knife-edged frost, even in the house, and what Robert saw to
make him stand at the desolate window, I do not know, and I believe
he could not himself have told. There he did stand, however, for
the space of five minutes or so, with nothing better filling his
outer eyes at least than a bald spot on the crown of the street,
whence the wind had swept away the snow, leaving it brown and bare,
a spot of March in the middle of January.</p>

<p id="ii.ii-p17"><br />
</p>

<p id="ii.ii-p18">He heard the town drummer in the distance, and let the sound
invade his passive ears, till it crossed the opening of the street,
and vanished 'down the town.'</p>

<p id="ii.ii-p19"><br />
</p>

<p id="ii.ii-p20">'There's Dooble Sanny,' he said to himself--'wi' siccan cauld
han's, 'at he's playin' upo' the drum-heid as gin he was loupin' in
a bowie (<i>leaping in a cask</i>).'</p>

<p id="ii.ii-p21"><br />
</p>

<p id="ii.ii-p22">Then he stood silent once more, with a look as if anything would
be welcome to break the monotony.</p>

<p id="ii.ii-p23"><br />
</p>

<p id="ii.ii-p24">While he stood a gentle timorous tap came to the door, so gentle
indeed that Betty in the kitchen did not hear it, or she, tall and
Roman-nosed as she was, would have answered it before the
long-legged dreamer could have reached the door, though he was not
above three yards from it. In lack of anything better to do, Robert
stalked to the summons. As he opened the door, these words greeted
him:</p>

<p id="ii.ii-p25"><br />
</p>

<p id="ii.ii-p26">'Is Robert at--eh! it's Bob himsel'! Bob, I'm byous
(<i>exceedingly</i>) cauld.'</p>

<p id="ii.ii-p27"><br />
</p>

<p id="ii.ii-p28">'What for dinna ye gang hame, than?'</p>

<p id="ii.ii-p29"><br />
</p>

<p id="ii.ii-p30">'What for wasna ye at the schuil the day?'</p>

<p id="ii.ii-p31"><br />
</p>

<p id="ii.ii-p32">'I spier ae queston at you, and ye answer me wi' anither.'</p>

<p id="ii.ii-p33"><br />
</p>

<p id="ii.ii-p34">'Weel, I hae nae hame to gang till.'</p>

<p id="ii.ii-p35"><br />
</p>

<p id="ii.ii-p36">'Weel, and I had a sair heid (<i>a headache</i>). But whaur's
yer hame gane till than?'</p>

<p id="ii.ii-p37"><br />
</p>

<p id="ii.ii-p38">'The hoose is there a' richt, but whaur my mither is I dinna
ken. The door's lockit, an' Jeames Jaup, they tell me 's tane awa'
the key. I doobt my mither's awa' upo' the tramp again, and what's
to come o' me, the Lord kens.'</p>

<p id="ii.ii-p39"><br />
</p>

<p id="ii.ii-p40">'What's this o' 't?' interposed a severe but not unmelodious
voice, breaking into the conversation between the two boys; for the
parlour door had opened without Robert's hearing it, and Mrs.
Falconer, his grandmother, had drawn near to the speakers.</p>

<p id="ii.ii-p41"><br />
</p>

<p id="ii.ii-p42">'What's this o' 't?' she asked again. 'Wha's that ye're
conversin' wi' at the door, Robert? Gin it be ony decent laddie,
tell him to come in, and no stan' at the door in sic a day 's
this.'</p>

<p id="ii.ii-p43"><br />
</p>

<p id="ii.ii-p44">As Robert hesitated with his reply, she looked round the open
half of the door, but no sooner saw with whom he was talking than
her tone changed. By this time Betty, wiping her hands in her
apron, had completed the group by taking her stand in the kitchen
door.</p>

<p id="ii.ii-p45"><br />
</p>

<p id="ii.ii-p46">'Na, na,' said Mrs. Falconer. 'We want nane sic-like here. What
does he want wi' you, Robert? Gie him a piece, Betty, and lat him
gang.--Eh, sirs! the callant hasna a stockin'-fit upo' 'im--and in
sic weather!'</p>

<p id="ii.ii-p47"><br />
</p>

<p id="ii.ii-p48">For, before she had finished her speech, the visitor, as if in
terror of her nearer approach, had turned his back, and literally
showed her, if not a clean pair of heels, yet a pair of naked heels
from between the soles and uppers of his shoes: if he had any
stockings at all, they ceased before they reached his ankles.</p>

<p id="ii.ii-p49"><br />
</p>

<p id="ii.ii-p50">'What ails him at me?' continued Mrs. Falconer, 'that he rins as
gin I war a boodie? But it's nae wonner he canna bide the sicht o'
a decent body, for he's no used till 't. What does he want wi' you,
Robert?'</p>

<p id="ii.ii-p51"><br />
</p>

<p id="ii.ii-p52">But Robert had a reason for not telling his grandmother what the
boy had told him: he thought the news about his mother would only
make her disapprove of him the more. In this he judged wrong. He
did not know his grandmother yet.</p>

<p id="ii.ii-p53"><br />
</p>

<p id="ii.ii-p54">'He's in my class at the schuil,' said Robert, evasively.</p>

<p id="ii.ii-p55"><br />
</p>

<p id="ii.ii-p56">'Him? What class, noo?'</p>

<p id="ii.ii-p57"><br />
</p>

<p id="ii.ii-p58">Robert hesitated one moment, but, compelled to give some answer,
said, with confidence,</p>

<p id="ii.ii-p59"><br />
</p>

<p id="ii.ii-p60">'The Bible-class.'</p>

<p id="ii.ii-p61"><br />
</p>

<p id="ii.ii-p62">'I thocht as muckle! What gars ye play at hide and seek wi' me?
Do ye think I dinna ken weel eneuch there's no a lad or a lass at
the schuil but 's i' the Bible-class? What wants he here?'</p>

<p id="ii.ii-p63"><br />
</p>

<p id="ii.ii-p64">'Ye hardly gae him time to tell me, grannie. Ye frichtit
him.'</p>

<p id="ii.ii-p65"><br />
</p>

<p id="ii.ii-p66">'Me fricht him! What for suld I fricht him, laddie? I'm no sic
ferlie (<i>wonder</i>) that onybody needs be frichtit at me.'</p>

<p id="ii.ii-p67"><br />
</p>

<p id="ii.ii-p68">The old lady turned with visible, though by no means profound
offence upon her calm forehead, and walking back into her parlour,
where Robert could see the fire burning right cheerily, shut the
door, and left him and Betty standing together in the transe. The
latter returned to the kitchen, to resume the washing of the
dinner-dishes; and the former returned to his post at the window.
He had not stood more than half a minute, thinking what was to be
done with his school-fellow deserted of his mother, when the sound
of a coach-horn drew his attention to the right, down the street,
where he could see part of the other street which crossed it at
right angles, and in which the gable of the house stood. A minute
after, the mail came in sight--scarlet, spotted with snow--and
disappeared, going up the hill towards the chief hostelry of the
town, as fast as four horses, tired with the bad footing they had
had through the whole of the stage, could draw it after them. By
this time the twilight was falling; for though the sun had not yet
set, miles of frozen vapour came between him and this part of the
world, and his light was never very powerful so far north at this
season of the year.</p>

<p id="ii.ii-p69"><br />
</p>

<p id="ii.ii-p70">Robert turned into the kitchen, and began to put on his shoes.
He had made up his mind what to do.</p>

<p id="ii.ii-p71"><br />
</p>

<p id="ii.ii-p72">'Ye're never gaein' oot, Robert?' said Betty, in a hoarse tone
of expostulation.</p>

<p id="ii.ii-p73"><br />
</p>

<p id="ii.ii-p74">''Deed am I, Betty. What for no?'</p>

<p id="ii.ii-p75"><br />
</p>

<p id="ii.ii-p76">'You 'at's been in a' day wi' a sair heid! I'll jist gang benn
the hoose and tell the mistress, and syne we'll see what she'll
please to say till 't.'</p>

<p id="ii.ii-p77"><br />
</p>

<p id="ii.ii-p78">'Ye'll do naething o' the kin', Betty. Are ye gaein' to turn
clash-pyet (<i>tell-tale</i>) at <i>your</i> age?'</p>

<p id="ii.ii-p79"><br />
</p>

<p id="ii.ii-p80">'What ken ye aboot my age? There's never a man-body i' the toon
kens aught aboot my age.'</p>

<p id="ii.ii-p81"><br />
</p>

<p id="ii.ii-p82">'It's ower muckle for onybody to min' upo' (<i>remember</i>), is
't, Betty?'</p>

<p id="ii.ii-p83"><br />
</p>

<p id="ii.ii-p84">'Dinna be ill-tongued, Robert, or I'll jist gang benn the hoose
to the mistress.'</p>

<p id="ii.ii-p85"><br />
</p>

<p id="ii.ii-p86">'Betty, wha began wi' bein' ill-tongued? Gin ye tell my
grandmither that I gaed oot the nicht, I'll gang to the
schuilmaister o' Muckledrum, and get a sicht o' the kirstenin'
buik; an' gin yer name binna there, I'll tell ilkabody I meet 'at
oor Betty was never kirstened; and that'll be a sair affront,
Betty.'</p>

<p id="ii.ii-p87"><br />
</p>

<p id="ii.ii-p88">'Hoot! was there ever sic a laddie!' said Betty, attempting to
laugh it off. 'Be sure ye be back afore tay-time, 'cause yer
grannie 'ill be speirin' efter ye, and ye wadna hae me lee aboot
ye?'</p>

<p id="ii.ii-p89"><br />
</p>

<p id="ii.ii-p90">'I wad hae naebody lee about me. Ye jist needna lat on 'at ye
hear her. Ye can be deif eneuch when ye like, Betty. But I s' be
back afore tay-time, or come on the waur.'</p>

<p id="ii.ii-p91"><br />
</p>

<p id="ii.ii-p92">Betty, who was in far greater fear of her age being discovered
than of being unchristianized in the search, though the fact was
that she knew nothing certain about the matter, and had no desire
to be enlightened, feeling as if she was thus left at liberty to
hint what she pleased,--Betty, I say, never had any intention of
going 'benn the hoose to the mistress.' For the threat was merely
the rod of terror which she thought it convenient to hold over the
back of the boy, whom she always supposed to be about some mischief
except he were in her own presence and visibly reading a book: if
he were reading aloud, so much the better. But Robert likewise kept
a rod for his defence, and that was Betty's age, which he had
discovered to be such a precious secret that one would have thought
her virtue depended in some cabalistic manner upon the concealment
of it. And, certainly, nature herself seemed to favour Betty's
weakness, casting such a mist about the number of her years as the
goddesses of old were wont to cast about a wounded favourite; for
some said Betty was forty, others said she was sixty-five, and, in
fact, almost everybody who knew her had a different belief on the
matter.</p>

<p id="ii.ii-p93"><br />
</p>

<p id="ii.ii-p94">By this time Robert had conquered the difficulty of induing
boots as hard as a thorough wetting and as thorough a drying could
make them, and now stood prepared to go. His object in setting out
was to find the boy whom his grandmother had driven from the door
with a hastier and more abject flight than she had in the least
intended. But, if his grandmother should miss him, as Betty
suggested, and inquire where he had been, what was he to say? He
did not mind misleading his grannie, but he had a great objection
to telling her a lie. His grandmother herself delivered him from
this difficulty.</p>

<p id="ii.ii-p95"><br />
</p>

<p id="ii.ii-p96">'Robert, come here,' she called from the parlour door. And
Robert obeyed.</p>

<p id="ii.ii-p97"><br />
</p>

<p id="ii.ii-p98">'Is 't dingin' on, Robert?' she asked.</p>

<p id="ii.ii-p99"><br />
</p>

<p id="ii.ii-p100">'No, grannie; it's only a starnie o' drift.'</p>

<p id="ii.ii-p101"><br />
</p>

<p id="ii.ii-p102">The meaning of this was that there was no fresh snow falling, or
<i>beating on</i>, only a little surface snow blowing about.</p>

<p id="ii.ii-p103"><br />
</p>

<p id="ii.ii-p104">'Weel, jist pit yer shune on, man, and rin up to Miss Naper's
upo' the Squaur, and say to Miss Naper, wi' my compliments, that I
wad be sair obleeged till her gin she wad len' me that fine receipt
o' hers for crappit heids, and I'll sen' 't back safe the morn's
mornin'. Rin, noo.'</p>

<p id="ii.ii-p105"><br />
</p>

<p id="ii.ii-p106">This commission fell in admirably with Robert's plans, and he
started at once.</p>

<p id="ii.ii-p107"><br />
</p>

<p id="ii.ii-p108"><br />
</p>

</div2>

      <div2 title="CHAPTER III.--THE BOAR'S HEAD." n="iii" shorttitle="" progress="1.76%" id="ii.iii" prev="ii.ii" next="ii.iv">

<p id="ii.iii-p1"><br />
</p>

<p id="ii.iii-p2">CHAPTER III.</p>

<p id="ii.iii-p3"><br />
</p>

<p id="ii.iii-p4">THE BOAR'S HEAD.</p>

<p id="ii.iii-p5"><br />
</p>

<p id="ii.iii-p6">MISS NAPIER was the eldest of three maiden sisters who kept the
principal hostelry of Rothieden, called The Boar's Head; from
which, as Robert reached the square in the dusk, the mail-coach was
moving away with a fresh quaternion of horses. He found a good many
boxes standing upon the pavement close by the archway that led to
the inn-yard, and around them had gathered a group of loungers, not
too cold to be interested. These were looking towards the windows
of the inn, where the owner of the boxes had evidently
disappeared.</p>

<p id="ii.iii-p7"><br />
</p>

<p id="ii.iii-p8">'Saw ye ever sic a sicht in oor toon afore!' said <i>Dooble
Sanny</i>, as people generally called him, his name being Alexander
Alexander, pronounced, by those who chose to speak of him with the
ordinary respect due from one mortal to another, Sandy Elshender.
Double Sandy was a soutar, or shoemaker, remarkable for his love of
sweet sounds and whisky. He was, besides, the town-crier, who went
about with a drum at certain hours of the morning and evening, like
a perambulating clock, and also made public announcements of sales,
losses, &amp;c.; for the rest--a fierce, fighting fellow when in
anger or in drink, which latter included the former.</p>

<p id="ii.iii-p9"><br />
</p>

<p id="ii.iii-p10">'What's the sicht, Sandy?' asked Robert, coming up with his
hands in the pockets of his trowsers.</p>

<p id="ii.iii-p11"><br />
</p>

<p id="ii.iii-p12">'Sic a sicht as ye never saw, man,' returned Sandy; 'the
bonniest leddy ever man set his ee upo'. I culd na hae thocht there
had been sic a woman i' this warl'.'</p>

<p id="ii.iii-p13"><br />
</p>

<p id="ii.iii-p14">'Hoot, Sandy!' said Robert, 'a body wad think she was tint
(<i>lost</i>) and ye had the cryin' o' her. Speyk laicher, man;
she'll maybe hear ye. Is she i' the inn there?'</p>

<p id="ii.iii-p15"><br />
</p>

<p id="ii.iii-p16">'Ay is she,' answered Sandy. 'See sic a warl' o' kists as she's
brocht wi' her,' he continued, pointing towards the pile of
luggage. 'Saw ye ever sic a bourach (<i>heap</i>)? It jist blecks
(<i>beats</i>) me to think what ae body can du wi' sae mony kists.
For I mayna doobt but there's something or ither in ilka ane o'
them. Naebody wad carry aboot toom (<i>empty</i>) kists wi' them. I
can<i>not</i> mak' it oot.'</p>

<p id="ii.iii-p17"><br />
</p>

<p id="ii.iii-p18">The boxes might well surprise Sandy, if we may draw any
conclusions from the fact that the sole implement of personal
adornment which he possessed was two inches of a broken comb, for
which he had to search when he happened to want it, in the drawer
of his stool, among awls, lumps of rosin for his violin, masses of
the same substance wrought into shoemaker's wax for his ends, and
packets of boar's bristles, commonly called <i>birse</i>, for the
same.</p>

<p id="ii.iii-p19"><br />
</p>

<p id="ii.iii-p20">'Are thae a' ae body's?' asked Robert.</p>

<p id="ii.iii-p21"><br />
</p>

<p id="ii.iii-p22">'Troth are they. They're a' hers, I wat. Ye wad hae thocht she
had been gaein' to The Bothie; but gin she had been that, there wad
hae been a cairriage to meet her,' said Crookit Caumill, the
ostler.</p>

<p id="ii.iii-p23"><br />
</p>

<p id="ii.iii-p24">The Bothie was the name facetiously given by Alexander, Baron
Rothie, son of the Marquis of Boarshead, to a house he had built in
the neighbourhood, chiefly for the accommodation of his bachelor
friends from London during the shooting-season.</p>

<p id="ii.iii-p25"><br />
</p>

<p id="ii.iii-p26">'Haud yer tongue, Caumill,' said the shoemaker. 'She's nae sic
cattle, yon.'</p>

<p id="ii.iii-p27"><br />
</p>

<p id="ii.iii-p28">'Haud up the bit bowat (<i>stable-lantern</i>), man, and lat
Robert here see the direction upo' them. Maybe he'll mak' something
o't. He's a fine scholar, ye ken,' said another of the
bystanders.</p>

<p id="ii.iii-p29"><br />
</p>

<p id="ii.iii-p30">The ostler held the lantern to the card upon one of the boxes,
but Robert found only an M., followed by something not very
definite, and a J., which might have been an I., Rothieden,
Driftshire, Scotland.</p>

<p id="ii.iii-p31"><br />
</p>

<p id="ii.iii-p32">As he was not immediate with his answer, Peter Lumley, one of
the group, a lazy ne'er-do-weel, who had known better days, but
never better manners, and was seldom quite drunk, and seldomer
still quite sober, struck in with,</p>

<p id="ii.iii-p33"><br />
</p>

<p id="ii.iii-p34">'Ye dinna ken a' thing yet, ye see, Robbie.'</p>

<p id="ii.iii-p35"><br />
</p>

<p id="ii.iii-p36">From Sandy this would have been nothing but a good-humoured
attempt at facetiousness. From Lumley it meant spite, because
Robert's praise was in his ears.</p>

<p id="ii.iii-p37"><br />
</p>

<p id="ii.iii-p38">'I dinna preten' to ken ae hair mair than ye do yersel', Mr.
Lumley; and that's nae sayin' muckle, surely,' returned Robert,
irritated at his tone more than at his words.</p>

<p id="ii.iii-p39"><br />
</p>

<p id="ii.iii-p40">The bystanders laughed, and Lumley flew into a rage.</p>

<p id="ii.iii-p41"><br />
</p>

<p id="ii.iii-p42">'Haud yer ill tongue, ye brat,' he said. 'Wha' are ye to mak'
sic remarks upo' yer betters? A'body kens yer gran'father was
naething but the blin' piper o' Portcloddie.'</p>

<p id="ii.iii-p43"><br />
</p>

<p id="ii.iii-p44">This was news to Robert--probably false, considering the quarter
whence it came. But his mother-wit did not forsake him.</p>

<p id="ii.iii-p45"><br />
</p>

<p id="ii.iii-p46">'Weel, Mr. Lumley,' he answered, 'didna he pipe weel? Daur ye
tell me 'at he didna pipe weel?--as weel's ye cud hae dune 't
yersel', noo, Mr. Lumley?'</p>

<p id="ii.iii-p47"><br />
</p>

<p id="ii.iii-p48">The laugh again rose at Lumley's expense, who was well known to
have tried his hand at most things, and succeeded in nothing.
Dooble Sanny was especially delighted.</p>

<p id="ii.iii-p49"><br />
</p>

<p id="ii.iii-p50">'De'il hae ye for a de'il's brat! 'At I suld sweer!' was all
Lumley's reply, as he sought to conceal his mortification by
attempting to join in the laugh against himself. Robert seized the
opportunity of turning away and entering the house.</p>

<p id="ii.iii-p51"><br />
</p>

<p id="ii.iii-p52">'That ane's no to be droont or brunt aither,' said Lumley, as he
disappeared.</p>

<p id="ii.iii-p53"><br />
</p>

<p id="ii.iii-p54">'He'll no be hang't for closin' your mou', Mr. Lumley,' said the
shoemaker.</p>

<p id="ii.iii-p55"><br />
</p>

<p id="ii.iii-p56">Thereupon Lumley turned and followed Robert into the inn.</p>

<p id="ii.iii-p57"><br />
</p>

<p id="ii.iii-p58">Robert had delivered his message to Miss Napier, who sat in an
arm-chair by the fire, in a little comfortable parlour, held sacred
by all about the house. She was paralytic, and unable to attend to
her guests further than by giving orders when anything especial was
referred to her decision. She was an old lady--nearly as old as
Mrs. Falconer--and wore glasses, but they could not conceal the
kindness of her kindly eyes. Probably from giving less heed to a
systematic theology, she had nothing of that sternness which first
struck a stranger on seeing Robert's grandmother. But then she did
not know what it was to be contradicted; and if she had been
married, and had had sons, perhaps a sternness not dissimilar might
have shown itself in her nature.</p>

<p id="ii.iii-p59"><br />
</p>

<p id="ii.iii-p60">'Noo ye maunna gang awa' till ye get something,' she said, after
taking the receipt in request from a drawer within her reach, and
laying it upon the table. But ere she could ring the bell which
stood by her side, one of her servants came in.</p>

<p id="ii.iii-p61"><br />
</p>

<p id="ii.iii-p62">'Please, mem,' she said, 'Miss Letty and Miss Lizzy's seein'
efter the bonny leddy; and sae I maun come to you.'</p>

<p id="ii.iii-p63"><br />
</p>

<p id="ii.iii-p64">'Is she a' that bonny, Meg?' asked her mistress.</p>

<p id="ii.iii-p65"><br />
</p>

<p id="ii.iii-p66">'Na, na, she's nae sae fearsome bonny; but Miss Letty's unco
ta'en wi' her, ye ken. An' we a' say as Miss Letty says i' this
hoose. But that's no the pint. Mr. Lumley's here, seekin' a gill:
is he to hae't?'</p>

<p id="ii.iii-p67"><br />
</p>

<p id="ii.iii-p68">'Has he had eneuch already, do ye think, Meg?'</p>

<p id="ii.iii-p69"><br />
</p>

<p id="ii.iii-p70">'I dinna ken aboot eneuch, mem; that's ill to mizzer; but I
dinna think he's had ower muckle.'</p>

<p id="ii.iii-p71"><br />
</p>

<p id="ii.iii-p72">'Weel, lat him tak' it. But dinna lat him sit doon.'</p>

<p id="ii.iii-p73"><br />
</p>

<p id="ii.iii-p74">'Verra weel, mem,' said Meg, and departed.</p>

<p id="ii.iii-p75"><br />
</p>

<p id="ii.iii-p76">'What gars Mr. Lumley say 'at my gran'father was the blin' piper
o' Portcloddie? Can ye tell me, Miss Naper?' asked Robert.</p>

<p id="ii.iii-p77"><br />
</p>

<p id="ii.iii-p78">'Whan said he that, Robert?'</p>

<p id="ii.iii-p79"><br />
</p>

<p id="ii.iii-p80">'Jist as I cam in.'</p>

<p id="ii.iii-p81"><br />
</p>

<p id="ii.iii-p82">Miss Napier rang the bell. Another maid appeared.</p>

<p id="ii.iii-p83"><br />
</p>

<p id="ii.iii-p84">'Sen' Meg here direckly.'</p>

<p id="ii.iii-p85"><br />
</p>

<p id="ii.iii-p86">Meg came, her eyes full of interrogation.</p>

<p id="ii.iii-p87"><br />
</p>

<p id="ii.iii-p88">'Dinna gie Lumley a drap. Set him up to insult a young gentleman
at my door-cheek! He s' no hae a drap here the nicht. He 's <i>
had</i> ower muckle, Meg, already, an' ye oucht to hae seen
that.'</p>

<p id="ii.iii-p89"><br />
</p>

<p id="ii.iii-p90">''Deed, mem, he 's had mair than ower muckle, than; for there's
anither gill ower the thrapple o' 'm. I div my best, mem, but,
never tastin' mysel', I canna aye tell hoo muckle 's i' the wame o'
a' body 'at comes in.'</p>

<p id="ii.iii-p91"><br />
</p>

<p id="ii.iii-p92">'Ye're no fit for the place, Meg; that's a fac'.'</p>

<p id="ii.iii-p93"><br />
</p>

<p id="ii.iii-p94">At this charge Meg took no offence, for she had been in the
place for twenty years. And both mistress and maid laughed the
moment they parted company.</p>

<p id="ii.iii-p95"><br />
</p>

<p id="ii.iii-p96">'Wha's this 'at's come the nicht, Miss Naper, 'at they're sae
ta'en wi'?' asked Robert.</p>

<p id="ii.iii-p97"><br />
</p>

<p id="ii.iii-p98">'Atweel, I dinna ken yet. She's ower bonnie by a' accoonts to be
gaein' about her lane (<i>alone</i>). It's a mercy the baron's no
at hame. I wad hae to lock her up wi' the forks and spunes.'</p>

<p id="ii.iii-p99"><br />
</p>

<p id="ii.iii-p100">'What for that?' asked Robert.</p>

<p id="ii.iii-p101"><br />
</p>

<p id="ii.iii-p102">But Miss Napier vouchsafed no further explanation. She stuffed
his pockets with sweet biscuits instead, dismissed him in haste,
and rang the bell.</p>

<p id="ii.iii-p103"><br />
</p>

<p id="ii.iii-p104">'Meg, whaur hae they putten the stranger-leddy?'</p>

<p id="ii.iii-p105"><br />
</p>

<p id="ii.iii-p106">'She's no gaein' to bide at our hoose, mem.'</p>

<p id="ii.iii-p107"><br />
</p>

<p id="ii.iii-p108">'What say ye, lass? She's never gaein' ower to Lucky Happit's,
is she?'</p>

<p id="ii.iii-p109"><br />
</p>

<p id="ii.iii-p110">'Ow na, mem. She's a leddy, ilka inch o' her. But she's some sib
(<i>relation</i>) to the auld captain, and she's gaein' doon the
street as sune's Caumill's ready to tak her bit boxes i' the
barrow. But I doobt there'll be maist three barrowfu's o'
them.'</p>

<p id="ii.iii-p111"><br />
</p>

<p id="ii.iii-p112">'Atweel. Ye can gang.'</p>

<p id="ii.iii-p113"><br />
</p>

<p id="ii.iii-p114"><br />
</p>

</div2>

      <div2 title="CHAPTER IV.--SHARGAR." n="iv" shorttitle="" progress="2.49%" id="ii.iv" prev="ii.iii" next="ii.v">

<p id="ii.iv-p1"><br />
</p>

<p id="ii.iv-p2">CHAPTER IV.</p>

<p id="ii.iv-p3"><br />
</p>

<p id="ii.iv-p4">SHARGAR.</p>

<p id="ii.iv-p5"><br />
</p>

<p id="ii.iv-p6">ROBERT went out into the thin drift, and again crossing the wide
desolate-looking square, turned down an entry leading to a kind of
court, which had once been inhabited by a well-to-do class of the
townspeople, but had now fallen in estimation. Upon a stone at the
door of what seemed an outhouse he discovered the object of his
search.</p>

<p id="ii.iv-p7"><br />
</p>

<p id="ii.iv-p8">'What are ye sittin' there for, Shargar?'</p>

<p id="ii.iv-p9"><br />
</p>

<p id="ii.iv-p10">Shargar is a word of Gaelic origin, applied, with some sense of
the ridiculous, to a thin, wasted, dried-up creature. In the
present case it was the nickname by which the boy was known at
school; and, indeed, where he was known at all.</p>

<p id="ii.iv-p11"><br />
</p>

<p id="ii.iv-p12">'What are ye sittin' there for, Shargar? Did naebody offer to
tak ye in?'</p>

<p id="ii.iv-p13"><br />
</p>

<p id="ii.iv-p14">'Na, nane o' them. I think they maun be a' i' their beds. I'm
most dreidfu' cauld.'</p>

<p id="ii.iv-p15"><br />
</p>

<p id="ii.iv-p16">The fact was, that Shargar's character, whether by imputation
from his mother, or derived from his own actions, was none of the
best. The consequence was, that, although scarcely one of the
neighbours would have allowed him to sit there all night, each was
willing to wait yet a while, in the hope that somebody else's
humanity would give in first, and save her from the necessity of
offering him a seat by the fireside, and a share of the oatmeal
porridge which probably would be scanty enough for her own
household. For it must be borne in mind that all the houses in the
place were occupied by poor people, with whom the one virtue,
Charity, was, in a measure, at home, and amidst many sins, cardinal
and other, managed to live in even some degree of comfort.</p>

<p id="ii.iv-p17"><br />
</p>

<p id="ii.iv-p18">'Get up, than, Shargar, ye lazy beggar! Or are ye frozen to the
door-stane? I s' awa' for a kettle o' bilin' water to lowse
ye.'</p>

<p id="ii.iv-p19"><br />
</p>

<p id="ii.iv-p20">'Na, na, Bob. I'm no stucken. I'm only some stiff wi' the cauld;
for wow, but I am cauld!' said Shargar, rising with difficulty.
'Gie 's a haud o' yer han', Bob.'</p>

<p id="ii.iv-p21"><br />
</p>

<p id="ii.iv-p22">Robert gave him his hand, and Shargar was straightway upon his
feet.</p>

<p id="ii.iv-p23"><br />
</p>

<p id="ii.iv-p24">'Come awa' noo, as fest and as quaiet 's ye can.'</p>

<p id="ii.iv-p25"><br />
</p>

<p id="ii.iv-p26">'What are ye gaein' to du wi' me, Bob?'</p>

<p id="ii.iv-p27"><br />
</p>

<p id="ii.iv-p28">'What's that to you, Shargar?'</p>

<p id="ii.iv-p29"><br />
</p>

<p id="ii.iv-p30">'Naything. Only I wad like to ken.'</p>

<p id="ii.iv-p31"><br />
</p>

<p id="ii.iv-p32">'Hae patience, and ye will ken. Only mind ye do as I tell ye,
and dinna speik a word.'</p>

<p id="ii.iv-p33"><br />
</p>

<p id="ii.iv-p34">Shargar followed in silence.</p>

<p id="ii.iv-p35"><br />
</p>

<p id="ii.iv-p36">On the way Robert remembered that Miss Napier had not, after
all, given him the receipt for which his grandmother had sent him.
So he returned to The Boar's Head, and, while he went in, left
Shargar in the archway, to shiver, and try in vain to warm his
hands by the alternate plans of slapping them on the opposite arms,
and hiding them under them.</p>

<p id="ii.iv-p37"><br />
</p>

<p id="ii.iv-p38">When Robert came out, he saw a man talking to him under the
lamp. The moment his eyes fell upon the two, he was struck by a
resemblance between them. Shargar was right under the lamp, the man
to the side of it, so that Shargar was shadowed by its frame, and
the man was in its full light. The latter turned away, and passing
Robert, went into the inn.</p>

<p id="ii.iv-p39"><br />
</p>

<p id="ii.iv-p40">'Wha's that?' asked Robert.</p>

<p id="ii.iv-p41"><br />
</p>

<p id="ii.iv-p42">'I dinna ken,' answered Shargar. 'He spak to me or ever I kent
he was there, and garred my hert gie sic a loup 'at it maist fell
into my breeks.'</p>

<p id="ii.iv-p43"><br />
</p>

<p id="ii.iv-p44">'And what said he to ye?'</p>

<p id="ii.iv-p45"><br />
</p>

<p id="ii.iv-p46">'He said was the deevil at my lug, that I did naething but caw
my han's to bits upo' my shoothers.'</p>

<p id="ii.iv-p47"><br />
</p>

<p id="ii.iv-p48">'And what said ye to that?'</p>

<p id="ii.iv-p49"><br />
</p>

<p id="ii.iv-p50">'I said I wissed he was, for he wad aiblins hae some spare heat
aboot him, an' I hadna freely (<i>quite</i>) eneuch.'</p>

<p id="ii.iv-p51"><br />
</p>

<p id="ii.iv-p52">'Weel dune, Shargar! What said he to that?'</p>

<p id="ii.iv-p53"><br />
</p>

<p id="ii.iv-p54">'He leuch, and speirt gin I wad list, and gae me a
shillin'.'</p>

<p id="ii.iv-p55"><br />
</p>

<p id="ii.iv-p56">'Ye didna tak it, Shargar?' asked Robert in some alarm.</p>

<p id="ii.iv-p57"><br />
</p>

<p id="ii.iv-p58">'Ay did I. Catch me no taking a shillin'!'</p>

<p id="ii.iv-p59"><br />
</p>

<p id="ii.iv-p60">'But they'll haud ye till 't.'</p>

<p id="ii.iv-p61"><br />
</p>

<p id="ii.iv-p62">'Na, na. I'm ower shochlin' (<i>in-kneed</i>) for a sodger. But
that man was nae sodger.'</p>

<p id="ii.iv-p63"><br />
</p>

<p id="ii.iv-p64">'And what mair said he?'</p>

<p id="ii.iv-p65"><br />
</p>

<p id="ii.iv-p66">'He speirt what I wad do wi' the shillin'.'</p>

<p id="ii.iv-p67"><br />
</p>

<p id="ii.iv-p68">'And what said ye?'</p>

<p id="ii.iv-p69"><br />
</p>

<p id="ii.iv-p70">'Ow! syne ye cam' oot, and he gaed awa'.'</p>

<p id="ii.iv-p71"><br />
</p>

<p id="ii.iv-p72">'And ye dinna ken wha it was?' repeated Robert.</p>

<p id="ii.iv-p73"><br />
</p>

<p id="ii.iv-p74">'It was some like my brither, Lord Sandy; but I dinna ken,' said
Shargar.</p>

<p id="ii.iv-p75"><br />
</p>

<p id="ii.iv-p76">By this time they had arrived at Yule the baker's shop.</p>

<p id="ii.iv-p77"><br />
</p>

<p id="ii.iv-p78">'Bide ye here,' said Robert, who happened to possess a few
coppers, 'till I gang into Eel's.'</p>

<p id="ii.iv-p79"><br />
</p>

<p id="ii.iv-p80">Shargar stood again and shivered at the door, till Robert came
out with a penny loaf in one hand, and a twopenny loaf in the
other.</p>

<p id="ii.iv-p81"><br />
</p>

<p id="ii.iv-p82">'Gie's a bit, Bob,' said Shargar. 'I'm as hungry as I am
cauld.'</p>

<p id="ii.iv-p83"><br />
</p>

<p id="ii.iv-p84">'Bide ye still,' returned Robert. 'There's a time for a' thing,
and your time 's no come to forgather wi' this loaf yet. Does na it
smell fine? It's new frae the bakehoose no ten minutes ago. I ken
by the fin' (<i>feel</i>) o' 't.'</p>

<p id="ii.iv-p85"><br />
</p>

<p id="ii.iv-p86">'Lat me fin' 't,' said Shargar, stretching out one hand, and
feeling his shilling with the other.</p>

<p id="ii.iv-p87"><br />
</p>

<p id="ii.iv-p88">'Na. Yer han's canna be clean. And fowk suld aye eat clean,
whether they gang clean or no.'</p>

<p id="ii.iv-p89"><br />
</p>

<p id="ii.iv-p90">'I'll awa' in an' buy ane oot o' my ain shillin',' said Shargar,
in a tone of resolute eagerness.</p>

<p id="ii.iv-p91"><br />
</p>

<p id="ii.iv-p92">'Ye'll do naething o' the kin',' returned Robert, darting his
hand at his collar. 'Gie <i>me</i> the shillin'. Ye'll want it a'
or lang.'</p>

<p id="ii.iv-p93"><br />
</p>

<p id="ii.iv-p94">Shargar yielded the coin and slunk behind, while Robert again
led the way till they came to his grandmother's door.</p>

<p id="ii.iv-p95"><br />
</p>

<p id="ii.iv-p96">'Gang to the ga'le o' the hoose there, Shargar, and jist keek
roon' the neuk at me; and gin I whustle upo' ye, come up as quaiet
's ye can. Gin I dinna, bide till I come to ye.'</p>

<p id="ii.iv-p97"><br />
</p>

<p id="ii.iv-p98">Robert opened the door cautiously. It was never locked except at
night, or when Betty had gone to the well for water, or to the
butcher's or baker's, or the prayer-meeting, upon which occasions
she put the key in her pocket, and left her mistress a prisoner. He
looked first to the right, along the passage, and saw that his
grandmother's door was shut; then across the passage to the left,
and saw that the kitchen door was likewise shut, because of the
cold, for its normal position was against the wall. Thereupon,
closing the door, but keeping the handle in his hand, and the bolt
drawn back, he turned to the street and whistled soft and low.
Shargar had, in a moment, dragged his heavy feet, ready to part
company with their shoes at any instant, to Robert's side. He bent
his ear to Robert's whisper.</p>

<p id="ii.iv-p99"><br />
</p>

<p id="ii.iv-p100">'Gang in there, and creep like a moose to the fit o' the stair.
I maun close the door ahin' 's,' said he, opening the door as he
spoke.</p>

<p id="ii.iv-p101"><br />
</p>

<p id="ii.iv-p102">'I'm fleyt (<i>frightened</i>), Robert.'</p>

<p id="ii.iv-p103"><br />
</p>

<p id="ii.iv-p104">'Dinna be a fule. Grannie winna bite aff yer heid. She had ane
till her denner, the day, an' it was ill sung (<i>singed</i>).'</p>

<p id="ii.iv-p105"><br />
</p>

<p id="ii.iv-p106">'What ane o'?'</p>

<p id="ii.iv-p107"><br />
</p>

<p id="ii.iv-p108">'A sheep's heid, ye gowk (<i>fool</i>). Gang in direckly.'</p>

<p id="ii.iv-p109"><br />
</p>

<p id="ii.iv-p110">Shargar persisted no longer, but, taking about four steps a
minute, slunk past the kitchen like a thief--not so carefully,
however, but that one of his soles yet looser than the other gave
one clap upon the flagged passage, when Betty straightway stood in
the kitchen door, a fierce picture in a deal frame. By this time
Robert had closed the outer door, and was following at Shargar's
heels.</p>

<p id="ii.iv-p111"><br />
</p>

<p id="ii.iv-p112">'What's this?' she cried, but not so loud as to reach the ears
of Mrs. Falconer; for, with true Scotch foresight, she would not
willingly call in another power before the situation clearly
demanded it. 'Whaur's Shargar gaein' that gait?'</p>

<p id="ii.iv-p113"><br />
</p>

<p id="ii.iv-p114">'Wi' me. Dinna ye see me wi' him? I'm nae a thief, nor yet's
Shargar.'</p>

<p id="ii.iv-p115"><br />
</p>

<p id="ii.iv-p116">'There may be twa opingons upo' that, Robert. I s' jist awa'
benn to the mistress. I s' hae nae sic doin's i' <i>my</i>
hoose.'</p>

<p id="ii.iv-p117"><br />
</p>

<p id="ii.iv-p118">'It's nae your hoose, Betty. Dinna lee.'</p>

<p id="ii.iv-p119"><br />
</p>

<p id="ii.iv-p120">'Weel, I s' hae nae sic things gang by my kitchie door. There,
Robert! what 'll ye mak' o' that? There's nae offence, there, I
houp, gin it suldna be a'thegither my ain hoose. Tak Shargar oot o'
that, or I s' awa' benn the hoose, as I tell ye.'</p>

<p id="ii.iv-p121"><br />
</p>

<p id="ii.iv-p122">Meantime Shargar was standing on the stones, looking like a
terrified white rabbit, and shaking from head to foot with cold and
fright combined.</p>

<p id="ii.iv-p123"><br />
</p>

<p id="ii.iv-p124">'I'll tak him oot o' this, but it's up the stair, Betty. An' gin
ye gang benn the hoose aboot it, I sweir to ye, as sure 's death,
I'll gang doon to Muckledrum upo' Setterday i' the efternune.'</p>

<p id="ii.iv-p125"><br />
</p>

<p id="ii.iv-p126">'Gang awa' wi' yer havers. Only gin the mistress speirs onything
aboot it, what am I to say?'</p>

<p id="ii.iv-p127"><br />
</p>

<p id="ii.iv-p128">'Bide till she speirs. Auld Spunkie says, "Ready-made answers
are aye to seek." And I say, Betty, hae ye a cauld pitawta
(<i>potato</i>)?'</p>

<p id="ii.iv-p129"><br />
</p>

<p id="ii.iv-p130">'I'll luik and see. Wadna ye like it het up?'</p>

<p id="ii.iv-p131"><br />
</p>

<p id="ii.iv-p132">'Ow ay, gin ye binna lang aboot it.'</p>

<p id="ii.iv-p133"><br />
</p>

<p id="ii.iv-p134">Suddenly a bell rang, shrill and peremptory, right above
Shargar's head, causing in him a responsive increase of
trembling.</p>

<p id="ii.iv-p135"><br />
</p>

<p id="ii.iv-p136">'Haud oot o' my gait. There's the mistress's bell,' said
Betty.</p>

<p id="ii.iv-p137"><br />
</p>

<p id="ii.iv-p138">'Jist bide till we're roon' the neuk and on to the stair,' said
Robert, now leading the way.</p>

<p id="ii.iv-p139"><br />
</p>

<p id="ii.iv-p140">Betty watched them safe round the corner before she made for the
parlour, little thinking to what she had become an unwilling
accomplice, for she never imagined that more than an evening's
visit was intended by Shargar, which in itself seemed to her
strange and improper enough even for such an eccentric boy as
Robert to encourage.</p>

<p id="ii.iv-p141"><br />
</p>

<p id="ii.iv-p142">Shargar followed in mortal terror, for, like Christian in <i>The
Pilgrim's Progress</i>, he had no armour to his back. Once round
the corner, two strides of three steps each took them to the top of
the first stair, Shargar knocking his head in the darkness against
the never-opened door. Again three strides brought them to the top
of the second flight; and turning once more, still to the right,
Robert led Shargar up the few steps into the higher of the two
garrets.</p>

<p id="ii.iv-p143"><br />
</p>

<p id="ii.iv-p144">Here there was just glimmer enough from the sky to discover the
hollow of a close bedstead, built in under the sloping roof, which
served it for a tester, while the two ends and most of the front
were boarded up to the roof. This bedstead fortunately was not so
bare as the one in the other room, although it had not been used
for many years, for an old mattress covered the boards with which
it was bottomed.</p>

<p id="ii.iv-p145"><br />
</p>

<p id="ii.iv-p146">'Gang in there, Shargar. Ye'll be warmer there than upo' the
door-step ony gait. Pit aff yer shune.'</p>

<p id="ii.iv-p147"><br />
</p>

<p id="ii.iv-p148">Shargar obeyed, full of delight at finding himself in such good
quarters. Robert went to a forsaken press in the room, and brought
out an ancient cloak of tartan, of the same form as what is now
called an Inverness cape, a blue dress-coat, with plain gilt
buttons, which shone even now in the all but darkness, and several
other garments, amongst them a kilt, and heaped them over Shargar
as he lay on the mattress. He then handed him the twopenny and the
penny loaves, which were all his stock had reached to the purchase
of, and left him, saying,--</p>

<p id="ii.iv-p149"><br />
</p>

<p id="ii.iv-p150">'I maun awa' to my tay, Shargar. I'll fess ye a cauld tawtie het
again, gin Betty has ony. Lie still, and whatever ye do, dinna come
oot o' that.'</p>

<p id="ii.iv-p151"><br />
</p>

<p id="ii.iv-p152">The last injunction was entirely unnecessary.</p>

<p id="ii.iv-p153"><br />
</p>

<p id="ii.iv-p154">'Eh, Bob, I'm jist in haven!' said the poor creature, for his
skin began to feel the precious possibility of reviving warmth in
the distance.</p>

<p id="ii.iv-p155"><br />
</p>

<p id="ii.iv-p156">Now that he had gained a new burrow, the human animal soon
recovered from his fears as well. It seemed to him, in the novelty
of the place, that he had made so many doublings to reach it, that
there could be no danger of even the mistress of the house finding
him out, for she could hardly be supposed to look after such a
remote corner of her dominions. And then he was boxed in with the
bed, and covered with no end of warm garments, while the friendly
darkness closed him and his shelter all round. Except the faintest
blue gleam from one of the panes in the roof, there was soon no
hint of light anywhere; and this was only sufficient to make the
darkness visible, and thus add artistic effect to the operation of
it upon Shargar's imagination--a faculty certainly uneducated in
Shargar, but far, very far from being therefore non-existent. It
was, indeed, actively operative, although, like that of many a fine
lady and gentleman, only in relation to such primary questions as:
'What shall we eat? And what shall we drink? And wherewithal shall
we be clothed?' But as he lay and devoured the new 'white breid,'
his satisfaction--the bare delight of his animal existence--reached
a pitch such as even this imagination, stinted with poverty, and
frost-bitten with maternal oppression, had never conceived
possible. The power of enjoying the present without anticipation of
the future or regard of the past, is the especial privilege of the
animal nature, and of the human nature in proportion as it has not
been developed beyond the animal. Herein lies the happiness of cab
horses and of tramps: to them the gift of forgetfulness is of worth
inestimable. Shargar's heaven was for the present gained.</p>

<p id="ii.iv-p157"><br />
</p>

<p id="ii.iv-p158"><br />
</p>

</div2>

      <div2 title="CHAPTER V.--THE SYMPOSIUM." n="v" shorttitle="" progress="3.56%" id="ii.v" prev="ii.iv" next="ii.vi">

<p id="ii.v-p1"><br />
</p>

<p id="ii.v-p2">CHAPTER V.</p>

<p id="ii.v-p3"><br />
</p>

<p id="ii.v-p4">THE SYMPOSIUM.</p>

<p id="ii.v-p5"><br />
</p>

<p id="ii.v-p6">ROBERT had scarcely turned out of the square on his way to find
Shargar, when a horseman entered it. His horse and he were both
apparently black on one side and gray on the other, from the
snow-drift settling to windward. The animal looked tired, but the
rider sat as easy as if he were riding to cover. The reins hung
loose, and the horse went in a straight line for The Boar's Head,
stopping under the archway only when his master drew bridle at the
door of the inn.</p>

<p id="ii.v-p7"><br />
</p>

<p id="ii.v-p8">At that moment Miss Letty was standing at the back of Miss
Napier's chair, leaning her arms upon it as she talked to her. This
was her way of resting as often as occasion arose for a chat with
her elder sister. Miss Letty's hair was gathered in a great knot at
the top of her head, and little ringlets hung like tendrils down
the sides of her face, the benevolence of which was less
immediately striking than that of her sister's, because of the
constant play of humour upon it, especially about the mouth. If a
spirit of satire could be supposed converted into something
Christian by an infusion of the tenderest loving-kindness and
humanity, remaining still recognizable notwithstanding that all its
bitterness was gone, such was the expression of Miss Letty's mouth,
It was always half puckered as if in resistance to a comic smile,
which showed itself at the windows of the keen gray eyes, however
the mouth might be able to keep it within doors. She was neatly
dressed in black silk, with a lace collar. Her hands were small and
white.</p>

<p id="ii.v-p9"><br />
</p>

<p id="ii.v-p10">The moment the traveller stopped at the door, Miss Napier
started.</p>

<p id="ii.v-p11"><br />
</p>

<p id="ii.v-p12">'Letty,' she said, 'wha's that? I could amaist sweir to Black
Geordie's fit.'</p>

<p id="ii.v-p13"><br />
</p>

<p id="ii.v-p14">'A' four o' them, I think,' returned Miss Letty, as the horse,
notwithstanding, or perhaps in consequence of his fatigue, began to
paw and move about on the stones impatiently.</p>

<p id="ii.v-p15"><br />
</p>

<p id="ii.v-p16">The rider had not yet spoken.</p>

<p id="ii.v-p17"><br />
</p>

<p id="ii.v-p18">'He'll be efter some o' 's deevil-ma'-care sculduddery. But jist
rin to the door, Letty, or Lizzy 'll be there afore ye, and maybe
she wadna be ower ceevil. What can he be efter noo?'</p>

<p id="ii.v-p19"><br />
</p>

<p id="ii.v-p20">'What wad the grew (<i>grayhound</i>) be efter but maukin
(<i>hare</i>)?' returned Miss Letty.</p>

<p id="ii.v-p21"><br />
</p>

<p id="ii.v-p22">'Hoot! nonsense! He kens naething aboot her. Gang to the door,
lassie.'</p>

<p id="ii.v-p23"><br />
</p>

<p id="ii.v-p24">Miss Letty obeyed.</p>

<p id="ii.v-p25"><br />
</p>

<p id="ii.v-p26">'Wha's there?' she asked, somewhat sharply, as she opened it,
'that neither chaps (<i>knocks</i>) nor ca's?--Preserve 's a'! is't
you, my lord?'</p>

<p id="ii.v-p27"><br />
</p>

<p id="ii.v-p28">'Hoo ken ye me, Miss Letty withoot seein' my face?'</p>

<p id="ii.v-p29"><br />
</p>

<p id="ii.v-p30">'A'body at The Boar's Heid kens Black Geordie as weel 's yer
lordship's ain sel'. But whaur comes yer lordship frae in sic a
nicht as this?'</p>

<p id="ii.v-p31"><br />
</p>

<p id="ii.v-p32">'From Russia. Never dismounted between Moscow and Aberdeen. The
ice is bearing to-night.'</p>

<p id="ii.v-p33"><br />
</p>

<p id="ii.v-p34">And the baron laughed inside the upturned collar of his cloak,
for he knew that strangely-exaggerated stories were current about
his feats in the saddle.</p>

<p id="ii.v-p35"><br />
</p>

<p id="ii.v-p36">'That's a lang ride, my lord, and a sliddery. And what's yer
lordship's wull?'</p>

<p id="ii.v-p37"><br />
</p>

<p id="ii.v-p38">'Muckle ye care aboot my lordship to stand jawin' there in a
night like this! Is nobody going to take my horse?'</p>

<p id="ii.v-p39"><br />
</p>

<p id="ii.v-p40">'I beg yer lordship's pardon. Caumill!--Yer lordship never said
ye wanted yer lordship's horse ta'en. I thocht ye micht be gaein'
on to The Bothie.--Tak' Black Geordie here, Caumill.--Come in to
the parlour, my lord.'</p>

<p id="ii.v-p41"><br />
</p>

<p id="ii.v-p42">'How d'ye do, Miss Naper?' said Lord Rothie, as he entered the
room. 'Here's this jade of a sister of yours asking me why I don't
go home to The Bothie, when I choose to stop and water here.'</p>

<p id="ii.v-p43"><br />
</p>

<p id="ii.v-p44">'What'll ye tak', my lord?--Letty, fess the brandy.'</p>

<p id="ii.v-p45"><br />
</p>

<p id="ii.v-p46">'Oh! damn your brandy! Bring me a gill of good Glendronach.'</p>

<p id="ii.v-p47"><br />
</p>

<p id="ii.v-p48">'Rin, Letty. His lordship's cauld.--I canna rise to offer ye the
airm-cheir, my lord.'</p>

<p id="ii.v-p49"><br />
</p>

<p id="ii.v-p50">'I can get one for myself, thank heaven!'</p>

<p id="ii.v-p51"><br />
</p>

<p id="ii.v-p52">'Lang may yer lordship return sic thanks.'</p>

<p id="ii.v-p53">'For I'm only new begun, ye think, Miss Naper. Well, I don't
often trouble heaven with my affairs. By Jove! I ought to be heard
when I do.'</p>

<p id="ii.v-p54"><br />
</p>

<p id="ii.v-p55">'Nae doobt ye will, my lord, whan ye seek onything that's fit to
be gien ye.'</p>

<p id="ii.v-p56"><br />
</p>

<p id="ii.v-p57">'True. Heaven's gifts are seldom much worth the asking.'</p>

<p id="ii.v-p58"><br />
</p>

<p id="ii.v-p59">'Haud yer tongue, my lord, and dinna bring doon a judgment upo'
my hoose, for it wad be missed oot o' Rothieden,'</p>

<p id="ii.v-p60"><br />
</p>

<p id="ii.v-p61">'You're right there, Miss Naper. And here comes the whisky to
stop my mouth.'</p>

<p id="ii.v-p62"><br />
</p>

<p id="ii.v-p63">The Baron of Rothie sat for a few minutes with his feet on the
fender before Miss Letty's blazing fire, without speaking, while he
sipped the whisky neat from a wine-glass. He was a man about the
middle height, rather full-figured, muscular and active, with a
small head, and an eye whose brightness had not yet been dimmed by
the sensuality which might be read in the condition rather than
frame of his countenance. But while he spoke so pleasantly to the
Miss Napiers, and his forehead spread broad and smooth over the
twinkle of his hazel eye, there was a sharp curve on each side of
his upper lip, half-way between the corner and the middle, which
reminded one of the same curves in the lip of his ancestral boar's
head, where it was lifted up by the protruding tusks. These curves
disappeared, of course, when he smiled, and his smile, being a
lord's, was generally pronounced irresistible. He was good-natured,
and nowise inclined to stand upon his rank, so long as he had his
own way.</p>

<p id="ii.v-p64"><br />
</p>

<p id="ii.v-p65">'Any customers by the mail to-night, Miss Naper?' he asked, in a
careless tone.</p>

<p id="ii.v-p66"><br />
</p>

<p id="ii.v-p67">'Naebody partic'lar, my lord.'</p>

<p id="ii.v-p68"><br />
</p>

<p id="ii.v-p69">'I thought ye never let anybody in that wasn't particularly
particular. No foot-passengers--eh?'</p>

<p id="ii.v-p70"><br />
</p>

<p id="ii.v-p71">'Hoot, my lord! that's twa year ago. Gin I had jaloosed him to
be a fren' o' yer lordship's, forby bein' a lord himsel', ye ken as
weel 's I du that I wadna hae sent him ower the gait to Luckie
Happit's, whaur he wadna even be ower sure o' gettin' clean sheets.
But gin lords an' lords' sons will walk afit like ither fowk, wha's
to ken them frae ither fowk?'</p>

<p id="ii.v-p72"><br />
</p>

<p id="ii.v-p73">'Well, Miss Naper, he was no lord at all. He was nothing but a
factor-body doon frae Glenbucket.'</p>

<p id="ii.v-p74"><br />
</p>

<p id="ii.v-p75">'There was sma' hairm dune than, my lord. I'm glaid to hear 't.
But what'll yer lordship hae to yer supper?'</p>

<p id="ii.v-p76"><br />
</p>

<p id="ii.v-p77">'I would like a dish o' your chits and nears (<i>sweetbreads and
kidneys</i>).'</p>

<p id="ii.v-p78"><br />
</p>

<p id="ii.v-p79">'Noo, think o' that!' returned the landlady, laughing. 'You
great fowk wad hae the verra coorse o' natur' turned upside doon to
shuit yersels. Wha ever heard o' caure (<i>calves</i>) at this time
o' the year?'</p>

<p id="ii.v-p80"><br />
</p>

<p id="ii.v-p81">'Well, anything you like. Who was it came by the mail, did you
say?'</p>

<p id="ii.v-p82"><br />
</p>

<p id="ii.v-p83">'I said naebody partic'lar, my lord.'</p>

<p id="ii.v-p84"><br />
</p>

<p id="ii.v-p85">'Well, I'll just go and have a look at Black Geordie.'</p>

<p id="ii.v-p86"><br />
</p>

<p id="ii.v-p87">'Verra weel, my lord.--Letty, rin an' luik efter him; and as
sune 's he's roon' the neuk, tell Lizzie no to say a word aboot the
leddy. As sure 's deith he's efter her. Whaur cud he hae heard tell
o' her?'</p>

<p id="ii.v-p88"><br />
</p>

<p id="ii.v-p89">Lord Rothie came, a moment after, sauntering into the
bar-parlour, where Lizzie, the third Miss Napier, a red-haired,
round-eyed, white-toothed woman of forty, was making entries in a
book.</p>

<p id="ii.v-p90"><br />
</p>

<p id="ii.v-p91">'She's a bonnie lassie that, that came in the coach to-night,
they say, Miss Lizzie.'</p>

<p id="ii.v-p92"><br />
</p>

<p id="ii.v-p93">'As ugly 's sin, my lord,' answered Lizzie.</p>

<p id="ii.v-p94"><br />
</p>

<p id="ii.v-p95">'I hae seen some sin 'at was nane sae ugly, Miss Lizzie.'</p>

<p id="ii.v-p96"><br />
</p>

<p id="ii.v-p97">'She wad hae clean scunnert (<i>disgusted</i>) ye, my lord. It's
a mercy ye didna see her.'</p>

<p id="ii.v-p98"><br />
</p>

<p id="ii.v-p99">'If she be as ugly as all that, I would just like to see
her.'</p>

<p id="ii.v-p100"><br />
</p>

<p id="ii.v-p101">Miss Lizzie saw she had gone too far.</p>

<p id="ii.v-p102"><br />
</p>

<p id="ii.v-p103">'Ow, deed! gin yer lordship wants to see her, ye may see her at
yer wull. I s' gang and tell her.'</p>

<p id="ii.v-p104"><br />
</p>

<p id="ii.v-p105">And she rose as if to go.</p>

<p id="ii.v-p106"><br />
</p>

<p id="ii.v-p107">'No, no. Nothing of the sort, Miss Lizzie. Only I heard that she
was bonnie, and I wanted to see her. You know I like to look at a
pretty girl.'</p>

<p id="ii.v-p108"><br />
</p>

<p id="ii.v-p109">'That's ower weel kent, my lord.'</p>

<p id="ii.v-p110"><br />
</p>

<p id="ii.v-p111">'Well, there's no harm in that, Miss Lizzie.'</p>

<p id="ii.v-p112"><br />
</p>

<p id="ii.v-p113">'There's no harm in <i>that</i>, my lord, though yer lordship
says 't.'</p>

<p id="ii.v-p114"><br />
</p>

<p id="ii.v-p115">The facts were that his lordship had been to the county-town,
some forty miles off, and Black Geordie had been sent to Hillknow
to meet him; for in any weather that would let him sit, he
preferred horseback to every other mode of travelling, though he
seldom would be followed by a groom. He had posted to Hillknow, and
had dined with a friend at the inn. The coach stopping to change
horses, he had caught a glimpse of a pretty face, as he thought,
from its window, and had hoped to overtake the coach before it
reached Rothieden. But stopping to drink another bottle, he had
failed; and it was on the merest chance of seeing that pretty face
that he stopped at The Boar's Head. In all probability, had the
Marquis seen the lady, he would not have thought her at all such a
beauty as she appeared in the eyes of Dooble Sanny; nor, I venture
to think, had he thought as the shoemaker did, would he yet have
dared to address her in other than the words of such respect as he
could still feel in the presence of that which was more noble than
himself.</p>

<p id="ii.v-p116"><br />
</p>

<p id="ii.v-p117">Whether or not on his visit to the stable he found anything
amiss with Black Geordie, I cannot tell, but he now begged Miss
Lizzie to have a bedroom prepared for him.</p>

<p id="ii.v-p118"><br />
</p>

<p id="ii.v-p119">It happened to be the evening of Friday, one devoted by some of
the townspeople to a symposium. To this, knowing that the talk will
throw a glimmer on several matters, I will now introduce my reader,
as a spectator through the reversed telescope of my history.</p>

<p id="ii.v-p120"><br />
</p>

<p id="ii.v-p121">A few of the more influential of the inhabitants had grown,
rather than formed themselves, into a kind of club, which met
weekly at The Boar's Head. Although they had no exclusive right to
the room in which they sat, they generally managed to retain
exclusive possession of it; for if any supposed objectionable
person entered, they always got rid of him, sometimes without his
being aware of how they had contrived to make him so uncomfortable.
They began to gather about seven o'clock, when it was expected that
boiling water would be in readiness for the compound generally
called <i>toddy</i>, sometimes <i>punch</i>. As soon as six were
assembled, one was always voted into the chair.</p>

<p id="ii.v-p122"><br />
</p>

<p id="ii.v-p123">On the present occasion, Mr. Innes, the school-master, was
unanimously elected to that honour. He was a hard-featured,
sententious, snuffy individual, of some learning, and great
respectability.</p>

<p id="ii.v-p124"><br />
</p>

<p id="ii.v-p125">I omit the political talk with which their intercommunications
began; for however interesting at the time is the scaffolding by
which existing institutions arise, the poles and beams when
gathered again in the builder's yard are scarcely a subject for the
artist.</p>

<p id="ii.v-p126"><br />
</p>

<p id="ii.v-p127">The first to lead the way towards matters of nearer personality
was William MacGregor, the linen manufacturer, a man who possessed
a score of hand-looms or so--half of which, from the advance of
cotton and the decline of linen-wear, now stood idle--but who had
already a sufficient deposit in the hands of Mr. Thomson the
banker--agent, that is, for the county-bank--to secure him against
any necessity for taking to cotton shirts himself, which were an
abomination and offence unpardonable in his eyes.</p>

<p id="ii.v-p128"><br />
</p>

<p id="ii.v-p129">'Can ye tell me, Mr. Cocker,' he said, 'what mak's Sandy, Lord
Rothie, or Wrathy, or what suld he be ca'd?--tak' to The Bothie at
a time like this, whan there's neither huntin', nor fishin', nor
shutin', nor onything o' the kin' aboot han' to be playacks till
him, the bonnie bairn--'cep' it be otters an' sic like?'</p>

<p id="ii.v-p130"><br />
</p>

<p id="ii.v-p131">William was a shrunken old man, with white whiskers and a black
wig, a keen black eye, always in search of the ludicrous in other
people, and a mouth ever on the move, as if masticating something
comical.</p>

<p id="ii.v-p132"><br />
</p>

<p id="ii.v-p133">'You know just as well as I do,' answered Mr. Cocker, the
Marquis of Boarshead's factor for the surrounding estate. 'He never
was in the way of giving a reason for anything, least of all for
his own movements.'</p>

<p id="ii.v-p134"><br />
</p>

<p id="ii.v-p135">'Somebody was sayin' to me,' resumed MacGregor, who, in all
probability, invented the story at the moment, 'that the prince
took him kissin' ane o' his servan' lasses, and kickit him oot o'
Carlton Hoose into the street, and he canna win' ower the disgrace
o' 't.'</p>

<p id="ii.v-p136"><br />
</p>

<p id="ii.v-p137">''Deed for the kissin',' said Mr. Thomson, a portly,
comfortable-looking man, 'that's neither here nor there, though it
micht hae been a duchess or twa; but for the kickin', my word! but
Lord Sandy was mair likly to kick oot the prince. Do ye min' hoo he
did whan the Markis taxed him wi'--?'</p>

<p id="ii.v-p138"><br />
</p>

<p id="ii.v-p139">'Haud a quaiet sough,' interposed Mr. Cruickshank, the
solicitor; 'there's a drap i' the hoose.'</p>

<p id="ii.v-p140"><br />
</p>

<p id="ii.v-p141">This was a phrase well understood by the company, indicating the
presence of some one unknown, or unfit to be trusted.</p>

<p id="ii.v-p142"><br />
</p>

<p id="ii.v-p143">As he spoke he looked towards the farther end of the room, which
lay in obscurity; for it was a large room, lighted only by the four
candles on the table at which the company sat.</p>

<p id="ii.v-p144"><br />
</p>

<p id="ii.v-p145">'Whaur, Mr. Cruickshank?' asked the dominie in a whisper.</p>

<p id="ii.v-p146"><br />
</p>

<p id="ii.v-p147">'There,' answered Sampson Peddie, the bookseller, who seized the
opportunity of saying something, and pointed furtively where the
solicitor had only looked.</p>

<p id="ii.v-p148"><br />
</p>

<p id="ii.v-p149">A dim figure was descried at a table in the farthest corner of
the room, and they proceeded to carry out the plan they generally
adopted to get rid of a stranger.</p>

<p id="ii.v-p150"><br />
</p>

<p id="ii.v-p151">'Ye made use o' a curious auld Scots phrase this moment, Mr.
Curshank: can ye explain hoo it comes to beir the meanin' that it's
weel kent to beir?' said the manufacturer.</p>

<p id="ii.v-p152"><br />
</p>

<p id="ii.v-p153">'Not I, Mr. MacGregor,' answered the solicitor. 'I'm no
philologist or antiquarian. Ask the chairman.'</p>

<p id="ii.v-p154"><br />
</p>

<p id="ii.v-p155">'Gentlemen,' responded Mr. Innes, taking a huge pinch of snuff
after the word, and then, passing the box to Mr. Cocker, a sip from
his glass before he went on: 'the phrase, gentlemen, "a drap i' the
hoose," no doobt refers to an undesirable presence, for ye're weel
awaur that it's a most unpleasin' discovery, in winter especially,
to find a drop o' water hangin' from yer ceiling; a something, in
short, whaur it has no business to be, and is not accordingly
looked for, or prepared against.'</p>

<p id="ii.v-p156"><br />
</p>

<p id="ii.v-p157">'It seems to me, Mr. Innes,' said MacGregor, 'that ye hae hit
the nail, but no upo' the heid. What mak' ye o' the phrase, no
confined to the Scots tongue, I believe, o' an <i>
eaves-drapper?</i> The whilk, no doobt, represents a body that
hings aboot yer winnock, like a drap hangin' ower abune it frae the
eaves--therefore called an eaves drapper. But the sort of whilk we
noo speak, are a waur sort a'thegither; for they come to the inside
o' yer hoose, o' yer verra chaumer, an' hing oot their lang lugs to
hear what ye carena to be hard save by a dooce frien' or twa ower a
het tum'ler.'</p>

<p id="ii.v-p158"><br />
</p>

<p id="ii.v-p159">At the same moment the door opened, and a man entered, who was
received with unusual welcome.</p>

<p id="ii.v-p160"><br />
</p>

<p id="ii.v-p161">'Bless my sowl!' said the president, rising; 'it's Mr.
Lammie!--Come awa', Mr. Lammie. Sit doon; sit doon. Whaur hae ye
been this mony a day, like a pelican o' the wilderness?'</p>

<p id="ii.v-p162"><br />
</p>

<p id="ii.v-p163">Mr. Lammie was a large, mild man, with florid cheeks, no
whiskers, and a prominent black eye. He was characterized by a
certain simple alacrity, a gentle, but outspeaking readiness, which
made him a favourite.</p>

<p id="ii.v-p164"><br />
</p>

<p id="ii.v-p165">'I dinna richtly mak' oot wha ye are,' he answered. 'Ye hae unco
little licht here! Hoo are ye a', gentlemen? I s' discover ye by
degrees, and pay my respecks accordin'.'</p>

<p id="ii.v-p166"><br />
</p>

<p id="ii.v-p167">And he drew a chair to the table.</p>

<p id="ii.v-p168"><br />
</p>

<p id="ii.v-p169">''Deed I wuss ye wad,' returned MacGregor, in a voice
pretentiously hushed, but none the less audible. 'There's a drap in
yon en' o' the hoose, Mr. Lammie.'</p>

<p id="ii.v-p170"><br />
</p>

<p id="ii.v-p171">'Hoot! never min' the man,' said Lammie, looking round in the
direction indicated. 'I s' warran' he cares as little aboot hiz as
we care aboot him. There's nae treason noo a-days. I carena wha
hears what I say.'</p>

<p id="ii.v-p172"><br />
</p>

<p id="ii.v-p173">'For my pairt,' said Mr. Peddie, 'I canna help wonnerin' gin it
cud be oor auld frien' Mr. Faukener.'</p>

<p id="ii.v-p174"><br />
</p>

<p id="ii.v-p175">'Speyk o' the de'il--' said Mr. Lammie.</p>

<p id="ii.v-p176"><br />
</p>

<p id="ii.v-p177">'Hoot! na,' returned Peddie, interrupting. 'He wasna a'thegither
the de'il.'</p>

<p id="ii.v-p178"><br />
</p>

<p id="ii.v-p179">'Haud the tongue o' ye,' retorted Lammie. 'Dinna ye ken a
proverb whan ye hear 't? De'il hae ye! ye're as sharpset as a
missionar'. I was only gaun to say that I'm doobtin' Andrew's
deid.'</p>

<p id="ii.v-p180"><br />
</p>

<p id="ii.v-p181">'Ay! ay!' commenced a chorus of questioning.</p>

<p id="ii.v-p182"><br />
</p>

<p id="ii.v-p183">'Mhm!'</p>

<p id="ii.v-p184"><br />
</p>

<p id="ii.v-p185">'Aaay!'</p>

<p id="ii.v-p186"><br />
</p>

<p id="ii.v-p187">'What gars ye think that?'</p>

<p id="ii.v-p188"><br />
</p>

<p id="ii.v-p189">'And sae he's deid!'</p>

<p id="ii.v-p190"><br />
</p>

<p id="ii.v-p191">'He was a great favourite, Anerew!'</p>

<p id="ii.v-p192"><br />
</p>

<p id="ii.v-p193">'Whaur dee'd he?'</p>

<p id="ii.v-p194"><br />
</p>

<p id="ii.v-p195">'Aye some upsettin' though!'</p>

<p id="ii.v-p196"><br />
</p>

<p id="ii.v-p197">'Ay. He was aye to be somebody wi' his tale.'</p>

<p id="ii.v-p198"><br />
</p>

<p id="ii.v-p199">'A gude-hertit crater, but ye cudna lippen till him.'</p>

<p id="ii.v-p200"><br />
</p>

<p id="ii.v-p201">'Speyk nae ill o' the deid. Maybe they'll hear ye, and turn
roon' i' their coffins, and that'll whumle you i' your beds,' said
MacGregor, with a twinkle in his eye.</p>

<p id="ii.v-p202"><br />
</p>

<p id="ii.v-p203">'Ring the bell for anither tum'ler, Sampson,' said the
chairman.</p>

<p id="ii.v-p204"><br />
</p>

<p id="ii.v-p205">'What'll be dune wi' that factory place, noo? It'll be i' the
market?'</p>

<p id="ii.v-p206"><br />
</p>

<p id="ii.v-p207">'It's been i' the market for mony a year. But it's no his ava.
It belangs to the auld leddy, his mither,' said the weaver.</p>

<p id="ii.v-p208"><br />
</p>

<p id="ii.v-p209">'Why don't you buy it, Mr. MacGregor, and set up a cotton mill?
There's not much doing with the linen now,' said Mr. Cocker.</p>

<p id="ii.v-p210"><br />
</p>

<p id="ii.v-p211">'Me!' returned MacGregor, with indignation. 'The Lord forgie ye
for mintin' (<i>hinting</i>) at sic a thing, Mr. Cocker! Me tak' to
coaton! I wad as sune spin the hair frae Sawtan's hurdies. Short
fushionless dirt, that canna grow straucht oot o' the halesome
yird, like the bonnie lint-bells, but maun stick itsel' upo' a
buss!--set it up! Coorse vulgar stuff, 'at naebody wad weir but
loup-coonter lads that wad fain luik like gentlemen by means o' the
collars and ruffles--an' a' comin' frae the auld loom! They may
weel affoord se'enteen hunner linen to set it aff wi' 'at has
naething but coaton inside the breeks o' them.'</p>

<p id="ii.v-p212"><br />
</p>

<p id="ii.v-p213">'But Dr. Wagstaff says it's healthier,' interposed Peddie.</p>

<p id="ii.v-p214"><br />
</p>

<p id="ii.v-p215">'I'll wag a staff till him. De'il a bit o' 't 's healthier! an'
that he kens. It's nae sae healthy, an' sae it mak's him mair wark
wi' 's poothers an' his drauchts, an' ither stinkin' stuff.
Healthier! What neist?'</p>

<p id="ii.v-p216"><br />
</p>

<p id="ii.v-p217">'Somebody tellt me,' said the bookseller, inwardly conscious of
offence, ''at hoo Lord Sandy himsel' weirs cotton.'</p>

<p id="ii.v-p218"><br />
</p>

<p id="ii.v-p219">'Ow 'deed, maybe. And he sets mony a worthy example furbye. Hoo
mony, can ye tell me, Mr. Peddie, has he pulled doon frae honest,
if no frae high estate, and sent oot to seek their livin' as he
taucht them? Hoo mony--?'</p>

<p id="ii.v-p220"><br />
</p>

<p id="ii.v-p221">'Hoot, hoot! Mr. MacGregor, his lordship hasn't a cotton shirt
in his possession, I'll be bound,' said Mr. Cocker. 'And, besides,
you have not to wash his dirty linen--or cotton either.'</p>

<p id="ii.v-p222"><br />
</p>

<p id="ii.v-p223">'That's as muckle as to say, accordin' to Cocker, that I'm no to
speik a word against him. But I'll say what I like. He's no <i>
my</i> maister,' said MacGregor, who could drink very little
without suffering in his temper and manners; and who, besides, had
a certain shrewd suspicion as to the person who still sat in the
dark end of the room, possibly because the entrance of Mr. Lammie
had interrupted the exorcism.</p>

<p id="ii.v-p224"><br />
</p>

<p id="ii.v-p225">The chairman interposed with soothing words; and the whole
company, Cocker included, did its best to pacify the manufacturer;
for they all knew what would be the penalty if they failed.</p>

<p id="ii.v-p226"><br />
</p>

<p id="ii.v-p227">A good deal of talk followed, and a good deal of whisky was
drunk. They were waited upon by Meg, who, without their being aware
of it, cast a keen parting glance at them every time she left the
room. At length the conversation had turned again to Andrew
Falconer's death.</p>

<p id="ii.v-p228"><br />
</p>

<p id="ii.v-p229">'Whaur said ye he dee'd, Mr. Lammie?'</p>

<p id="ii.v-p230"><br />
</p>

<p id="ii.v-p231">'I never said he was deid. I said I was feared 'at he was
deid.'</p>

<p id="ii.v-p232"><br />
</p>

<p id="ii.v-p233">'An' what gars ye say that? It micht be o' consequence to hae 't
correck,' said the solicitor.</p>

<p id="ii.v-p234"><br />
</p>

<p id="ii.v-p235">'I had a letter frae my auld frien' and his, Dr. Anderson. Ye
min' upo' him, Mr. Innes, dunna ye? He's heid o' the medical boord
at Calcutta noo. He says naething but that he doobts he's gane. He
gaed up the country, and he hasna hard o' him for sae lang. We hae
keepit up a correspondence for mony a year noo, Dr. Anderson an'
me. He was a relation o' Anerew's, ye ken--a second cousin, or
something. He'll be hame or lang, I'm thinkin', wi' a fine
pension.'</p>

<p id="ii.v-p236"><br />
</p>

<p id="ii.v-p237">'He winna weir a cotton sark, I'll be boon',' said
MacGregor.</p>

<p id="ii.v-p238"><br />
</p>

<p id="ii.v-p239">'What's the auld leddy gaein' to du wi' that lang-leggit oye
(<i>grandson</i>) o' hers, Anerew's son?' asked Sampson.</p>

<p id="ii.v-p240"><br />
</p>

<p id="ii.v-p241">'Ow! he'll be gaein' to the college, I'm thinkin'. He's a fine
lad, and a clever, they tell me,' said Mr. Thomson.</p>

<p id="ii.v-p242"><br />
</p>

<p id="ii.v-p243">'Indeed, he's all that, and more too,' said the
school-master.</p>

<p id="ii.v-p244"><br />
</p>

<p id="ii.v-p245">'There's naething 'ull du but the college noo!' said MacGregor,
whom nobody heeded, for fear of again rousing his anger.</p>

<p id="ii.v-p246"><br />
</p>

<p id="ii.v-p247">'Hoo 'ill she manage that, honest woman? She maun hae but little
to spare frae the cleedin' o' 'm.'</p>

<p id="ii.v-p248"><br />
</p>

<p id="ii.v-p249">'She's a gude manager, Mistress Faukner. And, ye see, she has
the bleachgreen yet.'</p>

<p id="ii.v-p250"><br />
</p>

<p id="ii.v-p251">'<i>She</i> doesna weir cotton sarks,' growled MacGregor.
'Mony's the wob o' mine she's bleached and boucht tu!'</p>

<p id="ii.v-p252"><br />
</p>

<p id="ii.v-p253">Nobody heeding him yet, he began to feel insulted, and broke in
upon the conversation with intent.</p>

<p id="ii.v-p254"><br />
</p>

<p id="ii.v-p255">'Ye haena telt 's yet, Cocker,' he said, 'what that maister o'
yours is duin' here at this time o' the year. I wad ken that, gin
ye please.'</p>

<p id="ii.v-p256"><br />
</p>

<p id="ii.v-p257">'How should I know, Mr. MacGregor?' returned the factor, taking
no notice of the offensive manner in which the question was
put.</p>

<p id="ii.v-p258"><br />
</p>

<p id="ii.v-p259">'He's no a hair better nor ane o' thae Algerine pirates 'at Lord
Exmooth's het the hips o'--and that's my opingon.'</p>

<p id="ii.v-p260"><br />
</p>

<p id="ii.v-p261">'He's nae amo' your feet, MacGregor,' said the banker. 'Ye micht
jist lat him lie.'</p>

<p id="ii.v-p262"><br />
</p>

<p id="ii.v-p263">'Gin I had him doon, faith gin I wadna lat him lie! I'll jist
tell ye ae thing, gentlemen, that cam' to my knowledge no a hunner
year ago. An' it's a' as true 's gospel, though I hae aye held my
tongue aboot it till this verra nicht. Ay! ye'll a' hearken noo;
but it's no lauchin', though there was sculduddery eneuch, nae
doobt, afore it cam' that len'th. And mony a het drap did the puir
lassie greet, I can tell ye. Faith! it was no lauchin' to her. She
was a servan' o' oors, an' a ticht bonnie lass she was. They ca'd
her the weyver's bonny Mary--that's the name she gaed by. Weel, ye
see--'</p>

<p id="ii.v-p264"><br />
</p>

<p id="ii.v-p265">MacGregor was interrupted by a sound from the further end of the
room. The stranger, whom most of them had by this time forgotten,
had risen, and was approaching the table where they sat.</p>

<p id="ii.v-p266"><br />
</p>

<p id="ii.v-p267">'Guid guide us!' interrupted several under their breaths, as all
rose, 'it's Lord Sandy himsel'!'</p>

<p id="ii.v-p268"><br />
</p>

<p id="ii.v-p269">'I thank you, gentleman,' he said, with a mixture of irony and
contempt, 'for the interest you take in my private history. I
should have thought it had been as little to the taste as it is to
the honour of <i>some</i> of you to listen to such a farrago of
lies.'</p>

<p id="ii.v-p270"><br />
</p>

<p id="ii.v-p271">'Lees! my lord,' said MacGregor, starting to his feet. Mr.
Cocker looked dismayed, and Mr. Lammie sheepish--all of them dazed
and dumbfoundered, except the old weaver, who, as his lordship
turned to leave the room, added:</p>

<p id="ii.v-p272"><br />
</p>

<p id="ii.v-p273">'Lang lugs (<i>ears</i>) suld be made o' leather, my lord, for
fear they grow het wi' what they hear.'</p>

<p id="ii.v-p274"><br />
</p>

<p id="ii.v-p275">Lord Rothie turned in a rage. He too had been drinking.</p>

<p id="ii.v-p276"><br />
</p>

<p id="ii.v-p277">'Kick that toad into the street, or, by heaven! it's the last
drop any of you drink in this house!' he cried.</p>

<p id="ii.v-p278"><br />
</p>

<p id="ii.v-p279">'The taed may tell the poddock (<i>frog</i>) what the rottan
(<i>rat</i>) did i' the taed's hole, my lord,' said MacGregor, whom
independence, honesty, bile, and drink combined to render
fearless.</p>

<p id="ii.v-p280"><br />
</p>

<p id="ii.v-p281">Lord Sandy left the room without another word. His factor took
his hat and followed him. The rest dropped into their seats in
silence. Mr. Lammie was the first to speak.</p>

<p id="ii.v-p282"><br />
</p>

<p id="ii.v-p283">'There's a pliskie!' he said.</p>

<p id="ii.v-p284"><br />
</p>

<p id="ii.v-p285">'I cud jist say the word efter auld Simeon,' said MacGregor.</p>

<p id="ii.v-p286"><br />
</p>

<p id="ii.v-p287">'I never thocht to be sae favoured! Eh! but I hae langed, and
noo I hae spoken!' with which words he sat down, contented.</p>

<p id="ii.v-p288"><br />
</p>

<p id="ii.v-p289">When Mr. Cocker overtook his master, as MacGregor had not
unfitly styled him, he only got a damning for his pains, and went
home considerably crestfallen.</p>

<p id="ii.v-p290"><br />
</p>

<p id="ii.v-p291">Lord Rothie returned to the landlady in her parlour.</p>

<p id="ii.v-p292"><br />
</p>

<p id="ii.v-p293">'What's the maitter wi' ye, my lord? What's vexed ye?' asked
Miss Napier, with a twinkle in her eyes, for she thought, from the
baron's mortification, he must have received some rebuff, and now
that the <i>bonnie leddy</i> was safe at Captain Forsyth's, enjoyed
the idea of it.</p>

<p id="ii.v-p294"><br />
</p>

<p id="ii.v-p295">'Ye keep an ill-tongued hoose, Miss Naper,' answered his
lordship.</p>

<p id="ii.v-p296"><br />
</p>

<p id="ii.v-p297">Miss Napier guessed at the truth at once--that he had overheard
some free remarks on his well-known licence of behaviour.</p>

<p id="ii.v-p298"><br />
</p>

<p id="ii.v-p299">'Weel, my lord, I do my best. A body canna keep an inn and speir
the carritchis (<i>catechism</i>) at the door o' 't. But I believe
ye're i' the richt, my lord, for I heard an awfu' aff-gang o'
sweirin' i' the yard, jist afore yer lordship cam' in. An' noo' 'at
I think o' 't, it wasna that onlike yer lordship's ain word.'</p>

<p id="ii.v-p300"><br />
</p>

<p id="ii.v-p301">Lord Sandy broke into a loud laugh. He could enjoy a joke
against himself when it came from a woman, and was founded on such
a trifle as a personal vice.</p>

<p id="ii.v-p302"><br />
</p>

<p id="ii.v-p303">'I think I'll go to bed,' he said when his laugh was over. 'I
believe it's the only safe place from your tongue, Miss Naper.'</p>

<p id="ii.v-p304"><br />
</p>

<p id="ii.v-p305">'Letty,' cried Miss Napier, 'fess a can'le, and show his
lordship to the reid room.'</p>

<p id="ii.v-p306"><br />
</p>

<p id="ii.v-p307">Till Miss Letty appeared, the baron sat and stretched himself.
He then rose and followed her into the archway, and up an outside
stair to a door which opened immediately upon a handsome
old-fashioned room, where a blazing fire lighted up the red
hangings. Miss Letty set down the candle, and bidding his lordship
good night, turned and left the room, shutting the door, and
locking it behind her--a proceeding of which his lordship took no
notice, for, however especially suitable it might be in his case,
it was only, from whatever ancient source derived, the custom of
the house in regard to this particular room and a corresponding
chamber on the opposite side of the archway.</p>

<p id="ii.v-p308"><br />
</p>

<p id="ii.v-p309">Meantime the consternation amongst the members of the club was
not so great as not to be talked over, or to prevent the call for
more whisky and hot water. All but MacGregor, however, regretted
what had occurred. He was so elevated with his victory and a sense
of courage and prowess, that he became more and more facetious and
overbearing.</p>

<p id="ii.v-p310"><br />
</p>

<p id="ii.v-p311">'It's all very well for you, Mr. MacGregor,' said the dominie,
with dignity: 'you have nothing to lose.'</p>

<p id="ii.v-p312"><br />
</p>

<p id="ii.v-p313">'Troth! he canna brak the bank--eh, Mr. Tamson?'</p>

<p id="ii.v-p314"><br />
</p>

<p id="ii.v-p315">'He may give me a hint to make you withdraw your money, though,
Mr. MacGregor.'</p>

<p id="ii.v-p316"><br />
</p>

<p id="ii.v-p317">'De'il care gin I do!' returned the weaver. 'I can mak' better
o' 't ony day.'</p>

<p id="ii.v-p318"><br />
</p>

<p id="ii.v-p319">'But there's yer hoose an' kailyard,' suggested Peddie.</p>

<p id="ii.v-p320"><br />
</p>

<p id="ii.v-p321">'They're ma ain!--a' ma ain! He canna lay 's finger on onything
o' mine but my servan' lass,' cried the weaver, slapping his
thigh-bone--for there was little else to slap.</p>

<p id="ii.v-p322"><br />
</p>

<p id="ii.v-p323">Meg, at the moment, was taking her exit-glance. She went
straight to Miss Napier.</p>

<p id="ii.v-p324"><br />
</p>

<p id="ii.v-p325">'Willie MacGregor's had eneuch, mem, an' a drappy ower.'</p>

<p id="ii.v-p326"><br />
</p>

<p id="ii.v-p327">'Sen' Caumill doon to Mrs. MacGregor to say wi' my compliments
that she wad do weel to sen' for him,' was the response.</p>

<p id="ii.v-p328"><br />
</p>

<p id="ii.v-p329">Meantime he grew more than troublesome. Ever on the outlook,
when sober, after the foibles of others, he laid himself open to
endless ridicule when in drink, which, to tell the truth, was a
rare occurrence. He was in the midst of a prophetic denunciation of
the vices of the nobility, and especially of Lord Rothie, when Meg,
entering the room, went quietly behind his chair and whispered:</p>

<p id="ii.v-p330"><br />
</p>

<p id="ii.v-p331">'Maister MacGregor, there's a lassie come for ye.'</p>

<p id="ii.v-p332"><br />
</p>

<p id="ii.v-p333">'I'm nae in,' he answered, magnificently.</p>

<p id="ii.v-p334"><br />
</p>

<p id="ii.v-p335">'But it's the mistress 'at's sent for ye. Somebody's wantin'
ye.'</p>

<p id="ii.v-p336"><br />
</p>

<p id="ii.v-p337">'Somebody maun want me, than.--As I was sayin', Mr. Cheerman and
gentlemen--'</p>

<p id="ii.v-p338"><br />
</p>

<p id="ii.v-p339">'Mistress MacGregor 'll be efter ye hersel', gin ye dinna gang,'
said Meg.</p>

<p id="ii.v-p340"><br />
</p>

<p id="ii.v-p341">'Let her come. Duv ye think I'm fleyt at her? De'il a step 'll I
gang till I please. Tell her that, Meg.'</p>

<p id="ii.v-p342"><br />
</p>

<p id="ii.v-p343">Meg left the room, with a broad grin on her good-humoured
face.</p>

<p id="ii.v-p344"><br />
</p>

<p id="ii.v-p345">'What's the bitch lauchin' at?' exclaimed MacGregor, starting to
his feet.</p>

<p id="ii.v-p346"><br />
</p>

<p id="ii.v-p347">The whole company rose likewise, using their endeavour to
persuade him to go home.</p>

<p id="ii.v-p348"><br />
</p>

<p id="ii.v-p349">'Duv ye think I'm drunk, sirs? I'll lat ye ken I'm no drunk. I
hae a wull o' mine ain yet. Am I to gang hame wi' a lassie to haud
me oot o' the gutters? Gin ye daur to alloo that I'm drunk, ye ken
hoo ye'll fare, for de'il a fit 'll I gang oot o' this till I hae
anither tum'ler.'</p>

<p id="ii.v-p350"><br />
</p>

<p id="ii.v-p351">'I'm thinkin' there's mair o' 's jist want ane mair,' said
Peddie.</p>

<p id="ii.v-p352"><br />
</p>

<p id="ii.v-p353">A confirmatory murmur arose as each looked into the bottom of
his tumbler, and the bell was instantly rung. But it only brought
Meg back with the message that it was time for them all to go home.
Every eye turned upon MacGregor reproachfully.</p>

<p id="ii.v-p354"><br />
</p>

<p id="ii.v-p355">'Ye needna luik at me that gait, sirs. I'm no fou,' said he.</p>

<p id="ii.v-p356"><br />
</p>

<p id="ii.v-p357">''Deed no. Naebody taks ye to be,' answered the chairman.
'Meggie, there's naebody's had ower muckle yet, and twa or three o'
's hasna had freely eneuch. Jist gang an' fess a mutchkin mair. An'
there'll be a shillin' to yersel', lass.'</p>

<p id="ii.v-p358"><br />
</p>

<p id="ii.v-p359">Meg retired, but straightway returned.</p>

<p id="ii.v-p360"><br />
</p>

<p id="ii.v-p361">'Miss Naper says there's no a drap mair drink to be had i' this
hoose the nicht.'</p>

<p id="ii.v-p362"><br />
</p>

<p id="ii.v-p363">'Here, Meggie,' said the chairman, 'there's yer shillin'; and ye
jist gang to Miss Lettie, and gie her my compliments, and say that
Mr. Lammie's here, and we haena seen him for a lang time. And'--the
rest was spoken in a whisper--'I'll sweir to ye, Meggie, the weyver
body sanna hae ae drap o' 't.'</p>

<p id="ii.v-p364"><br />
</p>

<p id="ii.v-p365">Meg withdrew once more, and returned.</p>

<p id="ii.v-p366"><br />
</p>

<p id="ii.v-p367">'Miss Letty's compliments, sir, and Miss Naper has the keys, and
she's gane till her bed, and we maunna disturb her. And it's time
'at a' honest fowk was in their beds tu. And gin Mr. Lammie wants a
bed i' this hoose, he maun gang till 't. An' here's his can'le.
Gude nicht to ye a', gentlemen.'</p>

<p id="ii.v-p368"><br />
</p>

<p id="ii.v-p369">So saying, Meg set the lighted candle on the sideboard, and
finally vanished. The good-tempered, who formed the greater part of
the company, smiled to each other, and emptied the last drops of
their toddy first into their glasses, and thence into their mouths.
The ill-tempered, numbering but one more than MacGregor, growled
and swore a little, the weaver declaring that he would not go home.
But the rest walked out and left him, and at last, appalled by the
silence, he rose with his wig awry, and trotted--he always trotted
when he was tipsy--home to his wife.</p>

<p id="ii.v-p370"><br />
</p>

<p id="ii.v-p371"><br />
</p>

</div2>

      <div2 title="CHAPTER VI.--MRS. FALCONER." n="vi" shorttitle="" progress="6.09%" id="ii.vi" prev="ii.v" next="ii.vii">

<p id="ii.vi-p1"><br />
</p>

<p id="ii.vi-p2">CHAPTER VI.</p>

<p id="ii.vi-p3"><br />
</p>

<p id="ii.vi-p4">MRS. FALCONER.</p>

<p id="ii.vi-p5"><br />
</p>

<p id="ii.vi-p6">MEANTIME Robert was seated in the parlour at the little dark
mahogany table, in which the lamp, shaded towards his grandmother's
side, shone brilliantly reflected. Her face being thus hidden both
by the light and the shadow, he could not observe the keen look of
stern benevolence with which, knowing that he could not see her,
she regarded him as he ate his thick oat-cake of Betty's skilled
manufacture, well loaded with the sweetest butter, and drank the
tea which she had poured out and sugared for him with liberal hand.
It was a comfortable little room, though its inlaid mahogany chairs
and ancient sofa, covered with horsehair, had a certain look of
hardness, no doubt. A shepherdess and lamb, worked in silks whose
brilliance had now faded half-way to neutrality, hung in a black
frame, with brass rosettes at the corners, over the
chimney-piece--the sole approach to the luxury of art in the homely
little place. Besides the muslin stretched across the lower part of
the window, it was undefended by curtains. There was no cat in the
room, nor was there one in the kitchen even; for Mrs. Falconer had
such a respect for humanity that she grudged every morsel consumed
by the lower creation. She sat in one of the arm-chairs belonging
to the hairy set, leaning back in contemplation of her grandson, as
she took her tea.</p>

<p id="ii.vi-p7"><br />
</p>

<p id="ii.vi-p8">She was a handsome old lady--little, but had once been taller,
for she was more than seventy now. She wore a plain cap of muslin,
lying close to her face, and bordered a little way from the edge
with a broad black ribbon, which went round her face, and then,
turning at right angles, went round the back of her neck. Her gray
hair peeped a little way from under this cap. A clear but
short-sighted eye of a light hazel shone under a smooth thoughtful
forehead; a straight and well-elevated, but rather short nose,
which left the firm upper lip long and capable of expressing a
world of dignified offence, rose over a well-formed mouth,
revealing more moral than temperamental sweetness; while the chin
was rather deficient than otherwise, and took little share in
indicating the remarkable character possessed by the old lady.</p>

<p id="ii.vi-p9"><br />
</p>

<p id="ii.vi-p10">After gazing at Robert for some time, she took a piece of
oat-cake from a plate by her side, the only luxury in which she
indulged, for it was made with cream instead of water--it was very
little she ate of anything--and held it out to Robert in a hand
white, soft, and smooth, but with square finger tips, and squat
though pearly nails. 'Ha'e, Robert,' she said; and Robert received
it with a 'Thank you, grannie'; but when he thought she did not see
him, slipped it under the table and into his pocket. She saw him
well enough, however, and although she would not condescend to ask
him why he put it away instead of eating it, the endeavour to
discover what could have been his reason for so doing cost her two
hours of sleep that night. She would always be at the bottom of a
thing if reflection could reach it, but she generally declined
taking the most ordinary measures to expedite the process.</p>

<p id="ii.vi-p11"><br />
</p>

<p id="ii.vi-p12">When Robert had finished his tea, instead of rising to get his
books and betake himself to his lessons, in regard to which his
grandmother had seldom any cause to complain, although she would
have considered herself guilty of high treason against the boy's
future if she had allowed herself once to acknowledge as much, he
drew his chair towards the fire, and said:</p>

<p id="ii.vi-p13"><br />
</p>

<p id="ii.vi-p14">'Grandmamma!'</p>

<p id="ii.vi-p15"><br />
</p>

<p id="ii.vi-p16">'He's gaein' to tell me something,' said Mrs. Falconer to
herself. 'Will 't be aboot the puir barfut crater they ca' Shargar,
or will 't be aboot the piece he pat intil 's pooch?'</p>

<p id="ii.vi-p17"><br />
</p>

<p id="ii.vi-p18">'Weel, laddie?' she said aloud, willing to encourage him.</p>

<p id="ii.vi-p19"><br />
</p>

<p id="ii.vi-p20">'Is 't true that my gran'father was the blin' piper o'
Portcloddie?'</p>

<p id="ii.vi-p21"><br />
</p>

<p id="ii.vi-p22">'Ay, laddie; true eneuch. Hoots, na! nae yer grandfather, but
yer father's grandfather, laddie--my husband's father.'</p>

<p id="ii.vi-p23"><br />
</p>

<p id="ii.vi-p24">'Hoo cam that aboot?'</p>

<p id="ii.vi-p25"><br />
</p>

<p id="ii.vi-p26">'Weel, ye see, he was oot i' the Forty-five; and efter the
battle o' Culloden, he had to rin for 't. He wasna wi' his ain clan
at the battle, for his father had broucht him to the Lawlands whan
he was a lad; but he played the pipes till a reg'ment raised by the
Laird o' Portcloddie. And for ooks (<i>weeks</i>) he had to hide
amo' the rocks. And they tuik a' his property frae him. It wasna
muckle--a wheen hooses, and a kailyard or twa, wi' a bit fairmy on
the tap o' a cauld hill near the sea-shore; but it was eneuch and
to spare; and whan they tuik it frae him, he had naething left i'
the warl' but his sons. Yer grandfather was born the verra day o'
the battle, and the verra day 'at the news cam, the mother deed.
But yer great grandfather wasna lang or he merried anither wife. He
was sic a man as ony woman micht hae been prood to merry. She was
the dother (<i>daughter</i>) o' an episcopalian minister, and she
keepit a school in Portcloddie. I saw him first mysel' whan I was
aboot twenty--that was jist the year afore I was merried. He was a
gey (<i>considerably</i>) auld man than, but as straucht as an
ellwand, and jist pooerfu' beyon' belief. His shackle-bane
(<i>wrist</i>) was as thick as baith mine; and years and years
efter that, whan he tuik his son, my husband, and his grandson, my
Anerew--'</p>

<p id="ii.vi-p27"><br />
</p>

<p id="ii.vi-p28">'What ails ye, grannie? What for dinna ye gang on wi' the
story?'</p>

<p id="ii.vi-p29"><br />
</p>

<p id="ii.vi-p30">After a somewhat lengthened pause, Mrs. Falconer resumed as if
she had not stopped at all.</p>

<p id="ii.vi-p31"><br />
</p>

<p id="ii.vi-p32">'Ane in ilka han', jist for the fun o' 't, he kneipit their
heids thegither, as gin they hed been twa carldoddies (<i>stalks of
ribgrass</i>). But maybe it was the lauchin' o' the twa lads, for
they thocht it unco fun. They were maist killed wi' lauchin'. But
the last time he did it, the puir auld man hostit (<i>coughed</i>)
sair efterhin, and had to gang and lie doon. He didna live lang
efter that. But it wasna that 'at killed him, ye ken.'</p>

<p id="ii.vi-p33"><br />
</p>

<p id="ii.vi-p34">'But hoo cam he to play the pipes?'</p>

<p id="ii.vi-p35"><br />
</p>

<p id="ii.vi-p36">'He likit the pipes. And yer grandfather, he tuik to the
fiddle.'</p>

<p id="ii.vi-p37"><br />
</p>

<p id="ii.vi-p38">'But what for did they ca' him the blin' piper o'
Portcloddie?'</p>

<p id="ii.vi-p39"><br />
</p>

<p id="ii.vi-p40">'Because he turned blin' lang afore his en' cam, and there was
naething ither he cud do. And he wad aye mak an honest baubee whan
he cud; for siller was fell scarce at that time o' day amo' the
Falconers. Sae he gaed throu the toon at five o'clock ilka mornin'
playin' his pipes, to lat them 'at war up ken they war up in time,
and them 'at warna, that it was time to rise. And syne he played
them again aboot aucht o'clock at nicht, to lat them ken 'at it was
time for dacent fowk to gang to their beds. Ye see, there wasna sae
mony clocks and watches by half than as there is noo.'</p>

<p id="ii.vi-p41"><br />
</p>

<p id="ii.vi-p42">'Was he a guid piper, grannie?'</p>

<p id="ii.vi-p43"><br />
</p>

<p id="ii.vi-p44">'What for speir ye that?'</p>

<p id="ii.vi-p45"><br />
</p>

<p id="ii.vi-p46">'Because I tauld that sunk, Lumley--'</p>

<p id="ii.vi-p47"><br />
</p>

<p id="ii.vi-p48">'Ca' naebody names, Robert. But what richt had ye to be speikin'
to a man like that?'</p>

<p id="ii.vi-p49"><br />
</p>

<p id="ii.vi-p50">'He spak to me first.'</p>

<p id="ii.vi-p51"><br />
</p>

<p id="ii.vi-p52">'Whaur saw ye him?'</p>

<p id="ii.vi-p53"><br />
</p>

<p id="ii.vi-p54">'At The Boar's Heid.'</p>

<p id="ii.vi-p55"><br />
</p>

<p id="ii.vi-p56">'And what richt had ye to gang stan'in' aboot? Ye oucht to ha'
gane in at ance.'</p>

<p id="ii.vi-p57"><br />
</p>

<p id="ii.vi-p58">'There was a half-dizzen o' fowk stan'in' aboot, and I bude
(<i>behoved</i>) to speik whan I was spoken till.'</p>

<p id="ii.vi-p59"><br />
</p>

<p id="ii.vi-p60">'But ye budena stop an' mak' ae fule mair.'</p>

<p id="ii.vi-p61"><br />
</p>

<p id="ii.vi-p62">'Isna that ca'in' names, grannie?'</p>

<p id="ii.vi-p63"><br />
</p>

<p id="ii.vi-p64">''Deed, laddie, I doobt ye hae me there. But what said the
fallow Lumley to ye?'</p>

<p id="ii.vi-p65"><br />
</p>

<p id="ii.vi-p66">'He cast up to me that my grandfather was naething but a blin'
piper.'</p>

<p id="ii.vi-p67"><br />
</p>

<p id="ii.vi-p68">'And what said ye?'</p>

<p id="ii.vi-p69"><br />
</p>

<p id="ii.vi-p70">'I daured him to say 'at he didna pipe weel.'</p>

<p id="ii.vi-p71"><br />
</p>

<p id="ii.vi-p72">'Weel dune, laddie! And ye micht say 't wi' a gude conscience,
for he wadna hae been piper till 's regiment at the battle o'
Culloden gin he hadna pipit weel. Yon's his kilt hingin' up i' the
press i' the garret. Ye'll hae to grow, Robert, my man, afore ye
fill that.'</p>

<p id="ii.vi-p73"><br />
</p>

<p id="ii.vi-p74">'And whase was that blue coat wi' the bonny gowd buttons upo'
't?' asked Robert, who thought he had discovered a new approach to
an impregnable hold, which he would gladly storm if he could.</p>

<p id="ii.vi-p75"><br />
</p>

<p id="ii.vi-p76">'Lat the coat sit. What has that to do wi' the kilt? A blue coat
and a tartan kilt gang na weel thegither.'</p>

<p id="ii.vi-p77"><br />
</p>

<p id="ii.vi-p78">'Excep' in an auld press whaur naebody sees them. Ye wadna care,
grannie, wad ye, gin I was to cut aff the bonnie buttons?'</p>

<p id="ii.vi-p79"><br />
</p>

<p id="ii.vi-p80">'Dinna lay a finger upo' them. Ye wad be gaein' playin' at pitch
and toss or ither sic ploys wi' them. Na, na, lat them sit.'</p>

<p id="ii.vi-p81"><br />
</p>

<p id="ii.vi-p82">'I wad only niffer them for bools (<i>exchange them for
marbles</i>).'</p>

<p id="ii.vi-p83"><br />
</p>

<p id="ii.vi-p84">'I daur ye to touch the coat or onything 'ither that's i' that
press.'</p>

<p id="ii.vi-p85"><br />
</p>

<p id="ii.vi-p86">'Weel, weel, grannie. I s' gang and get my lessons for the
morn.'</p>

<p id="ii.vi-p87"><br />
</p>

<p id="ii.vi-p88">'It's time, laddie. Ye hae been jabberin' ower muckle. Tell
Betty to come and tak' awa' the tay-things.'</p>

<p id="ii.vi-p89"><br />
</p>

<p id="ii.vi-p90">Robert went to the kitchen, got a couple of hot potatoes and a
candle, and carried them up-stairs to Shargar, who was fast asleep.
But the moment the light shone upon his face, he started up, with
his eyes, if not his senses, wide awake.</p>

<p id="ii.vi-p91"><br />
</p>

<p id="ii.vi-p92">'It wasna me, mither! I tell ye it wasna me!'</p>

<p id="ii.vi-p93"><br />
</p>

<p id="ii.vi-p94">And he covered his head with both arms, as if to defend it from
a shower of blows.</p>

<p id="ii.vi-p95"><br />
</p>

<p id="ii.vi-p96">'Haud yer tongue, Shargar. It's me.'</p>

<p id="ii.vi-p97"><br />
</p>

<p id="ii.vi-p98">But before Shargar could come to his senses, the light of the
candle falling upon the blue coat made the buttons flash confused
suspicions into his mind.</p>

<p id="ii.vi-p99"><br />
</p>

<p id="ii.vi-p100">'Mither, mither,' he said, 'ye hae gane ower far this time.
There's ower mony o' them, and they're no the safe colour. We'll be
baith hangt, as sure's there's a deevil in hell.'</p>

<p id="ii.vi-p101"><br />
</p>

<p id="ii.vi-p102">As he said thus, he went on trying to pick the buttons from the
coat, taking them for sovereigns, though how he could have seen a
sovereign at that time in Scotland I can only conjecture. But
Robert caught him by the shoulders, and shook him awake with no
gentle hands, upon which he began to rub his eyes, and mutter
sleepily:</p>

<p id="ii.vi-p103"><br />
</p>

<p id="ii.vi-p104">'Is that you, Bob? I hae been dreamin', I doobt.'</p>

<p id="ii.vi-p105"><br />
</p>

<p id="ii.vi-p106">'Gin ye dinna learn to dream quaieter, ye'll get you and me tu
into mair trouble nor I care to hae aboot ye, ye rascal. Haud the
tongue o' ye, and eat this tawtie, gin ye want onything mair. And
here's a bit o' reamy cakes tu ye. Ye winna get that in ilka hoose
i' the toon. It's my grannie's especial.'</p>

<p id="ii.vi-p107"><br />
</p>

<p id="ii.vi-p108">Robert felt relieved after this, for he had eaten all the cakes
Miss Napier had given him, and had had a pain in his conscience
ever since.</p>

<p id="ii.vi-p109"><br />
</p>

<p id="ii.vi-p110">'Hoo got ye a haud o' 't?' asked Shargar, evidently supposing he
had stolen it.</p>

<p id="ii.vi-p111"><br />
</p>

<p id="ii.vi-p112">'She gies me a bit noo and than.'</p>

<p id="ii.vi-p113"><br />
</p>

<p id="ii.vi-p114">'And ye didna eat it yersel'? Eh, Bob!'</p>

<p id="ii.vi-p115"><br />
</p>

<p id="ii.vi-p116">Shargar was somewhat overpowered at this fresh proof of Robert's
friendship. But Robert was still more ashamed of what he had not
done.</p>

<p id="ii.vi-p117"><br />
</p>

<p id="ii.vi-p118">He took the blue coat carefully from the bed, and hung it in its
place again, satisfied now, from the way his grannie had spoken,
or, rather, declined to speak, about it, that it had belonged to
his father.</p>

<p id="ii.vi-p119"><br />
</p>

<p id="ii.vi-p120">'Am I to rise?' asked Shargar, not understanding the action.</p>

<p id="ii.vi-p121"><br />
</p>

<p id="ii.vi-p122">'Na, na, lie still. Ye'll be warm eneuch wantin' thae
sovereigns. I'll lat ye oot i' the mornin' afore grannie's up. And
ye maun mak' the best o't efter that till it's dark again. We'll
sattle a' aboot it at the schuil the morn. Only we maun be
circumspec', ye ken.'</p>

<p id="ii.vi-p123"><br />
</p>

<p id="ii.vi-p124">'Ye cudna lay yer han's upo' a drap o' whusky, cud ye, Bob?'</p>

<p id="ii.vi-p125"><br />
</p>

<p id="ii.vi-p126">Robert stared in horror. A boy like that asking for whisky! and
in his grandmother's house, too!</p>

<p id="ii.vi-p127"><br />
</p>

<p id="ii.vi-p128">'Shargar,' he said solemnly, 'there's no a drap o' whusky i'
this hoose. It's awfu' to hear ye mention sic a thing. My grannie
wad smell the verra name o' 't a mile awa'. I doobt that's her fit
upo' the stair a'ready.'</p>

<p id="ii.vi-p129"><br />
</p>

<p id="ii.vi-p130">Robert crept to the door, and Shargar sat staring with horror,
his eyes looking from the gloom of the bed like those of a
half-strangled dog. But it was a false alarm, as Robert presently
returned to announce.</p>

<p id="ii.vi-p131"><br />
</p>

<p id="ii.vi-p132">'Gin ever ye sae muckle as mention whusky again, no to say drink
ae drap o' 't, you and me pairt company, and that I tell <i>
you</i>, Shargar,' said he, emphatically.</p>

<p id="ii.vi-p133"><br />
</p>

<p id="ii.vi-p134">'I'll never luik at it; I'll never mint at dreamin' o' 't,'
answered Shargar, coweringly. 'Gin she pits 't intil my moo', I'll
spit it oot. But gin <i>ye</i> strive wi' me, Bob, I'll cut my
throat--I will; an' that'll be seen and heard tell o'.'</p>

<p id="ii.vi-p135"><br />
</p>

<p id="ii.vi-p136">All this time, save during the alarm of Mrs. Falconer's
approach, when he sat with a mouthful of hot potato, unable to move
his jaws for terror, and the remnant arrested half-way in its
progress from his mouth after the bite--all this time Shargar had
been devouring the provisions Robert had brought him, as if he had
not seen food that day. As soon as they were finished, he begged
for a drink of water, which Robert managed to procure for him. He
then left him for the night, for his longer absence might have
brought his grandmother after him, who had perhaps only too good
reasons for being doubtful, if not suspicious, about boys in
general, though certainly not about Robert in particular. He
carried with him his books from the other garret-room where he kept
them, and sat down at the table by his grandmother, preparing his
Latin and geography by her lamp, while she sat knitting a white
stocking with fingers as rapid as thought, never looking at her
work, but staring into the fire, and seeing visions there which
Robert would have given everything he could call his own to see,
and then would have given his life to blot out of the world if he
had seen them. Quietly the evening passed, by the peaceful lamp and
the cheerful fire, with the Latin on the one side of the table, and
the stocking on the other, as if ripe and purified old age and
hopeful unstained youth had been the only extremes of humanity
known to the world. But the bitter wind was howling by fits in the
chimney, and the offspring of a nobleman and a gipsy lay asleep in
the garret, covered with the cloak of an old Highland rebel.</p>

<p id="ii.vi-p137"><br />
</p>

<p id="ii.vi-p138">At nine o'clock, Mrs. Falconer rang the bell for Betty, and they
had <i>worship</i>. Robert read a chapter, and his grandmother
prayed an extempore prayer, in which they that looked at the wine
when it was red in the cup, and they that worshipped the woman
clothed in scarlet and seated upon the seven hills, came in for a
strange mixture, in which the vengeance yielded only to the
pity.</p>

<p id="ii.vi-p139"><br />
</p>

<p id="ii.vi-p140">'Lord, lead them to see the error of their ways,' she cried.
'Let the rod of thy wrath awake the worm of their conscience that
they may know verily that there is a God that ruleth in the earth.
Dinna lat them gang to hell, O Lord, we beseech thee.'</p>

<p id="ii.vi-p141"><br />
</p>

<p id="ii.vi-p142">As soon as prayers were over, Robert had a tumbler of milk and
some more oat-cake, and was sent to bed; after which it was
impossible for him to hold any further communication with Shargar.
For his grandmother, little as one might suspect it who entered the
parlour in the daytime, always slept in that same room, in a bed
closed in with doors like those of a large press in the wall, while
Robert slept in a little closet, looking into a garden at the back
of the house, the door of which opened from the parlour close to
the head of his grandmother's bed. It was just large enough to hold
a good-sized bed with curtains, a chest of drawers, a bureau, a
large eight-day clock, and one chair, leaving in the centre about
five feet square for him to move about in. There was more room as
well as more comfort in the bed. He was never allowed a candle, for
light enough came through from the parlour, his grandmother
thought; so he was soon extended between the whitest of cold
sheets, with his knees up to his chin, and his thoughts following
his lost father over all spaces of the earth with which his
geography-book had made him acquainted.</p>

<p id="ii.vi-p143"><br />
</p>

<p id="ii.vi-p144">He was in the habit of leaving his closet and creeping through
his grandmother's room before she was awake--or at least before she
had given any signs to the small household that she was restored to
consciousness, and that the life of the house must proceed. He
therefore found no difficulty in liberating Shargar from his
prison, except what arose from the boy's own unwillingness to
forsake his comfortable quarters for the fierce encounter of the
January blast which awaited him. But Robert did not turn him out
before the last moment of safety had arrived; for, by the aid of
signs known to himself, he watched the progress of his
grandmother's dressing--an operation which did not consume much of
the morning, scrupulous as she was with regard to neatness and
cleanliness--until Betty was called in to give her careful
assistance to the final disposition of the <i>mutch</i>, when
Shargar's exit could be delayed no longer. Then he mounted to the
foot of the second stair, and called in a keen whisper,</p>

<p id="ii.vi-p145"><br />
</p>

<p id="ii.vi-p146">'Noo, Shargar, cut for the life o' ye.'</p>

<p id="ii.vi-p147"><br />
</p>

<p id="ii.vi-p148">And down came the poor fellow, with long gliding steps, ragged
and reluctant, and, without a word or a look, launched himself out
into the cold, and sped away he knew not whither. As he left the
door, the only suspicion of light was the dull and doubtful shimmer
of the snow that covered the street, keen particles of which were
blown in his face by the wind, which, having been up all night, had
grown very cold, and seemed delighted to find one unprotected human
being whom it might badger at its own bitter will. Outcast Shargar!
Where he spent the interval between Mrs. Falconer's door and that
of the school, I do not know. There was a report amongst his
school-fellows that he had been found by Scroggie, the fish-cadger,
lying at full length upon the back of his old horse, which, either
from compassion or indifference, had not cared to rise up under the
burden. They said likewise that, when accused by Scroggie of
housebreaking, though nothing had to be broken to get in, only a
string with a peculiar knot, on the invention of which the cadger
prided himself, to be undone, all that Shargar had to say in his
self-defence was, that he had a terrible sair wame, and that the
horse was warmer nor the stanes i' the yard; and he had dune him
nae ill, nae even drawn a hair frae his tail--which would have been
a difficult feat, seeing the horse's tail was as bare as his
hoof.</p>

<p id="ii.vi-p149"><br />
</p>

<p id="ii.vi-p150"><br />
</p>

</div2>

      <div2 title="CHAPTER VII.--ROBERT TO THE RESCUE!" n="vii" shorttitle="" progress="7.59%" id="ii.vii" prev="ii.vi" next="ii.viii">

<p id="ii.vii-p1"><br />
</p>

<p id="ii.vii-p2">CHAPTER VII.</p>

<p id="ii.vii-p3"><br />
</p>

<p id="ii.vii-p4">ROBERT TO THE RESCUE!</p>

<p id="ii.vii-p5"><br />
</p>

<p id="ii.vii-p6">THAT Shargar was a parish scholar--which means that the parish
paid his fees, although, indeed, they were hardly worth
paying--made very little difference to his position amongst his
school-fellows. Nor did the fact of his being ragged and dirty
affect his social reception to his discomfort. But the accumulated
facts of the oddity of his personal appearance, his supposed
imbecility, and the bad character borne by his mother, placed him
in a very unenviable relation to the tyrannical and vulgar-minded
amongst them. Concerning his person, he was long, and, as his name
implied, lean, with pale-red hair, reddish eyes, no visible
eyebrows or eyelashes, and very pale face--in fact, he was half-way
to an Albino. His arms and legs seemed of equal length, both
exceedingly long. The handsomeness of his mother appeared only in
his nose and mouth, which were regular and good, though
expressionless; and the birth of his father only in his small
delicate hands and feet, of which any girl who cared only for
smallness, and heeded neither character nor strength, might have
been proud. His feet, however, were supposed to be enormous, from
the difficulty with which he dragged after him the huge shoes in
which in winter they were generally encased.</p>

<p id="ii.vii-p7"><br />
</p>

<p id="ii.vii-p8">The imbecility, like the large feet, was only imputed. He
certainly was not brilliant, but neither did he make a fool of
himself in any of the few branches of learning of which the
parish-scholar came in for a share. That which gained him the
imputation was the fact that his nature was without a particle of
the aggressive, and all its defensive of as purely negative a
character as was possible. Had he been a dog, he would never have
thought of doing anything for his own protection beyond turning up
his four legs in silent appeal to the mercy of the heavens. He was
an absolute sepulchre in the swallowing of oppression and
ill-usage. It vanished in him. There was no echo of complaint, no
murmur of resentment from the hollows of that soul. The blows that
fell upon him resounded not, and no one but God remembered
them.</p>

<p id="ii.vii-p9"><br />
</p>

<p id="ii.vii-p10">His mother made her living as she herself best knew, with
occasional well-begrudged assistance from the parish. Her chief
resource was no doubt begging from house to house for the handful
of oatmeal which was the recognized, and, in the court of
custom-taught conscience, the legalized dole upon which every
beggar had a claim; and if she picked up at the same time a
chicken, or a boy's rabbit, or any other stray luxury, she was only
following the general rule of society, that your first duty is to
take care of yourself. She was generally regarded as a gipsy, but I
doubt if she had any gipsy blood in her veins. She was simply a
tramper, with occasional fits of localization. Her worst fault was
the way she treated her son, whom she starved apparently that she
might continue able to beat him.</p>

<p id="ii.vii-p11"><br />
</p>

<p id="ii.vii-p12">The particular occasion which led to the recognition of the
growing relation between Robert and Shargar was the following. Upon
a certain Saturday--some sidereal power inimical to boys must have
been in the ascendant--a Saturday of brilliant but intermittent
sunshine, the white clouds seen from the school windows indicating
by their rapid transit across those fields of vision that fresh
breezes friendly to kites, or <i>draigons</i>, as they were called
at Rothieden, were frolicking in the upper regions--nearly a dozen
boys were <i>kept in</i> for not being able to pay down from memory
the usual instalment of Shorter Catechism always due at the close
of the week. Amongst these boys were Robert and Shargar.
Sky-revealing windows and locked door were too painful; and in
proportion as the feeling of having nothing to do increased, the
more uneasy did the active element in the boys become, and the more
ready to break out into some abnormal manifestation.
Everything--sun, wind, clouds--was busy out of doors, and calling
to them to come and join the fun; and activity at the same moment
excited and restrained naturally turns to mischief. Most of them
had already learned the obnoxious task--one quarter of an hour was
enough for that--and now what should they do next? The eyes of
three or four of the eldest of them fell simultaneously upon
Shargar.</p>

<p id="ii.vii-p13"><br />
</p>

<p id="ii.vii-p14">Robert was sitting plunged in one of his day-dreams, for he,
too, had learned his catechism, when he was roused from his reverie
by a question from a pale-faced little boy, who looked up to him as
a great authority.</p>

<p id="ii.vii-p15"><br />
</p>

<p id="ii.vii-p16">'What for 's 't ca'd the <i>Shorter</i> Carritchis, Bob?'</p>

<p id="ii.vii-p17"><br />
</p>

<p id="ii.vii-p18">''Cause it's no fully sae lang's the Bible,' answered Robert,
without giving the question the consideration due to it, and was
proceeding to turn the matter over in his mind, when the mental
process was arrested by a shout of laughter. The other boys had
tied Shargar's feet to the desk at which he sat--likewise his
hands, at full stretch; then, having attached about a dozen strings
to as many elf-locks of his pale-red hair, which was never cut or
trimmed, had tied them to various pegs in the wall behind him, so
that the poor fellow could not stir. They were now crushing up
pieces of waste-paper, not a few leaves of stray school-books being
regarded in that light, into bullets, dipping them in ink and
aiming then at Shargar's face.</p>

<p id="ii.vii-p19"><br />
</p>

<p id="ii.vii-p20">For some time Shargar did not utter a word; and Robert, although
somewhat indignant at the treatment he was receiving, felt as yet
no impulse to interfere, for success was doubtful. But, indeed, he
was not very easily roused to action of any kind; for he was as yet
mostly in the larva-condition of character, when everything is
transacted inside. But the fun grew more furious, and spot after
spot of ink gloomed upon Shargar's white face. Still Robert took no
notice, for they did not seem to be hurting him much. But when he
saw the tears stealing down his patient cheeks, making channels
through the ink which now nearly covered them, he could bear it no
longer. He took out his knife, and under pretence of joining in the
sport, drew near to Shargar, and with rapid hand cut the cords--all
but those that bound his feet, which were less easy to reach
without exposing himself defenceless.</p>

<p id="ii.vii-p21"><br />
</p>

<p id="ii.vii-p22">The boys of course turned upon Robert. But ere they came to more
than abusive words a diversion took place.</p>

<p id="ii.vii-p23"><br />
</p>

<p id="ii.vii-p24">Mrs. Innes, the school-master's wife--a stout, kind-hearted
woman, the fine condition of whose temperament was clearly the
result of her physical prosperity--appeared at the door which led
to the dwelling-house above, bearing in her hands a huge tureen of
potato-soup, for her motherly heart could not longer endure the
thought of dinnerless boys. Her husband being engaged at a parish
meeting, she had a chance of interfering with success.</p>

<p id="ii.vii-p25"><br />
</p>

<p id="ii.vii-p26">But ere Nancy, the servant, could follow with the spoons and
plates, Wattie Morrison had taken the tureen, and out of spite at
Robert, had emptied its contents on the head of Shargar, who was
still tied by the feet, with the words: 'Shargar, I anoint thee
king over us, and here is thy crown,' giving the tureen, as he said
so, a push on to his head, where it remained.</p>

<p id="ii.vii-p27"><br />
</p>

<p id="ii.vii-p28">Shargar did not move, and for one moment could not speak, but
the next he gave a shriek that made Robert think he was far worse
scalded than turned out to be the case. He darted to him in rage,
took the tureen from his head, and, his blood being fairly up now,
flung it with all his force at Morrison, and felled him to the
earth. At the same moment the master entered by the street door and
his wife by the house door, which was directly opposite. In the
middle of the room the prisoners surrounded the fallen
tyrant--Robert, with the red face of wrath, and Shargar, with a
complexion the mingled result of tears, ink, and soup, which latter
clothed him from head to foot besides, standing on the outskirts of
the group. I need not follow the story farther. Both Robert and
Morrison <i>got a lickin'</i>; and if Mr. Innes had been like some
school-masters of those times, Shargar would not have escaped his
share of the evil things going.</p>

<p id="ii.vii-p29"><br />
</p>

<p id="ii.vii-p30">From that day Robert assumed the acknowledged position of
Shargar's defender. And if there was pride and a sense of propriety
mingled with his advocacy of Shargar's rights, nay, even if the
relation was not altogether free from some amount of show-off on
Robert's part, I cannot yet help thinking that it had its share in
that development of the character of Falconer which has chiefly
attracted me to the office of his biographer. There may have been
in it the exercise of some patronage; probably it was not pure from
the pride of beneficence; but at least it was a loving patronage
and a vigorous beneficence; and, under the reaction of these, the
good which in Robert's nature was as yet only in a state of
solution, began to crystallize into character.</p>

<p id="ii.vii-p31"><br />
</p>

<p id="ii.vii-p32">But the effect of the new relation was far more remarkable on
Shargar. As incapable of self-defence as ever, he was yet in a
moment roused to fury by any attack upon the person or the dignity
of Robert: so that, indeed, it became a new and favourite mode of
teasing Shargar to heap abuse, real or pretended, upon his friend.
From the day when Robert thus espoused his part, Shargar was
Robert's dog. That very evening, when she went to take a parting
peep at the external before locking the door for the night, Betty
found him sitting upon the door-step, only, however, to send him
off, as she described it, 'wi' a flech1 in 's lug (<i>a flea in his
ear</i>).' For the character of the mother was always associated
with the boy, and avenged upon him. I must, however, allow that
those delicate, dirty fingers of his could not with safety be
warranted from occasional picking and stealing.</p>

<p id="ii.vii-p33"><br />
</p>

<p id="ii.vii-p34">At this period of my story, Robert himself was rather a
grotesque-looking animal, very tall and lanky, with especially long
arms, which excess of length they retained after he was full-grown.
In this respect Shargar and he were alike; but the long legs of
Shargar were unmatched in Robert, for at this time his body was
peculiarly long. He had large black eyes, deep sunk even then, and
a Roman nose, the size of which in a boy of his years looked
portentous. For the rest, he was dark-complexioned, with dark hair,
destined to grow darker still, with hands and feet well modelled,
but which would have made four feet and four hands such as
Shargar's.</p>

<p id="ii.vii-p35"><br />
</p>

<p id="ii.vii-p36">When his mind was not oppressed with the consideration of any
important metaphysical question, he learned his lessons well; when
such was present, the Latin grammar, with all its attendant
servilities, was driven from the presence of the lordly need. That
once satisfied in spite of pandies and imprisonments, he returned
with fresh zest, and, indeed, with some ephemeral ardour, to the
rules of syntax or prosody, though the latter, in the mode in which
it was then and there taught, was almost as useless as the task set
himself by a worthy lay-preacher in the neighbourhood--of learning
the first nine chapters of the first Book of the Chronicles, in
atonement for having, in an evil hour of freedom of spirit,
ventured to suggest that such lists of names, even although forming
a portion of Holy Writ, could scarcely be reckoned of equally
divine authority with St. Paul's Epistle to the Romans.</p>

<p id="ii.vii-p37"><br />
</p>

<p id="ii.vii-p38"><br />
</p>

</div2>

      <div2 title="CHAPTER VIII.--THE ANGEL UNAWARES." n="viii" shorttitle="" progress="8.54%" id="ii.viii" prev="ii.vii" next="ii.ix">

<p id="ii.viii-p1"><br />
</p>

<p id="ii.viii-p2">CHAPTER VIII.</p>

<p id="ii.viii-p3"><br />
</p>

<p id="ii.viii-p4">THE ANGEL UNAWARES.</p>

<p id="ii.viii-p5"><br />
</p>

<p id="ii.viii-p6">ALTHOUGH Betty seemed to hold little communication with the
outer world, she yet contrived somehow or other to bring home what
gossip was going to the ears of her mistress, who had very few
visitors; for, while her neighbours held Mrs. Falconer in great and
evident respect, she was not the sort of person to sit down and
have a <i>news</i> with. There was a certain sedate self-contained
dignity about her which the common mind felt to be chilling and
repellant; and from any gossip of a personal nature--what Betty
brought her always excepted--she would turn away, generally with
the words, 'Hoots! I canna bide clashes.'</p>

<p id="ii.viii-p7"><br />
</p>

<p id="ii.viii-p8">On the evening following that of Shargar's introduction to Mrs.
Falconer's house, Betty came home from the butcher's--for it was
Saturday night, and she had gone to fetch the beef for their
Sunday's broth--with the news that the people next door, that is,
round the corner in the next street, had a visitor.</p>

<p id="ii.viii-p9"><br />
</p>

<p id="ii.viii-p10">The house in question had been built by Robert's father, and
was, compared with Mrs. Falconer's one-storey house, large and
handsome. Robert had been born, and had spent a few years of his
life in it, but could recall nothing of the facts of those early
days. Some time before the period at which my history commences it
had passed into other hands, and it was now quite strange to him.
It had been bought by a retired naval officer, who lived in it with
his wife--the only Englishwoman in the place, until the arrival, at
The Boar's Head, of the lady so much admired by Dooble Sanny.</p>

<p id="ii.viii-p11"><br />
</p>

<p id="ii.viii-p12">Robert was up-stairs when Betty emptied her news-bag, and so
heard nothing of this bit of gossip. He had just assured Shargar
that as soon as his grandmother was asleep he would look about for
what he could find, and carry it up to him in the garret. As yet he
had confined the expenditure out of Shargar's shilling to
twopence.</p>

<p id="ii.viii-p13"><br />
</p>

<p id="ii.viii-p14">The household always retired early--earlier on Saturday night in
preparation for the Sabbath--and by ten o'clock grannie and Betty
were in bed. Robert, indeed, was in bed too; but he had lain down
in his clothes, waiting for such time as might afford reasonable
hope of his grandmother being asleep, when he might both ease
Shargar's hunger and get to sleep himself. Several times he got up,
resolved to make his attempt; but as often his courage failed and
he lay down again, sure that grannie could not be asleep yet. When
the clock beside him struck eleven, he could bear it no longer, and
finally rose to do his endeavour.</p>

<p id="ii.viii-p15"><br />
</p>

<p id="ii.viii-p16">Opening the door of the closet slowly and softly, he crept upon
his hands and knees into the middle of the parlour, feeling very
much like a thief, as, indeed, in a measure he was, though from a
blameless motive. But just as he had accomplished half the distance
to the door, he was arrested and fixed with terror; for a deep sigh
came from grannie's bed, followed by the voice of words. He thought
at first that she had heard him, but he soon found that he was
mistaken. Still, the fear of discovery held him there on all fours,
like a chained animal. A dull red gleam, faint and dull, from the
embers of the fire, was the sole light in the room. Everything so
common to his eyes in the daylight seemed now strange and <i>
eerie</i> in the dying coals, and at what was to the boy the
unearthly hour of the night.</p>

<p id="ii.viii-p17"><br />
</p>

<p id="ii.viii-p18">He felt that he ought not to listen to grannie, but terror made
him unable to move.</p>

<p id="ii.viii-p19"><br />
</p>

<p id="ii.viii-p20">'Och hone! och hone!' said grannie from the bed. 'I've a sair,
sair hert. I've a sair hert i' my breist, O Lord! thoo knowest. My
ain Anerew! To think o' my bairnie that I cairriet i' my ain body,
that sookit my breists, and leuch i' my face--to think o' 'im bein'
a reprobate! O Lord! cudna he be eleckit yet? Is there nae turnin'
o' thy decrees? Na, na; that wadna do at a'. But while there's life
there's houp. But wha kens whether he be alive or no? Naebody can
tell. Glaidly wad I luik upon 's deid face gin I cud believe that
his sowl wasna amang the lost. But eh! the torments o' that place!
and the reik that gangs up for ever an' ever, smorin'
(<i>smothering</i>) the stars! And my Anerew doon i' the hert o' 't
cryin'! And me no able to win till him! O Lord! I <i>canna</i> say
thy will be done. But dinna lay 't to my chairge; for gin ye was a
mither yersel' ye wadna pit him there. O Lord! I'm verra
ill-fashioned. I beg yer pardon. I'm near oot o' my min'. Forgie
me, O Lord! for I hardly ken what I'm sayin'. He was my ain babe,
my ain Anerew, and ye gae him to me yersel'. And noo he's for the
finger o' scorn to pint at; an ootcast an' a wan'erer frae his ain
country, an' daurna come within sicht o' 't for them 'at wad tak'
the law o' 'm. An' it's a' drink--drink an' ill company! He wad hae
dune weel eneuch gin they wad only hae latten him be. What for maun
men be aye drink-drinkin' at something or ither? <i>I</i> never
want it. Eh! gin I war as young as whan he was born, I wad be up
an' awa' this verra nicht to luik for him. But it's no use me
tryin' 't. O God! ance mair I pray thee to turn him frae the error
o' 's ways afore he goes hence an' isna more. And O dinna lat
Robert gang efter him, as he's like eneuch to do. Gie me grace to
haud him ticht, that he may be to the praise o' thy glory for ever
an' ever. Amen.'</p>

<p id="ii.viii-p21"><br />
</p>

<p id="ii.viii-p22">Whether it was that the weary woman here fell asleep, or that
she was too exhausted for further speech, Robert heard no more,
though he remained there frozen with horror for some minutes after
his grandmother had ceased. This, then, was the reason why she
would never speak about his father! She kept all her thoughts about
him for the silence of the night, and loneliness with the God who
never sleeps, but watches the wicked all through the dark. And his
father was one of the wicked! And God was against him! And when he
died he would go to hell! But he was not dead yet: Robert was sure
of that. And when he grew a man, he would go and seek him, and beg
him on his knees to repent and come back to God, who would forgive
him then, and take him to heaven when he died. And there he would
be good, and good people would love him.</p>

<p id="ii.viii-p23"><br />
</p>

<p id="ii.viii-p24">Something like this passed through the boy's mind ere he moved
to creep from the room, for his was one of those natures which are
active in the generation of hope. He had almost forgotten what he
came there for; and had it not been that he had promised Shargar,
he would have crept back to his bed and left him to bear his hunger
as best he could. But now, first his right hand, then his left
knee, like any other quadruped, he crawled to the door, rose only
to his knees to open it, took almost a minute to the operation,
then dropped and crawled again, till he had passed out, turned, and
drawn the door to, leaving it slightly ajar. Then it struck him
awfully that the same terrible passage must be gone through again.
But he rose to his feet, for he had no shoes on, and there was
little danger of making any noise, although it was pitch dark--he
knew the house so well. With gathering courage, he felt his way to
the kitchen, and there groped about; but he could find nothing
beyond a few <i>quarters</i> of oat-cake, which, with a mug of
water, he proceeded to carry up to Shargar in the garret.</p>

<p id="ii.viii-p25"><br />
</p>

<p id="ii.viii-p26">When he reached the kitchen door, he was struck with amazement
and for a moment with fresh fear. A light was shining into the <i>
transe</i> from the stair which went up at right angles from the
end of it. He knew it could not be grannie, and he heard Betty
snoring in her own den, which opened from the kitchen. He thought
it must be Shargar who had grown impatient; but how he had got hold
of a light he could not think. As soon as he turned the corner,
however, the doubt was changed into mystery. At the top of the
broad low stair stood a woman-form with a candle in her hand,
gazing about her as if wondering which way to go. The light fell
full upon her face, the beauty of which was such that, with her
dress, which was white--being, in fact, a nightgown--and her hair,
which was hanging loose about her shoulders and down to her waist,
it led Robert at once to the conclusion (his reasoning faculties
already shaken by the events of the night) that she was an angel
come down to comfort his grannie; and he kneeled involuntarily at
the foot of the stair, and gazed up at her, with the cakes in one
hand, and the mug of water in the other, like a meat-and-drink
offering. Whether he had closed his eyes or bowed his head, he
could not say; but he became suddenly aware that the angel had
vanished--he knew not when, how, or whither. This for a time
confirmed his assurance that it was an angel. And although he was
undeceived before long, the impression made upon him that night was
never effaced. But, indeed, whatever Falconer heard or saw was
something more to him than it would have been to anybody else.</p>

<p id="ii.viii-p27"><br />
</p>

<p id="ii.viii-p28">Elated, though awed, by the vision, he felt his way up the stair
in the new darkness, as if walking in a holy dream, trod as if upon
sacred ground as he crossed the landing where the angel had
stood--went up and up, and found Shargar wide awake with expectant
hunger. He, too, had caught a glimmer of the light. But Robert did
not tell him what he had seen. That was too sacred a subject to
enter upon with Shargar, and he was intent enough upon his supper
not to be inquisitive.</p>

<p id="ii.viii-p29"><br />
</p>

<p id="ii.viii-p30">Robert left him to finish it at his leisure, and returned to
cross his grandmother's room once more, half expecting to find the
angel standing by her bedside. But all was dark and still. Creeping
back as he had come, he heard her quiet, though deep, breathing,
and his mind was at ease about her for the night. What if the angel
he had surprised had only come to appear to grannie in her sleep?
Why not? There were such stories in the Bible, and grannie was
certainly as good as some of the people in the Bible that saw
angels--Sarah, for instance. And if the angels came to see grannie,
why should they not have some care over his father as well? It
might be--who could tell?</p>

<p id="ii.viii-p31"><br />
</p>

<p id="ii.viii-p32">It is perhaps necessary to explain Robert's vision. The angel
was the owner of the boxes he had seen at The Bear's Head. Looking
around her room before going to bed, she had seen a trap in the
floor near the wall, and raising it, had discovered a few steps of
a stair leading down to a door. Curiosity naturally led her to
examine it. The key was in the lock. It opened outwards, and there
she found herself, to her surprise, in the heart of another
dwelling, of lowlier aspect. She never saw Robert; for while he
approached with shoeless feet, she had been glancing through the
open door of the gable-room, and when he knelt, the light which she
held in her hand had, I presume, hidden him from her. He, on his
part, had not observed that the moveless door stood open at
last.</p>

<p id="ii.viii-p33"><br />
</p>

<p id="ii.viii-p34">I have already said that the house adjoining had been built by
Robert's father. The lady's room was that which he had occupied
with his wife, and in it Robert had been born. The door, with its
trap-stair, was a natural invention for uniting the levels of the
two houses, and a desirable one in not a few of the forms which the
weather assumed in that region. When the larger house passed into
other hands, it had never entered the minds of the simple people
who occupied the contiguous dwellings, to build up the doorway
between.</p>

<p id="ii.viii-p35"><br />
</p>

<p id="ii.viii-p36"><br />
</p>

</div2>

      <div2 title="CHAPTER IX.--A DISCOVERY." n="ix" shorttitle="" progress="9.50%" id="ii.ix" prev="ii.viii" next="ii.x">

<p id="ii.ix-p1"><br />
</p>

<p id="ii.ix-p2">CHAPTER IX.</p>

<p id="ii.ix-p3"><br />
</p>

<p id="ii.ix-p4">A DISCOVERY.</p>

<p id="ii.ix-p5"><br />
</p>

<p id="ii.ix-p6">THE friendship of Robert had gained Shargar the favourable
notice of others of the school-public. These were chiefly of those
who came from the country, ready to follow an example set them by a
town boy. When his desertion was known, moved both by their
compassion for him, and their respect for Robert, they began to
give him some portion of the dinner they brought with them; and
never in his life had Shargar fared so well as for the first week
after he had been cast upon the world. But in proportion as their
interest faded with the novelty, so their appetites reasserted
former claims of use and wont, and Shargar began once more to feel
the pangs of hunger. For all that Robert could manage to procure
for him without attracting the attention he was so anxious to
avoid, was little more than sufficient to keep his hunger alive,
Shargar being gifted with a great appetite, and Robert having no
allowance of pocket-money from his grandmother. The threepence he
had been able to spend on him were what remained of sixpence Mr.
Innes had given him for an exercise which he wrote in blank verse
instead of in prose--an achievement of which the school-master was
proud, both from his reverence for Milton, and from his inability
to compose a metrical line himself. And how and when he should ever
possess another penny was even unimaginable. Shargar's shilling was
likewise spent. So Robert could but go on pocketing instead of
eating all that he dared, watching anxiously for opportunity of
evading the eyes of his grandmother. On her dimness of sight,
however, he depended too confidently after all; for either she was
not so blind as he thought she was, or she made up for the defect
of her vision by the keenness of her observation. She saw enough to
cause her considerable annoyance, though it suggested nothing
inconsistent with rectitude on the part of the boy, further than
that there was something underhand going on. One supposition after
another arose in the old lady's brain, and one after another was
dismissed as improbable. First, she tried to persuade herself that
he wanted to take the provisions to school with him, and eat them
there--a proceeding of which she certainly did not approve, but for
the reproof of which she was unwilling to betray the loopholes of
her eyes. Next she concluded, for half a day, that he must have a
pair of rabbits hidden away in some nook or other--possibly in the
little strip of garden belonging to the house. And so conjecture
followed conjecture for a whole week, during which, strange to say,
not even Betty knew that Shargar slept in the house. For so careful
and watchful were the two boys, that although she could not help
suspecting something from the expression and behaviour of Robert,
what that something might be she could not imagine; nor had she and
her mistress as yet exchanged confidences on the subject. Her
observation coincided with that of her mistress as to the
disappearance of odds and ends of eatables--potatoes, cold
porridge, bits of oat-cake; and even, on one occasion, when Shargar
happened to be especially ravenous, a yellow, or cured and
half-dried, haddock, which the lad devoured raw, vanished from her
domain. He went to school in the morning smelling so strong in
consequence, that they told him he must have been passing the night
in Scroggie's cart, and not on his horse's back this time.</p>

<p id="ii.ix-p7"><br />
</p>

<p id="ii.ix-p8">The boys kept their secret well.</p>

<p id="ii.ix-p9"><br />
</p>

<p id="ii.ix-p10">One evening, towards the end of the week, Robert, after seeing
Shargar disposed of for the night, proceeded to carry out a project
which had grown in his brain within the last two days in
consequence of an occurrence with which his relation to Shargar had
had something to do. It was this:</p>

<p id="ii.ix-p11"><br />
</p>

<p id="ii.ix-p12">The housing of Shargar in the garret had led Robert to make a
close acquaintance with the place. He was familiar with all the
outs and ins of the little room which he considered his own, for
that was a civilized, being a plastered, ceiled, and comparatively
well-lighted little room, but not with the other, which was three
times its size, very badly lighted, and showing the naked couples
from roof-tree to floor. Besides, it contained no end of dark
corners, with which his childish imagination had associated
undefined horrors, assuming now one shape, now another. Also there
were several closets in it, constructed in the angles of the place,
and several chests--two of which he had ventured to peep into. But
although he had found them filled, not with bones, as he had
expected, but one with papers, and one with garments, he had yet
dared to carry his researches no further. One evening, however,
when Betty was out, and he had got hold of her candle, and gone up
to keep Shargar company for a few minutes, a sudden impulse seized
him to have a peep into all the closets. One of them he knew a
little about, as containing, amongst other things, his father's
coat with the gilt buttons, and his great-grandfather's kilt, as
well as other garments useful to Shargar: now he would see what was
in the rest. He did not find anything very interesting, however,
till he arrived at the last. Out of it he drew a long queer-shaped
box into the light of Betty's dip.</p>

<p id="ii.ix-p13"><br />
</p>

<p id="ii.ix-p14">'Luik here, Shargar!' he said under his breath, for they never
dared to speak aloud in these precincts--'luik here! What can there
be in this box? Is't a bairnie's coffin, duv ye think? Luik at
it.'</p>

<p id="ii.ix-p15"><br />
</p>

<p id="ii.ix-p16">In this case Shargar, having roamed the country a good deal more
than Robert, and having been present at some merry-makings with his
mother, of which there were comparatively few in that country-side,
was better informed than his friend.</p>

<p id="ii.ix-p17"><br />
</p>

<p id="ii.ix-p18">'Eh! Bob, duvna ye ken what that is? I thocht ye kent a' thing.
That's a fiddle.'</p>

<p id="ii.ix-p19"><br />
</p>

<p id="ii.ix-p20">'That's buff an' styte (<i>stuff and nonsense</i>), Shargar. Do
ye think I dinna ken a fiddle whan I see ane, wi' its guts ootside
o' 'ts wame, an' the thoomacks to screw them up wi' an' gar't
skirl?'</p>

<p id="ii.ix-p21"><br />
</p>

<p id="ii.ix-p22">'Buff an' styte yersel'!' cried Shargar, in indignation, from
the bed. 'Gie's a haud o' 't.'</p>

<p id="ii.ix-p23"><br />
</p>

<p id="ii.ix-p24">Robert handed him the case. Shargar undid the hooks in a moment,
and revealed the creature lying in its shell like a boiled
bivalve.</p>

<p id="ii.ix-p25"><br />
</p>

<p id="ii.ix-p26">'I tellt ye sae!' he exclaimed triumphantly. 'Maybe ye'll lippen
to me (<i>trust me</i>) neist time.'</p>

<p id="ii.ix-p27"><br />
</p>

<p id="ii.ix-p28">'An' I tellt <i>you</i>,' retorted Robert, with an equivocation
altogether unworthy of his growing honesty. 'I was cocksure that
cudna be a fiddle. There's the fiddle i' the hert o' 't! Losh! I
min' noo. It maun be my grandfather's fiddle 'at I hae heard tell
o'.'</p>

<p id="ii.ix-p29"><br />
</p>

<p id="ii.ix-p30">'No to ken a fiddle-case!' reflected Shargar, with as much of
contempt as it was possible for him to show.</p>

<p id="ii.ix-p31"><br />
</p>

<p id="ii.ix-p32">'I tell ye what, Shargar,' returned Robert, indignantly; 'ye may
ken the box o' a fiddle better nor I do, but de'il hae me gin I
dinna ken the fiddle itsel' raither better nor ye do in a fortnicht
frae this time. I s' tak' it to Dooble Sanny; he can play the
fiddle fine. An' I'll play 't too, or the de'il s' be in't.'</p>

<p id="ii.ix-p33"><br />
</p>

<p id="ii.ix-p34">'Eh, man, that 'll be gran'!' cried Shargar, incapable of
jealousy. 'We can gang to a' the markets thegither and gaither
baubees (<i>halfpence</i>).'</p>

<p id="ii.ix-p35"><br />
</p>

<p id="ii.ix-p36">To this anticipation Robert returned no reply, for, hearing
Betty come in, he judged it time to restore the violin to its case,
and Betty's candle to the kitchen, lest she should invade the upper
regions in search of it. But that very night he managed to have an
interview with <i>Dooble Sanny</i>, the shoemaker, and it was
arranged between them that Robert should bring his violin on the
evening at which my story has now arrived.</p>

<p id="ii.ix-p37"><br />
</p>

<p id="ii.ix-p38">Whatever motive he had for seeking to commence the study of
music, it holds even in more important matters that, if the thing
pursued be good, there is a hope of the pursuit purifying the
motive. And Robert no sooner heard the fiddle utter a few mournful
sounds in the hands of the soutar, who was no contemptible
performer, than he longed to establish such a relation between
himself and the strange instrument, that, dumb and deaf as it had
been to him hitherto, it would respond to his touch also, and tell
him the secrets of its queerly-twisted skull, full of sweet sounds
instead of brains. From that moment he would be a musician for
music's own sake, and forgot utterly what had appeared to him,
though I doubt if it was, the sole motive of his desire to
learn--namely, the necessity of retaining his superiority over
Shargar.</p>

<p id="ii.ix-p39"><br />
</p>

<p id="ii.ix-p40">What added considerably to the excitement of his feelings on the
occasion, was the expression of reverence, almost of awe, with
which the shoemaker took the instrument from its case, and the
tenderness with which he handled it. The fact was that he had not
had a violin in his hands for nearly a year, having been compelled
to pawn his own in order to alleviate the sickness brought on his
wife by his own ill-treatment of her, once that he came home drunk
from a wedding. It was strange to think that such dirty hands
should be able to bring such sounds out of the instrument the
moment he got it safely cuddled under his cheek. So dirty were
they, that it was said Dooble Sanny never required to carry any
rosin with him for fiddler's need, his own fingers having always
enough upon them for one bow at least. Yet the points of those
fingers never lost the delicacy of their touch. Some people thought
this was in virtue of their being washed only once a week--a custom
Alexander justified on the ground that, in a trade like his, it was
of no use to wash oftener, for he would be just as dirty again
before night.</p>

<p id="ii.ix-p41"><br />
</p>

<p id="ii.ix-p42">The moment he began to play, the face of the soutar grew
ecstatic. He stopped at the very first note, notwithstanding, let
fall his arms, the one with the bow, the other with the violin, at
his sides, and said, with a deep-drawn respiration and lengthened
utterance:</p>

<p id="ii.ix-p43"><br />
</p>

<p id="ii.ix-p44">'Eh!'</p>

<p id="ii.ix-p45"><br />
</p>

<p id="ii.ix-p46">Then after a pause, during which he stood motionless:</p>

<p id="ii.ix-p47"><br />
</p>

<p id="ii.ix-p48">'The crater maun be a Cry Moany! Hear till her!' he added,
drawing another long note.</p>

<p id="ii.ix-p49"><br />
</p>

<p id="ii.ix-p50">Then, after another pause:</p>

<p id="ii.ix-p51"><br />
</p>

<p id="ii.ix-p52">'She's a Straddle Vawrious at least! Hear till her. I never had
sic a combination o' timmer and catgut atween my cleuks
(<i>claws</i>) afore.'</p>

<p id="ii.ix-p53"><br />
</p>

<p id="ii.ix-p54">As to its being a Stradivarius, or even a Cremona at all, the
testimony of Dooble Sanny was not worth much on the point. But the
shoemaker's admiration roused in the boy's mind a reverence for the
individual instrument which he never lost.</p>

<p id="ii.ix-p55"><br />
</p>

<p id="ii.ix-p56">From that day the two were friends.</p>

<p id="ii.ix-p57"><br />
</p>

<p id="ii.ix-p58">Suddenly the soutar started off at full speed in a strathspey,
which was soon lost in the wail of a Highland psalm-tune, giving
place in its turn to 'Sic a wife as Willie had!' And on he went
without pause, till Robert dared not stop any longer. The fiddle
had bewitched the fiddler.</p>

<p id="ii.ix-p59"><br />
</p>

<p id="ii.ix-p60">'Come as aften 's ye like, Robert, gin ye fess this leddy wi'
ye,' said the soutar.</p>

<p id="ii.ix-p61"><br />
</p>

<p id="ii.ix-p62">And he stroked the back of the violin tenderly with his open
palm.</p>

<p id="ii.ix-p63"><br />
</p>

<p id="ii.ix-p64">'But wad ye hae ony objection to lat it lie aside ye, and lat me
come whan I can?'</p>

<p id="ii.ix-p65"><br />
</p>

<p id="ii.ix-p66">'Objection, laddie? I wad as sune objeck to lattin' my ain wife
lie aside me.'</p>

<p id="ii.ix-p67"><br />
</p>

<p id="ii.ix-p68">'Ay,' said Robert, seized with some anxiety about the violin as
he remembered the fate of the wife, 'but ye ken Elspet comes aff a'
the waur sometimes.'</p>

<p id="ii.ix-p69"><br />
</p>

<p id="ii.ix-p70">Softened by the proximity of the wonderful violin, and stung
afresh by the boy's words as his conscience had often stung him
before, for he loved his wife dearly save when the demon of drink
possessed him, the tears rose in Elshender's eyes. He held out the
violin to Robert, saying, with unsteady voice:</p>

<p id="ii.ix-p71"><br />
</p>

<p id="ii.ix-p72">'Hae, tak her awa'. I dinna deserve to hae sic a thing i' <i>
my</i> hoose. But hear me, Robert, and lat hearin' be believin'. I
never was sae drunk but I cud tune my fiddle. Mair by token, ance
they fand me lyin' o' my back i' the Corrie, an' the watter, they
say, was ower a' but the mou' o' me; but I was haudin' my fiddle up
abune my heid, and de'il a spark o' watter was upo' <i>
her</i>.'</p>

<p id="ii.ix-p73"><br />
</p>

<p id="ii.ix-p74">'It's a pity yer wife wasna yer fiddle, than, Sanny,' said
Robert, with more presumption than wit.</p>

<p id="ii.ix-p75"><br />
</p>

<p id="ii.ix-p76">''Deed ye're i' the richt, there, Robert. Hae, tak' yer
fiddle.'</p>

<p id="ii.ix-p77"><br />
</p>

<p id="ii.ix-p78">''Deed no,' returned Robert. 'I maun jist lippen (<i>trust</i>)
to ye, Sanders. I canna bide langer the nicht; but maybe ye'll tell
me hoo to haud her the neist time 'at I come--will ye?'</p>

<p id="ii.ix-p79"><br />
</p>

<p id="ii.ix-p80">'That I <i>wull</i>, Robert, come whan ye like. An' gin ye come
o' ane 'at cud play this fiddle as this fiddle deserves to be
playt, ye'll do me credit.'</p>

<p id="ii.ix-p81"><br />
</p>

<p id="ii.ix-p82">'Ye min' what that sumph Lumley said to me the ither nicht,
Sanders, aboot my grandfather?'</p>

<p id="ii.ix-p83"><br />
</p>

<p id="ii.ix-p84">'Ay, weel eneuch. A dish o' drucken havers!'</p>

<p id="ii.ix-p85"><br />
</p>

<p id="ii.ix-p86">'It was true eneuch aboot my great-grandfather, though.'</p>

<p id="ii.ix-p87"><br />
</p>

<p id="ii.ix-p88">'No! Was't railly?'</p>

<p id="ii.ix-p89"><br />
</p>

<p id="ii.ix-p90">'Ay. He was the best piper in 's regiment at Culloden. Gin they
had a' fouchten as he pipit, there wad hae been anither tale to
tell. And he was toon-piper forby, jist like you, Sanders, efter
they took frae him a' 'at he had.'</p>

<p id="ii.ix-p91"><br />
</p>

<p id="ii.ix-p92">'Na! heard ye ever the like o' that! Weel, wha wad hae thocht
it? Faith! we maun hae you fiddle as weel as yer lucky-daiddy
pipit.--But here's the King o' Bashan comin' efter his butes, an'
them no half dune yet!' exclaimed Dooble Sanny, settling in haste
to his awl and his <i>lingel</i> (Fr. <i>ligneul</i>). 'He'll be
roarin' mair like a bull o' the country than the king o' 't.'</p>

<p id="ii.ix-p93"><br />
</p>

<p id="ii.ix-p94">As Robert departed, Peter Ogg came in, and as he passed the
window, he heard the shoemaker averring:</p>

<p id="ii.ix-p95"><br />
</p>

<p id="ii.ix-p96">'I haena risen frae my stule sin' ane o'clock; but there's a
sicht to be dune to them, Mr. Ogg.'</p>

<p id="ii.ix-p97"><br />
</p>

<p id="ii.ix-p98">Indeed, <i>Alexander ab Alexandro</i>, as Mr. Innes facetiously
styled him, was in more ways than one worthy of the name of <i>
Dooble</i>. There seemed to be two natures in the man, which all
his music had not yet been able to blend.</p>

<p id="ii.ix-p99"><br />
</p>

<p id="ii.ix-p100"><br />
</p>

</div2>

      <div2 title="CHAPTER X.--ANOTHER DISCOVERY IN THE GARRET." n="x" shorttitle="" progress="10.65%" id="ii.x" prev="ii.ix" next="ii.xi">

<p id="ii.x-p1"><br />
</p>

<p id="ii.x-p2">CHAPTER X.</p>

<p id="ii.x-p3"><br />
</p>

<p id="ii.x-p4">ANOTHER DISCOVERY IN THE GARRET.</p>

<p id="ii.x-p5"><br />
</p>

<p id="ii.x-p6">LITTLE did Robert dream of the reception that awaited him at
home. Almost as soon as he had left the house, the following events
began to take place.</p>

<p id="ii.x-p7"><br />
</p>

<p id="ii.x-p8">The mistress's bell rang, and Betty 'gaed benn the hoose to see
what she cud be wantin',' whereupon a conversation ensued.</p>

<p id="ii.x-p9"><br />
</p>

<p id="ii.x-p10">'Wha was that at the door, Betty?' asked Mrs. Falconer; for
Robert had not shut the door so carefully as he ought, seeing that
the deafness of his grandmother was of much the same faculty as her
blindness.</p>

<p id="ii.x-p11"><br />
</p>

<p id="ii.x-p12">Had Robert not had a hold of Betty by the forelock of her years,
he would have been unable to steal any liberty at all. Still Betty
had a conscience, and although she would not offend Robert if she
could help it, yet she would not lie.</p>

<p id="ii.x-p13"><br />
</p>

<p id="ii.x-p14">''Deed, mem, I canna jist distinckly say 'at I heard the door,'
she answered.</p>

<p id="ii.x-p15"><br />
</p>

<p id="ii.x-p16">'Whaur's Robert?' was her next question.</p>

<p id="ii.x-p17"><br />
</p>

<p id="ii.x-p18">'He's generally up the stair aboot this hoor, mem--that is, whan
he's no i' the parlour at 's lessons.'</p>

<p id="ii.x-p19"><br />
</p>

<p id="ii.x-p20">'What gangs he sae muckle up the stair for, Betty, do ye ken?
It's something by ordinar' wi' 'm.'</p>

<p id="ii.x-p21"><br />
</p>

<p id="ii.x-p22">''Deed I dinna ken, mem. I never tuik it into my heid to gang
considerin' aboot it. He'll hae some ploy o' 's ain, nae doobt.
Laddies will be laddies, ye ken, mem.'</p>

<p id="ii.x-p23"><br />
</p>

<p id="ii.x-p24">'I doobt, Betty, ye'll be aidin' an' abettin'. An' it disna
become yer years, Betty.'</p>

<p id="ii.x-p25"><br />
</p>

<p id="ii.x-p26">'My years are no to fin' faut wi', mem. They're weel
eneuch.'</p>

<p id="ii.x-p27"><br />
</p>

<p id="ii.x-p28">'That's naething to the pint, Betty. What's the laddie
aboot?'</p>

<p id="ii.x-p29"><br />
</p>

<p id="ii.x-p30">'Do ye mean whan he gangs up the stair, mem?'</p>

<p id="ii.x-p31"><br />
</p>

<p id="ii.x-p32">'Ay. Ye ken weel eneuch what I mean.'</p>

<p id="ii.x-p33"><br />
</p>

<p id="ii.x-p34">'Weel, mem, I tell ye I dinna ken. An' ye never heard me tell ye
a lee sin' ever I was i' yer service, mem.'</p>

<p id="ii.x-p35"><br />
</p>

<p id="ii.x-p36">'Na, nae doonricht. Ye gang aboot it an' aboot it, an' at last
ye come sae near leein' that gin ye spak anither word, ye wad be at
it; and it jist fleys (<i>frights</i>) me frae speirin' ae ither
question at ye. An' that's hoo ye win oot o' 't. But noo 'at it's
aboot my ain oye (<i>grandson</i>), I'm no gaein' to tyne
(<i>lose</i>) him to save a woman o' your years, wha oucht to ken
better; an sae I'll speir at ye, though ye suld be driven to lee
like Sawtan himsel'.--What's he aboot whan he gangs up the stair?
Noo!'</p>

<p id="ii.x-p37"><br />
</p>

<p id="ii.x-p38">'Weel, as sure's deith, I dinna ken. Ye drive me to sweirin',
mem, an' no to leein'.'</p>

<p id="ii.x-p39"><br />
</p>

<p id="ii.x-p40">'I carena. Hae ye no idea aboot it, than, Betty?'</p>

<p id="ii.x-p41"><br />
</p>

<p id="ii.x-p42">'Weel, mem, I think sometimes he canna be weel, and maun hae a
tod (<i>fox</i>) in 's stamack, or something o' that nater. For
what he eats is awfu'. An' I think whiles he jist gangs up the
stair to eat at 's ain wull.'</p>

<p id="ii.x-p43"><br />
</p>

<p id="ii.x-p44">'That jumps wi' my ain observations, Betty. Do ye think he micht
hae a rabbit, or maybe a pair o' them, in some boxie i' the garret,
noo?'</p>

<p id="ii.x-p45"><br />
</p>

<p id="ii.x-p46">'And what for no, gin he had, mem?'</p>

<p id="ii.x-p47"><br />
</p>

<p id="ii.x-p48">'What for no? Nesty stinkin' things! But that's no the pint. I
aye hae to haud ye to the pint, Betty. The pint is, whether he has
rabbits or no?'</p>

<p id="ii.x-p49"><br />
</p>

<p id="ii.x-p50">'Or guinea-pigs,' suggested Betty.</p>

<p id="ii.x-p51"><br />
</p>

<p id="ii.x-p52">'Weel.'</p>

<p id="ii.x-p53"><br />
</p>

<p id="ii.x-p54">'Or maybe a pup or twa. Or I kent a laddie ance 'at keepit a
haill faimily o' kittlins. Or maybe he micht hae a bit lammie.
There was an uncle o' min' ain--'</p>

<p id="ii.x-p55"><br />
</p>

<p id="ii.x-p56">'Haud yer tongue, Betty! Ye hae ower muckle to say for a' the
sense there's intil 't.'</p>

<p id="ii.x-p57"><br />
</p>

<p id="ii.x-p58">'Weel, mem, ye speirt questions at me.'</p>

<p id="ii.x-p59"><br />
</p>

<p id="ii.x-p60">'Weel, I hae had eneuch o' yer answers, Betty. Gang and tell
Robert to come here direckly.'</p>

<p id="ii.x-p61"><br />
</p>

<p id="ii.x-p62">Betty went, knowing perfectly that Robert had gone out, and
returned with the information. Her mistress searched her face with
a keen eye.</p>

<p id="ii.x-p63"><br />
</p>

<p id="ii.x-p64">'That maun hae been himsel' efter a' whan ye thocht ye hard the
door gang,' said Betty.</p>

<p id="ii.x-p65"><br />
</p>

<p id="ii.x-p66">'It's a strange thing that I suld hear him benn here wi' the
door steekit, an' your door open at the verra door-cheek o' the
ither, an' you no hear him, Betty. And me sae deif as weel!'</p>

<p id="ii.x-p67"><br />
</p>

<p id="ii.x-p68">''Deed, mem,' retorted Betty, losing her temper a little, 'I can
be as deif 's ither fowk mysel' whiles.'</p>

<p id="ii.x-p69"><br />
</p>

<p id="ii.x-p70">When Betty grew angry, Mrs. Falconer invariably grew calm, or,
at least, put her temper out of sight. She was silent now, and
continued silent till Betty moved to return to her kitchen, when
she said, in a tone of one who had just arrived at an important
resolution:</p>

<p id="ii.x-p71"><br />
</p>

<p id="ii.x-p72">'Betty, we'll jist awa' up the stair an' luik.'</p>

<p id="ii.x-p73"><br />
</p>

<p id="ii.x-p74">'Weel, mem, I hae nae objections.'</p>

<p id="ii.x-p75"><br />
</p>

<p id="ii.x-p76">'Nae objections! What for suld you or ony ither body hae ony
objections to me gaein' whaur I like i' my ain hoose? Umph!'
exclaimed Mrs. Falconer, turning and facing her maid.</p>

<p id="ii.x-p77"><br />
</p>

<p id="ii.x-p78">'In coorse, mem. I only meant I had nae objections to gang wi'
ye.'</p>

<p id="ii.x-p79"><br />
</p>

<p id="ii.x-p80">'And what for suld you or ony ither woman that I paid twa pun'
five i' the half-year till, daur to hae objections to gaein' whaur
I wantit ye to gang i' my ain hoose?'</p>

<p id="ii.x-p81"><br />
</p>

<p id="ii.x-p82">'Hoot, mem! it was but a slip o' the tongue--naething mair.'</p>

<p id="ii.x-p83"><br />
</p>

<p id="ii.x-p84">'Slip me nae sic slips, or ye'll come by a fa' at last, I doobt,
Betty,' concluded Mrs. Falconer, in a mollified tone, as she turned
and led the way from the room.</p>

<p id="ii.x-p85"><br />
</p>

<p id="ii.x-p86">They got a candle in the kitchen and proceeded up-stairs, Mrs.
Falconer still leading, and Betty following. They did not even look
into the ga'le-room, not doubting that the dignity of the best
bed-room was in no danger of being violated even by Robert, but
took their way upwards to the room in which he kept his
school-books--almost the only articles of property which the boy
possessed. Here they found nothing suspicious. All was even in the
best possible order--not a very wonderful fact, seeing a few books
and a slate were the only things there besides the papers on the
shelves.</p>

<p id="ii.x-p87"><br />
</p>

<p id="ii.x-p88">What the feelings of Shargar must have been when he heard the
steps and voices, and saw the light approaching his place of
refuge, we will not change our point of view to inquire. He
certainly was as little to be envied at that moment as at any
moment during the whole of his existence.</p>

<p id="ii.x-p89"><br />
</p>

<p id="ii.x-p90">The first sense Mrs. Falconer made use of in the search after
possible animals lay in her nose. She kept snuffing constantly,
but, beyond the usual musty smell of neglected apartments, had as
yet discovered nothing. The moment she entered the upper garret,
however--</p>

<p id="ii.x-p91"><br />
</p>

<p id="ii.x-p92">'There's an ill-faured smell here, Betty,' she said, believing
that they had at last found the trail of the mystery; 'but it's no
like the smell o' rabbits. Jist luik i' the nuik there ahin' the
door.'</p>

<p id="ii.x-p93"><br />
</p>

<p id="ii.x-p94">'There's naething here,' responded Betty.</p>

<p id="ii.x-p95"><br />
</p>

<p id="ii.x-p96">'Roon the en' o' that kist there. I s' luik into the press.'</p>

<p id="ii.x-p97"><br />
</p>

<p id="ii.x-p98">As Betty rose from her search behind the chest and turned
towards her mistress, her eyes crossed the cavernous opening of the
bed. There, to her horror, she beheld a face like that of a
galvanised corpse staring at her from the darkness. Shargar was in
a sitting posture, paralysed with terror, waiting, like a
fascinated bird, till Mrs. Falconer and Betty should make the final
spring upon him, and do whatever was equivalent to devouring him
upon the spot. He had sat up to listen to the noise of their
ascending footsteps, and fear had so overmastered him, that he
either could not, or forgot that he could lie down and cover his
head with some of the many garments scattered around him.</p>

<p id="ii.x-p99"><br />
</p>

<p id="ii.x-p100">'I didna say <i>whusky</i>, did I?' he kept repeating to
himself, in utter imbecility of fear.</p>

<p id="ii.x-p101"><br />
</p>

<p id="ii.x-p102">'The Lord preserve 's!' exclaimed Betty, the moment she could
speak; for during the first few seconds, having caught the
infection of Shargar's expression, she stood equally paralysed.
'The Lord preserve 's!' she repeated.</p>

<p id="ii.x-p103"><br />
</p>

<p id="ii.x-p104">'Ance is eneuch,' said Mrs. Falconer, sharply, turning round to
see what the cause of Betty's ejaculation might be.</p>

<p id="ii.x-p105"><br />
</p>

<p id="ii.x-p106">I have said that she was dim-sighted. The candle they had was
little better than a penny dip. The bed was darker than the rest of
the room. Shargar's face had none of the more distinctive
characteristics of manhood upon it.</p>

<p id="ii.x-p107"><br />
</p>

<p id="ii.x-p108">'Gude preserve 's!' exclaimed Mrs. Falconer in her turn: 'it's a
wumman.'</p>

<p id="ii.x-p109"><br />
</p>

<p id="ii.x-p110">Poor deluded Shargar, thinking himself safer under any form than
that which he actually bore, attempted no protest against the
mistake. But, indeed, he was incapable of speech. The two women
flew upon him to drag him out of bed. Then first recovering his
powers of motion, he sprung up in an agony of terror, and darted
out between them, overturning Betty in his course.</p>

<p id="ii.x-p111"><br />
</p>

<p id="ii.x-p112">'Ye rouch limmer!' cried Betty, from the floor. 'Ye lang-leggit
jaud!' she added, as she rose--and at the same moment Shargar
banged the street-door behind him in his terror--'I wat ye dinna
carry yer coats ower syde (<i>too long</i>)!'</p>

<p id="ii.x-p113"><br />
</p>

<p id="ii.x-p114">For Shargar, having discovered that the way to get the most
warmth from Robert's great-grandfather's kilt was to wear it in the
manner for which it had been fabricated, was in the habit of
fastening it round his waist before he got into bed; and the eye of
Betty, as she fell, had caught the swing of this portion of his
attire.</p>

<p id="ii.x-p115"><br />
</p>

<p id="ii.x-p116">But poor Mrs. Falconer, with sunken head, walked out of the
garret in the silence of despair. She went slowly down the steep
stair, supporting herself against the wall, her round-toed shoes
creaking solemnly as she went, took refuge in the ga'le-room, and
burst into a violent fit of weeping. For such depravity she was not
prepared. What a terrible curse hung over her family! Surely they
were all reprobate from the womb, not one elected for salvation
from the guilt of Adam's fall, and therefore abandoned to Satan as
his natural prey, to be led captive of him at his will. She threw
herself on her knees at the side of the bed, and prayed
heart-brokenly. Betty heard her as she limped past the door on her
way back to her kitchen.</p>

<p id="ii.x-p117"><br />
</p>

<p id="ii.x-p118">Meantime Shargar had rushed across the next street on his bare
feet into the Crookit Wynd, terrifying poor old Kirstan Peerie, the
divisions betwixt the compartments of whose memory had broken down,
into the exclamation to her next neighbour, Tam Rhin, with whom she
was trying to gossip:</p>

<p id="ii.x-p119"><br />
</p>

<p id="ii.x-p120">'Eh, Tammas! that'll be ane o' the slauchtert at Culloden.'</p>

<p id="ii.x-p121"><br />
</p>

<p id="ii.x-p122">He never stopped till he reached his mother's deserted
abode--strange instinct! There he ran to earth like a hunted fox.
Rushing at the door, forgetful of everything but refuge, he found
it unlocked, and closing it behind him, stood panting like the hart
that has found the water-brooks. The owner had looked in one day to
see whether the place was worth repairing, for it was a mere
outhouse, and had forgotten to turn the key when he left it. Poor
Shargar! Was it more or less of a refuge that the mother that bore
him was not there either to curse or welcome his return? Less--if
we may judge from a remark he once made in my hearing many long
years after:</p>

<p id="ii.x-p123"><br />
</p>

<p id="ii.x-p124">'For, ye see,' he said, 'a mither's a mither, be she the verra
de'il.'</p>

<p id="ii.x-p125"><br />
</p>

<p id="ii.x-p126">Searching about in the dark, he found the one article unsold by
the landlord, a stool, with but two of its natural three legs. On
this he balanced himself and waited--simply for what Robert would
do; for his faith in Robert was unbounded, and he had no other hope
on earth. But Shargar was not miserable. In that wretched hovel,
his bare feet clasping the clay floor in constant search of a
wavering equilibrium, with pitch darkness around him, and incapable
of the simplest philosophical or religious reflection, he yet found
life good. <i>For it had interest</i>. Nay, more, it had hope. I
doubt, however, whether there is any interest at all without
hope.</p>

<p id="ii.x-p127"><br />
</p>

<p id="ii.x-p128">While he sat there, Robert, thinking him snug in the garret, was
walking quietly home from the shoemaker's; and his first impulse on
entering was to run up and recount the particulars of his interview
with Alexander. Arrived in the dark garret, he called Shargar, as
usual, in a whisper--received no reply--thought he was
asleep--called louder (for he had had a penny from his grandmother
that day for bringing home two pails of water for Betty, and had
just spent it upon a loaf for him)--but no Shargar replied.
Thereupon he went to the bed to lay hold of him and shake him. But
his searching hands found no Shargar. Becoming alarmed, he ran
down-stairs to beg a light from Betty.</p>

<p id="ii.x-p129"><br />
</p>

<p id="ii.x-p130">When he reached the kitchen, he found Betty's nose as much in
the air as its construction would permit. For a hook-nosed animal,
she certainly was the most harmless and ovine creature in the
world, but this was a case in which feminine modesty was both
concerned and aggrieved. She showed her resentment no further,
however, than by simply returning no answer in syllable, or sound,
or motion, to Robert's request. She was washing up the tea-things,
and went on with her work as if she had been in absolute solitude,
saving that her countenance could hardly have kept up that
expression of injured dignity had such been the case. Robert
plainly saw, to his great concern, that his secret had been
discovered in his absence, and that Shargar had been expelled with
contumely. But, with an instinct of facing the worst at once which
accompanied him through life, he went straight to his grandmother's
parlour.</p>

<p id="ii.x-p131"><br />
</p>

<p id="ii.x-p132">'Well, grandmamma,' he said, trying to speak as cheerfully as he
could.</p>

<p id="ii.x-p133"><br />
</p>

<p id="ii.x-p134">Grannie's prayers had softened her a little, else she would have
been as silent as Betty; for it was from her mistress that Betty
had learned this mode of torturing a criminal. So she was just able
to return his greeting in the words, 'Weel, Robert,' pronounced in
a finality of tone that indicated she had done her utmost, and had
nothing to add.</p>

<p id="ii.x-p135"><br />
</p>

<p id="ii.x-p136">'Here's a browst (<i>brewage</i>)!' thought Robert to himself;
and, still on the principle of flying at the first of mischief he
saw--the best mode of meeting it, no doubt--addressed his
grandmother at once. The effort necessary gave a tone of defiance
to his words.</p>

<p id="ii.x-p137"><br />
</p>

<p id="ii.x-p138">'What for willna ye speik to me, grannie?' he said. 'I'm no a
haithen, nor yet a papist.'</p>

<p id="ii.x-p139"><br />
</p>

<p id="ii.x-p140">'Ye're waur nor baith in ane, Robert.'</p>

<p id="ii.x-p141"><br />
</p>

<p id="ii.x-p142">'Hoots! ye winna say baith, grannie,' returned Robert, who, even
at the age of fourteen, when once compelled to assert himself,
assumed a modest superiority.</p>

<p id="ii.x-p143"><br />
</p>

<p id="ii.x-p144">'Nane o' sic impidence!' retorted Mrs. Falconer. 'I wonner whaur
ye learn that. But it's nae wonner. Evil communications corrupt
gude mainners. Ye're a lost prodigal, Robert, like yer father afore
ye. I hae jist been sittin' here thinkin' wi' mysel' whether it
wadna be better for baith o' 's to lat ye gang an' reap the fruit
o' yer doin's at ance; for the hard ways is the best road for
transgressors. <i>I</i>'m no bund to keep ye.'</p>

<p id="ii.x-p145"><br />
</p>

<p id="ii.x-p146">'Weel, weel, I s' awa' to Shargar. Him and me 'ill haud on
thegither better nor you an' me, grannie. He's a puir cratur, but
he can stick till a body.'</p>

<p id="ii.x-p147"><br />
</p>

<p id="ii.x-p148">'What are ye haverin' aboot Shargar for, ye heepocreet loon?
Ye'll no gang to Shargar, I s' warran'! Ye'll be efter that vile
limmer that's turnt my honest hoose intil a sty this last
fortnicht.'</p>

<p id="ii.x-p149"><br />
</p>

<p id="ii.x-p150">'Grannie, I dinna ken what ye mean.'</p>

<p id="ii.x-p151"><br />
</p>

<p id="ii.x-p152">'<i>She</i> kens, than. I sent her aff like ane o' Samson's
foxes, wi' a firebrand at her tail. It's a pity it wasna tied
atween the twa o' ye.'</p>

<p id="ii.x-p153"><br />
</p>

<p id="ii.x-p154">'Preserve 's, grannie! Is't possible ye hae ta'en Shargar for
ane o' wumman-kin'?'</p>

<p id="ii.x-p155"><br />
</p>

<p id="ii.x-p156">'I ken naething aboot Shargar, I tell ye. I ken that Betty an'
me tuik an ill-faured dame i' the bed i' the garret.'</p>

<p id="ii.x-p157"><br />
</p>

<p id="ii.x-p158">'Cud it be his mither?' thought Robert in bewilderment; but he
recovered himself in a moment, and answered,</p>

<p id="ii.x-p159"><br />
</p>

<p id="ii.x-p160">'Shargar <i>may</i> be a quean efter a', for onything 'at I ken
to the contrairy; but I aye tuik him for a loon. Faith, sic a quean
as he'd mak!'</p>

<p id="ii.x-p161"><br />
</p>

<p id="ii.x-p162">And careless to resist the ludicrousness of the idea, he burst
into a loud fit of laughter, which did more to reassure his grannie
than any amount of protestation could have done, however she
pretended to take offence at his ill-timed merriment.</p>

<p id="ii.x-p163"><br />
</p>

<p id="ii.x-p164">Seeing his grandmother staggered, Robert gathered courage to
assume the offensive.</p>

<p id="ii.x-p165"><br />
</p>

<p id="ii.x-p166">'But, granny! hoo ever Betty, no to say you, cud hae driven oot
a puir half-stervit cratur like Shargar, even supposin' he oucht to
hae been in coaties, and no in troosers--and the mither o' him run
awa' an' left him--it's mair nor I can unnerstan.' I misdoobt me
sair but he's gane and droont himsel'.'</p>

<p id="ii.x-p167"><br />
</p>

<p id="ii.x-p168">Robert knew well enough that Shargar would not drown himself
without at least bidding him good-bye; but he knew too that his
grandmother could be wrought upon. Her conscience was more tender
than her feelings; and this peculiarity occasioned part of the
mutual non-understanding rather than misunderstanding between her
grandson and herself. The first relation she bore to most that came
near her was one of severity and rebuke; but underneath her cold
outside lay a warm heart, to which conscience acted the part of a
somewhat capricious stoker, now quenching its heat with the cold
water of duty, now stirring it up with the poker of reproach, and
ever treating it as an inferior and a slave. But her conscience
was, on the whole, a better friend to her race than her heart; and,
indeed, the conscience is always a better friend than a heart whose
motions are undirected by it. From Falconer's account of her,
however, I cannot help thinking that she not unfrequently took
refuge in severity of tone and manner from the threatened
ebullition of a feeling which she could not otherwise control, and
which she was ashamed to manifest. Possibly conscience had spoken
more and more gently as its behests were more and more readily
obeyed, until the heart began to gather courage, and at last, as in
many old people, took the upper hand, which was outwardly
inconvenient to one of Mrs. Falconer's temperament. Hence, in doing
the kindest thing in the world, she would speak in a tone of
command, even of rebuke, as if she were compelling the performance
of the most unpleasant duty in the person who received the
kindness. But the human heart is hard to analyze, and, indeed, will
not submit quietly to the operation, however gently performed. Nor
is the result at all easy to put into words. It is best shown in
actions.</p>

<p id="ii.x-p169"><br />
</p>

<p id="ii.x-p170">Again, it may appear rather strange that Robert should be able
to talk in such an easy manner to his grandmother, seeing he had
been guilty of concealment, if not of deception. But she had never
been so actively severe towards Robert as she had been towards her
own children. To him she was wonderfully gentle for her nature, and
sought to exercise the saving harshness which she still believed
necessary, solely in keeping from him every enjoyment of life which
the narrowest theories as to the rule and will of God could set
down as worldly. Frivolity, of which there was little in this sober
boy, was in her eyes a vice; loud laughter almost a crime; cards,
and <i>novelles</i>, as she called them, were such in her
estimation, as to be beyond my powers of characterization. Her
commonest injunction was, 'Noo be <i>douce</i>,'--that is <i>
sober</i>--uttered to the soberest boy she could ever have known.
But Robert was a large-hearted boy, else this life would never have
had to be written; and so, through all this, his deepest nature
came into unconscious contact with that of his noble old
grandmother. There was nothing small about either of them. Hence
Robert was not afraid of her. He had got more of her nature in him
than of her son's. She and his own mother had more share in him
than his father, though from him he inherited good qualities
likewise.</p>

<p id="ii.x-p171"><br />
</p>

<p id="ii.x-p172">He had concealed his doings with Shargar simply because he
believed they could not be done if his grandmother knew of his
plans. Herein he did her less than justice. But so unpleasant was
concealment to his nature, and so much did the dread of discovery
press upon him, that the moment he saw the thing had come out into
the daylight of her knowledge, such a reaction of relief took place
as, operating along with his deep natural humour and the comical
circumstance of the case, gave him an ease and freedom of
communication which he had never before enjoyed with her. Likewise
there was a certain courage in the boy which, if his own natural
disposition had not been so quiet that he felt the negations of her
rule the less, might have resulted in underhand doings of a very
different kind, possibly, from those of benevolence.</p>

<p id="ii.x-p173"><br />
</p>

<p id="ii.x-p174">He must have been a strange being to look at, I always think, at
this point of his development, with his huge nose, his black eyes,
his lanky figure, and his sober countenance, on which a smile was
rarely visible, but from which burst occasional <i>guffaws</i> of
laughter.</p>

<p id="ii.x-p175"><br />
</p>

<p id="ii.x-p176">At the words 'droont himsel',' Mrs. Falconer started.</p>

<p id="ii.x-p177"><br />
</p>

<p id="ii.x-p178">'Rin, laddie, rin,' she said, 'an' fess him back direckly!
Betty! Betty! gang wi' Robert and help him to luik for Shargar. Ye
auld, blin', doited body, 'at says ye can see, and canna tell a lad
frae a lass!'</p>

<p id="ii.x-p179"><br />
</p>

<p id="ii.x-p180">'Na, na, grannie. I'm no gaein' oot wi' a dame like her trailin'
at my fut. She wad be a sair hinnerance to me. Gin Shargar be to be
gotten--that is, gin he be in life--I s' get him wantin' Betty. And
gin ye dinna ken him for the crater ye fand i' the garret, he maun
be sair changed sin' I left him there.'</p>

<p id="ii.x-p181"><br />
</p>

<p id="ii.x-p182">'Weel, weel, Robert, gang yer wa's. But gin ye be deceivin' me,
may the Lord--forgie ye, Robert, for sair ye'll need it.'</p>

<p id="ii.x-p183"><br />
</p>

<p id="ii.x-p184">'Nae fear o' that, grannie,' returned Robert, from the street
door, and vanished.</p>

<p id="ii.x-p185"><br />
</p>

<p id="ii.x-p186">Mrs. Falconer stalked--No, I will not use that word of the gait
of a woman like my friend's grandmother. 'Stately stept she butt
the hoose' to Betty. She felt strangely soft at the heart, Robert
not being <i>yet</i> proved a reprobate; but she was not therefore
prepared to drop one atom of the dignity of her relation to her
servant.</p>

<p id="ii.x-p187"><br />
</p>

<p id="ii.x-p188">'Betty,' she said, 'ye hae made a mistak.'</p>

<p id="ii.x-p189"><br />
</p>

<p id="ii.x-p190">'What's that, mem?' returned Betty.</p>

<p id="ii.x-p191"><br />
</p>

<p id="ii.x-p192">'It wasna a lass ava; it was that crater Shargar.'</p>

<p id="ii.x-p193"><br />
</p>

<p id="ii.x-p194">'Ye said it was a lass yersel' first, mem.'</p>

<p id="ii.x-p195"><br />
</p>

<p id="ii.x-p196">'Ye ken weel eneuch that I'm short sichtit, an' hae been frae
the day o' my birth.'</p>

<p id="ii.x-p197"><br />
</p>

<p id="ii.x-p198">'I'm no auld eneuch to min' upo' that, mem,' returned Betty
revengefully, but in an undertone, as if she did not intend her
mistress to hear, And although she heard well enough, her mistress
adopted the subterfuge. 'But I'll sweir the crater <i>I</i> saw was
in cwytes (<i>petticoats</i>).'</p>

<p id="ii.x-p199"><br />
</p>

<p id="ii.x-p200">'Sweir not at all, Betty. Ye hae made a mistak ony gait.'</p>

<p id="ii.x-p201"><br />
</p>

<p id="ii.x-p202">'Wha says that, mem?'</p>

<p id="ii.x-p203"><br />
</p>

<p id="ii.x-p204">'Robert.'</p>

<p id="ii.x-p205"><br />
</p>

<p id="ii.x-p206">'Aweel, gin he be tellin' the trowth--'</p>

<p id="ii.x-p207"><br />
</p>

<p id="ii.x-p208">'Daur ye mint (<i>insinuate</i>) to me that a son o' mine wad
tell onything but the trowth?'</p>

<p id="ii.x-p209"><br />
</p>

<p id="ii.x-p210">'Na, na, mem. But gin that wasna a quean, ye canna deny but she
luikit unco like ane, and no a blate (<i>bashful</i>) ane
eyther.'</p>

<p id="ii.x-p211"><br />
</p>

<p id="ii.x-p212">'Gin he was a loon, he wadna luik like a <i>blate</i> lass, ony
gait, Betty. And <i>there</i> ye're wrang.'</p>

<p id="ii.x-p213"><br />
</p>

<p id="ii.x-p214">'Weel, weel, mem, hae 't yer ain gait,' muttered Betty.</p>

<p id="ii.x-p215"><br />
</p>

<p id="ii.x-p216">'I wull hae 't my ain gait,' retorted her mistress, 'because
it's the richt gait, Betty. An' noo ye maun jist gang up the stair,
an' get the place cleant oot an' put in order.'</p>

<p id="ii.x-p217"><br />
</p>

<p id="ii.x-p218">'I wull do that, mem.'</p>

<p id="ii.x-p219"><br />
</p>

<p id="ii.x-p220">'Ay wull ye. An' luik weel aboot, Betty, you that can see sae
weel, in case there suld be ony cattle aboot; for he's nane o' the
cleanest, yon dame!'</p>

<p id="ii.x-p221"><br />
</p>

<p id="ii.x-p222">'I wull do that, mem.'</p>

<p id="ii.x-p223"><br />
</p>

<p id="ii.x-p224">'An' gang direckly, afore he comes back.'</p>

<p id="ii.x-p225"><br />
</p>

<p id="ii.x-p226">'Wha comes back?'</p>

<p id="ii.x-p227"><br />
</p>

<p id="ii.x-p228">'Robert, of course.'</p>

<p id="ii.x-p229"><br />
</p>

<p id="ii.x-p230">'What for that?'</p>

<p id="ii.x-p231"><br />
</p>

<p id="ii.x-p232">''Cause he's comin' wi' 'im.'</p>

<p id="ii.x-p233"><br />
</p>

<p id="ii.x-p234">'What <i>he</i> 's comin' wi' 'im?'</p>

<p id="ii.x-p235"><br />
</p>

<p id="ii.x-p236">'Ca' 't <i>she</i>, gin ye like. It's Shargar.'</p>

<p id="ii.x-p237"><br />
</p>

<p id="ii.x-p238">'Wha says that?' exclaimed Betty, sniffing and starting at
once.</p>

<p id="ii.x-p239"><br />
</p>

<p id="ii.x-p240">'<i>I</i> say that. An' ye gang an' du what I tell ye, this
minute.'</p>

<p id="ii.x-p241"><br />
</p>

<p id="ii.x-p242">Betty obeyed instantly; for the tone in which the last words
were spoken was one she was not accustomed to dispute. She only
muttered as she went, 'It 'll a' come upo' me as usual.'</p>

<p id="ii.x-p243"><br />
</p>

<p id="ii.x-p244">Betty's job was long ended before Robert returned. Never
dreaming that Shargar could have gone back to the old haunt, he had
looked for him everywhere before that occurred to him as a last
chance. Nor would he have found him even then, for he would not
have thought of his being inside the deserted house, had not
Shargar heard his footsteps in the street.</p>

<p id="ii.x-p245"><br />
</p>

<p id="ii.x-p246">He started up from his stool saying, 'That's Bob!' but was not
sure enough to go to the door: he might be mistaken; it might be
the landlord! He heard the feet stop and did not move; but when he
heard them begin to go away again, he rushed to the door, and
bawled on the chance at the top of his voice, 'Bob! Bob!'</p>

<p id="ii.x-p247"><br />
</p>

<p id="ii.x-p248">'Eh! ye crater!' said Robert, '<i>ir</i> ye there efter a'?</p>

<p id="ii.x-p249"><br />
</p>

<p id="ii.x-p250">'Eh! Bob,' exclaimed Shargar, and burst into tears. 'I thocht ye
wad come efter me.'</p>

<p id="ii.x-p251"><br />
</p>

<p id="ii.x-p252">'Of coorse,' answered Robert, coolly. 'Come awa' hame.'</p>

<p id="ii.x-p253"><br />
</p>

<p id="ii.x-p254">'Whaur til?' asked Shargar in dismay.</p>

<p id="ii.x-p255"><br />
</p>

<p id="ii.x-p256">'Hame to yer ain bed at my grannie's.'</p>

<p id="ii.x-p257"><br />
</p>

<p id="ii.x-p258">'Na, na,' said Shargar, hurriedly, retreating within the door of
the hovel. 'Na, na, Bob, lad, I s' no du that. She's an awfu'
wuman, that grannie o' yours. I canna think hoo ye can bide wi'
her. I'm weel oot o' her grups, <i>I</i> can tell ye.'</p>

<p id="ii.x-p259"><br />
</p>

<p id="ii.x-p260">It required a good deal of persuasion, but at last Robert
prevailed upon Shargar to return. For was not Robert his tower of
strength? And if Robert was not frightened at his grannie, or at
Betty, why should he be? At length they entered Mrs. Falconer's
parlour, Robert dragging in Shargar after him, having failed
altogether in encouraging him to enter after a more dignified
fashion.</p>

<p id="ii.x-p261"><br />
</p>

<p id="ii.x-p262">It must be remembered that although Shargar was still kilted, he
was not the less trowsered, such as the trowsers were. It makes my
heart ache to think of those trowsers--not believing trowsers
essential to blessedness either, but knowing the superiority of the
old Roman costume of the kilt.</p>

<p id="ii.x-p263"><br />
</p>

<p id="ii.x-p264">No sooner had Mrs. Falconer cast her eyes upon him than she
could not but be convinced of the truth of Robert's averment.</p>

<p id="ii.x-p265"><br />
</p>

<p id="ii.x-p266">'Here he is, grannie; and gin ye bena saitisfeed yet--'</p>

<p id="ii.x-p267"><br />
</p>

<p id="ii.x-p268">'Haud yer tongue, laddie. Ye hae gi'en me nae cause to doobt yer
word.'</p>

<p id="ii.x-p269"><br />
</p>

<p id="ii.x-p270">Indeed, during Robert's absence, his grandmother had had leisure
to perceive of what an absurd folly she had been guilty. She had
also had time to make up her mind as to her duty with regard to
Shargar; and the more she thought about it, the more she admired
the conduct of her grandson, and the better she saw that it would
be right to follow his example. No doubt she was the more inclined
to this benevolence that she had as it were received her grandson
back from the jaws of death.</p>

<p id="ii.x-p271"><br />
</p>

<p id="ii.x-p272">When the two lads entered, from her arm-chair Mrs. Falconer
examined Shargar from head to foot with the eye of a queen on her
throne, and a countenance immovable in stern gentleness, till
Shargar would gladly have sunk into the shelter of the voluminous
kilt from the gaze of those quiet hazel eyes.</p>

<p id="ii.x-p273"><br />
</p>

<p id="ii.x-p274">At length she spoke:</p>

<p id="ii.x-p275"><br />
</p>

<p id="ii.x-p276">'Robert, tak him awa'.'</p>

<p id="ii.x-p277"><br />
</p>

<p id="ii.x-p278">'Whaur'll I tak him till, grannie?'</p>

<p id="ii.x-p279"><br />
</p>

<p id="ii.x-p280">'Tak him up to the garret. Betty 'ill ha' ta'en a tub o' het
water up there 'gen this time, and ye maun see that he washes
himsel' frae heid to fut, or he s' no bide an 'oor i' my hoose.
Gang awa' an' see till 't this minute.'</p>

<p id="ii.x-p281"><br />
</p>

<p id="ii.x-p282">But she detained them yet awhile with various directions in
regard of cleansing, for the carrying out of which Robert was only
too glad to give his word. She dismissed them at last, and Shargar
by and by found himself in bed, clean, and, for the first time in
his life, between a pair of linen sheets--not altogether to his
satisfaction, for mere order and comfort were substituted for
adventure and success.</p>

<p id="ii.x-p283"><br />
</p>

<p id="ii.x-p284">But greater trials awaited him. In the morning he was visited by
Brodie, the tailor, and Elshender, the shoemaker, both of whom he
held in awe as his superiors in the social scale, and by them
handled and measured from head to feet, the latter included; after
which he had to lie in bed for three days, till his clothes came
home; for Betty had carefully committed every article of his former
dress to the kitchen fire, not without a sense of pollution to the
bottom of her kettle. Nor would he have got them for double the
time, had not Robert haunted the tailor, as well as the soutar,
like an evil conscience, till they had finished them. Thus grievous
was Shargar's introduction to the comforts of respectability. Nor
did he like it much better when he was dressed, and able to go
about; for not only was he uncomfortable in his new clothes, which,
after the very easy fit of the old ones, felt like a suit of
plate-armour, but he was liable to be sent for at any moment by the
awful sovereignty in whose dominions he found himself, and which,
of course, proceeded to instruct him not merely in his own
religious duties, but in the religious theories of his ancestors,
if, indeed, Shargar's ancestors ever had any. And now the Shorter
Catechism seemed likely to be changed into the Longer Catechism;
for he had it Sundays as we'll as Saturdays, besides Alleine's <i>
Alarm to the Unconverted</i>, Baxter's <i>Saint's Rest</i>,
Erskine's <i>Gospel Sonnets</i>, and other books of a like kind.
Nor was it any relief to Shargar that the gloom was broken by the
incomparable <i>Pilgrim's Progress</i> and the <i>Holy War</i>, for
he cared for none of these things. Indeed, so dreary did he find it
all, that his love to Robert was never put to such a severe test.
But for that, he would have run for it. Twenty times a day was he
so tempted.</p>

<p id="ii.x-p285"><br />
</p>

<p id="ii.x-p286">At school, though it was better, yet it was bad. For he was ten
times as much laughed at for his new clothes, though they were of
the plainest, as he had been for his old rags. Still he bore all
the pangs of unwelcome advancement without a grumble, for the sake
of his friend alone, whose dog he remained as much as ever. But his
past life of cold and neglect, and hunger and blows, and
homelessness and rags, began to glimmer as in the distance of a
vaporous sunset, and the loveless freedom he had then enjoyed gave
it a bloom as of summer-roses.</p>

<p id="ii.x-p287"><br />
</p>

<p id="ii.x-p288">I wonder whether there may not have been in some unknown corner
of the old lady's mind this lingering remnant of paganism, that, in
reclaiming the outcast from the error of his ways, she was making
an offering acceptable to that God whom her mere prayers could not
move to look with favour upon her prodigal son Andrew. Nor from her
own acknowledged religious belief as a background would it have
stuck so fiery off either. Indeed, it might have been a partial
corrective of some yet more dreadful articles of her creed,--which
she held, be it remembered, because she could not help it.</p>

<p id="ii.x-p289"><br />
</p>

<p id="ii.x-p290"><br />
</p>

</div2>

      <div2 title="CHAPTER XI.--PRIVATE INTERVIEWS." n="xi" shorttitle="" progress="13.17%" id="ii.xi" prev="ii.x" next="ii.xii">

<p id="ii.xi-p1"><br />
</p>

<p id="ii.xi-p2">CHAPTER XI.</p>

<p id="ii.xi-p3"><br />
</p>

<p id="ii.xi-p4">PRIVATE INTERVIEWS.</p>

<p id="ii.xi-p5"><br />
</p>

<p id="ii.xi-p6">THE winter passed slowly away. Robert and Shargar went to school
together, and learned their lessons together at Mrs. Falconer's
table. Shargar soon learned to behave with tolerable propriety; was
obedient, as far as eye-service went; looked as queer as ever; did
what he pleased, which was nowise very wicked, the moment he was
out of the old lady's sight; was well fed and well cared for; and
when he was asked how he was, gave the invariable answer:
'Middlin'.' He was not very happy.</p>

<p id="ii.xi-p7"><br />
</p>

<p id="ii.xi-p8">There was little communication in words between the two boys,
for the one had not much to say, and the pondering fits of the
other grew rather than relaxed in frequency and intensity. Yet
amongst chance acquaintances in the town Robert had the character
of a wag, of which he was totally unaware himself. Indeed, although
he had more than the ordinary share of humour, I suspect it was not
so much his fun as his earnest that got him the character; for he
would say such altogether unheard-of and strange things, that the
only way they were capable of accounting for him was as a
humorist.</p>

<p id="ii.xi-p9"><br />
</p>

<p id="ii.xi-p10">'Eh!' he said once to Elshender, during a pause common to a
thunder-storm and a lesson on the violin 'eh! wadna ye like to be
up in that clood wi' a spaud, turnin' ower the divots and catchin'
the flashes lyin' aneath them like lang reid fiery worms?'</p>

<p id="ii.xi-p11"><br />
</p>

<p id="ii.xi-p12">'Ay, man, but gin ye luik up to the cloods that gait, ye'll
never be muckle o' a fiddler.'</p>

<p id="ii.xi-p13"><br />
</p>

<p id="ii.xi-p14">This was merely an outbreak of that insolence of advice so often
shown to the young from no vantage-ground but that of age and
faithlessness, reminding one of the 'jigging fool' who interfered
between Brutus and Cassius on the sole ground that he had seen more
years than they. As if ever a fiddler that did not look up to the
clouds would be anything but a catgut-scraper! Even Elshender's
fiddle was the one angel that held back the heavy curtain of his
gross nature, and let the sky shine through. He ought to have been
set fiddling every Sunday morning, and from his fiddling dragged
straight to church. It was the only thing man could have done for
his conversion, for then his heart was open, But I fear the prayers
would have closed it before the sermon came. He should rather have
been compelled to take his fiddle to church with him, and have a
gentle scrape at it in the pauses of the service; only there are no
such pauses in the service, alas! And Dooble Sanny, though not too
religious to get drunk occasionally, was a great deal too religious
to play his fiddle on the Sabbath: he would not willingly anger the
powers above; but it was sometimes a sore temptation, especially
after he got possession of old Mr. Falconer's wonderful
instrument.</p>

<p id="ii.xi-p15"><br />
</p>

<p id="ii.xi-p16">'Hoots, man!' he would say to Robert; 'dinna han'le, her as gin
she war an egg-box. Tak haud o' her as gin she war a leevin'
crater. Ye maun jist straik her canny, an' wile the music oot o'
her; for she's like ither women: gin ye be rouch wi' her, ye winna
get a word oot o' her. An' dinna han'le her that gait. She canna
bide to be contred an' pu'd this gait and that gait.--Come to me,
my bonny leddy. Ye'll tell me yer story, winna ye, my dauty
(<i>pet</i>)?'</p>

<p id="ii.xi-p17"><br />
</p>

<p id="ii.xi-p18">And with every gesture as if he were humouring a shy and invalid
girl, he would, as he said, wile the music out of her in sobs and
wailing, till the instrument, gathering courage in his embrace,
grew gently merry in its confidence, and broke at last into airy
laughter. He always spoke, and apparently thought, of his violin as
a woman, just as a sailor does of his craft. But there was nothing
about him, except his love for music and its instruments, to
suggest other than a most uncivilized nature. That which was fine
in him was constantly checked and held down by the gross; the
merely animal overpowered the spiritual; and it was only upon
occasion that his heavenly companion, the violin, could raise him a
few feet above the mire and the clay. She never succeeded in
setting his feet on a rock; while, on the contrary, he often
dragged her with him into the mire of questionable company and
circumstances. Worthy Mr. Falconer would have been horrified to see
his umquhile modest companion in such society as that into which
she was now introduced at times. But nevertheless the soutar was a
good and patient teacher; and although it took Robert <i>rather</i>
more than a fortnight to redeem his pledge to Shargar, he did make
progress. It could not, however, be rapid, seeing that an hour at a
time, two evenings in the week, was all that he could give to the
violin. Even with this moderation, the risk of his absence exciting
his grandmother's suspicion and inquiry was far from small.</p>

<p id="ii.xi-p19"><br />
</p>

<p id="ii.xi-p20">And now, were those really faded old memories of his grandfather
and his merry kindness, all so different from the solemn
benevolence of his grandmother, which seemed to revive in his bosom
with the revivification of the violin? The instrument had surely
laid up a story in its hollow breast, had been dreaming over it all
the time it lay hidden away in the closet, and was now telling out
its dreams about the old times in the ear of the listening boy. To
him also it began to assume something of that mystery and life
which had such a softening, and, for the moment at least, elevating
influence on his master.</p>

<p id="ii.xi-p21"><br />
</p>

<p id="ii.xi-p22">At length the love of the violin had grown upon him so, that he
could not but cast about how he might enjoy more of its company. It
would not do, for many reasons, to go oftener to the shoemaker's,
especially now that the days were getting longer. Nor was that what
he wanted. He wanted opportunity for practice. He wanted to be
alone with the creature, to see if she would not say something more
to him than she had ever said yet. Wafts and odours of melodies
began to steal upon him ere he was aware in the half lights between
sleeping and waking: if he could only entice them to creep out of
the violin, and once 'bless his humble ears' with the bodily
hearing of them! Perhaps he might--who could tell? But how? But
where?</p>

<p id="ii.xi-p23"><br />
</p>

<p id="ii.xi-p24">There was a building in Rothieden not old, yet so deserted that
its very history seemed to have come to a standstill, and the dust
that filled it to have fallen from the plumes of passing centuries.
It was the property of Mrs. Falconer, left her by her husband.
Trade had gradually ebbed away from the town till the
thread-factory stood unoccupied, with all its machinery rusting and
mouldering, just as the work-people had risen and left it one hot,
midsummer day, when they were told that their services were no
longer required. Some of the thread even remained upon the spools,
and in the hollows of some of the sockets the oil had as yet dried
only into a paste; although to Robert the desertion of the place
appeared immemorial. It stood at a furlong's distance from the
house, on the outskirt of the town. There was a large, neglected
garden behind it, with some good fruit-trees, and plenty of the
bushes which boys love for the sake of their berries. After
grannie's jam-pots were properly filled, the remnant of these, a
gleaning far greater than the gathering, was at the disposal of
Robert, and, philosopher although in some measure he was already,
he appreciated the privilege. Haunting this garden in the previous
summer, he had for the first time made acquaintance with the
interior of the deserted factory. The door to the road was always
kept locked, and the key of it lay in one of grannie's drawers; but
he had then discovered a back entrance less securely fastened, and
with a strange mingling of fear and curiosity had from time to time
extended his rambles over what seemed to him the huge desolation of
the place. Half of it was well built of stone and lime, but of the
other half the upper part was built of wood, which now showed signs
of considerable decay. One room opened into another through the
length of the place, revealing a vista of machines, standing with
an air of the last folding of the wings of silence over them, and
the sense of a deeper and deeper sinking into the soundless abyss.
But their activity was not so far vanished but that by degrees
Robert came to fancy that he had some time or other seen a woman
seated at each of those silent powers, whose single hand set the
whole frame in motion, with its numberless spindles and spools
rapidly revolving--a vague mystery of endless threads in orderly
complication, out of which came some desired, to him unknown,
result, so that the whole place was full of a bewildering tumult of
work, every little reel contributing its share, as the water-drops
clashing together make the roar of a tempest. Now all was still as
the church on a week-day, still as the school on a Saturday
afternoon. Nay, the silence seemed to have settled down like the
dust, and grown old and thick, so dead and old that the ghost of
the ancient noise had arisen to haunt the place.</p>

<p id="ii.xi-p25"><br />
</p>

<p id="ii.xi-p26">Thither would Robert carry his violin, and there would he woo
her.</p>

<p id="ii.xi-p27"><br />
</p>

<p id="ii.xi-p28">'I'm thinkin' I maun tak her wi' me the nicht, Sanders,' he
said, holding the fiddle lovingly to his bosom, after he had
finished his next lesson.</p>

<p id="ii.xi-p29"><br />
</p>

<p id="ii.xi-p30">The shoemaker looked blank.</p>

<p id="ii.xi-p31"><br />
</p>

<p id="ii.xi-p32">'Ye're no gaein' to desert me, are ye?'</p>

<p id="ii.xi-p33"><br />
</p>

<p id="ii.xi-p34">'Na, weel I wat!' returned Robert. 'But I want to try her at
hame. I maun get used till her a bittie, ye ken, afore I can du
onything wi' her.'</p>

<p id="ii.xi-p35"><br />
</p>

<p id="ii.xi-p36">'I wiss ye had na brought her here ava. What I <i>am</i> to du
wantin' her!'</p>

<p id="ii.xi-p37"><br />
</p>

<p id="ii.xi-p38">'What for dinna ye get yer ain back?'</p>

<p id="ii.xi-p39"><br />
</p>

<p id="ii.xi-p40">'I haena the siller, man. And, forbye, I doobt I wadna be that
sair content wi' her noo gin I had her. I used to think her gran'.
But I'm clean oot o' conceit o' her. That bonnie leddy's ta'en 't
clean oot o' me.'</p>

<p id="ii.xi-p41"><br />
</p>

<p id="ii.xi-p42">'But ye canna hae her aye, ye ken, Sanders. She's no mine. She's
my grannie's, ye ken.'</p>

<p id="ii.xi-p43"><br />
</p>

<p id="ii.xi-p44">'What's the use o' her to <i>her</i>? She pits nae vailue upon
her. Eh, man, gin she wad gie her to me, I wad haud her i' the best
o' shune a' the lave o' her days.'</p>

<p id="ii.xi-p45"><br />
</p>

<p id="ii.xi-p46">'That wadna be muckle, Sanders, for she hasna had a new pair
sin' ever I mind.'</p>

<p id="ii.xi-p47"><br />
</p>

<p id="ii.xi-p48">'But I wad haud Betty in shune as weel.'</p>

<p id="ii.xi-p49"><br />
</p>

<p id="ii.xi-p50">'Betty pays for her ain shune, I reckon.'</p>

<p id="ii.xi-p51"><br />
</p>

<p id="ii.xi-p52">'Weel, I wad haud <i>you</i> in shune, and yer bairns, and yer
bairns' bairns,' cried the soutar, with enthusiasm.</p>

<p id="ii.xi-p53"><br />
</p>

<p id="ii.xi-p54">'Hoot, toot, man! Lang or that ye'll be fiddlin' i' the new
Jeroozlem.'</p>

<p id="ii.xi-p55"><br />
</p>

<p id="ii.xi-p56">'Eh, man!' said Alexander, looking up--he had just cracked the
<i>roset-ends</i> off his hands, for he had the upper leather of a
boot in the grasp of the clams, and his right hand hung arrested on
its blind way to the awl--'duv ye think there'll be fiddles there?
I thocht they war a' hairps, a thing 'at I never saw, but it canna
be up till a fiddle.'</p>

<p id="ii.xi-p57"><br />
</p>

<p id="ii.xi-p58">'I dinna ken,' answered Robert; 'but ye suld mak a pint o'
seein' for yersel'.'</p>

<p id="ii.xi-p59"><br />
</p>

<p id="ii.xi-p60">'Gin I thoucht there wad be fiddles there, faith I wad hae a
try. It wadna be muckle o' a Jeroozlem to me wantin' my fiddle. But
gin there be fiddles, I daursay they'll be gran' anes. I daursay
they wad gi' me a new ane--I mean ane as auld as Noah's 'at he
played i' the ark whan the de'il cam' in by to hearken. I wad fain
hae a try. Ye ken a' aboot it wi' that grannie o' yours: hoo's a
body to begin?'</p>

<p id="ii.xi-p61"><br />
</p>

<p id="ii.xi-p62">'By giein' up the drink, man.'</p>

<p id="ii.xi-p63"><br />
</p>

<p id="ii.xi-p64">'Ay--ay--ay--I reckon ye're richt. Weel, I'll think aboot it
whan ance I'm throu wi' this job. That'll be neist ook, or
thereabouts, or aiblins twa days efter. I'll hae some leiser
than.'</p>

<p id="ii.xi-p65"><br />
</p>

<p id="ii.xi-p66">Before he had finished speaking he had caught up his awl and
begun to work vigorously, boring his holes as if the nerves of
feeling were continued to the point of the tool, inserting the
bristles that served him for needles with a delicacy worthy of
soft-skinned fingers, drawing through the rosined threads with a
whisk, and untwining them with a crack from the leather that
guarded his hands.</p>

<p id="ii.xi-p67"><br />
</p>

<p id="ii.xi-p68">'Gude nicht to ye,' said Robert, with the fiddle-case under his
arm.</p>

<p id="ii.xi-p69"><br />
</p>

<p id="ii.xi-p70">The shoemaker looked up, with his hands bound in his
threads.</p>

<p id="ii.xi-p71"><br />
</p>

<p id="ii.xi-p72">'Ye're no gaein' to tak her frae me the nicht?'</p>

<p id="ii.xi-p73"><br />
</p>

<p id="ii.xi-p74">'Ay am I, but I'll fess her back again. I'm no gaein' to Jericho
wi' her.'</p>

<p id="ii.xi-p75"><br />
</p>

<p id="ii.xi-p76">'Gang to Hecklebirnie wi' her, and that's three mile ayont
hell.'</p>

<p id="ii.xi-p77"><br />
</p>

<p id="ii.xi-p78">'Na; we maun win farther nor that. There canna, be muckle
fiddlin' there.'</p>

<p id="ii.xi-p79"><br />
</p>

<p id="ii.xi-p80">'Weel, tak her to the new Jeroozlem. I s' gang doon to Lucky
Leary's, and fill mysel' roarin' fou, an' it'll be a' your wyte
(<i>blame</i>).'</p>

<p id="ii.xi-p81"><br />
</p>

<p id="ii.xi-p82">'I doobt <i>ye</i>'ll get the straiks (<i>blows</i>) though. Or
maybe ye think Bell 'ill tak them for ye.'</p>

<p id="ii.xi-p83"><br />
</p>

<p id="ii.xi-p84">Dooble Sanny caught up a huge boot, the sole of which was filled
with broad-headed nails as thick as they could be driven, and, in a
rage, threw it at Robert as he darted out. Through its clang
against the <i>door-cheek</i>, the shoemaker heard a cry from the
instrument. He cast everything from him and sprang after Robert.
But Robert was down the wynd like a long-legged grayhound, and
Elshender could only follow like a fierce mastiff. It was love and
grief, though, and apprehension and remorse, not vengeance, that
winged his heels. He soon saw that pursuit was vain.</p>

<p id="ii.xi-p85"><br />
</p>

<p id="ii.xi-p86">'Robert! Robert!' he cried; 'I canna win up wi' ye. Stop, for
God's sake! Is she hurtit?'</p>

<p id="ii.xi-p87"><br />
</p>

<p id="ii.xi-p88">Robert stopped at once.</p>

<p id="ii.xi-p89"><br />
</p>

<p id="ii.xi-p90">'Ye hae made a bonny leddy o' her--a lameter (<i>cripple</i>) I
doobt, like yer wife,' he answered, with indignation.</p>

<p id="ii.xi-p91"><br />
</p>

<p id="ii.xi-p92">'Dinna be aye flingin' a man's fau'ts in 's face. It jist maks
him 'at he canna, bide himsel' or you eyther. Lat's see the bonny
crater.'</p>

<p id="ii.xi-p93"><br />
</p>

<p id="ii.xi-p94">Robert complied, for he too was anxious. They were now standing
in the space in front of Shargar's old abode, and there was no one
to be seen. Elshender took the box, opened it carefully, and peeped
in with a face of great apprehension.</p>

<p id="ii.xi-p95"><br />
</p>

<p id="ii.xi-p96">'I thocht that was a'!' he said with some satisfaction. 'I kent
the string whan I heard it. But we'll sune get a new thairm till
her,' he added, in a tone of sorrowful commiseration and
condolence, as he took the violin from the case, tenderly as if it
had been a hurt child.</p>

<p id="ii.xi-p97"><br />
</p>

<p id="ii.xi-p98">One touch of the bow, drawing out a <i>goul</i> of grief,
satisfied him that <i>she</i> was uninjured. Next a hurried
inspection showed him that there was enough of the catgut twisted
round the peg to make up for the part that was broken off. In a
moment he had fastened it to the tail-piece, tightened and tuned
it. Forthwith he took the bow from the case-lid, and in jubilant
guise he expatiated upon the wrong he had done his bonny leddy,
till the doors and windows around were crowded with heads peering
through the dark to see whence the sounds came, and a little child
toddled across from one of the lowliest houses with a ha'penny for
the fiddler. Gladly would Robert have restored it with interest,
but, alas! there was no interest in his bank, for not a ha'penny
had he in the world. The incident recalled Sandy to Rothieden and
its cares. He restored the violin to its case, and while Robert was
fearing he would take it under his arm and walk away with it,
handed it back with a humble sigh and a 'Praise be thankit;' then,
without another word, turned and went to his lonely stool and home
'untreasured of its mistress.' Robert went home too, and stole like
a thief to his room.</p>

<p id="ii.xi-p99"><br />
</p>

<p id="ii.xi-p100">The next day was a Saturday, which, indeed, was the real old
Sabbath, or at least the half of it, to the schoolboys of
Rothieden. Even Robert's grannie was Jew enough, or rather
Christian enough, to respect this remnant of the fourth
commandment--divine antidote to the rest of the godless
money-making and soul-saving week--and he had the half-day to
himself. So as soon as he had had his dinner, he managed to give
Shargar the slip, left him to the inroads of a desolate
despondency, and stole away to the old factory-garden. The key of
that he had managed to purloin from the kitchen where it hung; nor
was there much danger of its absence being discovered, seeing that
in winter no one thought of the garden. The smuggling of the violin
out of the house was the 'dearest danger'--the more so that he
would not run the risk of carrying her out unprotected, and it was
altogether a bulky venture with the case. But by spying and
speeding he managed it, and soon found himself safe within the high
walls of the garden.</p>

<p id="ii.xi-p101"><br />
</p>

<p id="ii.xi-p102">It was early spring. There had been a heavy fall of sleet in the
morning, and now the wind blew gustfully about the place. The
neglected trees shook showers upon him as he passed under them,
trampling down the rank growth of the grass-walks. The long twigs
of the wall-trees, which had never been nailed up, or had been torn
down by the snow and the blasts of winter, went trailing away in
the moan of the fitful wind, and swung back as it sunk to a sigh.
The currant and gooseberry bushes, bare and leafless, and
'shivering all for cold,' neither reminded him of the feasts of the
past summer, nor gave him any hope for the next. He strode careless
through it all to gain the door at the bottom. It yielded to a
push, and the long grass streamed in over the threshold as he
entered. He mounted by a broad stair in the main part of the house,
passing the silent clock in one of its corners, now expiating in
motionlessness the false accusations it had brought against the
work-people, and turned into the chaos of machinery.</p>

<p id="ii.xi-p103"><br />
</p>

<p id="ii.xi-p104">I fear that my readers will expect, from the minuteness with
which I recount these particulars, that, after all, I am going to
describe a rendezvous with a lady, or a ghost at least. I will not
plead in excuse that I, too, have been infected with Sandy's mode
of regarding <i>her</i>, but I plead that in the mind of Robert the
proceeding was involved in something of that awe and mystery with
which a youth approaches the woman he loves. He had not yet arrived
at the period when the feminine assumes its paramount influence,
combining in itself all that music, colour, form, odour, can
suggest, with something infinitely higher and more divine; but he
had begun to be haunted with some vague aspirations towards the
infinite, of which his attempts on the violin were the outcome. And
now that he was to be alone, for the first time, with this
wonderful realizer of dreams and awakener of visions, to do with
her as he would, to hint by gentle touches at the thoughts that
were fluttering in his soul, and listen for her voice that by the
echoes in which she strove to respond he might know that she
understood him, it was no wonder if he felt an ethereal foretaste
of the expectation that haunts the approach of souls.</p>

<p id="ii.xi-p105"><br />
</p>

<p id="ii.xi-p106">But I am not even going to describe his first <i>
tête-à-tête</i> with his violin. Perhaps he returned from it
somewhat disappointed. Probably he found her coy, unready to
acknowledge his demands on her attention. But not the less
willingly did he return with her to the solitude of the ruinous
factory. On every safe occasion, becoming more and more frequent as
the days grew longer, he repaired thither, and every time returned
more capable of drawing the coherence of melody from that matrix of
sweet sounds.</p>

<p id="ii.xi-p107"><br />
</p>

<p id="ii.xi-p108">At length the people about began to say that the factory was
haunted; that the ghost of old Mr. Falconer, unable to repose while
neglect was ruining the precious results of his industry, visited
the place night after night, and solaced his disappointment by
renewing on his favourite violin strains not yet forgotten by him
in his grave, and remembered well by those who had been in his
service, not a few of whom lived in the neighbourhood of the
forsaken building.</p>

<p id="ii.xi-p109"><br />
</p>

<p id="ii.xi-p110">One gusty afternoon, like the first, but late in the spring,
Robert repaired as usual to this his secret haunt. He had played
for some time, and now, from a sudden pause of impulse, had ceased,
and begun to look around him. The only light came from two long
pale cracks in the rain-clouds of the west. The wind was blowing
through the broken windows, which stretched away on either hand. A
dreary, windy gloom, therefore, pervaded the desolate place; and in
the dusk, and their settled order, the machines looked
multitudinous. An <i>eerie</i> sense of discomfort came over him as
he gazed, and he lifted his violin to dispel the strange unpleasant
feeling that grew upon him. But at the first long stroke across the
strings, an awful sound arose in the further room; a sound that
made him all but drop the bow, and cling to his violin. It went on.
It was the old, all but forgotten whirr of bobbins, mingled with
the gentle groans of the revolving horizontal wheel, but magnified
in the silence of the place, and the echoing imagination of the
boy, into something preternaturally awful. Yielding for a moment to
the growth of goose-skin, and the insurrection of hair, he
recovered himself by a violent effort, and walked to the door that
connected the two compartments. Was it more or less fearful that
the jenny was not going of itself? that the figure of an old woman
sat solemnly turning and turning the hand-wheel? Not without
calling in the jury of his senses, however, would he yield to the
special plea of his imagination, but went nearer, half expecting to
find that the <i>mutch</i>, with its big flapping borders,
glimmering white in the gloom across many a machine, surrounded the
face of a skull. But he was soon satisfied that it was only a blind
woman everybody knew--so old that she had become childish. She had
heard the reports of the factory being haunted, and groping about
with her half-withered brain full of them, had found the garden and
the back door open, and had climbed to the first-floor by a farther
stair, well known to her when she used to work that very machine.
She had seated herself instinctively, according to ancient wont,
and had set it in motion once more.</p>

<p id="ii.xi-p111"><br />
</p>

<p id="ii.xi-p112">Yielding to an impulse of experiment, Robert began to play
again. Thereupon her disordered ideas broke out in words. And
Robert soon began to feel that it could hardly be more ghastly to
look upon a ghost than to be taken for one.</p>

<p id="ii.xi-p113"><br />
</p>

<p id="ii.xi-p114">'Ay, ay, sir,' said the old woman, in a tone of commiseration,
'it maun be sair to bide. I dinna wonner 'at ye canna lie still.
But what gars ye gang daunerin' aboot <i>this</i> place? It's no
yours ony langer. Ye ken whan fowk's deid, they tyne the grip
(<i>loose hold</i>). Ye suld gang hame to yer wife. She micht say a
word to quaiet yer auld banes, for she's a douce an' a wice
woman--the mistress.'</p>

<p id="ii.xi-p115"><br />
</p>

<p id="ii.xi-p116">Then followed a pause. There was a horror about the old woman's
voice, already half dissolved by death, in the desolate place, that
almost took from Robert the power of motion. But his violin sent
forth an accidental twang, and that set her going again.</p>

<p id="ii.xi-p117"><br />
</p>

<p id="ii.xi-p118">'Ye was aye a douce honest gentleman yersel', an' I dinna wonner
ye canna bide it. But I wad hae thoucht glory micht hae hauden ye
in. But yer ain son! Eh ay! And a braw lad and a bonnie! It's a sod
thing he bude to gang the wrang gait; and it's no wonner, as I say,
that ye lea' the worms to come an' luik efter him. I doobt--I doobt
it winna be to you he'll gang at the lang last. There winna be room
for him aside ye in Awbrahawm's boasom. And syne to behave sae ill
to that winsome wife o' his! I dinna wonner 'at ye maun be up! Eh
na! But, sir, sin ye are up, I wish ye wad speyk to John Thamson no
to tak aff the day 'at I was awa' last ook, for 'deed I was verra
unweel, and bude to keep my bed.'</p>

<p id="ii.xi-p119"><br />
</p>

<p id="ii.xi-p120">Robert was beginning to feel uneasy as to how he should get rid
of her, when she rose, and saying, 'Ay, ay, I ken it's sax
o'clock,' went out as she had come in. Robert followed, and saw her
safe out of the garden, but did not return to the factory.</p>

<p id="ii.xi-p121"><br />
</p>

<p id="ii.xi-p122">So his father had behaved ill to his mother too!</p>

<p id="ii.xi-p123"><br />
</p>

<p id="ii.xi-p124">'But what for hearken to the havers o' a dottled auld wife?' he
said to himself, pondering as he walked home.</p>

<p id="ii.xi-p125"><br />
</p>

<p id="ii.xi-p126">Old Janet told a strange story of how she had <i>seen</i> the
ghost, and had had a long talk with him, and of what he said, and
of how he groaned and played the fiddle between. And finding that
the report had reached his grandmother's ears, Robert thought it
prudent, much to his discontent, to intermit his visits to the
factory. Mrs. Falconer, of course, received the rumour with
indignant scorn, and peremptorily refused to allow any examination
of the premises.</p>

<p id="ii.xi-p127"><br />
</p>

<p id="ii.xi-p128">But how have the violin by him and not hear her speak? One
evening the longing after her voice grow upon him till he could
resist it no longer. He shut the door of his garret-room, and, with
Shargar by him, took her out and began to play softly, gently--oh
so softly, so gently! Shargar was enraptured. Robert went on
playing.</p>

<p id="ii.xi-p129"><br />
</p>

<p id="ii.xi-p130">Suddenly the door opened, and his grannie stood awfully revealed
before them. Betty had heard the violin, and had flown to the
parlour in the belief that, unable to get any one to heed him at
the factory, the ghost had taken Janet's advice, and come home. But
his wife smiled a smile of contempt, went with Betty to the
kitchen--over which Robert's room lay--heard the sounds, put off
her creaking shoes, stole up-stairs on her soft white lambswool
stockings, and caught the pair. The violin was seized, put in its
case, and carried off; and Mrs. Falconer rejoiced to think she had
broken a gin set by Satan for the unwary feet of her poor Robert.
Little she knew the wonder of that violin--how it had kept the soul
of her husband alive! Little she knew how dangerous it is to shut
an open door, with ever so narrow a peep into the eternal, in the
face of a son of Adam! And little she knew how determinedly and
restlessly a nature like Robert's would search for another, to open
one possibly which she might consider ten times more dangerous than
that which she had closed.</p>

<p id="ii.xi-p131"><br />
</p>

<p id="ii.xi-p132">When Alexander heard of the affair, he was at first overwhelmed
with the misfortune; but gathering a little heart at last, he set
to 'working,' as he said himself, 'like a verra deevil'; and as he
was the best shoemaker in the town, and for the time abstained
utterly from whisky, and all sorts of drink but well-water, he soon
managed to save the money necessary, and redeem the old fiddle. But
whether it was from fancy, or habit, or what, even Robert's
inexperienced ear could not accommodate itself, save under protest,
to the instrument which once his teacher had considered all but
perfect; and it needed the master's finest touch to make its tone
other than painful to the sense of the neophyte.</p>

<p id="ii.xi-p133"><br />
</p>

<p id="ii.xi-p134">No one can estimate too highly the value of such a resource to a
man like the shoemaker, or a boy like Robert. Whatever it be that
keeps the finer faculties of the mind awake, wonder alive, and the
interest above mere eating and drinking, money-making and
money-saving; whatever it be that gives gladness, or sorrow, or
hope--this, be it violin, pencil, pen, or, highest of all, the love
of woman, is simply a divine gift of holy influence for the
salvation of that being to whom it comes, for the lifting of him
out of the mire and up on the rock. For it keeps a way open for the
entrance of deeper, holier, grander influences, emanating from the
same riches of the Godhead. And though many have genius that have
no grace, they will only be so much the worse, so much the nearer
to the brute, if you take from them that which corresponds to
Dooble Sanny's fiddle.</p>

<p id="ii.xi-p135"><br />
</p>

<p id="ii.xi-p136"><br />
</p>

</div2>

      <div2 title="CHAPTER XII.--ROBERT'S PLAN OF SALVATION." n="xii" shorttitle="" progress="15.45%" id="ii.xii" prev="ii.xi" next="ii.xiii">

<p id="ii.xii-p1"><br />
</p>

<p id="ii.xii-p2">CHAPTER XII.</p>

<p id="ii.xii-p3"><br />
</p>

<p id="ii.xii-p4">ROBERT'S PLAN OF SALVATION.</p>

<p id="ii.xii-p5"><br />
</p>

<p id="ii.xii-p6">FOR some time after the loss of his friend, Robert went
loitering and mooning about, quite neglecting the lessons to which
he had not, it must be confessed, paid much attention for many
weeks. Even when seated at his grannie's table, he could do no more
than fix his eyes on his book: to learn was impossible; it was even
disgusting to him. But his was a nature which, foiled in one
direction, must, absolutely helpless against its own vitality,
straightway send out its searching roots in another. Of all forces,
that of growth is the one irresistible, for it is the creating
power of God, the law of life and of being. Therefore no
accumulation of refusals, and checks, and turnings, and
forbiddings, from all the good old grannies in the world, could
have prevented Robert from striking root downward, and bearing
fruit upward, though, as in all higher natures, the fruit was a
long way off yet. But his soul was only sad and hungry. He was not
unhappy, for he had been guilty of nothing that weighed on his
conscience. He had been doing many things of late, it is true,
without asking leave of his grandmother, but wherever prayer is
felt to be of no avail, there cannot be the sense of obligation
save on compulsion. Even direct disobedience in such case will
generally leave little soreness, except the thing forbidden should
be in its own nature wrong, and then, indeed, 'Don Worm, the
conscience,' may begin to bite. But Robert felt nothing immoral in
playing upon his grandfather's violin, nor even in taking liberties
with a piece of lumber for which nobody cared but possibly the
dead; therefore he was not unhappy, only much disappointed, very
empty, and somewhat gloomy. There was nothing to look forward to
now, no secret full of riches and endless in hope--in short, no
violin.</p>

<p id="ii.xii-p7"><br />
</p>

<p id="ii.xii-p8">To feel the full force of his loss, my reader must remember that
around the childhood of Robert, which he was fast leaving behind
him, there had gathered no tenderness--none at least by him
recognizable as such. All the women he came in contact with were
his grandmother and Betty. He had no recollection of having ever
been kissed. From the darkness and negation of such an
embryo-existence, his nature had been unconsciously striving to
escape--struggling to get from below ground into the sunlit
air--sighing after a freedom he could not have defined, the freedom
that comes, not of independence, but of love--not of lawlessness,
but of the perfection of law. Of this beauty of life, with its
wonder and its deepness, this unknown glory, his fiddle had been
the type. It had been the ark that held, if not the tables of the
covenant, yet the golden pot of angel's food, and the rod that
budded in death. And now that it was gone, the gloomier aspect of
things began to lay hold upon him; his soul turned itself away from
the sun, and entered into the shadow of the under-world. Like the
white-horsed twins of lake Regillus, like Phoebe, the queen of
skyey plain and earthly forest, every boy and girl, every man and
woman, that lives at all, has to divide many a year between
Tartarus and Olympus.</p>

<p id="ii.xii-p9"><br />
</p>

<p id="ii.xii-p10">For now arose within him, not without ultimate good, the evil
phantasms of a theology which would explain all God's doings by low
conceptions, low I mean for humanity even, of right, and law, and
justice, then only taking refuge in the fact of the incapacity of
the human understanding when its own inventions are impugned as
undivine. In such a system, hell is invariably the deepest truth,
and the love of God is not so deep as hell. Hence, as foundations
must be laid in the deepest, the system is founded in hell, and the
first article in the creed that Robert Falconer learned was, 'I
believe in hell.' Practically, I mean, it was so; else how should
it be that as often as a thought of religious duty arose in his
mind, it appeared in the form of escaping hell, of fleeing from the
wrath to come? For his very nature was hell, being not born <i>
in</i> sin and brought forth in iniquity, but born sin and brought
forth iniquity. And yet God made him. He must believe that. And he
must believe, too, that God was just, awfully just, punishing with
fearful pains those who did not go through a certain process of
mind which it was utterly impossible they should go through without
a help which he would give to some, and withhold from others, the
reason of the difference not being such, to say the least of it, as
to come within the reach of the persons concerned. And this God
they said was love. It was logically absurd, of course, yet, thank
God, they did say that God was love; and many of them succeeded in
believing it, too, and in ordering their ways as if the first
article of their creed had been 'I believe in God'; whence, in
truth, we are bound to say it was the first in power and reality,
if not in order; for what are we to say a man believes, if not what
he acts upon? Still the former article was the one they brought
chiefly to bear upon their children. This mortar, probably they
thought, threw the shell straighter than any of the other
field-pieces of the church-militant. Hence it was even in
justification of God himself that a party arose to say that a man
could believe without the help of God at all, and after believing
only began to receive God's help--a heresy all but as dreary and
barren as the former. No one dreamed of saying--at least such a
glad word of prophecy never reached Rothieden--that, while nobody
can do without the help of the Father any more than a new-born babe
could of itself live and grow to a man, yet that in the giving of
that help the very fatherhood of the Father finds its one gladsome
labour; that for that the Lord came; for that the world was made;
for that we were born into it; for that God lives and loves like
the most loving man or woman on earth, only infinitely more, and in
other ways and kinds besides, which we cannot understand; and that
therefore to be a man is the soul of eternal jubilation.</p>

<p id="ii.xii-p11"><br />
</p>

<p id="ii.xii-p12">Robert consequently began to take fits of soul-saving, a most
rational exercise, worldly wise and prudent--right too on the
principles he had received, but not in the least Christian in its
nature, or even God-fearing. His imagination began to busy itself
in representing the dire consequences of not entering into the one
refuge of faith. He made many frantic efforts to believe that he
believed; took to keeping the Sabbath very carefully--that is, by
going to church three times, and to Sunday-school as well; by never
walking a step save to or from church; by never saying a word upon
any subject unconnected with religion, chiefly theoretical; by
never reading any but religious books; by never whistling; by never
thinking of his lost fiddle, and so on--all the time feeling that
God was ready to pounce upon him if he failed once; till again and
again the intensity of his efforts utterly defeated their object by
destroying for the time the desire to prosecute them with the power
to will them. But through the horrible vapours of these vain
endeavours, which denied God altogether as the maker of the world,
and the former of his soul and heart and brain, and sought to
worship him as a capricious demon, there broke a little light, a
little soothing, soft twilight, from the dim windows of such
literature as came in his way. Besides <i>The Pilgrim's
Progress</i> there were several books which shone moon-like on his
darkness, and lifted something of the weight of that Egyptian gloom
off his spirit. One of these, strange to say, was Defoe's <i>
Religious Courtship</i>, and one, Young's <i>Night Thoughts</i>.
But there was another which deserves particular notice, inasmuch as
it did far more than merely interest or amuse him, raising a deep
question in his mind, and one worthy to be asked. This book was the
translation of Klopstock's <i>Messiah</i>, to which I have already
referred. It was not one of his grandmother's books, but had
probably belonged to his father: he had found it in his little
garret-room. But as often as she saw him reading it, she seemed
rather pleased, he thought. As to the book itself, its florid
expatiation could neither offend nor injure a boy like Robert,
while its representation of our Lord was to him a wonderful relief
from that given in the pulpit, and in all the religious books he
knew. But the point for the sake of which I refer to it in
particular is this: Amongst the rebel angels who are of the actors
in the story, one of the principal is a cherub who repents of
making his choice with Satan, mourns over his apostasy, haunts
unseen the steps of our Saviour, wheels lamenting about the cross,
and would gladly return to his lost duties in heaven, if only he
might--a doubt which I believe is left unsolved in the volume, and
naturally enough remained unsolved in Robert's mind:--Would poor
Abaddon be forgiven and taken home again? For although naturally,
that is, to judge by his own instincts, there could be no question
of his forgiveness, according to what he had been taught there
could be no question of his perdition. Having no one to talk to, he
divided himself and went to buffets on the subject, siding, of
course, with the better half of himself which supported the
merciful view of the matter; for all his efforts at keeping the
Sabbath, had in his own honest judgment failed so entirely, that he
had no ground for believing himself one of the elect. Had he
succeeded in persuading himself that he was, there is no saying to
what lengths of indifference about others the chosen prig might
have advanced by this time.</p>

<p id="ii.xii-p13"><br />
</p>

<p id="ii.xii-p14">He made one attempt to open the subject with Shargar.</p>

<p id="ii.xii-p15"><br />
</p>

<p id="ii.xii-p16">'Shargar, what think ye?' he said suddenly, one day. 'Gin a
de'il war to repent, wad God forgie him?'</p>

<p id="ii.xii-p17"><br />
</p>

<p id="ii.xii-p18">'There's no sayin' what fowk wad du till ance they're tried,'
returned Shargar, cautiously.</p>

<p id="ii.xii-p19"><br />
</p>

<p id="ii.xii-p20">Robert did not care to resume the question with one who so
circumspectly refused to take a metaphysical or <i>a priori</i>
view of the matter.</p>

<p id="ii.xii-p21"><br />
</p>

<p id="ii.xii-p22">He made an attempt with his grandmother.</p>

<p id="ii.xii-p23"><br />
</p>

<p id="ii.xii-p24">One Sunday, his thoughts, after trying for a time to revolve in
due orbit around the mind of the Rev. Hugh Maccleary, as projected
in a sermon which he had botched up out of a commentary, failed at
last and flew off into what the said gentleman would have
pronounced 'very dangerous speculation, seeing no man is to go
beyond what is written in the Bible, which contains not only the
truth, but the whole truth, and nothing but the truth, for this
time and for all future time--both here and in the world to come.'
Some such sentence, at least, was in his sermon that day, and the
preacher no doubt supposed St. Matthew, not St. Matthew Henry,
accountable for its origination. In the Limbo into which Robert's
then spirit flew, it had been sorely exercised about the
substitution of the sufferings of Christ for those which humanity
must else have endured while ages rolled on--mere ripples on the
ocean of eternity.</p>

<p id="ii.xii-p25"><br />
</p>

<p id="ii.xii-p26">'Noo, be douce,' said Mrs. Falconer, solemnly, as Robert, a
trifle lighter at heart from the result of his cogitations than
usual, sat down to dinner: he had happened to smile across the
table to Shargar. And he was douce, and smiled no more.</p>

<p id="ii.xii-p27"><br />
</p>

<p id="ii.xii-p28">They ate their broth, or, more properly, <i>supped</i> it, with
horn spoons, in absolute silence; after which Mrs. Falconer put a
large piece of meat on the plate of each, with the same
formula:</p>

<p id="ii.xii-p29"><br />
</p>

<p id="ii.xii-p30">'Hae. Ye s' get nae mair.'</p>

<p id="ii.xii-p31"><br />
</p>

<p id="ii.xii-p32">The allowance was ample in the extreme, bearing a relation to
her words similar to that which her practice bore to her theology.
A piece of cheese, because it was the Sabbath, followed, and dinner
was over.</p>

<p id="ii.xii-p33"><br />
</p>

<p id="ii.xii-p34">When the table had been cleared by Betty, they drew their chairs
to the fire, and Robert had to read to his grandmother, while
Shargar sat listening. He had not read long, however, before he
looked up from his Bible and began the following
conversation:--</p>

<p id="ii.xii-p35"><br />
</p>

<p id="ii.xii-p36">'Wasna it an ill trick o' Joseph, gran'mither, to put that cup,
an' a siller ane tu, into the mou' o' Benjamin's seck?'</p>

<p id="ii.xii-p37"><br />
</p>

<p id="ii.xii-p38">'What for that, laddie? He wanted to gar them come back again,
ye ken.'</p>

<p id="ii.xii-p39"><br />
</p>

<p id="ii.xii-p40">'But he needna hae gane aboot it in sic a playactor-like gait.
He needna hae latten them awa' ohn tellt (<i>without telling</i>)
them that he was their brither.'</p>

<p id="ii.xii-p41"><br />
</p>

<p id="ii.xii-p42">'They had behaved verra ill till him.'</p>

<p id="ii.xii-p43"><br />
</p>

<p id="ii.xii-p44">'He used to clype (<i>tell tales</i>) upo' them, though.'</p>

<p id="ii.xii-p45"><br />
</p>

<p id="ii.xii-p46">'Laddie, tak ye care what ye say aboot Joseph, for he was a teep
o' Christ.'</p>

<p id="ii.xii-p47"><br />
</p>

<p id="ii.xii-p48">'Hoo was that, gran'mither?'</p>

<p id="ii.xii-p49"><br />
</p>

<p id="ii.xii-p50">'They sellt him to the Ishmeleets for siller, as Judas did
him.'</p>

<p id="ii.xii-p51"><br />
</p>

<p id="ii.xii-p52">'Did he beir the sins o' them 'at sellt him?'</p>

<p id="ii.xii-p53"><br />
</p>

<p id="ii.xii-p54">'Ye may say, in a mainner, 'at he did; for he was sair afflickit
afore he wan up to be the King's richt han'; an' syne he keepit a
hantle o' ill aff o' 's brithren.'</p>

<p id="ii.xii-p55"><br />
</p>

<p id="ii.xii-p56">'Sae, gran'mither, ither fowk nor Christ micht suffer for the
sins o' their neebors?'</p>

<p id="ii.xii-p57"><br />
</p>

<p id="ii.xii-p58">'Ay, laddie, mony a ane has to do that. But no to mak atonement,
ye ken. Naething but the sufferin' o' the spotless cud du that. The
Lord wadna be saitisfeet wi' less nor that. It maun be the innocent
to suffer for the guilty.'</p>

<p id="ii.xii-p59"><br />
</p>

<p id="ii.xii-p60">'I unnerstan' that,' said Robert, who had heard it so often that
he had not yet thought of trying to understand it. 'But gin we gang
to the gude place, we'll be a' innocent, willna we, grannie?'</p>

<p id="ii.xii-p61"><br />
</p>

<p id="ii.xii-p62">'Ay, that we will--washed spotless, and pure, and clean, and
dressed i' the weddin' garment, and set doon at the table wi' him
and wi' his Father. That's them 'at believes in him, ye ken.'</p>

<p id="ii.xii-p63"><br />
</p>

<p id="ii.xii-p64">'Of coorse, grannie.--Weel, ye see, I hae been thinkin' o' a
plan for maist han' toomin' (<i>almost emptying</i>) hell.'</p>

<p id="ii.xii-p65"><br />
</p>

<p id="ii.xii-p66">'What's i' the bairn's heid noo? Troth, ye're no blate, meddlin'
wi' sic subjecks, laddie!'</p>

<p id="ii.xii-p67"><br />
</p>

<p id="ii.xii-p68">'I didna want to say onything to vex ye, grannie. I s' gang on
wi' the chapter.'</p>

<p id="ii.xii-p69"><br />
</p>

<p id="ii.xii-p70">'Ow, say awa'. Ye sanna say muckle 'at's wrang afore I cry <i>
haud</i>,' said Mrs. Falconer, curious to know what had been moving
in the boy's mind, but watching him like a cat, ready to spring
upon the first visible hair of the old Adam.</p>

<p id="ii.xii-p71"><br />
</p>

<p id="ii.xii-p72">And Robert, recalling the outbreak of terrible grief which he
had heard on that memorable night, really thought that his project
would bring comfort to a mind burdened with such care, and went on
with the exposition of his plan.</p>

<p id="ii.xii-p73"><br />
</p>

<p id="ii.xii-p74">'A' them 'at sits doon to the supper o' the Lamb 'll sit there
because Christ suffert the punishment due to their sins--winna
they, grannie?'</p>

<p id="ii.xii-p75"><br />
</p>

<p id="ii.xii-p76">'Doobtless, laddie.'</p>

<p id="ii.xii-p77"><br />
</p>

<p id="ii.xii-p78">'But it'll he some sair upo' them to sit there aitin' an'
drinkin' an' talkin' awa', an' enjoyin' themsel's, whan ilka noo
an' than there'll come a sough o' wailin' up frae the ill place,
an' a smell o' burnin' ill to bide.'</p>

<p id="ii.xii-p79"><br />
</p>

<p id="ii.xii-p80">'What put that i' yer heid, laddie? There's no rizzon to think
'at hell's sae near haven as a' that. The Lord forbid it!'</p>

<p id="ii.xii-p81"><br />
</p>

<p id="ii.xii-p82">'Weel, but, grannie, they'll ken 't a' the same, whether they
smell 't or no. An' I canna help thinkin' that the farrer awa' I
thoucht they war, the waur I wad like to think upo' them. 'Deed it
wad be waur.'</p>

<p id="ii.xii-p83"><br />
</p>

<p id="ii.xii-p84">'What are ye drivin' at, laddie? I canna unnerstan' ye,' said
Mrs. Falconer, feeling very uncomfortable, and yet curious, almost
anxious, to hear what would come next. 'I trust we winna hae to
think muckle--'</p>

<p id="ii.xii-p85"><br />
</p>

<p id="ii.xii-p86">But here, I presume, the thought of the added desolation of her
Andrew if she, too, were to forget him, as well as his Father in
heaven, checked the flow of her words. She paused, and Robert took
up his parable and went on, first with yet another question.</p>

<p id="ii.xii-p87"><br />
</p>

<p id="ii.xii-p88">'Duv ye think, grannie, that a body wad be allooed to speik a
word i' public, like, there--at the lang table, like, I mean?'</p>

<p id="ii.xii-p89"><br />
</p>

<p id="ii.xii-p90">'What for no, gin it was dune wi' moedesty, and for a guid
rizzon? But railly, laddie, I doobt ye're haverin' a'thegither. Ye
hard naething like that, I'm sure, the day, frae Mr.
Maccleary.'</p>

<p id="ii.xii-p91"><br />
</p>

<p id="ii.xii-p92">'Na, na; he said naething aboot it. But maybe I'll gang and
speir at him, though.'</p>

<p id="ii.xii-p93"><br />
</p>

<p id="ii.xii-p94">'What aboot?'</p>

<p id="ii.xii-p95"><br />
</p>

<p id="ii.xii-p96">'What I'm gaein' to tell ye, grannie.'</p>

<p id="ii.xii-p97"><br />
</p>

<p id="ii.xii-p98">'Weel, tell awa', and hae dune wi' 't. I'm growin' tired o'
't.'</p>

<p id="ii.xii-p99"><br />
</p>

<p id="ii.xii-p100">It was something else than tired she was growing.</p>

<p id="ii.xii-p101"><br />
</p>

<p id="ii.xii-p102">'Weel, I'm gaein' to try a' that I can to win in there.'</p>

<p id="ii.xii-p103"><br />
</p>

<p id="ii.xii-p104">'I houp ye will. Strive and pray. Resist the deevil. Walk in the
licht. Lippen not to yersel', but trust in Christ and his
salvation.'</p>

<p id="ii.xii-p105"><br />
</p>

<p id="ii.xii-p106">'Ay, ay, grannie.--Weel--'</p>

<p id="ii.xii-p107"><br />
</p>

<p id="ii.xii-p108">'Are ye no dune yet?'</p>

<p id="ii.xii-p109"><br />
</p>

<p id="ii.xii-p110">'Na. I'm but jist beginnin'.'</p>

<p id="ii.xii-p111"><br />
</p>

<p id="ii.xii-p112">'Beginnin', are ye? Humph!'</p>

<p id="ii.xii-p113"><br />
</p>

<p id="ii.xii-p114">'Weel, gin I win in there, the verra first nicht I sit doon wi'
the lave o' them, I'm gaein' to rise up an' say--that is, gin the
Maister, at the heid o' the table, disna bid me sit doon--an' say:
"Brithers an' sisters, the haill o' ye, hearken to me for ae
minute; an', O Lord! gin I say wrang, jist tak the speech frae me,
and I'll sit doon dumb an' rebukit. We're a' here by grace and no
by merit, save his, as ye a' ken better nor I can tell ye, for ye
hae been langer here nor me. But it's jist ruggin' an' rivin' at my
hert to think o' them 'at's doon there. Maybe ye can hear them. I
canna. Noo, we hae nae merit, an' they hae nae merit, an' what for
are we here and them there? But we're washed clean and innocent
noo; and noo, whan there's no wyte lying upo' oursel's, it seems to
me that we micht beir some o' the sins o' them 'at hae ower mony. I
call upo' ilk ane o' ye 'at has a frien' or a neebor down yonner,
to rise up an' taste nor bite nor sup mair till we gang up
a'thegither to the fut o' the throne, and pray the Lord to lat's
gang and du as the Maister did afore 's, and beir their griefs, and
cairry their sorrows doon in hell there; gin it maybe that they may
repent and get remission o' their sins, an' come up here wi' us at
the lang last, and sit doon wi' 's at this table, a' throuw the
merits o' oor Saviour Jesus Christ, at the heid o' the table there.
Amen."'</p>

<p id="ii.xii-p115"><br />
</p>

<p id="ii.xii-p116">Half ashamed of his long speech, half overcome by the feelings
fighting within him, and altogether bewildered, Robert burst out
crying like a baby, and ran out of the room--up to his own place of
meditation, where he threw himself on the floor. Shargar, who had
made neither head nor tail of it all, as he said afterwards, sat
staring at Mrs. Falconer. She rose, and going into Robert's little
bedroom, closed the door, and what she did there is not far to
seek.</p>

<p id="ii.xii-p117"><br />
</p>

<p id="ii.xii-p118">When she came out, she rang the bell for tea, and sent Shargar
to look for Robert. When he appeared, she was so gentle to him that
it woke quite a new sensation in him. But after tea was over, she
said:</p>

<p id="ii.xii-p119"><br />
</p>

<p id="ii.xii-p120">'Noo, Robert, lat's hae nae mair o' this. Ye ken as weel 's I du
that them 'at gangs <i>there</i> their doom is fixed, and noething
<i>can</i> alter 't. An' we're not to alloo oor ain fancies to
cairry 's ayont the Scripter. We hae oor ain salvation to work oot
wi' fear an' trimlin'. We hae naething to do wi' what's hidden.
Luik ye till 't 'at ye win in yersel'. That's eneuch for you to
min'.--Shargar, ye can gang to the kirk. Robert's to bide wi' me
the nicht.'</p>

<p id="ii.xii-p121"><br />
</p>

<p id="ii.xii-p122">Mrs. Falconer very rarely went to church, for she could not hear
a word, and found it irksome.</p>

<p id="ii.xii-p123"><br />
</p>

<p id="ii.xii-p124">When Robert and she were alone together,</p>

<p id="ii.xii-p125"><br />
</p>

<p id="ii.xii-p126">'Laddie,' she said, 'be ye waure o' judgin' the Almichty. What
luiks to you a' wrang may be a' richt. But it's true eneuch 'at we
dinna ken a'thing; an' he's no deid yet--I dinna believe 'at he
is--and he'll maybe win in yet.'</p>

<p id="ii.xii-p127"><br />
</p>

<p id="ii.xii-p128">Here her voice failed her. And Robert had nothing to say now. He
had said all his say before.</p>

<p id="ii.xii-p129"><br />
</p>

<p id="ii.xii-p130">'Pray, Robert, pray for yer father, laddie,' she resumed; 'for
we hae muckle rizzon to be anxious aboot 'im. Pray while there's
life an' houp. Gie the Lord no rist. Pray till 'im day an' nicht,
as I du, that he wad lead 'im to see the error o' his ways, an'
turn to the Lord, wha's ready to pardon. Gin yer mother had lived,
I wad hae had mair houp, I confess, for she was a braw leddy and a
bonny, and <i>that</i> sweet-tongued! She cud hae wiled a maukin
frae its lair wi' her bonnie Hielan' speech. I never likit to hear
nane o' them speyk the Erse (<i>Irish</i>, that is, <i>Gaelic</i>),
it was aye sae gloggie and baneless; and I cudna unnerstan' ae word
o' 't. Nae mair cud yer father--hoot! yer gran'father, I
mean--though his father cud speyk it weel. But to hear yer
mother--mamma, as ye used to ca' her aye, efter the new fashion--to
hear her speyk English, that was sweet to the ear; for the braid
Scotch she kent as little o' as I do o' the Erse. It was hert's
care aboot him that shortent her days. And a' that'll be laid upo'
him. He'll hae 't a' to beir an' accoont for. Och hone! Och hone!
Eh! Robert, my man, be a guid lad, an' serve the Lord wi' a' yer
hert, an' sowl, an' stren'th, an' min'; for gin ye gang wrang, yer
ain father 'll hae to beir naebody kens hoo muckle o' the wyte o'
't, for he's dune naething to bring ye up i' the way ye suld gang,
an' haud ye oot o' the ill gait. For the sake o' yer puir father,
haud ye to the richt road. It may spare him a pang or twa i' the
ill place. Eh, gin the Lord wad only tak me, and lat him gang!'</p>

<p id="ii.xii-p131"><br />
</p>

<p id="ii.xii-p132">Involuntarily and unconsciously the mother's love was adopting
the hope which she had denounced in her grandson. And Robert saw
it, but he was never the man when I knew him to push a victory. He
said nothing. Only a tear or two at the memory of the wayworn man,
his recollection of whose visit I have already recorded, rolled
down his cheeks. He was at such a distance from him!--such an
impassable gulf yawned between them!--that was the grief! Not the
gulf of death, nor the gulf that divides hell from heaven, but the
gulf of abjuration by the good because of his evil ways. His
grandmother, herself weeping fast and silently, with scarce altered
countenance, took her neatly-folded handkerchief from her pocket,
and wiped her grandson's fresh cheeks, then wiped her own withered
face; and from that moment Robert knew that he loved her.</p>

<p id="ii.xii-p133"><br />
</p>

<p id="ii.xii-p134">Then followed the Sabbath-evening prayer that she always offered
with the boy, whichever he was, who kept her company. They knelt
down together, side by side, in a certain corner of the room, the
same, I doubt not, in which she knelt at her private devotions,
before going to bed. There she uttered a long extempore prayer,
rapid in speech, full of divinity and Scripture-phrases, but not
the less earnest and simple, for it flowed from a heart of faith.
Then Robert had to pray after her, loud in her ear, that she might
hear him thoroughly, so that he often felt as if he were praying to
her, and not to God at all.</p>

<p id="ii.xii-p135"><br />
</p>

<p id="ii.xii-p136">She had begun to teach him to pray so early that the custom
reached beyond the confines of his memory. At first he had had to
repeat the words after her; but soon she made him construct his own
utterances, now and then giving him a suggestion in the form of a
petition when he seemed likely to break down, or putting a phrase
into what she considered more suitable language. But all such
assistance she had given up long ago.</p>

<p id="ii.xii-p137"><br />
</p>

<p id="ii.xii-p138">On the present occasion, after she had ended her petitions with
those for Jews and pagans, and especially for the 'Pop' o' Rom','
in whom with a rare liberality she took the kindest interest,
always praying God to give him a good wife, though she knew
perfectly well the marriage-creed of the priesthood, for her faith
in the hearer of prayer scorned every theory but that in which she
had herself been born and bred, she turned to Robert with the usual
'Noo, Robert!' and Robert began. But after he had gone on for some
time with the ordinary phrases, he turned all at once into a new
track, and instead of praying in general terms for 'those that
would not walk in the right way,' said,</p>

<p id="ii.xii-p139"><br />
</p>

<p id="ii.xii-p140">'O Lord! save my father,' and there paused.</p>

<p id="ii.xii-p141"><br />
</p>

<p id="ii.xii-p142">'If it be thy will,' suggested his grandmother.</p>

<p id="ii.xii-p143"><br />
</p>

<p id="ii.xii-p144">But Robert continued silent. His grandmother repeated the
subjunctive clause.</p>

<p id="ii.xii-p145"><br />
</p>

<p id="ii.xii-p146">'I'm tryin', grandmother,' said Robert, 'but I canna say 't. I
daurna say an <i>if</i> aboot it. It wad be like giein' in till 's
damnation. We <i>maun hae</i> him saved, grannie!'</p>

<p id="ii.xii-p147"><br />
</p>

<p id="ii.xii-p148">'Laddie! laddie! haud yer tongue!' said Mrs. Falconer, in a tone
of distressed awe. 'O Lord, forgie 'im. He's young and disna ken
better yet. He canna unnerstan' thy ways, nor, for that maitter,
can I preten' to unnerstan' them mysel'. But thoo art a' licht, and
in thee is no darkness at all. And thy licht comes into oor blin'
een, and mak's them blinner yet. But, O Lord, gin it wad please
thee to hear oor prayer...eh! hoo we wad praise thee! And my Andrew
wad praise thee mair nor ninety and nine o' them 'at need nae
repentance.'</p>

<p id="ii.xii-p149"><br />
</p>

<p id="ii.xii-p150">A long pause followed. And then the only words that would come
were: 'For Christ's sake. Amen.'</p>

<p id="ii.xii-p151"><br />
</p>

<p id="ii.xii-p152">When she said that God was light, instead of concluding
therefrom that he could not do the deeds of darkness, she was
driven, from a faith in the teaching of Jonathan Edwards as
implicit as that of 'any lay papist of Loretto,' to doubt whether
the deeds of darkness were not after all deeds of light, or at
least to conclude that their character depended not on their own
nature, but on who did them.</p>

<p id="ii.xii-p153"><br />
</p>

<p id="ii.xii-p154">They rose from their knees, and Mrs. Falconer sat down by her
fire, with her feet on her little wooden stool, and began, as was
her wont in that household twilight, ere the lamp was lighted, to
review her past life, and follow her lost son through all
conditions and circumstances to her imaginable. And when the world
to come arose before her, clad in all the glories which her fancy,
chilled by education and years, could supply, it was but to vanish
in the gloom of the remembrance of him with whom she dared not hope
to share its blessedness. This at least was how Falconer afterwards
interpreted the sudden changes from gladness to gloom which he saw
at such times on her countenance.</p>

<p id="ii.xii-p155"><br />
</p>

<p id="ii.xii-p156">But while such a small portion of the universe of thought was
enlightened by the glowworm lamp of the theories she had been
taught, she was not limited for light to that feeble source. While
she walked on her way, the moon, unseen herself behind the clouds,
was illuminating the whole landscape so gently and evenly, that the
glowworm being the only visible point of radiance, to it she
attributed all the light. But she felt bound to go on believing as
she had been taught; for sometimes the most original mind has the
strongest sense of law upon it, and will, in default of a better,
obey a beggarly one--only till the higher law that swallows it up
manifests itself. Obedience was as essential an element of her
creed as of that of any purest-minded monk; neither being
sufficiently impressed with this: that, while obedience is the law
of the kingdom, it is of considerable importance that that which is
obeyed should be in very truth the will of God. It is one thing,
and a good thing, to do for God's sake that which is not his will:
it is another thing, and altogether a better thing--how much
better, no words can tell--to do for God's sake that which is his
will. Mrs. Falconer's submission and obedience led her to accept as
the will of God, lest she should be guilty of opposition to him,
that which it was anything but giving him honour to accept as such.
Therefore her love to God was too like the love of the slave or the
dog; too little like the love of the child, with whose obedience
the Father cannot be satisfied until he cares for his reason as the
highest form of his will. True, the child who most faithfully
desires to know the inward will or reason of the Father, will be
the most ready to obey without it; only for this obedience it is
essential that the apparent command at least be such as he can
suppose attributable to the Father. Of his own self he is bound to
judge what is right, as the Lord said. Had Abraham doubted whether
it was in any case right to slay his son, he would have been
justified in doubting whether God really required it of him, and
would have been bound to delay action until the arrival of more
light. True, the will of God can never be other than good; but I
doubt if any man can ever be sure that a thing is the will of God,
save by seeing into its nature and character, and beholding its
goodness. Whatever God does must be right, but are we sure that we
know what he does? That which men say he does may be very wrong
indeed.</p>

<p id="ii.xii-p157"><br />
</p>

<p id="ii.xii-p158">This burden she in her turn laid upon Robert--not unkindly, but
as needful for his training towards well-being. Her way with him
was shaped after that which she recognized as God's way with her.
'Speir nae questons, but gang an' du as ye're tellt.' And it was
anything but a bad lesson for the boy. It was one of the best he
could have had--that of authority. It is a grand thing to obey
without asking questions, so long as there is nothing evil in what
is commanded. Only grannie concealed her reasons without reason;
and God <i>makes</i> no secrets. Hence she seemed more stern and
less sympathetic than she really was.</p>

<p id="ii.xii-p159"><br />
</p>

<p id="ii.xii-p160">She sat with her feet on the little wooden stool, and Robert sat
beside her staring into the fire, till they heard the outer door
open, and Shargar and Betty come in from church.</p>

<p id="ii.xii-p161"><br />
</p>

<p id="ii.xii-p162"><br />
</p>

</div2>

      <div2 title="CHAPTER XIII.--ROBERT'S MOTHER." n="xiii" shorttitle="" progress="17.88%" id="ii.xiii" prev="ii.xii" next="ii.xiv">

<p id="ii.xiii-p1"><br />
</p>

<p id="ii.xiii-p2">CHAPTER XIII.</p>

<p id="ii.xiii-p3"><br />
</p>

<p id="ii.xiii-p4">ROBERT'S MOTHER.</p>

<p id="ii.xiii-p5"><br />
</p>

<p id="ii.xiii-p6">EARLY on the following morning, while Mrs. Falconer, Robert, and
Shargar were at breakfast, Mr. Lammie came. He had delayed
communicating the intelligence he had received till he should be
more certain of its truth. Older than Andrew, he had been a great
friend of his father, and likewise of some of Mrs. Falconer's own
family. Therefore he was received with a kindly welcome. But there
was a cloud on his brow which in a moment revealed that his errand
was not a pleasant one.</p>

<p id="ii.xiii-p7"><br />
</p>

<p id="ii.xiii-p8">'I haena seen ye for a lang time, Mr. Lammie. Gae butt the
hoose, lads. Or I'm thinkin' it maun be schule-time. Sit ye doon,
Mr. Lammie, and lat's hear yer news.'</p>

<p id="ii.xiii-p9"><br />
</p>

<p id="ii.xiii-p10">'I cam frae Aberdeen last nicht, Mistress Faukner,' he
began.</p>

<p id="ii.xiii-p11"><br />
</p>

<p id="ii.xiii-p12">'Ye haena been hame sin' syne?' she rejoined.</p>

<p id="ii.xiii-p13"><br />
</p>

<p id="ii.xiii-p14">'Na. I sleepit at The Boar's Heid.'</p>

<p id="ii.xiii-p15"><br />
</p>

<p id="ii.xiii-p16">'What for did ye that? What gart ye be at that expense, whan ye
kent I had a bed i' the ga'le-room?'</p>

<p id="ii.xiii-p17"><br />
</p>

<p id="ii.xiii-p18">'Weel, ye see, they're auld frien's o' mine, and I like to gang
to them whan I'm i' the gait o' 't.'</p>

<p id="ii.xiii-p19"><br />
</p>

<p id="ii.xiii-p20">'Weel, they're a fine faimily, the Miss Napers. And, I wat, sin'
they maun sell drink, they du 't wi' discretion. That's weel
kent.'</p>

<p id="ii.xiii-p21"><br />
</p>

<p id="ii.xiii-p22">Possibly Mr. Lammie, remembering what then occurred, may have
thought the discretion a little in excess of the drink, but he had
other matters to occupy him now. For a few moments both were
silent.</p>

<p id="ii.xiii-p23"><br />
</p>

<p id="ii.xiii-p24">'There's been some ill news, they tell me, Mrs. Faukner,' he
said at length, when the silence had grown painful.</p>

<p id="ii.xiii-p25"><br />
</p>

<p id="ii.xiii-p26">'Humph!' returned the old lady, her face becoming stony with the
effort to suppress all emotion. 'Nae aboot Anerew?'</p>

<p id="ii.xiii-p27"><br />
</p>

<p id="ii.xiii-p28">''Deed is 't, mem. An' ill news, I'm sorry to say.'</p>

<p id="ii.xiii-p29"><br />
</p>

<p id="ii.xiii-p30">'Is he ta'en?'</p>

<p id="ii.xiii-p31"><br />
</p>

<p id="ii.xiii-p32">'Ay is he--by a jyler that winna tyne the grup.'</p>

<p id="ii.xiii-p33"><br />
</p>

<p id="ii.xiii-p34">'He's no deid, John Lammie? Dinna say 't.'</p>

<p id="ii.xiii-p35"><br />
</p>

<p id="ii.xiii-p36">'I maun say 't, Mrs. Faukner. I had it frae Dr. Anderson, yer
ain cousin. He hintit at it afore, but his last letter leaves nae
room to doobt upo' the subjeck. I'm unco sorry to be the beirer o'
sic ill news, Mrs. Faukner, but I had nae chice.'</p>

<p id="ii.xiii-p37"><br />
</p>

<p id="ii.xiii-p38">'Ohone! Ohone! the day o' grace is by at last! My puir Anerew!'
exclaimed Mrs. Falconer, and sat dumb thereafter.</p>

<p id="ii.xiii-p39"><br />
</p>

<p id="ii.xiii-p40">Mr. Lammie tried to comfort her with some of the usual
comfortless commonplaces. She neither wept nor replied, but sat
with stony face staring into her lap, till, seeing that she was as
one that heareth not, he rose and left her alone with her grief. A
few minutes after he was gone, she rang the bell, and told Betty in
her usual voice to send Robert to her.</p>

<p id="ii.xiii-p41"><br />
</p>

<p id="ii.xiii-p42">'He's gane to the schule, mem.'</p>

<p id="ii.xiii-p43"><br />
</p>

<p id="ii.xiii-p44">'Rin efter him, an' tell him to come hame.'</p>

<p id="ii.xiii-p45"><br />
</p>

<p id="ii.xiii-p46">When Robert appeared, wondering what his grandmother could want
with him, she said:</p>

<p id="ii.xiii-p47"><br />
</p>

<p id="ii.xiii-p48">'Close the door, Robert. I canna lat ye gang to the schule the
day. We maun lea' him oot noo.'</p>

<p id="ii.xiii-p49"><br />
</p>

<p id="ii.xiii-p50">'Lea' wha oot, grannie?'</p>

<p id="ii.xiii-p51"><br />
</p>

<p id="ii.xiii-p52">'Him, him--Anerew. Yer father, laddie. I think my hert 'll
brak.'</p>

<p id="ii.xiii-p53"><br />
</p>

<p id="ii.xiii-p54">'Lea' him oot o' what, grannie? I dinna unnerstan' ye.'</p>

<p id="ii.xiii-p55"><br />
</p>

<p id="ii.xiii-p56">'Lea' him oot o' oor prayers, laddie, and I canna bide it.'</p>

<p id="ii.xiii-p57"><br />
</p>

<p id="ii.xiii-p58">'What for that?'</p>

<p id="ii.xiii-p59"><br />
</p>

<p id="ii.xiii-p60">'He's deid.'</p>

<p id="ii.xiii-p61"><br />
</p>

<p id="ii.xiii-p62">'Are ye sure?'</p>

<p id="ii.xiii-p63"><br />
</p>

<p id="ii.xiii-p64">'Ay, ower sure--ower sure, laddie.'</p>

<p id="ii.xiii-p65"><br />
</p>

<p id="ii.xiii-p66">'Weel, I dinna believe 't.'</p>

<p id="ii.xiii-p67"><br />
</p>

<p id="ii.xiii-p68">'What for that?'</p>

<p id="ii.xiii-p69"><br />
</p>

<p id="ii.xiii-p70">''Cause I winna believe 't. I'm no bund to believe 't, am
I?'</p>

<p id="ii.xiii-p71"><br />
</p>

<p id="ii.xiii-p72">'What's the gude o' that? What for no believe 't? Dr. Anderson's
sent hame word o' 't to John Lammie. Och hone! och hone!'</p>

<p id="ii.xiii-p73"><br />
</p>

<p id="ii.xiii-p74">'I tell ye I winna believe 't, grannie, 'cep' God himsel' tells
me. As lang 's I dinna believe 'at he's deid, I can keep him i' my
prayers. I'm no gaein' to lea' him oot, I tell ye, grannie.'</p>

<p id="ii.xiii-p75"><br />
</p>

<p id="ii.xiii-p76">'Weel, laddie, I canna argue wi' ye. I hae nae hert til 't. I
doobt I maun greit! Come awa'.'</p>

<p id="ii.xiii-p77"><br />
</p>

<p id="ii.xiii-p78">She took him by the hand and rose, then let him go again,
saying,</p>

<p id="ii.xiii-p79"><br />
</p>

<p id="ii.xiii-p80">'Sneck the door, laddie.'</p>

<p id="ii.xiii-p81"><br />
</p>

<p id="ii.xiii-p82">Robert bolted the door, and his grandmother again taking his
hand, led him to the usual corner. There they knelt down together,
and the old woman's prayer was one great and bitter cry for
submission to the divine will. She rose a little strengthened, if
not comforted, saying,</p>

<p id="ii.xiii-p83"><br />
</p>

<p id="ii.xiii-p84">'Ye maun pray yer lane, laddie. But oh be a guid lad, for ye're
a' that I hae left; and gin ye gang wrang tu, ye'll bring doon my
gray hairs wi' sorrow to the grave. They're gray eneuch, and
they're near eneuch to the grave, but gin ye turn oot weel, I'll
maybe haud up my heid a bit yet. But O Anerew! my son! my son!
Would God I had died for thee!'</p>

<p id="ii.xiii-p85"><br />
</p>

<p id="ii.xiii-p86">And the words of her brother in grief, the king of Israel,
opened the floodgates of her heart, and she wept. Robert left her
weeping, and closed the door quietly as if his dead father had been
lying in the room.</p>

<p id="ii.xiii-p87"><br />
</p>

<p id="ii.xiii-p88">He took his way up to his own garret, closed that door too, and
sat down upon the floor, with his back against the empty
bedstead.</p>

<p id="ii.xiii-p89"><br />
</p>

<p id="ii.xiii-p90">There were no more castles to build now. It was all very well to
say that he would not believe the news and would pray for his
father, but he did believe them--enough at least to spoil the
praying. His favourite employment, seated there, had hitherto been
to imagine how he would grow a great man, and set out to seek his
father, and find him, and stand by him, and be his son and servant.
Oh! to have the man stroke his head and pat his cheek, and love
him! One moment he imagined himself his indignant defender, the
next he would be climbing on his knee, as if he were still a little
child, and laying his head on his shoulder. For he had had no
fondling his life long, and his heart yearned for it. But all this
was gone now. A dreary time lay before him, with nobody to please,
nobody to serve; with nobody to praise him. Grannie never praised
him. She must have thought praise something wicked. And his father
was in misery, for ever and ever! Only somehow that thought was not
quite thinkable. It was more the vanishing of hope from his own
life than a sense of his father's fate that oppressed him.</p>

<p id="ii.xiii-p91"><br />
</p>

<p id="ii.xiii-p92">He cast his eyes, as in a hungry despair, around the empty
room--or, rather, I should have said, in that faintness which makes
food at once essential and loathsome; for despair has no proper
hunger in it. The room seemed as empty as his life. There was
nothing for his eyes to rest upon but those bundles and bundles of
dust-browned papers on the shelves before him. What were they all
about? He understood that they were his father's: now that he was
dead, it would be no sacrilege to look at them. Nobody cared about
them. He would see at least what they were. It would be something
to do in this dreariness.</p>

<p id="ii.xiii-p93"><br />
</p>

<p id="ii.xiii-p94">Bills and receipts, and everything ephemeral--to feel the
interest of which, a man must be a poet indeed--was all that met
his view. Bundle after bundle he tried, with no better success. But
as he drew near the middle of the second shelf, upon which they lay
several rows deep, he saw something dark behind, hurriedly
displaced the packets between, and drew forth a small workbox. His
heart beat like that of the prince in the fairy-tale, when he comes
to the door of the Sleeping Beauty. This at least must have been
hers. It was a common little thing, probably a childish possession,
and kept to hold trifles worth more than they looked to be. He
opened it with bated breath. The first thing he saw was a
half-finished reel of cotton--a <i>pirn</i>, he called it. Beside
it was a gold thimble. He lifted the tray. A lovely face in
miniature, with dark hair and blue eyes, lay looking earnestly
upward. At the lid of this coffin those eyes had looked for so many
years! The picture was set all round with pearls in an oval ring.
How Robert knew them to be pearls he could not tell, for he did not
know that he had ever seen any pearls before, but he knew they were
pearls, and that pearls had something to do with the New Jerusalem.
But the sadness of it all at length overpowered him, and he burst
out crying. For it was awfully sad that his mother's portrait
should be in his own mother's box.</p>

<p id="ii.xiii-p95"><br />
</p>

<p id="ii.xiii-p96">He took a bit of red tape off a bundle of the papers, put it
through the eye of the setting, and hung the picture round his
neck, inside his clothes, for grannie must not see it. She would
take that away as she had taken his fiddle. He had a nameless
something now for which he had been longing for years.</p>

<p id="ii.xiii-p97"><br />
</p>

<p id="ii.xiii-p98">Looking again in the box, he found a little bit of paper,
discoloured with antiquity, as it seemed to him, though it was not
so old as himself. Unfolding it he found written upon it a
well-known hymn, and at the bottom of the hymn, the words: 'O Lord!
my heart is very sore.'--The treasure upon Robert's bosom was no
longer the symbol of a mother's love, but of a woman's sadness,
which he could not reach to comfort. In that hour, the boy made a
great stride towards manhood. Doubtless his mother's grief had been
the same as grannie's--the fear that she would lose her husband for
ever. The hourly fresh griefs from neglect and wrong did not occur
to him; only the <i>never never more</i>. He looked no farther,
took the portrait from his neck and replaced it with the paper, put
the box back, and walled it up in solitude once more with the dusty
bundles. Then he went down to his grandmother, sadder and more
desolate than ever.</p>

<p id="ii.xiii-p99"><br />
</p>

<p id="ii.xiii-p100">He found her seated in her usual place. Her New Testament, a
large-print octavo, lay on the table beside her unopened; for where
within those boards could she find comfort for a grief like hers?
That it was the will of God might well comfort any suffering of her
own, but would it comfort Andrew? and if there was no comfort for
Andrew, how was Andrew's mother to be comforted?</p>

<p id="ii.xiii-p101"><br />
</p>

<p id="ii.xiii-p102">Yet God had given his first-born to save his brethren: how could
he be pleased that she should dry her tears and be comforted? True,
some awful unknown force of a necessity with which God could not
cope came in to explain it; but this did not make God more kind,
for he knew it all every time he made a man; nor man less
sorrowful, for God would have his very mother forget him, or, worse
still, remember him and be happy.</p>

<p id="ii.xiii-p103"><br />
</p>

<p id="ii.xiii-p104">'Read a chapter till me, laddie,' she said.</p>

<p id="ii.xiii-p105"><br />
</p>

<p id="ii.xiii-p106">Robert opened and read till he came to the words: 'I pray not
for the world.'</p>

<p id="ii.xiii-p107"><br />
</p>

<p id="ii.xiii-p108">'<i>He</i> was o' the world,' said the old woman; 'and gin
Christ wadna pray for him, what for suld I?'</p>

<p id="ii.xiii-p109"><br />
</p>

<p id="ii.xiii-p110">Already, so soon after her son's death, would her theology begin
to harden her heart. The strife which results from believing that
the higher love demands the suppression of the lower, is the most
fearful of all discords, the absolute love slaying love--the house
divided against itself; one moment all given up for the will of
Him, the next the human tenderness rushing back in a flood. Mrs.
Falconer burst into a very agony of weeping. From that day, for
many years, the name of her lost Andrew never passed her lips in
the hearing of her grandson, and certainly in that of no one
else.</p>

<p id="ii.xiii-p111"><br />
</p>

<p id="ii.xiii-p112">But in a few weeks she was more cheerful. It is one of the
mysteries of humanity that mothers in her circumstances, and
holding her creed, do regain not merely the faculty of going on
with the business of life, but, in most cases, even cheerfulness.
The infinite Truth, the Love of the universe, supports them beyond
their consciousness, coming to them like sleep from the roots of
their being, and having nothing to do with their opinions or
beliefs. And hence spring those comforting subterfuges of hope to
which they all fly. Not being able to trust the Father entirely,
they yet say: 'Who can tell what took place at the last moment? Who
can tell whether God did not please to grant them saving faith at
the eleventh hour?'--that so they might pass from the very gates of
hell, the only place for which their life had fitted them, into the
bosom of love and purity! This God could do for all: this for the
son beloved of his mother perhaps he might do!</p>

<p id="ii.xiii-p113"><br />
</p>

<p id="ii.xiii-p114">O rebellious mother heart! dearer to God than that which beats
laboriously solemn under Genevan gown or Lutheran surplice! if thou
wouldst read by thine own large light, instead of the glimmer from
the phosphorescent brains of theologians, thou mightst even be able
to understand such a simple word as that of the Saviour, when,
wishing his disciples to know that he had a nearer regard for them
as his brethren in holier danger, than those who had not yet
partaken of his light, and therefore praying for them not merely as
human beings, but as the human beings they were, he said to his
Father in their hearing: 'I pray not for the world, but for
them,'--not for the world now, but for them--a meaningless
utterance, if he never prayed for the world; a word of small
meaning, if it was not his very wont and custom to pray for the
world--for men as men. Lord Christ! not alone from the pains of
hell, or of conscience--not alone from the outer darkness of self
and all that is mean and poor and low, do we fly to thee; but from
the anger that arises within us at the wretched words spoken in thy
name, at the degradation of thee and of thy Father in the mouths of
those that claim especially to have found thee, do we seek thy
feet. Pray thou for them also, for they know not what they do.</p>

<p id="ii.xiii-p115"><br />
</p>

<p id="ii.xiii-p116"><br />
</p>

</div2>

      <div2 title="CHAPTER XIV.--MARY ST. JOHN." n="xiv" shorttitle="" progress="18.98%" id="ii.xiv" prev="ii.xiii" next="ii.xv">

<p id="ii.xiv-p1"><br />
</p>

<p id="ii.xiv-p2">CHAPTER XIV.</p>

<p id="ii.xiv-p3"><br />
</p>

<p id="ii.xiv-p4">MARY ST. JOHN.</p>

<p id="ii.xiv-p5"><br />
</p>

<p id="ii.xiv-p6">AFTER this, day followed day in calm, dull progress. Robert did
not care for the games through which his school-fellows forgot the
little they had to forget, and had therefore few in any sense his
companions. So he passed his time out of school in the society of
his grandmother and Shargar, except that spent in the garret, and
the few hours a week occupied by the lessons of the shoemaker. For
he went on, though half-heartedly, with those lessons, given now
upon Sandy's redeemed violin which he called his <i>old wife</i>,
and made a little progress even, as we sometimes do when we least
think it.</p>

<p id="ii.xiv-p7"><br />
</p>

<p id="ii.xiv-p8">He took more and more to brooding in the garret; and as more
questions presented themselves for solution, he became more anxious
to arrive at the solution, and more uneasy as he failed in
satisfying himself that he had arrived at it; so that his brain,
which needed quiet for the true formation of its substance, as a
cooling liquefaction or an evaporating solution for the just
formation of its crystals, became in danger of settling into an
abnormal arrangement of the cellular deposits.</p>

<p id="ii.xiv-p9"><br />
</p>

<p id="ii.xiv-p10">I believe that even the new-born infant is, in some of his
moods, already grappling with the deepest metaphysical problems, in
forms infinitely too rudimental for the understanding of the grown
philosopher--as far, in fact, removed from his ken on the one side,
that of intelligential beginning, the germinal subjective, as his
abstrusest speculations are from the final solutions of absolute
entity on the other. If this be the case, it is no wonder that at
Robert's age the deepest questions of his coming manhood should be
in active operation, although so surrounded with the yoke of common
belief and the shell of accredited authority, that the embryo
faith, which in minds like his always takes the form of doubt,
could not be defined any more than its existence could be
disproved. I have given a hint at the tendency of his mind already,
in the fact that one of the most definite inquiries to which he had
yet turned his thoughts was, whether God would have mercy upon a
repentant devil. An ordinary puzzle had been--if his father were to
marry again, and it should turn out after all that his mother was
not dead, what was his father to do? But this was over now. A third
was, why, when he came out of church, sunshine always made him
miserable, and he felt better able to be good when it rained or
snowed hard. I might mention the inquiry whether it was not
possible somehow to elude the omniscience of God; but that is a
common question with thoughtful children, and indicates little that
is characteristic of the individual. That he puzzled himself about
the perpetual motion may pass for little likewise; but one thing
which is worth mentioning, for indeed it caused him considerable
distress, was, that in reading the <i>Paradise Lost</i> he could
not help sympathizing with Satan, and feeling--I do not say
thinking--that the Almighty was pompous, scarcely reasonable, and
somewhat revengeful.</p>

<p id="ii.xiv-p11"><br />
</p>

<p id="ii.xiv-p12">He was recognized amongst his school-fellows as remarkable for
his love of fair-play; so much so, that he was their constant
referee. Add to this that, notwithstanding his sympathy with Satan,
he almost invariably sided with his master, in regard of any angry
reflection or seditious movement, and even when unjustly punished
himself, the occasional result of a certain backwardness in
self-defence, never showed any resentment--a most improbable
statement, I admit, but nevertheless true--and I think the rest of
his character may be left to the gradual dawn of its historical
manifestation.</p>

<p id="ii.xiv-p13"><br />
</p>

<p id="ii.xiv-p14">He had long ere this discovered who the angel was that had
appeared to him at the top of the stair upon that memorable night;
but he could hardly yet say that he had seen her; for, except one
dim glimpse he had had of her at the window as he passed in the
street, she had not appeared to him save in the vision of that
night. During the whole winter she scarcely left the house, partly
from the state of her health, affected by the sudden change to a
northern climate, partly from the attention required by her aunt,
to aid in nursing whom she had left the warmer south. Indeed, it
was only to return the visits of a few of Mrs. Forsyth's chosen,
that she had crossed the threshold at all; and those visits were
paid at a time when all such half-grown inhabitants as Robert were
gathered under the leathery wing of Mr. Innes.</p>

<p id="ii.xiv-p15"><br />
</p>

<p id="ii.xiv-p16">But long before the winter was over, Rothieden had discovered
that the stranger, the English lady, Mary St. John, outlandish,
almost heathenish as her lovely name sounded in its ears, had a
power as altogether strange and new as her name. For she was not
only an admirable performer on the pianoforte, but such a simple
enthusiast in music, that the man must have had no music or little
heart in him in whom her playing did not move all that there was of
the deepest.</p>

<p id="ii.xiv-p17"><br />
</p>

<p id="ii.xiv-p18">Occasionally there would be quite a small crowd gathered at
night by the window of Mrs. Forsyth's drawing-room, which was on
the ground-floor, listening to music such as had never before been
heard in Rothieden. More than once, when Robert had not found Sandy
Elshender at home on the lesson-night, and had gone to seek him, he
had discovered him lying in wait, like a fowler, to catch the sweet
sounds that flew from the opened cage of her instrument. He leaned
against the wall with his ear laid over the edge, and as near the
window as he dared to put it, his rough face, gnarled and blotched,
and hirsute with the stubble of neglected beard--his whole ursine
face transfigured by the passage of the sweet sounds through his
chaotic brain, which they swept like the wind of God, when of old
it moved on the face of the waters that clothed the void and
formless world.</p>

<p id="ii.xiv-p19"><br />
</p>

<p id="ii.xiv-p20">'Haud yer tongue!' he would say in a hoarse whisper, when Robert
sought to attract his attention; 'haud yer tongue, man, and
hearken. Gin yon bonny leddy 'at yer grannie keeps lockit up i' the
aumry war to tak to the piano, that's jist hoo she wad play. Lord,
man! pit yer sowl i' yer lugs, an' hearken.'</p>

<p id="ii.xiv-p21"><br />
</p>

<p id="ii.xiv-p22">The soutar was all wrong in this; for if old Mr. Falconer's
violin had taken woman-shape, it would have been that of a slight,
worn, swarthy creature, with wild black eyes, great and restless, a
voice like a bird's, and thin fingers that clawed the music out of
the wires like the quills of the old harpsichord; not that of Mary
St. John, who was tall, and could not help being stately, was large
and well-fashioned, as full of repose as Handel's music, with a
contralto voice to make you weep, and eyes that would have seemed
but for their maidenliness to be always ready to fold you in their
lucid gray depths.</p>

<p id="ii.xiv-p23"><br />
</p>

<p id="ii.xiv-p24">Robert stared at the soutar, doubting at first whether he had
not been drinking. But the intoxication of music produces such a
different expression from that of drink, that Robert saw at once
that if he had indeed been drinking, at least the music had got
above the drink. As long as the playing went on, Elshender was not
to be moved from the window.</p>

<p id="ii.xiv-p25"><br />
</p>

<p id="ii.xiv-p26">But to many of the people of Rothieden the music did not
recommend the musician; for every sort of music, except the most
unmusical of psalm-singing, was in their minds of a piece with
'dancin' an' play-actin', an' ither warldly vainities an'
abominations.' And Robert, being as yet more capable of melody than
harmony, grudged to lose a lesson on Sandy's 'auld wife o' a
fiddle' for any amount of Miss St. John's playing.</p>

<p id="ii.xiv-p27"><br />
</p>

<p id="ii.xiv-p28"><br />
</p>

</div2>

      <div2 title="CHAPTER XV.--ERIC ERICSON." n="xv" shorttitle="" progress="19.62%" id="ii.xv" prev="ii.xiv" next="ii.xvi">

<p id="ii.xv-p1"><br />
</p>

<p id="ii.xv-p2">CHAPTER XV.</p>

<p id="ii.xv-p3"><br />
</p>

<p id="ii.xv-p4">ERIC ERICSON.</p>

<p id="ii.xv-p5"><br />
</p>

<p id="ii.xv-p6">ONE gusty evening--it was of the last day in March--Robert well
remembered both the date and the day--a bleak wind was driving up
the long street of the town, and Robert was standing looking out of
one of the windows in the gable-room. The evening was closing into
night. He hardly knew how he came to he there, but when he thought
about it he found it was play-Wednesday, and that he had been all
the half-holiday trying one thing after another to interest himself
withhal, but in vain. He knew nothing about east winds; but not the
less did this dreary wind of the dreary March world prove itself
upon his soul. For such a wind has a shadow wind along with it,
that blows in the minds of men. There was nothing genial, no growth
in it. It killed, and killed most dogmatically. But it is an ill
wind that blows nobody good. Even an east wind must bear some
blessing on its ugly wings. And as Robert looked down from the
gable, the wind was blowing up the street before it half-a-dozen
footfaring students from Aberdeen, on their way home at the close
of the session, probably to the farm-labours of the spring.</p>

<p id="ii.xv-p7"><br />
</p>

<p id="ii.xv-p8">This was a glad sight, as that of the returning storks in
Denmark. Robert knew where they would put up, sought his cap, and
went out. His grandmother never objected to his going to see Miss
Napier; it was in her house that the weary men would this night
rest.</p>

<p id="ii.xv-p9"><br />
</p>

<p id="ii.xv-p10">It was not without reason that Lord Rothie had teased his
hostess about receiving foot-passengers, for to such it was her
invariable custom to make some civil excuse, sending Meg or Peggy
to show them over the way to the hostelry next in rank, a
proceeding recognized by the inferior hostess as both just and
friendly, for the good woman never thought of measuring The Star
against The Boar's Head. More than one comical story had been the
result of this law of The Boar's Head, unalterable almost as that
of the Medes and Persians. I say <i>almost</i>, for to one class of
the footfaring community the official ice about the hearts of the
three women did thaw, yielding passage to a full river of
hospitality and generosity; and that was the class to which these
wayfarers belonged.</p>

<p id="ii.xv-p11"><br />
</p>

<p id="ii.xv-p12">Well may Scotland rejoice in her universities, for whatever may
be said against their system--I have no complaint to make--they are
divine in their freedom: men who follow the plough in the spring
and reap the harvest in the autumn, may, and often do, frequent
their sacred precincts when the winter comes--so fierce, yet so
welcome--so severe, yet so blessed--opening for them the doors to
yet harder toil and yet poorer fare. I fear, however, that of such
there will be fewer and fewer, seeing one class which supplied a
portion of them has almost vanished from the country--that class
which was its truest, simplest, and noblest strength--that class
which at one time rendered it something far other than ridicule to
say that Scotland was pre-eminently a God-fearing nation--I mean
the class of cottars.</p>

<p id="ii.xv-p13"><br />
</p>

<p id="ii.xv-p14">Of this class were some of the footfaring company. But there
were others of more means than the men of this lowly origin, who
either could not afford to travel by the expensive coaches, or
could find none to accommodate them. Possibly some preferred to
walk. However this may have been, the various groups which at the
beginning and close of the session passed through Rothieden weary
and footsore, were sure of a hearty welcome at The Boar's Head. And
much the men needed it. Some of them would have walked between one
and two hundred miles before completing their journey.</p>

<p id="ii.xv-p15"><br />
</p>

<p id="ii.xv-p16">Robert made a circuit, and, fleet of foot, was in Miss Napier's
parlour before the travellers made their appearance on the square.
When they knocked at the door, Miss Letty herself went and opened
it.</p>

<p id="ii.xv-p17"><br />
</p>

<p id="ii.xv-p18">'Can ye tak 's in, mem?' was on the lips of their spokesman, but
Miss Letty had the first word.</p>

<p id="ii.xv-p19"><br />
</p>

<p id="ii.xv-p20">'Come in, come in, gentlemen. This is the first o' ye, and ye're
the mair welcome. It's like seein' the first o' the swallows. An'
sic a day as ye hae had for yer lang traivel!' she went on, leading
the way to her sister's parlour, and followed by all the students,
of whom the one that came hindmost was the most remarkable of the
group--at the same time the most weary and downcast.</p>

<p id="ii.xv-p21"><br />
</p>

<p id="ii.xv-p22">Miss Napier gave them a similar welcome, shaking hands with
every one of them. She knew them all but the last. To him she
involuntarily showed a more formal respect, partly from his
appearance, and partly that she had never seen him before. The
whisky-bottle was brought out, and all partook, save still the
last. Miss Lizzie went to order their supper.</p>

<p id="ii.xv-p23"><br />
</p>

<p id="ii.xv-p24">'Noo, gentlemen,' said Miss Letty, 'wad ony o' ye like to gang
an' change yer hose, and pit on a pair o' slippers?'</p>

<p id="ii.xv-p25"><br />
</p>

<p id="ii.xv-p26">Several declined, saying they would wait until they had had
their supper; the roads had been quite dry, &amp;c., &amp;c. One
said he would, and another said his feet were blistered.</p>

<p id="ii.xv-p27"><br />
</p>

<p id="ii.xv-p28">'Hoot awa'!'2 exclaimed Miss Letty.--'Here, Peggy!' she cried,
going to the door; 'tak a pail o' het watter up to the chackit
room. Jist ye gang up, Mr. Cameron, and Peggy 'll see to yer
feet.--Noo, sir, will <i>ye</i> gang to yer room an' mak yersel'
comfortable?--jist as gin ye war at hame, for sae ye are.'</p>

<p id="ii.xv-p29"><br />
</p>

<p id="ii.xv-p30">She addressed the stranger thus. He replied in a low indifferent
tone,</p>

<p id="ii.xv-p31"><br />
</p>

<p id="ii.xv-p32">'No, thank you; I must be off again directly.'</p>

<p id="ii.xv-p33"><br />
</p>

<p id="ii.xv-p34">He was from Caithness, and talked no Scotch.</p>

<p id="ii.xv-p35"><br />
</p>

<p id="ii.xv-p36">''Deed, sir, ye'll do naething o' the kin'. Here ye s' bide,
tho' I suld lock the door.'</p>

<p id="ii.xv-p37"><br />
</p>

<p id="ii.xv-p38">'Come, come, Ericson, none o' your nonsense!' said one of his
fellows. 'Ye ken yer feet are sae blistered ye can hardly put ane
by the ither.--It was a' we cud du, mem, to get him alang the last
mile.'</p>

<p id="ii.xv-p39"><br />
</p>

<p id="ii.xv-p40">'That s' be my business, than,' concluded Miss Letty.</p>

<p id="ii.xv-p41"><br />
</p>

<p id="ii.xv-p42">She left the room, and returning in a few minutes, said, as a
matter of course, but with authority,</p>

<p id="ii.xv-p43"><br />
</p>

<p id="ii.xv-p44">'Mr. Ericson, ye maun come wi' me.'</p>

<p id="ii.xv-p45"><br />
</p>

<p id="ii.xv-p46">Then she hesitated a little. Was it maidenliness in the waning
woman of five-and-forty? It was, I believe; for how can a woman
always remember how old she is? If ever there was a young soul in
God's world, it was Letty Napier. And the young man was tall and
stately as a Scandinavian chief, with a look of command, tempered
with patient endurance, in his eagle face, for he was more like an
eagle than any other creature, and in his countenance signs of
suffering. Miss Letty seeing this, was moved, and her heart
swelled, and she grew conscious and shy, and turning to Robert,
said,</p>

<p id="ii.xv-p47"><br />
</p>

<p id="ii.xv-p48">'Come up the stair wi' 's, Robert; I may want ye.'</p>

<p id="ii.xv-p49"><br />
</p>

<p id="ii.xv-p50">Robert jumped to his feet. His heart too had been yearning
towards the stranger.</p>

<p id="ii.xv-p51"><br />
</p>

<p id="ii.xv-p52">As if yielding to the inevitable, Ericson rose and followed Miss
Letty. But when they had reached the room, and the door was shut
behind them, and Miss Letty pointed to a chair beside which stood a
little wooden tub full of hot water, saying, 'Sit ye doon there,
Mr. Ericson,' he drew himself up, all but his graciously-bowed
head, and said,</p>

<p id="ii.xv-p53"><br />
</p>

<p id="ii.xv-p54">'Ma'am, I must tell you that I followed the rest in here from
the very stupidity of weariness. I have not a shilling in my
pocket.'</p>

<p id="ii.xv-p55"><br />
</p>

<p id="ii.xv-p56">'God bless me!' said Miss Letty--and God did bless her, I am
sure--'we maun see to the feet first. What wad ye du wi' a shillin'
gin ye had it? Wad ye clap ane upo' ilka blister?'</p>

<p id="ii.xv-p57"><br />
</p>

<p id="ii.xv-p58">Ericson burst out laughing, and sat down. But still he
hesitated.</p>

<p id="ii.xv-p59"><br />
</p>

<p id="ii.xv-p60">'Aff wi' yer shune, sir. Duv ye think I can wash yer feet throu
ben' leather?' said Miss Letty, not disdaining to advance her
fingers to a shoe-tie.</p>

<p id="ii.xv-p61"><br />
</p>

<p id="ii.xv-p62">'But I'm ashamed. My stockings are all in holes.'</p>

<p id="ii.xv-p63"><br />
</p>

<p id="ii.xv-p64">'Weel, ye s' get a clean pair to put on the morn, an' I'll darn
them 'at ye hae on, gin they be worth darnin', afore ye gang--an'
what are ye sae camstairie (<i>unmanageable</i>) for? A body wad
think ye had a clo'en fit in ilk ane o' thae bits o' shune o'
yours. I winna promise to please yer mither wi' my darnin'
though.'</p>

<p id="ii.xv-p65"><br />
</p>

<p id="ii.xv-p66">'I have no mother to find fault with it,' said Ericson.</p>

<p id="ii.xv-p67"><br />
</p>

<p id="ii.xv-p68">'Weel, a sister's waur.'</p>

<p id="ii.xv-p69"><br />
</p>

<p id="ii.xv-p70">'I have no sister, either.'</p>

<p id="ii.xv-p71"><br />
</p>

<p id="ii.xv-p72">This was too much for Miss Letty. She could keep up the bravado
of humour no longer. She fairly burst out crying. In a moment more
the shoes and stockings were off, and the blisters in the hot
water. Miss Letty's tears dropped into the tub, and the salt in
them did not hurt the feet with which she busied herself, more than
was necessary, to hide them.</p>

<p id="ii.xv-p73"><br />
</p>

<p id="ii.xv-p74">But no sooner had she recovered herself than she resumed her
former tone.</p>

<p id="ii.xv-p75"><br />
</p>

<p id="ii.xv-p76">'A shillin'! said ye? An' a' thae greedy gleds (<i>kites</i>) o'
professors to pay, that live upo' the verra blude and banes o'
sair-vroucht students! Hoo cud ye hae a shillin' ower? Troth, it's
nae wonner ye haena ane left. An' a' the merchan's there jist
leevin' upo' ye! Lord hae a care o' 's! sic bonnie feet!--Wi'
blisters I mean. I never saw sic a sicht o' raw puddin's in my
life. Ye're no fit to come doon the stair again.'</p>

<p id="ii.xv-p77"><br />
</p>

<p id="ii.xv-p78">All the time she was tenderly washing and bathing the weary
feet. When she had dressed them and tied them up, she took the tub
of water and carried it away, but turned at the door.</p>

<p id="ii.xv-p79"><br />
</p>

<p id="ii.xv-p80">'Ye'll jist mak up yer min' to bide a twa three days,' she said;
'for thae feet cudna bide to be carried, no to say to carry a
weicht like you. There's naebody to luik for ye, ye ken. An' ye're
no to come doon the nicht. I'll sen' up yer supper. And Robert
there 'll bide and keep ye company.'</p>

<p id="ii.xv-p81"><br />
</p>

<p id="ii.xv-p82">She vanished; and a moment after, Peggy appeared with a <i>
salamander</i>--that is a huge poker, ending not in a point, but a
red-hot ace of spades--which she thrust between the bars of the
grate, into the heart of a nest of brushwood. Presently a cheerful
fire illuminated the room.</p>

<p id="ii.xv-p83"><br />
</p>

<p id="ii.xv-p84">Ericson was seated on one chair, with his feet on another, his
head sunk on his bosom, and his eyes thinking. There was something
about him almost as powerfully attractive to Robert as it had been
to Miss Letty. So he sat gazing at him, and longing for a chance of
doing something for him. He had reverence already, and some love,
but he had never felt at all as he felt towards this man. Nor was
it as the Chinese puzzlers called Scotch metaphysicians, might have
represented it--a combination of love and reverence. It was the
recognition of the eternal brotherhood between him and one nobler
than himself--hence a lovely eager worship.</p>

<p id="ii.xv-p85"><br />
</p>

<p id="ii.xv-p86">Seeing Ericson look about him as if he wanted something, Robert
started to his feet.</p>

<p id="ii.xv-p87"><br />
</p>

<p id="ii.xv-p88">'Is there onything ye want, Mr. Ericson?' he said, with service
standing in his eyes.</p>

<p id="ii.xv-p89"><br />
</p>

<p id="ii.xv-p90">'A small bundle I think I brought up with me,' replied the
youth.</p>

<p id="ii.xv-p91"><br />
</p>

<p id="ii.xv-p92">It was not there. Robert rushed down-stairs, and returned with
it--a nightshirt and a hairbrush or so, tied up in a blue cotton
handkerchief. This was all that Robert was able to do for Ericson
that evening.</p>

<p id="ii.xv-p93"><br />
</p>

<p id="ii.xv-p94">He went home and dreamed about him. He called at The Boar's Head
the next morning before going to school, but Ericson was not yet
up. When he called again as soon as morning school was over, he
found that they had persuaded him to keep his bed, but Miss Letty
took him up to his room. He looked better, was pleased to see
Robert, and spoke to him kindly. Twice yet Robert called to inquire
after him that day, and once more he saw him, for he took his tea
up to him.</p>

<p id="ii.xv-p95"><br />
</p>

<p id="ii.xv-p96">The next day Ericson was much better, received Robert with a
smile, and went out with him for a stroll, for all his companions
were gone, and of some students who had arrived since he did not
know any. Robert took him to his grandmother, who received him with
stately kindness. Then they went out again, and passed the windows
of Captain Forsyth's house. Mary St. John was playing. They stood
for a moment, almost involuntarily, to listen. She ceased.</p>

<p id="ii.xv-p97"><br />
</p>

<p id="ii.xv-p98">'That's the music of the spheres,' said Ericson, in a low voice,
as they moved on.</p>

<p id="ii.xv-p99"><br />
</p>

<p id="ii.xv-p100">'Will you tell me what that means?' asked Robert. 'I've come
upon 't ower an' ower in Milton.'</p>

<p id="ii.xv-p101"><br />
</p>

<p id="ii.xv-p102">Thereupon Ericson explained to him what Pythagoras had taught
about the stars moving in their great orbits with sounds of awful
harmony, too grandly loud for the human organ to vibrate in
response to their music--hence unheard of men. And Ericson spoke as
if he believed it. But after he had spoken, his face grew sadder
than ever; and, as if to change the subject, he said, abruptly,</p>

<p id="ii.xv-p103"><br />
</p>

<p id="ii.xv-p104">'What a fine old lady your grandmother is, Robert!'</p>

<p id="ii.xv-p105"><br />
</p>

<p id="ii.xv-p106">'Is she?' returned Robert.</p>

<p id="ii.xv-p107"><br />
</p>

<p id="ii.xv-p108">'I don't mean to say she's like Miss Letty,' said Ericson.
'<i>She's</i> an angel!'</p>

<p id="ii.xv-p109"><br />
</p>

<p id="ii.xv-p110">A long pause followed. Robert's thoughts went roaming in their
usual haunts.</p>

<p id="ii.xv-p111"><br />
</p>

<p id="ii.xv-p112">'Do you think, Mr. Ericson,' he said, at length, taking up the
old question still floating unanswered in his mind, 'do you think
if a devil was to repent God would forgive him?'</p>

<p id="ii.xv-p113"><br />
</p>

<p id="ii.xv-p114">Ericson turned and looked at him. Their eyes met. The youth
wondered at the boy. He had recognized in him a younger brother,
one who had begun to ask questions, calling them out into the deaf
and dumb abyss of the universe.</p>

<p id="ii.xv-p115"><br />
</p>

<p id="ii.xv-p116">'If God was as good as I would like him to be, the devils
themselves would repent,' he said, turning away.</p>

<p id="ii.xv-p117"><br />
</p>

<p id="ii.xv-p118">Then he turned again, and looking down upon Robert like a
sorrowful eagle from a crag over its <i>harried</i> nest, said,</p>

<p id="ii.xv-p119"><br />
</p>

<p id="ii.xv-p120">'If I only knew that God was as good as--that woman, I should
die content.'</p>

<p id="ii.xv-p121"><br />
</p>

<p id="ii.xv-p122">Robert heard words of blasphemy from the mouth of an angel, but
his respect for Ericson compelled a reply.</p>

<p id="ii.xv-p123"><br />
</p>

<p id="ii.xv-p124">'What woman, Mr. Ericson?' he asked.</p>

<p id="ii.xv-p125"><br />
</p>

<p id="ii.xv-p126">'I mean Miss Letty, of course.'</p>

<p id="ii.xv-p127"><br />
</p>

<p id="ii.xv-p128">'But surely ye dinna think God's nae as guid as she is? Surely
he's as good as he can be. He <i>is</i> good, ye ken.'</p>

<p id="ii.xv-p129"><br />
</p>

<p id="ii.xv-p130">'Oh, yes. They <i>say</i> so. And then they tell you something
about him that isn't good, and go on calling him good all the same.
But calling anybody good doesn't make him good, you know.'</p>

<p id="ii.xv-p131"><br />
</p>

<p id="ii.xv-p132">'Then ye dinna believe 'at God <i>is</i> good, Mr. Ericson?'
said Robert, choking with a strange mingling of horror and
hope.</p>

<p id="ii.xv-p133"><br />
</p>

<p id="ii.xv-p134">'I didn't say that, my boy. But to know that God was good, and
fair, and kind--heartily, I mean, not half-ways, and with <i>
ifs</i> and <i>buts</i>--my boy, there would be nothing left to be
miserable about.'</p>

<p id="ii.xv-p135"><br />
</p>

<p id="ii.xv-p136">In a momentary flash of thought, Robert wondered whether this
might not be his old friend, the repentant angel, sent to earth as
a man, that he might have a share in the redemption, and work out
his own salvation. And from this very moment the thoughts about God
that had hitherto been moving in formless solution in his mind
began slowly to crystallize.</p>

<p id="ii.xv-p137"><br />
</p>

<p id="ii.xv-p138">The next day, Eric Ericson, not without a <i>piece in ae
pouch</i> and money in another, took his way home, if home it could
be called where neither father, mother, brother, nor sister awaited
his return. For a season Robert saw him no more.</p>

<p id="ii.xv-p139"><br />
</p>

<p id="ii.xv-p140">As often as his name was mentioned, Miss Letty's eyes would grow
hazy, and as often she would make some comical remark.</p>

<p id="ii.xv-p141"><br />
</p>

<p id="ii.xv-p142">'Puir fallow!' she would say, 'he was ower lang-leggit for this
warld.'</p>

<p id="ii.xv-p143"><br />
</p>

<p id="ii.xv-p144">Or again:</p>

<p id="ii.xv-p145"><br />
</p>

<p id="ii.xv-p146">'Ay, he was a braw chield. But he canna live. His feet's ower
sma'.'</p>

<p id="ii.xv-p147"><br />
</p>

<p id="ii.xv-p148">Or yet again:</p>

<p id="ii.xv-p149"><br />
</p>

<p id="ii.xv-p150">'Saw ye ever sic a gowk, to mak sic a wark aboot sittin' doon
an' haein' his feet washed, as gin that cost a body onything!'</p>

<p id="ii.xv-p151"><br />
</p>

<p id="ii.xv-p152"><br />
</p>

</div2>

      <div2 title="CHAPTER XVI.--MR. LAMMIE'S FARM." n="xvi" shorttitle="" progress="20.89%" id="ii.xvi" prev="ii.xv" next="ii.xvii">

<p id="ii.xvi-p1"><br />
</p>

<p id="ii.xvi-p2">CHAPTER XVI.</p>

<p id="ii.xvi-p3"><br />
</p>

<p id="ii.xvi-p4">MR. LAMMIE'S FARM.</p>

<p id="ii.xvi-p5"><br />
</p>

<p id="ii.xvi-p6">ONE of the first warm mornings in the beginning of summer, the
boy woke early, and lay awake, as was his custom, thinking. The
sun, in all the indescribable purity of its morning light, had
kindled a spot of brilliance just about where his grannie's head
must be lying asleep in its sad thoughts, on the opposite side of
the partition.</p>

<p id="ii.xvi-p7"><br />
</p>

<p id="ii.xvi-p8">He lay looking at the light. There came a gentle tapping at his
window. A long streamer of honeysuckle, not yet in blossom, but
alive with the life of the summer, was blown by the air of the
morning against his window-pane, as if calling him to get up and
look out. He did get up and look out.</p>

<p id="ii.xvi-p9"><br />
</p>

<p id="ii.xvi-p10">But he started back in such haste that he fell against the side
of his bed. Within a few yards of his window, bending over a bush,
was the loveliest face he had ever seen--the only face, in fact, he
had ever yet felt to be beautiful. For the window looked directly
into the garden of the next house: its honeysuckle tapped at his
window, its sweet-peas grew against his window-sill. It was the
face of the angel of that night; but how different when illuminated
by the morning sun from then, when lighted up by a chamber-candle!
The first thought that came to him was the half-ludicrous,
all-fantastic idea of the shoemaker about his grandfather's violin
being a woman. A vaguest dream-vision of her having escaped from
his grandmother's aumrie (<i>store-closet</i>), and wandering free
amidst the wind and among the flowers, crossed his mind before he
had recovered sufficiently from his surprise to prevent Fancy from
cutting any more of those too ridiculous capers in which she
indulged at will in sleep, and as often besides as she can get away
from the spectacles of old Grannie Judgment.</p>

<p id="ii.xvi-p11"><br />
</p>

<p id="ii.xvi-p12">But the music of her revelation was not that of the violin; and
Robert vaguely felt this, though he searched no further for a
fitting instrument to represent her. If he had heard the organ
indeed!--but he knew no instrument save the violin: the piano he
had only heard through the window. For a few moments her face
brooded over the bush, and her long, finely-modelled fingers
travelled about it as if they were creating a flower upon
it--probably they were assisting the birth or blowing of some
beauty--and then she raised herself with a lingering look, and
vanished from the field of the window.</p>

<p id="ii.xvi-p13"><br />
</p>

<p id="ii.xvi-p14">But ever after this, when the evening grew dark, Robert would
steal out of the house, leaving his book open by his grannie's
lamp, that its patient expansion might seem to say, 'He will come
back presently,' and dart round the corner with quick quiet step,
to hear if Miss St. John was playing. If she was not, he would
return to the Sabbath stillness of the parlour, where his
grandmother sat meditating or reading, and Shargar sat brooding
over the freedom of the old days ere Mrs. Falconer had begun to
reclaim him. There he would seat himself once more at his book--to
rise again ere another hour had gone by, and hearken yet again at
her window whether the stream might not be flowing now. If he found
her at her instrument he would stand listening in earnest delight,
until the fear of being missed drove him in: this secret too might
be discovered, and this enchantress too sent, by the decree of his
grandmother, into the limbo of vanities. Thus strangely did his
evening life oscillate between the two peaceful negations of
grannie's parlour and the vital gladness of the unknown lady's
window. And skilfully did he manage his retreats and returns,
curtailing his absences with such moderation that, for a long time,
they awoke no suspicion in the mind of his grandmother.</p>

<p id="ii.xvi-p15"><br />
</p>

<p id="ii.xvi-p16">I suspect myself that the old lady thought he had gone to his
prayers in the garret. And I believe she thought that he was
praying for his dead father; with which most papistical, and,
therefore, most unchristian observance, she yet dared not
interfere, because she expected Robert to defend himself
triumphantly with the simple assertion that he did not believe his
father was dead. Possibly the mother was not sorry that her poor
son should be prayed for, in case he might be alive after all,
though she could no longer do so herself--not merely <i>dared
not</i>, but persuaded herself that she <i>would not</i>. Robert,
however, was convinced enough, and hopeless enough, by this time,
and had even less temptation to break the twentieth commandment by
praying for the dead, than his grandmother had; for with all his
imaginative outgoings after his father, his love to him was as yet,
compared to that father's mother's, 'as moonlight unto sunlight,
and as water unto wine.'</p>

<p id="ii.xvi-p17"><br />
</p>

<p id="ii.xvi-p18">Shargar would glance up at him with a queer look as he came in
from these excursions, drop his head over his task again, look busy
and miserable, and all would glide on as before.</p>

<p id="ii.xvi-p19"><br />
</p>

<p id="ii.xvi-p20">When the first really summer weather came, Mr. Lammie one day
paid Mrs. Falconer a second visit. He had not been able to get over
the remembrance of the desolation in which he had left her. But he
could do nothing for her, he thought, till it was warm weather. He
was accompanied by his daughter, a woman approaching the further
verge of youth, bulky and florid, and as full of tenderness as her
large frame could hold. After much, and, for a long time,
apparently useless persuasion, they at last believed they had
prevailed upon her to pay them a visit for a fortnight. But she had
only retreated within another of her defences.</p>

<p id="ii.xvi-p21"><br />
</p>

<p id="ii.xvi-p22">'I canna leave thae twa laddies alane. They wad be up to a'
mischeef.'</p>

<p id="ii.xvi-p23"><br />
</p>

<p id="ii.xvi-p24">'There's Betty to luik efter them,' suggested Miss Lammie.</p>

<p id="ii.xvi-p25"><br />
</p>

<p id="ii.xvi-p26">'Betty!' returned Mrs. Falconer, with scorn. 'Betty's naething
but a bairn hersel'--muckler and waur faured (<i>worse
favoured</i>).'</p>

<p id="ii.xvi-p27"><br />
</p>

<p id="ii.xvi-p28">'But what for shouldna ye fess the lads wi' ye?' suggested Mr.
Lammie.</p>

<p id="ii.xvi-p29"><br />
</p>

<p id="ii.xvi-p30">'I hae no richt to burden you wi' them.'</p>

<p id="ii.xvi-p31"><br />
</p>

<p id="ii.xvi-p32">'Weel, I hae aften wonnert what gart ye burden yersel' wi' that
Shargar, as I understan' they ca' him,' said Mr. Lammie.</p>

<p id="ii.xvi-p33"><br />
</p>

<p id="ii.xvi-p34">'Jist naething but a bit o' greed,' returned the old lady, with
the nearest approach to a smile that had shown itself upon her face
since Mr. Lammie's last visit.</p>

<p id="ii.xvi-p35"><br />
</p>

<p id="ii.xvi-p36">'I dinna understan' that, Mistress Faukner,' said Miss
Lammie.</p>

<p id="ii.xvi-p37"><br />
</p>

<p id="ii.xvi-p38">'I'm sae sure o' haein' 't back again, ye ken,--wi' interest,'
returned Mrs. Falconer.</p>

<p id="ii.xvi-p39"><br />
</p>

<p id="ii.xvi-p40">'Hoo's that? His father winna con ye ony thanks for haudin' him
in life.'</p>

<p id="ii.xvi-p41"><br />
</p>

<p id="ii.xvi-p42">'He that giveth to the poor lendeth to the Lord, ye ken, Miss
Lammie.'</p>

<p id="ii.xvi-p43"><br />
</p>

<p id="ii.xvi-p44">'Atweel, gin ye like to lippen to that bank, nae doobt ae way or
anither it'll gang to yer accoont,' said Miss Lammie.</p>

<p id="ii.xvi-p45"><br />
</p>

<p id="ii.xvi-p46">'It wad ill become us, ony gait,' said her father, 'nae to gie
him shelter for your sake, Mrs. Faukner, no to mention ither names,
sin' it's yer wull to mak the puir lad ane o' the family.--They say
his ain mither's run awa' an' left him.'</p>

<p id="ii.xvi-p47"><br />
</p>

<p id="ii.xvi-p48">''Deed she's dune that.'</p>

<p id="ii.xvi-p49"><br />
</p>

<p id="ii.xvi-p50">'Can ye mak onything o' 'im?'</p>

<p id="ii.xvi-p51"><br />
</p>

<p id="ii.xvi-p52">'He's douce eneuch. An' Robert says he does nae that ill at the
schuil.'</p>

<p id="ii.xvi-p53"><br />
</p>

<p id="ii.xvi-p54">'Weel, jist fess him wi' ye. We'll hae some place or ither to
put him intil, gin it suld be only a shak'-doon upo' the
flure.'</p>

<p id="ii.xvi-p55"><br />
</p>

<p id="ii.xvi-p56">'Na, na. There's the schuilin'--what's to be dune wi' that?'</p>

<p id="ii.xvi-p57"><br />
</p>

<p id="ii.xvi-p58">'They can gang i' the mornin', and get their denner wi' Betty
here; and syne come hame to their fower-hoors (<i>four o'clock
tea</i>) whan the schule's ower i' the efternune. 'Deed, mem, ye
maun jist come for the sake o' the auld frien'ship atween the
faimilies.'</p>

<p id="ii.xvi-p59"><br />
</p>

<p id="ii.xvi-p60">'Weel, gin it maun be sae, it maun be sae,' yielded Mrs.
Falconer, with a sigh.</p>

<p id="ii.xvi-p61"><br />
</p>

<p id="ii.xvi-p62">She had not left her own house for a single night for ten years.
Nor is it likely she would have now given in, for immovableness was
one of the most marked of her characteristics, had she not been so
broken by mental suffering, that she did not care much about
anything, least of all about herself.</p>

<p id="ii.xvi-p63"><br />
</p>

<p id="ii.xvi-p64">Innumerable were the instructions in propriety of behaviour
which she gave the boys in prospect of this visit. The probability
being that they would behave just as well as at home, these
instructions were considerably unnecessary, for Mrs. Falconer was a
strict enforcer of all social rules. Scarcely less unnecessary were
the directions she gave as to the conduct of Betty, who received
them all in erect submission, with her hands under her apron. She
ought to have been a young girl instead of an elderly woman, if
there was any propriety in the way her mistress spoke to her. It
proved at least her own belief in the description she had given of
her to Miss Lammie.</p>

<p id="ii.xvi-p65"><br />
</p>

<p id="ii.xvi-p66">'Noo, Betty, ye maun be dooce. An' dinna stan' at the door i'
the gloamin'. An' dinna stan' claikin' an' jawin' wi' the ither
lasses whan ye gang to the wall for watter. An' whan ye gang intil
a chop, dinna hae them sayin' ahint yer back, as sune's yer oot
again, "She's her ain mistress by way o'," or sic like. An' min' ye
hae worship wi' yersel', whan I'm nae here to hae 't wi' ye. Ye can
come benn to the parlour gin ye like. An' there's my muckle
Testament. And dinna gie the lads a' thing they want. Gie them
plenty to ait, but no ower muckle. Fowk suld aye lea' aff wi' an
eppiteet.'</p>

<p id="ii.xvi-p67"><br />
</p>

<p id="ii.xvi-p68">Mr. Lammie brought his gig at last, and took grannie away to
Bodyfauld. When the boys returned from school at the dinner-hour,
it was to exult in a freedom which Robert had never imagined
before. But even he could not know what a relief it was to Shargar
to eat without the awfully calm eyes of Mrs. Falconer watching, as
it seemed to him, the progress of every mouthful down that
capacious throat of his. The old lady would have been shocked to
learn how the imagination of the ill-mothered lad interpreted her
care over him, but she would not have been surprised to know that
the two were merry in her absence. She knew that, in some of her
own moods, it would be a relief to think that that awful eye of God
was not upon her. But she little thought that even in the lawless
proceedings about to follow, her Robert, who now felt such a relief
in her absence, would be walking straight on, though blindly,
towards a sunrise of faith, in which he would know that for the eye
of his God to turn away from him for one moment would be the horror
of the outer darkness.</p>

<p id="ii.xvi-p69"><br />
</p>

<p id="ii.xvi-p70">Merriment, however, was not in Robert's thoughts, and still less
was mischief. For the latter, whatever his grandmother might think,
he had no capacity. The world was already too serious, and was soon
to be too beautiful for mischief. After that, it would be too sad,
and then, finally, until death, too solemn glad. The moment he
heard of his grandmother's intended visit, one wild hope and desire
and intent had arisen within him.</p>

<p id="ii.xvi-p71"><br />
</p>

<p id="ii.xvi-p72">When Betty came to the parlour door to lay the cloth for their
dinner, she found it locked.</p>

<p id="ii.xvi-p73"><br />
</p>

<p id="ii.xvi-p74">'Open the door!' she cried, but cried in vain. From impatience
she passed to passion; but it was of no avail: there came no more
response than from the shrine of the deaf Baal. For to the boys it
was an opportunity not at any risk to be lost. Dull Betty never
suspected what they were about. They were ranging the place like
two tiger-cats whose whelps had been carried off in their
absence--questing, with nose to earth and tail in air, for the
scent of their enemy. My simile has carried me too far: it was only
a dead old gentleman's violin that a couple of boys was after--but
with what eagerness, and, on the part of Robert, what alternations
of hope and fear! And Shargar was always the reflex of Robert, so
far as Shargar could reflect Robert. Sometimes Robert would stop,
stand still in the middle of the room, cast a mathematical glance
of survey over its cubic contents, and then dart off in another
inwardly suggested direction of search. Shargar, on the other hand,
appeared to rummage blindly without a notion of casting the
illumination of thought upon the field of search. Yet to him fell
the success. When hope was growing dim, after an hour and a half of
vain endeavour, a scream of utter discordance heralded the
resurrection of the lady of harmony. Taught by his experience of
his wild mother's habits to guess at those of <i>douce</i> Mrs.
Falconer, Shargar had found the instrument in her bed at the foot,
between the feathers and the mattress. For one happy moment Shargar
was the benefactor, and Robert the grateful recipient of favour.
Nor, I do believe, was this thread of the still thickening cable
that bound them ever forgotten: broken it could not be.</p>

<p id="ii.xvi-p75"><br />
</p>

<p id="ii.xvi-p76">Robert drew the recovered treasure from its concealment, opened
the case with trembling eagerness, and was stooping, with one hand
on the neck of the violin, and the other on the bow, to lift them
from it, when Shargar stopped him.</p>

<p id="ii.xvi-p77"><br />
</p>

<p id="ii.xvi-p78">His success had given him such dignity, that for once he dared
to act from himself.</p>

<p id="ii.xvi-p79"><br />
</p>

<p id="ii.xvi-p80">'Betty 'll hear ye,' he said.</p>

<p id="ii.xvi-p81"><br />
</p>

<p id="ii.xvi-p82">'What care I for Betty? She daurna tell. I ken hoo to manage
her.'</p>

<p id="ii.xvi-p83"><br />
</p>

<p id="ii.xvi-p84">'But wadna 't be better 'at she didna ken?'</p>

<p id="ii.xvi-p85"><br />
</p>

<p id="ii.xvi-p86">'She's sure to fin' oot whan she mak's the bed. She turns 't
ower and ower jist like a muckle tyke (<i>dog</i>) worryin' a
rottan (<i>rat</i>).'</p>

<p id="ii.xvi-p87"><br />
</p>

<p id="ii.xvi-p88">'De'il a bit o' her s' be a hair wiser! Ye dinna play tunes upo'
the boxie, man.'</p>

<p id="ii.xvi-p89"><br />
</p>

<p id="ii.xvi-p90">Robert caught at the idea. He lifted the 'bonny leddy' from her
coffin; and while he was absorbed in the contemplation of her risen
beauty, Shargar laid his hands on Boston's <i>Four-fold State</i>,
the torment of his life on the Sunday evenings which it was his
turn to spend with Mrs. Falconer, and threw it as an offering to
the powers of Hades into the case, which he then buried carefully,
with the feather-bed for mould, the blankets for sod, and the
counterpane studiously arranged for stone, over it. He took heed,
however, not to let Robert know of the substitution of Boston for
the fiddle, because he knew Robert could not tell a lie. Therefore,
when he murmured over the volume some of its own words which he had
read the preceding Sunday, it was in a quite inaudible whisper:
'Now is it good for nothing but to cumber the ground, and furnish
fuel for Tophet.'</p>

<p id="ii.xvi-p91"><br />
</p>

<p id="ii.xvi-p92">Robert must now hide the violin better than his grannie had
done, while at the same time it was a more delicate necessity,
seeing it had lost its shell, and he shrunk from putting her in the
power of the shoemaker again. It cost him much trouble to fix on
the place that was least unsuitable. First he put it into the well
of the clock-case, but instantly bethought him what the awful
consequence would be if one of the weights should fall from the
gradual decay of its cord. He had heard of such a thing happening.
Then he would put it into his own place of dreams and meditations.
But what if Betty should take a fancy to change her bed? or some
friend of his grannie's should come to spend the night? How would
the bonny leddy like it? What a risk she would run! If he put her
under the bed, the mice would get at her strings--nay, perhaps,
knaw a hole right through her beautiful body. On the top of the
clock, the brass eagle with outspread wings might scratch her, and
there was not space to conceal her. At length he concluded--wrapped
her in a piece of paper, and placed her on the top of the chintz
tester of his bed, where there was just room between it and the
ceiling: that would serve till he bore her to some better
sanctuary. In the meantime she was safe, and the boy was the
blessedest boy in creation.</p>

<p id="ii.xvi-p93"><br />
</p>

<p id="ii.xvi-p94">These things done, they were just in the humour to have a lark
with Betty. So they unbolted the door, rang the bell, and when
Betty appeared, red-faced and wrathful, asked her very gravely and
politely whether they were not going to have some dinner before
they went back to school: they had now but twenty minutes left.
Betty was so <i>dumfoundered</i> with their impudence that she
could not say a word. She did make haste with the dinner, though,
and revealed her indignation only in her manner of putting the
things on the table. As the boys left her, Robert contented himself
with the single hint:</p>

<p id="ii.xvi-p95"><br />
</p>

<p id="ii.xvi-p96">'Betty, Bodyfauld 's i' the perris o' Kettledrum. Min' ye
that.'</p>

<p id="ii.xvi-p97"><br />
</p>

<p id="ii.xvi-p98">Betty <i>glowered</i> and said nothing.</p>

<p id="ii.xvi-p99"><br />
</p>

<p id="ii.xvi-p100">But the delight of the walk of three miles over hill and dale
and moor and farm to Mr. Lammie's! The boys, if not as wild as
colts--that is, as wild as most boys would have been--were only the
more deeply excited. That first summer walk, with a goal before
them, in all the freshness of the perfecting year, was something
which to remember in after days was to Falconer nothing short of
ecstasy. The westering sun threw long shadows before them as they
trudged away eastward, lightly laden with the books needful for the
morrow's lessons. Once beyond the immediate purlieus of the town
and the various plots of land occupied by its inhabitants, they
crossed a small river, and entered upon a region of little hills,
some covered to the top with trees, chiefly larch, others
cultivated, and some bearing only heather, now nursing in secret
its purple flame for the outburst of the autumn. The road wound
between, now swampy and worn into deep ruts, now sandy and broken
with large stones. Down to its edge would come the dwarfed oak, or
the mountain ash, or the silver birch, single and small, but lovely
and fresh; and now green fields, fenced with walls of earth as
green as themselves, or of stones overgrown with moss, would
stretch away on both sides, sprinkled with busily-feeding cattle.
Now they would pass through a farm-steading, perfumed with the
breath of cows, and the odour of burning peat--so fragrant! though
not yet so grateful to the inner sense as it would be when
encountered in after years and in foreign lands. For the smell of
burning and the smell of earth are the deepest underlying sensuous
bonds of the earth's unity, and the common brotherhood of them that
dwell thereon. Now the scent of the larches would steal from the
hill, or the wind would waft the odour of the white clover, beloved
of his grandmother, to Robert's nostrils, and he would turn aside
to pull her a handful. Then they clomb a high ridge, on the top of
which spread a moorland, dreary and desolate, brightened by nothing
save 'the canna's hoary beard' waving in the wind, and making it
look even more desolate from the sympathy they felt with the
forsaken grass. This crossed, they descended between young
plantations of firs and rowan-trees and birches, till they reached
a warm house on the side of the slope, with farm-offices and ricks
of corn and hay all about it, the front overgrown with roses and
honeysuckle, and a white-flowering plant unseen of their eyes
hitherto, and therefore full of mystery. From the open kitchen door
came the smell of something good. But beyond all to Robert was the
welcome of Miss Lammie, whose small fat hand closed upon his like a
very love-pudding, after partaking of which even his grandmother's
stately reception, followed immediately by the words 'Noo be
dooce,' could not chill the warmth in his bosom.</p>

<p id="ii.xvi-p101"><br />
</p>

<p id="ii.xvi-p102">I know but one writer whose pen would have been able worthily to
set forth the delights of the first few days at Bodyfauld--Jean
Paul. Nor would he have disdained to make the gladness of a country
school-boy the theme of that pen. Indeed, often has he done so. If
the writer has any higher purpose than the amusement of other boys,
he will find the life of a country boy richer for his ends than
that of a town boy. For example, he has a deeper sense of the
marvel of Nature, a tenderer feeling of her feminality. I do not
mean that the other cannot develop this sense, but it is generally
feeble, and there is consequently less chance of its surviving. As
far as my experience goes, town girls and country boys love Nature
most. I have known town girls love her as passionately as country
boys. Town boys have too many books and pictures. They see Nature
in mirrors--invaluable privilege <i>after they know herself, not
before</i>. They have greater opportunity of observing human
nature; but here also <i>the books</i> are too many and various.
They are cleverer than country boys, but they are less profound;
their observation may be quicker; their perception is shallower.
They know better what to do on an emergency; they know worse how to
order their ways. Of course, in this, as in a thousand other
matters, Nature will burst out laughing in the face of the would-be
philosopher, and bringing forward her town boy, will say, 'Look
here!' For the town boys are Nature's boys after all, at least so
long as doctrines of self-preservation and ambition have not turned
them from children of the kingdom into dirt-worms. But I must stop,
for I am getting up to the neck in a bog of discrimination. As if I
did not know the nobility of some townspeople, compared with the
worldliness of some country folk. I give it up. We are all good and
all bad. God mend all. Nothing will do for Jew or Gentile,
Frenchman or Englishman, Negro or Circassian, town boy or country
boy, but the kingdom of heaven which is within him, and must come
thence to the outside of him.</p>

<p id="ii.xvi-p103"><br />
</p>

<p id="ii.xvi-p104">To a boy like Robert the changes of every day, from country to
town with the gay morning, from town to country with the sober
evening--for country as Rothieden might be to Edinburgh, much more
was Bodyfauld country to Rothieden--were a source of boundless
delight. Instead of houses, he saw the horizon; instead of streets
or walled gardens, he roamed over fields bathed in sunlight and
wind. Here it was good to get up before the sun, for then he could
see the sun get up. And of all things those evening shadows
lengthening out over the grassy wildernesses--for fields of a very
moderate size appeared such to an imagination ever ready at the
smallest hint to ascend its solemn throne--were a deepening marvel.
Town to country is what a ceiling is to a cælum.</p>

<p id="ii.xvi-p105"><br />
</p>

<p id="ii.xvi-p106"><br />
</p>

</div2>

      <div2 title="CHAPTER XVII.--ADVENTURES." n="xvii" shorttitle="" progress="22.71%" id="ii.xvii" prev="ii.xvi" next="ii.xviii">

<p id="ii.xvii-p1"><br />
</p>

<p id="ii.xvii-p2">CHAPTER XVII.</p>

<p id="ii.xvii-p3"><br />
</p>

<p id="ii.xvii-p4">ADVENTURES.</p>

<p id="ii.xvii-p5"><br />
</p>

<p id="ii.xvii-p6">GRANNIE'S first action every evening, the moment the boys
entered the room, was to glance up at the clock, that she might see
whether they had arrived in reasonable time. This was not pleasant,
because it admonished Robert how impossible it was for him to have
a lesson on his own violin so long as the visit to Bodyfauld
lasted. If they had only been allowed to sleep at Rothieden, what a
universe of freedom would have been theirs! As it was, he had but
two hours to himself, pared at both ends, in the middle of the day.
Dooble Sanny might have given him a lesson at that time, but he did
not dare to carry his instrument through the streets of Rothieden,
for the proceeding would be certain to come to his grandmother's
ears. Several days passed indeed before he made up his mind as to
how he was to reap any immediate benefit from the recovery of the
violin. For after he had made up his mind to run the risk of
successive mid-day <i>solos</i> in the old factory--he was not
prepared to carry the instrument through the streets, or be seen
entering the place with it.</p>

<p id="ii.xvii-p7"><br />
</p>

<p id="ii.xvii-p8">But the factory lay at the opposite corner of a quadrangle of
gardens, the largest of which belonged to itself; and the corner of
this garden touched the corner of Captain Forsyth's, which had
formerly belonged to Andrew Falconer: he had had a door made in the
walls at the point of junction, so that he could go from his house
to his business across his own property: if this door were not
locked, and Robert could pass without offence, what a north-west
passage it would be for him! The little garden belonging to his
grandmother's house had only a slight wooden fence to divide it
from the other, and even in this fence there was a little gate: he
would only have to run along Captain Forsyth's top walk to reach
the door. The blessed thought came to him as he lay in bed at
Bodyfauld: he would attempt the passage the very next day.</p>

<p id="ii.xvii-p9"><br />
</p>

<p id="ii.xvii-p10">With his violin in its paper under his arm, he sped like a hare
from gate to door, found it not even latched, only pushed to and
rusted into such rest as it was dangerous to the hinges to disturb.
He opened it, however, without any accident, and passed through;
then closing it behind him, took his way more leisurely through the
tangled grass of his grandmother's property. When he reached the
factory, he judged it prudent to search out a more secret nook, one
more full of silence, that is, whence the sounds would be less
certain to reach the ears of the passers by, and came upon a small
room, near the top, which had been the manager's bedroom, and
which, as he judged from what seemed the signs of ancient
occupation, a cloak hanging on the wall, and the ashes of a fire
lying in the grate, nobody had entered for years: it was the safest
place in the world. He undid his instrument carefully, tuned its
strings tenderly, and soon found that his former facility, such as
it was, had not ebbed away beyond recovery. Hastening back as he
came, he was just in time for his dinner, and narrowly escaped
encountering Betty in the transe. He had been tempted to leave the
instrument, but no one could tell what might happen, and to doubt
would be to be miserable with anxiety.</p>

<p id="ii.xvii-p11"><br />
</p>

<p id="ii.xvii-p12">He did the same for several days without interruption--not,
however, without observation. When, returning from his fourth
visit, he opened the door between the gardens, he started back in
dismay, for there stood the beautiful lady.</p>

<p id="ii.xvii-p13"><br />
</p>

<p id="ii.xvii-p14">Robert hesitated for a moment whether to fly or speak. He was a
Lowland country boy, and therefore rude of speech, but he was three
parts a Celt, and those who know the address of the Irish or of the
Highlanders, know how much that involves as to manners and bearing.
He advanced the next instant and spoke.</p>

<p id="ii.xvii-p15"><br />
</p>

<p id="ii.xvii-p16">'I beg yer pardon, mem. I thoucht naebody wad see me. I haena
dune nae ill.'</p>

<p id="ii.xvii-p17"><br />
</p>

<p id="ii.xvii-p18">'I had not the least suspicion of it, I assure you,' returned
Miss St. John. 'But, tell me, what makes you go through here always
at the same hour with the same parcel under your arm?'</p>

<p id="ii.xvii-p19"><br />
</p>

<p id="ii.xvii-p20">'Ye winna tell naebody--will ye, mem, gin I tell you?'</p>

<p id="ii.xvii-p21"><br />
</p>

<p id="ii.xvii-p22">Miss St. John, amused, and interested besides in the contrast
between the boy's oddly noble face and good bearing on the one
hand, and on the other the drawl of his bluntly articulated speech
and the coarseness of his tone, both seeming to her in the extreme
of provincialism, promised; and Robert, entranced by all the
qualities of her voice and speech, and nothing disenchanted by the
nearer view of her lovely face, confided in her at once.</p>

<p id="ii.xvii-p23"><br />
</p>

<p id="ii.xvii-p24">'Ye see, mem,' he said, 'I cam' upo' my grandfather's fiddle.
But my grandmither thinks the fiddle's no gude. And sae she tuik
and she hed it. But I faun't it again. An' I daurna play i' the
hoose, though my grannie's i' the country, for Betty hearin' me and
tellin' her. And sae I gang to the auld fact'ry there. It belangs
to my grannie, and sae does the yaird (<i>garden</i>). An' this
hoose and yaird was ance my father's, and sae he had that door
throu, they tell me. An' I thocht gin it suld be open, it wad be a
fine thing for me, to haud fowk ohn seen me. But it was verra
ill-bred to you, mem, I ken, to come throu your yaird ohn speirt
leave. I beg yer pardon, mem, an' I'll jist gang back, and roon' by
the ro'd. This is my fiddle I hae aneath my airm. We bude to pit
back the case o' 't whaur it was afore, i' my grannie's bed, to
haud her ohn kent 'at she had tint the grup o' 't.'</p>

<p id="ii.xvii-p25"><br />
</p>

<p id="ii.xvii-p26">Certainly Miss St. John could not have understood the half of
the words Robert used, but she understood his story
notwithstanding. Herself an enthusiast in music, her sympathies
were at once engaged for the awkward boy who was thus trying to
steal an entrance into the fairy halls of sound. But she forbore
any further allusion to the violin for the present, and contented
herself with assuring Robert that he was heartily welcome to go
through the garden as often as he pleased. She accompanied her
words with a smile that made Robert feel not only that she was the
most beautiful of all princesses in fairy-tales, but that she had
presented him with something beyond price in the most self-denying
manner. He took off his cap, thanked her with much heartiness, if
not with much polish, and hastened to the gate of his grandmother's
little garden. A few years later such an encounter might have
spoiled his dinner: I have to record no such evil result of the
adventure.</p>

<p id="ii.xvii-p27"><br />
</p>

<p id="ii.xvii-p28">With Miss St. John, music was the highest form of human
expression, as must often be the case with those whose feeling is
much in advance of their thought, and to whom, therefore, may be
called mental sensation is the highest known condition. Music to
such is poetry in solution, and generates that infinite atmosphere,
common to both musician and poet, which the latter fills with
shining worlds.--But if my reader wishes to follow out for himself
the idea herein suggested, he must be careful to make no confusion
between those who feel musically or think poetically, and the
musician or the poet. One who can only play the music of others,
however exquisitely, is not a musician, any more than one who can
read verse to the satisfaction, or even expound it to the
enlightenment of the poet himself, is therefore a poet.--When Miss
St. John would worship God, it was in music that she found the
chariot of fire in which to ascend heavenward. Hence music was the
divine thing in the world for her; and to find any one loving music
humbly and faithfully was to find a brother or sister believer. But
she had been so often disappointed in her expectations from those
she took to be such, that of late she had become less sanguine.
Still there was something about this boy that roused once more her
musical hopes; and, however she may have restrained herself from
the full indulgence of them, certain it is that the next day, when
she saw Robert pass, this time leisurely, along the top of the
garden, she put on her bonnet and shawl, and, allowing him time to
reach his den, followed him, in the hope of finding out whether or
not he could play. I do not know what proficiency the boy had
attained, very likely not much, for a man can feel the music of his
own bow, or of his own lines, long before any one else can discover
it. He had already made a path, not exactly worn one, but trampled
one, through the neglected grass, and Miss St. John had no
difficulty in finding his entrance to the factory.</p>

<p id="ii.xvii-p29"><br />
</p>

<p id="ii.xvii-p30">She felt a little <i>eerie</i>, as Robert would have called it,
when she passed into the waste silent place; for besides the
wasteness and the silence, motionless machines have a look of death
about them, at least when they bear such signs of disuse as those
that filled these rooms. Hearing no violin, she waited for a while
in the ground-floor of the building; but still hearing nothing, she
ascended to the first floor. Here, likewise, all was silence. She
hesitated, but at length ventured up the next stair, beginning,
however, to feel a little troubled as well as <i>eerie</i>, the
silence was so obstinately persistent. Was it possible that there
was no violin in that brown paper? But that boy could not be a
liar. Passing shelves piled-up with stores of old thread, she still
went on, led by a curiosity stronger than her gathering fear. At
last she came to a little room, the door of which was open, and
there she saw Robert lying on the floor with his head in a pool of
blood.</p>

<p id="ii.xvii-p31"><br />
</p>

<p id="ii.xvii-p32">Now Mary St. John was both brave and kind; and, therefore,
though not insensible to the fact that she too must be in danger
where violence had been used to a boy, she set about assisting him
at once. His face was deathlike, but she did not think he was dead.
She drew him out into the passage, for the room was close, and did
all she could to recover him; but for some time he did not even
breathe. At last his lips moved, and he murmured,</p>

<p id="ii.xvii-p33"><br />
</p>

<p id="ii.xvii-p34">'Sandy, Sandy, ye've broken my bonnie leddy.'</p>

<p id="ii.xvii-p35"><br />
</p>

<p id="ii.xvii-p36">Then he opened his eyes, and seeing a face to dream about
bending in kind consternation over him, closed them again with a
smile and a sigh, as if to prolong his dream.</p>

<p id="ii.xvii-p37"><br />
</p>

<p id="ii.xvii-p38">The blood now came fast into his forsaken cheeks, and began to
flow again from the wound in his head. The lady bound it up with
her handkerchief. After a little he rose, though with difficulty,
and stared wildly about him, saying, with imperfect articulation,
'Father! father!' Then he looked at Miss St. John with a kind of
dazed inquiry in his eyes, tried several times to speak, and could
not.</p>

<p id="ii.xvii-p39"><br />
</p>

<p id="ii.xvii-p40">'Can you walk at all?' asked Miss St. John, supporting him, for
she was anxious to leave the place.</p>

<p id="ii.xvii-p41"><br />
</p>

<p id="ii.xvii-p42">'Yes, mem, weel eneuch,' he answered.</p>

<p id="ii.xvii-p43"><br />
</p>

<p id="ii.xvii-p44">'Come along, then. I will help you home.'</p>

<p id="ii.xvii-p45"><br />
</p>

<p id="ii.xvii-p46">'Na, na,' he said, as if he had just recalled something. 'Dinna
min' me. Rin hame, mem, or he'll see ye!'</p>

<p id="ii.xvii-p47"><br />
</p>

<p id="ii.xvii-p48">'Who will see me?'</p>

<p id="ii.xvii-p49"><br />
</p>

<p id="ii.xvii-p50">Robert stared more wildly, put his hand to his head, and made no
reply. She half led, half supported him down the stair, as far as
the first landing, when he cried out in a tone of anguish,</p>

<p id="ii.xvii-p51"><br />
</p>

<p id="ii.xvii-p52">'My bonny leddy!'</p>

<p id="ii.xvii-p53"><br />
</p>

<p id="ii.xvii-p54">'What is it?' asked Miss St. John, thinking he meant her.</p>

<p id="ii.xvii-p55"><br />
</p>

<p id="ii.xvii-p56">'My fiddle! my fiddle! She 'll be a' in bits,' he answered, and
turned to go up again.</p>

<p id="ii.xvii-p57"><br />
</p>

<p id="ii.xvii-p58">'Sit down here,' said Miss St. John, 'and I'll fetch it.'</p>

<p id="ii.xvii-p59"><br />
</p>

<p id="ii.xvii-p60">Though not without some tremor, she darted back to the room.
Then she turned faint for the first time, but determinedly
supporting herself, she looked about, saw a brown-paper parcel on a
shelf, took it, and hurried out with a shudder.</p>

<p id="ii.xvii-p61"><br />
</p>

<p id="ii.xvii-p62">Robert stood leaning against the wall. He stretched out his
hands eagerly.</p>

<p id="ii.xvii-p63"><br />
</p>

<p id="ii.xvii-p64">'Gie me her. Gie me her.'</p>

<p id="ii.xvii-p65"><br />
</p>

<p id="ii.xvii-p66">'You had better let me carry it. You are not able.'</p>

<p id="ii.xvii-p67"><br />
</p>

<p id="ii.xvii-p68">'Na, na, mem. Ye dinna ken hoo easy she is to hurt.'</p>

<p id="ii.xvii-p69"><br />
</p>

<p id="ii.xvii-p70">'Oh, yes, I do!' returned Miss St. John, smiling, and Robert
could not withstand the smile.</p>

<p id="ii.xvii-p71"><br />
</p>

<p id="ii.xvii-p72">'Weel, tak care o' her, as ye wad o' yer ain sel', mem,' he
said, yielding.</p>

<p id="ii.xvii-p73"><br />
</p>

<p id="ii.xvii-p74">He was now much better, and before he had been two minutes in
the open air, insisted that he was quite well. When they reached
Captain Forsyth's garden he again held out his hands for his
violin.</p>

<p id="ii.xvii-p75"><br />
</p>

<p id="ii.xvii-p76">'No, no,' said his new friend. 'You wouldn't have Betty see you
like that, would you?'</p>

<p id="ii.xvii-p77"><br />
</p>

<p id="ii.xvii-p78">'No, mem; but I'll put in the fiddle at my ain window, and she
sanna hae a chance o' seein' 't,' answered Robert, not
understanding her; for though he felt a good deal of pain, he had
no idea what a dreadful appearance he presented.</p>

<p id="ii.xvii-p79"><br />
</p>

<p id="ii.xvii-p80">'Don't you know that you have a wound on your head?' asked Miss
St. John.</p>

<p id="ii.xvii-p81"><br />
</p>

<p id="ii.xvii-p82">'Na! hev I?' said Robert, putting up his hand. 'But I maun
gang--there's nae help for 't,' he added.--'Gin I cud only win to
my ain room ohn Betty seen me!--Eh! mem, I hae blaudit
(<i>spoiled</i>) a' yer bonny goon. That's a sair vex.'</p>

<p id="ii.xvii-p83"><br />
</p>

<p id="ii.xvii-p84">'Never mind it,' returned Miss St. John, smiling. 'It is of no
consequence. But you must come with me. I must see what I can do
for your head. Poor boy!'</p>

<p id="ii.xvii-p85"><br />
</p>

<p id="ii.xvii-p86">'Eh, mem! but ye <i>are</i> kin'! Gin ye speik like that ye'll
gar me greit. Naebody ever spak' to me like that afore. Maybe ye
kent my mamma. Ye're sae like her.'</p>

<p id="ii.xvii-p87"><br />
</p>

<p id="ii.xvii-p88">This word <i>mamma</i> was the only remnant of her that lingered
in his speech. Had she lived he would have spoken very differently.
They were now walking towards the house.</p>

<p id="ii.xvii-p89"><br />
</p>

<p id="ii.xvii-p90">'No, I did not know your mamma. Is she dead?'</p>

<p id="ii.xvii-p91"><br />
</p>

<p id="ii.xvii-p92">'Lang syne, mem. And sae they tell me is yours.'</p>

<p id="ii.xvii-p93"><br />
</p>

<p id="ii.xvii-p94">'Yes; and my father too. Your father is alive, I hope?'</p>

<p id="ii.xvii-p95"><br />
</p>

<p id="ii.xvii-p96">Robert made no answer. Miss St. John turned.</p>

<p id="ii.xvii-p97"><br />
</p>

<p id="ii.xvii-p98">The boy had a strange look, and seemed struggling with something
in his throat. She thought he was going to faint again, and hurried
him into the drawing-room. Her aunt had not yet left her room, and
her uncle was out.</p>

<p id="ii.xvii-p99"><br />
</p>

<p id="ii.xvii-p100">'Sit down,' she said--so kindly--and Robert sat down on the edge
of a chair. Then she left the room, but presently returned with a
little brandy. 'There,' she said, offering the glass, 'that will do
you good.'</p>

<p id="ii.xvii-p101"><br />
</p>

<p id="ii.xvii-p102">'What is 't, mem?'</p>

<p id="ii.xvii-p103"><br />
</p>

<p id="ii.xvii-p104">'Brandy. There's water in it, of course.'</p>

<p id="ii.xvii-p105"><br />
</p>

<p id="ii.xvii-p106">'I daurna touch 't. Grannie cudna bide me to touch 't,'</p>

<p id="ii.xvii-p107"><br />
</p>

<p id="ii.xvii-p108">So determined was he, that Miss St. John was forced to yield.
Perhaps she wondered that the boy who would deceive his grandmother
about a violin should be so immovable in regarding her pleasure in
the matter of a needful medicine. But in this fact I begin to see
the very Falconer of my manhood's worship.</p>

<p id="ii.xvii-p109"><br />
</p>

<p id="ii.xvii-p110">'Eh, mem! gin ye wad play something upo' <i>her</i>,' he
resumed, pointing to the piano, which, although he had never seen
one before, he at once recognized, by some hidden mental operation,
as the source of the sweet sounds heard at the window, 'it wad du
me mair guid than a haill bottle o' brandy, or whusky either.'</p>

<p id="ii.xvii-p111"><br />
</p>

<p id="ii.xvii-p112">'How do you know that?' asked Miss St. John, proceeding to
sponge the wound.</p>

<p id="ii.xvii-p113"><br />
</p>

<p id="ii.xvii-p114">''Cause mony's the time I hae stud oot there i' the street,
hearkenin'. Dooble Sanny says 'at ye play jist as gin ye war my
gran'father's fiddle hersel', turned into the bonniest cratur ever
God made.'</p>

<p id="ii.xvii-p115"><br />
</p>

<p id="ii.xvii-p116">'How did you get such a terrible cut?'</p>

<p id="ii.xvii-p117"><br />
</p>

<p id="ii.xvii-p118">She had removed the hair, and found that the injury was
severe.</p>

<p id="ii.xvii-p119"><br />
</p>

<p id="ii.xvii-p120">The boy was silent. She glanced round in his face. He was
staring as if he saw nothing, heard nothing. She would try
again.</p>

<p id="ii.xvii-p121"><br />
</p>

<p id="ii.xvii-p122">'Did you fall? Or how did you cut your head?'</p>

<p id="ii.xvii-p123"><br />
</p>

<p id="ii.xvii-p124">'Yes, yes, mem, I fell,' he answered, hastily, with an air of
relief, and possibly with some tone of gratitude for the suggestion
of a true answer.</p>

<p id="ii.xvii-p125"><br />
</p>

<p id="ii.xvii-p126">'What made you fall?'</p>

<p id="ii.xvii-p127"><br />
</p>

<p id="ii.xvii-p128">Utter silence again. She felt a kind of <i>turn</i>--I do not
know another word to express what I mean: the boy must have fits,
and either could not tell, or was ashamed to tell, what had
befallen him. Thereafter she too was silent, and Robert thought she
was offended. Possibly he felt a change in the touch of her
fingers.</p>

<p id="ii.xvii-p129"><br />
</p>

<p id="ii.xvii-p130">'Mem, I <i>wad</i> like to tell ye,' he said, 'but I
daurna.'</p>

<p id="ii.xvii-p131"><br />
</p>

<p id="ii.xvii-p132">'Oh! never mind,' she returned kindly.</p>

<p id="ii.xvii-p133"><br />
</p>

<p id="ii.xvii-p134">'Wad ye promise nae to tell <i>nae</i>body?'</p>

<p id="ii.xvii-p135"><br />
</p>

<p id="ii.xvii-p136">'I don't want to know,' she answered, confirmed in her
suspicion, and at the same time ashamed of the alteration of
feeling which the discovery had occasioned.</p>

<p id="ii.xvii-p137"><br />
</p>

<p id="ii.xvii-p138">An uncomfortable silence followed, broken by Robert.</p>

<p id="ii.xvii-p139"><br />
</p>

<p id="ii.xvii-p140">'Gin ye binna pleased wi' me, mem,' he said, 'I canna bide ye to
gang on wi' siccan a job 's that.'</p>

<p id="ii.xvii-p141"><br />
</p>

<p id="ii.xvii-p142">How Miss St. John could have understood him, I cannot think; but
she did.</p>

<p id="ii.xvii-p143"><br />
</p>

<p id="ii.xvii-p144">'Oh! very well,' she answered, smiling. 'Just as you please.
Perhaps you had better take this piece of plaster to Betty, and ask
her to finish the dressing for you.'</p>

<p id="ii.xvii-p145"><br />
</p>

<p id="ii.xvii-p146">Robert took the plaster mechanically, and, sick at heart and
speechless, rose to go, forgetting even his <i>bonny leddy</i> in
his grief.</p>

<p id="ii.xvii-p147"><br />
</p>

<p id="ii.xvii-p148">'You had better take your violin with you,' said Miss St. John,
urged to the cruel experiment by a strong desire to see what the
strange boy would do.</p>

<p id="ii.xvii-p149"><br />
</p>

<p id="ii.xvii-p150">He turned. The tears were streaming down his odd face. They went
to her heart, and she was bitterly ashamed of herself.</p>

<p id="ii.xvii-p151"><br />
</p>

<p id="ii.xvii-p152">'Come along. Do sit down again. I only wanted to see what you
would do. I am very sorry,' she said, in a tone of kindness such as
Robert had never imagined.</p>

<p id="ii.xvii-p153"><br />
</p>

<p id="ii.xvii-p154">He sat down instantly, saying,</p>

<p id="ii.xvii-p155"><br />
</p>

<p id="ii.xvii-p156">'Eh, mem! it's sair to bide;' meaning, no doubt, the conflict
between his inclination to tell her all, and his duty to be
silent.</p>

<p id="ii.xvii-p157"><br />
</p>

<p id="ii.xvii-p158">The dressing was soon finished, his hair combed down over it,
and Robert looking once more respectable.</p>

<p id="ii.xvii-p159"><br />
</p>

<p id="ii.xvii-p160">'Now, I think that will do,' said his nurse.</p>

<p id="ii.xvii-p161"><br />
</p>

<p id="ii.xvii-p162">'Eh, thank ye, mem!' answered Robert, rising. 'Whan I'm able to
play upo' the fiddle as weel 's ye play upo' the piana, I'll come
and play at yer window ilka nicht, as lang 's ye like to
hearken.'</p>

<p id="ii.xvii-p163"><br />
</p>

<p id="ii.xvii-p164">She smiled, and he was satisfied. He did not dare again ask her
to play to him. But she said of herself, 'Now I will play something
to you, if you like,' and he resumed his seat devoutly.</p>

<p id="ii.xvii-p165"><br />
</p>

<p id="ii.xvii-p166">When she had finished a lovely little air, which sounded to
Robert like the touch of her hands, and her breath on his forehead,
she looked round, and was satisfied, from the rapt expression of
the boy's countenance, that at least he had plenty of musical
sensibility. As if despoiled of volition, he stood motionless till
she said,</p>

<p id="ii.xvii-p167"><br />
</p>

<p id="ii.xvii-p168">'Now you had better go, or Betty will miss you.'</p>

<p id="ii.xvii-p169"><br />
</p>

<p id="ii.xvii-p170">Then he made her a bow in which awkwardness and grace were
curiously mingled, and taking up his precious parcel, and holding
it to his bosom as if it had been a child for whom he felt an
access of tenderness, he slowly left the room and the house.</p>

<p id="ii.xvii-p171"><br />
</p>

<p id="ii.xvii-p172">Not even to Shargar did he communicate his adventure. And he
went no more to the deserted factory to play there. Fate had again
interposed between him and his bonny leddy.</p>

<p id="ii.xvii-p173"><br />
</p>

<p id="ii.xvii-p174">When he reached Bodyfauld he fancied his grandmother's eyes more
watchful of him than usual, and he strove the more to resist the
weariness, and even faintness, that urged him to go to bed. Whether
he was able to hide as well a certain trouble that clouded his
spirit I doubt. His wound he did manage to keep a secret, thanks to
the care of Miss St. John, who had dressed it with
court-plaster.</p>

<p id="ii.xvii-p175"><br />
</p>

<p id="ii.xvii-p176">When he woke the next morning, it was with the consciousness of
having seen something strange the night before, and only when he
found that he was not in his own room at his grandmother's, was he
convinced that it must have been a dream and no vision. For in the
night, he had awaked there as he thought, and the moon was shining
with such clearness, that although it did not shine into his room,
he could see the face of the clock, and that the hands were both
together at the top. Close by the clock stood the bureau, with its
end against the partition forming the head of his grannie's
bed.</p>

<p id="ii.xvii-p177"><br />
</p>

<p id="ii.xvii-p178">All at once he saw a tall man, in a blue coat and bright
buttons, about to open the lid of the bureau. The same moment he
saw a little elderly man in a brown coat and a brown wig, by his
side, who sought to remove his hand from the lock. Next appeared a
huge stalwart figure, in shabby old tartans, and laid his hand on
the head of each. But the wonder widened and grew; for now came a
stately Highlander with his broadsword by his side, and an eagle's
feather in his bonnet, who laid his hand on the other Highlander's
arm.</p>

<p id="ii.xvii-p179"><br />
</p>

<p id="ii.xvii-p180">When Robert looked in the direction whence this last had
appeared, the head of his grannie's bed had vanished, and a wild
hill-side, covered with stones and heather, sloped away into the
distance. Over it passed man after man, each with an ancestral air,
while on the gray sea to the left, galleys covered with Norsemen
tore up the white foam, and dashed one after the other up to the
strand. How long he gazed, he did not know, but when he withdrew
his eyes from the extended scene, there stood the figure of his
father, still trying to open the lid of the bureau, his grandfather
resisting him, the blind piper with his hand on the head of both,
and the stately chief with his hand on the piper's arm. Then a mist
of forgetfulness gathered over the whole, till at last he awoke and
found himself in the little wooden chamber at Bodyfauld, and not in
the visioned room. Doubtless his loss of blood the day before had
something to do with the dream or vision, whichever the reader may
choose to consider it. He rose, and after a good breakfast, found
himself very little the worse, and forgot all about his dream, till
a circumstance which took place not long after recalled it vividly
to his mind.</p>

<p id="ii.xvii-p181"><br />
</p>

<p id="ii.xvii-p182">The enchantment of Bodyfauld soon wore off. The boys had no time
to enter into the full enjoyment of country ways, because of those
weary lessons, over the <i>getting</i> of which Mrs. Falconer kept
as strict a watch as ever; while to Robert the evening journey, his
violin and Miss St. John left at Rothieden, grew more than tame.
The return was almost as happy an event to him as the first going.
Now he could resume his lessons with the soutar.</p>

<p id="ii.xvii-p183"><br />
</p>

<p id="ii.xvii-p184">With Shargar it was otherwise. The freedom for so much longer
from Mrs. Falconer's eyes was in itself so much of a positive
pleasure, that the walk twice a day, the fresh air, and the scents
and sounds of the country, only came in as supplementary. But I do
not believe the boy even then had so much happiness as when he was
beaten and starved by his own mother. And Robert, growing more and
more absorbed in his own thoughts and pursuits, paid him less and
less attention as the weeks went on, till Shargar at length judged
it for a time an evil day on which he first had slept under old
Ronald Falconer's kilt.</p>

<p id="ii.xvii-p185"><br />
</p>

<p id="ii.xvii-p186"><br />
</p>

</div2>

      <div2 title="CHAPTER XVIII.--NATURE PUTS IN A CLAIM." n="xviii" shorttitle="" progress="24.59%" id="ii.xviii" prev="ii.xvii" next="ii.xix">

<p id="ii.xviii-p1"><br />
</p>

<p id="ii.xviii-p2">CHAPTER XVIII.</p>

<p id="ii.xviii-p3"><br />
</p>

<p id="ii.xviii-p4">NATURE PUTS IN A CLAIM.</p>

<p id="ii.xviii-p5"><br />
</p>

<p id="ii.xviii-p6">BEFORE the day of return arrived, Robert had taken care to
remove the violin from his bedroom, and carry it once more to its
old retreat in Shargar's garret. The very first evening, however,
that grannie again spent in her own arm-chair, he hied from the
house as soon as it grew dusk, and made his way with his
brown-paper parcel to Sandy Elshender's.</p>

<p id="ii.xviii-p7"><br />
</p>

<p id="ii.xviii-p8">Entering the narrow passage from which his shop door opened, and
hearing him hammering away at a sole, he stood and unfolded his
treasure, then drew a low sigh from her with his bow, and awaited
the result. He heard the lap-stone fall thundering on the floor,
and, like a spider from his cavern, Dooble Sanny appeared in the
door, with the <i>bend</i>-leather in one hand, and the hammer in
the other.</p>

<p id="ii.xviii-p9"><br />
</p>

<p id="ii.xviii-p10">'Lordsake, man! hae ye gotten her again? Gie's a grup o' her!'
he cried, dropping leather and hammer.</p>

<p id="ii.xviii-p11"><br />
</p>

<p id="ii.xviii-p12">'Na, na,' returned Robert, retreating towards the outer door.
'Ye maun sweir upo' <i>her</i> that, whan I want her, I sall hae
her ohn demur, or I sanna lat ye lay roset upo' her.'</p>

<p id="ii.xviii-p13"><br />
</p>

<p id="ii.xviii-p14">'I swear 't, Robert; I sweir 't upo' <i>her</i>,' said the
soutar hurriedly, stretching out both his hands as if to receive
some human being into his embrace.</p>

<p id="ii.xviii-p15"><br />
</p>

<p id="ii.xviii-p16">Robert placed the violin in those grimy hands. A look of
heavenly delight dawned over the hirsute and dirt-besmeared
countenance, which drooped into tenderness as he drew the bow
across the instrument, and wiled from her a thin wail as of sorrow
at their long separation. He then retreated into his den, and was
soon sunk in a trance, deaf to everything but the violin, from
which no entreaties of Robert, who longed for a lesson, could rouse
him; so that he had to go home grievously disappointed, and
unrewarded for the risk he had run in venturing the stolen
visit.</p>

<p id="ii.xviii-p17"><br />
</p>

<p id="ii.xviii-p18">Next time, however, he fared better; and he contrived so well
that, from the middle of June to the end of August, he had two
lessons a week, mostly upon the afternoons of holidays. For these
his master thought himself well paid by the use of the instrument
between. And Robert made great progress.</p>

<p id="ii.xviii-p19"><br />
</p>

<p id="ii.xviii-p20">Occasionally he saw Miss St. John in the garden, and once or
twice met her in the town; but her desire to find in him a pupil
had been greatly quenched by her unfortunate conjecture as to the
cause of his accident. She had, however, gone so far as to mention
the subject to her aunt, who assured her that old Mrs. Falconer
would as soon consent to his being taught gambling as music. The
idea, therefore, passed away; and beyond a kind word or two when
she met him, there was no further communication between them. But
Robert would often dream of waking from a swoon, and finding his
head lying on her lap, and her lovely face bending over him full of
kindness and concern.</p>

<p id="ii.xviii-p21"><br />
</p>

<p id="ii.xviii-p22">By the way, Robert cared nothing for poetry. Virgil was too
troublesome to be enjoyed; and in English he had met with nothing
but the dried leaves and gum-flowers of the last century. Miss
Letty once lent him <i>The Lady of the Lake</i>; but before he had
read the first canto through, his grandmother laid her hands upon
it, and, without saying a word, dropped it behind a loose
skirting-board in the pantry, where the mice soon made it a ruin
sad to behold. For Miss Letty, having heard from the woful Robert
of its strange disappearance, and guessing its cause, applied to
Mrs. Falconer for the volume; who forthwith, the tongs aiding,
extracted it from its hole, and, without shade of embarrassment,
held it up like a drowned kitten before the eyes of Miss Letty,
intending thereby, no doubt, to impress her with the fate of all
seducing spirits that should attempt an entrance into her kingdom:
Miss Letty only burst into merry laughter over its fate. So the
lode of poetry failed for the present from Robert's life. Nor did
it matter much; for had he not his violin?</p>

<p id="ii.xviii-p23"><br />
</p>

<p id="ii.xviii-p24">I have, I think, already indicated that his grandfather had been
a linen manufacturer. Although that trade had ceased, his family
had still retained the bleachery belonging to it, commonly called
the <i>bleachfield</i>, devoting it now to the service of those
large calico manufactures which had ruined the trade in linen, and
to the whitening of such yarn as the country housewives still spun
at home, and the webs they got woven of it in private looms. To
Robert and Shargar it was a wondrous pleasure when the pile of
linen which the week had accumulated at the office under the
ga'le-room, was on Saturday heaped high upon the base of a
broad-wheeled cart, to get up on it and be carried to the said
bleachfield, which lay along the bank of the river. Soft laid and
high-borne, gazing into the blue sky, they traversed the streets in
a holiday triumph; and although, once arrived, the manager did not
fail to get some labour out of them, yet the store of amusement was
endless. The great wheel, which drove the whole machinery; the
plash-mill, or, more properly, wauk-mill--a word Robert derived
from the resemblance of the mallets to two huge feet, and of their
motion to walking--with the water plashing and squirting from the
blows of their heels; the beatles thundering in <i>arpeggio</i>
upon the huge cylinder round which the white cloth was wound--each
was haunted in its turn and season. The pleasure of the water
itself was inexhaustible. Here sweeping in a mass along the race;
there divided into branches and hurrying through the walls of the
various houses; here sliding through a wooden channel across the
floor to fall into the river in a half-concealed cataract, there
bubbling up through the bottom of a huge wooden cave or vat, there
resting placid in another; here gurgling along a spout; there
flowing in a narrow canal through the green expanse of the
well-mown bleaehfield, or lifted from it in narrow curved wooden
scoops, like fairy canoes with long handles, and flung in showers
over the outspread yarn--the water was an endless delight.</p>

<p id="ii.xviii-p25"><br />
</p>

<p id="ii.xviii-p26">It is strange how some individual broidery or figure upon
Nature's garment will delight a boy long before he has ever looked
Nature in the face, or begun to love herself. But Robert was soon
to become dimly conscious of a life within these things--a life not
the less real that its operations on his mind had been long
unrecognized.</p>

<p id="ii.xviii-p27"><br />
</p>

<p id="ii.xviii-p28">On the grassy bank of the gently-flowing river, at the other
edge of whose level the little canal squabbled along, and on the
grassy brae which rose immediately from the canal, were stretched,
close beside each other, with scarce a stripe of green betwixt, the
long white webs of linen, fastened down to the soft mossy ground
with wooden pegs, whose tops were twisted into their edges.
Strangely would they billow in the wind sometimes, like sea-waves,
frozen and enchanted flat, seeking to rise and wallow in the wind
with conscious depth and whelming mass. But generally they lay
supine, saturated with light and its cleansing power. Falconer's
jubilation in the white and green of a little boat, as we lay, one
bright morning, on the banks of the Thames between Richmond and
Twickenham, led to such a description of the bleachfield that I can
write about it as if I had known it myself.</p>

<p id="ii.xviii-p29"><br />
</p>

<p id="ii.xviii-p30">One Saturday afternoon in the end of July, when the westering
sun was hotter than at midday, he went down to the lower end of the
field, where the river was confined by a dam, and plunged from the
bank into deep water. After a swim of half-an-hour, he ascended the
higher part of the field, and lay down upon a broad web to bask in
the sun. In his ears was the hush rather than rush of the water
over the dam, the occasional murmur of a belt of trees that skirted
the border of the field, and the dull continuous sound of the
beatles at their work below, like a persistent growl of thunder on
the horizon.</p>

<p id="ii.xviii-p31"><br />
</p>

<p id="ii.xviii-p32">Had Robert possessed a copy of <i>Robinson Crusoe</i>, or had
his grandmother not cast <i>The Lady of the Lake</i>, mistaking it
for an idol, if not to the moles and the bats, yet to the mice and
the black-beetles, he might have been lying reading it, blind and
deaf to the face and the voice of Nature, and years might have
passed before a response awoke in his heart. It is good that
children of faculty, as distinguished from capacity, should not
have too many books to read, or too much of early lessoning. The
increase of examinations in our country will increase its capacity
and diminish its faculty. We shall have more compilers and reducers
and fewer thinkers; more modifiers and completers, and fewer
inventors.</p>

<p id="ii.xviii-p33"><br />
</p>

<p id="ii.xviii-p34">He lay gazing up into the depth of the sky, rendered deeper and
bluer by the masses of white cloud that hung almost motionless
below it, until he felt a kind of bodily fear lest he should fall
off the face of the round earth into the abyss. A gentle wind,
laden with pine odours from the sun-heated trees behind him,
flapped its light wing in his face: the humanity of the world smote
his heart; the great sky towered up over him, and its divinity
entered his soul; a strange longing after something 'he knew not
nor could name' awoke within him, followed by the pang of a sudden
fear that there was no such thing as that which he sought, that it
was all a fancy of his own spirit; and then the voice of Shargar
broke the spell, calling to him from afar to come and see a great
salmon that lay by a stone in the water. But once aroused, the
feeling was never stilled; the desire never left him; sometimes
growing even to a passion that was relieved only by a flood of
tears.</p>

<p id="ii.xviii-p35"><br />
</p>

<p id="ii.xviii-p36">Strange as it may sound to those who have never thought of such
things save in connection with Sundays and Bibles and churches and
sermons, that which was now working in Falconer's mind was the
first dull and faint movement of the greatest need that the human
heart possesses--the need of the God-Man. There must be truth in
the scent of that pine-wood: some one must mean it. There must be a
glory in those heavens that depends not upon our imagination: some
power greater than they must dwell in them. Some spirit must move
in that wind that haunts us with a kind of human sorrow; some soul
must look up to us from the eye of that starry flower. It must be
something human, else not to us divine.</p>

<p id="ii.xviii-p37"><br />
</p>

<p id="ii.xviii-p38">Little did Robert think that such was his need--that his soul
was searching after One whose form was constantly presented to him,
but as constantly obscured and made unlovely by the words without
knowledge spoken in the religious assemblies of the land; that he
was longing without knowing it on the Saturday for that from which
on the Sunday he would be repelled without knowing it. Years passed
before he drew nigh to the knowledge of what he sought.</p>

<p id="ii.xviii-p39"><br />
</p>

<p id="ii.xviii-p40">For weeks the mood broken by the voice of his companion did not
return, though the forms of Nature were henceforth full of a
pleasure he had never known before. He loved the grass; the water
was more gracious to him; he would leave his bed early, that he
might gaze on the clouds of the east, with their borders
gold-blasted with sunrise; he would linger in the fields that the
amber and purple, and green and red, of the sunset, might not
escape after the sun unseen. And as long as he felt the mystery,
the revelation of the mystery lay before and not behind him.</p>

<p id="ii.xviii-p41"><br />
</p>

<p id="ii.xviii-p42">And Shargar--had he any soul for such things? Doubtless; but how
could he be other than lives behind Robert? For the latter had
ancestors--that is, he came of people with a mental and spiritual
history; while the former had been born the birth of an animal; of
a <i>noble</i> sire, whose family had for generations filled the
earth with fire, famine, slaughter, and licentiousness; and of a
wandering outcast mother, who blindly loved the fields and woods,
but retained her affection for her offspring scarcely beyond the
period while she suckled them. The love of freedom and of wild
animals that she had given him, however, was far more precious than
any share his male ancestor had borne in his mental constitution.
After his fashion he as well as Robert enjoyed the sun and the wind
and the water and the sky; but he had sympathies with the salmon
and the rooks and the wild rabbits even stronger than those of
Robert.</p>

<p id="ii.xviii-p43"><br />
</p>

<p id="ii.xviii-p44"><br />
</p>

</div2>

      <div2 title="CHAPTER XIX.--ROBERT STEALS HIS OWN." n="xix" shorttitle="" progress="25.61%" id="ii.xix" prev="ii.xviii" next="ii.xx">

<p id="ii.xix-p1"><br />
</p>

<p id="ii.xix-p2">CHAPTER XIX.</p>

<p id="ii.xix-p3"><br />
</p>

<p id="ii.xix-p4">ROBERT STEALS HIS OWN.</p>

<p id="ii.xix-p5"><br />
</p>

<p id="ii.xix-p6">THE period of the <i>hairst-play</i>, that is, of the harvest
holiday time, drew near, and over the north of Scotland thousands
of half-grown hearts were beating with glad anticipation. Of the
usual devices of boys to cheat themselves into the half-belief of
expediting a blessed approach by marking its rate, Robert knew
nothing: even the notching of sticks was unknown at Rothieden; but
he had a mode notwithstanding. Although indifferent to the games of
his school-fellows, there was one amusement, a solitary one nearly,
and <i>therein</i> not so good as most amusements, into which he
entered with the whole energy of his nature: it was kite-flying.
The moment that the <i>hairst-play</i> approached near enough to
strike its image through the eyes of his mind, Robert proceeded to
make his kite, or <i>draigon</i>, as he called it. Of how many
pleasures does pocket-money deprive the unfortunate possessor! What
is the going into a shop and buying what you want, compared with
the gentle delight of hours and days filled with gaining effort
after the attainment of your end? Never boy that bought his kite,
even if the adornment thereafter lay in his own hands, and the
pictures were gorgeous with colour and gilding, could have half the
enjoyment of Robert from the moment he went to the cooper's to ask
for an old gird or hoop, to the moment when he said 'Noo, Shargar!'
and the kite rose slowly from the depth of the aërial flood. The
hoop was carefully examined, the best portion cut away from it,
that pared to a light strength, its ends confined to the proper
curve by a string, and then away went Robert to the <i>wright's</i>
shop. There a slip of wood, of proper length and thickness, was
readily granted to his request, free as the daisies of the field.
Oh! those horrid town conditions, where nothing is given for the
asking, but all sold for money! In Robert's kite the only thing
that cost money was the string to fly it with, and that the
grandmother willingly provided, for not even her ingenuity could
discover any evil, direct or implicated, in kite-flying. Indeed, I
believe the old lady felt not a little sympathy with the exultation
of the boy when he saw his kite far aloft, diminished to a speck in
the vast blue; a sympathy, it may be, rooted in the religious
aspirations which she did so much at once to rouse and to suppress
in the bosom of her grandchild. But I have not yet reached the
kite-flying, for I have said nothing of the kite's tail, for the
sake of which principally I began to describe the process of its
growth.</p>

<p id="ii.xix-p7"><br />
</p>

<p id="ii.xix-p8">As soon as the body of the dragon was completed, Robert attached
to its spine the string which was to take the place of its caudal
elongation, and at a proper distance from the body joined to the
string the first of the cross-pieces of folded paper which in this
animal represent the continued vertebral processes. Every morning,
the moment he issued from his chamber, he proceeded to the garret
where the monster lay, to add yet another joint to his tail, until
at length the day should arrive when, the lessons over for a
blessed eternity of five or six weeks, he would tip the whole with
a piece of wood, to which grass, <i>quantum suff</i>., might be
added from the happy fields.</p>

<p id="ii.xix-p9"><br />
</p>

<p id="ii.xix-p10">Upon this occasion the dragon was a monster one. With a little
help from Shargar, he had laid the skeleton of a six-foot specimen,
and had carried the body to a satisfactory completion.</p>

<p id="ii.xix-p11"><br />
</p>

<p id="ii.xix-p12">The tail was still growing, having as yet only sixteen joints,
when Mr. Lammie called with an invitation for the boys to spend
their holidays with him. It was fortunate for Robert that he was in
the room when Mr. Lammie presented his petition, otherwise he would
never have heard of it till the day of departure arrived, and would
thus have lost all the delights of anticipation. In frantic effort
to control his ecstasy, he sped to the garret, and with trembling
hands tied the second joint of the day to the tail of the
dragon--the first time he had ever broken the law of its accretion.
Once broken, that law was henceforth an object of scorn, and the
tail grew with frightful rapidity. It was indeed a great dragon.
And none of the paltry fields about Rothieden should be honoured
with its first flight, but from Bodyfauld should the majestic child
of earth ascend into the regions of upper air.</p>

<p id="ii.xix-p13"><br />
</p>

<p id="ii.xix-p14">My reader may here be tempted to remind me that Robert had been
only too glad to return to Rothieden from his former visit. But I
must in my turn remind him that the circumstances were changed. In
the first place, the fiddle was substituted for grannie; and in the
second, the dragon for the school.</p>

<p id="ii.xix-p15"><br />
</p>

<p id="ii.xix-p16">The making of this dragon was a happy thing for Shargar, and a
yet happier thing for Robert, in that it introduced again for a
time some community of interest between them. Shargar was happier
than he had been for many a day because Robert used him; and Robert
was yet happier than Shargar in that his conscience, which had
reproached him for his neglect of him, was now silent. But not even
his dragon had turned aside his attentions from his violin; and
many were the consultations between the boys as to how best she
might be transported to Bodyfauld, where endless opportunities of
holding communion with her would not be wanting. The difficulty was
only how to get her clear of Rothieden.</p>

<p id="ii.xix-p17"><br />
</p>

<p id="ii.xix-p18">The play commenced on a Saturday; but not till the Monday were
they to be set at liberty. Wearily the hours of mental labour and
bodily torpidity which the Scotch called the Sabbath passed away,
and at length the millennial morning dawned. Robert and Shargar
were up before the sun. But strenuous were the efforts they made to
suppress all indications of excitement, lest grannie, fearing the
immoral influence of gladness, should give orders to delay their
departure for an awfully indefinite period, which might be an hour,
a day, or even a week. Horrible conception! Their behaviour was so
decorous that not even a hinted threat escaped the lips of Mrs.
Falconer.</p>

<p id="ii.xix-p19"><br />
</p>

<p id="ii.xix-p20">They set out three hours before noon, carrying the great kite,
and Robert's school bag, of green baize, full of sundries: a cart
from Bodyfauld was to fetch their luggage later in the day. As soon
as they were clear of the houses, Shargar lay down behind a dyke
with the kite, and Robert set off at full speed for Dooble Sanny's
shop, making a half-circuit of the town to avoid the chance of
being seen by grannie or Betty. Having given due warning before, he
found the brown-paper parcel ready for him, and carried it off in
fearful triumph. He joined Shargar in safety, and they set out on
their journey as rich and happy a pair of tramps as ever tramped,
having six weeks of their own in their pockets to spend and not
spare.</p>

<p id="ii.xix-p21"><br />
</p>

<p id="ii.xix-p22">A hearty welcome awaited them, and they were soon revelling in
the glories of the place, the first instalment of which was in the
shape of curds and cream, with oatcake and butter, as much as they
liked. After this they would 'e'en to it like French falconers'
with their kite, for the wind had been blowing bravely all the
morning, having business to do with the harvest. The season of
stubble not yet arrived, they were limited to the pasturage and
moorland, which, however, large as their kite was, were spacious
enough. Slowly the great-headed creature arose from the hands of
Shargar, and ascended about twenty feet, when, as if seized with a
sudden fit of wrath or fierce indignation, it turned right round
and dashed itself with headlong fury to the earth, as if sooner
than submit to such influences a moment longer it would beat out
its brains at once.</p>

<p id="ii.xix-p23"><br />
</p>

<p id="ii.xix-p24">'It hasna half tail eneuch,' cried Robert. 'It's queer 'at
things winna gang up ohn hauden them doon. Pu' a guid han'fu' o'
clover, Shargar. She's had her fa', an' noo she'll gang up a'
richt. She's nane the waur o' 't.'</p>

<p id="ii.xix-p25"><br />
</p>

<p id="ii.xix-p26">Upon the next attempt, the kite rose triumphantly. But just as
it reached the length of the string it shot into a faster current
of air, and Robert found himself first dragged along in spite of
his efforts, and then lifted from his feet. After carrying him a
few yards, the dragon broke its string, dropped him in a ditch,
and, drifting away, went fluttering and waggling downwards in the
distance.</p>

<p id="ii.xix-p27"><br />
</p>

<p id="ii.xix-p28">'Luik whaur she gangs, Shargar,' cried Robert, from the
ditch.</p>

<p id="ii.xix-p29"><br />
</p>

<p id="ii.xix-p30">Experience coming to his aid, Shargar took landmarks of the
direction in which it went; and ere long they found it with its
tail entangled in the topmost branches of a hawthorn tree, and its
head beating the ground at its foot. It was at once agreed that
they would not fly it again till they got some stronger string.</p>

<p id="ii.xix-p31"><br />
</p>

<p id="ii.xix-p32">Having heard the adventure, Mr. Lammie produced a shilling from
the pocket of his corduroys, and gave it to Robert to spend upon
the needful string. He resolved to go to the town the next morning
and make a grand purchase of the same. During the afternoon he
roamed about the farm with his hands in his pockets, revolving if
not many memories, yet many questions, while Shargar followed like
a pup at the heels of Miss Lammie, to whom, during his former
visit, he had become greatly attached.</p>

<p id="ii.xix-p33"><br />
</p>

<p id="ii.xix-p34">In the evening, resolved to make a confidant of Mr. Lammie, and
indeed to cast himself upon the kindness of the household
generally, Robert went up to his room to release his violin from
its prison of brown paper. What was his dismay to find--not his
bonny leddy, but her poor cousin, the soutar's auld wife! It was
too bad. <i>Dooble</i> Sanny indeed!</p>

<p id="ii.xix-p35"><br />
</p>

<p id="ii.xix-p36">He first stared, then went into a rage, and then came out of it
to go into a resolution. He replaced the unwelcome fiddle in the
parcel, and came down-stairs gloomy and still wrathful, but silent.
The evening passed over, and the inhabitants of the farmhouse went
early to bed. Robert tossed about fuming on his. He had not
undressed.</p>

<p id="ii.xix-p37"><br />
</p>

<p id="ii.xix-p38">About eleven o'clock, after all had been still for more than an
hour, he took his shoes in one hand and the brown parcel in the
other, and descending the stairs like a thief, undid the quiet
wooden bar that secured the door, and let himself out. All was
darkness, for the moon was not yet up, and he felt a strange
sensation of ghostliness in himself--awake and out of doors, when
he ought to be asleep and unconscious in bed. He had never been out
so late before, and felt as if walking in the region of the dead,
existing when and where he had no business to exist. For it was the
time Nature kept for her own quiet, and having once put her
children to bed--hidden them away with the world wiped out of
them--enclosed them in her ebony box, as George Herbert says--she
did not expect to have her hours of undress and meditation intruded
upon by a venturesome school-boy. Yet she let him pass. He put on
his shoes and hurried to the road. He heard a horse stamp in the
stable, and saw a cat dart across the corn-yard as he went through.
Those were all the signs of life about the place.</p>

<p id="ii.xix-p39"><br />
</p>

<p id="ii.xix-p40">It was a cloudy night and still. Nothing was to be heard but his
own footsteps. The cattle in the fields were all asleep. The larch
and spruce trees on the top of the hill by the foot of which his
road wound were still as clouds. He could just see the sky through
their stems. It was washed with the faintest of light, for the
moon, far below, was yet climbing towards the horizon. A star or
two sparkled where the clouds broke, but so little light was there,
that, until he had passed the moorland on the hill, he could not
get the horror of moss-holes, and deep springs covered with
treacherous green, out of his head. But he never thought of
turning. When the fears of the way at length fell back and allowed
his own thoughts to rise, the sense of a presence, or of something
that might grow to a presence, was the first to awake in him. The
stillness seemed to be thinking all around his head. But the way
grew so dark, where it lay through a corner of the pine-wood, that
he had to feel the edge of the road with his foot to make sure that
he was keeping upon it, and the sense of the silence vanished. Then
he passed a farm, and the motions of horses came through the dark,
and a doubtful crow from a young inexperienced cock, who did not
yet know the moon from the sun. Then a sleepy low in his ear
startled him, and made him quicken his pace involuntarily.</p>

<p id="ii.xix-p41"><br />
</p>

<p id="ii.xix-p42">By the time he reached Rothieden all the lights were out, and
this was just what he wanted.</p>

<p id="ii.xix-p43"><br />
</p>

<p id="ii.xix-p44">The economy of Dooble Sanny's abode was this: the outer door was
always left on the latch at night, because several families lived
in the house; the soutar's workshop opened from the passage, close
to the outer door, therefore its door was locked; but the key hung
on a nail just inside the soutar's bedroom. All this Robert
knew.</p>

<p id="ii.xix-p45"><br />
</p>

<p id="ii.xix-p46">Arrived at the house, he lifted the latch, closed the door
behind him, took off his shoes once more, like a housebreaker, as
indeed he was, although a righteous one, and felt his way to and up
the stair to the bedroom. There was a sound of snoring within. The
door was a little ajar. He reached the key and descended, his heart
beating more and more wildly as he approached the realization of
his hopes. Gently as he could he turned it in the lock. In a moment
more he had his hands on the spot where the shoemaker always laid
his violin. But his heart sank within him: there was no violin
there. A blank of dismay held him both motionless and thoughtless;
nor had he recovered his senses before he heard footsteps, which he
well knew, approaching in the street. He slunk at once into a
corner. Elshender entered, feeling his way carefully, and muttering
at his wife. He was tipsy, most likely, but that had never yet
interfered with the safety of his fiddle: Robert heard its faint
echo as he laid it gently down. Nor was he too tipsy to lock the
door behind him, leaving Robert incarcerated amongst the old boots
and leather and rosin.</p>

<p id="ii.xix-p47"><br />
</p>

<p id="ii.xix-p48">For one moment only did the boy's heart fail him. The next he
was in action, for a happy thought had already struck him. Hastily,
that he might forestall sleep in the brain of the soutar, he undid
his parcel, and after carefully enveloping his own violin in the
paper, took the old wife of the soutar, and proceeded to perform
upon her a trick which in a merry moment his master had taught him,
and which, not without some feeling of irreverence, he had
occasionally practised upon his own bonny lady.</p>

<p id="ii.xix-p49"><br />
</p>

<p id="ii.xix-p50">The shoemaker's room was overhead; its thin floor of planks was
the ceiling of the workshop. Ere Dooble Sanny was well laid by the
side of his sleeping wife, he heard a frightful sound from below,
as of some one tearing his beloved violin to pieces. No sound of
rending coffin-planks or rising dead would have been so horrible in
the ears of the soutar. He sprang from his bed with a haste that
shook the crazy tenement to its foundation.</p>

<p id="ii.xix-p51"><br />
</p>

<p id="ii.xix-p52">The moment Robert heard that, he put the violin in its place,
and took his station by the <i>door-cheek</i>. The soutar came
tumbling down the stair, and rushed at the door, but found that he
had to go back for the key. When, with uncertain hand, he had
opened at length, he went straight to the nest of his treasure, and
Robert slipping out noiselessly, was in the next street before
Dooble Sanny, having found the fiddle uninjured, and not
discovering the substitution, had finished concluding that the
whisky and his imagination had played him a very discourteous trick
between them, and retired once more to bed. And not till Robert had
cut his foot badly with a piece of glass, did he discover that he
had left his shoes behind him. He tied it up with his handkerchief,
and limped home the three miles, too happy to think of
consequences.</p>

<p id="ii.xix-p53"><br />
</p>

<p id="ii.xix-p54">Before he had gone far, the moon floated up on the horizon,
large, and shaped like the broadside of a barrel. She stared at him
in amazement to see him out at such a time of the night. But he
grasped his violin and went on. He had no fear now, even when he
passed again over the desolate moss, although he saw the stagnant
pools glimmering about him in the moonlight. And ever after this he
had a fancy for roaming at night. He reached home in safety, found
the door as he had left it, and ascended to his bed, triumphant in
his fiddle.</p>

<p id="ii.xix-p55"><br />
</p>

<p id="ii.xix-p56">In the morning bloody prints were discovered on the stair, and
traced to the door of his room. Miss Lammie entered in some alarm,
and found him fast asleep on his bed, still dressed, with a
brown-paper parcel in his arms, and one of his feet evidently
enough the source of the frightful stain. She was too kind to wake
him, and inquiry was postponed till they met at breakfast, to which
he descended bare-footed, save for a handkerchief on the injured
foot.</p>

<p id="ii.xix-p57"><br />
</p>

<p id="ii.xix-p58">'Robert, my lad,' said Mr. Lammie, kindly, 'hoo cam ye by that
bluidy fut?'</p>

<p id="ii.xix-p59"><br />
</p>

<p id="ii.xix-p60">Robert began the story, and, guided by a few questions from his
host, at length told the tale of the violin from beginning to end,
omitting only his adventure in the factory. Many a <i>guffaw</i>
from Mr. Lammie greeted its progress, and Miss Lammie laughed till
the tears rolled unheeded down her cheeks, especially when Shargar,
emboldened by the admiration Robert had awakened, imparted his
private share in the comedy, namely, the entombment of Boston in a
fifth-fold state; for the Lammies were none of the <i>unco guid</i>
to be censorious upon such exploits. The whole business advanced
the boys in favour at Bodyfauld; and the entreaties of Robert that
nothing, should reach his grandmother's ears were entirely
unnecessary.</p>

<p id="ii.xix-p61"><br />
</p>

<p id="ii.xix-p62">After breakfast Miss Lammie dressed the wounded foot. But what
was to be done for shoes, for Robert's Sunday pair had been left at
home? Under ordinary circumstances it would have been no great
hardship to him to go barefoot for the rest of the autumn, but the
cut was rather a serious one. So his feet were cased in a pair of
Mr. Lammie's Sunday boots, which, from their size, made it so
difficult for him to get along, that he did not go far from the
doors, but revelled in the company of his violin in the corn-yard
amongst last year's ricks, in the barn, and in the hayloft, playing
all the tunes he knew, and trying over one or two more from a very
dirty old book of Scotch airs, which his teacher had lent him.</p>

<p id="ii.xix-p63"><br />
</p>

<p id="ii.xix-p64">In the evening, as they sat together after supper, Mr. Lammie
said,</p>

<p id="ii.xix-p65"><br />
</p>

<p id="ii.xix-p66">'Weel, Robert, hoo's the fiddle?'</p>

<p id="ii.xix-p67"><br />
</p>

<p id="ii.xix-p68">'Fine, I thank ye, sir,' answered Robert.</p>

<p id="ii.xix-p69"><br />
</p>

<p id="ii.xix-p70">'Lat's hear what ye can do wi' 't.'</p>

<p id="ii.xix-p71"><br />
</p>

<p id="ii.xix-p72">Robert fetched the instrument and complied.</p>

<p id="ii.xix-p73"><br />
</p>

<p id="ii.xix-p74">'That's no that ill,' remarked the farmer. 'But eh! man, ye suld
hae heard yer gran'father han'le the bow. That <i>was</i> something
to hear--ance in a body's life. Ye wad hae jist thoucht the strings
had been drawn frae his ain inside, he kent them sae weel, and
han'led them sae fine. He jist fan' (<i>felt</i>) them like wi' 's
fingers throu' the bow an' the horsehair an' a', an' a' the time he
was drawin' the soun' like the sowl frae them, an' they jist did
onything 'at he likit. Eh! to hear him play the Flooers o' the
Forest wad hae garred ye greit.'</p>

<p id="ii.xix-p75"><br />
</p>

<p id="ii.xix-p76">'Cud my father play?' asked Robert.</p>

<p id="ii.xix-p77"><br />
</p>

<p id="ii.xix-p78">'Ay, weel eneuch for <i>him</i>. He could do onything he likit
to try, better nor middlin'. I never saw sic a man. He played upo'
the bagpipes, an' the flute, an' the bugle, an' I kenna what a';
but a'thegither they cam' na within sicht o' his father upo' the
auld fiddle. Lat's hae a luik at her.'</p>

<p id="ii.xix-p79"><br />
</p>

<p id="ii.xix-p80">He took the instrument in his hands reverently, turned it over
and over, and said,</p>

<p id="ii.xix-p81"><br />
</p>

<p id="ii.xix-p82">'Ay, ay; it's the same auld mill, an' I wat it grun'
(<i>ground</i>) bonny meal.--That sma' crater noo 'ill be worth a
hunner poun', I s' warran',' he added, as he restored it carefully
into Robert's hands, to whom it was honey and spice to hear his
bonny lady paid her due honours. 'Can ye play the Flooers o' the
Forest, no?' he added yet again.</p>

<p id="ii.xix-p83"><br />
</p>

<p id="ii.xix-p84">'Ay can I,' answered Robert, with some pride, and laid the bow
on the violin, and played the air through without blundering a
single note.</p>

<p id="ii.xix-p85"><br />
</p>

<p id="ii.xix-p86">'Weel, that's verra weel,' said Mr. Lammie. 'But it's nae mair
like as yer gran'father played it, than gin there war twa sawyers
at it, ane at ilka lug o' the bow, wi' the fiddle atween them in a
saw-pit.'</p>

<p id="ii.xix-p87"><br />
</p>

<p id="ii.xix-p88">Robert's heart sank within him; but Mr. Lammie went on:</p>

<p id="ii.xix-p89"><br />
</p>

<p id="ii.xix-p90">'To hear the bow croudin' (<i>cooing</i>), and wailin', an'
greitin' ower the strings, wad hae jist garred ye see the lands o'
braid Scotlan' wi' a' the lasses greitin' for the lads that lay
upo' reid Flodden side; lasses to cut, and lasses to gether, and
lasses to bin', and lasses to stook, and lasses to lead, and no a
lad amo' them a'. It's just the murnin' o' women, doin' men's wark
as weel 's their ain, for the men that suld hae been there to du
't; and I s' warran' ye, no a word to the orra
(<i>exceptional</i>,<i>over-all</i>) lad that didna gang wi' the
lave (<i>rest</i>).'</p>

<p id="ii.xix-p91"><br />
</p>

<p id="ii.xix-p92">Robert had not hitherto understood it--this wail of a pastoral
and ploughing people over those who had left their side to return
no more from the field of battle. But Mr. Lammie's description of
his grandfather's rendering laid hold of his heart.</p>

<p id="ii.xix-p93"><br />
</p>

<p id="ii.xix-p94">'I wad raither be grutten for nor kissed,' said he, simply.</p>

<p id="ii.xix-p95"><br />
</p>

<p id="ii.xix-p96">'Haud ye to that, my lad,' returned Mr. Lammie. 'Lat the lasses
greit for ye gin they like; but haud oot ower frae the kissin'. I
wadna mell wi' 't.'</p>

<p id="ii.xix-p97"><br />
</p>

<p id="ii.xix-p98">'Hoot, father, dinna put sic nonsense i' the bairns' heids,'
said Miss Lammie.</p>

<p id="ii.xix-p99"><br />
</p>

<p id="ii.xix-p100">'Whilk 's the nonsense, Aggy?' asked her father, slily. 'But I
doobt,' he added, 'he'll never play the Flooers o' the Forest as it
suld be playt, till he's had a taste o' the kissin', lass.'</p>

<p id="ii.xix-p101"><br />
</p>

<p id="ii.xix-p102">'Weel, it's a queer instructor o' yowth, 'at says an' onsays i'
the same breith.'</p>

<p id="ii.xix-p103"><br />
</p>

<p id="ii.xix-p104">'Never ye min'. I haena contradickit mysel' yet; for I hae <i>
said</i> naething. But, Robert, my man, ye maun pit mair sowl into
yer fiddlin'. Ye canna play the fiddle till ye can gar 't greit.
It's unco ready to that o' 'ts ain sel'; an' it's my opingon that
there's no anither instrument but the fiddle fit to play the
Flooers o' the Forest upo', for that very rizzon, in a' his
Maijesty's dominions.--My father playt the fiddle, but no like your
gran'father.'</p>

<p id="ii.xix-p105"><br />
</p>

<p id="ii.xix-p106">Robert was silent. He spent the whole of the next morning in
reiterated attempts to alter his style of playing the air in
question, but in vain--as far at least as any satisfaction to
himself was the result. He laid the instrument down in despair, and
sat for an hour disconsolate upon the bedside. His visit had not as
yet been at all so fertile in pleasure as he had anticipated. He
could not fly his kite; he could not walk; he had lost his shoes;
Mr. Lammie had not approved of his playing; and, although he had
his will of the fiddle, he could not get his will out of it. He
could never play so as to please Miss St. John. Nothing but manly
pride kept him from crying. He was sorely disappointed and
dissatisfied; and the world might be dreary even at Bodyfauld.</p>

<p id="ii.xix-p107"><br />
</p>

<p id="ii.xix-p108">Few men can wait <i>upon</i> the bright day in the midst of the
dull one. Nor can many men even wait <i>for</i> it.</p>

<p id="ii.xix-p109"><br />
</p>

<p id="ii.xix-p110"><br />
</p>

</div2>

      <div2 title="CHAPTER XX.--JESSIE HEWSON." n="xx" shorttitle="" progress="27.54%" id="ii.xx" prev="ii.xix" next="ii.xxi">

<p id="ii.xx-p1"><br />
</p>

<p id="ii.xx-p2">CHAPTER XX.</p>

<p id="ii.xx-p3"><br />
</p>

<p id="ii.xx-p4">JESSIE HEWSON.</p>

<p id="ii.xx-p5"><br />
</p>

<p id="ii.xx-p6">THE wound on Robert's foot festered, and had not yet healed when
the sickle was first put to the barley. He hobbled out, however, to
the reapers, for he could not bear to be left alone with his
violin, so dreadfully oppressive was the knowledge that he could
not use it after its nature. He began to think whether his
incapacity was not a judgment upon him for taking it away from the
soutar, who could do so much more with it, and to whom,
consequently, it was so much more valuable. The pain in his foot,
likewise, had been very depressing; and but for the kindness of his
friends, especially of Miss Lammie, he would have been altogether
'a weary wight forlorn.'</p>

<p id="ii.xx-p7"><br />
</p>

<p id="ii.xx-p8">Shargar was happier than ever he had been in his life. His white
face hung on Miss Lammie's looks, and haunted her steps from spence
(<i>store-room</i>, <i>as in Devonshire</i>) to milk-house, and
from milk-house to chessel, surmounted by the glory of his red
hair, which a farm-servant declared he had once mistaken for a
fun-buss (<i>whin-bush</i>) on fire. This day she had gone to the
field to see the first handful of barley cut, and Shargar was
there, of course.</p>

<p id="ii.xx-p9"><br />
</p>

<p id="ii.xx-p10">It was a glorious day of blue and gold, with just wind enough to
set the barley-heads a-talking. But, whether from the heat of the
sun, or the pain of his foot operating on the general
discouragement under which he laboured, Robert turned faint all at
once, and dragged himself away to a cottage on the edge of the
field.</p>

<p id="ii.xx-p11"><br />
</p>

<p id="ii.xx-p12">It was the dwelling of a cottar, whose family had been settled
upon the farm of Bodyfauld from time immemorial. They were, indeed,
like other cottars, a kind of feudal dependents, occupying an acre
or two of the land, in return for which they performed certain
stipulated labour, called <i>cottar-wark</i>. The greater part of
the family was employed in the work of the farm, at the regular
wages.</p>

<p id="ii.xx-p13"><br />
</p>

<p id="ii.xx-p14">Alas for Scotland that such families are now to seek! Would that
the parliaments of our country held such a proportion of
noble-minded men as was once to be found in the clay huts on a
hill-side, or grouped about a central farm, huts whose wretched
look would move the pity of many a man as inferior to their
occupants as a King Charles's lap-dog is to a shepherd's colley.
The utensils of their life were mean enough: the life itself was
often <i>elixir vitae</i>--a true family life, looking up to the
high, divine life. But well for the world that such life has been
scattered over it, east and west, the seed of fresh growth in new
lands. Out of offence to the individual, God brings good to the
whole; for he pets no nation, but trains it for the perfect
globular life of all nations--of his world--of his universe. As he
makes families mingle, to redeem each from its family selfishness,
so will he make nations mingle, and love and correct and reform and
develop each other, till the planet-world shall go singing through
space one harmony to the God of the whole earth. The excellence
must vanish from one portion, that it may be diffused through the
whole. The seed ripens on one favoured mound, and is scattered over
the plain. We console ourselves with the higher thought, that if
Scotland is worse, the world is better. Yea, even they by whom the
offence came, and who have first to reap the woe of that offence,
because they did the will of God to satisfy their own avarice in
laying land to land and house to house, shall not reap their
punishment in having their own will, and standing therefore alone
in the earth when the good of their evil deeds returns upon it; but
the tears of men that ascended to heaven in the heat of their
burning dwellings shall descend in the dew of blessing even on the
hearts of them that kindled the fire.--'Something too much of
this.'</p>

<p id="ii.xx-p15"><br />
</p>

<p id="ii.xx-p16">Robert lifted the latch, and walked into the cottage. It was not
quite so strange to him as it would be to most of my readers;
still, he had not been in such a place before. A girl who was
stooping by the small peat fire on the hearth looked up, and seeing
that he was lame, came across the heights and hollows of the clay
floor to meet him. Robert spoke so faintly that she could not
hear.</p>

<p id="ii.xx-p17"><br />
</p>

<p id="ii.xx-p18">'What's yer wull?' she asked; then, changing her tone,--'Eh!
ye're no weel,' she said. 'Come in to the fire. Tak a haud o' me,
and come yer wa's butt.'</p>

<p id="ii.xx-p19"><br />
</p>

<p id="ii.xx-p20">She was a pretty, indeed graceful girl of about eighteen, with
the elasticity rather than undulation of movement which
distinguishes the peasant from the city girl. She led him to the
chimla-lug (<i>the ear of the chimney</i>), carefully levelled a
wooden chair to the inequalities of the floor, and said,</p>

<p id="ii.xx-p21"><br />
</p>

<p id="ii.xx-p22">'Sit ye doon. Will I fess a drappy o' milk?'</p>

<p id="ii.xx-p23"><br />
</p>

<p id="ii.xx-p24">'Gie me a drink o' water, gin ye please,' said Robert.</p>

<p id="ii.xx-p25"><br />
</p>

<p id="ii.xx-p26">She brought it. He drank, and felt better. A baby woke in a
cradle on the other side of the fire, and began to cry. The girl
went and took him up; and then Robert saw what she was like.
Light-brown hair clustered about a delicately-coloured face and
hazel eyes. Later in the harvest her cheeks would be ruddy--now
they were peach-coloured. A white neck rose above a pink print
jacket, called a wrapper; and the rest of her visible dress was a
blue petticoat. She ended in pretty, brown bare feet. Robert liked
her, and began to talk. If his imagination had not been already
filled, he would have fallen in love with her, I dare say, at once;
for, except Miss St. John, he had never seen anything he thought so
beautiful. The baby cried now and then.</p>

<p id="ii.xx-p27"><br />
</p>

<p id="ii.xx-p28">'What ails the bairnie?' he asked.</p>

<p id="ii.xx-p29"><br />
</p>

<p id="ii.xx-p30">'Ow, it's jist cuttin' its teeth. Gin it greits muckle, I maun
jist tak it oot to my mither. She'll sune quaiet it. Are ye haudin'
better?'</p>

<p id="ii.xx-p31"><br />
</p>

<p id="ii.xx-p32">'Hoot, ay. I'm a' richt noo. Is yer mither shearin'?'</p>

<p id="ii.xx-p33"><br />
</p>

<p id="ii.xx-p34">'Na. She's gatherin'. The shearin' 's some sair wark for her
e'en noo. I suld hae been shearin', but my mither wad fain hae a
day o' the hairst. She thocht it wud du her gude. But I s' warran'
a day o' 't 'll sair (<i>satisfy</i>) her, and I s' be at it the
morn. She's been unco dowie (<i>ailing</i>) a' the summer; and sae
has the bairnie.'</p>

<p id="ii.xx-p35"><br />
</p>

<p id="ii.xx-p36">'Ye maun hae had a sair time o' 't, than.'</p>

<p id="ii.xx-p37"><br />
</p>

<p id="ii.xx-p38">'Ay, some. But I aye got some sleep. I jist tuik the towie
(<i>string</i>) into the bed wi' me, and whan the bairnie grat, I
waukit, an' rockit it till 't fell asleep again. But whiles
naething wad du but tak him till 's mammie.'</p>

<p id="ii.xx-p39"><br />
</p>

<p id="ii.xx-p40">All the time she was hushing and fondling the child, who went on
fretting when not actually crying.</p>

<p id="ii.xx-p41"><br />
</p>

<p id="ii.xx-p42">'Is he yer brither, than?' asked Robert.</p>

<p id="ii.xx-p43"><br />
</p>

<p id="ii.xx-p44">'Ay, what ither? I maun tak him, I see. But ye can sit there as
lang 's ye like; and gin ye gang afore I come back, jist turn the
key 'i the door to lat onybody ken that there's naebody i' the
hoose.'</p>

<p id="ii.xx-p45"><br />
</p>

<p id="ii.xx-p46">Robert thanked her, and remained in the shadow by the chimney,
which was formed of two smoke-browned planks fastened up the wall,
one on each side, and an inverted wooden funnel above to conduct
the smoke through the roof. He sat for some time gloomily gazing at
a spot of sunlight which burned on the brown clay floor. All was
still as death. And he felt the white-washed walls even more
desolate than if they had been smoke-begrimed.</p>

<p id="ii.xx-p47"><br />
</p>

<p id="ii.xx-p48">Looking about him, he found over his head something which he did
not understand. It was as big as the stump of a great tree.
Apparently it belonged to the structure of the cottage, but he
could not, in the imperfect light, and the dazzling of the sun-spot
at which he had been staring, make out what it was, or how it came
to be up there--unsupported as far as he could see. He rose to
examine it, lifted a bit of tarpaulin which hung before it, and
found a rickety box, suspended by a rope from a great nail in the
wall. It had two shelves in it full of books.</p>

<p id="ii.xx-p49"><br />
</p>

<p id="ii.xx-p50">Now, although there were more books in Mr. Lammie's house than
in his grandmother's, the only one he had found that in the least
enticed him to read, was a translation of George Buchanan's <i>
History of Scotland</i>. This he had begun to read faithfully,
believing every word of it, but had at last broken down at the
fiftieth king or so. Imagine, then, the moon that arose on the boy
when, having pulled a ragged and thumb-worn book from among those
of James Hewson the cottar, he, for the first time, found himself
in the midst of <i>The Arabian Nights</i>. I shrink from all
attempt to set forth in words the rainbow-coloured delight that
coruscated in his brain. When Jessie Hewson returned, she found him
seated where she had left him, so buried in his volume that he did
not lift his head when she entered.</p>

<p id="ii.xx-p51"><br />
</p>

<p id="ii.xx-p52">'Ye hae gotten a buik,' she said.</p>

<p id="ii.xx-p53"><br />
</p>

<p id="ii.xx-p54">'Ay have I,' answered Robert, decisively.</p>

<p id="ii.xx-p55"><br />
</p>

<p id="ii.xx-p56">'It's a fine buik, that. Did ye ever see 't afore?'</p>

<p id="ii.xx-p57"><br />
</p>

<p id="ii.xx-p58">'Na, never.'</p>

<p id="ii.xx-p59"><br />
</p>

<p id="ii.xx-p60">'There's three wolums o' 't about, here and there,' said Jessie;
and with the child on one arm, she proceeded with the other hand to
search for them in the <i>crap o' the wa'</i>, that is, on the top
of the wall where the rafters rest.</p>

<p id="ii.xx-p61"><br />
</p>

<p id="ii.xx-p62">There she found two or three books, which, after examining them,
she placed on the dresser beside Robert.</p>

<p id="ii.xx-p63"><br />
</p>

<p id="ii.xx-p64">'There's nane o' them there,' she said; 'but maybe ye wad like
to luik at that anes.'</p>

<p id="ii.xx-p65"><br />
</p>

<p id="ii.xx-p66">Robert thanked her, but was too busy to feel the least curiosity
about any book in the world but the one he was reading. He read on,
heart and soul and mind absorbed in the marvels of the eastern
skald; the stories told in the streets of Cairo, amidst gorgeous
costumes, and camels, and white-veiled women, vibrating here in the
heart of a Scotch boy, in the darkest corner of a mud cottage, at
the foot of a hill of cold-loving pines, with a barefooted girl and
a baby for his companions.</p>

<p id="ii.xx-p67"><br />
</p>

<p id="ii.xx-p68">But the pleasure he had been having was of a sort rather to
expedite than to delay the subjective arrival of dinner-time. There
was, however, happily no occasion to go home in order to appease
his hunger; he had but to join the men and women in the
barley-field: there was sure to be enough, for Miss Lammie was at
the head of the commissariat.</p>

<p id="ii.xx-p69"><br />
</p>

<p id="ii.xx-p70">When he had had as much milk-porridge as he could eat, and a
good slice of swack (<i>elastic</i>) cheese, with a cap (<i>wooden
bowl</i>) of ale, all of which he consumed as if the good of them
lay in the haste of their appropriation, he hurried back to the
cottage, and sat there reading <i>The Arabian Nights</i>, till the
sun went down in the orange-hued west, and the gloamin' came, and
with it the reapers, John and Elspet Hewson, and their son George,
to their supper and early bed.</p>

<p id="ii.xx-p71"><br />
</p>

<p id="ii.xx-p72">John was a cheerful, rough, Roman-nosed, black-eyed man, who
took snuff largely, and was not careful to remove the traces of the
habit. He had a loud voice, and an original way of regarding
things, which, with his vivacity, made every remark sound like the
proclamation of a discovery.</p>

<p id="ii.xx-p73"><br />
</p>

<p id="ii.xx-p74">'Are ye there, Robert?' said he, as he entered. Robert rose,
absorbed and silent.</p>

<p id="ii.xx-p75"><br />
</p>

<p id="ii.xx-p76">'He's been here a' day, readin' like a colliginer,' said
Jessie.</p>

<p id="ii.xx-p77"><br />
</p>

<p id="ii.xx-p78">'What are ye readin' sae eident (<i>diligent</i>), man?' asked
John.</p>

<p id="ii.xx-p79"><br />
</p>

<p id="ii.xx-p80">'A buik o' stories, here,' answered Robert, carelessly, shy of
being supposed so much engrossed with them as he really was.</p>

<p id="ii.xx-p81"><br />
</p>

<p id="ii.xx-p82">I should never expect much of a young poet who was not rather
ashamed of the distinction which yet he chiefly coveted. There is a
modesty in all young delight. It is wild and shy, and would hide
itself, like a boy's or maiden's first love, from the gaze of the
people. Something like this was Robert's feeling over <i>The
Arabian Nights</i>.</p>

<p id="ii.xx-p83"><br />
</p>

<p id="ii.xx-p84">'Ay,' said John, taking snuff from a small bone spoon, 'it's a
gran' buik that. But my son Charley, him 'at 's deid an' gane hame,
wad hae tell't ye it was idle time readin' that, wi' sic a buik as
that ither lyin' at yer elbuck.'</p>

<p id="ii.xx-p85"><br />
</p>

<p id="ii.xx-p86">He pointed to one of the books Jessie had taken from the <i>crap
o' the wa'</i> and laid down beside him on the well-scoured
dresser. Robert took up the volume and opened it. There was no
title-page.</p>

<p id="ii.xx-p87"><br />
</p>

<p id="ii.xx-p88">'The Tempest?' he said. 'What is 't? Poetry?'</p>

<p id="ii.xx-p89"><br />
</p>

<p id="ii.xx-p90">'Ay is 't. It's Shackspear.'</p>

<p id="ii.xx-p91"><br />
</p>

<p id="ii.xx-p92">'I hae heard o' <i>him</i>,' said Robert. 'What was he?'</p>

<p id="ii.xx-p93"><br />
</p>

<p id="ii.xx-p94">'A player kin' o' a chiel', wi' an unco sicht o' brains,'
answered John. 'He cudna hae had muckle time to gang skelpin' and
sornin' aboot the country like maist o' thae cattle, gin he vrote
a' that, I'm thinkin'.'</p>

<p id="ii.xx-p95"><br />
</p>

<p id="ii.xx-p96">'Whaur did he bide?'</p>

<p id="ii.xx-p97"><br />
</p>

<p id="ii.xx-p98">'Awa' in Englan'--maistly aboot Lonnon, I'm thinkin'. That's the
place for a' by-ordinar fowk, they tell me.'</p>

<p id="ii.xx-p99"><br />
</p>

<p id="ii.xx-p100">'Hoo lang is 't sin he deid?'</p>

<p id="ii.xx-p101"><br />
</p>

<p id="ii.xx-p102">'I dinna ken. A hunner year or twa, I s' warran'. It's a lang
time. But I'm thinkin' fowk than was jist something like what they
are noo. But I ken unco little aboot him, for the prent 's some
sma', and I'm some ill for losin' my characters, and sae I dinna
win that far benn wi' him. Geordie there 'll tell ye mair aboot
him.'</p>

<p id="ii.xx-p103"><br />
</p>

<p id="ii.xx-p104">But George Hewson had not much to communicate, for he had but
lately landed in Shakspere's country, and had got but a little way
inland yet. Nor did Robert much care, for his head was full of <i>
The Arabian Nights</i>. This, however, was his first introduction
to Shakspere.</p>

<p id="ii.xx-p105"><br />
</p>

<p id="ii.xx-p106">Finding himself much at home, he stopped yet a while, shared in
the supper, and resumed his seat in the corner when the book was
brought out for worship. The iron lamp, with its wick of rush-pith,
which hung against the side of the chimney, was lighted, and John
sat down to read. But as his eyes and the print, too, had grown a
little dim with years, the lamp was not enough, and he asked for a
'fir-can'le.' A splint of fir dug from the peat-bog was handed to
him. He lighted it at the lamp, and held it in his hand over the
page. Its clear resinous flame enabled him to read a short psalm.
Then they sang a most wailful tune, and John prayed. If I were to
give the prayer as he uttered it, I might make my reader laugh,
therefore I abstain, assuring him only that, although full of long
words--amongst the rest, <i>aspiration</i> and <i>
ravishment</i>--the prayer of the cheerful, joke-loving cottar
contained evidence of a degree of religious development rare, I
doubt, amongst bishops.</p>

<p id="ii.xx-p107"><br />
</p>

<p id="ii.xx-p108">When Robert left the cottage, he found the sky partly clouded
and the air cold. The nearest way home was across the
barley-stubble of the day's reaping, which lay under a little hill
covered with various species of the pine. His own soul, after the
restful day he had spent, and under the reaction from the new
excitement of the stories he had been reading, was like a quiet,
moonless night. The thought of his mother came back upon him, and
her written words, 'O Lord, my heart is very sore'; and the thought
of his father followed that, and he limped slowly home, laden with
mournfulness. As he reached the middle of the field, the wind was
suddenly there with a low <i>sough</i> from out of the north-west.
The heads of barley in the sheaves leaned away with a soft rustling
from before it; and Robert felt for the first time the sadness of a
harvest-field. Then the wind swept away to the pine-covered hill,
and raised a rushing and a wailing amongst its thin-clad branches,
and to the ear of Robert the trees were singing over again in their
night solitudes the air sung by the cottar's family. When he looked
to the north-west, whence the wind came, he saw nothing but a pale
cleft in the sky. The meaning, the music of the night awoke in his
soul; he forgot his lame foot, and the weight of Mr. Lammie's great
boots, ran home and up the stair to his own room, seized his violin
with eager haste, nor laid it down again till he could draw from
it, at will, a sound like the moaning of the wind over the
stubble-field. Then he knew that he could play the Flowers of the
Forest. The Wind that Shakes the Barley cannot have been named from
the barley after it was cut, but while it stood in the field: the
Flowers of the Forest was of the gathered harvest.</p>

<p id="ii.xx-p109"><br />
</p>

<p id="ii.xx-p110">He tried the air once over in the dark, and then carried his
violin down to the room where Mr. and Miss Lammie sat.</p>

<p id="ii.xx-p111"><br />
</p>

<p id="ii.xx-p112">'I think I can play 't noo, Mr. Lammie,' he said abruptly.</p>

<p id="ii.xx-p113"><br />
</p>

<p id="ii.xx-p114">'Play what, callant?' asked his host.</p>

<p id="ii.xx-p115"><br />
</p>

<p id="ii.xx-p116">'The Flooers o' the Forest.'</p>

<p id="ii.xx-p117"><br />
</p>

<p id="ii.xx-p118">'Play awa' than.'</p>

<p id="ii.xx-p119"><br />
</p>

<p id="ii.xx-p120">And Robert played--not so well as he had hoped. I dare say it
was a humble enough performance, but he gave something at least of
the expression Mr. Lammie desired. For, the moment the tune was
over, he exclaimed,</p>

<p id="ii.xx-p121"><br />
</p>

<p id="ii.xx-p122">'Weel dune, Robert man! ye'll be a fiddler some day yet!'</p>

<p id="ii.xx-p123"><br />
</p>

<p id="ii.xx-p124">And Robert was well satisfied with the praise.</p>

<p id="ii.xx-p125"><br />
</p>

<p id="ii.xx-p126">'I wish yer mother had been alive,' the farmer went on. 'She wad
hae been rael prood to hear ye play like that. Eh! she likit the
fiddle weel. And she culd play bonny upo' the piana hersel'. It was
something to hear the twa o' them playing thegither, him on the
fiddle--that verra fiddle o' 's father's 'at ye hae i' yer
han'--and her on the piana. Eh! but she was a bonnie wuman as ever
I saw, an' that quaiet! It's my belief she never thocht aboot her
ain beowty frae week's en' to week's en', and that's no sayin'
little--is 't, Aggy?'</p>

<p id="ii.xx-p127"><br />
</p>

<p id="ii.xx-p128">'I never preten't ony richt to think aboot sic,' returned Miss
Lammie, with a mild indignation.</p>

<p id="ii.xx-p129"><br />
</p>

<p id="ii.xx-p130">'That's richt, lass. Od, ye're aye i' the richt--though I say 't
'at sudna.'</p>

<p id="ii.xx-p131"><br />
</p>

<p id="ii.xx-p132">Miss Lammie must indeed have been good-natured, to answer only
with a genuine laugh. Shargar looked explosive with anger. But
Robert would fain hear more of his mother.</p>

<p id="ii.xx-p133"><br />
</p>

<p id="ii.xx-p134">'What was my mother like, Mr. Lammie?' he asked.</p>

<p id="ii.xx-p135"><br />
</p>

<p id="ii.xx-p136">'Eh, my man! ye suld hae seen her upon a bonnie bay mere that
yer father gae her. Faith! she sat as straught as a rash, wi' jist
a hing i' the heid o' her, like the heid o' a halm o' wild
aits.'</p>

<p id="ii.xx-p137"><br />
</p>

<p id="ii.xx-p138">'My father wasna that ill till her than?' suggested Robert.</p>

<p id="ii.xx-p139"><br />
</p>

<p id="ii.xx-p140">'Wha ever daured say sic a thing?' returned Mr. Lammie, but in a
tone so far from satisfactory to Robert, that he inquired no more
in that direction.</p>

<p id="ii.xx-p141"><br />
</p>

<p id="ii.xx-p142">I need hardly say that from that night Robert was more than ever
diligent with his violin.</p>

<p id="ii.xx-p143"><br />
</p>

<p id="ii.xx-p144"><br />
</p>

</div2>

      <div2 title="CHAPTER XXI.--THE DRAGON." n="xxi" shorttitle="" progress="29.04%" id="ii.xxi" prev="ii.xx" next="ii.xxii">

<p id="ii.xxi-p1"><br />
</p>

<p id="ii.xxi-p2">CHAPTER XXI.</p>

<p id="ii.xxi-p3"><br />
</p>

<p id="ii.xxi-p4">THE DRAGON.</p>

<p id="ii.xxi-p5"><br />
</p>

<p id="ii.xxi-p6">NEXT day, his foot was so much better that he sent Shargar to
Rothieden to buy the string, taking with him Robert's school-bag,
in which to carry off his Sunday shoes; for as to those left at
Dooble Sanny's, they judged it unsafe to go in quest of them: the
soutar could hardly be in a humour fit to be intruded upon.</p>

<p id="ii.xxi-p7"><br />
</p>

<p id="ii.xxi-p8">Having procured the string, Shargar went to Mrs. Falconer's.
Anxious not to encounter her, but, if possible, to bag the boots
quietly, he opened the door, peeped in, and seeing no one, made his
way towards the kitchen. He was arrested, however, as he crossed
the passage by the voice of Mrs. Falconer calling, 'Wha's that?'
There she was at the parlour door. It paralyzed him. His first
impulse was to make a rush and escape. But the boots--he could not
go without at least an attempt upon them. So he turned and faced
her with inward trembling.</p>

<p id="ii.xxi-p9"><br />
</p>

<p id="ii.xxi-p10">'Wha's that?' repeated the old lady, regarding him fixedly. 'Ow,
it's you! What duv <i>ye</i> want? Ye camna to see <i>me</i>, I'm
thinkin'! What hae ye i' that bag?'</p>

<p id="ii.xxi-p11"><br />
</p>

<p id="ii.xxi-p12">'I cam to coff (<i>buy</i>) twine for the draigon,' answered
Shargar.</p>

<p id="ii.xxi-p13"><br />
</p>

<p id="ii.xxi-p14">'Ye had twine eneuch afore!'</p>

<p id="ii.xxi-p15"><br />
</p>

<p id="ii.xxi-p16">'It bruik. It wasna strang eneuch.'</p>

<p id="ii.xxi-p17"><br />
</p>

<p id="ii.xxi-p18">'Whaur got ye the siller to buy mair? Lat's see 't?'</p>

<p id="ii.xxi-p19"><br />
</p>

<p id="ii.xxi-p20">Shargar took the string from the bag.</p>

<p id="ii.xxi-p21"><br />
</p>

<p id="ii.xxi-p22">'Sic a sicht o' twine! What paid ye for 't?'</p>

<p id="ii.xxi-p23"><br />
</p>

<p id="ii.xxi-p24">'A shillin'.'</p>

<p id="ii.xxi-p25"><br />
</p>

<p id="ii.xxi-p26">'Whaur got ye the shillin'?'</p>

<p id="ii.xxi-p27"><br />
</p>

<p id="ii.xxi-p28">'Mr. Lammie gae 't to Robert.'</p>

<p id="ii.xxi-p29"><br />
</p>

<p id="ii.xxi-p30">'I winna hae ye tak siller frae naebody. It's ill mainners.
Hae!' said the old lady, putting her hand in her pocket, and taking
out a shilling. 'Hae,' she said. 'Gie Mr. Lammie back his shillin',
an' tell 'im 'at I wadna hae ye learn sic ill customs as tak
siller. It's eneuch to gang sornin' upon 'im (<i>exacting free
quarters</i>) as ye du, ohn beggit for siller. Are they a'
weel?'</p>

<p id="ii.xxi-p31"><br />
</p>

<p id="ii.xxi-p32">'Ay, brawly,' answered Shargar, putting the shilling in his
pocket.</p>

<p id="ii.xxi-p33"><br />
</p>

<p id="ii.xxi-p34">In another moment Shargar had, without a word of adieu,
embezzled the shoes, and escaped from the house without seeing
Betty. He went straight to the shop he had just left, and bought
another shilling's worth of string.</p>

<p id="ii.xxi-p35"><br />
</p>

<p id="ii.xxi-p36">When he got home, he concealed nothing from Robert, whom he
found seated in the barn, with his fiddle, waiting his return.</p>

<p id="ii.xxi-p37"><br />
</p>

<p id="ii.xxi-p38">Robert started to his feet. He could appropriate his
grandfather's violin, to which, possibly, he might have shown as
good a right as his grandmother--certainly his grandfather would
have accorded it him--but her money was sacred.</p>

<p id="ii.xxi-p39"><br />
</p>

<p id="ii.xxi-p40">'Shargar, ye vratch!' he cried, 'fess that shillin' here
direckly. Tak the twine wi' ye, and gar them gie ye back the
shillin'.'</p>

<p id="ii.xxi-p41"><br />
</p>

<p id="ii.xxi-p42">'They winna brak the bargain,' cried Shargar, beginning almost
to whimper, for a savoury smell of dinner was coming across the
yard.</p>

<p id="ii.xxi-p43"><br />
</p>

<p id="ii.xxi-p44">'Tell them it's stown siller, and they'll be in het watter aboot
it gin they dinna gie ye 't back.'</p>

<p id="ii.xxi-p45"><br />
</p>

<p id="ii.xxi-p46">'I maun hae my denner first,' remonstrated Shargar.</p>

<p id="ii.xxi-p47"><br />
</p>

<p id="ii.xxi-p48">But the spirit of his grandmother was strong in Robert, and in a
matter of rectitude there must be no temporizing. Therein he could
be as tyrannical as the old lady herself.</p>

<p id="ii.xxi-p49"><br />
</p>

<p id="ii.xxi-p50">'De'il a bite or a sup s' gang ower your thrapple till I see
that shillin'.'</p>

<p id="ii.xxi-p51"><br />
</p>

<p id="ii.xxi-p52">There was no help for it. Six hungry miles must be trudged by
Shargar ere he got a morsel to eat. Two hours and a half passed
before he reappeared. But he brought the shilling. As to how he
recovered it, Robert questioned him in vain. Shargar, in his turn,
was obstinate.</p>

<p id="ii.xxi-p53"><br />
</p>

<p id="ii.xxi-p54">'She's a some camstairy (<i>unmanageable</i>) wife, that grannie
o' yours,' said Mr. Lammie, when Robert returned the shilling with
Mrs. Falconer's message, 'but I reckon I maun pit it i' my pooch,
for she <i>will</i> hae her ain gait, an' I dinna want to strive
wi' her. But gin ony o' ye be in want o' a shillin' ony day, lads,
as lang 's I'm abune the yird--this ane 'll be grown twa, or maybe
mair, 'gen that time.'</p>

<p id="ii.xxi-p55"><br />
</p>

<p id="ii.xxi-p56">So saying, the farmer put the shilling into his pocket, and
buttoned it up.</p>

<p id="ii.xxi-p57"><br />
</p>

<p id="ii.xxi-p58">The dragon flew splendidly now, and its strength was mighty. It
was Robert's custom to drive a stake in the ground, slanting
against the wind, and thereby tether the animal, as if it were up
there grazing in its own natural region. Then he would lie down by
the stake and read <i>The Arabian Nights</i>, every now and then
casting a glance upward at the creature alone in the waste air, yet
all in his power by the string at his side. Somehow the high-flown
dragon was a bond between him and the blue; he seemed nearer to the
sky while it flew, or at least the heaven seemed less far away and
inaccessible. While he lay there gazing, all at once he would find
that his soul was up with the dragon, feeling as it felt, tossing
about with it in the torrents of the air. Out at his eyes it would
go, traverse the dim stairless space, and sport with the wind-blown
monster. Sometimes, to aid his aspiration, he would take a bit of
paper, make a hole in it, pass the end of the string through the
hole, and send the messenger scudding along the line athwart the
depth of the wind. If it stuck by the way, he would get a telescope
of Mr. Lammie's, and therewith watch its struggles till it broke
loose, then follow it careering up to the kite. Away with each
successive paper his imagination would fly, and a sense of air, and
height, and freedom settled from his play into his very soul, a
germ to sprout hereafter, and enrich the forms of his aspirations.
And all his after-memories of kite-flying were mingled with
pictures of eastern magnificence, for from the airy height of the
dragon his eyes always came down upon the enchanted pages of John
Hewson's book.</p>

<p id="ii.xxi-p59"><br />
</p>

<p id="ii.xxi-p60">Sometimes, again, he would throw down his book, and sitting up
with his back against the stake, lift his bonny leddy from his
side, and play as he had never played in Rothieden, playing to the
dragon aloft, to keep him strong in his soaring, and fierce in his
battling with the winds of heaven. Then he fancied that the monster
swooped and swept in arcs, and swayed curving to and fro, in
rhythmic response to the music floating up through the wind.</p>

<p id="ii.xxi-p61"><br />
</p>

<p id="ii.xxi-p62">What a full globated symbolism lay then around the heart of the
boy in his book, his violin, his kite!</p>

<p id="ii.xxi-p63"><br />
</p>

<p id="ii.xxi-p64"><br />
</p>

</div2>

      <div2 title="CHAPTER XXII.--DR. ANDERSON." n="xxii" shorttitle="" progress="29.55%" id="ii.xxii" prev="ii.xxi" next="ii.xxiii">

<p id="ii.xxii-p1"><br />
</p>

<p id="ii.xxii-p2">CHAPTER XXII.</p>

<p id="ii.xxii-p3"><br />
</p>

<p id="ii.xxii-p4">DR. ANDERSON.</p>

<p id="ii.xxii-p5"><br />
</p>

<p id="ii.xxii-p6">ONE afternoon, as they were sitting at their tea, a footstep in
the garden approached the house, and then a figure passed the
window. Mr. Lammie started to his feet.</p>

<p id="ii.xxii-p7"><br />
</p>

<p id="ii.xxii-p8">'Bless my sowl, Aggy! that's Anderson!' he cried, and hurried to
the door.</p>

<p id="ii.xxii-p9"><br />
</p>

<p id="ii.xxii-p10">His daughter followed. The boys kept their seats. A loud and
hearty salutation reached their ears; but the voice of the farmer
was all they heard. Presently he returned, bringing with him the
tallest and slenderest man Robert had ever seen. He was
considerably over six feet, with a small head, and delicate, if not
fine features, a gentle look in his blue eyes, and a slow clear
voice, which sounded as if it were thinking about every word it
uttered. The hot sun of India seemed to have burned out everything
self-assertive, leaving him quietly and rather sadly
contemplative.</p>

<p id="ii.xxii-p11"><br />
</p>

<p id="ii.xxii-p12">'Come in, come in,' repeated Mr. Lammie, overflowing with glad
welcome. 'What'll ye hae? There's a frien' o' yer ain,' he
continued, pointing to Robert, 'an' a fine lad.' Then lowering his
voice, he added: 'A son o' poor Anerew's, ye ken, doctor.'</p>

<p id="ii.xxii-p13"><br />
</p>

<p id="ii.xxii-p14">The boys rose, and Dr. Anderson, stretching his long arms across
the table, shook hands kindly with Robert and Shargar. Then he sat
down and began to help himself to the cakes (<i>oat-cake</i>), at
which Robert wondered, seeing there was 'white breid' on the table.
Miss Lammie presently came in with the teapot and some additional
dainties, and the boys took the opportunity of beginning at the
beginning again.</p>

<p id="ii.xxii-p15"><br />
</p>

<p id="ii.xxii-p16">Dr. Anderson remained for a few days at Bodyfauld, sending
Shargar to Rothieden for some necessaries from The Boar's Head,
where he had left his servant and luggage. During this time Mr.
Lammie was much occupied with his farm affairs, anxious to get his
harvest in as quickly as possible, because a change of weather was
to be dreaded; so the doctor was left a good deal to himself. He
was fond of wandering about, but, thoughtful as he was, did not
object to the companionship which Robert implicitly offered him:
before many hours were over, the two were friends.</p>

<p id="ii.xxii-p17"><br />
</p>

<p id="ii.xxii-p18">Various things attracted Robert to the doctor. First, he was a
relation of his own, older than himself, the first he had known
except his father, and Robert's heart was one of the most dutiful.
Second, or perhaps I ought to have put this first, he was the only
<i>gentleman</i>, except Eric Ericson, whose acquaintance he had
yet made. Third, he was kind to him, and gentle to him, and, above
all, respectful to him; and to be respected was a new sensation to
Robert altogether. And lastly, he could tell stories of elephants
and tiger hunts, and all <i>The Arabian Nights</i> of India. He did
not volunteer much talk, but Robert soon found that he could draw
him out.</p>

<p id="ii.xxii-p19"><br />
</p>

<p id="ii.xxii-p20">But what attracted the man to the boy?</p>

<p id="ii.xxii-p21"><br />
</p>

<p id="ii.xxii-p22">'Ah! Robert,' said the doctor one day, sadly, 'it's a sore thing
to come home after being thirty years away.'</p>

<p id="ii.xxii-p23"><br />
</p>

<p id="ii.xxii-p24">He looked up at the sky, then all around at the hills: the face
of Nature alone remained the same. Then his glance fell on Robert,
and he saw a pair of black eyes looking up at him, brimful of
tears. And thus the man was drawn to the boy.</p>

<p id="ii.xxii-p25"><br />
</p>

<p id="ii.xxii-p26">Robert worshipped Dr. Anderson. As long as he remained their
visitor, kite and violin and all were forgotten, and he followed
him like a dog. To have such a gentleman for a relation, was grand
indeed. What could he do for him? He ministered to him in all
manner of trifles--a little to the amusement of Dr. Anderson, but
more to his pleasure, for he saw that the boy was both
large-hearted and lowly-minded: Dr. Anderson had learned to read
character, else he would never have been the honour to his
profession that he was.</p>

<p id="ii.xxii-p27"><br />
</p>

<p id="ii.xxii-p28">But all the time Robert could not get him to speak about his
father. He steadily avoided the subject.</p>

<p id="ii.xxii-p29"><br />
</p>

<p id="ii.xxii-p30">When he went away, the two boys walked with him to The Boar's
Head, caught a glimpse of his Hindoo attendant, much to their
wonderment, received from the doctor a sovereign apiece and a kind
good-bye, and returned to Bodyfauld.</p>

<p id="ii.xxii-p31"><br />
</p>

<p id="ii.xxii-p32">Dr. Anderson remained a few days longer at Rothieden, and
amongst others visited Mrs. Falconer, who was his first cousin.
What passed between them Robert never heard, nor did his
grandmother even allude to the visit. He went by the mail-coach
from Rothieden to Aberdeen, and whether he should ever see him
again Robert did not know.</p>

<p id="ii.xxii-p33"><br />
</p>

<p id="ii.xxii-p34">He flew his kite no more for a while, but betook himself to the
work of the harvest-field, in which he was now able for a share.
But his violin was no longer neglected.</p>

<p id="ii.xxii-p35"><br />
</p>

<p id="ii.xxii-p36">Day after day passed in the delights of labour, broken for
Robert by <i>The Arabian Nights</i> and the violin, and for Shargar
by attendance upon Miss Lammie, till the fields lay bare of their
harvest, and the night-wind of autumn moaned everywhere over the
vanished glory of the country, and it was time to go back to
school.</p>

<p id="ii.xxii-p37"><br />
</p>

<p id="ii.xxii-p38"><br />
</p>

</div2>

      <div2 title="CHAPTER XXIII.--AN AUTO DA FÉ." n="xxiii" shorttitle="" progress="29.96%" id="ii.xxiii" prev="ii.xxii" next="ii.xxiv">

<p id="ii.xxiii-p1"><br />
</p>

<p id="ii.xxiii-p2">CHAPTER XXIII.</p>

<p id="ii.xxiii-p3"><br />
</p>

<p id="ii.xxiii-p4">AN AUTO DA FÉ.</p>

<p id="ii.xxiii-p5"><br />
</p>

<p id="ii.xxiii-p6">THE morning at length arrived when Robert and Shargar must
return to Rothieden. A keen autumnal wind was blowing far-off
feathery clouds across a sky of pale blue; the cold freshened the
spirits of the boys, and tightened their nerves and muscles, till
they were like bow-strings. No doubt the winter was coming, but the
sun, although his day's work was short and slack, was still as
clear as ever. So gladsome was the world, that the boys received
the day as a fresh holiday, and strenuously forgot to-morrow. The
wind blew straight from Rothieden, and between sun and wind a
bright thought awoke in Robert. The dragon should not be
carried--he should fly home.</p>

<p id="ii.xxiii-p7"><br />
</p>

<p id="ii.xxiii-p8">After they had said farewell, in which Shargar seemed to suffer
more than Robert, and had turned the corner of the stable, they
heard the good farmer shouting after them,</p>

<p id="ii.xxiii-p9"><br />
</p>

<p id="ii.xxiii-p10">'There'll be anither hairst neist year, boys,' which wonderfully
restored their spirits. When they reached the open road, Robert
laid his violin carefully into a broom-bush. Then the tail was
unrolled, and the dragon ascended steady as an angel whose work is
done. Shargar took the stick at the end of the string, and Robert
resumed his violin. But the creature was hard to lead in such a
wind; so they made a loop on the string, and passed it round
Shargar's chest, and he tugged the dragon home. Robert longed to
take his share in the struggle, but he could not trust his violin
to Shargar, and so had to walk beside ingloriously. On the way they
laid their plans for the accommodation of the dragon. But the
violin was the greater difficulty. Robert would not hear of the
factory, for reasons best known to himself, and there were serious
objections to taking it to Dooble Sanny. It was resolved that the
only way was to seize the right moment, and creep upstairs with it
before presenting themselves to Mrs. Falconer. Their intended
manœuvres with the kite would favour the concealment of this
stroke.</p>

<p id="ii.xxiii-p11"><br />
</p>

<p id="ii.xxiii-p12">Before they entered the town they drew in the kite a little way,
and cut off a dozen yards of the string, which Robert put in his
pocket, with a stone tied to the end. When they reached the house,
Shargar went into the little garden and tied the string of the kite
to the paling between that and Captain Forsyth's. Robert opened the
street door, and having turned his head on all sides like a thief,
darted with his violin up the stairs. Having laid his treasure in
one of the presses in Shargar's garret, he went to his own, and
from the skylight threw the stone down into the captain's garden,
fastening the other end of the string to the bedstead. Escaping as
cautiously as he had entered, he passed hurriedly into their
neighbour's garden, found the stone, and joined Shargar. The ends
were soon united, and the kite let go. It sunk for a moment, then,
arrested by the bedstead, towered again to its former 'pride of
place,' sailing over Rothieden, grand and unconcerned, in the
wastes of air.</p>

<p id="ii.xxiii-p13"><br />
</p>

<p id="ii.xxiii-p14">But the end of its tether was in Robert's garret. And that was
to him a sense of power, a thought of glad mystery. There was
henceforth, while the dragon flew, a relation between the desolate
little chamber, in that lowly house buried among so many more
aspiring abodes, and the unmeasured depths and spaces, the stars,
and the unknown heavens. And in the next chamber lay the fiddle
free once more,--yet another magical power whereby his spirit could
forsake the earth and mount heavenwards.</p>

<p id="ii.xxiii-p15"><br />
</p>

<p id="ii.xxiii-p16">All that night, all the next day, all the next night, the dragon
flew.</p>

<p id="ii.xxiii-p17"><br />
</p>

<p id="ii.xxiii-p18">Not one smile broke over the face of the old lady as she
received them. Was it because she did not know what acts of
disobedience, what breaches of the moral law, the two children of
possible perdition might have committed while they were beyond her
care, and she must not run the risk of smiling upon iniquity? I
think it was rather that there was no smile in her religion, which,
while it developed the power of a darkened conscience, overlaid and
half-smothered all the lovelier impulses of her grand nature. How
could she smile? Did not the world lie under the wrath and curse of
God? Was not her own son in hell for ever? Had not the blood of the
Son of God been shed for him in vain? Had not God meant that it
should be in vain? For by the gift of his Spirit could he not have
enabled him to accept the offered pardon? And for anything she
knew, was not Robert going after him to the place of misery? How
could she smile?</p>

<p id="ii.xxiii-p19"><br />
</p>

<p id="ii.xxiii-p20">'Noo be dooce,' she said, the moment she had shaken hands with
them, with her cold hands, so clean and soft and smooth. With a
volcanic heart of love, her outside was always so still and
cold!--snow on the mountain sides, hot vein-coursing lava within.
For her highest duty was submission to the will of God. Ah! if she
had only known the God who claimed her submission! But there is
time enough for every heart to know him.</p>

<p id="ii.xxiii-p21"><br />
</p>

<p id="ii.xxiii-p22">'Noo be dooce,' she repeated, 'an' sit doon, and tell me aboot
the fowk at Bodyfauld. I houpe ye thankit them, or ye left, for
their muckle kindness to ye.'</p>

<p id="ii.xxiii-p23"><br />
</p>

<p id="ii.xxiii-p24">The boys were silent.</p>

<p id="ii.xxiii-p25"><br />
</p>

<p id="ii.xxiii-p26">'Didna ye thank them?'</p>

<p id="ii.xxiii-p27"><br />
</p>

<p id="ii.xxiii-p28">'No, grannie; I dinna think 'at we did.'</p>

<p id="ii.xxiii-p29"><br />
</p>

<p id="ii.xxiii-p30">'Weel, that was ill-faured o' ye. Eh! but the hert is deceitfu'
aboon a' thing, and desperately wicked. Who can know it? Come awa'.
Come awa'. Robert, festen the door.'</p>

<p id="ii.xxiii-p31"><br />
</p>

<p id="ii.xxiii-p32">And she led them to the corner for prayer, and poured forth a
confession of sin for them and for herself, such as left little
that could have been added by her own profligate son, had he joined
in the prayer. Either there are no degrees in guilt, or the Scotch
language was equal only to the confession of children and holy
women, and could provide no more awful words for the contrition of
the prodigal or the hypocrite. But the words did little harm, for
Robert's mind was full of the kite and the violin, and was probably
nearer God thereby than if he had been trying to feel as wicked as
his grandmother told God that he was. Shargar was even more
divinely employed at the time than either; for though he had not
had the manners to thank his benefactor, his heart had all the way
home been full of tender thoughts of Miss Lammie's kindness; and
now, instead of confessing sins that were not his, he was loving
her over and over, and wishing to be back with her instead of with
this awfully good woman, in whose presence there was no peace, for
all the atmosphere of silence and calm in which she sat.</p>

<p id="ii.xxiii-p33"><br />
</p>

<p id="ii.xxiii-p34">Confession over, and the boys at liberty again, a new anxiety
seized them. Grannie must find out that Robert's shoes were
missing, and what account was to be given of the misfortune, for
Robert would not, or could not lie? In the midst of their
discussion a bright idea flashed upon Shargar, which, however, he
kept to himself: he would steal them, and bring them home in
triumph, emulating thus Robert's exploit in delivering his bonny
leddy.</p>

<p id="ii.xxiii-p35"><br />
</p>

<p id="ii.xxiii-p36">The shoemaker sat behind his door to be out of the draught:
Shargar might see a great part of the workshop without being seen,
and he could pick Robert's shoes from among a hundred. Probably
they lay just where Robert had laid them, for Dooble Sanny paid
attention to any job only in proportion to the persecution
accompanying it.</p>

<p id="ii.xxiii-p37"><br />
</p>

<p id="ii.xxiii-p38">So the next day Shargar contrived to slip out of school just as
the writing lesson began, for he had great skill in conveying
himself unseen, and, with his book-bag, slunk barefooted into the
soutar's entry.</p>

<p id="ii.xxiii-p39"><br />
</p>

<p id="ii.xxiii-p40">The shop door was a little way open, and the red eyes of Shargar
had only the corner next it to go peering about in. But there he
saw the shoes. He got down on his hands and knees, and crept
nearer. Yes, they were beyond a doubt Robert's shoes. He made a
long arm, like a beast of prey, seized them, and, losing his
presence of mind upon possession, drew them too hastily towards
him. The shoemaker saw them as they vanished through the door, and
darted after them. Shargar was off at full speed, and Sandy
followed with hue and cry. Every idle person in the street joined
in the pursuit, and all who were too busy or too respectable to run
crowded to door and windows. Shargar made instinctively for his
mother's old lair; but bethinking himself when he reached the door,
he turned, and, knowing nowhere else to go, fled in terror to Mrs.
Falconer's, still, however, holding fast by the shoes, for they
were Robert's.</p>

<p id="ii.xxiii-p41"><br />
</p>

<p id="ii.xxiii-p42">As Robert came home from school, wondering what could have
become of his companion, he saw a crowd about his grandmother's
door, and pushing his way through it in some dismay, found Dooble
Sanny and Shargar confronting each other before the stern justice
of Mrs. Falconer.</p>

<p id="ii.xxiii-p43"><br />
</p>

<p id="ii.xxiii-p44">'Ye're a leear,' the soutar was panting out. 'I haena had a pair
o' shune o' Robert's i' my han's this three month. Thae shune--lat
me see them--they're--Here's Robert himsel'. Are thae shune yours,
noo, Robert?'</p>

<p id="ii.xxiii-p45"><br />
</p>

<p id="ii.xxiii-p46">'Ay are they. Ye made them yersel'.'</p>

<p id="ii.xxiii-p47"><br />
</p>

<p id="ii.xxiii-p48">'Hoo cam they in my chop, than?'</p>

<p id="ii.xxiii-p49"><br />
</p>

<p id="ii.xxiii-p50">'Speir nae mair quest'ons nor's worth answerin',' said Robert,
with a look meant to be significant. 'They're my shune, and I'll
keep them. Aiblins ye dinna aye ken wha's shune ye hae, or whan
they cam in to ye.'</p>

<p id="ii.xxiii-p51"><br />
</p>

<p id="ii.xxiii-p52">'What for didna Shargar come an' speir efter them, than, in
place o' makin' a thief o' himsel' that gait?'</p>

<p id="ii.xxiii-p53"><br />
</p>

<p id="ii.xxiii-p54">'Ye may haud yer tongue,' returned Robert, with yet more
significance.</p>

<p id="ii.xxiii-p55"><br />
</p>

<p id="ii.xxiii-p56">'I was aye a gowk (<i>idiot</i>),' said Shargar, in apologetic
reflection, looking awfully white, and afraid to lift an eye to
Mrs. Falconer, yet reassured a little by Robert's presence.</p>

<p id="ii.xxiii-p57"><br />
</p>

<p id="ii.xxiii-p58">Some glimmering seemed now to have dawned upon the soutar, for
he began to prepare a retreat. Meantime Mrs. Falconer sat silent,
allowing no word that passed to escape her. She wanted to be at the
bottom of the mysterious affair, and therefore held her peace.</p>

<p id="ii.xxiii-p59"><br />
</p>

<p id="ii.xxiii-p60">'Weel, I'm sure, Robert, ye never tellt me aboot the shune,'
said Alexander. 'I s' jist tak them back wi' me, and du what's
wantit to them. And I'm sorry that I hae gien ye this tribble,
Mistress Faukner; but it was a' that fule's wite there. I didna
even ken it was him, till we war near-han' the hoose.'</p>

<p id="ii.xxiii-p61"><br />
</p>

<p id="ii.xxiii-p62">'Lat me see the shune,' said Mrs. Falconer, speaking almost for
the first time. 'What's the maitter wi' them?'</p>

<p id="ii.xxiii-p63"><br />
</p>

<p id="ii.xxiii-p64">Examining the shoes, she saw they were in a perfectly sound
state, and this confirmed her suspicion that there was more in the
affair than had yet come out. Had she taken the straightforward
measure of examining Robert, she would soon have arrived at the
truth. But she had such a dread of causing a lie to be told, that
she would adopt any roundabout way rather than ask a plain question
of a suspected culprit. So she laid the shoes down beside her,
saying to the soutar,</p>

<p id="ii.xxiii-p65"><br />
</p>

<p id="ii.xxiii-p66">'There's naething amiss wi' the shune. Ye can lea' them.'</p>

<p id="ii.xxiii-p67"><br />
</p>

<p id="ii.xxiii-p68">Thereupon Alexander went away, and Robert and Shargar would have
given more than their dinner to follow him. Grannie neither asked
any questions, however, nor made a single remark on what had
passed. Dinner was served and eaten, and the boys returned to their
afternoon school.</p>

<p id="ii.xxiii-p69"><br />
</p>

<p id="ii.xxiii-p70">No sooner was she certain that they were safe under the
school-master's eye than the old lady put on her black silk bonnet
and her black woollen shawl, took her green cotton umbrella, which
served her for a staff, and, refusing Betty's proffered assistance,
set out for Dooble Sanny's shop.</p>

<p id="ii.xxiii-p71"><br />
</p>

<p id="ii.xxiii-p72">As she drew near she heard the sounds of his violin. When she
entered, he laid his <i>auld wife</i> carefully aside, and stood in
an expectant attitude.</p>

<p id="ii.xxiii-p73"><br />
</p>

<p id="ii.xxiii-p74">'Mr. Elshender, I want to be at the boddom o' this,' said Mrs.
Falconer.</p>

<p id="ii.xxiii-p75"><br />
</p>

<p id="ii.xxiii-p76">'Weel, mem, gang to the boddom o' 't,' returned Dooble Sanny,
dropping on his stool, and taking his stone upon his lap and
stroking it, as if it had been some quadrupedal pet. Full of rough
but real politeness to women when in good humour, he lost all his
manners along with his temper upon the slightest provocation, and
her tone irritated him.</p>

<p id="ii.xxiii-p77"><br />
</p>

<p id="ii.xxiii-p78">'Hoo cam Robert's shune to be i' your shop?'</p>

<p id="ii.xxiii-p79"><br />
</p>

<p id="ii.xxiii-p80">'Somebody bude till hae brocht them, mem. In a' my expairience,
and that's no sma', I never kent pair o' shune gang ohn a pair o'
feet i' the wame o' them.'</p>

<p id="ii.xxiii-p81"><br />
</p>

<p id="ii.xxiii-p82">'Hoots! what kin' o' gait 's that to speyk till a body? Whase
feet was inside the shune?'</p>

<p id="ii.xxiii-p83"><br />
</p>

<p id="ii.xxiii-p84">'De'il a bit o' me kens, mem.'</p>

<p id="ii.xxiii-p85"><br />
</p>

<p id="ii.xxiii-p86">'Dinna sweir, whatever ye du.'</p>

<p id="ii.xxiii-p87"><br />
</p>

<p id="ii.xxiii-p88">'De'il but I <i>will</i> sweir, mem; an' gin ye anger me, I'll
jist sweir awfu'.'</p>

<p id="ii.xxiii-p89"><br />
</p>

<p id="ii.xxiii-p90">'I'm sure I hae nae wuss to anger ye, man! Canna ye help a body
to win at the boddom o' a thing ohn angert an' sworn?'</p>

<p id="ii.xxiii-p91"><br />
</p>

<p id="ii.xxiii-p92">'Weel, I kenna wha brocht the shune, as I tellt ye a'ready.'</p>

<p id="ii.xxiii-p93"><br />
</p>

<p id="ii.xxiii-p94">'But they wantit nae men'in'.'</p>

<p id="ii.xxiii-p95"><br />
</p>

<p id="ii.xxiii-p96">'I micht hae men't them an' forgotten 't, mem.'</p>

<p id="ii.xxiii-p97"><br />
</p>

<p id="ii.xxiii-p98">'Noo ye're leein'.'</p>

<p id="ii.xxiii-p99"><br />
</p>

<p id="ii.xxiii-p100">'Gin ye gang on that gait, mem, I winna speyk a word o' trowth
frae this moment foret.'</p>

<p id="ii.xxiii-p101"><br />
</p>

<p id="ii.xxiii-p102">'Jist tell me what ye ken aboot thae shune, an' I'll no say
anither word.'</p>

<p id="ii.xxiii-p103"><br />
</p>

<p id="ii.xxiii-p104">'Weel, mem, I'll tell ye the trowth. The de'il brocht them in ae
day in a lang taings; and says he, "Elshender, men' thae shune for
puir Robby Faukner; an' dooble-sole them for the life o' ye; for
that auld luckie-minnie o' his 'ill sune hae him doon oor gait, and
the grun' 's het i' the noo; an' I dinna want to be ower sair upon
him, for he's a fine chield, an' 'll mak a fine fiddler gin he live
lang eneuch."'</p>

<p id="ii.xxiii-p105"><br />
</p>

<p id="ii.xxiii-p106">Mrs. Falconer left the shop without another word, but with an
awful suspicion which the last heedless words of the shoemaker had
aroused in her bosom. She left him bursting with laughter over his
lapstone. He caught up his fiddle and played The De'il's i' the
Women lustily and with expression. But he little thought what he
had done.</p>

<p id="ii.xxiii-p107"><br />
</p>

<p id="ii.xxiii-p108">As soon as she reached her own room, she went straight to her
bed and <i>disinterred</i> the bonny leddy's coffin. She was gone;
and in her stead, horror of horrors! lay in the unhallowed chest
that body of divinity known as Boston's <i>Fourfold State</i>.
Vexation, anger, disappointment, and grief possessed themselves of
the old woman's mind. She ranged the house like the 'questing
beast' of the Round Table, but failed in finding the violin before
the return of the boys. Not a word did she say all that evening,
and their oppressed hearts foreboded ill. They felt that there was
thunder in the clouds, a sleeping storm in the air; but how or when
it would break they had no idea.</p>

<p id="ii.xxiii-p109"><br />
</p>

<p id="ii.xxiii-p110">Robert came home to dinner the next day a few minutes before
Shargar. As he entered his grandmother's parlour, a strange odour
greeted his sense. A moment more, and he stood rooted with horror,
and his hair began to rise on his head. His violin lay on its back
on the fire, and a yellow tongue of flame was licking the red lips
of a hole in its belly. All its strings were shrivelled up save
one, which burst as he gazed. And beside, stern as a Druidess, sat
his grandmother in her chair, feeding her eyes with grim
satisfaction on the detestable sacrifice. At length the rigidity of
Robert's whole being relaxed in an involuntary howl like that of a
wild beast, and he turned and rushed from the house in a helpless
agony of horror. Where he was going he knew not, only a blind
instinct of modesty drove him to hide his passion from the eyes of
men.</p>

<p id="ii.xxiii-p111"><br />
</p>

<p id="ii.xxiii-p112">From her window Miss St. John saw him tearing like one demented
along the top walk of the captain's garden, and watched for his
return. He came far sooner than she expected.</p>

<p id="ii.xxiii-p113"><br />
</p>

<p id="ii.xxiii-p114">Before he arrived at the factory, Robert began to hear strange
sounds in the desolate place. When he reached the upper floor, he
found men with axe and hammer destroying the old woodwork, breaking
the old jennies, pitching the balls of lead into baskets, and
throwing the spools into crates. Was there nothing but destruction
in the world? There, most horrible! his 'bonny leddy' dying of
flames, and here, the temple of his refuge torn to pieces by
unhallowed hands! What could it mean? Was his grandmother's
vengeance here too? But he did not care. He only felt like the dove
sent from the ark, that there was no rest for the sole of his foot,
that there was no place to hide his head in his agony--that he was
naked to the universe; and like a heartless wild thing hunted till
its brain is of no more use, he turned and rushed back again upon
his track. At one end was the burning idol, at the other the
desecrated temple.</p>

<p id="ii.xxiii-p115"><br />
</p>

<p id="ii.xxiii-p116">No sooner had he entered the captain's garden than Miss St. John
met him.</p>

<p id="ii.xxiii-p117"><br />
</p>

<p id="ii.xxiii-p118">'What is the matter with you, Robert?' she asked, kindly.</p>

<p id="ii.xxiii-p119"><br />
</p>

<p id="ii.xxiii-p120">'Oh, mem!' gasped Robert, and burst into a very storm of
weeping.</p>

<p id="ii.xxiii-p121"><br />
</p>

<p id="ii.xxiii-p122">It was long before he could speak. He cowered before Miss St.
John as if conscious of an unfriendly presence, and seeking to
shelter himself by her tall figure from his grandmother's eyes. For
who could tell but at the moment she might be gazing upon him from
some window, or even from the blue vault above? There was no
escaping her. She was the all-seeing eye personified--the eye of
the God of the theologians of his country, always searching out the
evil, and refusing to acknowledge the good. Yet so gentle and
faithful was the heart of Robert, that he never thought of her as
cruel. He took it for granted that somehow or other she must be
right. Only what a terrible thing such righteousness was! He stood
and wept before the lady.</p>

<p id="ii.xxiii-p123"><br />
</p>

<p id="ii.xxiii-p124">Her heart was sore for the despairing boy. She drew him to a
little summer-seat. He entered with her, and sat down, weeping
still. She did her best to soothe him. At last, sorely interrupted
by sobs, he managed to let her know the fate of his 'bonnie leddy.'
But when he came to the words, 'She's burnin' in there upo'
granny's fire,' he broke out once more with that wild howl of
despair, and then, ashamed of himself, ceased weeping altogether,
though he could not help the intrusion of certain chokes and sobs
upon his otherwise even, though low and sad speech.</p>

<p id="ii.xxiii-p125"><br />
</p>

<p id="ii.xxiii-p126">Knowing nothing of Mrs. Falconer's character, Miss St. John set
her down as a cruel and heartless as well as tyrannical and bigoted
old woman, and took the mental position of enmity towards her. In a
gush of motherly indignation she kissed Robert on the forehead.</p>

<p id="ii.xxiii-p127"><br />
</p>

<p id="ii.xxiii-p128">From that chrism he arose a king.</p>

<p id="ii.xxiii-p129"><br />
</p>

<p id="ii.xxiii-p130">He dried his eyes; not another sob even broke from him; he gave
one look, but no word of gratitude, to Miss St. John; bade her
good-bye; and walked composedly into his grandmother's parlour,
where the neck of the violin yet lay upon the fire only half
consumed. The rest had vanished utterly.</p>

<p id="ii.xxiii-p131"><br />
</p>

<p id="ii.xxiii-p132">'What are they duin' doon at the fact'ry, grannie?' he
asked.</p>

<p id="ii.xxiii-p133"><br />
</p>

<p id="ii.xxiii-p134">'What's wha duin', laddie?' returned his grandmother,
curtly.</p>

<p id="ii.xxiii-p135"><br />
</p>

<p id="ii.xxiii-p136">'They're takin' 't doon.'</p>

<p id="ii.xxiii-p137"><br />
</p>

<p id="ii.xxiii-p138">'Takin' what doon?' she returned, with raised voice.</p>

<p id="ii.xxiii-p139"><br />
</p>

<p id="ii.xxiii-p140">'Takin' doon the hoose.'</p>

<p id="ii.xxiii-p141"><br />
</p>

<p id="ii.xxiii-p142">The old woman rose.</p>

<p id="ii.xxiii-p143"><br />
</p>

<p id="ii.xxiii-p144">'Robert, ye may hae spite in yer hert for what I hae dune this
mornin', but I cud do no ither. An' it's an ill thing to tak sic
amen's o' me, as gin I had dune wrang, by garrin' me troo 'at yer
grandfather's property was to gang the gait o' 's auld, useless,
ill-mainnert scraich o' a fiddle.'</p>

<p id="ii.xxiii-p145"><br />
</p>

<p id="ii.xxiii-p146">'She was the bonniest fiddle i' the country-side, grannie. And
she never gae a scraich in her life 'cep' whan she was han'let in a
mainner unbecomin'. But we s' say nae mair aboot her, for she's
gane, an' no by a fair strae-deith (<i>death on one's own
straw</i>) either. She had nae blude to cry for vengeance; but the
snappin' o' her strings an' the crackin' o' her banes may hae made
a cry to gang far eneuch notwithstandin'.'</p>

<p id="ii.xxiii-p147"><br />
</p>

<p id="ii.xxiii-p148">The old woman seemed for one moment rebuked under her grandson's
eloquence. He had made a great stride towards manhood since the
morning.</p>

<p id="ii.xxiii-p149"><br />
</p>

<p id="ii.xxiii-p150">'The fiddle's my ain,' she said, in a defensive tone. 'And sae
is the fact'ry,' she added, as if she had not quite reassured
herself concerning it.</p>

<p id="ii.xxiii-p151"><br />
</p>

<p id="ii.xxiii-p152">'The fiddle's yours nae mair, grannie. And for the fact'ry--ye
winna believe me: gang and see yersel'.'</p>

<p id="ii.xxiii-p153"><br />
</p>

<p id="ii.xxiii-p154">Therewith Robert retreated to his garret.</p>

<p id="ii.xxiii-p155"><br />
</p>

<p id="ii.xxiii-p156">When he opened the door of it, the first thing he saw was the
string of his kite, which, strange to tell, so steady had been the
wind, was still up in the air--still tugging at the bedpost.
Whether it was from the stinging thought that the true sky-soarer,
the violin, having been devoured by the jaws of the fire-devil,
there was no longer any significance in the outward and visible
sign of the dragon, or from a dim feeling that the time of kites
was gone by and manhood on the threshold, I cannot tell; but he
drew his knife from his pocket, and with one down-stroke cut the
string in twain. Away went the dragon, free, like a prodigal, to
his ruin. And with the dragon, afar into the past, flew the
childhood of Robert Falconer. He made one remorseful dart after the
string as it swept out of the skylight, but it was gone beyond
remeid. And never more, save in twilight dreams, did he lay hold on
his childhood again. But he knew better and better, as the years
rolled on, that he approached a deeper and holier childhood, of
which that had been but the feeble and necessarily vanishing
type.</p>

<p id="ii.xxiii-p157"><br />
</p>

<p id="ii.xxiii-p158">As the kite sank in the distance, Mrs. Falconer issued from the
house, and went down the street towards the factory.</p>

<p id="ii.xxiii-p159"><br />
</p>

<p id="ii.xxiii-p160">Before she came back the cloth was laid for dinner, and Robert
and Shargar were both in the parlour awaiting her return. She
entered heated and dismayed, went into Robert's bedroom, and shut
the door hastily. They heard her open the old bureau. In a moment
after she came out with a more luminous expression upon her face
than Robert had ever seen it bear. It was as still as ever, but
there was a strange light in her eyes, which was not confined to
her eyes, but shone in a measure from her colourless forehead and
cheeks as well. It was long before Robert was able to interpret
that change in her look, and that increase of kindness towards
himself and Shargar, apparently such a contrast with the holocaust
of the morning. Had they both been Benjamins they could not have
had more abundant platefuls than she gave them that day. And when
they left her to return to school, instead of the usual 'Noo be
douce,' she said, in gentle, almost loving tones, 'Noo, be good
lads, baith o' ye.'</p>

<p id="ii.xxiii-p161"><br />
</p>

<p id="ii.xxiii-p162">The conclusion at which Falconer did arrive was that his
grandmother had hurried home to see whether the title-deeds of the
factory were still in her possession, and had found that they were
gone--taken, doubtless, by her son Andrew. At whatever period he
had appropriated them, he must have parted with them but recently.
And the hope rose luminous that her son had not yet passed into the
region 'where all life dies, death lives.' Terrible consolation!
Terrible creed, which made the hope that he was still on this side
of the grave working wickedness, light up the face of the mother,
and open her hand in kindness. Is it suffering, or is it
wickedness, that is the awful thing? 'Ah! but they are both
combined in the other world.' And in this world too, I answer;
only, according to Mrs. Falconer's creed, in the other world God,
for the sake of the suffering, renders the wickedness eternal!</p>

<p id="ii.xxiii-p163"><br />
</p>

<p id="ii.xxiii-p164">The old factory was in part pulled down, and out of its remains
a granary constructed. Nor did the old lady interpose a word to
arrest the alienation of her property.</p>

<p id="ii.xxiii-p165"><br />
</p>

<p id="ii.xxiii-p166"><br />
</p>

</div2>

      <div2 title="CHAPTER XXIV.--BOOT FOR BALE." n="xxiv" shorttitle="" progress="31.91%" id="ii.xxiv" prev="ii.xxiii" next="ii.xxv">

<p id="ii.xxiv-p1"><br />
</p>

<p id="ii.xxiv-p2">CHAPTER XXIV.</p>

<p id="ii.xxiv-p3"><br />
</p>

<p id="ii.xxiv-p4">BOOT FOR BALE.</p>

<p id="ii.xxiv-p5"><br />
</p>

<p id="ii.xxiv-p6">MARY ST. JOHN was the orphan daughter of an English clergyman,
who had left her money enough to make her at least independent.
Mrs. Forsyth, hearing that her niece was left alone in the world,
had concluded that her society would be a pleasure to herself and a
relief to the housekeeping. Even before her father's death, Miss
St. John, having met with a disappointment, and concluded herself
dead to the world, had been looking about for some way of doing
good. The prospect of retirement, therefore, and of being useful to
her sick aunt, had drawn her northwards.</p>

<p id="ii.xxiv-p7"><br />
</p>

<p id="ii.xxiv-p8">She was now about six-and-twenty, filled with two passions--one
for justice, the other for music. Her griefs had not made her
selfish, nor had her music degenerated into sentiment. The gentle
style of the instruction she had received had never begotten a
diseased self-consciousness; and if her religion lacked something
of the intensity without which a character like hers could not be
evenly balanced, its force was not spent on the combating of unholy
doubts and selfish fears, but rose on the wings of her music in
gentle thanksgiving. Tears had changed her bright-hued hopes into a
dove-coloured submission, through which her mind was passing
towards a rainbow dawn such as she had never dreamed of. To her as
yet the Book of Common Prayer contained all the prayers that human
heart had need to offer; what things lay beyond its scope must lie
beyond the scope of religion. All such things must be parted with
one day, and if they had been taken from her very soon, she was the
sooner free from the painful necessity of watching lest earthly
love should remove any of the old landmarks dividing what was God's
from what was only man's. She had now retired within the pale of
religion, and left the rest of her being, as she thought, 'to dull
forgetfulness a prey.'</p>

<p id="ii.xxiv-p9"><br />
</p>

<p id="ii.xxiv-p10">She had little comfort in the society of her aunt. Indeed, she
felt strongly tempted to return again to England the same month,
and seek a divine service elsewhere. But it was not at all so easy
then as it is now for a woman to find the opportunity of being
helpful in the world of suffering.</p>

<p id="ii.xxiv-p11"><br />
</p>

<p id="ii.xxiv-p12">Mrs. Forsyth was one of those women who get their own way by the
very <i>vis inertiae</i> of their silliness. No argument could tell
upon her. She was so incapable of seeing anything noble that her
perfect satisfaction with everything she herself thought, said, or
did, remained unchallenged. She had just illness enough to swell
her feeling of importance. She looked down upon Mrs. Falconer from
such an immeasurable height that she could not be indignant with
her for anything; she only vouchsafed a laugh now and then at her
oddities, holding no further communication with her than a
condescending bend of the neck when they happened to meet, which
was not once a year. But, indeed, she would have patronized the
angel Gabriel, if she had had a chance, and no doubt given him a
hint or two upon the proper way of praising God. For the rest, she
was good-tempered, looked comfortable, and quarrelled with nobody
but her rough honest old bear of a husband, whom, in his seventieth
year, she was always trying to teach good manners, with the
frequent result of a storm of swearing.</p>

<p id="ii.xxiv-p13"><br />
</p>

<p id="ii.xxiv-p14">But now Mary St. John was thoroughly interested in the strange
boy whose growing musical pinions were ever being clipped by the
shears of unsympathetic age and crabbed religion, and the idea of
doing something for him to make up for the injustice of his
grandmother awoke in her a slight glow of that interest in life
which she sought only in doing good. But although ere long she came
to love the boy very truly, and although Shargar's life was bound
up in the favour of Robert, yet neither stooping angel nor
foot-following dog ever loved the lad with the love of that old
grandmother, who would for him have given herself to the fire to
which she had doomed his greatest delight.</p>

<p id="ii.xxiv-p15"><br />
</p>

<p id="ii.xxiv-p16">For some days Robert worked hard at his lessons, for he had
nothing else to do. Life was very gloomy now. If he could only go
to sea, or away to keep sheep on the stormy mountains! If there
were only some war going on, that he might <i>list</i>! Any
fighting with the elements, or with the oppressors of the nations,
would make life worth having, a man worth being. But God did not
heed. He leaned over the world, a dark care, an immovable fate,
bearing down with the weight of his presence all aspiration, all
budding delights of children and young persons: all must crouch
before him, and uphold his glory with the sacrificial death of
every impulse, every admiration, every lightness of heart, every
bubble of laughter. Or--which to a mind like Robert's was as
bad--if he did not punish for these things, it was because they
came not within the sphere of his condescension, were not worth his
notice: of sympathy could be no question.</p>

<p id="ii.xxiv-p17"><br />
</p>

<p id="ii.xxiv-p18">But this gloom did not last long. When souls like Robert's have
been ill-taught about God, the true God will not let them gaze too
long upon the Moloch which men have set up to represent him. He
will turn away their minds from that which men call him, and fill
them with some of his own lovely thoughts or works, such as may by
degrees prepare the way for a vision of the Father.</p>

<p id="ii.xxiv-p19"><br />
</p>

<p id="ii.xxiv-p20">One afternoon Robert was passing the soutar's shop. He had never
gone near him since his return. But now, almost mechanically, he
went in at the open door.</p>

<p id="ii.xxiv-p21"><br />
</p>

<p id="ii.xxiv-p22">'Weel, Robert, ye <i>are</i> a stranger. But what's the maitter
wi' ye? Faith! yon was an ill plisky ye played me to brak into my
chop an' steal the bonnie leddy.'</p>

<p id="ii.xxiv-p23"><br />
</p>

<p id="ii.xxiv-p24">'Sandy,' said Robert, solemnly, 'ye dinna ken what ye hae dune
by that trick ye played me. Dinna ever mention <i>her</i> again i'
<i>my</i> hearin'.'</p>

<p id="ii.xxiv-p25"><br />
</p>

<p id="ii.xxiv-p26">'The auld witch hasna gotten a grup o' her again?' cried the
shoemaker, starting half up in alarm. 'She cam here to me aboot the
shune, but I reckon I sortit her!'</p>

<p id="ii.xxiv-p27"><br />
</p>

<p id="ii.xxiv-p28">'I winna speir what ye said,' returned Robert. 'It's no maitter
noo.'</p>

<p id="ii.xxiv-p29"><br />
</p>

<p id="ii.xxiv-p30">And the tears rose to his eyes. His bonny lady!</p>

<p id="ii.xxiv-p31"><br />
</p>

<p id="ii.xxiv-p32">'The Lord guide 's!' exclaimed the soutar. 'What <i>is</i> the
maitter wi' the bonnie leddy?'</p>

<p id="ii.xxiv-p33"><br />
</p>

<p id="ii.xxiv-p34">'There's nae bonnie leddy ony mair. I saw her brunt to death
afore my verra ain een.'</p>

<p id="ii.xxiv-p35"><br />
</p>

<p id="ii.xxiv-p36">The shoemaker sprang to his feet and caught up his paring
knife.</p>

<p id="ii.xxiv-p37"><br />
</p>

<p id="ii.xxiv-p38">'For God's sake, say 'at yer leein'!' he cried.</p>

<p id="ii.xxiv-p39"><br />
</p>

<p id="ii.xxiv-p40">'I wish I war leein',' returned Robert.</p>

<p id="ii.xxiv-p41"><br />
</p>

<p id="ii.xxiv-p42">The soutar uttered a terrible oath, and swore--</p>

<p id="ii.xxiv-p43"><br />
</p>

<p id="ii.xxiv-p44">'I'll murder the auld--.' The epithet he ended with is too ugly
to write.</p>

<p id="ii.xxiv-p45"><br />
</p>

<p id="ii.xxiv-p46">'Daur to say sic a word in ae breath wi' my grannie,' cried
Robert, snatching up the lapstone, 'an' I'll brain ye upo' yer ain
shop-flure.'</p>

<p id="ii.xxiv-p47"><br />
</p>

<p id="ii.xxiv-p48">Sandy threw the knife on his stool, and sat down beside it.
Robert dropped the lapstone. Sandy took it up and burst into tears,
which before they were half down his face, turned into tar with the
blackness of the same.</p>

<p id="ii.xxiv-p49"><br />
</p>

<p id="ii.xxiv-p50">'I'm an awfu' sinner,' he said, 'and vengeance has owerta'en me.
Gang oot o' my chop! I wasna worthy o' her. Gang oot, I say, or
I'll kill ye.'</p>

<p id="ii.xxiv-p51"><br />
</p>

<p id="ii.xxiv-p52">Robert went. Close by the door he met Miss St. John. He pulled
off his cap, and would have passed her. But she stopped him.</p>

<p id="ii.xxiv-p53"><br />
</p>

<p id="ii.xxiv-p54">'I am going for a walk a little way,' she said. 'Will you go
with me?'</p>

<p id="ii.xxiv-p55"><br />
</p>

<p id="ii.xxiv-p56">She had come out in the hope of finding him, for she had seen
him go up the street.</p>

<p id="ii.xxiv-p57"><br />
</p>

<p id="ii.xxiv-p58">'That I wull,' returned Robert, and they walked on together.</p>

<p id="ii.xxiv-p59"><br />
</p>

<p id="ii.xxiv-p60">When they were beyond the last house, Miss St. John said,</p>

<p id="ii.xxiv-p61"><br />
</p>

<p id="ii.xxiv-p62">'Would you like to play on the piano, Robert?'</p>

<p id="ii.xxiv-p63"><br />
</p>

<p id="ii.xxiv-p64">'Eh, mem!' said Robert, with a deep suspiration. Then, after a
pause: 'But duv ye think I cud?'</p>

<p id="ii.xxiv-p65"><br />
</p>

<p id="ii.xxiv-p66">'There's no fear of that. Let me see your hands.'</p>

<p id="ii.xxiv-p67"><br />
</p>

<p id="ii.xxiv-p68">'They're some black, I doobt, mem,' he remarked, rubbing them
hard upon his trowsers before he showed them; 'for I was amaist
cawin' oot the brains o' Dooble Sanny wi' his ain lapstane. He's an
ill-tongued chield. But eh! mem, ye suld hear him play upo' the
fiddle! He's greitin' his een oot e'en noo for the bonnie
leddy.'</p>

<p id="ii.xxiv-p69"><br />
</p>

<p id="ii.xxiv-p70">Not discouraged by her inspection of his hands, black as they
were, Miss St. John continued,</p>

<p id="ii.xxiv-p71"><br />
</p>

<p id="ii.xxiv-p72">'But what would your grandmother say?' she asked.</p>

<p id="ii.xxiv-p73"><br />
</p>

<p id="ii.xxiv-p74">'She maun ken naething aboot it, mem. I can-<i>not</i> tell her
a'thing. She wad greit an' pray awfu', an' lock me up, I daursay.
Ye see, she thinks a' kin' o' music 'cep' psalm-singin' comes o'
the deevil himsel'. An' I canna believe that. For aye whan I see
onything by ordinar bonnie, sic like as the mune was last nicht, it
aye gars me greit for my brunt fiddle.'</p>

<p id="ii.xxiv-p75"><br />
</p>

<p id="ii.xxiv-p76">'Well, you must come to me every day for half-an-hour at least,
and I will give you a lesson on my piano. But you can't learn by
that. And my aunt could never bear to hear you practising. So I'll
tell you what you must do. I have a small piano in my own room. Do
you know there is a door from your house into my room?'</p>

<p id="ii.xxiv-p77"><br />
</p>

<p id="ii.xxiv-p78">'Ay,' said Robert. 'That hoose <i>was</i> my father's afore your
uncle bought it. My father biggit it.'</p>

<p id="ii.xxiv-p79"><br />
</p>

<p id="ii.xxiv-p80">'Is it long since your father died?'</p>

<p id="ii.xxiv-p81"><br />
</p>

<p id="ii.xxiv-p82">'I dinna ken.'</p>

<p id="ii.xxiv-p83"><br />
</p>

<p id="ii.xxiv-p84">'Where did he die?'</p>

<p id="ii.xxiv-p85"><br />
</p>

<p id="ii.xxiv-p86">'I dinna ken.'</p>

<p id="ii.xxiv-p87"><br />
</p>

<p id="ii.xxiv-p88">'Do you remember it?'</p>

<p id="ii.xxiv-p89"><br />
</p>

<p id="ii.xxiv-p90">'No, mem.'</p>

<p id="ii.xxiv-p91"><br />
</p>

<p id="ii.xxiv-p92">'Well, if you will come to my room, you shall practise there. I
shall be down-stairs with my aunt. But perhaps I may look up now
and then, to see how you are getting on. I will leave the door
unlocked, so that you can come in when you like. If I don't want
you, I will lock the door. You understand? You mustn't be handling
things, you know.'</p>

<p id="ii.xxiv-p93"><br />
</p>

<p id="ii.xxiv-p94">''Deed, mem, ye may lippen (<i>trust</i>) to me. But I'm jist
feared to lat ye hear me lay a finger upo' the piana, for it's
little I cud do wi' my fiddle, an', for the piana! I'm feart I'll
jist scunner (<i>disgust</i>) ye.'</p>

<p id="ii.xxiv-p95"><br />
</p>

<p id="ii.xxiv-p96">'If you really want to learn, there will be no fear of that,'
returned Miss St. John, guessing at the meaning of the word <i>
scunner</i>. 'I don't think I am doing anything wrong,' she added,
half to herself, in a somewhat doubtful tone.</p>

<p id="ii.xxiv-p97"><br />
</p>

<p id="ii.xxiv-p98">''Deed no, mem. Ye're jist an angel unawares. For I maist think
sometimes that my grannie 'll drive me wud (<i>mad</i>); for
there's naething to read but guid buiks, an' naething to sing but
psalms; an' there's nae fun aboot the hoose but Betty; an' puir
Shargar's nearhan' dementit wi' 't. An' we maun pray till her
whether we will or no. An' there's no comfort i' the place but
plenty to ate; an' that canna be guid for onybody. She likes
flooers, though, an' wad like me to gar them grow; but I dinna care
aboot it: they tak sic a time afore they come to onything.'</p>

<p id="ii.xxiv-p99"><br />
</p>

<p id="ii.xxiv-p100">Then Miss St. John inquired about Shargar, and began to feel
rather differently towards the old lady when she had heard the
story. But how she laughed at the tale, and how light-hearted
Robert went home, are neither to be told.</p>

<p id="ii.xxiv-p101"><br />
</p>

<p id="ii.xxiv-p102">The next Sunday, the first time for many years, Dooble Sanny was
at church with his wife, though how much good he got by going would
be a serious question to discuss.</p>

<p id="ii.xxiv-p103"><br />
</p>

<p id="ii.xxiv-p104"><br />
</p>

</div2>

      <div2 title="CHAPTER XXV.--THE GATES OF PARADISE." n="xxv" shorttitle="" progress="32.82%" id="ii.xxv" prev="ii.xxiv" next="iii">

<p id="ii.xxv-p1"><br />
</p>

<p id="ii.xxv-p2">CHAPTER XXV.</p>

<p id="ii.xxv-p3"><br />
</p>

<p id="ii.xxv-p4">THE GATES OF PARADISE.</p>

<p id="ii.xxv-p5"><br />
</p>

<p id="ii.xxv-p6">ROBERT had his first lesson the next Saturday afternoon. Eager
and undismayed by the presence of Mrs, Forsyth, good-natured and
contemptuous--for had he not a protecting angel by him?--he
hearkened for every word of Miss St. John, combated every fault,
and undermined every awkwardness with earnest patience. Nothing
delighted Robert so much as to give himself up to one greater. His
mistress was thoroughly pleased, and even Mrs. Forsyth gave him two
of her soft finger tips to do something or other with--Robert did
not know what, and let them go.</p>

<p id="ii.xxv-p7"><br />
</p>

<p id="ii.xxv-p8">About eight o'clock that same evening, his heart beating like a
captured bird's, he crept from grannie's parlour, past the kitchen,
and up the low stair to the mysterious door. He had been trying for
an hour to summon up courage to rise, feeling as if his grandmother
must suspect where he was going. Arrived at the barrier, twice his
courage failed him; twice he turned and sped back to the parlour. A
third time he made the essay, a third time stood at the wondrous
door--so long as blank as a wall to his careless eyes, now like the
door of the magic <i>Sesame</i> that led to the treasure-cave of
Ali Baba. He laid his hand on the knob, withdrew it, thought he
heard some one in the transe, rushed up the garret stair, and stood
listening, hastened down, and with a sudden influx of determination
opened the door, saw that the trap was raised, closed the door
behind him, and standing with his head on the level of the floor,
gazed into the paradise of Miss St. John's room. To have one peep
into such a room was a kind of salvation to the half-starved nature
of the boy. All before him was elegance, richness, mystery.
Womanhood radiated from everything. A fire blazed in the chimney. A
rug of long white wool lay before it. A little way off stood the
piano. Ornaments sparkled and shone upon the dressing-table. The
door of a wardrobe had swung a little open, and discovered the
sombre shimmer of a black silk dress. Something gorgeously red, a
China crape shawl, hung glowing beyond it. He dared not gaze any
longer. He had already been guilty of an immodesty. He hastened to
ascend, and seated himself at the piano.</p>

<p id="ii.xxv-p9"><br />
</p>

<p id="ii.xxv-p10">Let my reader aid me for a moment with his
imagination--reflecting what it was to a boy like Robert, and in
Robert's misery, to open a door in his own meagre dwelling and gaze
into such a room--free to him. If he will aid me so, then let him
aid himself by thinking that the house of his own soul has such a
door into the infinite beauty, whether he has yet found it or
not.</p>

<p id="ii.xxv-p11"><br />
</p>

<p id="ii.xxv-p12">'Just think,' Robert said to himself, 'o' <i>me</i> in sic a
place! It's a pailace. It's a fairy pailace. And that angel o' a
leddy bides here, and sleeps there! I wonner gin she ever dreams
aboot onything as bonny 's hersel'!'</p>

<p id="ii.xxv-p13"><br />
</p>

<p id="ii.xxv-p14">Then his thoughts took another turn.</p>

<p id="ii.xxv-p15"><br />
</p>

<p id="ii.xxv-p16">'I wonner gin the room was onything like this whan my mamma
sleepit in 't? <i>I</i> cudna hae been born in sic a gran' place.
But my mamma micht hae weel lien here.'</p>

<p id="ii.xxv-p17"><br />
</p>

<p id="ii.xxv-p18">The face of the miniature, and the sad words written below the
hymn, came back upon him, and he bowed his head upon his hands. He
was sitting thus when Miss St. John came behind him, and heard him
murmur the one word <i>Mamma</i>! She laid her hand on his
shoulder. He started and rose.</p>

<p id="ii.xxv-p19"><br />
</p>

<p id="ii.xxv-p20">'I beg yer pardon, mem. I hae no business to be here, excep' to
play. But I cudna help thinkin' aboot my mother; for I was born in
this room, mem. Will I gang awa' again?'</p>

<p id="ii.xxv-p21"><br />
</p>

<p id="ii.xxv-p22">He turned towards the door.</p>

<p id="ii.xxv-p23"><br />
</p>

<p id="ii.xxv-p24">'No, no,' said Miss St. John. 'I only came to see if you were
here. I cannot stop now; but to-morrow you must tell me about your
mother. Sit down, and don't lose any more time. Your grandmother
will miss you. And then what would come of it?'</p>

<p id="ii.xxv-p25"><br />
</p>

<p id="ii.xxv-p26">Thus was this rough diamond of a Scotch boy, rude in speech, but
full of delicate thought, gathered under the modelling influences
of the finished, refined, tender, sweet-tongued, and
sweet-thoughted Englishwoman, who, if she had been less of a woman,
would have been repelled by his uncouthness; if she had been less
of a lady, would have mistaken his commonness for vulgarity. But
she was just, like the type of womankind, a virgin-mother. She saw
the nobility of his nature through its homely garments, and had
been, indeed, sent to carry on the work from which his mother had
been too early taken away.</p>

<p id="ii.xxv-p27"><br />
</p>

<p id="ii.xxv-p28">'There's jist ae thing mem, that vexes me a wee, an' I dinna ken
what to think aboot it,' said Robert, as Miss St. John was leaving
the room. 'Maybe ye cud bide ae minute till I tell ye.'</p>

<p id="ii.xxv-p29"><br />
</p>

<p id="ii.xxv-p30">'Yes, I can. What is it?'</p>

<p id="ii.xxv-p31"><br />
</p>

<p id="ii.xxv-p32">'I'm nearhan' sure that whan I lea' the parlour, grannie 'ill
think I'm awa' to my prayers; and sae she'll think better o' me nor
I deserve. An' I canna bide that.'</p>

<p id="ii.xxv-p33"><br />
</p>

<p id="ii.xxv-p34">'What should make you suppose that she will think so?'</p>

<p id="ii.xxv-p35"><br />
</p>

<p id="ii.xxv-p36">'Fowk kens what ane anither's aboot, ye ken, mem.'</p>

<p id="ii.xxv-p37"><br />
</p>

<p id="ii.xxv-p38">'Then she'll know you are not at your prayers.'</p>

<p id="ii.xxv-p39"><br />
</p>

<p id="ii.xxv-p40">'Na. For sometimes I div gang to my prayers for a whilie like,
but nae for lang, for I'm nae like ane o' them 'at he wad care to
hear sayin' a lang screed o' a prayer till 'im. I hae but ae thing
to pray aboot.'</p>

<p id="ii.xxv-p41"><br />
</p>

<p id="ii.xxv-p42">'And what's that, Robert?'</p>

<p id="ii.xxv-p43"><br />
</p>

<p id="ii.xxv-p44">One of his silences had seized him. He looked confused, and
turned away.</p>

<p id="ii.xxv-p45"><br />
</p>

<p id="ii.xxv-p46">'Never mind,' said Miss St. John, anxious to relieve him, and
establish a comfortable relation between them; 'you will tell me
another time.'</p>

<p id="ii.xxv-p47"><br />
</p>

<p id="ii.xxv-p48">'I doobt no, mem,' answered Robert, with what most people would
think an excess of honesty.</p>

<p id="ii.xxv-p49"><br />
</p>

<p id="ii.xxv-p50">But Miss St. John made a better conjecture as to his apparent
closeness.</p>

<p id="ii.xxv-p51"><br />
</p>

<p id="ii.xxv-p52">'At all events,' she said, 'don't mind what your grannie may
think, so long as you have no wish to make her think it.
Good-night.'</p>

<p id="ii.xxv-p53"><br />
</p>

<p id="ii.xxv-p54">Had she been indeed an angel from heaven, Robert could not have
worshipped her more. And why should he? Was she less God's
messenger that she had beautiful arms instead of less beautiful
wings?</p>

<p id="ii.xxv-p55"><br />
</p>

<p id="ii.xxv-p56">He practised his scales till his unaccustomed fingers were
stiff, then shut the piano with reverence, and departed, carefully
peeping into the disenchanted region without the gates to see that
no enemy lay in wait for him as he passed beyond them. He closed
the door gently; and in one moment the rich lovely room and the
beautiful lady were behind him, and before him the bare stair
between two white-washed walls, and the long flagged transe that
led to his silent grandmother seated in her arm-chair, gazing into
the red coals--for somehow grannie's fire always glowed, and never
blazed--with her round-toed shoes pointed at them from the top of
her little wooden stool. He traversed the stair and the transe,
entered the parlour, and sat down to his open book as though
nothing had happened. But his grandmother saw the light in his
face, and did think he had just come from his prayers. And she
blessed God that he had put it into her heart to burn the
fiddle.</p>

<p id="ii.xxv-p57"><br />
</p>

<p id="ii.xxv-p58">The next night Robert took with him the miniature of his mother,
and showed it to Miss St. John, who saw at once that, whatever
might be his present surroundings, his mother must have been a
lady. A certain fancied resemblance in it to her own mother
likewise drew her heart to the boy. Then Robert took from his
pocket the gold thimble, and said,</p>

<p id="ii.xxv-p59"><br />
</p>

<p id="ii.xxv-p60">'This thimmel was my mamma's. Will ye tak it, mem, for ye ken
it's o' nae use to me.'</p>

<p id="ii.xxv-p61"><br />
</p>

<p id="ii.xxv-p62">Miss St. John hesitated for a moment.</p>

<p id="ii.xxv-p63"><br />
</p>

<p id="ii.xxv-p64">'I will keep it for you, if you like,' she said, for she could
not bear to refuse it.</p>

<p id="ii.xxv-p65"><br />
</p>

<p id="ii.xxv-p66">'Na, mem; I want ye to keep it to yersel'; for I'm sure my mamma
wad hae likit you to hae 't better nor ony ither body.'</p>

<p id="ii.xxv-p67"><br />
</p>

<p id="ii.xxv-p68">'Well, I will use it sometimes for your sake. But mind, I will
not take it from you; I will only keep it for you.'</p>

<p id="ii.xxv-p69"><br />
</p>

<p id="ii.xxv-p70">'Weel, weel, mem; gin ye'll keep it till I speir for 't, that'll
du weel eneuch,' answered Robert, with a smile.</p>

<p id="ii.xxv-p71"><br />
</p>

<p id="ii.xxv-p72">He laboured diligently; and his progress corresponded to his
labour. It was more than intellect that guided him: Falconer had
genius for whatever he cared for.</p>

<p id="ii.xxv-p73"><br />
</p>

<p id="ii.xxv-p74">Meantime the love he bore his teacher, and the influence of her
beauty, began to mould him, in his kind and degree, after her
likeness, so that he grew nice in his person and dress, and
smoothed the roughness and moderated the broadness of his speech
with the amenities of the English which she made so sweet upon her
tongue. He became still more obedient to his grandmother, and more
diligent at school; gathered to himself golden opinions without
knowing it, and was gradually developing into a rustic
gentleman.</p>

<p id="ii.xxv-p75"><br />
</p>

<p id="ii.xxv-p76">Nor did the piano absorb all his faculties. Every divine
influence tends to the rounded perfection of the whole. His love of
Nature grew more rapidly. Hitherto it was only in summer that he
had felt the presence of a power in her and yet above her: in
winter, now, the sky was true and deep, though the world was waste
and sad; and the tones of the wind that roared at night about the
goddess-haunted house, and moaned in the chimneys of the lowly
dwelling that nestled against it, woke harmonies within him which
already he tried to spell out falteringly. Miss St. John began to
find that he put expressions of his own into the simple things she
gave him to play, and even dreamed a little at his own will when
alone with the passive instrument. Little did Mrs. Falconer think
into what a seventh heaven of accursed music she had driven her
boy.</p>

<p id="ii.xxv-p77"><br />
</p>

<p id="ii.xxv-p78">But not yet did he tell his friend, much as he loved and much as
he trusted her, the little he knew of his mother's sorrows and his
father's sins, or whose the hand that had struck him when she found
him lying in the waste factory.</p>

<p id="ii.xxv-p79"><br />
</p>

<p id="ii.xxv-p80">For a time almost all his trouble about God went from him. Nor
do I think that this was only because he rarely thought of him at
all: God gave him of himself in Miss St. John. But words dropped
now and then from off the shelves where his old difficulties lay,
and they fell like seeds upon the heart of Miss St. John, took
root, and rose in thoughts: in the heart of a true woman the talk
of a child even will take life.</p>

<p id="ii.xxv-p81"><br />
</p>

<p id="ii.xxv-p82">One evening Robert rose from the table, not unwatched of his
grandmother, and sped swiftly and silently through the dark, as was
his custom, to enter the chamber of enchantment. Never before had
his hand failed to alight, sure as a lark on its nest, upon the
brass handle of the door that admitted him to his paradise. It
missed it now, and fell on something damp, and rough, and repellent
instead. Horrible, but true suspicion! While he was at school that
day, his grandmother, moved by what doubt or by what certainty she
never revealed, had had the doorway walled up. He felt the place
all over. It was to his hands the living tomb of his mother's vicar
on earth.</p>

<p id="ii.xxv-p83"><br />
</p>

<p id="ii.xxv-p84">He returned to his book, pale as death, but said never a word.
The next day the stones were plastered over.</p>

<p id="ii.xxv-p85"><br />
</p>

<p id="ii.xxv-p86">Thus the door of bliss vanished from the earth. And neither the
boy nor his grandmother ever said that it had been.</p>

<p id="ii.xxv-p87"><br />
</p>





</div2></div1>

    <div1 title="PART II.--HIS YOUTH." n="iii" shorttitle="" progress="33.75%" id="iii" prev="ii.xxv" next="iii.i">

<p id="iii-p1"><br />
</p>

<p id="iii-p2">PART II.--HIS YOUTH.</p>

<p id="iii-p3"><br />
</p>

      <div2 title="CHAPTER I.--ROBERT KNOCKS--AND THE DOOR IS NOT OPENED." n="i" shorttitle="" progress="33.75%" id="iii.i" prev="iii" next="iii.ii">

<p id="iii.i-p1"><br />
</p>

<p id="iii.i-p2">CHAPTER I.</p>

<p id="iii.i-p3"><br />
</p>

<p id="iii.i-p4">ROBERT KNOCKS--AND THE DOOR IS NOT OPENED.</p>

<p id="iii.i-p5"><br />
</p>

<p id="iii.i-p6">THE remainder of that winter was dreary indeed. Every time
Robert went up the stair to his garret, he passed the door of a
tomb. With that gray mortar Mary St. John was walled up, like the
nun he had read of in the <i>Marmion</i> she had lent him. He might
have rung the bell at the street door, and been admitted into the
temple of his goddess, but a certain vague terror of his grannie,
combined with equally vague qualms of conscience for having
deceived her, and the approach in the far distance of a ghastly
suspicion that violins, pianos, moonlight, and lovely women were
distasteful to the over-ruling Fate, and obnoxious to the vengeance
stored in the gray cloud of his providence, drove him from the
awful entrance of the temple of his Isis.</p>

<p id="iii.i-p7"><br />
</p>

<p id="iii.i-p8">Nor did Miss St. John dare to make any advances to the dreadful
old lady. She would wait. For Mrs. Forsyth, she cared nothing about
the whole affair. It only gave her fresh opportunity for smiling
condescensions about 'poor Mrs. Falconer.' So Paradise was over and
gone.</p>

<p id="iii.i-p9"><br />
</p>

<p id="iii.i-p10">But though the loss of Miss St. John and the piano was the last
blow, his sorrow did not rest there, but returned to brood over his
bonny lady. She was scattered to the winds. Would any of her ashes
ever rise in the corn, and moan in the ripening wind of autumn?
Might not some atoms of the <i>bonny leddy</i> creep into the pines
on the hill, whose 'soft and soul-like sounds' had taught him to
play the Flowers of the Forest on those strings which, like the
nerves of an amputated limb, yet thrilled through his being? Or
might not some particle find its way by winds and waters to
sycamore forest of Italy, there creep up through the channels of
its life to some finely-rounded curve of noble tree, on the side
that ever looks sunwards, and be chosen once again by the
violin-hunter, to be wrought into a new and fame-gathering
instrument?</p>

<p id="iii.i-p11"><br />
</p>

<p id="iii.i-p12">Could it be that his bonny lady had learned her wondrous music
in those forests, from the shine of the sun, and the sighing of the
winds through the sycamores and pines? For Robert knew that the
broad-leaved sycamore, and the sharp, needle-leaved pine, had each
its share in the violin. Only as the wild innocence of human
nature, uncorrupted by wrong, untaught by suffering, is to that
nature struggling out of darkness into light, such and so different
is the living wood, with its sweetest tones of obedient impulse,
answering only to the wind which bloweth where it listeth, to that
wood, chosen, separated, individualized, tortured into strange,
almost vital shape, after a law to us nearly unknown, strung with
strings from animal organizations, and put into the hands of man to
utter the feelings of a soul that has passed through a like
history. This Robert could not yet think, and had to grow able to
think it by being himself made an instrument of God's music.</p>

<p id="iii.i-p13"><br />
</p>

<p id="iii.i-p14">What he could think was that the glorious mystery of his bonny
leddy was gone for ever--and alas! she had no soul. Here was an
eternal sorrow. He could never meet her again. His affections,
which must live for ever, were set upon that which had passed away.
But the child that weeps because his mutilated doll will not rise
from the dead, shall yet find relief from his sorrow, a true
relief, both human and divine. He shall know that that which in the
doll made him love the doll, has not passed away. And Robert must
yet be comforted for the loss of his bonny leddy. If she had had a
soul, nothing but her own self could ever satisfy him. As she had
no soul, another body might take her place, nor occasion reproach
of inconstancy.</p>

<p id="iii.i-p15"><br />
</p>

<p id="iii.i-p16">But, in the meantime, the shears of Fate having cut the string
of the sky-soaring kite of his imagination, had left him with the
stick in his hand. And thus the rest of that winter was dreary
enough. The glow was out of his heart; the glow was out of the
world. The bleak, kindless wind was hissing through those pines
that clothed the hill above Bodyfauld, and over the dead garden,
where in the summer time the rose had looked down so lovingly on
the heartsease. If he had stood once more at gloaming in that
barley-stubble, not even the wail of Flodden-field would have found
him there, but a keen sense of personal misery and hopeless cold.
Was the summer a lie?</p>

<p id="iii.i-p17"><br />
</p>

<p id="iii.i-p18">Not so. The winter restrains, that the summer may have the
needful time to do its work well; for the winter is but the sleep
of summer.</p>

<p id="iii.i-p19"><br />
</p>

<p id="iii.i-p20">Now in the winter of his discontent, and in Nature finding no
help, Robert was driven inwards--into his garret, into his soul.
There, the door of his paradise being walled up, he began, vaguely,
blindly, to knock against other doors--sometimes against
stone-walls and rocks, taking them for doors--as travel-worn, and
hence brain-sick men have done in a desert of mountains. A door,
out or in, he must find, or perish.</p>

<p id="iii.i-p21"><br />
</p>

<p id="iii.i-p22">It fell, too, that Miss St. John went to visit some friends who
lived in a coast town twenty miles off; and a season of heavy snow
followed by frost setting in, she was absent for six weeks, during
which time, without a single care to trouble him from without,
Robert was in the very desert of desolation. His spirits sank
fearfully. He would pass his old music-master in the street with
scarce a recognition, as if the bond of their relation had been
utterly broken, had vanished in the smoke of the martyred violin,
and all their affection had gone into the dust-heap of the
past.</p>

<p id="iii.i-p23"><br />
</p>

<p id="iii.i-p24">Dooble Sanny's character did not improve. He took more and more
whisky, his bouts of drinking alternating as before with fits of
hopeless repentance. His work was more neglected than ever, and his
wife having no money to spend even upon necessaries, applied in
desperation to her husband's bottle for comfort. This comfort, to
do him justice, he never grudged her; and sometimes before midday
they would both be drunk--a condition expedited by the lack of
food. When they began to recover, they would quarrel fiercely; and
at last they became a nuisance to the whole street. Little did the
whisky-hating old lady know to what god she had really offered up
that violin--if the consequences of the holocaust can be admitted
as indicating the power which had accepted it.</p>

<p id="iii.i-p25"><br />
</p>

<p id="iii.i-p26">But now began to appear in Robert the first signs of a practical
outcome of such truth as his grandmother had taught him, operating
upon the necessities of a simple and earnest nature. Reality,
however lapt in vanity, or even in falsehood, cannot lose its
power. It <i>is</i>--the other is not. She had taught him to look
up--that there was a God. He would put it to the test. Not that he
doubted it yet: he only doubted whether there was a hearing God.
But was not that worse? It was, I think. For it is of far more
consequence what kind of a God, than whether a God or no. Let not
my reader suppose I think it possible there could be other than a
perfect God--perfect--even to the vision of his creatures, the
faith that supplies the lack of vision being yet faithful to that
vision. I speak from Robert's point of outlook. But, indeed,
whether better or worse is no great matter, so long as he would see
it or what there was. He had no comfort, and, without reasoning
about it, he felt that life ought to have comfort--from which point
he began to conclude that the only thing left was to try whether
the God in whom his grandmother believed might not help him. If the
God would but hear him, it was all he had yet learned to require of
his Godhood. And that must ever be the first thing to require. More
demands would come, and greater answers he would find. But now--if
God would but hear him! If he spoke to him but one kind word, it
would be the very soul of comfort; he could no more be lonely. A
fountain of glad imaginations gushed up in his heart at the
thought. What if, from the cold winter of his life, he had but to
open the door of his garret-room, and, kneeling by the bare
bedstead, enter into the summer of God's presence! What if God
spoke to him face to face! He had so spoken to Moses. He sought him
from no fear of the future, but from present desolation; and if God
came near to him, it would not be with storm and tempest, but with
the voice of a friend. And surely, if there was a God at all, that
is, not a power greater than man, but a power by whose power man
was, he must hear the voice of the creature whom he had made, a
voice that came crying out of the very need which he had created.
Younger people than Robert are capable of such divine metaphysics.
Hence he continued to disappear from his grandmother's parlour at
much the same hour as before. In the cold, desolate garret, he
knelt and cried out into that which lay beyond the thought that
cried, the unknowable infinite, after the God that may be known as
surely as a little child knows his mysterious mother. And from
behind him, the pale-blue, star-crowded sky shone upon his head,
through the window that looked upwards only.</p>

<p id="iii.i-p27"><br />
</p>

<p id="iii.i-p28">Mrs. Falconer saw that he still went away as he had been wont,
and instituted observations, the result of which was the knowledge
that he went to his own room. Her heart smote her, and she saw that
the boy looked sad and troubled. There was scarce room in her heart
for increase of love, but much for increase of kindness, and she
did increase it. In truth, he needed the smallest crumb of comfort
that might drop from the table of God's 'feastful friends.'</p>

<p id="iii.i-p29"><br />
</p>

<p id="iii.i-p30">Night after night he returned to the parlour cold to the very
heart. God was not to be found, he said then. He said afterwards
that even then 'God was with him though he knew it not.'</p>

<p id="iii.i-p31"><br />
</p>

<p id="iii.i-p32">For the very first night, the moment that he knelt and cried, 'O
Father in heaven, hear me, and let thy face shine upon me'--like a
flash of burning fire the words shot from the door of his heart: 'I
dinna care for him to love me, gin he doesna love ilka body;' and
no more prayer went from the desolate boy that night, although he
knelt an hour of agony in the freezing dark. Loyal to what he had
been taught, he struggled hard to reduce his rebellious will to
what he supposed to be the will of God. It was all in vain. Ever a
voice within him--surely the voice of that God who he thought was
not hearing--told him that what he wanted was the love belonging to
his human nature, his human needs--not the preference of a
court-favourite. He had a dim consciousness that he would be a
traitor to his race if he accepted a love, even from God, given him
as an exception from his kind. But he did not care to have such a
love. It was not what his heart yearned for. It was not <i>
love</i>. He could not love such a love. Yet he strove against it
all--fought for religion against right as he could; struggled to
reduce his rebellious feelings, to love that which was unlovely, to
choose that which was abhorrent, until nature almost gave way under
the effort. Often would he sink moaning on the floor, or stretch
himself like a corpse, save that it was face downwards, on the
boards of the bedstead. Night after night he returned to the
battle, but with no permanent <i>success</i>. What a success that
would have been! Night after night he came pale and worn from the
conflict, found his grandmother and Shargar composed, and in the
quietness of despair sat down beside them to his Latin version.</p>

<p id="iii.i-p33"><br />
</p>

<p id="iii.i-p34">He little thought, that every night, at the moment when he
stirred to leave the upper room, a pale-faced, red-eyed figure rose
from its seat on the top of the stair by the door, and sped with
long-legged noiselessness to resume its seat by the grandmother
before he should enter. Shargar saw that Robert was unhappy, and
the nearest he could come to the sharing of his unhappiness was to
take his place outside the door within which he had retreated.
Little, too, did Shargar, on his part, think that Robert, without
knowing it, was pleading for him inside--pleading for him and for
all his race in the weeping that would not be comforted.</p>

<p id="iii.i-p35"><br />
</p>

<p id="iii.i-p36">Robert had not the vaguest fancy that God was with him--the
spirit of the Father groaning with the spirit of the boy in
intercession that could not be uttered. If God had come to him then
and comforted him with the assurance of individual favour--but the
very supposition is a taking of his name in vain--had Robert found
comfort in the fancied assurance that God was his friend in
especial, that some private favour was granted to his prayers,
that, indeed, would have been to be left to his own inventions, to
bring forth not fruits meet for repentance, but fruits for which
repentance alone is meet. But God <i>was</i> with him, and was
indeed victorious in the boy when he rose from his knees, for the
last time, as he thought, saying, 'I cannot yield--I will pray no
more.'--With a burst of bitter tears he sat down on the bedside
till the loudest of the storm was over, then dried his dull eyes,
in which the old outlook had withered away, and trod unknowingly in
the silent footsteps of Shargar, who was ever one corner in advance
of him, down to the dreary lessons and unheeded prayers; but, thank
God, not to the sleepless night, for some griefs bring sleep the
sooner.</p>

<p id="iii.i-p37"><br />
</p>

<p id="iii.i-p38">My reader must not mistake my use of the words <i>especial</i>
and <i>private</i>, or suppose that I do not believe in an <i>
individual</i> relation between every man and God, yes, a <i>
peculiar</i> relation, differing from the relation between every
other man and God! But this very individuality and peculiarity can
only be founded on the broadest truths of the Godhood and the
manhood.</p>

<p id="iii.i-p39"><br />
</p>

<p id="iii.i-p40">Mrs. Falconer, ere she went to sleep, gave thanks that the boys
had been at their prayers together. And so, in a very deep sense,
they had.</p>

<p id="iii.i-p41"><br />
</p>

<p id="iii.i-p42">And well they might have been; for Shargar was nearly as
desolate as Robert, and would certainly, had his mother claimed him
now, have gone on the tramp with her again. Wherein could this
civilized life show itself to him better than that to which he had
been born? For clothing he cared little, and he had always managed
to kill his hunger or thirst, if at longer intervals, then with
greater satisfaction. Wherein is the life of that man who merely
does his eating and drinking and clothing after a civilized fashion
better than that of the gipsy or tramp? If the civilized man is
honest to boot, and gives good work in return for the bread or
turtle on which he dines, and the gipsy, on the other hand, steals
his dinner, I recognize the importance of the difference; but if
the rich man plunders the community by exorbitant profits, or
speculation with other people's money, while the gipsy adds a fowl
or two to the produce of his tinkering; or, once again, if the
gipsy is as honest as the honest citizen, which is not so rare a
case by any means as people imagine, I return to my question:
Wherein, I say, is the warm house, the windows hung with purple,
and the table covered with fine linen, more divine than the tent or
the blue sky, and the dipping in the dish? Why should not Shargar
prefer a life with the mother God had given him to a life with Mrs.
Falconer? Why should he prefer geography to rambling, or Latin to
Romany? His purposelessness and his love for Robert alone kept him
where he was.</p>

<p id="iii.i-p43"><br />
</p>

<p id="iii.i-p44">The next evening, having given up his praying, Robert sat with
his Sallust before him. But the fount of tears began to swell, and
the more he tried to keep it down, the more it went on swelling
till his throat was filled with a lump of pain. He rose and left
the room. But he could not go near the garret. That door too was
closed. He opened the house door instead, and went out into the
street. There, nothing was to be seen but faint blue air full of
moonlight, solid houses, and shining snow. Bareheaded he wandered
round the corner of the house to the window whence first he had
heard the sweet sounds of the pianoforte. The fire within lighted
up the crimson curtains, but no voice of music came forth. The
window was as dumb as the pale, faintly befogged moon overhead,
itself seeming but a skylight through which shone the sickly light
of the passionless world of the dead. Not a form was in the street.
The eyes of the houses gleamed here and there upon the snow. He
leaned his elbow on the window-sill behind which stood that sealed
fountain of lovely sound, looked up at the moon, careless of her or
of aught else in heaven or on earth, and sunk into a reverie, in
which nothing was consciously present but a stream of fog-smoke
that flowed slowly, listlessly across the face of the moon, like
the ghost of a dead cataract. All at once a wailful sound arose in
his head. He did not think for some time whether it was born in his
brain, or entered it from without. At length he recognized the
Flowers of the Forest, played as only the soutar could play it. But
alas! the cry responsive to his bow came only from the auld
wife--no more from the bonny leddy! Then he remembered that there
had been a humble wedding that morning on the opposite side of the
way; in the street department of the jollity of which Shargar had
taken a small share by firing a brass cannon, subsequently
confiscated by Mrs. Falconer. But this was a strange tune to play
at a wedding! The soutar half-way to his goal of drunkenness, had
begun to repent for the fiftieth time that year, had with his
repentance mingled the memory of the bonny leddy ruthlessly
tortured to death for his wrong, and had glided from a strathspey
into that sorrowful moaning. The lament interpreted itself to his
disconsolate pupil as he had never understood it before, not even
in the stubble-field; for it now spoke his own feelings of waste
misery, forsaken loneliness. Indeed Robert learned more of music in
those few minutes of the foggy winter night and open street, shut
out of all doors, with the tones of an ancient grief and
lamentation floating through the blotted moonlight over his
ever-present sorrow, than he could have learned from many lessons
even of Miss St. John. He was cold to the heart, yet went in a
little comforted.</p>

<p id="iii.i-p45"><br />
</p>

<p id="iii.i-p46">Things had gone ill with him. Outside of Paradise, deserted of
his angel, in the frost and the snow, the voice of the despised
violin once more the source of a sad comfort! But there is no
better discipline than an occasional descent from what we count
well-being, to a former despised or less happy condition. One of
the results of this taste of damnation in Robert was, that when he
was in bed that night, his heart began to turn gently towards his
old master. How much did he not owe him, after all! Had he not
acted ill and ungratefully in deserting him? His own vessel filled
to the brim with grief, had he not let the waters of its bitterness
overflow into the heart of the soutar? The wail of that violin
echoed now in Robert's heart, not for Flodden, not for himself, but
for the debased nature that drew forth the plaint. Comrades in
misery, why should they part? What right had he to forsake an old
friend and benefactor because he himself was unhappy? He would go
and see him the very next night. And he would make friends once
more with the much 'suffering instrument' he had so wrongfully
despised.</p>

<p id="iii.i-p47"><br />
</p>

<p id="iii.i-p48"><br />
</p>

</div2>

      <div2 title="CHAPTER II.--THE STROKE." n="ii" shorttitle="" progress="35.35%" id="iii.ii" prev="iii.i" next="iii.iii">

<p id="iii.ii-p1"><br />
</p>

<p id="iii.ii-p2">CHAPTER II.</p>

<p id="iii.ii-p3"><br />
</p>

<p id="iii.ii-p4">THE STROKE.</p>

<p id="iii.ii-p5"><br />
</p>

<p id="iii.ii-p6">THE following night, he left his books on the table, and the
house itself behind him, and sped like a grayhound to Dooble
Sanny's shop, lifted the latch, and entered.</p>

<p id="iii.ii-p7"><br />
</p>

<p id="iii.ii-p8">By the light of a single dip set on a chair, he saw the
shoemaker seated on his stool, one hand lying on the lap of his
leathern apron, his other hand hanging down by his side, and the
fiddle on the ground at his feet. His wife stood behind him, wiping
her eyes with her blue apron. Through all its accumulated dirt, the
face of the soutar looked ghastly, and they were eyes of despair
that he lifted to the face of the youth as he stood holding the
latch in his hand. Mrs. Alexander moved towards Robert, drew him
in, and gently closed the door behind him, resuming her station
like a sculptured mourner behind her motionless husband.</p>

<p id="iii.ii-p9"><br />
</p>

<p id="iii.ii-p10">'What on airth's the maitter wi' ye, Sandy?' said Robert.</p>

<p id="iii.ii-p11"><br />
</p>

<p id="iii.ii-p12">'Eh, Robert!' returned the shoemaker, and a tone of affection
tinged the mournfulness with which he uttered the strange
words--'eh, Robert! the Almichty <i>will</i> gang his ain gait, and
I'm in his grup noo.'</p>

<p id="iii.ii-p13"><br />
</p>

<p id="iii.ii-p14">'He's had a stroke,' said his wife, without removing her apron
from her eyes.</p>

<p id="iii.ii-p15"><br />
</p>

<p id="iii.ii-p16">'I hae gotten my pecks (<i>blows</i>),' resumed the soutar, in a
despairing voice, which gave yet more effect to the fantastic
eccentricity of conscience which from the midst of so many grave
faults chose such a one as especially bringing the divine
displeasure upon him: 'I hae gotten my pecks for cryin' doon my ain
auld wife to set up your bonny leddy. The tane's gane a' to aise
an' stew (<i>ashes and dust</i>), an' frae the tither,' he went on,
looking down on the violin at his feet as if it had been something
dead in its youth--'an' frae the tither I canna draw a cheep, for
my richt han' has forgotten her cunnin' Man, Robert, I canna lift
it frae my side.'</p>

<p id="iii.ii-p17"><br />
</p>

<p id="iii.ii-p18">'Ye maun gang to yer bed,' said Robert, greatly concerned.</p>

<p id="iii.ii-p19"><br />
</p>

<p id="iii.ii-p20">'Ow, ay, I maun gang to my bed, and syne to the kirkyaird, and
syne to hell, I ken that weel eneuch. Robert, I lea my fiddle to
you. Be guid to the auld wife, man--better nor I hae been. An auld
wife's better nor nae fiddle.'</p>

<p id="iii.ii-p21"><br />
</p>

<p id="iii.ii-p22">He stooped, lifted the violin with his left hand, gave it to
Robert, rose, and made for the door. They helped him up the
creaking stair, got him half-undressed, and laid him in his bed.
Robert put the violin on the top of a press within sight of the
sufferer, left him groaning, and ran for the doctor. Having seen
him set out for the patient's dwelling, he ran home to his
grandmother.</p>

<p id="iii.ii-p23"><br />
</p>

<p id="iii.ii-p24">Now while Robert was absent, occasion had arisen to look for
him: unusual occurrence, a visitor had appeared, no less a person
than Mr. Innes, the school-master. Shargar had been banished in
consequence from the parlour, and had seated himself outside
Robert's room, never doubting that Robert was inside. Presently he
heard the bell ring, and then Betty came up the stair, and said
Robert was wanted. Thereupon Shargar knocked at the door, and as
there was neither voice nor hearing, opened it, and found, with a
well-known horror, that he had been watching an empty room. He made
no haste to communicate the fact. Robert might return in a moment,
and his absence from the house not be discovered. He sat down on
the bedstead and waited. But Betty came up again, and before
Shargar could prevent her, walked into the room with her candle in
her hand. In vain did Shargar intreat her to go and say that Robert
was coming. Betty would not risk the danger of discovery in
connivance, and descended to open afresh the fountain of the old
lady's anxiety. She did not, however, betray her disquietude to Mr.
Innes.</p>

<p id="iii.ii-p25"><br />
</p>

<p id="iii.ii-p26">She had asked the school-master to visit her, in order that she
might consult him about Robert's future. Mr. Innes expressed a high
opinion of the boy's faculties and attainments, and strongly urged
that he should be sent to college. Mrs. Falconer inwardly shuddered
at the temptations to which this course would expose him; but he
must leave home or be apprentice to some trade. She would have
chosen the latter, I believe, but for religion towards the boy's
parents, who would never have thought of other than a profession
for him. While the school-master was dwelling on the argument that
he was pretty sure to gain a good <i>bursary</i>, and she would
thus be relieved for four years, probably for ever, from further
expense on his account, Robert entered.</p>

<p id="iii.ii-p27"><br />
</p>

<p id="iii.ii-p28">'Whaur hae ye been, Robert?' asked Mrs. Falconer.</p>

<p id="iii.ii-p29"><br />
</p>

<p id="iii.ii-p30">'At Dooble Sanny's,' answered the boy.</p>

<p id="iii.ii-p31"><br />
</p>

<p id="iii.ii-p32">'What hae ye been at there?'</p>

<p id="iii.ii-p33"><br />
</p>

<p id="iii.ii-p34">'Helpin' him till 's bed.'</p>

<p id="iii.ii-p35"><br />
</p>

<p id="iii.ii-p36">'What's come ower him?'</p>

<p id="iii.ii-p37"><br />
</p>

<p id="iii.ii-p38">'A stroke.'</p>

<p id="iii.ii-p39"><br />
</p>

<p id="iii.ii-p40">'That's what comes o' playin' the fiddle.'</p>

<p id="iii.ii-p41"><br />
</p>

<p id="iii.ii-p42">'I never heard o' a stroke comin' frae a fiddle, grannie. It
comes oot o' a clood whiles. Gin he had hauden till 's fiddle, he
wad hae been playin' her the nicht, in place o' 's airm lyin' at 's
side like a lang lingel (<i>ligneul--shoemaker's thread</i>).'</p>

<p id="iii.ii-p43"><br />
</p>

<p id="iii.ii-p44">'Hm!' said his grandmother, concealing her indignation at this
freedom of speech, 'ye dinna believe in God's judgments!'</p>

<p id="iii.ii-p45"><br />
</p>

<p id="iii.ii-p46">'Nae upo' fiddles,' returned Robert.</p>

<p id="iii.ii-p47"><br />
</p>

<p id="iii.ii-p48">Mr. Innes sat and said nothing, with difficulty concealing his
amusement at this passage of arms.</p>

<p id="iii.ii-p49"><br />
</p>

<p id="iii.ii-p50">It was but within the last few days that Robert had become
capable of speaking thus. His nature had at length arrived at the
point of so far casting off the incubus of his grandmother's
authority as to assert some measure of freedom and act openly. His
very hopelessness of a hearing in heaven had made him indifferent
to things on earth, and therefore bolder. Thus, strange as it may
seem, the blessing of God descended on him in the despair which
enabled him to speak out and free his soul from the weight of
concealment. But it was not despair alone that gave him strength.
On his way home from the shoemaker's he had been thinking what he
could do for him; and had resolved, come of it what might, that he
would visit him every evening, and try whether he could not comfort
him a little by playing upon his violin. So that it was
loving-kindness towards man, as well as despair towards God, that
gave him strength to resolve that between him and his grandmother
all should be above-board from henceforth.</p>

<p id="iii.ii-p51"><br />
</p>

<p id="iii.ii-p52">'Nae upo' fiddles,' Robert had said.</p>

<p id="iii.ii-p53"><br />
</p>

<p id="iii.ii-p54">'But upo' them 'at plays them,' returned his grandmother.</p>

<p id="iii.ii-p55"><br />
</p>

<p id="iii.ii-p56">'Na; nor upo' them 'at burns them,' retorted Robert--impudently
it must be confessed; for every man is open to commit the fault of
which he is least capable.</p>

<p id="iii.ii-p57"><br />
</p>

<p id="iii.ii-p58">But Mrs. Falconer had too much regard to her own dignity to
indulge her feelings. Possibly too her sense of justice, which
Falconer always said was stronger than that of any other woman he
had ever known, as well as some movement of her conscience
interfered. She was silent, and Robert rushed into the breach which
his last discharge had effected.</p>

<p id="iii.ii-p59"><br />
</p>

<p id="iii.ii-p60">'An' I want to tell ye, grannie, that I mean to gang an' play
the fiddle to puir Sanny ilka nicht for the best pairt o' an hoor;
an' excep' ye lock the door an' hide the key, I <i>will</i> gang.
The puir sinner sanna be desertit by God an' man baith.'</p>

<p id="iii.ii-p61"><br />
</p>

<p id="iii.ii-p62">He scarcely knew what he was saying before it was out of his
mouth; and as if to cover it up, he hurried on.</p>

<p id="iii.ii-p63"><br />
</p>

<p id="iii.ii-p64">'An' there's mair in 't.--Dr. Anderson gae Shargar an' me a
sovereign the piece. An' Dooble Sanny s' hae them, to haud him ohn
deid o' hunger an' cauld.'</p>

<p id="iii.ii-p65"><br />
</p>

<p id="iii.ii-p66">'What for didna ye tell me 'at Dr. Anderson had gien ye sic a
sicht o' siller? It was ill-faured o' ye--an' him as weel.'</p>

<p id="iii.ii-p67"><br />
</p>

<p id="iii.ii-p68">''Cause ye wad hae sent it back till 'im; an' Shargar and me we
thocht we wad raither keep it.'</p>

<p id="iii.ii-p69"><br />
</p>

<p id="iii.ii-p70">'Considerin' 'at I'm at sae muckle expense wi' ye baith, it
wadna hae been ill-contrived to hae brocht the siller to me, an'
latten me du wi' 't as I thocht fit.--Gang na awa', laddie,' she
added, as she saw Robert about to leave the room.</p>

<p id="iii.ii-p71"><br />
</p>

<p id="iii.ii-p72">'I'll be back in a minute, grannie,' returned Robert.</p>

<p id="iii.ii-p73"><br />
</p>

<p id="iii.ii-p74">'He's a fine lad, that!' said Mr. Innes; 'an' guid 'll come o'
'm, and that 'll be heard tell o'.'</p>

<p id="iii.ii-p75"><br />
</p>

<p id="iii.ii-p76">'Gin he had but the grace o' God, there wadna be muckle to
compleen o',' acquiesced his grandmother.</p>

<p id="iii.ii-p77"><br />
</p>

<p id="iii.ii-p78">'There's time eneuch for that, Mrs. Faukner. Ye canna get auld
heids upo' young shoothers, ye ken.'</p>

<p id="iii.ii-p79"><br />
</p>

<p id="iii.ii-p80">''Deed for that maitter, ye may get mony an auld heid upo' auld
shoothers, and nae a spark o' grace in 't to lat it see hoo to lay
itsel' doon i' the grave.'</p>

<p id="iii.ii-p81"><br />
</p>

<p id="iii.ii-p82">Robert returned before Mr. Innes had made up his mind as to
whether the old lady intended a personal rebuke.</p>

<p id="iii.ii-p83"><br />
</p>

<p id="iii.ii-p84">'Hae, grannie,' he said, going up to her, and putting the two
sovereigns in her white palm.</p>

<p id="iii.ii-p85"><br />
</p>

<p id="iii.ii-p86">He had found some difficulty in making Shargar give up his, else
he would have returned sooner.</p>

<p id="iii.ii-p87"><br />
</p>

<p id="iii.ii-p88">'What's this o' 't, laddie?' said Mrs. Falconer. 'Hoots! I'm nae
gaein' to tak yer siller. Lat the puir soutar-craturs hae 't. But
dinna gie them mair nor a shillin' or twa at ance--jist to haud
them in life. They deserve nae mair. But they maunna sterve. And
jist ye tell them, laddie, at gin they spen' ae saxpence o' 't upo'
whusky, they s' get nae mair.'</p>

<p id="iii.ii-p89"><br />
</p>

<p id="iii.ii-p90">'Ay, ay, grannie,' responded Robert, with a glimmer of gladness
in his heart. 'And what aboot the fiddlin', grannie?' he added,
half playfully, hoping for some kind concession therein as
well.</p>

<p id="iii.ii-p91"><br />
</p>

<p id="iii.ii-p92">But he had gone too far. She vouchsafed no reply, and her face
grew stern with offence. It was one thing to give bread to eat,
another to give music and gladness. No music but that which sprung
from effectual calling and the perseverance of the saints could be
lawful in a world that was under the wrath and curse of God. Robert
waited in vain for a reply.</p>

<p id="iii.ii-p93"><br />
</p>

<p id="iii.ii-p94">'Gang yer wa's,' she said at length. 'Mr. Innes and me has some
business to mak an en' o', an' we want nae assistance.'</p>

<p id="iii.ii-p95"><br />
</p>

<p id="iii.ii-p96">Robert rejoined Shargar, who was still bemoaning the loss of his
sovereign. His face brightened when he saw its well-known yellow
shine once more, but darkened again as soon as Robert told him to
what service it was now devoted.</p>

<p id="iii.ii-p97"><br />
</p>

<p id="iii.ii-p98">'It's my ain,' he said, with a suppressed expostulatory
growl.</p>

<p id="iii.ii-p99"><br />
</p>

<p id="iii.ii-p100">Robert threw the coin on the floor.</p>

<p id="iii.ii-p101"><br />
</p>

<p id="iii.ii-p102">'Tak yer filthy lucre!' he exclaimed with contempt, and turned
to leave Shargar alone in the garret with his sovereign.</p>

<p id="iii.ii-p103"><br />
</p>

<p id="iii.ii-p104">'Bob!' Shargar almost screamed, 'tak it, or I'll cut my
throat.'</p>

<p id="iii.ii-p105"><br />
</p>

<p id="iii.ii-p106">This was his constant threat when he was thoroughly in
earnest.</p>

<p id="iii.ii-p107"><br />
</p>

<p id="iii.ii-p108">'Cut it, an' hae dune wi' 't,' said Robert cruelly.</p>

<p id="iii.ii-p109"><br />
</p>

<p id="iii.ii-p110">Shargar burst out crying.</p>

<p id="iii.ii-p111"><br />
</p>

<p id="iii.ii-p112">'Len' me yer knife, than, Bob,' he sobbed, holding out his
hand.</p>

<p id="iii.ii-p113"><br />
</p>

<p id="iii.ii-p114">Robert burst into a roar of laughter, caught up the sovereign
from the floor, sped with it to the baker's, who refused to change
it because he had no knowledge of anything representing the sum of
twenty shillings except a pound-note, succeeded in getting silver
for it at the bank, and then ran to the soutar's.</p>

<p id="iii.ii-p115"><br />
</p>

<p id="iii.ii-p116">After he left the parlour, the discussion of his fate was
resumed and finally settled between his grandmother and the
school-master. The former, in regard of the boy's determination to
befriend the shoemaker in the matter of music as well as of money,
would now have sent him at once to the grammar-school in Old
Aberdeen, to prepare for the <i>competition</i> in the month of
November; but the latter persuaded her that if the boy gave his
whole attention to Latin till the next summer, and then went to the
grammar-school for three months or so, he would have an excellent
chance of success. As to the violin, the school-master said, wisely
enough:</p>

<p id="iii.ii-p117"><br />
</p>

<p id="iii.ii-p118">'He that <i>will</i> to Cupar <i>maun</i> to Cupar; and gin ye
kep (<i>intercept</i>) him upo' the shore-road, he'll tak to the
hill-road; an' I s' warran' a braw lad like Robert 'll get mony a
ane in Ebberdeen 'll be ready eneuch to gie him a lift wi' the
fiddle, and maybe tak him into waur company nor the puir bed-ridden
soutar; an' wi' you an' me to hing on to the tail o' 'im like, he
canna gang ower the scar (<i>cliff</i>) afore he learns wit.'</p>

<p id="iii.ii-p119"><br />
</p>

<p id="iii.ii-p120">'Hm!' was the old lady's comprehensive response.</p>

<p id="iii.ii-p121"><br />
</p>

<p id="iii.ii-p122">It was further arranged that Robert should be informed of their
conclusion, and so roused to effort in anticipation of the trial
upon which his course in life must depend.</p>

<p id="iii.ii-p123"><br />
</p>

<p id="iii.ii-p124">Nothing could have been better for Robert than the prospect of a
college education. But his first thought at the news was not of the
delights of learning nor of the honourable course that would ensue,
but of Eric Ericson, the poverty-stricken, friendless descendant of
yarls and sea-rovers. He would see <i>him</i>--the only man that
understood him! Not until the passion of this thought had abated,
did he begin to perceive the other advantages before him. But so
practical and thorough was he in all his proposals and means, that
ere half-an-hour was gone, he had begun to go over his Rudiments
again. He now wrote a version, or translation from English into
Latin, five times a week, and read Caeser, Virgil, or Tacitus,
every day. He gained permission from his grandmother to remove his
bed to his own garret, and there, from the bedstead at which he no
longer kneeled, he would often rise at four in the morning, even
when the snow lay a foot thick on the skylight, kindle his lamp by
means of a tinder-box and a splinter of wood dipped in sulphur, and
sitting down in the keen cold, turn half a page of Addison into
something as near Ciceronian Latin as he could effect. This would
take him from an hour and a half to two hours, when he would tumble
again into bed, blue and stiff, and sleep till it was time to get
up and go to the morning school before breakfast. His health was
excellent, else it could never have stood such treatment.</p>

<p id="iii.ii-p125"><br />
</p>

<p id="iii.ii-p126"><br />
</p>

</div2>

      <div2 title="CHAPTER III.--'THE END CROWNS ALL'." n="iii" shorttitle="" progress="36.49%" id="iii.iii" prev="iii.ii" next="iii.iv">

<p id="iii.iii-p1"><br />
</p>

<p id="iii.iii-p2">CHAPTER III.</p>

<p id="iii.iii-p3"><br />
</p>

<p id="iii.iii-p4">'THE END CROWNS ALL'.</p>

<p id="iii.iii-p5"><br />
</p>

<p id="iii.iii-p6">His sole relaxation almost lay in the visit he paid every
evening to the soutar and his wife. Their home was a wretched
place; but notwithstanding the poverty in which they were now sunk,
Robert soon began to see a change, like the dawning of light, an
<i>alba</i>, as the Italians call the dawn, in the appearance of
something white here and there about the room. Robert's visits had
set the poor woman trying to make the place look decent. It soon
became at least clean, and there is a very real sense in which
cleanliness is next to godliness. If the people who want to do good
among the poor would give up patronizing them, would cease from
trying to convert them before they have gained the smallest
personal influence with them, would visit them as those who have
just as good a right to be here as they have, it would be all the
better for both, perhaps chiefly for themselves.</p>

<p id="iii.iii-p7"><br />
</p>

<p id="iii.iii-p8">For the first week or so, Alexander, unable either to work or
play, and deprived of his usual consolation of drink, was very
testy and unmanageable. If Robert, who strove to do his best, in
the hope of alleviating the poor fellow's sufferings--chiefly those
of the mind--happened to mistake the time or to draw a false note
from the violin, Sandy would swear as if he had been the Grand Turk
and Robert one of his slaves. But Robert was too vexed with
himself, when he gave occasion to such an outburst, to mind the
outburst itself. And invariably when such had taken place, the
shoemaker would ask forgiveness before he went. Holding out his
left hand, from which nothing could efface the stains of rosin and
lamp-black and heel-ball, save the sweet cleansing of mother-earth,
he would say,</p>

<p id="iii.iii-p9"><br />
</p>

<p id="iii.iii-p10">'Robert, ye'll jist pit the sweirin' doon wi' the lave
(<i>rest</i>), an' score 't oot a'thegither. I'm an ill-tongued
vratch, an' I'm beginnin' to see 't. But, man, ye're jist behavin'
to me like God himsel', an' gin it warna for you, I wad jist lie
here roarin' an' greitin' an' damnin' frae mornin' to nicht.--Ye
<i>will</i> be in the morn's night--willna ye?' he would always end
by asking with some anxiety.</p>

<p id="iii.iii-p11"><br />
</p>

<p id="iii.iii-p12">'Of coorse I will,' Robert would answer.</p>

<p id="iii.iii-p13"><br />
</p>

<p id="iii.iii-p14">'Gude nicht, than, gude nicht.--I'll try and get a sicht o' my
sins ance mair,' he added, one evening. 'Gin I could only be a wee
bit sorry for them, I reckon he wad forgie me. Dinna ye think he
wad, Robert?'</p>

<p id="iii.iii-p15"><br />
</p>

<p id="iii.iii-p16">'Nae doobt, nae doobt,' answered Robert hurriedly. 'They a' say
'at gin a man repents the richt gait, he'll forgie him.'</p>

<p id="iii.iii-p17"><br />
</p>

<p id="iii.iii-p18">He could not say more than 'They say,' for his own horizon was
all dark, and even in saying this much he felt like a hypocrite. A
terrible waste, heaped thick with the potsherds of hope, lay
outside that door of prayer which he had, as he thought, nailed up
for ever.</p>

<p id="iii.iii-p19"><br />
</p>

<p id="iii.iii-p20">'An' what <i>is</i> the richt gait?' asked the soutar.</p>

<p id="iii.iii-p21"><br />
</p>

<p id="iii.iii-p22">''Deed, that's mair nor I ken, Sandy,' answered Robert
mournfully.</p>

<p id="iii.iii-p23"><br />
</p>

<p id="iii.iii-p24">'Weel, gin <i>ye</i> dinna ken, what's to come o' <i>me</i>?'
said Alexander anxiously.</p>

<p id="iii.iii-p25"><br />
</p>

<p id="iii.iii-p26">'Ye maun speir at himsel',' returned Robert, 'an' jist tell him
'at ye dinna ken, but ye'll do onything 'at he likes.'</p>

<p id="iii.iii-p27"><br />
</p>

<p id="iii.iii-p28">With these words he took his leave hurriedly, somewhat amazed to
find that he had given the soutar the strange advice to try just
what he had tried so unavailingly himself. And stranger still, he
found himself, before he reached home, praying once more in his
heart--both for Dooble Sanny and for himself. From that hour a
faint hope was within him that some day he might try again, though
he dared not yet encounter such effort and agony.</p>

<p id="iii.iii-p29"><br />
</p>

<p id="iii.iii-p30">All this time he had never doubted that there was God; nor had
he ventured to say within himself that perhaps God was not good; he
had simply come to the conclusion that for him there was no
approach to the fountain of his being.</p>

<p id="iii.iii-p31"><br />
</p>

<p id="iii.iii-p32">In the course of a fortnight or so, when his system had covered
over its craving after whisky, the irritability of the shoemaker
almost vanished. It might have been feared that his conscience
would then likewise relax its activity; but it was not so: it grew
yet more tender. He now began to give Robert some praise, and make
allowances for his faults, and Robert dared more in consequence,
and played with more spirit. I do not say that his style could have
grown fine under such a master, but at least he learned the
difference between slovenliness and accuracy, and between accuracy
and expression, which last is all of original that the best mere
performer can claim.</p>

<p id="iii.iii-p33"><br />
</p>

<p id="iii.iii-p34">One evening he was scraping away at Tullochgorum when Mr.
Maccleary walked in. Robert ceased. The minister gave him one
searching glance, and sat down by the bedside. Robert would have
left the room.</p>

<p id="iii.iii-p35"><br />
</p>

<p id="iii.iii-p36">'Dinna gang, Robert,' said Sandy, and Robert remained.</p>

<p id="iii.iii-p37"><br />
</p>

<p id="iii.iii-p38">The clergyman talked very faithfully as far as the shoemaker was
concerned; though whether he was equally faithful towards God might
be questioned. He was one of those prudent men, who are afraid of
dealing out the truth freely lest it should fall on thorns or stony
places. Hence of course the good ground came in for a scanty share
too. Believing that a certain precise condition of mind was
necessary for its proper reception, he would endeavour to bring
about that condition first. He did not know that the truth makes
its own nest in the ready heart, and that the heart may be ready
for it before the priest can perceive the fact, seeing that the
imposition of hands confers, now-a-days at least, neither love nor
common-sense. He therefore dwelt upon the sins of the soutar,
magnifying them and making them hideous, in the idea that thus he
magnified the law, and made it honourable, while of the special
tenderness of God to the sinner he said not a word. Robert was
offended, he scarcely knew why, with the minister's mode of
treating his friend; and after Mr. Maccleary had taken a far kinder
leave of them than God could approve, if he resembled his
representation, Robert sat still, oppressed with darkness.</p>

<p id="iii.iii-p39"><br />
</p>

<p id="iii.iii-p40">'It's a' true,' said the soutar; 'but, man Robert, dinna ye
think the minister was some sair upo' me?'</p>

<p id="iii.iii-p41"><br />
</p>

<p id="iii.iii-p42">'I duv think it,' answered Robert.</p>

<p id="iii.iii-p43"><br />
</p>

<p id="iii.iii-p44">'Something beirs 't in upo' me 'at he wadna be sae sair upo' me
himsel'. There's something i' the New Testament, some gait, 'at's
pitten 't into my heid; though, faith, I dinna ken whaur to luik
for 't. Canna ye help me oot wi' 't, man?'</p>

<p id="iii.iii-p45"><br />
</p>

<p id="iii.iii-p46">Robert could think of nothing but the parable of the prodigal
son. Mrs. Alexander got him the New Testament, and he read it. She
sat at the foot of the bed listening.</p>

<p id="iii.iii-p47"><br />
</p>

<p id="iii.iii-p48">'There!' cried the soutar, triumphantly, 'I telled ye sae! Not
ae word aboot the puir lad's sins! It was a' a hurry an' a scurry
to get the new shune upo' 'im, an' win at the calfie an' the
fiddlin' an' the dancin'.--O Lord,' he broke out, 'I'm comin' hame
as fest 's I can; but my sins are jist like muckle bauchles
(<i>shoes down at heel</i>) upo' my feet and winna lat me. I expec'
nae ring and nae robe, but I wad fain hae a fiddle i' my grup when
the neist prodigal comes hame; an' gin I dinna fiddle weel, it s'
no be my wyte.--Eh, man! but that is what I ca' gude, an' a' the
minister said--honest man--'s jist blether till 't.--O Lord, I
sweir gin ever I win up again, I'll put in ilka steek
(<i>stitch</i>) as gin the shune war for the feet o' the prodigal
himsel'. It sall be gude wark, O Lord. An' I'll never lat taste o'
whusky intil my mou'--nor smell o' whusky intil my nose, gin sae be
'at I can help it--I sweir 't, O Lord. An' gin I binna raised up
again--'</p>

<p id="iii.iii-p49"><br />
</p>

<p id="iii.iii-p50">Here his voice trembled and ceased, and silence endured for a
short minute. Then he called his wife.</p>

<p id="iii.iii-p51"><br />
</p>

<p id="iii.iii-p52">'Come here, Bell. Gie me a kiss, my bonny lass. I hae been an
ill man to you.'</p>

<p id="iii.iii-p53"><br />
</p>

<p id="iii.iii-p54">'Na, na, Sandy. Ye hae aye been gude to me--better nor I
deserved. Ye hae been naebody's enemy but yer ain.'</p>

<p id="iii.iii-p55"><br />
</p>

<p id="iii.iii-p56">'Haud yer tongue. Ye're speykin' waur blethers nor the minister,
honest man! I tell ye I hae been a damned scoon'rel to ye. I haena
even hauden my han's aff o' ye. And eh! ye war a bonny lass whan I
merried ye. I hae blaudit (<i>spoiled</i>) ye a'thegither. But gin
I war up, see gin I wadna gie ye a new goon, an' that wad be
something to make ye like yersel' again. I'm affrontet wi' mysel'
'at I had been sic a brute o' a man to ye. But ye maun forgie me
noo, for I do believe i' my hert 'at the Lord's forgien me. Gie me
anither kiss, lass. God be praised, and mony thanks to <i>you!</i>
Ye micht hae run awa' frae me lang or noo, an' a'body wad hae said
ye did richt.--Robert, play a spring.'</p>

<p id="iii.iii-p57"><br />
</p>

<p id="iii.iii-p58">Absorbed in his own thoughts, Robert began to play The Ewie wi'
the Crookit Horn.</p>

<p id="iii.iii-p59"><br />
</p>

<p id="iii.iii-p60">'Hoots! hoots!' cried Sandy angrily. 'What are ye aboot? Nae
mair o' that. I hae dune wi' that. What's i' the heid o' ye,
man?'</p>

<p id="iii.iii-p61"><br />
</p>

<p id="iii.iii-p62">'What'll I play than, Sandy?' asked Robert meekly.</p>

<p id="iii.iii-p63"><br />
</p>

<p id="iii.iii-p64">'Play The Lan' o' the Leal, or My Nannie's awa,', or something
o' that kin'. I'll be leal to ye noo, Bell. An' we winna pree o'
the whusky nae mair, lass.'</p>

<p id="iii.iii-p65"><br />
</p>

<p id="iii.iii-p66">'I canna bide the smell o' 't,' cried Bell, sobbing.</p>

<p id="iii.iii-p67"><br />
</p>

<p id="iii.iii-p68">Robert struck in with The Lan' o' the Leal. When he had played
it over two or three times, he laid the fiddle in its place, and
departed--able just to see, by the light of the neglected candle,
that Bell sat on the bedside stroking the <i>rosiny</i> hand of her
husband, the rhinoceros-hide of which was yet delicate enough to
let the love through to his heart.</p>

<p id="iii.iii-p69"><br />
</p>

<p id="iii.iii-p70">After this the soutar never called his fiddle his <i>auld
wife</i>.</p>

<p id="iii.iii-p71"><br />
</p>

<p id="iii.iii-p72">Robert walked home with his head sunk on his breast. Dooble
Sanny, the drinking, ranting, swearing soutar, was inside the
wicket-gate; and he was left outside for all his prayers, with the
arrows from the castle of Beelzebub sticking in his back. He would
have another try some day--but not yet--he dared not yet.</p>

<p id="iii.iii-p73"><br />
</p>

<p id="iii.iii-p74">Henceforth Robert had more to do in reading the New Testament
than in the fiddle to the soutar, though they never parted without
an air or two. Sandy continued hopeful and generally cheerful, with
alternations which the reading generally fixed on the right side
for the night. Robert never attempted any comments, but left him to
take from the word what nourishment he could. There was no return
of strength to the helpless arm, and his constitution was gradually
yielding.</p>

<p id="iii.iii-p75"><br />
</p>

<p id="iii.iii-p76">The rumour got abroad that he was a 'changed character,'--how is
not far to seek, for Mr. Maccleary fancied himself the honoured
instrument of his conversion, whereas paralysis and the New
Testament were the chief agents, and even the violin had more share
in it than the minister. For the spirit of God lies all about the
spirit of man like a mighty sea, ready to rush in at the smallest
chink in the walls that shut him out from his own--walls which even
the tone of a violin afloat on the wind of that spirit is sometimes
enough to rend from battlement to base, as the blast of the rams'
horns rent the walls of Jericho. And now to the day of his death,
the shoemaker had need of nothing. Food, wine, and delicacies were
sent him by many who, while they considered him outside of the
kingdom, would have troubled themselves in no way about him. What
with visits of condolence and flattery, inquiries into his
experience, and long prayers by his bedside, they now did their
best to send him back among the swine. The soutar's humour,
however, aided by his violin, was a strong antidote against these
evil influences.</p>

<p id="iii.iii-p77"><br />
</p>

<p id="iii.iii-p78">'I doobt I'm gaein' to dee, Robert,' he said at length one
evening as the lad sat by his bedside.</p>

<p id="iii.iii-p79"><br />
</p>

<p id="iii.iii-p80">'Weel, that winna do ye nae ill,' answered Robert, adding with
just a touch of bitterness--'ye needna care aboot that.'</p>

<p id="iii.iii-p81"><br />
</p>

<p id="iii.iii-p82">'I do not care aboot the deein' o' 't. But I jist want to live
lang eneuch to lat the Lord ken 'at I'm in doonricht earnest aboot
it. I hae nae chance o' drinkin' as lang's I'm lyin' here.'</p>

<p id="iii.iii-p83"><br />
</p>

<p id="iii.iii-p84">'Never ye fash yer heid aboot that. Ye can lippen (<i>trust</i>)
that to him, for it's his ain business. He'll see 'at ye're a'
richt. Dinna ye think 'at he'll lat ye aff.'</p>

<p id="iii.iii-p85"><br />
</p>

<p id="iii.iii-p86">'The Lord forbid,' responded the soutar earnestly. 'It maun be
a' pitten richt. It wad be dreidfu' to be latten aff. I wadna hae
him content wi' cobbler's wark.--I hae 't,' he resumed, after a few
minutes' pause; 'the Lord's easy pleased, but ill to saitisfee. I'm
sair pleased wi' your playin', Robert, but it's naething like the
richt thing yet. It does me gude to hear ye, though, for a'
that.'</p>

<p id="iii.iii-p87"><br />
</p>

<p id="iii.iii-p88">The very next night he found him evidently sinking fast. Robert
took the violin, and was about to play, but the soutar stretched
out his one left hand, and took it from him, laid it across his
chest and his arm over it, for a few moments, as if he were bidding
it farewell, then held it out to Robert, saying,</p>

<p id="iii.iii-p89"><br />
</p>

<p id="iii.iii-p90">'Hae, Robert. She's yours.--Death's a sair divorce.--Maybe they
'll hae an orra3 fiddle whaur I'm gaein', though. Think o' a
Rothieden soutar playin' afore his grace!'</p>

<p id="iii.iii-p91"><br />
</p>

<p id="iii.iii-p92">Robert saw that his mind was wandering, and mingled the paltry
honours of earth with the grand simplicities of heaven. He began to
play The Land o' the Leal. For a little while Sandy seemed to
follow and comprehend the tones, but by slow degrees the light
departed from his face. At length his jaw fell, and with a sigh,
the body parted from Dooble Sanny, and he went to God.</p>

<p id="iii.iii-p93"><br />
</p>

<p id="iii.iii-p94">His wife closed mouth and eyes without a word, laid the two
arms, equally powerless now, straight by his sides, then seating
herself on the edge of the bed, said,</p>

<p id="iii.iii-p95"><br />
</p>

<p id="iii.iii-p96">'Dinna bide, Robert. It's a' ower noo. He's gang hame. Gin I war
only wi' 'im wharever he is!'</p>

<p id="iii.iii-p97"><br />
</p>

<p id="iii.iii-p98">She burst into tears, but dried her eyes a moment after, and
seeing that Robert still lingered, said,</p>

<p id="iii.iii-p99"><br />
</p>

<p id="iii.iii-p100">'Gang, Robert, an' sen' Mistress Downie to me. Dinna
greit--there's a gude lad; but tak yer fiddle an' gang. Ye can be
no more use.'</p>

<p id="iii.iii-p101"><br />
</p>

<p id="iii.iii-p102">Robert obeyed. With his violin in his hand, he went home; and,
with his violin still in his hand, walked into his grandmother's
parlour.</p>

<p id="iii.iii-p103"><br />
</p>

<p id="iii.iii-p104">'Hoo daur ye bring sic a thing into my hoose?' she said, roused
by the apparent defiance of her grandson. 'Hoo daur ye, efter
what's come an' gane?'</p>

<p id="iii.iii-p105"><br />
</p>

<p id="iii.iii-p106">''Cause Dooble Sanny's come and gane, grannie, and left naething
but this ahint him. And this ane's mine, whase ever the ither micht
be. His wife's left wi'oot a plack, an' I s' warran' the gude fowk
o' Rothieden winna mak sae muckle o' her noo 'at her man's awa';
for she never was sic a randy as he was, an' the triumph o' grace
in her 's but sma', therefore. Sae I maun mak the best 'at I can o'
the fiddle for her. An' ye maunna touch this ane, grannie; for
though ye way think it richt to burn fiddles, ither fowk disna; and
this has to do wi' ither fowk, grannie; it's no atween you an' me,
ye ken,' Robert went on, fearful lest she might consider herself
divinely commissioned to extirpate the whole race of stringed
instruments,--'for I maun sell 't for her.'</p>

<p id="iii.iii-p107"><br />
</p>

<p id="iii.iii-p108">'Tak it oot o' my sicht,' said Mrs. Falconer, and said no
more.</p>

<p id="iii.iii-p109"><br />
</p>

<p id="iii.iii-p110">He carried the instrument up to his room, laid it on his bed,
locked his door, put the key in his pocket, and descended to the
parlour.</p>

<p id="iii.iii-p111"><br />
</p>

<p id="iii.iii-p112">'He's deid, is he?' said his grandmother, as he re-entered.</p>

<p id="iii.iii-p113"><br />
</p>

<p id="iii.iii-p114">'Ay is he, grannie,' answered Robert. 'He deid a repentant
man.'</p>

<p id="iii.iii-p115"><br />
</p>

<p id="iii.iii-p116">'An' a believin'?' asked Mrs. Falconer.</p>

<p id="iii.iii-p117"><br />
</p>

<p id="iii.iii-p118">'Weel, grannie, I canna say 'at he believed a' thing 'at ever
was, for a body michtna ken a' thing.'</p>

<p id="iii.iii-p119"><br />
</p>

<p id="iii.iii-p120">'Toots, laddie! Was 't savin' faith?'</p>

<p id="iii.iii-p121"><br />
</p>

<p id="iii.iii-p122">'I dinna richtly ken what ye mean by that; but I'm thinkin' it
was muckle the same kin' o' faith 'at the prodigal had; for they
baith rase an' gaed hame.'</p>

<p id="iii.iii-p123"><br />
</p>

<p id="iii.iii-p124">''Deed, maybe ye're richt, laddie,' returned Mrs. Falconer,
after a moment's thought. 'We'll houp the best.'</p>

<p id="iii.iii-p125"><br />
</p>

<p id="iii.iii-p126">All the remainder of the evening she sat motionless, with her
eyes fixed on the rug before her, thinking, no doubt, of the
repentance and salvation of the fiddler, and what hope there might
yet be for her own lost son.</p>

<p id="iii.iii-p127"><br />
</p>

<p id="iii.iii-p128">The next day being Saturday, Robert set out for Bodyfauld,
taking the violin with him. He went alone, for he was in no mood
for Shargar's company. It was a fine spring day, the woods were
budding, and the fragrance of the larches floated across his way.
There was a lovely sadness in the sky, and in the motions of the
air, and in the scent of the earth--as if they all knew that fine
things were at hand which never could be so beautiful as those that
had gone away. And Robert wondered how it was that everything
should look so different. Even Bodyfauld seemed to have lost its
enchantment, though his friends were as kind as ever. Mr. Lammie
went into a rage at the story of the lost violin, and Miss Lammie
cried from sympathy with Robert's distress at the fate of his bonny
leddy. Then he came to the occasion of his visit, which was to beg
Mr. Lammie, when next he went to Aberdeen, to take the soutar's
fiddle, and get what he could for it, to help his widow.</p>

<p id="iii.iii-p129"><br />
</p>

<p id="iii.iii-p130">'Poor Sanny!' said Robert, 'it never cam' intil 's heid to sell
her, nae mair nor gin she had been the auld wife 'at he ca'd
her.'</p>

<p id="iii.iii-p131"><br />
</p>

<p id="iii.iii-p132">Mr. Lammie undertook the commission; and the next time he saw
Robert, handed him ten pounds as the result of the negotiation. It
was all Robert could do, however, to get the poor woman to take the
money. She looked at it with repugnance, almost as if it had been
the price of blood. But Robert having succeeded in overcoming her
scruples, she did take it, and therewith provide a store of <i>
sweeties</i>, and reels of cotton, and tobacco, for sale in Sanny's
workshop. She certainly did not make money by her merchandise, for
her anxiety to be honest rose to the absurd; but she contrived to
live without being reduced to prey upon her own gingerbread and
rock.</p>

<p id="iii.iii-p133"><br />
</p>

<p id="iii.iii-p134"><br />
</p>

</div2>

      <div2 title="CHAPTER IV.--THE ABERDEEN GARRET." n="iv" shorttitle="" progress="37.97%" id="iii.iv" prev="iii.iii" next="iii.v">

<p id="iii.iv-p1"><br />
</p>

<p id="iii.iv-p2">CHAPTER IV.</p>

<p id="iii.iv-p3"><br />
</p>

<p id="iii.iv-p4">THE ABERDEEN GARRET.</p>

<p id="iii.iv-p5"><br />
</p>

<p id="iii.iv-p6">MISS ST. JOHN had long since returned from her visit, but having
heard how much Robert was taken up with his dying friend, she
judged it better to leave her intended proposal of renewing her
lessons alone for the present. Meeting him, however, soon after
Alexander's death, she introduced the subject, and Robert was
enraptured at the prospect of the re-opening of the gates of his
paradise. If he did not inform his grandmother of the fact, neither
did he attempt to conceal it; but she took no notice, thinking
probably that the whole affair would be effectually disposed of by
his departure. Till that period arrived, he had a lesson almost
every evening, and Miss St. John was surprised to find how the boy
had grown since the door was built up. Robert's gratitude grew into
a kind of worship.</p>

<p id="iii.iv-p7"><br />
</p>

<p id="iii.iv-p8">The evening before his departure for Bodyfauld--whence his
grandmother had arranged that he should start for Aberdeen, in
order that he might have the company of Mr. Lammie, whom business
drew thither about the same time--as he was having his last lesson,
Mrs. Forsyth left the room. Thereupon Robert, who had been dejected
all day at the thought of the separation from Miss St. John, found
his heart beating so violently that he could hardly breathe.
Probably she saw his emotion, for she put her hand on the keys, as
if to cover it by showing him how some movement was to be better
effected. He seized her hand and lifted it to his lips. But when he
found that instead of snatching it away, she yielded it, nay gently
pressed it to his face, he burst into tears, and dropped on his
knees, as if before a goddess.</p>

<p id="iii.iv-p9"><br />
</p>

<p id="iii.iv-p10">'Hush, Robert! Don't be foolish,' she said, quietly and
tenderly. 'Here is my aunt coming.'</p>

<p id="iii.iv-p11"><br />
</p>

<p id="iii.iv-p12">The same moment he was at the piano again, playing My Bonny Lady
Ann, so as to astonish Miss St. John, and himself as well. Then he
rose, bade her a hasty good-night, and hurried away.</p>

<p id="iii.iv-p13"><br />
</p>

<p id="iii.iv-p14">A strange conflict arose in his mind at the prospect of leaving
the old place, on every house of whose streets, on every swell of
whose surrounding hills he left the clinging shadows of thought and
feeling. A faintly purpled mist arose, and enwrapped all the past,
changing even his grayest troubles into tales of fairyland, and his
deepest griefs into songs of a sad music. Then he thought of
Shargar, and what was to become of him after he was gone. The lad
was paler and his eyes were redder than ever, for he had been
weeping in secret. He went to his grandmother and begged that
Shargar might accompany him to Bodyfauld.</p>

<p id="iii.iv-p15"><br />
</p>

<p id="iii.iv-p16">'He maun bide at hame an' min' his beuks,' she answered; 'for he
winna hae them that muckle langer. He maun be doin' something for
himsel'.'</p>

<p id="iii.iv-p17"><br />
</p>

<p id="iii.iv-p18">So the next morning the boys parted--Shargar to school, and
Robert to Bodyfauld--Shargar left behind with his desolation, his
sun gone down in a west that was not even stormy, only gray and
hopeless, and Robert moving towards an east which reflected, like a
faint prophecy, the west behind him tinged with love, death, and
music, but mingled the colours with its own saffron of coming
dawn.</p>

<p id="iii.iv-p19"><br />
</p>

<p id="iii.iv-p20">When he reached Bodyfauld he marvelled to find that all its
glory had returned. He found Miss Lammie busy among the rich yellow
pools in her dairy, and went out into the garden, now in the height
of its summer. Great cabbage roses hung heavy-headed splendours
towards purple-black heartseases, and thin-filmed silvery pods of
honesty; tall white lilies mingled with the blossoms of currant
bushes, and at their feet the narcissi of old classic legend
pressed their warm-hearted paleness into the plebeian thicket of
the many-striped gardener's garters. It was a lovely type of a
commonwealth indeed, of the garden and kingdom of God. His whole
mind was flooded with a sense of sunny wealth. The farmer's
neglected garden blossomed into higher glory in his soul. The bloom
and the richness and the use were all there; but instead of each
flower was a delicate ethereal sense or feeling about that flower.
Of these how gladly would he have gathered a posy to offer Miss St.
John! but, alas! he was no poet; or rather he had but the half of
the poet's inheritance--he could see: he could not say. But even if
he had been full of poetic speech, he would yet have found that the
half of his posy remained ungathered, for although we have speech
enough now to be 'cousin to the deed,' as Chaucer says it must
always be, we have not yet enough speech to cousin the tenth part
of our feelings. Let him who doubts recall one of his own vain
attempts to convey that which made the oddest of dreams entrancing
in loveliness--to convey that aroma of thought, the conscious
absence of which made him a fool in his own eyes when he spoke such
silly words as alone presented themselves for the service. I can no
more describe the emotion aroused in my mind by a gray cloud
parting over a gray stone, by the smell of a sweetpea, by the sight
of one of those long upright pennons of striped grass with the
homely name, than I can tell what the glory of God is who made
these things. The man whose poetry is like nature in this, that it
produces individual, incommunicable moods and conditions of mind--a
sense of elevated, tender, marvellous, and evanescent existence,
must be a poet indeed. Every dawn of such a feeling is a
light-brushed bubble rendering visible for a moment the dark
unknown sea of our being which lies beyond the lights of our
consciousness, and is the stuff and region of our eternal growth.
But think what language must become before it will tell
dreams!--before it will convey the delicate shades of fancy that
come and go in the brain of a child!--before it will let a man know
wherein one face differeth from another face in glory! I suspect,
however, that for such purposes it is rather music than
articulation that is needful--that, with a hope of these finer
results, the language must rather be turned into music than
logically extended.</p>

<p id="iii.iv-p21"><br />
</p>

<p id="iii.iv-p22">The next morning he awoke at early dawn, hearing the birds at
his window. He rose and went out. The air was clear and fresh as a
new-made soul. Bars of mottled cloud were bent across the eastern
quarter of the sky, which lay like a great ethereal ocean ready for
the launch of the ship of glory that was now gliding towards its
edge. Everything was waiting to conduct him across the far horizon
to the south, where lay the stored-up wonder of his coming life.
The lark sang of something greater than he could tell; the wind got
up, whispered at it, and lay down to sleep again; the sun was at
hand to bathe the world in the light and gladness alone fit to
typify the radiance of Robert's thoughts. The clouds that formed
the shore of the upper sea were already burning from saffron into
gold. A moment more and the first insupportable sting of light
would shoot from behind the edge of that low blue hill, and the
first day of his new life would be begun. He watched, and it came.
The well-spring of day, fresh and exuberant as if now first from
the holy will of the Father of Lights, gushed into the basin of the
world, and the world was more glad than tongue or pen can tell. The
supernal light alone, dawning upon the human heart, can exceed the
marvel of such a sunrise.</p>

<p id="iii.iv-p23"><br />
</p>

<p id="iii.iv-p24">And shall life itself be less beautiful than one of its days? Do
not believe it, young brother. Men call the shadow, thrown upon the
universe where their own dusky souls come between it and the
eternal sun, life, and then mourn that it should be less bright
than the hopes of their childhood. Keep thou thy soul translucent,
that thou mayest never see its shadow; at least never abuse thyself
with the philosophy which calls that shadow life. Or, rather would
I say, become thou pure in heart, and thou shalt see God, whose
vision alone is life.</p>

<p id="iii.iv-p25"><br />
</p>

<p id="iii.iv-p26">Just as the sun rushed across the horizon he heard the tramp of
a heavy horse in the yard, passing from the stable to the cart that
was to carry his trunk to the turnpike road, three miles off, where
the coach would pass. Then Miss Lammie came and called him to
breakfast, and there sat the farmer in his Sunday suit of black,
already busy. Robert was almost too happy to eat; yet he had not
swallowed two mouthfuls before the sun rose unheeded, the lark sang
unheeded, and the roses sparkled with the dew that bowed yet lower
their heavy heads, all unheeded. By the time they had finished, Mr.
Lammie's gig was at the door, and they mounted and followed the
cart. Not even the recurring doubt and fear that hollowness was at
the heart of it all, for that God could not mean such reinless
gladness, prevented the truth of the present joy from sinking deep
into the lad's heart. In his mind he saw a boat moored to a rock,
with no one on board, heaving on the waters of a rising tide, and
waiting to bear him out on the sea of the unknown. The picture
arose of itself: there was no paradise of the west in his
imagination, as in that of a boy of the sixteenth century, to
authorize its appearance. It rose again and again; the dew
glittered as if the light were its own; the sun shone as he had
never seen him shine before; the very mare that sped them along
held up her head and stepped out as if she felt it the finest of
mornings. Had she also a future, poor old mare? Might there not be
a paradise somewhere? and if in the furthest star instead of
next-door America, why, so much the more might the Atlantis of the
nineteenth century surpass Manoa the golden of the seventeenth!</p>

<p id="iii.iv-p27"><br />
</p>

<p id="iii.iv-p28">The gig and the cart reached the road together. One of the men
who had accompanied the cart took the gig; and they were left on
the road-side with Robert's trunk and box--the latter a present
from Miss Lammie.</p>

<p id="iii.iv-p29"><br />
</p>

<p id="iii.iv-p30">Their places had been secured, and the guard knew where he had
to take them up. Long before the coach appeared, the notes of his
horn, as like the colour of his red coat as the blindest of men
could imagine, came echoing from the side of the heathery, stony
hill under which they stood, so that Robert turned wondering, as if
the chariot of his desires had been coming over the top of
Drumsnaig, to carry him into a heaven where all labour was delight.
But round the corner in front came the four-in-hand red mail
instead. <i>She</i> pulled up gallantly; the wheelers lay on their
hind quarters, and the leaders parted theirs from the pole; the
boxes were hoisted up; Mr. Lammie climbed, and Robert scrambled to
his seat; the horn blew; the coachman spake oracularly; the horses
obeyed; and away went the gorgeous symbol of sovereignty careering
through the submissive region. Nor did Robert's delight abate
during the journey--certainly not when he saw the blue line of the
sea in the distance, a marvel and yet a fact.</p>

<p id="iii.iv-p31"><br />
</p>

<p id="iii.iv-p32">Mrs. Falconer had consulted the Misses Napier, who had many
acquaintances in Aberdeen, as to a place proper for Robert, and
suitable to her means. Upon this point Miss Letty, not without a
certain touch of design, as may appear in the course of my story,
had been able to satisfy her. In a small house of two floors and a
garret, in the old town, Mr. Lammie took leave of Robert.</p>

<p id="iii.iv-p33"><br />
</p>

<p id="iii.iv-p34">It was from a garret window still, but a storm-window now that
Robert looked--eastward across fields and sand-hills, to the blue
expanse of waters--not blue like southern seas, but slaty blue,
like the eyes of northmen. It was rather dreary; the sun was
shining from overhead now, casting short shadows and much heat; the
dew was gone up, and the lark had come down; he was alone; the end
of his journey was come, and was not anything very remarkable. His
landlady interrupted his gaze to know what he would have for
dinner, but he declined to use any discretion in the matter. When
she left the room he did not return to the window, but sat down
upon his box. His eye fell upon the other, a big wooden cube. Of
its contents he knew nothing. He would amuse himself by making
inquisition. It was nailed up. He borrowed a screwdriver and opened
it. At the top lay a linen bag full of oatmeal; underneath that was
a thick layer of oat-cake; underneath that two cheeses, a pound of
butter, and six pots of jam, which ought to have tasted of roses,
for it came from the old garden where the roses lived in such sweet
companionship with the currant bushes; underneath that, &amp;c.;
and underneath, &amp;c., a box which strangely recalled Shargar's
garret, and one of the closets therein. With beating heart he
opened it, and lo, to his marvel, and the restoration of all the
fair day, there was the violin which Dooble Sanny had left him when
he forsook her for--some one or other of the queer instruments of
Fra Angelico's angels?</p>

<p id="iii.iv-p35"><br />
</p>

<p id="iii.iv-p36">In a flutter of delight he sat down on his trunk again and
played the most mournful of tunes. Two white pigeons, which had
been talking to each other in the heat on the roof, came one on
each side of the window and peeped into the room; and out between
them, as he played, Robert saw the sea, and the blue sky above it.
Is it any wonder that, instead of turning to the lying pages and
contorted sentences of the Livy which he had already unpacked from
his box, he forgot all about school, and college, and bursary, and
went on playing till his landlady brought up his dinner, which he
swallowed hastily that he might return to the spells of his
enchantress!</p>

<p id="iii.iv-p37"><br />
</p>

<p id="iii.iv-p38"><br />
</p>

</div2>

      <div2 title="CHAPTER V.--THE COMPETITION." n="v" shorttitle="" progress="39.09%" id="iii.v" prev="iii.iv" next="iii.vi">

<p id="iii.v-p1"><br />
</p>

<p id="iii.v-p2">CHAPTER V.</p>

<p id="iii.v-p3"><br />
</p>

<p id="iii.v-p4">THE COMPETITION.</p>

<p id="iii.v-p5"><br />
</p>

<p id="iii.v-p6">I COULD linger with gladness even over this part of my hero's
history. If the school work, was dry it was thorough. If that
academy had no sweetly shadowing trees; if it did stand within a
parallelogram of low stone walls, containing a roughly-gravelled
court; if all the region about suggested hot stones and
sand--beyond still was the sea and the sky; and that court, morning
and afternoon, was filled with the shouts of eager boys, kicking
the football with mad rushings to and fro, and sometimes with
wounds and faintings--fit symbol of the equally resultless ambition
with which many of them would follow the game of life in the years
to come. Shock-headed Highland colts, and rough Lowland steers as
many of them were, out of that group, out of the roughest of them,
would emerge in time a few gentlemen--not of the type of your trim,
self-contained, clerical exquisite--but large-hearted, courteous
gentlemen, for whom a man may thank God. And if the master was
stern and hard, he was true; if the pupils feared him, they yet
cared to please him; if there might be found not a few more
widely-read scholars than he, it would be hard to find a better
teacher.</p>

<p id="iii.v-p7"><br />
</p>

<p id="iii.v-p8">Robert leaned to the collar and laboured, not greatly moved by
ambition, but much by the hope of the bursary and the college life
in the near distance. Not unfrequently he would rush into the thick
of the football game, fight like a maniac for one short burst, and
then retire and look on. He oftener regarded than mingled. He
seldom joined his fellows after school hours, for his work lay both
upon his conscience and his hopes; but if he formed no very deep
friendships amongst them, at least he made no enemies, for he was
not selfish, and in virtue of the Celtic blood in him was
invariably courteous. His habits were in some things altogether
irregular. He never went out for a walk; but sometimes, looking up
from his Virgil or his Latin version, and seeing the blue expanse
in the distance breaking into white under the viewless wing of the
summer wind, he would fling down his dictionary or his pen, rush
from his garret, and fly in a straight line, like a sea-gull weary
of lake and river, down to the waste shore of the great deep. This
was all that stood for the Arabian Nights of moon-blossomed marvel;
all the rest was Aberdeen days of Latin and labour.</p>

<p id="iii.v-p9"><br />
</p>

<p id="iii.v-p10">Slowly the hours went, and yet the dreaded, hoped-for day came
quickly. The quadrangle of the stone-crowned college grew more
awful in its silence and emptiness every time Robert passed it; and
the professors' houses looked like the sentry-boxes of the angels
of learning, soon to come forth and judge the feeble mortals who
dared present a claim to their recognition. October faded softly
by, with its keen fresh mornings, and cold memorial green-horizoned
evenings, whose stars fell like the stray blossoms of a more
heavenly world, from some ghostly wind of space that had caught
them up on its awful shoreless sweep. November came, 'chill and
drear,' with its heartless, hopeless nothingness; but as if to mock
the poor competitors, rose, after three days of Scotch mist, in a
lovely 'halcyon day' of 'St. Martin's summer,' through whose long
shadows anxious young faces gathered in the quadrangle, or under
the arcade, each with his Ainsworth's Dictionary, the sole book
allowed, under his arm. But when the sacrist appeared and unlocked
the public school, and the black-gowned professors walked into the
room, and the door was left open for the candidates to follow, then
indeed a great awe fell upon the assembly, and the lads crept into
their seats as if to a trial for life before a bench of the
incorruptible. They took their places; a portion of Robertson's <i>
History of Scotland</i> was given them to turn into Latin; and soon
there was nothing to be heard in the assembly but the turning of
the leaves of dictionaries, and the scratching of pens constructing
the first rough copy of the Latinized theme.</p>

<p id="iii.v-p11"><br />
</p>

<p id="iii.v-p12">It was done. Four weary hours, nearly five, one or two of which
passed like minutes, the others as if each minute had been an hour,
went by, and Robert, in a kind of desperation, after a final
reading of the Latin, gave in his paper, and left the room. When he
got home, he asked his landlady to get him some tea. Till it was
ready he would take his violin. But even the violin had grown dull,
and would not speak freely. He returned to the torture--took out
his first copy, and went over it once more. Horror of horrors! a
<i>maxie!</i>--that is a <i>maximus error</i>. Mary Queen of Scots
had been left so far behind in the beginning of the paper, that she
forgot the rights of her sex in the middle of it, and in the
accusative of a future participle passive--I do not know if more
modern grammarians have a different name for the growth--had
submitted to be <i>dum</i>, and her rightful <i>dam</i> was
henceforth and for ever debarred.</p>

<p id="iii.v-p13"><br />
</p>

<p id="iii.v-p14">He rose, rushed out of the house, down through the garden,
across two fields and a wide road, across the links, and so to the
moaning lip of the sea--for it was moaning that night. From the
last bulwark of the sandhills he dropped upon the wet sands, and
there he paced up and down--how long, God only, who was watching
him, knew--with the low limitless form of the murmuring lip lying
out and out into the sinking sky like the life that lay low and
hopeless before him, for the want at most of twenty pounds a year
(that was the highest bursary then) to lift him into a region of
possible well-being. Suddenly a strange phenomenon appeared within
him. The subject hitherto became the object to a new birth of
consciousness. He began to look at himself. 'There's a sair bit in
there,' he said, as if his own bosom had been that of another
mortal. 'What's to be dune wi' 't? I doobt it maun bide it. Weel,
the crater had better bide it quaietly, and no cry oot. Lie doon,
an' hand yer tongue. <i>Soror tua haud meretrix est</i>, ye brute!'
He burst out laughing, after a doubtful and ululant fashion, I dare
say; but he went home, took up his <i>auld wife</i>, and played
'Tullochgorum' some fifty times over, with extemporized
variations.</p>

<p id="iii.v-p15"><br />
</p>

<p id="iii.v-p16">The next day he had to translate a passage from Tacitus; after
executing which somewhat heartlessly, he did not open a Latin book
for a whole week. The very sight of one was disgusting to him. He
wandered about the New Town, along Union Street, and up and down
the stairs that led to the lower parts, haunted the quay, watched
the vessels, learned their forms, their parts and capacities, made
friends with a certain Dutch captain whom he heard playing the
violin in his cabin, and on the whole, notwithstanding the wretched
prospect before him, contrived to spend the week with considerable
enjoyment. Nor does an occasional episode of lounging hurt a life
with any true claims to the epic form.</p>

<p id="iii.v-p17"><br />
</p>

<p id="iii.v-p18">The day of decision at length arrived. Again the black-robed
powers assembled, and again the hoping, fearing lads--some of them
not lads, men, and mere boys--gathered to hear their fate. Name
after name was called out;--a twenty pound bursary to the first,
one of seventeen to the next, three or four of fifteen and
fourteen, and so on, for about twenty, and still no Robert
Falconer. At last, lagging wearily in the rear, he heard his name,
went up listlessly, and was awarded five pounds. He crept home,
wrote to his grandmother, and awaited her reply. It was not long in
coming; for although the carrier was generally the medium of
communication, Miss Letty had contrived to send the answer by
coach. It was to the effect that his grandmother was sorry that he
had not been more successful, but that Mr. Innes thought it would
be quite worth while to try again, and he must therefore come home
for another year.</p>

<p id="iii.v-p19"><br />
</p>

<p id="iii.v-p20">This was mortifying enough, though not so bad as it might have
been. Robert began to pack his box. But before he had finished it
he shut the lid and sat upon it. To meet Miss St. John thus
disgraced, was more than he could bear. If he remained, he had a
chance of winning prizes at the end of the session, and that would
more than repair his honour. The five pound bursars were privileged
in paying half fees; and if he could only get some teaching, he
could manage. But who would employ a <i>bejan</i> when a <i>
magistrand</i> might be had for next to nothing? Besides, who would
recommend him? The thought of Dr. Anderson flashed into his mind,
and he rushed from the house without even knowing where he
lived.</p>

<p id="iii.v-p21"><br />
</p>

<p id="iii.v-p22"><br />
</p>

</div2>

      <div2 title="CHAPTER VI.--DR. ANDERSON AGAIN." n="vi" shorttitle="" progress="39.81%" id="iii.vi" prev="iii.v" next="iii.vii">

<p id="iii.vi-p1"><br />
</p>

<p id="iii.vi-p2">CHAPTER VI.</p>

<p id="iii.vi-p3"><br />
</p>

<p id="iii.vi-p4">DR. ANDERSON AGAIN.</p>

<p id="iii.vi-p5"><br />
</p>

<p id="iii.vi-p6">AT the Post-office he procured the desired information at once.
Dr. Anderson lived in Union Street, towards the western end of
it.</p>

<p id="iii.vi-p7"><br />
</p>

<p id="iii.vi-p8">Away went Robert to find the house. That was easy. What a grand
house of smooth granite and wide approach it was! The great door
was opened by a man-servant, who looked at the country boy from
head to foot.</p>

<p id="iii.vi-p9"><br />
</p>

<p id="iii.vi-p10">'Is the doctor in?' asked Robert.</p>

<p id="iii.vi-p11"><br />
</p>

<p id="iii.vi-p12">'Yes.'</p>

<p id="iii.vi-p13"><br />
</p>

<p id="iii.vi-p14">'I wad like to see him.'</p>

<p id="iii.vi-p15"><br />
</p>

<p id="iii.vi-p16">'Wha will I say wants him?'</p>

<p id="iii.vi-p17"><br />
</p>

<p id="iii.vi-p18">'Say the laddie he saw at Bodyfauld.'</p>

<p id="iii.vi-p19"><br />
</p>

<p id="iii.vi-p20">The man left Robert in the hall, which was spread with tiger and
leopard skins, and had a bright fire burning in a large stove.
Returning presently, he led him through noiseless swing-doors
covered with cloth into a large library. Never had Robert conceived
such luxury. What with Turkey carpet, crimson curtains,
easy-chairs, grandly-bound books and morocco-covered writing-table,
it seemed the very ideal of comfort. But Robert liked the grandeur
too much to be abashed by it.</p>

<p id="iii.vi-p21"><br />
</p>

<p id="iii.vi-p22">'Sit ye doon there,' said the servant, 'and the doctor 'ill be
wi' ye in ae minute.'</p>

<p id="iii.vi-p23"><br />
</p>

<p id="iii.vi-p24">He was hardly out of the room before a door opened in the middle
of the books, and the doctor appeared in a long dressing-gown. He
looked inquiringly at Robert for one moment, then made two long
strides like a pair of eager compasses, holding out his hand.</p>

<p id="iii.vi-p25"><br />
</p>

<p id="iii.vi-p26">'I'm Robert Faukner,' said the boy. 'Ye'll min', maybe, doctor,
'at ye war verra kin' to me ance, and tellt me lots o' stories--at
Bodyfauld, ye ken.'</p>

<p id="iii.vi-p27"><br />
</p>

<p id="iii.vi-p28">'I'm very glad to see you, Robert,' said Dr. Anderson. 'Of
course I remember you perfectly; but my servant did not bring your
name, and I did not know but it might be the other boy--I forget
his name.'</p>

<p id="iii.vi-p29"><br />
</p>

<p id="iii.vi-p30">'Ye mean Shargar, sir. It's no him.'</p>

<p id="iii.vi-p31"><br />
</p>

<p id="iii.vi-p32">'I can see that,' said the doctor, laughing, 'although you are
altered. You have grown quite a man! I am very glad to see you,' he
repeated, shaking hands with him again. 'When did you come to
town?'</p>

<p id="iii.vi-p33"><br />
</p>

<p id="iii.vi-p34">'I hae been at the grammer school i' the auld toon for the last
three months,' said Robert.</p>

<p id="iii.vi-p35"><br />
</p>

<p id="iii.vi-p36">'Three months!' exclaimed Dr. Anderson. 'And never came to see
me till now! That was too bad of you, Robert.'</p>

<p id="iii.vi-p37"><br />
</p>

<p id="iii.vi-p38">'Weel, ye see, sir, I didna ken better. An' I had a heap to do,
an' a' for naething, efter a'. But gin I had kent 'at ye wad like
to see me, I wad hae likit weel to come to ye.'</p>

<p id="iii.vi-p39"><br />
</p>

<p id="iii.vi-p40">'I have been away most of the summer,' said the doctor; 'but I
have been at home for the last month. You haven't had your dinner,
have you?'</p>

<p id="iii.vi-p41"><br />
</p>

<p id="iii.vi-p42">'Weel, I dinna exackly ken what to say, sir. Ye see, I wasna
that sharp-set the day, sae I had jist a mou'fu' o' breid and
cheese. I'm turnin' hungry, noo, I maun confess.'</p>

<p id="iii.vi-p43"><br />
</p>

<p id="iii.vi-p44">The doctor rang the bell.</p>

<p id="iii.vi-p45"><br />
</p>

<p id="iii.vi-p46">'You must stop and dine with me.--Johnston,' he continued, as
his servant entered, 'tell the cook that I have a gentleman to
dinner with me to-day, and she must be liberal.'</p>

<p id="iii.vi-p47"><br />
</p>

<p id="iii.vi-p48">'Guidsake, sir!' said Robert, 'dinna set the woman agen me.'</p>

<p id="iii.vi-p49"><br />
</p>

<p id="iii.vi-p50">He had no intention of saying anything humorous, but Dr.
Anderson laughed heartily.</p>

<p id="iii.vi-p51"><br />
</p>

<p id="iii.vi-p52">'Come into my room till dinner-time,' he said, opening the door
by which he had entered.</p>

<p id="iii.vi-p53"><br />
</p>

<p id="iii.vi-p54">To Robert's astonishment, he found himself in a room bare as
that of the poorest cottage. A small square window, small as the
window in John Hewson's, looked out upon a garden neatly kept, but
now 'having no adorning but cleanliness.' The place was just the
<i>benn end</i> of a cottage. The walls were whitewashed, the
ceiling was of bare boards, and the floor was sprinkled with a
little white sand. The table and chairs were of common deal, white
and clean, save that the former was spotted with ink. A greater
contrast to the soft, large, richly-coloured room they had left
could hardly be imagined. A few bookshelves on the wall were filled
with old books. A fire blazed cheerily in the little grate. A bed
with snow-white coverlet stood in a recess.</p>

<p id="iii.vi-p55"><br />
</p>

<p id="iii.vi-p56">'This is the nicest room in the house, Robert,' said the doctor.
'When I was a student like you--'</p>

<p id="iii.vi-p57"><br />
</p>

<p id="iii.vi-p58">Robert shook his head,</p>

<p id="iii.vi-p59"><br />
</p>

<p id="iii.vi-p60">'I'm nae student yet,' he said; but the doctor went on:</p>

<p id="iii.vi-p61"><br />
</p>

<p id="iii.vi-p62">'I had the benn end of my father's cottage to study in, for he
treated me like a stranger-gentleman when I came home from college.
The father respected the son for whose advantage he was working
like a slave from morning till night. My heart is sometimes sore
with the gratitude I feel to him. Though he's been dead for thirty
years--would you believe it, Robert?--well, I can't talk more about
him now. I made this room as like my father's benn end as I could,
and I am happier here than anywhere in the world.'</p>

<p id="iii.vi-p63"><br />
</p>

<p id="iii.vi-p64">By this time Robert was perfectly at home. Before the dinner was
ready he had not only told Dr. Anderson his present difficulty, but
his whole story as far back as he could remember. The good man
listened eagerly, gazed at the boy with more and more of interest,
which deepened till his eyes glistened as he gazed, and when a
ludicrous passage intervened, welcomed the laughter as an excuse
for wiping them. When dinner was announced, he rose without a word
and led the way to the dining-room. Robert followed, and they sat
down to a meal simple enough for such a house, but which to Robert
seemed a feast followed by a banquet. For after they had done
eating--on the doctor's part a very meagre performance--they
retired to his room again, and then Robert found the table covered
with a snowy cloth, and wine and fruits arranged upon it.</p>

<p id="iii.vi-p65"><br />
</p>

<p id="iii.vi-p66">It was far into the night before he rose to go home. As he
passed through a thick rain of pin-point drops, he felt that
although those cold granite houses, with glimmering dead face,
stood like rows of sepulchres, he was in reality walking through an
avenue of homes. Wet to the skin long before he reached Mrs.
Fyvie's in the <i>auld toon</i>, he was notwithstanding as warm as
the under side of a bird's wing. For he had to sit down and write
to his grandmother informing her that Dr. Anderson had employed him
to copy for the printers a book of his upon the Medical Boards of
India, and that as he was going to pay him for that and other work
at a rate which would secure him ten shillings a week, it would be
a pity to lose a year for the chance of getting a bursary next
winter.</p>

<p id="iii.vi-p67"><br />
</p>

<p id="iii.vi-p68">The doctor did want the manuscript copied; and he knew that the
only chance of getting Mrs. Falconer's consent to Robert's
receiving any assistance from him, was to make some business
arrangement of the sort. He wrote to her the same night, and after
mentioning the unexpected pleasure of Robert's visit, not only
explained the advantage to himself of the arrangement he had
proposed, but set forth the greater advantage to Robert, inasmuch
as he would thus be able in some measure to keep a hold of him. He
judged that although Mrs. Falconer had no great opinion of his
religion, she would yet consider his influence rather on the side
of good than otherwise in the case of a boy else abandoned to his
own resources.</p>

<p id="iii.vi-p69"><br />
</p>

<p id="iii.vi-p70">The end of it all was that his grandmother yielded, and Robert
was straightway a Bejan, or Yellow-beak.</p>

<p id="iii.vi-p71"><br />
</p>

<p id="iii.vi-p72">Three days had he been clothed in the red gown of the Aberdeen
student, and had attended the Humanity and Greek class-rooms. On
the evening of the third day he was seated at his table preparing
his Virgil for the next, when he found himself growing very weary,
and no wonder, for, except the walk of a few hundred yards to and
from the college, he had had no open air for those three days. It
was raining in a persistent November fashion, and he thought of the
sea, away through the dark and the rain, tossing uneasily. Should
he pay it a visit? He sat for a moment,</p>

<p id="iii.vi-p73"><br />
</p>

<p id="iii.vi-p74">     This way and that dividing the swift mind,4</p>

<p id="iii.vi-p75"><br />
</p>

<p id="iii.vi-p76">when his eye fell on his violin. He had been so full of his new
position and its requirements, that he had not touched it since the
session opened. Now it was just what he wanted. He caught it up
eagerly, and began to play. The power of the music seized upon him,
and he went on playing, forgetful of everything else, till a string
broke. It was all too short for further use. Regardless of the rain
or the depth of darkness to be traversed before he could find a
music-shop, he caught up his cap, and went to rush from the
house.</p>

<p id="iii.vi-p77"><br />
</p>

<p id="iii.vi-p78">His door opened immediately on the top step of the stair,
without any landing. There was a door opposite, to which likewise a
few steps led immediately up. The stairs from the two doors united
a little below. So near were the doors that one might stride across
the fork. The opposite door was open, and in it stood Eric
Ericson.</p>

<p id="iii.vi-p79"><br />
</p>

<p id="iii.vi-p80"><br />
</p>

</div2>

      <div2 title="CHAPTER VII.--ERIC ERICSON." n="vii" shorttitle="" progress="40.53%" id="iii.vii" prev="iii.vi" next="iii.viii">

<p id="iii.vii-p1"><br />
</p>

<p id="iii.vii-p2">CHAPTER VII.</p>

<p id="iii.vii-p3"><br />
</p>

<p id="iii.vii-p4">ERIC ERICSON.</p>

<p id="iii.vii-p5"><br />
</p>

<p id="iii.vii-p6">ROBERT sprang across the dividing chasm, clasped Ericson's hand
in both of his, looked up into his face, and stood speechless.
Ericson returned the salute with a still kindness--tender and
still. His face was like a gray morning sky of summer from whose
level cloud-fields rain will fall before noon.</p>

<p id="iii.vii-p7"><br />
</p>

<p id="iii.vii-p8">'So it was you,' he said, 'playing the violin so well?'</p>

<p id="iii.vii-p9"><br />
</p>

<p id="iii.vii-p10">'I was doin' my best,' answered Robert. 'But eh! Mr. Ericson, I
wad hae dune better gin I had kent ye was hearkenin'.'</p>

<p id="iii.vii-p11"><br />
</p>

<p id="iii.vii-p12">'You couldn't do better than your best,' returned Eric,
smiling.</p>

<p id="iii.vii-p13"><br />
</p>

<p id="iii.vii-p14">'Ay, but yer best micht aye grow better, ye ken,' persisted
Robert.</p>

<p id="iii.vii-p15"><br />
</p>

<p id="iii.vii-p16">'Come into my room,' said Ericson. 'This is Friday night, and
there is nothing but chapel to-morrow. So we'll have talk instead
of work.'</p>

<p id="iii.vii-p17"><br />
</p>

<p id="iii.vii-p18">In another moment they were seated by a tiny coal fire in a room
one side of which was the slope of the roof, with a large, low
skylight in it looking seawards. The sound of the distant waves,
unheard in Robert's room, beat upon the drum of the skylight,
through all the world of mist that lay between it and them--dimly,
vaguely--but ever and again with a swell of gathered force, that
made the distant tumult doubtful no more.</p>

<p id="iii.vii-p19"><br />
</p>

<p id="iii.vii-p20">'I am sorry I have nothing to offer you,' said Ericson.</p>

<p id="iii.vii-p21"><br />
</p>

<p id="iii.vii-p22">'You remind me of Peter and John at the Beautiful Gate of the
temple,' returned Robert, attempting to speak English like the
Northerner, but breaking down as his heart got the better of him.
'Eh! Mr. Ericson, gin ye kent what it is to me to see the face o'
ye, ye wadna speyk like that. Jist lat me sit an' leuk at ye. I
want nae mair.'</p>

<p id="iii.vii-p23"><br />
</p>

<p id="iii.vii-p24">A smile broke up the cold, sad, gray light of the young
eagle-face. Stern at once and gentle when in repose, its smile was
as the summer of some lovely land where neither the heat nor the
sun shall smite them. The youth laid his hand upon the boy's head,
then withdrew it hastily, and the smile vanished like the sun
behind a cloud. Robert saw it, and as if he had been David before
Saul, rose instinctively and said,</p>

<p id="iii.vii-p25"><br />
</p>

<p id="iii.vii-p26">'I'll gang for my fiddle.--Hoots! I hae broken ane o' the
strings. We maun bide till the morn. But I want nae fiddle mysel'
whan I hear the great water oot there.'</p>

<p id="iii.vii-p27"><br />
</p>

<p id="iii.vii-p28">'You're young yet, my boy, or you might hear voices in that
water--! I've lived in the sound of it all my days. When I can't
rest at night, I hear a moaning and crying in the dark, and I lie
and listen till I can't tell whether I'm a man or some God-forsaken
sea in the sunless north.'</p>

<p id="iii.vii-p29"><br />
</p>

<p id="iii.vii-p30">'Sometimes I believe in naething but my fiddle,' answered
Robert.</p>

<p id="iii.vii-p31"><br />
</p>

<p id="iii.vii-p32">'Yes, yes. But when it comes <i>into</i> you, my boy! You won't
hear much music in the cry of the sea after that. As long as you've
got it at arm's length, it's all very well. It's interesting then,
and you can talk to your fiddle about it, and make poetry about
it,' said Ericson, with a smile of self-contempt. 'But as soon as
the real earnest comes that is all over. The sea-moan is the cry of
a tortured world then. Its hollow bed is the cup of the world's
pain, ever rolling from side to side and dashing over its lip. Of
all that might be, ought to be, nothing to be had!--I could get
music out of it once. Look here. I could trifle like that
once.'</p>

<p id="iii.vii-p33"><br />
</p>

<p id="iii.vii-p34">He half rose, then dropped on his chair. But Robert's believing
eyes justified confidence, and Ericson had never had any one to
talk to. He rose again, opened a cupboard at his side, took out
some papers, threw them on the table, and, taking his hat, walked
towards the door.</p>

<p id="iii.vii-p35"><br />
</p>

<p id="iii.vii-p36">'Which of your strings is broken?' he asked.</p>

<p id="iii.vii-p37"><br />
</p>

<p id="iii.vii-p38">'The third,' answered Robert.</p>

<p id="iii.vii-p39"><br />
</p>

<p id="iii.vii-p40">'I will get you one,' said Ericson; and before Robert could
reply he was down the stair. Robert heard him cough, then the door
shut, and he was gone in the rain and fog.</p>

<p id="iii.vii-p41"><br />
</p>

<p id="iii.vii-p42">Bewildered, unhappy, ready to fly after him, yet irresolute,
Robert almost mechanically turned over the papers upon the little
deal table. He was soon arrested by the following verses,
headed</p>

<p id="iii.vii-p43"><br />
</p>

<p id="iii.vii-p44">A NOONDAY MELODY.</p>

<p id="iii.vii-p45"><br />
</p>

<p id="iii.vii-p46">Everything goes to its rest;</p>

<p id="iii.vii-p47">  The hills are asleep in the noon;</p>

<p id="iii.vii-p48">And life is as still in its nest</p>

<p id="iii.vii-p49">  As the moon when she looks on a moon</p>

<p id="iii.vii-p50">In the depths of a calm river's breast</p>

<p id="iii.vii-p51">  As it steals through a midnight in June.</p>

<p id="iii.vii-p52"><br />
</p>

<p id="iii.vii-p53">The streams have forgotten the sea</p>

<p id="iii.vii-p54">  In the dream of their musical sound;</p>

<p id="iii.vii-p55">The sunlight is thick on the tree,</p>

<p id="iii.vii-p56">  And the shadows lie warm on the ground--</p>

<p id="iii.vii-p57">So still, you may watch them and see</p>

<p id="iii.vii-p58">  Every breath that awakens around.</p>

<p id="iii.vii-p59"><br />
</p>

<p id="iii.vii-p60">The churchyard lies still in the heat,</p>

<p id="iii.vii-p61">  With its handful of mouldering bone;</p>

<p id="iii.vii-p62">As still as the long stalk of wheat</p>

<p id="iii.vii-p63">  In the shadow that sits by the stone,</p>

<p id="iii.vii-p64">As still as the grass at my feet</p>

<p id="iii.vii-p65">  When I walk in the meadows alone.</p>

<p id="iii.vii-p66"><br />
</p>

<p id="iii.vii-p67">The waves are asleep on the main,</p>

<p id="iii.vii-p68">  And the ships are asleep on the wave;</p>

<p id="iii.vii-p69">And the thoughts are as still in my brain</p>

<p id="iii.vii-p70">  As the echo that sleeps in the cave;</p>

<p id="iii.vii-p71">All rest from their labour and pain--</p>

<p id="iii.vii-p72">  Then why should not I in my grave?</p>

<p id="iii.vii-p73"><br />
</p>

<p id="iii.vii-p74">His heart ready to burst with a sorrow, admiration, and
devotion, which no criticism interfered to qualify, Robert rushed
out into the darkness, and sped, fleet-footed, along the only path
which Ericson could have taken. He could not bear to be left in the
house while his friend was out in the rain.</p>

<p id="iii.vii-p75"><br />
</p>

<p id="iii.vii-p76">He was sure of joining him before he reached the new town, for
he was fleet-footed, and there was a path only on one side of the
way, so that there was no danger of passing him in the dark. As he
ran he heard the moaning of the sea. There must be a storm
somewhere, away in the deep spaces of its dark bosom, and its lips
muttered of its far unrest. When the sun rose it would be seen
misty and gray, tossing about under the one rain cloud that like a
thinner ocean overspread the heavens--tossing like an animal that
would fain lie down and be at peace but could not compose its
unwieldy strength.</p>

<p id="iii.vii-p77"><br />
</p>

<p id="iii.vii-p78">Suddenly Robert slackened his speed, ceased running, stood,
gazed through the darkness at a figure a few yards before him.</p>

<p id="iii.vii-p79"><br />
</p>

<p id="iii.vii-p80">An old wall, bowed out with age and the weight behind it,
flanked the road in this part. Doors in this wall, with a few steps
in front of them and more behind, led up into gardens upon a slope,
at the top of which stood the houses to which they belonged.
Against one of these doors the figure stood with its head bowed
upon its hands. When Robert was within a few feet, it descended and
went on.</p>

<p id="iii.vii-p81"><br />
</p>

<p id="iii.vii-p82">'Mr. Ericson!' exclaimed Robert. 'Ye'll get yer deith gin ye
stan' that gait i' the weet.'</p>

<p id="iii.vii-p83"><br />
</p>

<p id="iii.vii-p84">'Amen,' said Ericson, turning with a smile that glimmered wan
through the misty night. Then changing his tone, he went on: 'What
are you after, Robert?'</p>

<p id="iii.vii-p85"><br />
</p>

<p id="iii.vii-p86">'You,' answered Robert. 'I cudna bide to be left my lane whan I
micht be wi' ye a' the time--gin ye wad lat me. Ye war oot o' the
hoose afore I weel kent what ye was aboot. It's no a fit nicht for
ye to be oot at a', mair by token 'at ye're no the ablest to stan'
cauld an' weet.'</p>

<p id="iii.vii-p87"><br />
</p>

<p id="iii.vii-p88">'I've stood a great deal of both in my time,' returned Ericson;
'but come along. We'll go and get that fiddle-string.'</p>

<p id="iii.vii-p89"><br />
</p>

<p id="iii.vii-p90">'Dinna ye think it wad be fully better to gang hame?' Robert
ventured to suggest.</p>

<p id="iii.vii-p91"><br />
</p>

<p id="iii.vii-p92">'What would be the use? I'm in no mood for Plato to-night,' he
answered, trying hard to keep from shivering.</p>

<p id="iii.vii-p93"><br />
</p>

<p id="iii.vii-p94">'Ye hae an ill cauld upo' ye,' persisted Robert; 'an' ye maun be
as weet 's a dishcloot.'</p>

<p id="iii.vii-p95"><br />
</p>

<p id="iii.vii-p96">Ericson laughed--a strange, hollow laugh.</p>

<p id="iii.vii-p97"><br />
</p>

<p id="iii.vii-p98">'Come along,' he said. 'A walk will do me good. We'll get the
string, and then you shall play to me. That will do me more good
yet.'</p>

<p id="iii.vii-p99"><br />
</p>

<p id="iii.vii-p100">Robert ceased opposing him, and they walked together to the new
town. Robert bought the string, and they set out, as he thought, to
return.</p>

<p id="iii.vii-p101"><br />
</p>

<p id="iii.vii-p102">But not yet did Ericson seem inclined to go home. He took the
lead, and they emerged upon the quay.</p>

<p id="iii.vii-p103"><br />
</p>

<p id="iii.vii-p104">There were not many vessels. One of them was the Antwerp tub,
already known to Robert. He recognized her even in the dull light
of the quay lamps. Her captain being a prudent and well-to-do
Dutchman, never slept on shore; he preferred saving his money; and
therefore, as the friends passed, Robert caught sight of him
walking his own deck and smoking a long clay pipe before turning
in.</p>

<p id="iii.vii-p105"><br />
</p>

<p id="iii.vii-p106">'A fine nicht, capt'n,' said Robert.</p>

<p id="iii.vii-p107"><br />
</p>

<p id="iii.vii-p108">'It does rain,' returned the captain. 'Will you come on board
and have one schnapps before you turn in?'</p>

<p id="iii.vii-p109"><br />
</p>

<p id="iii.vii-p110">'I hae a frien' wi' me here,' said Robert, feeling his way.</p>

<p id="iii.vii-p111"><br />
</p>

<p id="iii.vii-p112">'Let him come and be welcomed.'</p>

<p id="iii.vii-p113"><br />
</p>

<p id="iii.vii-p114">Ericson making no objection, they went on board, and down into
the neat little cabin, which was all the roomier for the
straightness of the vessel's quarter. The captain got out a square,
coffin-shouldered bottle, and having respect to the condition of
their garments, neither of the young men refused his hospitality,
though Robert did feel a little compunction at the thought of the
horror it would have caused his grandmother. Then the Dutchman got
out his violin and asked Robert to play a Scotch air. But in the
middle of it his eyes fell on Ericson, and he stopped at once.
Ericson was sitting on a locker, leaning back against the side of
the vessel: his eyes were open and fixed, and he seemed quite
unconscious of what was passing. Robert fancied at first that the
hollands he had taken had gone to his head, but he saw at the same
moment, from his glass, that he had scarcely tasted the spirit. In
great alarm they tried to rouse him, and at length succeeded. He
closed his eyes, opened them again, rose up, and was going
away.</p>

<p id="iii.vii-p115"><br />
</p>

<p id="iii.vii-p116">'What's the maitter wi' ye, Mr. Ericson?' said Robert, in
distress.</p>

<p id="iii.vii-p117"><br />
</p>

<p id="iii.vii-p118">'Nothing, nothing,' answered Ericson, in a strange voice. 'I
fell asleep, I believe. It was very bad manners, captain. I beg
your pardon. I believe I am overtired.'</p>

<p id="iii.vii-p119"><br />
</p>

<p id="iii.vii-p120">The Dutchman was as kind as possible, and begged Ericson to stay
the night and occupy his berth. But he insisted on going home,
although he was clearly unfit for such a walk. They bade the
skipper good-night, went on shore, and set out, Ericson leaning
rather heavily upon Robert's arm. Robert led him up Marischal
Street.</p>

<p id="iii.vii-p121"><br />
</p>

<p id="iii.vii-p122">The steep ascent was too much for Ericson. He stood still upon
the bridge and leaned over the wall of it. Robert stood beside,
almost in despair about getting him home.</p>

<p id="iii.vii-p123"><br />
</p>

<p id="iii.vii-p124">'Have patience with me, Robert,' said Ericson, in his natural
voice. 'I shall be better presently. I don't know what's come to
me. If I had been a Celt now, I should have said I had a touch of
the second sight. But I am, as far as I know, pure Northman.'</p>

<p id="iii.vii-p125"><br />
</p>

<p id="iii.vii-p126">'What did you see?' asked Robert, with a strange feeling that
miles of the spirit world, if one may be allowed such a
contradiction in words, lay between him and his friend.</p>

<p id="iii.vii-p127"><br />
</p>

<p id="iii.vii-p128">Ericson returned no answer. Robert feared he was going to have a
relapse; but in a moment more he lifted himself up and bent again
to the <i>brae</i>.</p>

<p id="iii.vii-p129"><br />
</p>

<p id="iii.vii-p130">They got on pretty well till they were about the middle of the
Gallowgate.</p>

<p id="iii.vii-p131"><br />
</p>

<p id="iii.vii-p132">'I can't,' said Ericson feebly, and half leaned, half fell
against the wall of a house.</p>

<p id="iii.vii-p133"><br />
</p>

<p id="iii.vii-p134">'Come into this shop,' said Robert. 'I ken the man. He'll lat ye
sit doon.'</p>

<p id="iii.vii-p135"><br />
</p>

<p id="iii.vii-p136">He managed to get him in. He was as pale as death. The
bookseller got a chair, and he sank into it. Robert was almost at
his wit's end. There was no such thing as a cab in Aberdeen for
years and years after the date of my story. He was holding a glass
of water to Ericson's lips,--when he heard his name, in a low
earnest whisper, from the door. There, round the door-cheek, peered
the white face and red head of Shargar.</p>

<p id="iii.vii-p137"><br />
</p>

<p id="iii.vii-p138">'Robert! Robert!' said Shargar.</p>

<p id="iii.vii-p139"><br />
</p>

<p id="iii.vii-p140">'I hear ye,' returned Robert coolly: he was too anxious to be
surprised at anything. 'Haud yer tongue. I'll come to ye in a
minute.'</p>

<p id="iii.vii-p141"><br />
</p>

<p id="iii.vii-p142">Ericson recovered a little, refused the whisky offered by the
bookseller, rose, and staggered out.</p>

<p id="iii.vii-p143"><br />
</p>

<p id="iii.vii-p144">'If I were only home!' he said. 'But where is home?'</p>

<p id="iii.vii-p145"><br />
</p>

<p id="iii.vii-p146">'We'll try to mak ane,' returned Robert. 'Tak a haud o' me. Lay
yer weicht upo' me.--Gin it warna for yer len'th, I cud cairry ye
weel eneuch. Whaur's that Shargar?' he muttered to himself, looking
up and down the gloomy street.</p>

<p id="iii.vii-p147"><br />
</p>

<p id="iii.vii-p148">But no Shargar was to be seen. Robert peered in vain into every
dark court they crept past, till at length he all but came to the
conclusion that Shargar was only 'fantastical.'</p>

<p id="iii.vii-p149"><br />
</p>

<p id="iii.vii-p150">When they had reached the hollow, and were crossing then
canal-bridge by Mount Hooly, Ericson's strength again failed him,
and again he leaned upon the bridge. Nor had he leaned long before
Robert found that he had fainted. In desperation he began to hoist
the tall form upon his back, when he heard the quick step of a
runner behind him and the words--</p>

<p id="iii.vii-p151"><br />
</p>

<p id="iii.vii-p152">'Gie 'im to me, Robert; gie 'im to me. I can carry 'im
fine.'</p>

<p id="iii.vii-p153"><br />
</p>

<p id="iii.vii-p154">'Haud awa' wi' ye,' returned Robert; and again Shargar fell
behind.</p>

<p id="iii.vii-p155"><br />
</p>

<p id="iii.vii-p156">For a few hundred yards he trudged along manfully; but his
strength, more from the nature of his burden than its weight, soon
gave way. He stood still to recover. The same moment Shargar was by
his side again.</p>

<p id="iii.vii-p157"><br />
</p>

<p id="iii.vii-p158">'Noo, Robert,' he said, pleadingly.</p>

<p id="iii.vii-p159"><br />
</p>

<p id="iii.vii-p160">Robert yielded, and the burden was shifted to Shargar's
back.</p>

<p id="iii.vii-p161"><br />
</p>

<p id="iii.vii-p162">How they managed it they hardly knew themselves; but after many
changes they at last got Ericson home, and up to his own room. He
had revived several times, but gone off again. In one of his
faints, Robert undressed him and got him into bed. He had so little
to cover him, that Robert could not help crying with misery. He
himself was well provided, and would gladly have shared with
Ericson, but that was hopeless. He could, however, make him warm in
bed. Then leaving Shargar in charge, he sped back to the new town
to Dr. Anderson. The doctor had his carriage out at once, wrapped
Robert in a plaid and brought him home with him.</p>

<p id="iii.vii-p163"><br />
</p>

<p id="iii.vii-p164">Ericson came to himself, and seeing Shargar by his bedside,
tried to sit up, asking feebly,</p>

<p id="iii.vii-p165"><br />
</p>

<p id="iii.vii-p166">'Where am I?'</p>

<p id="iii.vii-p167"><br />
</p>

<p id="iii.vii-p168">'In yer ain bed, Mr. Ericson,' answered Shargar.</p>

<p id="iii.vii-p169"><br />
</p>

<p id="iii.vii-p170">'And who are you?' asked Ericson again, bewildered.</p>

<p id="iii.vii-p171"><br />
</p>

<p id="iii.vii-p172">Shargar's pale face no doubt looked strange under his crown of
red hair.</p>

<p id="iii.vii-p173"><br />
</p>

<p id="iii.vii-p174">'Ow! I'm naebody.'</p>

<p id="iii.vii-p175"><br />
</p>

<p id="iii.vii-p176">'You must be somebody, or else my brain's in a bad state,'
returned Ericson.</p>

<p id="iii.vii-p177"><br />
</p>

<p id="iii.vii-p178">'Na, na, I'm naebody. Naething ava (<i>at all</i>). Robert 'll
be hame in ae meenit.--I'm Robert's tyke (<i>dog</i>),' concluded
Shargar, with a sudden inspiration.</p>

<p id="iii.vii-p179"><br />
</p>

<p id="iii.vii-p180">This answer seemed to satisfy Ericson, for he closed his eyes
and lay still; nor did he speak again till Robert arrived with the
doctor.</p>

<p id="iii.vii-p181"><br />
</p>

<p id="iii.vii-p182">Poor food, scanty clothing, undue exertion in travelling to and
from the university, hard mental effort against weakness,
disquietude of mind, all borne with an endurance unconscious of
itself, had reduced Eric Ericson to his present condition. Strength
had given way at last, and he was now lying in the low border wash
of a dead sea of fever.</p>

<p id="iii.vii-p183"><br />
</p>

<p id="iii.vii-p184">The last of an ancient race of poor men, he had no relative but
a second cousin, and no means except the little he advanced him,
chiefly in kind, to be paid for when Eric had a profession. This
cousin was in the herring trade, and the chief assistance he gave
him was to send him by sea, from Wick to Aberdeen, a small barrel
of his fish every session. One herring, with two or three potatoes,
formed his dinner as long as the barrel lasted. But at Aberdeen or
elsewhere no one carried his head more erect than Eric Ericson--not
from pride, but from simplicity and inborn dignity; and there was
not a man during his curriculum more respected than he. An
excellent classical scholar--as scholarship went in those days--he
was almost the only man in the university who made his knowledge of
Latin serve towards an acquaintance with the Romance languages. He
had gained a small bursary, and gave lessons when he could.</p>

<p id="iii.vii-p185"><br />
</p>

<p id="iii.vii-p186">But having no level channel for the outgoing of the waters of
one of the tenderest hearts that ever lived, those waters had
sought to break a passage upwards. Herein his experience
corresponded in a considerable degree to that of Robert; only
Eric's more fastidious and more instructed nature bred a thousand
difficulties which he would meet one by one, whereas Robert, less
delicate and more robust, would break through all the oppositions
of theological science falsely so called, and take the kingdom of
heaven by force. But indeed the ruins of the ever falling temple of
theology had accumulated far more heavily over Robert's well of
life, than over that of Ericson: the obstructions to his faith were
those that rolled from the disintegrating mountains of humanity,
rather than the rubbish heaped upon it by the careless masons who
take the quarry whence they hew the stones for the temple--built
without hands eternal in the heavens.</p>

<p id="iii.vii-p187"><br />
</p>

<p id="iii.vii-p188">When Dr. Anderson entered, Ericson opened his eyes wide. The
doctor approached, and taking his hand began to feel his pulse.
Then first Ericson comprehended his visit.</p>

<p id="iii.vii-p189"><br />
</p>

<p id="iii.vii-p190">'I can't,' he said, withdrawing his hand. 'I am not so ill as to
need a doctor.'</p>

<p id="iii.vii-p191"><br />
</p>

<p id="iii.vii-p192">'My dear sir,' said Dr. Anderson, courteously, 'there will be no
occasion to put you to any pain.'</p>

<p id="iii.vii-p193"><br />
</p>

<p id="iii.vii-p194">'Sir,' said Eric, 'I have no money.'</p>

<p id="iii.vii-p195"><br />
</p>

<p id="iii.vii-p196">The doctor laughed.</p>

<p id="iii.vii-p197"><br />
</p>

<p id="iii.vii-p198">'And I have more than I know how to make a good use of.'</p>

<p id="iii.vii-p199"><br />
</p>

<p id="iii.vii-p200">'I would rather be left alone,' persisted Ericson, turning his
face away.</p>

<p id="iii.vii-p201"><br />
</p>

<p id="iii.vii-p202">'Now, my dear sir,' said the doctor, with gentle decision, 'that
is very wrong. With what face can you offer a kindness when your
turn comes, if you won't accept one yourself?'</p>

<p id="iii.vii-p203"><br />
</p>

<p id="iii.vii-p204">Ericson held out his wrist. Dr. Anderson questioned, prescribed,
and, having given directions, went home, to call again in the
morning.</p>

<p id="iii.vii-p205"><br />
</p>

<p id="iii.vii-p206">And now Robert was somewhat in the position of the old woman who
'had so many children she didn't know what to do.' Dr. Anderson
ordered nourishment for Ericson, and here was Shargar upon his
hands as well! Shargar and he could share, to be sure, and exist:
but for Ericson--?</p>

<p id="iii.vii-p207"><br />
</p>

<p id="iii.vii-p208">Not a word did Robert exchange with Shargar till he had gone to
the druggist's and got the medicine for Ericson, who, after taking
it, fell into a troubled sleep. Then, leaving the two doors open,
Robert joined Shargar in his own room. There he made up a good
fire, and they sat and dried themselves.</p>

<p id="iii.vii-p209"><br />
</p>

<p id="iii.vii-p210">'Noo, Shargar,' said Robert at length, 'hoo cam <i>ye</i>
here?'</p>

<p id="iii.vii-p211"><br />
</p>

<p id="iii.vii-p212">His question was too like one of his grandmother's to be
pleasant to Shargar.</p>

<p id="iii.vii-p213"><br />
</p>

<p id="iii.vii-p214">'Dinna speyk to me that gait, Robert, or I'll cut my throat' he
returned.</p>

<p id="iii.vii-p215"><br />
</p>

<p id="iii.vii-p216">'Hoots! I maun ken a' aboot it,' insisted Robert, but with much
modified and partly convicted tone.</p>

<p id="iii.vii-p217"><br />
</p>

<p id="iii.vii-p218">'Weel, I never said I wadna tell ye a' aboot it. The fac' 's
this--an' I'm no' up to the leein' as I used to be, Robert: I hae
tried it ower an' ower, but a lee comes rouch throw my thrapple
(<i>windpipe</i>) noo. Faith! I cud hae leed ance wi' onybody,
barrin' the de'il. I winna lee. I'm nae leein'. The fac's jist
this: I cudna bide ahin' ye ony langer.'</p>

<p id="iii.vii-p219"><br />
</p>

<p id="iii.vii-p220">'But what, the muckle lang-tailed deevil! am I to do wi' ye?'
returned Robert, in real perplexity, though only pretended
displeasure.</p>

<p id="iii.vii-p221"><br />
</p>

<p id="iii.vii-p222">'Gie me something to ate, an' I'll tell ye what to do wi' me,'
answered Shargar. 'I dinna care a scart (<i>scratch</i>) what it
is.'</p>

<p id="iii.vii-p223"><br />
</p>

<p id="iii.vii-p224">Robert rang the bell and ordered some porridge, and while it was
preparing, Shargar told his story--how having heard a rumour of
apprenticeship to a tailor, he had the same night dropped from the
gable window to the ground, and with three halfpence in his pocket
had wandered and begged his way to Aberdeen, arriving with one
halfpenny left.</p>

<p id="iii.vii-p225"><br />
</p>

<p id="iii.vii-p226">'But what am I to do wi' ye?' said Robert once more, in as much
perplexity as ever.</p>

<p id="iii.vii-p227"><br />
</p>

<p id="iii.vii-p228">'Bide till I hae tellt ye, as I said I wad,' answered Shargar.
'Dinna ye think I'm the haveless (<i>careless and therefore
helpless</i>) crater I used to be. I hae been in Aberdeen three
days! Ay, an' I hae seen you ilka day in yer reid goon, an' richt
braw it is. Luik ye here!'</p>

<p id="iii.vii-p229"><br />
</p>

<p id="iii.vii-p230">He put his hand in his pocket and pulled out what amounted to
two or three shillings, chiefly in coppers, which he exposed with
triumph on the table.</p>

<p id="iii.vii-p231"><br />
</p>

<p id="iii.vii-p232">'Whaur got ye a' that siller, man?' asked Robert.</p>

<p id="iii.vii-p233"><br />
</p>

<p id="iii.vii-p234">'Here and there, I kenna whaur; but I hae gien the weicht o' 't
for 't a' the same--rinnin' here an' rinnin' there, cairryin' boxes
till an' frae the smacks, an' doin' a'thing whether they bade me or
no. Yesterday mornin' I got thrippence by hingin' aboot the Royal
afore the coches startit. I luikit a' up and doon the street till I
saw somebody hine awa wi' a porkmanty. Till 'im I ran, an' he was
an auld man, an' maist at the last gasp wi' the weicht o' 't, an'
gae me 't to carry. An' wha duv ye think gae me a shillin' the
verra first nicht?--Wha but my brither Sandy?'</p>

<p id="iii.vii-p235"><br />
</p>

<p id="iii.vii-p236">'Lord Rothie?'</p>

<p id="iii.vii-p237"><br />
</p>

<p id="iii.vii-p238">'Ay, faith. I kent him weel eneuch, but little he kent me. There
he was upo' Black Geordie. He's turnin' auld noo.'</p>

<p id="iii.vii-p239"><br />
</p>

<p id="iii.vii-p240">'Yer brither?'</p>

<p id="iii.vii-p241"><br />
</p>

<p id="iii.vii-p242">'Na. He's young eneuch for ony mischeef; but Black Geordie. What
on earth gars him gang stravaguin' aboot upo' that deevil? I doobt
he's a kelpie, or a hell-horse, or something no canny o' that kin';
for faith! brither Sandy's no ower canny himsel', I'm thinkin'. But
Geordie--the aulder the waur set (<i>inclined</i>). An' sae I'm
thinkin' wi' his maister.'</p>

<p id="iii.vii-p243"><br />
</p>

<p id="iii.vii-p244">'Did ye iver see yer father, Shargar?'</p>

<p id="iii.vii-p245"><br />
</p>

<p id="iii.vii-p246">'Na. Nor I dinna want to see 'im. I'm upo' my mither's side. But
that's naething to the pint. A' that I want o' you 's to lat me
come hame at nicht, an' lie upo' the flure here. I sweir I'll lie
i' the street gin ye dinna lat me. I'll sleep as soun' 's Peter
MacInnes whan Maccleary's preachin'. An' I winna ate muckle--I hae
a dreidfu' pooer o' aitin'--an' a' 'at I gether I'll fess hame to
you, to du wi' 't as ye like.--Man, I cairriet a heap o' things the
day till the skipper o' that boat 'at ye gaed intil wi' Maister
Ericson the nicht. He's a fine chiel' that skipper!'</p>

<p id="iii.vii-p247"><br />
</p>

<p id="iii.vii-p248">Robert was astonished at the change that had passed upon
Shargar. His departure had cast him upon his own resources, and
allowed the individuality repressed by every event of his history,
even by his worship of Robert, to begin to develop itself.
Miserable for a few weeks, he had revived in the fancy that to work
hard at school would give him some chance of rejoining Robert.
Thence, too, he had watched to please Mrs. Falconer, and had indeed
begun to buy golden opinions from all sorts of people. He had a
hope in prospect. But into the midst fell the whisper of the
apprenticeship like a thunderbolt out of a clear sky. He fled at
once.</p>

<p id="iii.vii-p249"><br />
</p>

<p id="iii.vii-p250">'Weel, ye can hae my bed the nicht,' said Robert, 'for I maun
sit up wi' Mr. Ericson.'</p>

<p id="iii.vii-p251"><br />
</p>

<p id="iii.vii-p252">''Deed I'll hae naething o' the kin'. I'll sleep upo' the flure,
or else upo' the door-stane. Man, I'm no clean eneuch efter what
I've come throu sin' I drappit frae the window-sill i' the
ga'le-room. But jist len' me yer plaid, an' I'll sleep upo' the rug
here as gin I war i' Paradees. An' faith, sae I am, Robert. Ye maun
gang to yer bed some time the nicht forby (<i>besides</i>), or ye
winna be fit for yer wark the morn. Ye can jist gie me a kick, an'
I'll be up afore ye can gie me anither.'</p>

<p id="iii.vii-p253"><br />
</p>

<p id="iii.vii-p254">Their supper arrived from below, and, each on one side of the
fire, they ate the porridge, conversing all the while about old
times--for the youngest life has its old times, its golden age--and
old adventures,--Dooble Sanny, Betty, &amp;c., &amp;c. There were
but two subjects which Robert avoided--Miss St. John and the Bonnie
Leddy. Shargar was at length deposited upon the little bit of
hearthrug which adorned rather than enriched the room, with
Robert's plaid of shepherd tartan around him, and an Ainsworth's
dictionary under his head for a pillow.</p>

<p id="iii.vii-p255"><br />
</p>

<p id="iii.vii-p256">'Man, I fin' mysel' jist like a muckle colley
(<i>sheep-dog</i>),' he said. 'Whan I close my een, I'm no sure 'at
I'm no i' the inside o' yer auld luckie-daiddie's kilt. The Lord
preserve me frae ever sic a fricht again as yer grannie an' Betty
gae me the nicht they fand me in 't! I dinna believe it's in natur'
to hae sic a fricht twise in ae lifetime. Sae I'll fa' asleep at
ance, an' say nae mair--but as muckle o' my prayers as I can min'
upo' noo 'at grannie's no at my lug.'</p>

<p id="iii.vii-p257"><br />
</p>

<p id="iii.vii-p258">'Haud yer impidence, an' yer tongue thegither,' said Robert.
'Min' 'at my grannie's been the best frien' ye ever had.'</p>

<p id="iii.vii-p259"><br />
</p>

<p id="iii.vii-p260">''Cep' my ain mither,' returned Shargar, with a sleepy
doggedness in his tone.</p>

<p id="iii.vii-p261"><br />
</p>

<p id="iii.vii-p262">During their conference, Ericson had been slumbering. Robert had
visited him from time to time, but he had not awaked. As soon as
Shargar was disposed of, he took his candle and sat down by him. He
grew more uneasy. Robert guessed that the candle was the cause, and
put it out. Ericson was quieter. So Robert sat in the dark.</p>

<p id="iii.vii-p263"><br />
</p>

<p id="iii.vii-p264">But the rain had now ceased. Some upper wind had swept the
clouds from the sky, and the whole world of stars was radiant over
the earth and its griefs.</p>

<p id="iii.vii-p265"><br />
</p>

<p id="iii.vii-p266">'O God, where art thou?' he said in his heart, and went to his
own room to look out.</p>

<p id="iii.vii-p267"><br />
</p>

<p id="iii.vii-p268">There was no curtain, and the blind had not been drawn down,
therefore the earth looked in at the storm-window. The sea neither
glimmered nor shone. It lay across the horizon like a low level
cloud, out of which came a moaning. Was this moaning all of the
earth, or was there trouble in the starry places too? thought
Robert, as if already he had begun to suspect the truth from
afar--that save in the secret place of the Most High, and in the
heart that is hid with the Son of Man in the bosom of the Father,
there is trouble--a sacred unrest--everywhere--the moaning of a
tide setting homewards, even towards the bosom of that Father.</p>

<p id="iii.vii-p269"><br />
</p>

<p id="iii.vii-p270"><br />
</p>

</div2>

      <div2 title="CHAPTER VIII.--A HUMAN PROVIDENCE." n="viii" shorttitle="" progress="42.66%" id="iii.viii" prev="iii.vii" next="iii.ix">

<p id="iii.viii-p1"><br />
</p>

<p id="iii.viii-p2">CHAPTER VIII.</p>

<p id="iii.viii-p3"><br />
</p>

<p id="iii.viii-p4">A HUMAN PROVIDENCE.</p>

<p id="iii.viii-p5"><br />
</p>

<p id="iii.viii-p6">ROBERT kept himself thoroughly awake the whole night, and it was
well that he had not to attend classes in the morning. As the gray
of the world's reviving consciousness melted in at the window, the
things around and within him looked and felt ghastly. Nothing is
liker the gray dawn than the soul of one who has been watching by a
sick bed all the long hours of the dark, except, indeed, it be the
first glimmerings of truth on the mind lost in the dark of a
godless life.</p>

<p id="iii.viii-p7"><br />
</p>

<p id="iii.viii-p8">Ericson had waked often, and Robert had administered his
medicine carefully. But he had been mostly between sleeping and
waking, and had murmured strange words, whose passing shadows
rather than glimmers roused the imagination of the youth as with
messages from regions unknown.</p>

<p id="iii.viii-p9"><br />
</p>

<p id="iii.viii-p10">As the light came he found his senses going, and went to his own
room again to get a book that he might keep himself awake by
reading at the window. To his surprise Shargar was gone, and for a
moment he doubted whether he had not been dreaming all that had
passed between them the night before. His plaid was folded up and
laid upon a chair, as if it had been there all night, and his
Ainsworth was on the table. But beside it was the money Shargar had
drawn from his pockets.</p>

<p id="iii.viii-p11"><br />
</p>

<p id="iii.viii-p12">About nine o'clock Dr. Anderson arrived, found Ericson not so
much worse as he had expected, comforted Robert, and told him he
must go to bed.</p>

<p id="iii.viii-p13"><br />
</p>

<p id="iii.viii-p14">'But I cannot leave Mr. Ericson,' said Robert.</p>

<p id="iii.viii-p15"><br />
</p>

<p id="iii.viii-p16">'Let your friend--what's his odd name?--watch him during the
day.'</p>

<p id="iii.viii-p17"><br />
</p>

<p id="iii.viii-p18">'Shargar, you mean, sir. But that's his nickname. His rale name
they say his mither says, is George Moray--wi' an <i>o</i> an' no a
<i>u-r</i>.--Do you see, sir?' concluded Robert significantly.</p>

<p id="iii.viii-p19"><br />
</p>

<p id="iii.viii-p20">'No, I don't,' answered the doctor.</p>

<p id="iii.viii-p21"><br />
</p>

<p id="iii.viii-p22">'They say he's a son o' the auld Markis's, that's it. His
mither's a randy wife 'at gangs aboot the country--a gipsy they
say. There's nae doobt aboot <i>her</i>. An' by a' accoonts the
father's likly eneuch.'</p>

<p id="iii.viii-p23"><br />
</p>

<p id="iii.viii-p24">'And how on earth did you come to have such a questionable
companion?'</p>

<p id="iii.viii-p25"><br />
</p>

<p id="iii.viii-p26">'Shargar's as fine a crater as ever God made,' said Robert
warmly. 'Ye'll alloo 'at God made him, doctor; though his father
an' mither thochtna muckle aboot him or God either whan they got
him atween them? An' Shargar couldna help it. It micht ha' been you
or me for that maitter, doctor.'</p>

<p id="iii.viii-p27"><br />
</p>

<p id="iii.viii-p28">'I beg your pardon, Robert,' said Dr. Anderson quietly, although
delighted with the fervour of his young kinsman: 'I only wanted to
know how he came to be your companion.'</p>

<p id="iii.viii-p29"><br />
</p>

<p id="iii.viii-p30">'I beg <i>your</i> pardon, doctor--but I thoucht ye was some
scunnert at it; an' I canna bide Shargar to be luikit doon upo'.
Luik here,' he continued, going to his box, and bringing out
Shargar's little heap of coppers, in which two sixpences obscurely
shone, 'he brocht a' that hame last nicht, an' syne sleepit upo'
the rug i' my room there. We'll want a' 'at he can mak an' me too
afore we get Mr. Ericson up again.'</p>

<p id="iii.viii-p31"><br />
</p>

<p id="iii.viii-p32">'But ye haena tellt me yet,' said the doctor, so pleased with
the lad that he relapsed into the dialect of his youth, 'hoo ye cam
to forgather wi' 'im.'</p>

<p id="iii.viii-p33"><br />
</p>

<p id="iii.viii-p34">'I tellt ye a' aboot it, doctor. It was a' my grannie's doin',
God bless her--for weel he may, an' muckle she needs 't.'</p>

<p id="iii.viii-p35"><br />
</p>

<p id="iii.viii-p36">'Oh! yes; I remember now all your grandmother's part in the
story,' returned the doctor. 'But I still want to know how he came
here.'</p>

<p id="iii.viii-p37"><br />
</p>

<p id="iii.viii-p38">'She was gaein' to mak a taylor o' 'm: an' he jist ran awa', an'
cam to me.'</p>

<p id="iii.viii-p39"><br />
</p>

<p id="iii.viii-p40">'It was too bad of him that--after all she had done for
him.'</p>

<p id="iii.viii-p41"><br />
</p>

<p id="iii.viii-p42">'Ow, 'deed no, doctor. Even whan ye boucht a man an' paid for
him, accordin' to the Jewish law, ye cudna mak a slave o' 'im for
a'thegither, ohn him seekin' 't himsel'.--Eh! gin she could only
get my father hame!' sighed Robert, after a pause.</p>

<p id="iii.viii-p43"><br />
</p>

<p id="iii.viii-p44">'What should she want him home for?' asked Dr. Anderson, still
making conversation.</p>

<p id="iii.viii-p45"><br />
</p>

<p id="iii.viii-p46">'I didna mean hame to Rothieden. I believe she cud bide never
seein' 'im again, gin only he wasna i' the ill place. She has awfu'
notions aboot burnin' ill sowls for ever an' ever. But it's no
hersel'. It's the wyte o' the ministers. Doctor, I do believe she
wad gang an' be brunt hersel' wi' a great thanksgivin', gin it wad
lat ony puir crater oot o' 't--no to say my father. An' I sair
misdoobt gin mony o' them 'at pat it in her heid wad do as muckle.
I'm some feared they're like Paul afore he was convertit: he wadna
lift a stane himsel', but he likit weel to stan' oot by an' luik
on.'</p>

<p id="iii.viii-p47"><br />
</p>

<p id="iii.viii-p48">A deep sigh, almost a groan, from the bed, reminded them that
they were talking too much and too loud for a sick-room. It was
followed by the words, muttered, but articulate,</p>

<p id="iii.viii-p49"><br />
</p>

<p id="iii.viii-p50">'What's the good when you don't know whether there's a God at
all?'</p>

<p id="iii.viii-p51"><br />
</p>

<p id="iii.viii-p52">''Deed, that's verra true, Mr. Ericson,' returned Robert. 'I
wish ye wad fin' oot an' tell me. I wad be blithe to hear what ye
had to say anent it--gin it was <i>ay</i>, ye ken.'</p>

<p id="iii.viii-p53"><br />
</p>

<p id="iii.viii-p54">Ericson went on murmuring, but inarticulately now.</p>

<p id="iii.viii-p55"><br />
</p>

<p id="iii.viii-p56">'This won't do at all, Robert, my boy,' said Dr. Anderson. 'You
must not talk about such things with him, or indeed about anything.
You must keep him as quiet as ever you can.'</p>

<p id="iii.viii-p57"><br />
</p>

<p id="iii.viii-p58">'I thocht he was comin' till himsel',' returned Robert. 'But I
will tak care, I assure ye, doctor. Only I'm feared I may fa'
asleep the nicht, for I was dooms sleepy this mornin'.'</p>

<p id="iii.viii-p59"><br />
</p>

<p id="iii.viii-p60">'I will send Johnston as soon as I get home, and you must go to
bed when he comes.'</p>

<p id="iii.viii-p61"><br />
</p>

<p id="iii.viii-p62">''Deed, doctor, that winna do at a'. It wad be ower mony strange
faces a'thegither. We'll get Mistress Fyvie to luik till 'im the
day, an' Shargar canna work the morn, bein' Sunday. An' I'll gang
to my bed for fear o' doin' waur, though I doobt I winna sleep i'
the daylicht.'</p>

<p id="iii.viii-p63"><br />
</p>

<p id="iii.viii-p64">Dr. Anderson was satisfied, and went home--cogitating much. This
boy, this cousin of his, made a vortex of good about him into which
whoever came near it was drawn. He seemed at the same time quite
unaware of anything worthy in his conduct. The good he did sprung
from some inward necessity, with just enough in it of the salt of
choice to keep it from losing its savour. To these cogitations of
Dr. Anderson, I add that there was no conscious exercise of
religion in it--for there his mind was all at sea. Of course I
believe notwithstanding that religion had much, I ought to say
everything, to do with it. Robert had not yet found in God a reason
for being true to his fellows; but, if God was leading him to be
the man he became, how could any good results of this leading be
other than religion? All good is of God. Robert began where he
could. The first table was too high for him; he began with the
second. If a man love his brother whom he hath seen, the love of
God whom he hath not seen, is not very far off. These results in
Robert were the first outcome of divine facts and influences--they
were the buds of the fruit hereafter to be gathered in perfect
devotion. God be praised by those who know religion to be the truth
of humanity--its own truth that sets it free--not binds, and lops,
and mutilates it! who see God to be the father of every human
soul--the ideal Father, not an inventor of schemes, or the upholder
of a court etiquette for whose use he has chosen to desecrate the
name of <i>justice</i>!</p>

<p id="iii.viii-p65"><br />
</p>

<p id="iii.viii-p66">To return to Dr. Anderson. I have had little opportunity of
knowing his history in India. He returned from it half-way down the
hill of life, sad, gentle, kind, and rich. Whence his sadness came,
we need not inquire. Some woman out in that fervid land may have
darkened his story--darkened it wronglessly, it may be, with
coldness, or only with death. But to return home without wife to
accompany him or child to meet him,--to sit by his riches like a
man over a fire of straws in a Siberian frost; to know that old
faces were gone and old hearts changed, that the pattern of things
in the heavens had melted away from the face of the earth, that the
chill evenings of autumn were settling down into longer and longer
nights, and that no hope lay any more beyond the mountains--surely
this was enough to make a gentle-minded man sad, even if the
individual sorrows of his history had gathered into gold and purple
in the west. I say <i>west</i> advisedly. For we are journeying,
like our globe, ever towards the east. Death and the west are
behind us--ever behind us, and settling into the unchangeable.</p>

<p id="iii.viii-p67"><br />
</p>

<p id="iii.viii-p68">It was natural that he should be interested in the fine promise
of Robert, in whom he saw revived the hopes of his own youth, but
in a nature at once more robust and more ideal. Where the doctor
was refined, Robert was strong; where the doctor was firm with a
firmness he had cultivated, Robert was imperious with an
imperiousness time would mellow; where the doctor was generous and
careful at once, Robert gave his mite and forgot it. He was rugged
in the simplicity of his truthfulness, and his speech bewrayed him
as altogether of the people; but the doctor knew the hole of the
pit whence he had been himself digged. All that would fall away as
the spiky shell from the polished chestnut, and be reabsorbed in
the growth of the grand cone-flowering tree, to stand up in the sun
and wind of the years a very altar of incense. It is no wonder, I
repeat, that he loved the boy, and longed to further his plans. But
he was too wise to overwhelm him with a cataract of fortune instead
of blessing him with the merciful dew of progress.</p>

<p id="iii.viii-p69"><br />
</p>

<p id="iii.viii-p70">'The fellow will bring me in for no end of expense,' he said,
smiling to himself, as he drove home in his chariot. 'The less he
means it the more unconscionable he will be. There's that
Ericson--but that isn't worth thinking of. I must do something for
that queer <i>protégé</i> of his, though--that Shargar. The
fellow is as good as a dog, and that's saying not a little for him.
I wonder if he can learn--or if he takes after his father the
marquis, who never could spell. Well, it is a comfort to have
something to do worth doing. I did think of endowing a hospital;
but I'm not sure that it isn't better to endow a good man than a
hospital. I'll think about it. I won't say anything about Shargar
either, till I see how he goes on. I might give him a job, though,
now and then. But where to fall in with him--prowling about after
jobs?'</p>

<p id="iii.viii-p71"><br />
</p>

<p id="iii.viii-p72">He threw himself back in his seat, and laughed with a delight he
had rarely felt. He was a providence watching over the boys, who
expected nothing of him beyond advice for Ericson! Might there not
be a Providence that equally transcended the vision of men, shaping
to nobler ends the blocked-out designs of their rough-hewn
marbles?</p>

<p id="iii.viii-p73"><br />
</p>

<p id="iii.viii-p74">His thoughts wandered back to his friend the Brahmin, who died
longing for that absorption into deity which had been the dream of
his life: might not the Brahmin find the grand idea shaped to yet
finer issues than his aspiration had dared contemplate?--might he
not inherit in the purification of his will such an absorption as
should intensify his personality?</p>

<p id="iii.viii-p75"><br />
</p>

<p id="iii.viii-p76"><br />
</p>

</div2>

      <div2 title="CHAPTER IX.--A HUMAN SOUL." n="ix" shorttitle="" progress="43.58%" id="iii.ix" prev="iii.viii" next="iii.x">

<p id="iii.ix-p1"><br />
</p>

<p id="iii.ix-p2">CHAPTER IX.</p>

<p id="iii.ix-p3"><br />
</p>

<p id="iii.ix-p4">A HUMAN SOUL.</p>

<p id="iii.ix-p5"><br />
</p>

<p id="iii.ix-p6">ERICSON lay for several weeks, during which time Robert and
Shargar were his only nurses. They contrived, by abridging both
rest and labour, to give him constant attendance. Shargar went to
bed early and got up early, so as to let Robert have a few hours'
sleep before his classes began. Robert again slept in the evening,
after Shargar came home, and made up for the time by reading while
he sat by his friend. Mrs. Fyvie's attendance was in requisition
only for the hours when he had to be at lectures. By the greatest
economy of means, consisting of what Shargar brought in by jobbing
about the quay and the coach-offices, and what Robert had from Dr.
Anderson for copying his manuscript, they contrived to procure for
Ericson all that he wanted. The shopping of the two boys, in their
utter ignorance of such delicacies as the doctor told them to get
for him, the blunders they made as to the shops at which they were
to be bought, and the consultations they held, especially about the
preparing of the prescribed nutriment, afforded them many an
amusing retrospect in after years. For the house was so full of
lodgers, that Robert begged Mrs. Fyvie to give herself no trouble
in the matter. Her conscience, however, was uneasy, and she spoke
to Dr. Anderson; but he assured her that she might trust the boys.
What cooking they could not manage, she undertook cheerfully, and
refused to add anything to the rent on Shargar's account.</p>

<p id="iii.ix-p7"><br />
</p>

<p id="iii.ix-p8">Dr. Anderson watched everything, the two boys as much as his
patient. He allowed them to work on, sending only the wine that was
necessary from his own cellar. The moment the supplies should begin
to fail, or the boys to look troubled, he was ready to do more.
About Robert's perseverance he had no doubt: Shargar's faithfulness
he wanted to prove.</p>

<p id="iii.ix-p9"><br />
</p>

<p id="iii.ix-p10">Robert wrote to his grandmother to tell her that Shargar was
with him, working hard. Her reply was somewhat cold and offended,
but was inclosed in a parcel containing all Shargar's garments, and
ended with the assurance that as long as he did well she was ready
to do what she could.</p>

<p id="iii.ix-p11"><br />
</p>

<p id="iii.ix-p12">Few English readers will like Mrs. Falconer; but her grandchild
considered her one of the noblest women ever God made; and I, from
his account, am of the same mind. Her care was fixed</p>

<p id="iii.ix-p13"><br />
</p>

<p id="iii.ix-p14">     To fill her odorous lamp with <i>deeds</i> of
light,</p>

<p id="iii.ix-p15">     And hope that reaps not shame.</p>

<p id="iii.ix-p16"><br />
</p>

<p id="iii.ix-p17">And if one must choose between the <i>how</i> and the <i>
what</i>, let me have the <i>what</i>, come of the <i>how</i> what
may. I know of a man so sensitive, that he shuts his ears to his
sister's griefs, because it spoils his digestion to think of
them.</p>

<p id="iii.ix-p18"><br />
</p>

<p id="iii.ix-p19">One evening Robert was sitting by the table in Ericson's room.
Dr. Anderson had not called that day, and he did not expect to see
him now, for he had never come so late. He was quite at his ease,
therefore, and busy with two things at once, when the doctor opened
the door and walked in. I think it is possible that he came up
quietly with some design of surprising him. He found him with a
stocking on one hand, a darning needle in the other, and a Greek
book open before him. Taking no apparent notice of him, he walked
up to the bedside, and Robert put away his work. After his
interview with his patient was over, the doctor signed to him to
follow him to the next room. There Shargar lay on the rug already
snoring. It was a cold night in December, but he lay in his
under-clothing, with a single blanket round him.</p>

<p id="iii.ix-p20"><br />
</p>

<p id="iii.ix-p21">'Good training for a soldier,' said the doctor; 'and so was your
work a minute ago, Robert.'</p>

<p id="iii.ix-p22"><br />
</p>

<p id="iii.ix-p23">'Ay,' answered Robert, colouring a little; 'I was readin' a bit
o' the Anabasis.'</p>

<p id="iii.ix-p24"><br />
</p>

<p id="iii.ix-p25">The doctor smiled a far-off sly smile.</p>

<p id="iii.ix-p26"><br />
</p>

<p id="iii.ix-p27">'I think it was rather the Katabasis, if one might venture to
judge from the direction of your labours.'</p>

<p id="iii.ix-p28"><br />
</p>

<p id="iii.ix-p29">'Weel,' answered Robert, 'what wad ye hae me do? Wad ye hae me
lat Mr. Ericson gang wi' holes i' the heels o' 's hose, whan I can
mak them a' snod, an' learn my Greek at the same time? Hoots,
doctor! dinna lauch at me. I was doin' nae ill. A body may please
themsel's--whiles surely, ohn sinned.'</p>

<p id="iii.ix-p30"><br />
</p>

<p id="iii.ix-p31">'But it's such waste of time! Why don't you buy him new
ones?'</p>

<p id="iii.ix-p32"><br />
</p>

<p id="iii.ix-p33">''Deed that's easier said than dune. I hae eneuch ado wi' my
siller as 'tis; an' gin it warna for you, doctor, I <i>do</i> not
ken what wad come o' 's; for ye see I hae no richt to come upo' my
grannie for ither fowk. There wad be nae en' to that.'</p>

<p id="iii.ix-p34"><br />
</p>

<p id="iii.ix-p35">'But I could lend you the money to buy him some stockings.'</p>

<p id="iii.ix-p36"><br />
</p>

<p id="iii.ix-p37">'An' whan wad I be able to pay ye, do ye think, doctor? In
anither warl' maybe, whaur the currency micht be sae different
there wad be no possibility o' reckonin' the rate o' exchange. Na,
na.'</p>

<p id="iii.ix-p38"><br />
</p>

<p id="iii.ix-p39">'But I will give you the money if you like.'</p>

<p id="iii.ix-p40"><br />
</p>

<p id="iii.ix-p41">'Na, na. You hae dune eneuch already, an' mony thanks. Siller's
no sae easy come by to be wastit, as lang's a darn 'll do. Forbye,
gin ye began wi' <i>his</i> claes, ye wadna ken whaur to haud; for
it wad jist be the new claith upo' the auld garment: ye micht as
weel new cleed him at ance.'</p>

<p id="iii.ix-p42"><br />
</p>

<p id="iii.ix-p43">'And why not if I choose, Mr. Falconer?'</p>

<p id="iii.ix-p44"><br />
</p>

<p id="iii.ix-p45">'Speir ye that at <i>him</i>, an' see what ye'll get--a luik 'at
wad fess a corbie (<i>carrion crow</i>) frae the lift (<i>sky</i>).
I wadna hae ye try that. Some fowk's poverty maun be han'let jist
like a sair place, doctor. He canna weel compleen o' a bit
darnin'.--He canna tak that ill,' repeated Robert, in a tone that
showed he yet felt some anxiety on the subject; 'but new anes! I
wadna like to be by whan he fand that oot. Maybe he micht tak them
frae a wuman; but frae a man body!--na, na; I maun jist darn awa'.
But I'll mak them dacent eneuch afore I hae dune wi' them. A
fiddler has fingers.'</p>

<p id="iii.ix-p46"><br />
</p>

<p id="iii.ix-p47">The doctor smiled a pleased smile; but when he got into his
carriage, again he laughed heartily.</p>

<p id="iii.ix-p48"><br />
</p>

<p id="iii.ix-p49">The evening deepened into night. Robert thought Ericson was
asleep. But he spoke.</p>

<p id="iii.ix-p50"><br />
</p>

<p id="iii.ix-p51">'Who is that at the street door?' he said.</p>

<p id="iii.ix-p52"><br />
</p>

<p id="iii.ix-p53">They were at the top of the house, and there was no window to
the street. But Ericson's senses were preternaturally acute, as is
often the case in such illnesses.</p>

<p id="iii.ix-p54"><br />
</p>

<p id="iii.ix-p55">'I dinna hear onybody,' answered Robert.</p>

<p id="iii.ix-p56"><br />
</p>

<p id="iii.ix-p57">'There was somebody,' returned Ericson.</p>

<p id="iii.ix-p58"><br />
</p>

<p id="iii.ix-p59">From that moment he began to be restless, and was more feverish
than usual throughout the night.</p>

<p id="iii.ix-p60"><br />
</p>

<p id="iii.ix-p61">Up to this time he had spoken little, was depressed with a
suffering to which he could give no name--not pain, he said--but
such that he could rouse no mental effort to meet it: his endurance
was passive altogether. This night his brain was more affected. He
did not rave, but often wandered; never spoke nonsense, but many
words that would have seemed nonsense to ordinary people: to Robert
they seemed inspired. His imagination, which was greater than any
other of his fine faculties, was so roused that he talked in
verse--probably verse composed before and now recalled. He would
even pray sometimes in measured lines, and go on murmuring
petitions, till the words of the murmur became undistinguishable,
and he fell asleep. But even in his sleep he would speak; and
Robert would listen in awe; for such words, falling from such a
man, were to him as dim breaks of coloured light from the rainbow
walls of the heavenly city.</p>

<p id="iii.ix-p62"><br />
</p>

<p id="iii.ix-p63">'If God were <i>thinking</i> me,' said Ericson, 'ah! But if he
be only <i>dreaming</i> me, I shall go mad.'</p>

<p id="iii.ix-p64"><br />
</p>

<p id="iii.ix-p65">Ericson's outside was like his own northern clime--dark, gentle,
and clear, with gray-blue seas, and a sun that seems to shine out
of the past, and know nothing of the future. But within glowed a
volcanic angel of aspiration, fluttering his half-grown wings, and
ever reaching towards the heights whence all things are visible,
and where all passions are safe because true, that is divine.
Iceland herself has her Hecla.</p>

<p id="iii.ix-p66"><br />
</p>

<p id="iii.ix-p67">Robert listened with keenest ear. A mist of great meaning hung
about the words his friend had spoken. He might speak more. For
some minutes he listened in vain, and was turning at last towards
his book in hopelessness, when he did speak yet again: Robert's ear
soon detected the rhythmic motion of his speech.</p>

<p id="iii.ix-p68"><br />
</p>

<p id="iii.ix-p69">'Come in the glory of thine excellence;</p>

<p id="iii.ix-p70">Rive the dense gloom with wedges of clear light;</p>

<p id="iii.ix-p71">And let the shimmer of thy chariot wheels</p>

<p id="iii.ix-p72">Burn through the cracks of night.--So slowly, Lord,</p>

<p id="iii.ix-p73">To lift myself to thee with hands of toil,</p>

<p id="iii.ix-p74">Climbing the slippery cliff of unheard prayer!</p>

<p id="iii.ix-p75">Lift up a hand among my idle days--</p>

<p id="iii.ix-p76">One beckoning finger. I will cast aside</p>

<p id="iii.ix-p77">The clogs of earthly circumstance, and run</p>

<p id="iii.ix-p78">Up the broad highways where the countless worlds</p>

<p id="iii.ix-p79">Sit ripening in the summer of thy love.'</p>

<p id="iii.ix-p80"><br />
</p>

<p id="iii.ix-p81">Breathless for fear of losing a word, Robert yet remembered that
he had seen something like these words in the papers Ericson had
given him to read on the night when his illness began. When he had
fallen asleep and silent, he searched and found the poem from which
I give the following extracts. He had not looked at the papers
since that night.</p>

<p id="iii.ix-p82"><br />
</p>

<p id="iii.ix-p83">A PRAYER.</p>

<p id="iii.ix-p84"><br />
</p>

<p id="iii.ix-p85">     O Lord, my God, how long</p>

<p id="iii.ix-p86">Shall my poor heart pant for a boundless joy?</p>

<p id="iii.ix-p87">How long, O mighty Spirit, shall I hear</p>

<p id="iii.ix-p88">The murmur of Truth's crystal waters slide</p>

<p id="iii.ix-p89">From the deep caverns of their endless being,</p>

<p id="iii.ix-p90">But my lips taste not, and the grosser air</p>

<p id="iii.ix-p91">Choke each pure inspiration of thy will?</p>

<p id="iii.ix-p92"><br />
</p>

<p id="iii.ix-p93">     I would be a wind,</p>

<p id="iii.ix-p94">Whose smallest atom is a viewless wing,</p>

<p id="iii.ix-p95">All busy with the pulsing life that throbs</p>

<p id="iii.ix-p96">To do thy bidding; yea, or the meanest thing</p>

<p id="iii.ix-p97">That has relation to a changeless truth</p>

<p id="iii.ix-p98">Could I but be instinct with thee--each thought</p>

<p id="iii.ix-p99">The lightning of a pure intelligence,</p>

<p id="iii.ix-p100">And every act as the loud thunder-clap</p>

<p id="iii.ix-p101">Of currents warring for a vacuum.</p>

<p id="iii.ix-p102"><br />
</p>

<p id="iii.ix-p103">  Lord, clothe me with thy truth as with a robe.</p>

<p id="iii.ix-p104">Purge me with sorrow. I will bend my head,</p>

<p id="iii.ix-p105">And let the nations of thy waves pass over,</p>

<p id="iii.ix-p106">Bathing me in thy consecrated strength.</p>

<p id="iii.ix-p107">And let the many-voiced and silver winds</p>

<p id="iii.ix-p108">Pass through my frame with their clear influence.</p>

<p id="iii.ix-p109">O save me--I am blind; lo! thwarting shapes</p>

<p id="iii.ix-p110">Wall up the void before, and thrusting out</p>

<p id="iii.ix-p111">Lean arms of unshaped expectation, beckon</p>

<p id="iii.ix-p112">Down to the night of all unholy thoughts.</p>

<p id="iii.ix-p113"><br />
</p>

<p id="iii.ix-p114">     I have seen</p>

<p id="iii.ix-p115">Unholy shapes lop off my shining thoughts,</p>

<p id="iii.ix-p116">Which I had thought nursed in thine emerald light;</p>

<p id="iii.ix-p117">And they have lent me leathern wings of fear,</p>

<p id="iii.ix-p118">Of baffled pride and harrowing distrust;</p>

<p id="iii.ix-p119">And Godhead with its crown of many stars,</p>

<p id="iii.ix-p120">Its pinnacles of flaming holiness,</p>

<p id="iii.ix-p121">And voice of leaves in the green summer-time,</p>

<p id="iii.ix-p122">Has seemed the shadowed image of a self.</p>

<p id="iii.ix-p123">Then my soul blackened; and I rose to find</p>

<p id="iii.ix-p124">And grasp my doom, and cleave the arching deeps</p>

<p id="iii.ix-p125">Of desolation.</p>

<p id="iii.ix-p126"><br />
</p>

<p id="iii.ix-p127">  O Lord, my soul is a forgotten well;</p>

<p id="iii.ix-p128">Clad round with its own rank luxuriance;</p>

<p id="iii.ix-p129">A fountain a kind sunbeam searches for,</p>

<p id="iii.ix-p130">Sinking the lustre of its arrowy finger</p>

<p id="iii.ix-p131">Through the long grass its own strange virtue5</p>

<p id="iii.ix-p132">Hath blinded up its crystal eye withal:</p>

<p id="iii.ix-p133">Make me a broad strong river coming down</p>

<p id="iii.ix-p134">With shouts from its high hills, whose rocky hearts</p>

<p id="iii.ix-p135">Throb forth the joy of their stability</p>

<p id="iii.ix-p136">In watery pulses from their inmost deeps,</p>

<p id="iii.ix-p137">And I shall be a vein upon thy world,</p>

<p id="iii.ix-p138">Circling perpetual from the parent deep.</p>

<p id="iii.ix-p139">  O First and Last, O glorious all in all,</p>

<p id="iii.ix-p140">In vain my faltering human tongue would seek</p>

<p id="iii.ix-p141">To shape the vesture of the boundless thought,</p>

<p id="iii.ix-p142">Summing all causes in one burning word;</p>

<p id="iii.ix-p143">Give me the spirit's living tongue of fire,</p>

<p id="iii.ix-p144">Whose only voice is in an attitude</p>

<p id="iii.ix-p145">Of keenest tension, bent back on itself</p>

<p id="iii.ix-p146">With a strong upward force; even as thy bow</p>

<p id="iii.ix-p147">Of bended colour stands against the north,</p>

<p id="iii.ix-p148">And, in an attitude to spring to heaven,</p>

<p id="iii.ix-p149">Lays hold of the kindled hills.</p>

<p id="iii.ix-p150"><br />
</p>

<p id="iii.ix-p151">     Most mighty One,</p>

<p id="iii.ix-p152">Confirm and multiply my thoughts of good;</p>

<p id="iii.ix-p153">Help me to wall each sacred treasure round</p>

<p id="iii.ix-p154">With the firm battlements of special action.</p>

<p id="iii.ix-p155">Alas my holy, happy thoughts of thee</p>

<p id="iii.ix-p156">Make not perpetual nest within my soul,</p>

<p id="iii.ix-p157">But like strange birds of dazzling colours stoop</p>

<p id="iii.ix-p158">The trailing glories of their sunward speed,</p>

<p id="iii.ix-p159">For one glad moment filling my blasted boughs</p>

<p id="iii.ix-p160">With the sunshine of their wings.</p>

<p id="iii.ix-p161"><br />
</p>

<p id="iii.ix-p162">     Make me a forest</p>

<p id="iii.ix-p163">Of gladdest life, wherein perpetual spring</p>

<p id="iii.ix-p164">Lifts up her leafy tresses in the wind.</p>

<p id="iii.ix-p165"><br />
</p>

<p id="iii.ix-p166">     Lo! now I see</p>

<p id="iii.ix-p167">Thy trembling starlight sit among my pines,</p>

<p id="iii.ix-p168">And thy young moon slide down my arching boughs</p>

<p id="iii.ix-p169">With a soft sound of restless eloquence.</p>

<p id="iii.ix-p170">And I can feel a joy as when thy hosts</p>

<p id="iii.ix-p171">Of trampling winds, gathering in maddened bands,</p>

<p id="iii.ix-p172">Roar upward through the blue and flashing day</p>

<p id="iii.ix-p173">Round my still depths of uncleft solitude.</p>

<p id="iii.ix-p174"><br />
</p>

<p id="iii.ix-p175">     Hear me, O Lord,</p>

<p id="iii.ix-p176">When the black night draws down upon my soul,</p>

<p id="iii.ix-p177">And voices of temptation darken down</p>

<p id="iii.ix-p178">The misty wind, slamming thy starry doors,</p>

<p id="iii.ix-p179">With bitter jests. 'Thou fool!' they seem to say</p>

<p id="iii.ix-p180">'Thou hast no seed of goodness in thee; all</p>

<p id="iii.ix-p181">Thy nature hath been stung right through and through.</p>

<p id="iii.ix-p182">Thy sin hath blasted thee, and made thee old.</p>

<p id="iii.ix-p183">Thou hadst a will, but thou hast killed it--dead--</p>

<p id="iii.ix-p184">And with the fulsome garniture of life</p>

<p id="iii.ix-p185">Built out the loathsome corpse. Thou art a child</p>

<p id="iii.ix-p186">Of night and death, even lower than a worm.</p>

<p id="iii.ix-p187">Gather the skirts up of thy shadowy self,</p>

<p id="iii.ix-p188">And with what resolution thou hast left,</p>

<p id="iii.ix-p189">Fall on the damned spikes of doom.'</p>

<p id="iii.ix-p190"><br />
</p>

<p id="iii.ix-p191">     O take me like a child,</p>

<p id="iii.ix-p192">If thou hast made me for thyself, my God,</p>

<p id="iii.ix-p193">And lead me up thy hills. I shall not fear</p>

<p id="iii.ix-p194">So thou wilt make me pure, and beat back sin</p>

<p id="iii.ix-p195">With the terrors of thine eye.</p>

<p id="iii.ix-p196"><br />
</p>

<p id="iii.ix-p197">     Lord hast thou sent</p>

<p id="iii.ix-p198">Thy moons to mock us with perpetual hope?</p>

<p id="iii.ix-p199">Lighted within our breasts the love of love,</p>

<p id="iii.ix-p200">To make us ripen for despair, my God?</p>

<p id="iii.ix-p201"><br />
</p>

<p id="iii.ix-p202">  Oh, dost thou hold each individual soul</p>

<p id="iii.ix-p203">Strung clear upon thy flaming rods of purpose?</p>

<p id="iii.ix-p204">Or does thine inextinguishable will</p>

<p id="iii.ix-p205">Stand on the steeps of night with lifted hand,</p>

<p id="iii.ix-p206">Filling the yawning wells of monstrous space</p>

<p id="iii.ix-p207">With mixing thought--drinking up single life</p>

<p id="iii.ix-p208">As in a cup? and from the rending folds</p>

<p id="iii.ix-p209">Of glimmering purpose, the gloom do all thy navied stars</p>

<p id="iii.ix-p210">Slide through the gloom with mystic melody,</p>

<p id="iii.ix-p211">Like wishes on a brow? Oh, is my soul,</p>

<p id="iii.ix-p212">Hung like a dew-drop in thy grassy ways,</p>

<p id="iii.ix-p213">Drawn up again into the rack of change,</p>

<p id="iii.ix-p214">Even through the lustre which created it?</p>

<p id="iii.ix-p215">O mighty one, thou wilt not smite me through</p>

<p id="iii.ix-p216">With scorching wrath, because my spirit stands</p>

<p id="iii.ix-p217">Bewildered in thy circling mysteries.</p>

<p id="iii.ix-p218"><br />
</p>

<p id="iii.ix-p219">Here came the passage Robert had heard him repeat, and then the
following paragraph:</p>

<p id="iii.ix-p220"><br />
</p>

<p id="iii.ix-p221">Lord, thy strange mysteries come thickening down</p>

<p id="iii.ix-p222">Upon my head like snow-flakes, shutting out</p>

<p id="iii.ix-p223">The happy upper fields with chilly vapour.</p>

<p id="iii.ix-p224">Shall I content my soul with a weak sense</p>

<p id="iii.ix-p225">Of safety? or feed my ravenous hunger with</p>

<p id="iii.ix-p226">Sore-purged hopes, that are not hopes, but fears</p>

<p id="iii.ix-p227">Clad in white raiment?</p>

<p id="iii.ix-p228">I know not but some thin and vaporous fog,</p>

<p id="iii.ix-p229">Fed with the rank excesses of the soul,</p>

<p id="iii.ix-p230">Mocks the devouring hunger of my life</p>

<p id="iii.ix-p231">With satisfaction: lo! the noxious gas</p>

<p id="iii.ix-p232">Feeds the lank ribs of gaunt and ghastly death</p>

<p id="iii.ix-p233">With double emptiness, like a balloon,</p>

<p id="iii.ix-p234">Borne by its lightness o'er the shining lands,</p>

<p id="iii.ix-p235">A wonder and a laughter.</p>

<p id="iii.ix-p236">  The creeds lie in the hollow of men's hearts</p>

<p id="iii.ix-p237">Like festering pools glassing their own corruption:</p>

<p id="iii.ix-p238">The slimy eyes stare up with dull approval,</p>

<p id="iii.ix-p239">And answer not when thy bright starry feet</p>

<p id="iii.ix-p240">Move on the watery floors.</p>

<p id="iii.ix-p241"><br />
</p>

<p id="iii.ix-p242">  O wilt thou hear me when I cry to thee?</p>

<p id="iii.ix-p243">I am a child lost in a mighty forest;</p>

<p id="iii.ix-p244">The air is thick with voices, and strange hands</p>

<p id="iii.ix-p245">Reach through the dusk and pluck me by the skirts.</p>

<p id="iii.ix-p246">There is a voice which sounds like words from home,</p>

<p id="iii.ix-p247">But, as I stumble on to reach it, seems</p>

<p id="iii.ix-p248">To leap from rock to rock. Oh! if it is</p>

<p id="iii.ix-p249">Willing obliquity of sense, descend,</p>

<p id="iii.ix-p250">Heal all my wanderings, take me by the hand,</p>

<p id="iii.ix-p251">And lead me homeward through the shadows.</p>

<p id="iii.ix-p252">  Let me not by my wilful acts of pride</p>

<p id="iii.ix-p253">Block up the windows of thy truth, and grow</p>

<p id="iii.ix-p254">A wasted, withered thing, that stumbles on</p>

<p id="iii.ix-p255">Down to the grave with folded hands of sloth</p>

<p id="iii.ix-p256">And leaden confidence.</p>

<p id="iii.ix-p257"><br />
</p>

<p id="iii.ix-p258">There was more of it, as my type indicates. Full of faults, I
have given so much to my reader, just as it stood upon Ericson's
blotted papers, the utterance of a true soul 'crying for the
light.' But I give also another of his poems, which Robert read at
the same time, revealing another of his moods when some one of the
clouds of holy doubt and questioning love which so often darkened
his sky, did at length</p>

<p id="iii.ix-p259"><br />
</p>

<p id="iii.ix-p260">     Turn forth her silver lining on the night:</p>

<p id="iii.ix-p261"><br />
</p>

<p id="iii.ix-p262">SONG.</p>

<p id="iii.ix-p263"><br />
</p>

<p id="iii.ix-p264">They are blind and they are dead:</p>

<p id="iii.ix-p265">  We will wake them as we go;</p>

<p id="iii.ix-p266">There are words have not been said;</p>

<p id="iii.ix-p267">  There are sounds they do not know.</p>

<p id="iii.ix-p268">    We will pipe and we will sing--</p>

<p id="iii.ix-p269">    With the music and the spring,</p>

<p id="iii.ix-p270">    Set their hearts a wondering.</p>

<p id="iii.ix-p271"><br />
</p>

<p id="iii.ix-p272">They are tired of what is old:</p>

<p id="iii.ix-p273">  We will give it voices new;</p>

<p id="iii.ix-p274">For the half hath not been told</p>

<p id="iii.ix-p275">  Of the Beautiful and True.</p>

<p id="iii.ix-p276">    Drowsy eyelids shut and sleeping!</p>

<p id="iii.ix-p277">    Heavy eyes oppressed with weeping!</p>

<p id="iii.ix-p278">    Flashes through the lashes leaping!</p>

<p id="iii.ix-p279"><br />
</p>

<p id="iii.ix-p280">Ye that have a pleasant voice,</p>

<p id="iii.ix-p281">  Hither come without delay;</p>

<p id="iii.ix-p282">Ye will never have a choice</p>

<p id="iii.ix-p283">  Like to that ye have to-day:</p>

<p id="iii.ix-p284">    Round the wide world we will go,</p>

<p id="iii.ix-p285">    Singing through the frost and snow,</p>

<p id="iii.ix-p286">    Till the daisies are in blow.</p>

<p id="iii.ix-p287"><br />
</p>

<p id="iii.ix-p288">Ye that cannot pipe or sing,</p>

<p id="iii.ix-p289">  Ye must also come with speed;</p>

<p id="iii.ix-p290">Ye must come and with you bring</p>

<p id="iii.ix-p291">  Weighty words and weightier deed:</p>

<p id="iii.ix-p292">    Helping hands and loving eyes,</p>

<p id="iii.ix-p293">    These will make them truly wise--</p>

<p id="iii.ix-p294">    Then will be our Paradise.</p>

<p id="iii.ix-p295"><br />
</p>

<p id="iii.ix-p296">As Robert read, the sweetness of the rhythm seized upon him,
and, almost unconsciously, he read the last stanza aloud. Looking
up from the paper with a sigh of wonder and delight--there was the
pale face of Ericson gazing at him from the bed! He had risen on
one arm, looking like a dead man called to life against his will,
who found the world he had left already stranger to him than the
one into which he had but peeped.</p>

<p id="iii.ix-p297"><br />
</p>

<p id="iii.ix-p298">'Yes,' he murmured; 'I could say that once. It's all gone now.
Our world is but our moods.'</p>

<p id="iii.ix-p299"><br />
</p>

<p id="iii.ix-p300">He fell back on his pillow. After a little, he murmured
again:</p>

<p id="iii.ix-p301"><br />
</p>

<p id="iii.ix-p302">'I might fool myself with faith again. So it is better not. I
would not be fooled. To believe the false and be happy is the very
belly of misery. To believe the true and be miserable, is to be
true--and miserable. If there is no God, let me know it. I will not
be fooled. I will not believe in a God that does not exist. Better
be miserable because I <i>am</i>, and cannot help it.--O God!'</p>

<p id="iii.ix-p303"><br />
</p>

<p id="iii.ix-p304">Yet in his misery, he cried upon God.</p>

<p id="iii.ix-p305"><br />
</p>

<p id="iii.ix-p306">These words came upon Robert with such a shock of sympathy, that
they destroyed his consciousness for the moment, and when he <i>
thought</i> about them, he almost doubted if he had heard them. He
rose and approached the bed. Ericson lay with his eyes closed, and
his face contorted as by inward pain. Robert put a spoonful of wine
to his lips. He swallowed it, opened his eyes, gazed at the boy as
if he did not know him, closed them again, and lay still.</p>

<p id="iii.ix-p307"><br />
</p>

<p id="iii.ix-p308">Some people take comfort from the true eyes of a dog--and a
precious thing to the loving heart is the love of even a dumb
animal.6 What comfort then must not such a boy as Robert have been
to such a man as Ericson! Often and often when he was lying asleep
as Robert thought, he was watching the face of his watcher. When
the human soul is not yet able to receive the vision of the
God-man, God sometimes--might I not say always?--reveals himself,
or at least gives himself, in some human being whose face, whose
hands are the ministering angels of his unacknowledged presence, to
keep alive the fire of love on the altar of the heart, until God
hath provided the sacrifice--that is, until the soul is strong
enough to draw it from the concealing thicket. Here were two, each
thinking that God had forsaken him, or was not to be found by him,
and each the very love of God, commissioned to tend the other's
heart. In each was he present to the other. The one thought himself
the happiest of mortals in waiting upon his big brother, whose
least smile was joy enough for one day; the other wondered at the
unconscious goodness of the boy, and while he gazed at his
ruddy-brown face, believed in God.</p>

<p id="iii.ix-p309"><br />
</p>

<p id="iii.ix-p310">For some time after Ericson was taken ill, he was too depressed
and miserable to ask how he was cared for. But by slow degrees it
dawned upon him that a heart deep and gracious, like that of a
woman, watched over him. True, Robert was uncouth, but his
uncouthness was that of a half-fledged angel. The heart of the man
and the heart of the boy were drawn close together. Long before
Ericson was well he loved Robert enough to be willing to be
indebted to him, and would lie pondering--not how to repay him, but
how to return his kindness.</p>

<p id="iii.ix-p311"><br />
</p>

<p id="iii.ix-p312">How much Robert's ambition to stand well in the eyes of Miss St.
John contributed to his progress I can only imagine; but certainly
his ministrations to Ericson did not interfere with his Latin and
Greek. I venture to think that they advanced them, for difficulty
adds to result, as the ramming of the powder sends the bullet the
further. I have heard, indeed, that when a carrier wants to help
his horse up hill, he sets a boy on his back.</p>

<p id="iii.ix-p313"><br />
</p>

<p id="iii.ix-p314">Ericson made little direct acknowledgment to Robert: his tones,
his gestures, his looks, all thanked him; but he shrunk from words,
with the maidenly shamefacedness that belongs to true feeling. He
would even assume the authoritative, and send him away to his
studies, but Robert knew how to hold his own. The relation of elder
brother and younger was already established between them. Shargar
likewise took his share in the love and the fellowship, worshipping
in that he believed.</p>

<p id="iii.ix-p315"><br />
</p>

<p id="iii.ix-p316"><br />
</p>

</div2>

      <div2 title="CHAPTER X.--A FATHER AND A DAUGHTER." n="x" shorttitle="" progress="45.37%" id="iii.x" prev="iii.ix" next="iii.xi">

<p id="iii.x-p1"><br />
</p>

<p id="iii.x-p2">CHAPTER X.</p>

<p id="iii.x-p3"><br />
</p>

<p id="iii.x-p4">A FATHER AND A DAUGHTER.</p>

<p id="iii.x-p5"><br />
</p>

<p id="iii.x-p6">THE presence at the street door of which Ericson's over-acute
sense had been aware on a past evening, was that of Mr. Lindsay,
walking home with bowed back and bowed head from the college
library, where he was privileged to sit after hours as long as he
pleased over books too big to be comfortably carried home to his
cottage. He had called to inquire after Ericson, whose acquaintance
he had made in the library, and cultivated until almost any Friday
evening Ericson was to be found seated by Mr. Lindsay's parlour
fire.</p>

<p id="iii.x-p7"><br />
</p>

<p id="iii.x-p8">As he entered the room that same evening, a young girl raised
herself from a low seat by the fire to meet him. There was a faint
rosy flush on her cheek, and she held a volume in her hand as she
approached her father. They did not kiss: kisses were not a legal
tender in Scotland then: possibly there has been a depreciation in
the value of them since they were.</p>

<p id="iii.x-p9"><br />
</p>

<p id="iii.x-p10">'I've been to ask after Mr. Ericson,' said Mr. Lindsay.</p>

<p id="iii.x-p11"><br />
</p>

<p id="iii.x-p12">'And how is he?' asked the girl.</p>

<p id="iii.x-p13"><br />
</p>

<p id="iii.x-p14">'Very poorly indeed,' answered her father.</p>

<p id="iii.x-p15"><br />
</p>

<p id="iii.x-p16">'I am sorry. You'll miss him, papa.'</p>

<p id="iii.x-p17"><br />
</p>

<p id="iii.x-p18">'Yes, my dear. Tell Jenny to bring my lamp.'</p>

<p id="iii.x-p19"><br />
</p>

<p id="iii.x-p20">'Won't you have your tea first, papa?'</p>

<p id="iii.x-p21"><br />
</p>

<p id="iii.x-p22">'Oh yes, if it's ready.'</p>

<p id="iii.x-p23"><br />
</p>

<p id="iii.x-p24">'The kettle has been boiling for a long time, but I wouldn't
make the tea till you came in.'</p>

<p id="iii.x-p25"><br />
</p>

<p id="iii.x-p26">Mr. Lindsay was an hour later than usual, but Mysie was quite
unaware of that: she had been absorbed in her book, too much
absorbed even to ring for better light than the fire afforded. When
her father went to put off his long, bifurcated greatcoat, she
returned to her seat by the fire, and forgot to make the tea. It
was a warm, snug room, full of dark, old-fashioned, spider-legged
furniture; low-pitched, with a bay-window, open like an ear to the
cries of the German Ocean at night, and like an eye during the day
to look out upon its wide expanse. This ear or eye was now
curtained with dark crimson, and the room, in the firelight, with
the young girl for a soul to it, affected one like an ancient book
in which he reads his own latest thought.</p>

<p id="iii.x-p27"><br />
</p>

<p id="iii.x-p28">Mysie was nothing over the middle height--delicately-fashioned,
at once slender and round, with extremities neat as buds. Her
complexion was fair, and her face pale, except when a flush, like
that of a white rose, overspread it. Her cheek was lovelily curved,
and her face rather short. But at first one could see nothing for
her eyes. They were the largest eyes; and their motion reminded one
of those of Sordello in the Purgatorio:</p>

<p id="iii.x-p29"><br />
</p>

<p id="iii.x-p30">     E nel muover degli occhi onesta e tarda:</p>

<p id="iii.x-p31"><br />
</p>

<p id="iii.x-p32">they seemed too large to move otherwise than with a slow turning
like that of the heavens. At first they looked black, but if one
ventured inquiry, which was as dangerous as to gaze from the
battlements of Elsinore, he found them a not very dark brown. In
her face, however, especially when flushed, they had all the effect
of what Milton describes as</p>

<p id="iii.x-p33"><br />
</p>

<p id="iii.x-p34">     Quel sereno fulgor d'amabil nero.</p>

<p id="iii.x-p35"><br />
</p>

<p id="iii.x-p36">A wise observer would have been a little troubled in regarding
her mouth. The sadness of a morbid sensibility hovered about
it--the sign of an imagination wrought upon from the centre of
self. Her lips were neither thin nor compressed--they closed
lightly, and were richly curved; but there was a mobility almost
tremulous about the upper lip that gave sign of the possibility of
such an oscillation of feeling as might cause the whole fabric of
her nature to rock dangerously.</p>

<p id="iii.x-p37"><br />
</p>

<p id="iii.x-p38">The moment her father re-entered, she started from her stool on
the rug, and proceeded to make the tea. Her father took no notice
of her neglect, but drew a chair to the table, helped himself to a
piece of oat-cake, hastily loaded it with as much butter as it
could well carry, and while eating it forgot it and everything else
in the absorption of a volume he had brought in with him from his
study, in which he was tracing out some genealogical thread of
which he fancied he had got a hold. Mysie was very active now, and
lost the expression of <i>far-off-ness</i> which had hitherto
characterized her countenance; till, having poured out the tea, she
too plunged at once into her novel, and, like her father, forgot
everything and everybody near her.</p>

<p id="iii.x-p39"><br />
</p>

<p id="iii.x-p40">Mr. Lindsay was a mild, gentle man, whose face and hair seemed
to have grown gray together. He was very tall, and stooped much. He
had a mouth of much sensibility, and clear blue eyes, whose light
was rarely shed upon any one within reach except his daughter--they
were so constantly bent downwards, either on the road as he walked,
or on his book as he sat. He had been educated for the church, but
had never risen above the position of a parish school-master. He
had little or no impulse to utterance, was shy, genial, and, save
in reading, indolent. Ten years before this point of my history he
had been taken up by an active lawyer in Edinburgh, from
information accidentally supplied by Mr. Lindsay himself, as the
next heir to a property to which claim was laid by the head of a
county family of wealth. Probabilities were altogether in his
favour, when he gave up the contest upon the offer of a comfortable
annuity from the disputant. To leave his schooling and his possible
estate together, and sit down comfortably by his own fireside, with
the means of buying books, and within reach of a good old
library--that of King's College by preference--was to him the sum
of all that was desirable. The income offered him was such that he
had no doubt of laying aside enough for his only child, Mysie; but
both were so ill-fitted for saving, he from looking into the past,
she from looking into--what shall I call it? I can only think of
negatives--what was neither past, present, nor future, neither
material nor eternal, neither imaginative in any true sense, nor
actual in any sense, that up to the present hour there was nothing
in the bank, and only the money for impending needs in the house.
He could not be called a man of learning; he was only a great
bookworm; for his reading lay all in the nebulous regions of
history. Old family records, wherever he could lay hold upon them,
were his favourite dishes; old, musty books, that looked as if they
knew something everybody else had forgotten, made his eyes gleam,
and his white taper-fingered hand tremble with eagerness. With such
a book in his grasp he saw something ever beckoning him on, a dimly
precious discovery, a wonderful fact just the shape of some missing
fragment in the mosaic of one of his pictures of the past. To tell
the truth, however, his discoveries seldom rounded themselves into
pictures, though many fragments of the minutely dissected map would
find their places, whereupon he rejoiced like a mild giant
refreshed with soda-water. But I have already said more about him
than his place justifies; therefore, although I could gladly linger
over the portrait, I will leave it. He had taught his daughter next
to nothing. Being his child, he had the vague feeling that she
inherited his wisdom, and that what he knew she knew. So she sat
reading novels, generally trashy ones, while he knew no more of
what was passing in her mind than of what the Admirable Crichton
might, at the moment, be disputing with the angels.</p>

<p id="iii.x-p41"><br />
</p>

<p id="iii.x-p42">I would not have my reader suppose that Mysie's mind was
corrupted. It was so simple and childlike, leaning to what was
pure, and looking up to what was noble, that anything directly bad
in the books she happened--for it was all haphazard--to read,
glided over her as a black cloud may glide over a landscape,
leaving it sunny as before.</p>

<p id="iii.x-p43"><br />
</p>

<p id="iii.x-p44">I cannot therefore say, however, that she was nothing the worse.
If the darkening of the sun keep the fruits of the earth from
growing, the earth is surely the worse, though it be blackened by
no deposit of smoke. And where good things do not grow, the wild
and possibly noxious will grow more freely. There may be no harm in
the yellow tanzie--there is much beauty in the red poppy; but they
are not good for food. The result in Mysie's case would be
this--not that she would call evil good and good evil, but that she
would take the beautiful for the true and the outer shows of
goodness for goodness itself--not the worst result, but bad enough,
and involving an awful amount of suffering and possibly of
defilement. He who thinks to climb the hill of happiness thus, will
find himself floundering in the blackest bog that lies at the foot
of its precipices. I say <i>he</i>, not <i>she</i>, advisedly. All
will acknowledge it of the woman: it is as true of the man, though
he may get out easier. Will he? I say, checking myself. I doubt it
much. In the world's eye, yes; but in God's? Let the question
remain unanswered.</p>

<p id="iii.x-p45"><br />
</p>

<p id="iii.x-p46">When he had eaten his toast, and drunk his tea, apparently
without any enjoyment, Mr. Lindsay rose with his book in his hand,
and withdrew to his study.</p>

<p id="iii.x-p47"><br />
</p>

<p id="iii.x-p48">He had not long left the room when Mysie was startled by a loud
knock at the back door, which opened on a lane, leading along the
top of the hill. But she had almost forgotten it again, when the
door of the room opened, and a gentleman entered without any
announcement--for Jenny had never heard of the custom. When she saw
him, Mysie started from her seat, and stood in visible
embarrassment. The colour went and came on her lovely face, and her
eyelids grew very heavy. She had never seen the visitor before:
whether he had ever seen her before, I cannot certainly say. She
felt herself trembling in his presence, while he advanced with
perfect composure. He was a man no longer young, but in the full
strength and show of manhood--the Baron of Rothie. Since the time
of my first description of him, he had grown a moustache, which
improved his countenance greatly, by concealing his upper lip with
its tusky curves. On a girl like Mysie, with an imagination so
cultivated, and with no opportunity of comparing its fancies with
reality, such a man would make an instant impression.</p>

<p id="iii.x-p49"><br />
</p>

<p id="iii.x-p50">'I beg your pardon, Miss--Lindsay, I presume?--for intruding
upon you so abruptly. I expected to see your father--not one of the
graces.'</p>

<p id="iii.x-p51"><br />
</p>

<p id="iii.x-p52">She blushed all the colour of her blood now. The baron was quite
enough like the hero of whom she had just been reading to admit of
her imagination jumbling the two. Her book fell. He lifted it and
laid it on the table. She could not speak even to thank him. Poor
Mysie was scarcely more than sixteen.</p>

<p id="iii.x-p53"><br />
</p>

<p id="iii.x-p54">'May I wait here till your father is informed of my visit?' he
asked.</p>

<p id="iii.x-p55"><br />
</p>

<p id="iii.x-p56">Her only answer was to drop again upon her low stool.</p>

<p id="iii.x-p57"><br />
</p>

<p id="iii.x-p58">Now Jenny had left it to Mysie to acquaint her father with the
fact of the baron's presence; but before she had time to think of
the necessity of doing something, he had managed to draw her into
conversation. He was as great a hypocrite as ever walked the earth,
although he flattered himself that he was none, because he never
pretended to cultivate that which he despised--namely, religion.
But he was a hypocrite nevertheless; for the falser he knew
himself, the more honour he judged it to persuade women of his
truth.</p>

<p id="iii.x-p59"><br />
</p>

<p id="iii.x-p60">It is unnecessary to record the slight, graceful, marrowless
talk into which he drew Mysie, and by which he both bewildered and
bewitched her. But at length she rose, admonished by her inborn
divinity, to seek her father. As she passed him, the baron took her
hand and kissed it. She might well tremble. Even such contact was
terrible. Why? Because there was no love in it. When the sense of
beauty which God had given him that he might worship, awoke in Lord
Rothie, he did not worship, but devoured, that he might, as he
thought, possess! The poison of asps was under those lips. His kiss
was as a kiss from the grave's mouth, for his throat was an open
sepulchre. This was all in the past, reader. Baron Rothie was a
foam-flake of the court of the Prince Regent. There are no such men
now-a-days! It is a shame to speak of such, <i>and therefore they
are not!</i> Decency has gone so far to abolish virtue. Would to
God that a writer could be decent <i>and honest!</i> St. Paul
counted it a shame to speak of some things, and yet he did speak of
them--because those to whom he spoke <i>did</i> them.</p>

<p id="iii.x-p61"><br />
</p>

<p id="iii.x-p62">Lord Rothie had, in five minutes, so deeply interested Mr.
Lindsay in a question of genealogy, that he begged his lordship to
call again in a few days, when he hoped to have some result of
research to communicate.</p>

<p id="iii.x-p63"><br />
</p>

<p id="iii.x-p64">One of the antiquarian's weaknesses, cause and result both of
his favourite pursuits, was an excessive reverence for rank. Had
its claims been founded on mediated revelation, he could not have
honoured it more. Hence when he communicated to his daughter the
name of their visitor, it was 'with bated breath and whispering
humbleness,' which deepened greatly the impression made upon her by
the presence and conversation of the baron. Mysie was in
danger.</p>

<p id="iii.x-p65"><br />
</p>

<p id="iii.x-p66">Shargar was late that evening, for he had a job that detained
him. As he handed over his money to Robert, he said,</p>

<p id="iii.x-p67"><br />
</p>

<p id="iii.x-p68">'I saw Black Geordie the nicht again, stan'in' at a back door,
an' Jock Mitchell, upo' Reid Rorie, haudin' him.'</p>

<p id="iii.x-p69"><br />
</p>

<p id="iii.x-p70">'Wha's Jock Mitchell?' asked Robert.</p>

<p id="iii.x-p71"><br />
</p>

<p id="iii.x-p72">'My brither Sandy's ill-faured groom,' answered Shargar.
'Whatever mischeef Sandy's up till, Jock comes in i' the heid or
tail o' 't.'</p>

<p id="iii.x-p73"><br />
</p>

<p id="iii.x-p74">'I wonner what he's up till noo.'</p>

<p id="iii.x-p75"><br />
</p>

<p id="iii.x-p76">'Faith! nae guid. But I aye like waur to meet Sandy by himsel'
upo' that reekit deevil o' his. Man, it's awfu' whan Black Geordie
turns the white o' 's ee, an' the white o' 's teeth upo' ye. It's
a' the white 'at there is about 'im.'</p>

<p id="iii.x-p77"><br />
</p>

<p id="iii.x-p78">'Wasna yer brither i' the airmy, Shargar?'</p>

<p id="iii.x-p79"><br />
</p>

<p id="iii.x-p80">'Ow, 'deed ay. They tell me he was at Watterloo. He's a cornel,
or something like that.'</p>

<p id="iii.x-p81"><br />
</p>

<p id="iii.x-p82">'Wha tellt ye a' that?'</p>

<p id="iii.x-p83"><br />
</p>

<p id="iii.x-p84">'My mither whiles,' answered Shargar.</p>

<p id="iii.x-p85"><br />
</p>

<p id="iii.x-p86"><br />
</p>

</div2>

      <div2 title="CHAPTER XI.--ROBERT'S VOW." n="xi" shorttitle="" progress="46.52%" id="iii.xi" prev="iii.x" next="iii.xii">

<p id="iii.xi-p1"><br />
</p>

<p id="iii.xi-p2">CHAPTER XI.</p>

<p id="iii.xi-p3"><br />
</p>

<p id="iii.xi-p4">ROBERT'S VOW.</p>

<p id="iii.xi-p5"><br />
</p>

<p id="iii.xi-p6">ERICSON was recovering slowly. He could sit up in bed the
greater part of the day, and talk about getting out of it. He was
able to give Robert an occasional help with his Greek, and to
listen with pleasure to his violin. The night-watching grew less
needful, and Ericson would have dispensed with it willingly, but
Robert would not yet consent.</p>

<p id="iii.xi-p7"><br />
</p>

<p id="iii.xi-p8">But Ericson had seasons of great depression, during which he
could not away with music, or listen to the words of the New
Testament. During one of these Robert had begun to read a chapter
to him, in the faint hope that he might draw some comfort from
it.</p>

<p id="iii.xi-p9"><br />
</p>

<p id="iii.xi-p10">'Shut the book,' he said. 'If it were the word of God to men, it
would have brought its own proof with it.'</p>

<p id="iii.xi-p11"><br />
</p>

<p id="iii.xi-p12">'Are ye sure it hasna?' asked Robert.</p>

<p id="iii.xi-p13"><br />
</p>

<p id="iii.xi-p14">'No,' answered Ericson. 'But why should a fellow that would give
his life--that's not much, but it's all <i>I've</i> got--to believe
in God, not be able? Only I confess <i>that</i> God in the New
Testament wouldn't satisfy me. There's no help. I must just die,
and go and see.--She'll be left without anybody. 'What does it
matter? She would not mind a word I said. And the God they talk
about will just let her take her own way. He always does.'</p>

<p id="iii.xi-p15"><br />
</p>

<p id="iii.xi-p16">He had closed his eyes and forgotten that Robert heard him. He
opened them now, and fixed them on him with an expression that
seemed to ask, 'Have I been saying anything I ought not?'</p>

<p id="iii.xi-p17"><br />
</p>

<p id="iii.xi-p18">Robert knelt by the bedside, and said, slowly, with strongly
repressed emotion,</p>

<p id="iii.xi-p19"><br />
</p>

<p id="iii.xi-p20">'Mr. Ericson, I sweir by God, gin there <i>be</i> ane, that gin
ye dee, I'll tak up what ye lea' ahin' ye. Gin there be onybody ye
want luikit efter, I'll luik efter her. I'll do what I can for her
to the best o' my abeelity, sae help me God--aye savin' what I maun
do for my ain father, gin he be in life, to fess (<i>bring</i>) him
back to the richt gait, gin there be a richt gait. Sae ye can think
aboot whether there's onything ye wad like to lippen till me.'</p>

<p id="iii.xi-p21"><br />
</p>

<p id="iii.xi-p22">A something grew in Ericson's eyes as Robert spoke. Before he
had finished, they beamed on the boy.</p>

<p id="iii.xi-p23"><br />
</p>

<p id="iii.xi-p24">'I think there must be a God somewhere after all,' he said, half
soliloquizing. 'I should be sorry you hadn't a God, Robert. Why
should I wish it for your sake? How could I want one for myself if
there never was one? If a God had nothing to do with my making, why
should I feel that nobody but God can set things right? Ah! but he
must be such a God as I could imagine--altogether, absolutely true
and good. If we came out of nothing, we could not invent the idea
of a God--could we, Robert? Nothing would be our God. If we come
from God, nothing is more natural, nothing <i>so</i> natural, as to
want him, and when we haven't got him, to try to find him.--What if
he should be in us after all, and working in us this way? just this
very way of crying out after him?'</p>

<p id="iii.xi-p25"><br />
</p>

<p id="iii.xi-p26">'Mr. Ericson,' cried Robert, 'dinna say ony mair 'at ye dinna
believe in God. Ye <i>duv</i> believe in 'im--mair, I'm thinkin',
nor onybody 'at I ken, 'cep', maybe, my grannie--only hers is a
some queer kin' o' a God to believe in. I dinna think I cud ever
manage to believe in <i>him</i> mysel'.'</p>

<p id="iii.xi-p27"><br />
</p>

<p id="iii.xi-p28">Ericson sighed and was silent. Robert remained kneeling by his
bedside, happier, clearer-headed, and more hopeful than he had ever
been. What if all was right at the heart of things--right, even as
a man, if he could understand, would say was right; right, so that
a man who understood in part could believe it to be ten times more
right than he did understand! Vaguely, dimly, yet joyfully, Robert
saw something like this in the possibility of things. His heart was
full, and the tears filled his eyes. Ericson spoke again.</p>

<p id="iii.xi-p29"><br />
</p>

<p id="iii.xi-p30">'I have felt like that often for a few moments,' he said; 'but
always something would come and blow it away. I remember one spring
morning--but if you will bring me that bundle of papers, I will
show you what, if I can find it, will let you understand--'</p>

<p id="iii.xi-p31"><br />
</p>

<p id="iii.xi-p32">Robert rose, went to the cupboard, and brought the pile of loose
leaves. Ericson turned them over, and, Robert was glad to see, now
and then sorted them a little. At length he drew out a sheet,
carelessly written, carelessly corrected, and hard to read.</p>

<p id="iii.xi-p33"><br />
</p>

<p id="iii.xi-p34">'It is not finished, or likely to be,' he said, as he put the
paper in Robert's hand.</p>

<p id="iii.xi-p35"><br />
</p>

<p id="iii.xi-p36">'Won't you read it to me yourself, Mr. Ericson?' suggested
Robert.</p>

<p id="iii.xi-p37"><br />
</p>

<p id="iii.xi-p38">'I would sooner put it in the fire,' he answered--'it's fate,
anyhow. I don't know why I haven't burnt them all long ago.
Rubbish, and diseased rubbish! Read it yourself, or leave it.'</p>

<p id="iii.xi-p39"><br />
</p>

<p id="iii.xi-p40">Eagerly Robert took it, and read. The following was the best he
could make of it:</p>

<p id="iii.xi-p41"><br />
</p>

<p id="iii.xi-p42">Oh that a wind would call</p>

<p id="iii.xi-p43">From the depths of the leafless wood!</p>

<p id="iii.xi-p44">Oh that a voice would fall</p>

<p id="iii.xi-p45">On the ear of my solitude!</p>

<p id="iii.xi-p46">Far away is the sea,</p>

<p id="iii.xi-p47">With its sound and its spirit-tone:</p>

<p id="iii.xi-p48">Over it white clouds flee,</p>

<p id="iii.xi-p49">But I am alone, alone.</p>

<p id="iii.xi-p50"><br />
</p>

<p id="iii.xi-p51">Straight and steady and tall</p>

<p id="iii.xi-p52">The trees stand on their feet;</p>

<p id="iii.xi-p53">Fast by the old stone wall</p>

<p id="iii.xi-p54">The moss grows green and sweet;</p>

<p id="iii.xi-p55">But my heart is full of fears,</p>

<p id="iii.xi-p56">For the sun shines far away;</p>

<p id="iii.xi-p57">And they look in my face through tears,</p>

<p id="iii.xi-p58">And the light of a dying day.</p>

<p id="iii.xi-p59"><br />
</p>

<p id="iii.xi-p60">My heart was glad last night,</p>

<p id="iii.xi-p61">As I pressed it with my palm;</p>

<p id="iii.xi-p62">Its throb was airy and light</p>

<p id="iii.xi-p63">As it sang some spirit-psalm;</p>

<p id="iii.xi-p64">But it died away in my breast</p>

<p id="iii.xi-p65">As I wandered forth to-day--</p>

<p id="iii.xi-p66">As a bird sat dead on its nest,</p>

<p id="iii.xi-p67">While others sang on the spray.</p>

<p id="iii.xi-p68"><br />
</p>

<p id="iii.xi-p69">O weary heart of mine,</p>

<p id="iii.xi-p70">Is there ever a truth for thee?</p>

<p id="iii.xi-p71">Will ever a sun outshine</p>

<p id="iii.xi-p72">But the sun that shines on me?</p>

<p id="iii.xi-p73">Away, away through the air</p>

<p id="iii.xi-p74">The clouds and the leaves are blown;</p>

<p id="iii.xi-p75">And my heart hath need of prayer,</p>

<p id="iii.xi-p76">For it sitteth alone, alone.</p>

<p id="iii.xi-p77"><br />
</p>

<p id="iii.xi-p78">And Robert looked with sad reverence at Ericson,--nor ever
thought that there was one who, in the face of the fact, and in
recognition of it, had dared say, 'Not a sparrow shall fall on the
ground without your Father.' The sparrow does fall--but he who sees
it is yet the Father.</p>

<p id="iii.xi-p79"><br />
</p>

<p id="iii.xi-p80">And we know only the fall, and not the sparrow.</p>

<p id="iii.xi-p81"><br />
</p>

<p id="iii.xi-p82"><br />
</p>

</div2>

      <div2 title="CHAPTER XII.--THE GRANITE CHURCH." n="xii" shorttitle="" progress="47.02%" id="iii.xii" prev="iii.xi" next="iii.xiii">

<p id="iii.xii-p1"><br />
</p>

<p id="iii.xii-p2">CHAPTER XII.</p>

<p id="iii.xii-p3"><br />
</p>

<p id="iii.xii-p4">THE GRANITE CHURCH.</p>

<p id="iii.xii-p5"><br />
</p>

<p id="iii.xii-p6">THE next day was Sunday. Robert sat, after breakfast, by his
friend's bed.</p>

<p id="iii.xii-p7"><br />
</p>

<p id="iii.xii-p8">'You haven't been to church for a long time, Robert: wouldn't
you like to go to-day?' said Ericson.</p>

<p id="iii.xii-p9"><br />
</p>

<p id="iii.xii-p10">'I dinna want to lea' you, Mr. Ericson; I can bide wi' ye a' day
the day, an' that's better nor goin' to a' the kirks in
Aberdeen.'</p>

<p id="iii.xii-p11"><br />
</p>

<p id="iii.xii-p12">'I should like you to go to-day, though; and see if, after all,
there may not be a message for us. If the church be the house of
God, as they call it, there should be, now and then at least, some
sign of a pillar of fire about it, some indication of the presence
of God whose house it is. I wish you would go and see. I haven't
been to church for a long time, except to the college-chapel, and I
never saw anything more than a fog there.'</p>

<p id="iii.xii-p13"><br />
</p>

<p id="iii.xii-p14">'Michtna the fog be the torn-edge like, o' the cloody pillar?'
suggested Robert.</p>

<p id="iii.xii-p15"><br />
</p>

<p id="iii.xii-p16">'Very likely,' assented Ericson; 'for, whatever truth there may
be in Christianity, I'm pretty sure the mass of our clergy have
never got beyond Judaism. They hang on about the skirts of that
cloud for ever.'</p>

<p id="iii.xii-p17"><br />
</p>

<p id="iii.xii-p18">'Ye see, they think as lang 's they see the fog, they hae a grup
o' something. But they canna get a grup o' the glory that
excelleth, for <i>it</i>'s not to luik at, but to lat ye see a'
thing.'</p>

<p id="iii.xii-p19"><br />
</p>

<p id="iii.xii-p20">Ericson regarded him with some surprise. Robert hastened to be
honest.</p>

<p id="iii.xii-p21"><br />
</p>

<p id="iii.xii-p22">'It's no that I ken onything aboot it, Mr. Ericson. I was only
bletherin' (<i>talking nonsense</i>)--rizzonin' frae the twa
symbols o' the cloud an' the fire--kennin' nothing aboot the thing
itsel'. I'll awa' to the kirk, an' see what it's like. Will I gie
ye a buik afore I gang?'</p>

<p id="iii.xii-p23"><br />
</p>

<p id="iii.xii-p24">'No, thank you. I'll just lie quiet till you come back--if I
can.'</p>

<p id="iii.xii-p25"><br />
</p>

<p id="iii.xii-p26">Robert instructed Shargar to watch for the slightest sound from
the sick-room, and went to church.</p>

<p id="iii.xii-p27"><br />
</p>

<p id="iii.xii-p28">As he approached the granite cathedral, the only one in the
world, I presume, its stern solidity, so like the country and its
men, laid hold of his imagination for the first time. No doubt the
necessity imposed by the unyielding material had its share, and
that a large one, in the character of the building: whence else
that simplest of west windows, seven lofty, narrow slits of light,
parted by granite shafts of equal width, filling the space between
the corner buttresses of the nave, and reaching from door to roof?
whence else the absence of tracery in the windows--except the
severely gracious curves into which the mullions divide?--But this
cause could not have determined those towers, so strong that they
might have borne their granite weight soaring aloft, yet content
with the depth of their foundation, and aspiring not. The whole
aspect of the building is an outcome, an absolute blossom of the
northern nature.</p>

<p id="iii.xii-p29"><br />
</p>

<p id="iii.xii-p30">There is but the nave of the church remaining. About 1680, more
than a century after the Reformation, the great tower fell,
destroying the choir, chancel, and transept, which have never been
rebuilt. May the reviving faith of the nation in its own history,
and God at the heart of it, lead to the restoration of this grand
old monument of the belief of their fathers. Deformed as the
interior then was with galleries, and with Gavin Dunbar's flat
ceiling, an awe fell upon Robert as he entered it. When in after
years he looked down from between the pillars of the gallery, that
creeps round the church through the thickness of the wall, like an
artery, and recalled the service of this Sunday morning, he felt
more strongly than ever that such a faith had not reared that
cathedral. The service was like the church only as a dead body is
like a man. There was no fervour in it, no aspiration. The great
central tower was gone.</p>

<p id="iii.xii-p31"><br />
</p>

<p id="iii.xii-p32">That morning prayers and sermon were philosophically dull, and
respectable as any after-dinner speech. Nor could it well be
otherwise: one of the favourite sayings of its minister was, that a
clergyman is nothing but a moral policeman. As such, however, he
more resembled one of Dogberry's watch. He could not even preach
hell with any vigour; for as a gentleman he recoiled from the
vulgarity of the doctrine, yielding only a few feeble words on the
subject as a sop to the Cerberus that watches over the dues of the
Bible--quite unaware that his notion of the doctrine had been drawn
from the Æneid, and not from the Bible.</p>

<p id="iii.xii-p33"><br />
</p>

<p id="iii.xii-p34">'Well, have you got anything, Robert?' asked Ericson, as he
entered his room.</p>

<p id="iii.xii-p35"><br />
</p>

<p id="iii.xii-p36">'Nothing,' answered Robert.</p>

<p id="iii.xii-p37"><br />
</p>

<p id="iii.xii-p38">'What was the sermon about?'</p>

<p id="iii.xii-p39"><br />
</p>

<p id="iii.xii-p40">'It was all to prove that God is a benevolent being.'</p>

<p id="iii.xii-p41"><br />
</p>

<p id="iii.xii-p42">'Not a devil, that is,' answered Ericson. 'Small consolation
that.'</p>

<p id="iii.xii-p43"><br />
</p>

<p id="iii.xii-p44">'Sma' eneuch,' responded Robert. 'I cudna help thinkin' I kent
mony a tyke (<i>dog</i>) that God had made wi' mair o' what I wad
ca' the divine natur' in him nor a' that Dr. Soulis made oot to be
in God himsel'. He had no ill intentions wi' us--it amuntit to
that. He wasna ill-willy, as the bairns say. But the doctor had
some sair wark, I thoucht, to mak that oot, seein' we war a' the
children o' wrath, accordin' to him, born in sin, and inheritin'
the guilt o' Adam's first trespass. I dinna think Dr. Soulis cud
say that God had dune the best he cud for 's. But he never tried to
say onything like that. He jist made oot that he was a verra
respectable kin' o' a God, though maybe no a'thing we micht wuss.
We oucht to be thankfu' that he gae's a wee blink o' a chance o' no
bein' brunt to a' eternity, wi' nae chance ava. I dinna say that he
<i>said</i> that, but that's what it a' seemed to me to come till.
He said a hantle aboot the care o' Providence, but a' the gude that
he did seemed to me to be but a haudin' aff o' something ill that
he had made as weel. Ye wad hae thocht the deevil had made the
warl', and syne God had pitten us intil 't, and jist gied a bit wag
o' 's han' whiles to haud the deevil aff o' 's whan he was like to
destroy the breed a'thegither. For the grace that he spak aboot,
that was less nor the nature an' the providence. I cud see unco
little o' grace intil 't.'</p>

<p id="iii.xii-p45"><br />
</p>

<p id="iii.xii-p46">Here Ericson broke in--fearful, apparently, lest his boyfriend
should be actually about to deny the God in whom he did not himself
believe.</p>

<p id="iii.xii-p47"><br />
</p>

<p id="iii.xii-p48">'Robert,' he said solemnly, 'one thing is certain: if there be a
God at all, he is not like that. If there be a God at all, we shall
know him by his perfection--his grand perfect truth, fairness,
love--a love to make life an absolute good--not a mere
accommodation of difficulties, not a mere preponderance of the
balance on the side of well-being. Love only could have been able
to create. But they don't seem jealous for the glory of God, those
men. They don't mind a speck, or even a blot, here and there upon
him. The world doesn't make them miserable. They can get over the
misery of their fellow-men without being troubled about them, or
about the God that could let such things be.7 They represent a God
who does wonderfully well, on the whole, after a middling fashion.
I want a God who loves perfectly. He may kill; he may torture even;
but if it be for love's sake, Lord, here am I. Do with me as thou
wilt.'</p>

<p id="iii.xii-p49"><br />
</p>

<p id="iii.xii-p50">Had Ericson forgotten that he had no proof of such a God? The
next moment the intellectual demon was awake.</p>

<p id="iii.xii-p51"><br />
</p>

<p id="iii.xii-p52">'But what's the good of it all?' he said. 'I don't even know
that there is anything outside of me.'</p>

<p id="iii.xii-p53"><br />
</p>

<p id="iii.xii-p54">'Ye ken that I'm here, Mr. Ericson,' suggested Robert.</p>

<p id="iii.xii-p55"><br />
</p>

<p id="iii.xii-p56">'I know nothing of the sort. You may be another phantom--only
clearer.'</p>

<p id="iii.xii-p57"><br />
</p>

<p id="iii.xii-p58">'Ye speik to me as gin ye thocht me somebody.'</p>

<p id="iii.xii-p59"><br />
</p>

<p id="iii.xii-p60">'So does the man to his phantoms, and you call him mad. It is
but a yielding to the pressure of constant suggestion. I do not
know--I cannot know if there is anything outside of me.'</p>

<p id="iii.xii-p61"><br />
</p>

<p id="iii.xii-p62">'But gin there warna, there wad be naebody for ye to love, Mr.
Ericson.'</p>

<p id="iii.xii-p63"><br />
</p>

<p id="iii.xii-p64">'Of course not.'</p>

<p id="iii.xii-p65"><br />
</p>

<p id="iii.xii-p66">'Nor naebody to love you, Mr. Ericson.'</p>

<p id="iii.xii-p67"><br />
</p>

<p id="iii.xii-p68">'Of course not.'</p>

<p id="iii.xii-p69"><br />
</p>

<p id="iii.xii-p70">'Syne ye wad be yer ain God, Mr. Ericson.'</p>

<p id="iii.xii-p71"><br />
</p>

<p id="iii.xii-p72">'Yes. That would follow.'</p>

<p id="iii.xii-p73"><br />
</p>

<p id="iii.xii-p74">'I canna imagine a waur hell--closed in amo' naething--wi'
naething a' aboot ye, luikin' something a' the time--kennin' 'at it
's a' a lee, and nae able to win clear o' 't.'</p>

<p id="iii.xii-p75"><br />
</p>

<p id="iii.xii-p76">'It is hell, my boy, or anything worse you can call it.'</p>

<p id="iii.xii-p77"><br />
</p>

<p id="iii.xii-p78">'What for suld ye believe that, than, Mr. Ericson? I wadna
believe sic an ill thing as that. I dinna think I cud believe 't,
gin ye war to pruv 't to me.'</p>

<p id="iii.xii-p79"><br />
</p>

<p id="iii.xii-p80">'I don't believe it. Nobody could prove that either, even if it
were so. I am only miserable that I can't prove the contrary.'</p>

<p id="iii.xii-p81"><br />
</p>

<p id="iii.xii-p82">'Suppose there war a God, Mr. Ericson, do ye think ye bude
(<i>behoved</i>) to be able to pruv that? Do ye think God cud stan'
to be pruved as gin he war something sma' eneuch to be turned roon'
and roon', and luikit at upo' ilka side? Gin there war a God, wadna
it jist be sae--that we cudna prove him to be, I mean?'</p>

<p id="iii.xii-p83"><br />
</p>

<p id="iii.xii-p84">'Perhaps. That is something. I have often thought of that. But
then you can't prove <i>anything</i> about it.'</p>

<p id="iii.xii-p85"><br />
</p>

<p id="iii.xii-p86">'I canna help thinkin' o' what Mr. Innes said to me ance. I was
but a laddie, but I never forgot it. I plaguit him sair wi' wantin'
to unnerstan' ilka thing afore I wad gang on wi' my questons
(<i>sums</i>). Says he, ae day, "Robert, my man, gin ye will <i>
aye</i> unnerstan' afore ye du as ye're tellt, ye'll never
unnerstan' onything. But gin ye du the thing I tell ye, ye'll be i'
the mids o' 't afore ye ken 'at ye're gaein' intil 't." I jist
thocht I wad try him. It was at lang division that I boglet maist.
Weel, I gaed on, and I cud du the thing weel eneuch, ohn made ae
mistak. And aye I thocht the maister was wrang, for I never kent
the rizzon o' a' that beginnin' at the wrang en', an' takin' doon
an' substrackin', an' a' that. Ye wad hardly believe me, Mr.
Ericson: it was only this verra day, as I was sittin' i' the
kirk--it was a lang psalm they war singin'--that ane wi' the foxes
i' the tail o' 't--lang division came into my heid again; and first
aye bit glimmerin' o' licht cam in, and syne anither, an' afore the
psalm was dune I saw throu' the haill process o' 't. But ye see,
gin I hadna dune as I was tauld, and learnt a' aboot hoo it was
dune aforehan', I wad hae had naething to gang rizzonin' aboot, an'
wad hae fun' oot naething.'</p>

<p id="iii.xii-p87"><br />
</p>

<p id="iii.xii-p88">'That's good, Robert. But when a man is dying for food, he can't
wait.'</p>

<p id="iii.xii-p89"><br />
</p>

<p id="iii.xii-p90">'He micht try to get up and luik, though. He needna bide in 's
bed till somebody comes an' sweirs till him 'at he saw a haddie
(<i>haddock</i>) i' the press.'</p>

<p id="iii.xii-p91"><br />
</p>

<p id="iii.xii-p92">'I have been looking, Robert--for years.'</p>

<p id="iii.xii-p93"><br />
</p>

<p id="iii.xii-p94">'Maybe, like me, only for the <i>rizzon</i> o' 't, Mr.
Ericson--gin ye'll forgie my impidence.'</p>

<p id="iii.xii-p95"><br />
</p>

<p id="iii.xii-p96">'But what's to be done in this case, Robert? Where's the work
that you can do in order to understand? Where's your long division,
man?'</p>

<p id="iii.xii-p97"><br />
</p>

<p id="iii.xii-p98">'Ye're ayont me noo. I canna tell that, Mr. Ericson. It canna be
gaein' to the kirk, surely. Maybe it micht be sayin' yer prayers
and readin' yer Bible.'</p>

<p id="iii.xii-p99"><br />
</p>

<p id="iii.xii-p100">Ericson did not reply, and the conversation dropped. Is it
strange that neither of these disciples should have thought of
turning to the story of Jesus, finding some word that he had
spoken, and beginning to do that as a first step towards a
knowledge of the doctrine that Jesus was the incarnate God, come to
visit his people--a very unlikely thing to man's wisdom, yet an
idea that has notwithstanding ascended above man's horizon, and
shown itself the grandest idea in his firmament?</p>

<p id="iii.xii-p101"><br />
</p>

<p id="iii.xii-p102">In the evening Ericson asked again for his papers, from which he
handed Robert the following poem:--</p>

<p id="iii.xii-p103"><br />
</p>

<p id="iii.xii-p104">WORDS IN THE NIGHT.</p>

<p id="iii.xii-p105"><br />
</p>

<p id="iii.xii-p106">I woke at midnight, and my heart,</p>

<p id="iii.xii-p107">My beating heart said this to me:</p>

<p id="iii.xii-p108">Thou seest the moon how calm and bright</p>

<p id="iii.xii-p109">The world is fair by day and night,</p>

<p id="iii.xii-p110">But what is that to thee?</p>

<p id="iii.xii-p111">One touch to me--down dips the light</p>

<p id="iii.xii-p112">Over the land and sea.</p>

<p id="iii.xii-p113">All is mine, all is my own!</p>

<p id="iii.xii-p114">Toss the purple fountain high!</p>

<p id="iii.xii-p115">The breast of man is a vat of stone;</p>

<p id="iii.xii-p116">I am alive, I, only I!</p>

<p id="iii.xii-p117"><br />
</p>

<p id="iii.xii-p118">One little touch and all is dark;</p>

<p id="iii.xii-p119">The winter with its sparkling moons</p>

<p id="iii.xii-p120">The spring with all her violets,</p>

<p id="iii.xii-p121">The crimson dawns and rich sunsets,</p>

<p id="iii.xii-p122">The autumn's yellowing noons.</p>

<p id="iii.xii-p123">I only toss my purple jets,</p>

<p id="iii.xii-p124">And thou art one that swoons</p>

<p id="iii.xii-p125">Upon a night of gust and roar,</p>

<p id="iii.xii-p126">Shipwrecked among the waves, and seems</p>

<p id="iii.xii-p127">Across the purple hills to roam;</p>

<p id="iii.xii-p128">Sweet odours touch him from the foam,</p>

<p id="iii.xii-p129">And downward sinking still he dreams</p>

<p id="iii.xii-p130">He walks the clover field at home,</p>

<p id="iii.xii-p131">And hears the rattling teams.</p>

<p id="iii.xii-p132">All is mine; all is my own!</p>

<p id="iii.xii-p133">Toss the purple fountain high!</p>

<p id="iii.xii-p134">The breast of man is a vat of stone;</p>

<p id="iii.xii-p135">I am alive, I, only I!</p>

<p id="iii.xii-p136"><br />
</p>

<p id="iii.xii-p137">Thou hast beheld a throated fountain spout</p>

<p id="iii.xii-p138">Full in the air, and in the downward spray</p>

<p id="iii.xii-p139">A hovering Iris span the marble tank,</p>

<p id="iii.xii-p140">Which as the wind came, ever rose and sank</p>

<p id="iii.xii-p141">Violet and red; so my continual play</p>

<p id="iii.xii-p142">Makes beauty for the Gods with many a prank</p>

<p id="iii.xii-p143">Of human excellence, while they,</p>

<p id="iii.xii-p144">Weary of all the noon, in shadows sweet</p>

<p id="iii.xii-p145">Supine and heavy-eyed rest in the boundless heat:</p>

<p id="iii.xii-p146">Let the world's fountain play!</p>

<p id="iii.xii-p147">Beauty is pleasant in the eyes of Jove;</p>

<p id="iii.xii-p148">Betwixt the wavering shadows where he lies</p>

<p id="iii.xii-p149">He marks the dancing column with his eyes</p>

<p id="iii.xii-p150">Celestial, and amid his inmost grove</p>

<p id="iii.xii-p151">Upgathers all his limbs, serenely blest,</p>

<p id="iii.xii-p152">Lulled by the mellow noise of the great world's unrest.</p>

<p id="iii.xii-p153"><br />
</p>

<p id="iii.xii-p154">One heart beats in all nature, differing</p>

<p id="iii.xii-p155">But in the work it works; its doubts and clamours</p>

<p id="iii.xii-p156">Are but the waste and brunt of instruments</p>

<p id="iii.xii-p157">Wherewith a work is done; or as the hammers</p>

<p id="iii.xii-p158">On forge Cyclopean plied beneath the rents</p>

<p id="iii.xii-p159">Of lowest Etna, conquering into shape</p>

<p id="iii.xii-p160">The hard and scattered ore:</p>

<p id="iii.xii-p161">Choose thou narcotics, and the dizzy grape</p>

<p id="iii.xii-p162">Outworking passion, lest with horrid crash</p>

<p id="iii.xii-p163">Thy life go from thee in a night of pain.</p>

<p id="iii.xii-p164">So tutoring thy vision, shall the flash</p>

<p id="iii.xii-p165">Of dove white-breasted be to thee no more</p>

<p id="iii.xii-p166">Than a white stone heavy upon the plain.</p>

<p id="iii.xii-p167"><br />
</p>

<p id="iii.xii-p168">Hark the cock crows loud!</p>

<p id="iii.xii-p169">And without, all ghastly and ill,</p>

<p id="iii.xii-p170">Like a man uplift in his shroud,</p>

<p id="iii.xii-p171">The white white morn is propped on the hill;</p>

<p id="iii.xii-p172">And adown from the eaves, pointed and chill,</p>

<p id="iii.xii-p173">The icicles 'gin to glitter;</p>

<p id="iii.xii-p174">And the birds with a warble short and shrill,</p>

<p id="iii.xii-p175">Pass by the chamber-window still--</p>

<p id="iii.xii-p176">With a quick uneasy twitter.</p>

<p id="iii.xii-p177">Let me pump warm blood, for the cold is bitter;</p>

<p id="iii.xii-p178">And wearily, wearily, one by one,</p>

<p id="iii.xii-p179">Men awake with the weary sun.</p>

<p id="iii.xii-p180"><br />
</p>

<p id="iii.xii-p181">Life is a phantom shut in thee;</p>

<p id="iii.xii-p182">I am the master and keep the key;</p>

<p id="iii.xii-p183">So let me toss thee the days of old,</p>

<p id="iii.xii-p184">Crimson and orange and green and gold;</p>

<p id="iii.xii-p185">So let me fill thee yet again</p>

<p id="iii.xii-p186">With a rush of dreams from my spout amain;</p>

<p id="iii.xii-p187">For all is mine; all is my own;</p>

<p id="iii.xii-p188">Toss the purple fountain high!</p>

<p id="iii.xii-p189">The breast of man is a vat of stone;</p>

<p id="iii.xii-p190">And I am alive, I, only I.</p>

<p id="iii.xii-p191"><br />
</p>

<p id="iii.xii-p192">Robert having read, sat and wept in silence. Ericson saw him,
and said tenderly,</p>

<p id="iii.xii-p193"><br />
</p>

<p id="iii.xii-p194">'Robert, my boy, I'm not always so bad as that. Read this
one--though I never feel like it now. Perhaps it may come again
some day, though. I may once more deceive myself and be happy.'</p>

<p id="iii.xii-p195"><br />
</p>

<p id="iii.xii-p196">'Dinna say that, Mr. Ericson. That's waur than despair. That's
flat unbelief. Ye no more ken that ye're deceivin' yersel' than ye
ken that ye're no doin' 't.'</p>

<p id="iii.xii-p197"><br />
</p>

<p id="iii.xii-p198">Ericson did not reply; and Robert read the following sonnet
aloud, feeling his way delicately through its mazes:--</p>

<p id="iii.xii-p199"><br />
</p>

<p id="iii.xii-p200">Lie down upon the ground, thou hopeless one!</p>

<p id="iii.xii-p201">Press thy face in the grass, and do not speak.</p>

<p id="iii.xii-p202">Dost feel the green globe whirl? Seven times a week</p>

<p id="iii.xii-p203">Climbeth she out of darkness to the sun,</p>

<p id="iii.xii-p204">Which is her god; seven times she doth not shun</p>

<p id="iii.xii-p205">Awful eclipse, laying her patient cheek</p>

<p id="iii.xii-p206">Upon a pillow ghost-beset with shriek</p>

<p id="iii.xii-p207">Of voices utterless which rave and run</p>

<p id="iii.xii-p208">Through all the star-penumbra, craving light</p>

<p id="iii.xii-p209">And tidings of the dawn from East and West.</p>

<p id="iii.xii-p210">Calmly she sleepeth, and her sleep is blest</p>

<p id="iii.xii-p211">With heavenly visions, and the joy of Night</p>

<p id="iii.xii-p212">Treading aloft with moons. Nor hath she fright</p>

<p id="iii.xii-p213">Though cloudy tempests beat upon her breast.</p>

<p id="iii.xii-p214"><br />
</p>

<p id="iii.xii-p215">Ericson turned his face to the wall, and Robert withdrew to his
own chamber.</p>

<p id="iii.xii-p216"><br />
</p>

<p id="iii.xii-p217"><br />
</p>

</div2>

      <div2 title="CHAPTER XIII.--SHARGAR'S ARM." n="xiii" shorttitle="" progress="48.34%" id="iii.xiii" prev="iii.xii" next="iii.xiv">

<p id="iii.xiii-p1"><br />
</p>

<p id="iii.xiii-p2">CHAPTER XIII.</p>

<p id="iii.xiii-p3"><br />
</p>

<p id="iii.xiii-p4">SHARGAR'S ARM.</p>

<p id="iii.xiii-p5"><br />
</p>

<p id="iii.xiii-p6">NOT many weeks passed before Shargar knew Aberdeen better than
most Aberdonians. From the Pier-head to the Rubislaw Road, he knew,
if not every court, yet every thoroughfare and short cut. And
Aberdeen began to know him. He was very soon recognized as
trustworthy, and had pretty nearly as much to do as he could
manage. Shargar, therefore, was all over the city like a cracker,
and could have told at almost any hour where Dr. Anderson was to be
found--generally in the lower parts of it, for the good man visited
much among the poor; giving them almost exclusively the benefit of
his large experience. Shargar delighted in keeping an eye upon the
doctor, carefully avoiding to show himself.</p>

<p id="iii.xiii-p7"><br />
</p>

<p id="iii.xiii-p8">One day as he was hurrying through the Green (<i>a non
virendo</i>) on a mission from the Rothieden carrier, he came upon
the doctor's chariot standing in one of the narrowest streets, and,
as usual, paused to contemplate the equipage and get a peep of the
owner. The morning was very sharp. There was no snow, but a cold
fog, like vaporized hoar-frost, filled the air. It was weather in
which the East Indian could not venture out on foot, else he could
have reached the place by a stair from Union Street far sooner than
he could drive thither. His horses apparently liked the cold as
little as himself. They had been moving about restlessly for some
time before the doctor made his appearance. The moment he got in
and shut the door, one of them reared, while the other began to
haul on his traces, eager for a gallop. Something about the chain
gave way, the pole swerved round under the rearing horse, and great
confusion and danger would have ensued, had not Shargar rushed from
his coign of vantage, sprung at the bit of the rearing horse, and
dragged him off the pole, over which he was just casting his near
leg. As soon as his feet touched the ground he too pulled, and away
went the chariot and down went Shargar. But in a moment more
several men had laid hold of the horses' heads, and stopped
them.</p>

<p id="iii.xiii-p9"><br />
</p>

<p id="iii.xiii-p10">'Oh Lord!' cried Shargar, as he rose with his arm dangling by
his side, 'what will Donal' Joss say? I'm like to swarf
(<i>faint</i>). Haud awa' frae that basket, ye wuddyfous
(<i>withy-fowls</i>, <i>gallows-birds</i>),' he cried, darting
towards the hamper he had left in the entry of a court, round which
a few ragged urchins had gathered; but just as he reached it he
staggered and fell. Nor did he know anything more till he found the
carriage stopping with himself and the hamper inside it.</p>

<p id="iii.xiii-p11"><br />
</p>

<p id="iii.xiii-p12">As soon as the coachman had got his harness put to rights, the
doctor had driven back to see how the lad had fared, for he had
felt the carriage go over something. They had found him lying
beside his hamper, had secured both, and as a preliminary measure
were proceeding to deliver the latter.</p>

<p id="iii.xiii-p13"><br />
</p>

<p id="iii.xiii-p14">'Whaur am I? whaur the deevil am I?' cried Shargar, jumping up
and falling back again.</p>

<p id="iii.xiii-p15"><br />
</p>

<p id="iii.xiii-p16">'Don't you know me, Moray?' said the doctor, for he felt shy of
calling the poor boy by his nickname: <i>he</i> had no right to do
so.</p>

<p id="iii.xiii-p17"><br />
</p>

<p id="iii.xiii-p18">'Na, I dinna ken ye. Lat me awa'.--I beg yer pardon, doctor: I
thocht ye was ane o' thae wuddyfous rinnin' awa' wi' Donal' Joss's
basket. Eh me! sic a stoun' i' my airm! But naebody ca's me Moray.
They a' ca' me Shargar. What richt hae <i>I</i> to be ca'd <i>
Moray?</i>' added the poor boy, feeling, I almost believe for the
first time, the stain upon his birth. Yet ye had as good a right
before God to be called <i>Moray</i> as any other son of that
worthy sire, the Baron of Rothie included. Possibly the
trumpet-blowing angels did call him Moray, or some better name.</p>

<p id="iii.xiii-p19"><br />
</p>

<p id="iii.xiii-p20">'The coachman will deliver your parcel, Moray,' said the doctor,
this time repeating the name with emphasis.</p>

<p id="iii.xiii-p21"><br />
</p>

<p id="iii.xiii-p22">'Deil a bit o' 't!' cried Shargar. 'He daurna lea' his box wi'
thae deevils o' horses. What gars he keep sic horses, doctor?
They'll play some mischeef some day.'</p>

<p id="iii.xiii-p23"><br />
</p>

<p id="iii.xiii-p24">'Indeed, they've played enough already, my poor boy. They've
broken your arm.'</p>

<p id="iii.xiii-p25"><br />
</p>

<p id="iii.xiii-p26">'Never min' that. That's no muckle. Ye're welcome, doctor, to my
twa airms for what ye hae dune for Robert an' that lang-leggit
frien' o' his--the Lord forgie me--Mr. Ericson. But ye maun jist
pay him what I canna mak for a day or twa, till 't jines again--to
haud them gaein', ye ken.--It winna be muckle to you, doctor,'
added Shargar, beseechingly.</p>

<p id="iii.xiii-p27"><br />
</p>

<p id="iii.xiii-p28">'Trust me for that, Moray,' returned Dr. Anderson. 'I owe you a
good deal more than that. My brains might have been out by this
time.'</p>

<p id="iii.xiii-p29"><br />
</p>

<p id="iii.xiii-p30">'The Lord be praised!' said Shargar, making about his first
profession of Christianity. 'Robert 'ill think something o' me
noo.'</p>

<p id="iii.xiii-p31"><br />
</p>

<p id="iii.xiii-p32">During this conversation the coachman sat expecting some one to
appear from the shop, and longing to pitch into the 'camstary'
horse, but not daring to lift his whip beyond its natural angle. No
one came. All at once Shargar knew where he was.</p>

<p id="iii.xiii-p33"><br />
</p>

<p id="iii.xiii-p34">'Guid be here! we're at Donal's door! Guid day to ye, doctor;
an' I'm muckle obleeged to ye. Maybe, gin ye war comin' oor gait,
the morn, or the neist day, to see Maister Ericson, ye wad tie up
my airm, for it gangs wallopin' aboot, an' that canna be guid for
the stickin' o' 't thegither again.'</p>

<p id="iii.xiii-p35"><br />
</p>

<p id="iii.xiii-p36">'My poor boy! you don't think I'm going to leave you here, do
you?' said the doctor, proceeding to open the carriage-door.</p>

<p id="iii.xiii-p37"><br />
</p>

<p id="iii.xiii-p38">'But whaur's the hamper?' said Shargar, looking about him in
dismay.</p>

<p id="iii.xiii-p39"><br />
</p>

<p id="iii.xiii-p40">'The coachman has got it on the box,' answered the doctor.</p>

<p id="iii.xiii-p41"><br />
</p>

<p id="iii.xiii-p42">'Eh! that'll never do. Gin thae rampaugin' brutes war to tak a
start again, what wad come o' the bit basket? I maun get it doon
direckly.'</p>

<p id="iii.xiii-p43"><br />
</p>

<p id="iii.xiii-p44">'Sit still. I will get it down, and deliver it myself.' As he
spoke the doctor got out.</p>

<p id="iii.xiii-p45"><br />
</p>

<p id="iii.xiii-p46">'Tak care o' 't, sir; tak care o' 't. William Walker said there
was a jar o' drained hinney i' the basket; an' the bairns wad miss
't sair gin 't war spult.'</p>

<p id="iii.xiii-p47"><br />
</p>

<p id="iii.xiii-p48">'I will take good care of it,' responded the doctor.</p>

<p id="iii.xiii-p49"><br />
</p>

<p id="iii.xiii-p50">He delivered the basket, returned to the carriage, and told the
coachman to drive home.</p>

<p id="iii.xiii-p51"><br />
</p>

<p id="iii.xiii-p52">'Whaur are ye takin' me till?' exclaimed Shargar. 'Willie hasna
payed me for the parcel.'</p>

<p id="iii.xiii-p53"><br />
</p>

<p id="iii.xiii-p54">'Never mind Willie. I'll pay you,' said the doctor.</p>

<p id="iii.xiii-p55"><br />
</p>

<p id="iii.xiii-p56">'But Robert wadna like me to tak siller whaur I did nae wark for
't,' objected Shargar. 'He's some pernickety
(<i>precise</i>)--Robert. But I'll jist say 'at ye garred me,
doctor. Maybe that 'll saitisfee him. An' faith! I'm queer aboot my
left fin here.'</p>

<p id="iii.xiii-p57"><br />
</p>

<p id="iii.xiii-p58">'We'll soon set it all right,' said the doctor.</p>

<p id="iii.xiii-p59"><br />
</p>

<p id="iii.xiii-p60">When they reached his house he led the way to his surgery, and
there put the broken limb in splints. He then told Johnston to help
the patient to bed.</p>

<p id="iii.xiii-p61"><br />
</p>

<p id="iii.xiii-p62">'I maun gang hame,' objected Shargar. 'What wad Robert
think?'</p>

<p id="iii.xiii-p63"><br />
</p>

<p id="iii.xiii-p64">'I will tell him all about it,' said the doctor.</p>

<p id="iii.xiii-p65"><br />
</p>

<p id="iii.xiii-p66">'Yersel, sir?' stipulated Shargar.</p>

<p id="iii.xiii-p67"><br />
</p>

<p id="iii.xiii-p68">'Yes, myself.'</p>

<p id="iii.xiii-p69"><br />
</p>

<p id="iii.xiii-p70">'Afore nicht?'</p>

<p id="iii.xiii-p71"><br />
</p>

<p id="iii.xiii-p72">'Directly,' answered the doctor, and Shargar yielded.</p>

<p id="iii.xiii-p73"><br />
</p>

<p id="iii.xiii-p74">'But what <i>will</i> Robert say?' were his last words, as he
fell asleep, appreciating, no doubt, the superiority of the bed to
his usual lair upon the hearthrug.</p>

<p id="iii.xiii-p75"><br />
</p>

<p id="iii.xiii-p76">Robert was delighted to hear how well Shargar had acquitted
himself. Followed a small consultation about him; for the accident
had ripened the doctor's intentions concerning the outcast.</p>

<p id="iii.xiii-p77"><br />
</p>

<p id="iii.xiii-p78">'As soon as his arm is sound again, he shall go to the
grammar-school,' he said.</p>

<p id="iii.xiii-p79"><br />
</p>

<p id="iii.xiii-p80">'An' the college?' asked Robert.</p>

<p id="iii.xiii-p81"><br />
</p>

<p id="iii.xiii-p82">'I hope so,' answered the doctor. 'Do you think he will do well?
He has plenty of courage, at all events, and that is a fine
thing.'</p>

<p id="iii.xiii-p83"><br />
</p>

<p id="iii.xiii-p84">'Ow ay,' answered Robert; 'he's no ill aff for smeddum
(<i>spirit</i>)--that is, gin it be for ony ither body. He wad
never lift a han' for himsel'; an' that's what garred me tak till
him sae muckle. He's a fine crater. He canna gang him lane, but
he'll gang wi' onybody--and haud up wi' him.'</p>

<p id="iii.xiii-p85"><br />
</p>

<p id="iii.xiii-p86">'What do you think him fit for, then?'</p>

<p id="iii.xiii-p87"><br />
</p>

<p id="iii.xiii-p88">Now Robert had been building castles for Shargar out of the
hopes which the doctor's friendliness had given him. Therefore he
was ready with his answer.</p>

<p id="iii.xiii-p89"><br />
</p>

<p id="iii.xiii-p90">'Gin ye cud ensure him no bein' made a general o', he wad mak a
gran' sojer. Set's face foret, and say "quick mairch," an' he'll ca
his bagonet throu auld Hornie. But lay nae consequences upo' him,
for he cudna stan' unner them.'</p>

<p id="iii.xiii-p91"><br />
</p>

<p id="iii.xiii-p92">Dr. Anderson laughed, but thought none the less, and went home
to see how his patient was getting on.</p>

<p id="iii.xiii-p93"><br />
</p>

<p id="iii.xiii-p94"><br />
</p>

</div2>

      <div2 title="CHAPTER XIV.--MYSIE'S FACE." n="xiv" shorttitle="" progress="49.04%" id="iii.xiv" prev="iii.xiii" next="iii.xv">

<p id="iii.xiv-p1"><br />
</p>

<p id="iii.xiv-p2">CHAPTER XIV.</p>

<p id="iii.xiv-p3"><br />
</p>

<p id="iii.xiv-p4">MYSIE'S FACE.</p>

<p id="iii.xiv-p5"><br />
</p>

<p id="iii.xiv-p6">MEANTIME Ericson grew better. A space of hard, clear weather, in
which everything sparkled with frost and sunshine, did him good.
But not yet could he use his brain. He turned with dislike even
from his friend Plato. He would sit in bed or on his chair by the
fireside for hours, with his hands folded before him, and his
eyelids drooping, and let his thoughts flow, for he could not
think. And that these thoughts flowed not always with other than
sweet sounds over the stones of question, the curves of his lip
would testify to the friendly, furtive glance of the watchful
Robert. None but the troubled mind knows its own consolations; and
I believe the saddest life has its own presence--however it may be
unrecognized as such--of the upholding Deity. Doth God care for the
hairs that perish from our heads? To a mind like Ericson's the
remembered scent, the recurring vision of a flower loved in
childhood, is enough to sustain anxiety with beauty, for the lovely
is itself healing and hope-giving, because it is the form and
presence of the true. To have such a presence is <i>to be</i>; and
while a mind exists in any high consciousness, the intellectual
trouble that springs from the desire to know its own life, to be
assured of its rounded law and security, ceases, for the desire
itself falls into abeyance.</p>

<p id="iii.xiv-p7"><br />
</p>

<p id="iii.xiv-p8">But although Ericson was so weak, he was always able and ready
to help Robert in any difficulty not unfrequently springing from
his imperfect preparation in Greek; for while Mr. Innes was an
excellent Latin scholar, his knowledge of Greek was too limited
either to compel learning or inspire enthusiasm, And with the keen
instinct he possessed in everything immediate between man and man,
Robert would sometimes search for a difficulty in order to request
its solution; for then Ericson would rouse himself to explain as
few men could have explained: where a clear view was to be had of
anything, Ericson either had it or knew that he had it not. Hence
Robert's progress was good; for one word from a wise helper will
clear off a whole atmosphere of obstructions.</p>

<p id="iii.xiv-p9"><br />
</p>

<p id="iii.xiv-p10">At length one day when Robert came home he found him seated at
the table, with his slate, working away at the Differential
Calculus. After this he recovered more rapidly, and ere another
week was over began to attend one class a day. He had been so far
in advance before, that though he could not expect prizes, there
was no fear of his <i>passing</i>.</p>

<p id="iii.xiv-p11"><br />
</p>

<p id="iii.xiv-p12">One morning, Robert, coming out from a lecture, saw Ericson in
the quadrangle talking to an elderly gentleman. When they met in
the afternoon Ericson told him that that was Mr. Lindsay, and that
he had asked them both to spend the evening at his house. Robert
would go anywhere to be with his friend.</p>

<p id="iii.xiv-p13"><br />
</p>

<p id="iii.xiv-p14">He got out his Sunday clothes, and dressed himself with anxiety:
he had visited scarcely at all, and was shy and doubtful. He then
sat down to his books, till Ericson came to his door--dressed, and
hence in Robert's eyes ceremonial--a stately, graceful gentleman.
Renewed awe came upon him at the sight, and renewed gratitude.
There was a flush on Ericson's cheek, and a fire in his eye. Robert
had never seen him look so grand. But there was a something about
him that rendered him uneasy--a look that made Ericson seem
strange, as if his life lay in some far-off region.</p>

<p id="iii.xiv-p15"><br />
</p>

<p id="iii.xiv-p16">'I want you to take your violin with you, Robert,' he said.</p>

<p id="iii.xiv-p17"><br />
</p>

<p id="iii.xiv-p18">'Hoots!' returned Robert, 'hoo can I do that? To tak her wi' me
the first time I gang to a strange hoose, as gin I thocht a'body
wad think as muckle o' my auld wife as I do mysel'! That wadna be
mainners--wad it noo, Mr. Ericson?'</p>

<p id="iii.xiv-p19"><br />
</p>

<p id="iii.xiv-p20">'But I told Mr. Lindsay that you could play well. The old
gentleman is fond of Scotch tunes, and you will please him if you
take it.'</p>

<p id="iii.xiv-p21"><br />
</p>

<p id="iii.xiv-p22">'That maks a' the differ,' answered Robert.</p>

<p id="iii.xiv-p23"><br />
</p>

<p id="iii.xiv-p24">'Thank you,' said Ericson, as Robert went towards his
instrument; and, turning, would have walked from the house without
any additional protection.</p>

<p id="iii.xiv-p25"><br />
</p>

<p id="iii.xiv-p26">'Whaur are ye gaein' that gait, Mr. Ericson? Tak yer plaid, or
ye'll be laid up again, as sure's ye live.'</p>

<p id="iii.xiv-p27"><br />
</p>

<p id="iii.xiv-p28">'I'm warm enough,' returned Ericson.</p>

<p id="iii.xiv-p29"><br />
</p>

<p id="iii.xiv-p30">'That's naething. The cauld 's jist lyin' i' the street like a
verra deevil to get a grup o' ye. Gin ye dinna pit on yer plaid, I
winna tak my fiddle.'</p>

<p id="iii.xiv-p31"><br />
</p>

<p id="iii.xiv-p32">Ericson yielded; and they set out together.</p>

<p id="iii.xiv-p33"><br />
</p>

<p id="iii.xiv-p34">I will account for Ericson's request about the violin.</p>

<p id="iii.xiv-p35"><br />
</p>

<p id="iii.xiv-p36">He went to the episcopal church on Sundays, and sat where he
could see Mysie--sat longing and thirsting ever till the music
returned. Yet the music he never heard; he watched only its
transmutation into form, never taking his eyes off Mysie's face.
Reflected thence in a metamorphosed echo, he followed all its
changes. Never was one powerless to produce it more strangely
responsive to its influence. She had no voice; she had never been
taught the use of any instrument. A world of musical feeling was
pent up in her, and music raised the suddener storms in her mobile
nature, that she was unable to give that feeling utterance. The
waves of her soul dashed the more wildly against their shores,
inasmuch as those shores were precipitous, and yielded no outlet to
the swelling waters. It was that his soul might hover like a bird
of Paradise over the lovely changes of her countenance, changes
more lovely and frequent than those of an English May, that Ericson
persuaded Robert to take his violin.</p>

<p id="iii.xiv-p37"><br />
</p>

<p id="iii.xiv-p38">The last of the sunlight was departing, and a large full moon
was growing through the fog on the horizon. The sky was almost
clear of clouds, and the air was cold and penetrating. Robert drew
Eric's plaid closer over his chest. Eric thanked him lightly, but
his voice sounded eager; and it was with a long hasty stride that
he went up the hill through the gathering of the light frosty mist.
He stopped at the stair upon which Robert had found him that
memorable night. They went up. The door had been left on the latch
for their entrance. They went up more steps between rocky walls.
When in after years he read the <i>Purgatorio</i>, as often as he
came to one of its ascents, Robert saw this stair with his inward
eye. At the top of the stair was the garden, still ascending, and
at the top of the garden shone the glow of Mr. Lindsay's parlour
through the red-curtained window. To Robert it shone a refuge for
Ericson from the night air; to Ericson it shone the casket of the
richest jewel of the universe. Well might the ruddy glow stream
forth to meet him! Only in glowing red could such beauty be rightly
closed. With trembling hand he knocked at the door.</p>

<p id="iii.xiv-p39"><br />
</p>

<p id="iii.xiv-p40">They were shown at once into the parlour. Mysie was putting away
her book as they entered, and her back was towards them. When she
turned, it seemed even to Robert as if all the light in the room
came only from her eyes. But that light had been all gathered out
of the novel she had just laid down. She held out her hand to Eric,
and her sweet voice was yet more gentle than wont, for he had been
ill. His face flushed at the tone. But although she spoke kindly,
he could hardly have fancied that she showed him special
favour.</p>

<p id="iii.xiv-p41"><br />
</p>

<p id="iii.xiv-p42">Robert stood with his violin under his arm, feeling as awkward
as if he had never handled anything more delicate than a pitchfork.
But Mysie sat down to the table, and began to pour out the tea, and
he came to himself again. Presently her father entered. His
greeting was warm and mild and sleepy. He had come from poring over
Spotiswood, in search of some Will o' the wisp or other, and had
grown stupid from want of success. But he revived after a cup of
tea, and began to talk about northern genealogies; and Ericson did
his best to listen. Robert wondered at the knowledge he displayed:
he had been tutor the foregoing summer in one of the oldest and
poorest, and therefore proudest families in Caithness. But all the
time his host talked Ericson's eyes hovered about Mysie, who sat
gazing before her with look distraught, with wide eyes and
scarce-moving eyelids, beholding something neither on sea or shore;
and Mr. Lindsay would now and then correct Ericson in some
egregious blunder; while Mysie would now and then start awake and
ask Robert or Ericson to take another cup of tea. Before the
sentence was finished, however, she would let it die away, speaking
the last words mechanically, as her consciousness relapsed into
dreamland. Had not Robert been with Ericson, he would have found it
wearisome enough; and except things took a turn, Ericson could
hardly be satisfied with the pleasure of the evening. Things did
take a turn.</p>

<p id="iii.xiv-p43"><br />
</p>

<p id="iii.xiv-p44">'Robert has brought his fiddle,' said Ericson, as the tea was
removed.</p>

<p id="iii.xiv-p45"><br />
</p>

<p id="iii.xiv-p46">'I hope he will be kind enough to play something,' said Mr.
Lindsay.</p>

<p id="iii.xiv-p47"><br />
</p>

<p id="iii.xiv-p48">'I'll do that,' answered Robert, with alacrity. 'But ye maunna
expec' ower muckle, for I'm but a prentice-han',' he added, as he
got the instrument ready.</p>

<p id="iii.xiv-p49"><br />
</p>

<p id="iii.xiv-p50">Before he had drawn the bow once across it, attention awoke in
Mysie's eyes; and before he had finished playing, Ericson must have
had quite as much of the 'beauty born of murmuring sound' as was
good for him. Little did Mysie think of the sky of love, alive with
silent thoughts, that arched over her. The earth teems with love
that is unloved. The universe itself is one sea of infinite love,
from whose consort of harmonies if a stray note steal across the
sense, it starts bewildered.</p>

<p id="iii.xiv-p51"><br />
</p>

<p id="iii.xiv-p52">Robert played better than usual. His touch grew intense, and put
on all its delicacy, till it was like that of the spider, which, as
Pope so admirably says,</p>

<p id="iii.xiv-p53"><br />
</p>

<p id="iii.xiv-p54">     Feels at each thread, and lives along the line.</p>

<p id="iii.xiv-p55"><br />
</p>

<p id="iii.xiv-p56">And while Ericson watched its shadows, the music must have taken
hold of him too; for when Robert ceased, he sang a wild ballad of
the northern sea, to a tune strange as itself. It was the only time
Robert ever heard him sing. Mysie's eyes grew wider and wider as
she listened. When it was over,</p>

<p id="iii.xiv-p57"><br />
</p>

<p id="iii.xiv-p58">'Did ye write that sang yersel', Mr. Ericson?' asked Robert.</p>

<p id="iii.xiv-p59"><br />
</p>

<p id="iii.xiv-p60">'No,' answered Ericson. 'An old shepherd up in our parts used to
say it to me when I was a boy.'</p>

<p id="iii.xiv-p61"><br />
</p>

<p id="iii.xiv-p62">'Didna he sing 't?' Robert questioned further.</p>

<p id="iii.xiv-p63"><br />
</p>

<p id="iii.xiv-p64">'No, he didn't. But I heard an old woman crooning it to a child
in a solitary cottage on the shore of Stroma, near the Swalchie
whirlpool, and that was the tune she sang it to, if singing it
could be called.'</p>

<p id="iii.xiv-p65"><br />
</p>

<p id="iii.xiv-p66">'I don't quite understand it, Mr. Ericson,' said Mysie. 'What
does it mean?'</p>

<p id="iii.xiv-p67"><br />
</p>

<p id="iii.xiv-p68">'There was once a beautiful woman lived there-away,' began
Ericson.--But I have not room to give the story as he told it,
embellishing it, no doubt, as with such a mere tale was lawful
enough, from his own imagination. The substance was that a young
man fell in love with a beautiful witch, who let him go on loving
her till he cared for nothing but her, and then began to kill him
by laughing at him. For no witch can fall in love herself, however
much she may like to be loved. She mocked him till he drowned
himself in a pool on the seashore. Now the witch did not know that;
but as she walked along the shore, looking for things, she saw his
hand lying over the edge of a rocky basin. Nothing is more useful
to a witch than the hand of a man, so she went to pick it up. When
she found it fast to an arm, she would have chopped it off, but
seeing whose it was, she would, for some reason or other best known
to a witch, draw off his ring first. For it was an enchanted ring
which she had given him to bewitch his love, and now she wanted
both it and the hand to draw to herself the lover of a young maiden
whom she hated. But the dead hand closed its fingers upon hers, and
her power was powerless against the dead. And the tide came rushing
up, and the dead hand held her till she was drowned. She lies with
her lover to this day at the bottom of the Swalchie whirlpool; and
when a storm is at hand, strange moanings rise from the pool, for
the youth is praying the witch lady for her love, and she is
praying him to let go her hand.</p>

<p id="iii.xiv-p69"><br />
</p>

<p id="iii.xiv-p70">While Ericson told the story the room still glimmered about
Robert as if all its light came from Mysie's face, upon which the
flickering firelight alone played. Mr. Lindsay sat a little back
from the rest, with an amused expression: legends of such sort did
not come within the scope of his antiquarian reach, though he was
ready enough to believe whatever tempted his own taste, let it be
as destitute of likelihood as the story of the dead hand. When
Ericson ceased, Mysie gave a deep sigh, and looked full of thought,
though I daresay it was only feeling. Mr. Lindsay followed with an
old tale of the Sinclairs, of which he said Ericson's reminded him,
though the sole association was that the foregoing was a Caithness
story, and the Sinclairs are a Caithness family. As soon as it was
over, Mysie, who could not hide all her impatience during its
lingering progress, asked Robert to play again. He took up his
violin, and with great expression gave the air of Ericson's ballad
two or three times over, and then laid down the instrument. He saw
indeed that it was too much for Mysie, affecting her more, thus
presented after the story, than the singing of the ballad itself.
Thereupon Ericson, whose spirits had risen greatly at finding that
he could himself secure Mysie's attention, and produce the play of
soul in feature which he so much delighted to watch, offered
another story; and the distant rush of the sea, borne occasionally
into the 'grateful gloom' upon the cold sweep of a February wind,
mingled with one tale after another, with which he entranced two of
his audience, while the third listened mildly content.</p>

<p id="iii.xiv-p71"><br />
</p>

<p id="iii.xiv-p72">The last of the tales Ericson told was as follows:--</p>

<p id="iii.xiv-p73"><br />
</p>

<p id="iii.xiv-p74">'One evening-twilight in spring, a young English student, who
had wandered northwards as far as the outlying fragments of
Scotland called the Orkney and Shetland islands, found himself on a
small island of the latter group, caught in a storm of wind and
hail, which had come on suddenly. It was in vain to look about for
any shelter; for not only did the storm entirely obscure the
landscape, but there was nothing around him save a desert moss.</p>

<p id="iii.xiv-p75"><br />
</p>

<p id="iii.xiv-p76">'At length, however, as he walked on for mere walking's sake, he
found himself on the verge of a cliff, and saw, over the brow of
it, a few feet below him, a ledge of rock, where he might find some
shelter from the blast, which blew from behind. Letting himself
down by his hands, he alighted upon something that crunched beneath
his tread, and found the bones of many small animals scattered
about in front of a little cave in the rock, offering the refuge he
sought, He went in, and sat upon a stone. The storm increased in
violence, and as the darkness grew he became uneasy, for he did not
relish the thought of spending the night in the cave. He had parted
from his companions on the opposite side of the island, and it
added to his uneasiness that they must be full of apprehension
about him. At last there came a lull in the storm, and the same
instant he heard a footfall, stealthy and light as that of a wild
beast, upon the bones at the mouth of the cave. He started up in
some fear, though the least thought might have satisfied him that
there could be no very dangerous animals upon the island. Before he
had time to think, however, the face of a woman appeared in the
opening. Eagerly the wanderer spoke. She started at the sound of
his voice. He could not see her well, because she was turned
towards the darkness of the cave.</p>

<p id="iii.xiv-p77"><br />
</p>

<p id="iii.xiv-p78">'"Will you tell me how to find my way across the moor to
Shielness?" he asked.</p>

<p id="iii.xiv-p79"><br />
</p>

<p id="iii.xiv-p80">'"You cannot find it to-night," she answered, in a sweet tone,
and with a smile that bewitched him, revealing the whitest of
teeth.</p>

<p id="iii.xiv-p81"><br />
</p>

<p id="iii.xiv-p82">'"What am I to do, then?" he asked.</p>

<p id="iii.xiv-p83"><br />
</p>

<p id="iii.xiv-p84">'"My mother will give you shelter, but that is all she has to
offer."</p>

<p id="iii.xiv-p85"><br />
</p>

<p id="iii.xiv-p86">'"And that is far more than I expected a minute ago," he
replied. "I shall be most grateful."</p>

<p id="iii.xiv-p87"><br />
</p>

<p id="iii.xiv-p88">'She turned in silence and left the cave. The youth
followed.</p>

<p id="iii.xiv-p89"><br />
</p>

<p id="iii.xiv-p90">'She was barefooted, and her pretty brown feet went catlike over
the sharp stones, as she led the way down a rocky path to the
shore. Her garments were scanty and torn, and her hair blew tangled
in the wind. She seemed about five-and-twenty, lithe and small. Her
long fingers kept clutching and pulling nervously at her skirts as
she went. Her face was very gray in complexion, and very worn, but
delicately formed, and smooth-skinned. Her thin nostrils were
tremulous as eyelids, and her lips, whose curves were faultless,
had no colour to give sign of indwelling blood. What her eyes were
like he could not see, for she had never lifted the delicate films
of her eyelids.</p>

<p id="iii.xiv-p91"><br />
</p>

<p id="iii.xiv-p92">'At the foot of the cliff they came upon a little hut leaning
against it, and having for its inner apartment a natural hollow
within it. Smoke was spreading over the face of the rock, and the
grateful odour of food gave hope to the hungry student. His guide
opened the door of the cottage; he followed her in, and saw a woman
bending over a fire in the middle of the floor. On the fire lay a
large fish boiling. The daughter spoke a few words, and the mother
turned and welcomed the stranger. She had an old and very wrinkled,
but honest face, and looked troubled. She dusted the only chair in
the cottage, and placed it for him by the side of the fire,
opposite the one window, whence he saw a little patch of yellow
sand over which the spent waves spread themselves out listlessly.
Under this window was a bench, upon which the daughter threw
herself in an unusual posture, resting her chin upon her hand. A
moment after the youth caught the first glimpse of her blue eyes.
They were fixed upon him with a strange look of greed, amounting to
craving, but as if aware that they belied or betrayed her, she
dropped them instantly. The moment she veiled them, her face,
notwithstanding its colourless complexion, was almost
beautiful.</p>

<p id="iii.xiv-p93"><br />
</p>

<p id="iii.xiv-p94">'When the fish was ready the old woman wiped the deal table,
steadied it upon the uneven floor, and covered it with a piece of
fine table-linen. She then laid the fish on a wooden platter, and
invited the guest to help himself. Seeing no other provision, he
pulled from his pocket a hunting-knife, and divided a portion from
the fish, offering it to the mother first.</p>

<p id="iii.xiv-p95"><br />
</p>

<p id="iii.xiv-p96">'"Come, my lamb," said the old woman; and the daughter
approached the table. But her nostrils and mouth quivered with
disgust.</p>

<p id="iii.xiv-p97"><br />
</p>

<p id="iii.xiv-p98">'The next moment she turned and hurried from the hut.</p>

<p id="iii.xiv-p99"><br />
</p>

<p id="iii.xiv-p100">'"She doesn't like fish," said the old woman, "and I haven't
anything else to give her."</p>

<p id="iii.xiv-p101"><br />
</p>

<p id="iii.xiv-p102">'"She does not seem in good health," he rejoined.</p>

<p id="iii.xiv-p103"><br />
</p>

<p id="iii.xiv-p104">'The woman answered only with a sigh, and they ate their fish
with the help of a little rye-bread. As they finished their supper,
the youth heard the sound as of the pattering of a dog's feet upon
the sand close to the door; but ere he had time to look out of the
window, the door opened and the young woman entered. She looked
better, perhaps from having just washed her face. She drew a stool
to the corner of the fire opposite him. But as she sat down, to his
bewilderment, and even horror, the student spied a single drop of
blood on her white skin within her torn dress. The woman brought
out a jar of whisky, put a rusty old kettle on the fire, and took
her place in front of it. As soon as the water boiled, she
proceeded to make some toddy in a wooden bowl.</p>

<p id="iii.xiv-p105"><br />
</p>

<p id="iii.xiv-p106">'Meantime the youth could not take his eyes off the young woman,
so that at length he found himself fascinated, or rather bewitched.
She kept her eyes for the most part veiled with the loveliest
eyelids fringed with darkest lashes, and he gazed entranced; for
the red glow of the little oil-lamp covered all the strangeness of
her complexion. But as soon as he met a stolen glance out of those
eyes unveiled, his soul shuddered within him. Lovely face and
craving eyes alternated fascination and repulsion.</p>

<p id="iii.xiv-p107"><br />
</p>

<p id="iii.xiv-p108">'The mother placed the bowl in his hands. He drank sparingly,
and passed it to the girl. She lifted it to her lips, and as she
tasted--only tasted it--looked at him. He thought the drink must
have been drugged and have affected his brain. Her hair smoothed
itself back, and drew her forehead backwards with it; while the
lower part of her face projected towards the bowl, revealing, ere
she sipped, her dazzling teeth in strange prominence. But the same
moment the vision vanished; she returned the vessel to her mother,
and rising, hurried out of the cottage.</p>

<p id="iii.xiv-p109"><br />
</p>

<p id="iii.xiv-p110">'Then, the old woman pointed to a bed of heather in one corner
with a murmured apology; and the student, wearied both with the
fatigues of the day and the strangeness of the night, threw himself
upon it, wrapped in his cloak. The moment he lay down, the storm
began afresh, and the wind blew so keenly through the crannies of
the hut, that it was only by drawing his cloak over his head that
he could protect himself from its currents. Unable to sleep, he lay
listening to the uproar which grew in violence, till the spray was
dashing against the window. At length the door opened, and the
young woman came in, made up the fire, drew the bench before it,
and lay down in the same strange posture, with her chin propped on
her hand and elbow, and her face turned towards the youth. He moved
a little; she dropped her head, and lay on her face, with her arms
crossed beneath her forehead. The mother had disappeared.</p>

<p id="iii.xiv-p111"><br />
</p>

<p id="iii.xiv-p112">'Drowsiness crept over him. A movement of the bench roused him,
and he fancied he saw some four-footed creature as tall as a large
dog trot quietly out of the door. He was sure he felt a rush of
cold wind. Gazing fixedly through the darkness, he thought he saw
the eyes of the damsel encountering his, but a glow from the
falling together of the remnants of the fire, revealed clearly
enough that the bench was vacant. Wondering what could have made
her go out in such a storm, he fell fast asleep.</p>

<p id="iii.xiv-p113"><br />
</p>

<p id="iii.xiv-p114">'In the middle of the night he felt a pain in his shoulder, came
broad awake, and saw the gleaming eyes and grinning teeth of some
animal close to his face. Its claws were in his shoulder, and its
mouth was in the act of seeking his throat. Before it had fixed its
fangs, however, he had its throat in one hand, and sought his knife
with the other. A terrible struggle followed; but regardless of the
tearing claws, he found and opened his knife. He had made one
futile stab, and was drawing it for a surer, when, with a spring of
the whole body, and one wildly-contorted effort, the creature
twisted its neck from his hold, and with something betwixt a scream
and a howl, darted from him. Again he heard the door open; again
the wind blew in upon him, and it continued blowing; a sheet of
spray dashed across the floor, and over his face. He sprung from
his couch and bounded to the door.</p>

<p id="iii.xiv-p115"><br />
</p>

<p id="iii.xiv-p116">'It was a wild night--dark, but for the flash of whiteness from
the waves as they broke within a few yards of the cottage; the wind
was raving, and the rain pouring down the air. A gruesome sound as
of mingled weeping and howling came from somewhere in the dark. He
turned again into the hut and closed the door, but could find no
way of securing it.</p>

<p id="iii.xiv-p117"><br />
</p>

<p id="iii.xiv-p118">'The lamp was nearly out, and he could not be certain whether
the form of the young woman was upon the bench or not. Overcoming a
strong repugnance, he approached it, and put out his hands--there
was nothing there. He sat down and waited for the daylight: he
dared not sleep any more.</p>

<p id="iii.xiv-p119"><br />
</p>

<p id="iii.xiv-p120">'When the day dawned at length, he went out yet again, and
looked around. The morning was dim and gusty and gray. The wind had
fallen, but the waves were tossing wildly. He wandered up and down
the little strand, longing for more light.</p>

<p id="iii.xiv-p121"><br />
</p>

<p id="iii.xiv-p122">'At length he heard a movement in the cottage. By and by the
voice of the old woman called to him from the door.</p>

<p id="iii.xiv-p123"><br />
</p>

<p id="iii.xiv-p124">'"You're up early, sir. I doubt you didn't sleep well."</p>

<p id="iii.xiv-p125"><br />
</p>

<p id="iii.xiv-p126">'"Not very well," he answered. "But where is your daughter?"</p>

<p id="iii.xiv-p127"><br />
</p>

<p id="iii.xiv-p128">'"She's not awake yet," said the mother. "I'm afraid I have but
a poor breakfast for you. But you'll take a dram and a bit of fish.
It's all I've got."</p>

<p id="iii.xiv-p129"><br />
</p>

<p id="iii.xiv-p130">'Unwilling to hurt her, though hardly in good appetite, he sat
down at the table. While they were eating the daughter came in, but
turned her face away and went to the further end of the hut. When
she came forward after a minute or two, the youth saw that her hair
was drenched, and her face whiter than before. She looked ill and
faint, and when she raised her eyes, all their fierceness had
vanished, and sadness had taken its place. Her neck was now covered
with a cotton handkerchief. She was modestly attentive to him, and
no longer shunned his gaze. He was gradually yielding to the
temptation of braving another night in the hut, and seeing what
would follow, when the old woman spoke.</p>

<p id="iii.xiv-p131"><br />
</p>

<p id="iii.xiv-p132">'"The weather will be broken all day, sir," she said. "You had
better be going, or your friends will leave without you."</p>

<p id="iii.xiv-p133"><br />
</p>

<p id="iii.xiv-p134">'Ere he could answer, he saw such a beseeching glance on the
face of the girl, that he hesitated, confused. Glancing at the
mother, he saw the flash of wrath in her face. She rose and
approached her daughter, with her hand lifted to strike her. The
young woman stooped her head with a cry. He darted round the table
to interpose between them. But the mother had caught hold of her;
the handkerchief had fallen from her neck; and the youth saw five
blue bruises on her lovely throat--the marks of the four fingers
and the thumb of a left hand. With a cry of horror he rushed from
the house, but as he reached the door he turned. His hostess was
lying motionless on the floor, and a huge gray wolf came bounding
after him.'</p>

<p id="iii.xiv-p135"><br />
</p>

<p id="iii.xiv-p136">An involuntary cry from Mysie interrupted the story-teller. He
changed his tone at once.</p>

<p id="iii.xiv-p137"><br />
</p>

<p id="iii.xiv-p138">'I beg your pardon, Miss Lindsay, for telling you such a horrid
tale. Do forgive me. I didn't mean to frighten you more than a
little.'</p>

<p id="iii.xiv-p139"><br />
</p>

<p id="iii.xiv-p140">'Only a case of lycanthropia,' remarked Mr. Lindsay, as coolly
as if that settled everything about it and lycanthropia, horror and
all, at once.</p>

<p id="iii.xiv-p141"><br />
</p>

<p id="iii.xiv-p142">'Do tell us the rest,' pleaded Mysie, and Ericson resumed.</p>

<p id="iii.xiv-p143"><br />
</p>

<p id="iii.xiv-p144">'There was no weapon at hand; and if there had been, his inborn
chivalry would never have allowed him to harm a woman even under
the guise of a wolf. Instinctively, he set himself firm, leaning a
little forward, with half outstretched arms, and hands curved ready
to clutch again at the throat upon which he had left those pitiful
marks. But the creature as she sprang eluded his grasp, and just as
he expected to feel her fangs, he found a woman weeping on his
bosom, with her arms around his neck. The next instant, the gray
wolf broke from him, and bounded howling up the cliff. Recovering
himself as he best might, the youth followed, for it was the only
way to the moor above, across which he must now make his way to
find his companions.</p>

<p id="iii.xiv-p145"><br />
</p>

<p id="iii.xiv-p146">'All at once he heard the sound of a crunching of bones--not as
if a creature was eating them, but as if they were ground by the
teeth of rage and disappointment: looking up, he saw close above
him the mouth of the little cavern in which he had taken refuge the
day before. Summoning all his resolution, he passed it slowly and
softly. From within came the sounds of a mingled moaning and
growling.</p>

<p id="iii.xiv-p147"><br />
</p>

<p id="iii.xiv-p148">'Having reached the top, he ran at full speed for some distance
across the moor before venturing to look behind him. When at length
he did so he saw, against the sky, the girl standing on the edge of
the cliff, wringing her hands. One solitary wail crossed the space
between. She made no attempt to follow him, and he reached the
opposite shore in safety.'</p>

<p id="iii.xiv-p149"><br />
</p>

<p id="iii.xiv-p150">Mysie tried to laugh, but succeeded badly. Robert took his
violin, and its tones had soon swept all the fear from her face,
leaving in its stead a trouble that has no name--the trouble of
wanting one knows not what--or how to seek it.</p>

<p id="iii.xiv-p151"><br />
</p>

<p id="iii.xiv-p152">It was now time to go home. Mysie gave each an equally warm
good-night and thanks, Mr. Lindsay accompanied them to the door,
and the students stepped into the moonlight. Across the links the
sound of the sea came with a swell.</p>

<p id="iii.xiv-p153"><br />
</p>

<p id="iii.xiv-p154">As they went down the garden, Ericson stopped. Robert thought he
was looking back to the house, and went on. When Ericson joined
him, he was pale as death.</p>

<p id="iii.xiv-p155"><br />
</p>

<p id="iii.xiv-p156">'What <i>is</i> the maitter wi' ye, Mr. Ericson?' he asked in
terror.</p>

<p id="iii.xiv-p157"><br />
</p>

<p id="iii.xiv-p158">'Look there!' said Ericson, pointing, not to the house, but to
the sky.</p>

<p id="iii.xiv-p159"><br />
</p>

<p id="iii.xiv-p160">Robert looked up. Close about the moon were a few white clouds.
Upon these white clouds, right over the moon, and near as the
eyebrow to an eye, hung part of an opalescent halo, bent into the
rude, but unavoidable suggestion of an eyebrow; while, close around
the edge of the moon, clung another, a pale storm-halo. To this
pale iris and faint-hued eyebrow the full moon itself formed the
white pupil: the whole was a perfect eye of ghastly death, staring
out of the winter heaven. The vision may never have been before,
may never have been again, but this Ericson and Robert saw that
night.</p>

<p id="iii.xiv-p161"><br />
</p>

<p id="iii.xiv-p162"><br />
</p>

</div2>

      <div2 title="CHAPTER XV.--THE LAST OF THE COALS." n="xv" shorttitle="" progress="51.47%" id="iii.xv" prev="iii.xiv" next="iii.xvi">

<p id="iii.xv-p1"><br />
</p>

<p id="iii.xv-p2">CHAPTER XV.</p>

<p id="iii.xv-p3"><br />
</p>

<p id="iii.xv-p4">THE LAST OF THE COALS.</p>

<p id="iii.xv-p5"><br />
</p>

<p id="iii.xv-p6">THE next Sunday Robert went with Ericson to the episcopal
chapel, and for the first time in his life heard the epic music of
the organ. It was a new starting-point in his life. The worshipping
instrument flooded his soul with sound, and he stooped beneath it
as a bather on the shore stoops beneath the broad wave rushing up
the land. But I will not linger over this portion of his history.
It is enough to say that he sought the friendship of the organist,
was admitted to the instrument; touched, trembled, exulted; grew
dissatisfied, fastidious, despairing; gathered hope and tried
again, and yet again; till at last, with constantly-recurring fits
of self-despite, he could not leave the grand creature alone. It
became a rival even to his violin. And once before the end of
March, when the organist was ill, and another was not to be had, he
ventured to occupy his place both at morning and evening
service.</p>

<p id="iii.xv-p7"><br />
</p>

<p id="iii.xv-p8">Dr. Anderson kept George Moray in bed for a few days, after
which he went about for a while with his arm in a sling. But the
season of bearing material burdens was over for him now. Dr.
Anderson had an interview with the master of the grammar-school; a
class was assigned to Moray, and with a delight, resting chiefly on
his social approximation to Robert, which in one week elevated the
whole character of his person and countenance and bearing, George
Moray bent himself to the task of mental growth. Having good
helpers at home, and his late-developed energy turning itself
entirely into the new channel, he got on admirably. As there was no
other room to be had in Mrs. Fyvie's house, he continued for the
rest of the session to sleep upon the rug, for he would not hear of
going to another house. The doctor had advised Robert to drop the
nickname as much as possible; but the first time he called him
Moray, Shargar threatened to cut his throat, and so between the two
the name remained.</p>

<p id="iii.xv-p9"><br />
</p>

<p id="iii.xv-p10">I presume that by this time Doctor Anderson had made up his mind
to leave his money to Robert, but thought it better to say nothing
about it, and let the boy mature his independence. He had him often
to his house. Ericson frequently accompanied him; and as there was
a good deal of original similarity between the doctor and Ericson,
the latter soon felt his obligation no longer a burden. Shargar
likewise, though more occasionally, made one of the party, and soon
began, in his new circumstances, to develop the manners of a
gentleman. I say <i>develop</i> advisedly, for Shargar had a deep
humanity in him, as abundantly testified by his devotion to Robert,
and humanity is the body of which true manners is the skin and
ordinary manifestation: true manners are the polish which lets the
internal humanity shine through, just as the polish on marble
reveals its veined beauty. Many talks did the elderly man hold with
the three youths, and his experience of life taught Ericson and
Robert much, especially what he told them about his Brahmin friend
in India. Moray, on the other hand, was chiefly interested in his
tales of adventure when on service in the Indian army, or engaged
in the field sports of that region so prolific in monsters. His
gipsy blood and lawless childhood, spent in wandering familiarity
with houseless nature, rendered him more responsive to these than
the others, and his kindled eye and pertinent remarks raised in the
doctor's mind an early question whether a commission in India might
not be his best start in life.</p>

<p id="iii.xv-p11"><br />
</p>

<p id="iii.xv-p12">Between Ericson and Robert, as the former recovered his health,
communication from the deeper strata of human need became less
frequent. Ericson had to work hard to recover something of his
leeway; Robert had to work hard that prizes might witness for him
to his grandmother and Miss St. John. To the latter especially, as
I think I have said before, he was anxious to show well, wiping out
the blot, as he considered it, of his all but failure in the matter
of a bursary. For he looked up to her as to a goddess who just came
near enough to the earth to be worshipped by him who dwelt upon
it.</p>

<p id="iii.xv-p13"><br />
</p>

<p id="iii.xv-p14">The end of the session came nigh. Ericson passed his
examinations with honour. Robert gained the first Greek and third
Latin prize. The evening of the last day arrived, and on the morrow
the students would be gone--some to their homes of comfort and
idleness, others to hard labour in the fields; some to steady
reading, perhaps to school again to prepare for the next session,
and others to be tutors all the summer months, and return to the
wintry city as to freedom and life. Shargar was to remain at the
grammar-school.</p>

<p id="iii.xv-p15"><br />
</p>

<p id="iii.xv-p16">That last evening Robert sat with Ericson in his room. It was a
cold night--the night of the last day of March. A bitter wind blew
about the house, and dropped spiky hailstones upon the skylight.
The friends were to leave on the morrow, but to leave together; for
they had already sent their boxes, one by the carrier to Rothieden,
the other by a sailing vessel to Wick, and had agreed to walk
together as far as Robert's home, where he was in hopes of inducing
his friend to remain for a few days if he found his grandmother
agreeable to the plan. Shargar was asleep on the rug for the last
time, and Robert had brought his coal-scuttle into Ericson's room
to combine their scanty remains of well-saved fuel in a common
glow, over which they now sat.</p>

<p id="iii.xv-p17"><br />
</p>

<p id="iii.xv-p18">'I wonder what my grannie 'ill say to me,' said Robert.</p>

<p id="iii.xv-p19"><br />
</p>

<p id="iii.xv-p20">'She'll be very glad to see you, whatever she may say,' remarked
Ericson.</p>

<p id="iii.xv-p21"><br />
</p>

<p id="iii.xv-p22">'She'll say "Noo, be dooce," the minute I hae shacken hands wi'
her,' said Robert.</p>

<p id="iii.xv-p23"><br />
</p>

<p id="iii.xv-p24">'Robert,' returned Ericson solemnly, 'if I had a grandmother to
go home to, she might box my ears if she liked--I wouldn't care.
You do not know what it is not to have a soul belonging to you on
the face of the earth. It is so cold and so lonely!'</p>

<p id="iii.xv-p25"><br />
</p>

<p id="iii.xv-p26">'But you have a cousin, haven't you?' suggested Robert.</p>

<p id="iii.xv-p27"><br />
</p>

<p id="iii.xv-p28">Ericson laughed, but good-naturedly.</p>

<p id="iii.xv-p29"><br />
</p>

<p id="iii.xv-p30">'Yes,' he answered, 'a little man with a fishy smell, in a blue
tail-coat with brass buttons, and a red and black nightcap.'</p>

<p id="iii.xv-p31"><br />
</p>

<p id="iii.xv-p32">'But,' Robert ventured to hint, 'he might go in a kilt and
top-boots, like Satan in my grannie's copy o' the <i>Paradise
Lost</i>, for onything I would care.'</p>

<p id="iii.xv-p33"><br />
</p>

<p id="iii.xv-p34">'Yes, but he's just like his looks. The first thing he'll do the
next morning after I go <i>home</i>, will be to take me into his
office, or shop, as he calls it, and get down his books, and show
me how many barrels of herring I owe him, with the price of each.
To do him justice, he only charges me wholesale.'</p>

<p id="iii.xv-p35"><br />
</p>

<p id="iii.xv-p36">'What'll he do that for?'</p>

<p id="iii.xv-p37"><br />
</p>

<p id="iii.xv-p38">'To urge on me the necessity of diligence, and the choice of a
profession,' answered Ericson, with a smile of mingled sadness and
irresolution. 'He will set forth what a loss the interest of the
money is, even if I should pay the principal; and remind me that
although he has stood my friend, his duty to his own family imposes
limits. And he has at least a couple of thousand pounds in the
county bank. I don't believe he would do anything for me but for
the honour it will be to the family to have a professional man in
it. And yet my father was the making of him.'</p>

<p id="iii.xv-p39"><br />
</p>

<p id="iii.xv-p40">'Tell me about your father. What was he?'</p>

<p id="iii.xv-p41"><br />
</p>

<p id="iii.xv-p42">'A gentle-minded man, who thought much and said little. He
farmed the property that had been his father's own, and is now
leased by my fishy cousin afore mentioned.'</p>

<p id="iii.xv-p43"><br />
</p>

<p id="iii.xv-p44">'And your mother?'</p>

<p id="iii.xv-p45"><br />
</p>

<p id="iii.xv-p46">'She died just after I was born, and my father never got over
it.'</p>

<p id="iii.xv-p47"><br />
</p>

<p id="iii.xv-p48">'And you have no brothers or sisters?'</p>

<p id="iii.xv-p49"><br />
</p>

<p id="iii.xv-p50">'No, not one. Thank God for your grandmother, and do all you can
to please her.'</p>

<p id="iii.xv-p51"><br />
</p>

<p id="iii.xv-p52">A silence followed, during which Robert's heart swelled and
heaved with devotion to Ericson; for notwithstanding his openness,
there was a certain sad coldness about him that restrained Robert
from letting out all the tide of his love. The silence became
painful, and he broke it abruptly.</p>

<p id="iii.xv-p53"><br />
</p>

<p id="iii.xv-p54">'What are you going to be, Mr. Ericson?'</p>

<p id="iii.xv-p55"><br />
</p>

<p id="iii.xv-p56">'I wish you could tell me, Robert. What would you have me to be?
Come now.'</p>

<p id="iii.xv-p57"><br />
</p>

<p id="iii.xv-p58">Robert thought for a moment.</p>

<p id="iii.xv-p59"><br />
</p>

<p id="iii.xv-p60">'Weel, ye canna be a minister, Mr. Ericson, 'cause ye dinna
believe in God, ye ken,' he said simply.</p>

<p id="iii.xv-p61"><br />
</p>

<p id="iii.xv-p62">'Don't say that, Robert,' Ericson returned, in a tone of pain
with which no displeasure was mingled. 'But you are right. At best
I only hope in God; I don't believe in him.'</p>

<p id="iii.xv-p63"><br />
</p>

<p id="iii.xv-p64">'I'm thinkin' there canna be muckle differ atween houp an'
faith,' said Robert. 'Mony a ane 'at says they believe in God has
unco little houp o' onything frae 's han', I'm thinkin'.'</p>

<p id="iii.xv-p65"><br />
</p>

<p id="iii.xv-p66">My reader may have observed a little change for the better in
Robert's speech. Dr. Anderson had urged upon him the necessity of
being able at least to speak English; and he had been trying to
modify the antique Saxon dialect they used at Rothieden with the
newer and more refined English. But even when I knew him, he would
upon occasion, especially when the subject was religion or music,
fall back into the broadest Scotch. It was as if his heart could
not issue freely by any other gate than that of his grandmother
tongue.</p>

<p id="iii.xv-p67"><br />
</p>

<p id="iii.xv-p68">Fearful of having his last remark contradicted--for he had an
instinctive desire that it should lie undisturbed where he had cast
it in the field of Ericson's mind, he hurried to another
question.</p>

<p id="iii.xv-p69"><br />
</p>

<p id="iii.xv-p70">'What for shouldna ye be a doctor?'</p>

<p id="iii.xv-p71"><br />
</p>

<p id="iii.xv-p72">'Now you'll think me a fool, Robert, if I tell you why.'</p>

<p id="iii.xv-p73"><br />
</p>

<p id="iii.xv-p74">'Far be it frae me to daur think sic a word, Mr. Ericson!' said
Robert devoutly.</p>

<p id="iii.xv-p75"><br />
</p>

<p id="iii.xv-p76">'Well, I'll tell you, whether or not,' returned Ericson. 'I
could, I believe, amputate a living limb with considerable
coolness; but put a knife in a dead body I could not.'</p>

<p id="iii.xv-p77"><br />
</p>

<p id="iii.xv-p78">'I think I know what you mean. Then you must he a lawyer.'</p>

<p id="iii.xv-p79"><br />
</p>

<p id="iii.xv-p80">'A lawyer! O Lord!' said Ericson.</p>

<p id="iii.xv-p81"><br />
</p>

<p id="iii.xv-p82">'Why not?' asked Robert, in some wonderment; for he could not
imagine Ericson acting from mere popular prejudice or fancy.</p>

<p id="iii.xv-p83"><br />
</p>

<p id="iii.xv-p84">'Just think of spending one's life in an atmosphere of
squabbles. It's all very well when one gets to be a judge and
dispense justice; but--well, it's not for me. I <i>could</i> not do
the best for my clients. And a lawyer has nothing to do with the
kingdom of heaven--only with his clients. He <i>must</i> be a
party-man. He must secure for one so often at the loss of the rest.
My duty and my conscience would always be at strife.'</p>

<p id="iii.xv-p85"><br />
</p>

<p id="iii.xv-p86">'Then what <i>will</i> you be, Mr. Ericson?'</p>

<p id="iii.xv-p87"><br />
</p>

<p id="iii.xv-p88">'To tell the truth, I would rather be a watchmaker than anything
else I know. I might make one watch that would go right, I suppose,
if I lived long enough. But no one would take an apprentice of my
age. So I suppose I must be a tutor, knocked about from one house
to another, patronized by ex-pupils, and smiled upon as harmless by
mammas and sisters to the end of the chapter. And then something of
a pauper's burial, I suppose. <i>Che sara sara</i>.'</p>

<p id="iii.xv-p89"><br />
</p>

<p id="iii.xv-p90">Ericson had sunk into one of his worst moods. But when he saw
Robert looking unhappy, he changed his tone, and would be--what he
could not be--merry.</p>

<p id="iii.xv-p91"><br />
</p>

<p id="iii.xv-p92">'But what's the use of talking about it?' he said. 'Get your
fiddle, man, and play The Wind that shakes the Barley.'</p>

<p id="iii.xv-p93"><br />
</p>

<p id="iii.xv-p94">'No, Mr. Ericson,' answered Robert; 'I have no heart for the
fiddle. I would rather have some poetry.'</p>

<p id="iii.xv-p95"><br />
</p>

<p id="iii.xv-p96">'Oh!--Poetry!' returned Ericson, in a tone of contempt--yet not
very hearty contempt.</p>

<p id="iii.xv-p97"><br />
</p>

<p id="iii.xv-p98">'We're gaein' awa', Mr. Ericson,' said Robert; 'an' the Lord 'at
we ken naething aboot alane kens whether we'll ever meet again i'
this place. And sae--'</p>

<p id="iii.xv-p99"><br />
</p>

<p id="iii.xv-p100">'True enough, my boy,' interrupted Ericson. 'I have no need to
trouble myself about the future. I believe that is the real secret
of it after all. I shall never want a profession or anything
else.'</p>

<p id="iii.xv-p101"><br />
</p>

<p id="iii.xv-p102">'What do you mean, Mr. Ericson?' asked Robert, in half-defined
terror.</p>

<p id="iii.xv-p103"><br />
</p>

<p id="iii.xv-p104">'I mean, my boy, that I shall not live long. I know that--thank
God!'</p>

<p id="iii.xv-p105"><br />
</p>

<p id="iii.xv-p106">'How do you know it?'</p>

<p id="iii.xv-p107"><br />
</p>

<p id="iii.xv-p108">'My father died at thirty, and my mother at six-and-twenty, both
of the same disease. But that's not how I know it.'</p>

<p id="iii.xv-p109"><br />
</p>

<p id="iii.xv-p110">'How do you know it then?'</p>

<p id="iii.xv-p111"><br />
</p>

<p id="iii.xv-p112">Ericson returned no answer. He only said--</p>

<p id="iii.xv-p113"><br />
</p>

<p id="iii.xv-p114">'Death will be better than life. One thing I don't like about it
though,' he added, 'is the coming on of unconsciousness. I cannot
bear to lose my consciousness even in sleep. It is such a terrible
thing!'</p>

<p id="iii.xv-p115"><br />
</p>

<p id="iii.xv-p116">'I suppose that's ane o' the reasons that we canna be content
withoot a God,' responded Robert. 'It's dreidfu' to think even o'
fa'in' asleep withoot some ane greater an' nearer than the <i>
me</i> watchin' ower 't. But I'm jist sayin' ower again what I hae
read in ane o' your papers, Mr. Ericson. Jist lat me luik.'</p>

<p id="iii.xv-p117"><br />
</p>

<p id="iii.xv-p118">Venturing more than he had ever yet ventured, Robert rose and
went to the cupboard where Ericson's papers lay. His friend did not
check him. On the contrary, he took the papers from his hand, and
searched for the poem indicated.</p>

<p id="iii.xv-p119"><br />
</p>

<p id="iii.xv-p120">'I'm not in the way of doing this sort of thing, Robert,' he
said.</p>

<p id="iii.xv-p121"><br />
</p>

<p id="iii.xv-p122">'I know that,' answered Robert.</p>

<p id="iii.xv-p123"><br />
</p>

<p id="iii.xv-p124">And Ericson read.</p>

<p id="iii.xv-p125"><br />
</p>

<p id="iii.xv-p126">SLEEP.</p>

<p id="iii.xv-p127"><br />
</p>

<p id="iii.xv-p128">Oh, is it Death that comes</p>

<p id="iii.xv-p129">To have a foretaste of the whole?</p>

<p id="iii.xv-p130">  To-night the planets and the stars</p>

<p id="iii.xv-p131">  Will glimmer through my window-bars,</p>

<p id="iii.xv-p132">But will not shine upon my soul.</p>

<p id="iii.xv-p133"><br />
</p>

<p id="iii.xv-p134">For I shall lie as dead,</p>

<p id="iii.xv-p135">Though yet I am above the ground;</p>

<p id="iii.xv-p136">  All passionless, with scarce a breath,</p>

<p id="iii.xv-p137">  With hands of rest and eyes of death,</p>

<p id="iii.xv-p138">I shall be carried swiftly round.</p>

<p id="iii.xv-p139"><br />
</p>

<p id="iii.xv-p140">Or if my life should break</p>

<p id="iii.xv-p141">The idle night with doubtful gleams</p>

<p id="iii.xv-p142">  Through mossy arches will I go,</p>

<p id="iii.xv-p143">  Through arches ruinous and low,</p>

<p id="iii.xv-p144">And chase the true and false in dreams.</p>

<p id="iii.xv-p145"><br />
</p>

<p id="iii.xv-p146">Why should I fall asleep?</p>

<p id="iii.xv-p147">When I am still upon my bed,</p>

<p id="iii.xv-p148">  The moon will shine, the winds will rise,</p>

<p id="iii.xv-p149">  And all around and through the skies</p>

<p id="iii.xv-p150">The light clouds travel o'er my head.</p>

<p id="iii.xv-p151"><br />
</p>

<p id="iii.xv-p152">O, busy, busy things!</p>

<p id="iii.xv-p153">Ye mock me with your ceaseless life;</p>

<p id="iii.xv-p154">  For all the hidden springs will flow,</p>

<p id="iii.xv-p155">  And all the blades of grass will grow,</p>

<p id="iii.xv-p156">When I have neither peace nor strife.</p>

<p id="iii.xv-p157"><br />
</p>

<p id="iii.xv-p158">And all the long night through,</p>

<p id="iii.xv-p159">The restless streams will hurry by;</p>

<p id="iii.xv-p160">  And round the lands, with endless roar,</p>

<p id="iii.xv-p161">  The white waves fall upon the shore,</p>

<p id="iii.xv-p162">And bit by bit devour the dry.</p>

<p id="iii.xv-p163"><br />
</p>

<p id="iii.xv-p164">Even thus, but silently,</p>

<p id="iii.xv-p165">Eternity, thy tide shall flow--</p>

<p id="iii.xv-p166">  And side by side with every star</p>

<p id="iii.xv-p167">  Thy long-drawn swell shall bear me far,</p>

<p id="iii.xv-p168">An idle boat with none to row.</p>

<p id="iii.xv-p169"><br />
</p>

<p id="iii.xv-p170">My senses fail with sleep;</p>

<p id="iii.xv-p171">My heart beats thick; the night is noon;</p>

<p id="iii.xv-p172">  And faintly through its misty folds</p>

<p id="iii.xv-p173">  I hear a drowsy clock that holds</p>

<p id="iii.xv-p174">Its converse with the waning moon.</p>

<p id="iii.xv-p175"><br />
</p>

<p id="iii.xv-p176">Oh, solemn mystery!</p>

<p id="iii.xv-p177">That I should be so closely bound</p>

<p id="iii.xv-p178">  With neither terror nor constraint</p>

<p id="iii.xv-p179">  Without a murmur of complaint,</p>

<p id="iii.xv-p180">And lose myself upon such ground!</p>

<p id="iii.xv-p181"><br />
</p>

<p id="iii.xv-p182">'Rubbish!' said Ericson, as he threw down the sheets, disgusted
with his own work, which so often disappoints the writer,
especially if he is by any chance betrayed into reading it
aloud.</p>

<p id="iii.xv-p183"><br />
</p>

<p id="iii.xv-p184">'Dinna say that, Mr. Ericson,' returned Robert. 'Ye maunna say
that. Ye hae nae richt to lauch at honest wark, whether it be yer
ain or ony ither body's. The poem noo--'</p>

<p id="iii.xv-p185"><br />
</p>

<p id="iii.xv-p186">'Don't call it a poem,' interrupted Ericson. 'It's not worthy of
the name.'</p>

<p id="iii.xv-p187"><br />
</p>

<p id="iii.xv-p188">'I <i>will</i> ca' 't a poem,' persisted Robert; 'for it's a
poem to me, whatever it may be to you. An' hoo I ken 'at it's a
poem is jist this: it opens my een like music to something I never
saw afore.'</p>

<p id="iii.xv-p189"><br />
</p>

<p id="iii.xv-p190">'What is that?' asked Ericson, not sorry to be persuaded that
there might after all be some merit in the productions painfully
despised of himself.</p>

<p id="iii.xv-p191"><br />
</p>

<p id="iii.xv-p192">'Jist this: it's only whan ye dinna want to fa' asleep 'at it
luiks fearsome to ye. An' maybe the fear o' death comes i' the same
way: we're feared at it 'cause we're no a'thegither ready for 't;
but whan the richt time comes, it'll be as nat'ral as fa'in' asleep
whan we're doonricht sleepy. Gin there be a God to ca' oor Father
in heaven, I'm no thinkin' that he wad to sae mony bonny tunes pit
a scraich for the hinder end. I'm thinkin', gin there be onything
in 't ava--ye ken I'm no sayin', for I dinna ken--we maun jist
lippen till him to dee dacent an' bonny, an' nae sic strange awfu'
fash aboot it as some fowk wad mak a religion o' expeckin'.'</p>

<p id="iii.xv-p193"><br />
</p>

<p id="iii.xv-p194">Ericson looked at Robert with admiration mingled with something
akin to merriment.</p>

<p id="iii.xv-p195"><br />
</p>

<p id="iii.xv-p196">'One would think it was your grandfather holding forth, Robert,'
he said. 'How came you to think of such things at your age?'</p>

<p id="iii.xv-p197"><br />
</p>

<p id="iii.xv-p198">'I'm thinkin',' answered Robert, 'ye warna muckle aulder nor
mysel' whan ye took to sic things, Mr. Ericson. But, 'deed, maybe
my luckie-daddie (<i>grandfather</i>) pat them i' my heid, for I
had a heap ado wi' his fiddle for a while. She's deid noo.'</p>

<p id="iii.xv-p199"><br />
</p>

<p id="iii.xv-p200">Not understanding him, Ericson began to question, and out came
the story of the violins. They talked on till the last of their
coals was burnt out, and then they went to bed.</p>

<p id="iii.xv-p201"><br />
</p>

<p id="iii.xv-p202">Shargar had undertaken to rouse them early, that they might set
out on their long walk with a long day before them. But Robert was
awake before Shargar. The all but soulless light of the dreary
season awoke him, and he rose and looked out. Aurora, as aged now
as her loved Tithonus, peered, gray-haired and desolate, over the
edge of the tossing sea, with hardly enough of light in her dim
eyes to show the broken crests of the waves that rushed shorewards
before the wind of her rising. Such an east wind was the right
breath to issue from such a pale mouth of hopeless revelation as
that which opened with dead lips across the troubled sea on the far
horizon. While he gazed, the east darkened; a cloud of hail rushed
against the window; and Robert retreated to his bed. But ere he had
fallen asleep, Ericson was beside him; and before he was dressed,
Ericson appeared again, with his stick in his hand. They left
Shargar still asleep, and descended the stairs, thinking to leave
the house undisturbed. But Mrs. Fyvie was watching for them, and
insisted on their taking the breakfast she had prepared. They then
set out on their journey of forty miles, with half a loaf in their
pockets, and money enough to get bread and cheese, and a bottle of
the poorest ale, at the far-parted roadside inns.</p>

<p id="iii.xv-p203"><br />
</p>

<p id="iii.xv-p204">When Shargar awoke, he wept in desolation, then crept into
Robert's bed, and fell fast asleep again.</p>

<p id="iii.xv-p205"><br />
</p>

<p id="iii.xv-p206"><br />
</p>

</div2>

      <div2 title="CHAPTER XVI.--A STRANGE NIGHT." n="xvi" shorttitle="" progress="52.99%" id="iii.xvi" prev="iii.xv" next="iii.xvii">

<p id="iii.xvi-p1"><br />
</p>

<p id="iii.xvi-p2">CHAPTER XVI.</p>

<p id="iii.xvi-p3"><br />
</p>

<p id="iii.xvi-p4">A STRANGE NIGHT.</p>

<p id="iii.xvi-p5"><br />
</p>

<p id="iii.xvi-p6">THE youths had not left the city a mile behind, when a thick
snowstorm came on. It did not last long, however, and they fought
their way through it into a glimpse of sun. To Robert, healthy,
powerful, and except at rare times, hopeful, it added to the
pleasure of the journey to contend with the storm, and there was a
certain steely indifference about Ericson that carried him through.
They trudged on steadily for three hours along a good turnpike
road, with great black masses of cloud sweeping across the sky,
which now sent them a glimmer of sunlight, and now a sharp shower
of hail. The country was very dreary--a succession of undulations
rising into bleak moorlands, and hills whose heather would in
autumn flush the land with glorious purple, but which now looked
black and cheerless, as if no sunshine could ever warm them. Now
and then the moorland would sweep down to the edge of the road,
diversified with dark holes from which peats were dug, and an
occasional quarry of gray granite. At one moment endless pools
would be shining in the sunlight, and the next the hail would be
dancing a mad fantastic dance all about them: they pulled their
caps over their brows, bent their heads, and struggled on.</p>

<p id="iii.xvi-p7"><br />
</p>

<p id="iii.xvi-p8">At length they reached their first stage, and after a meal of
bread and cheese and an offered glass of whisky, started again on
their journey. They did not talk much, for their force was spent on
their progress.</p>

<p id="iii.xvi-p9"><br />
</p>

<p id="iii.xvi-p10">After some consultation whether to keep the road or take a
certain short cut across the moors, which would lead them into it
again with a saving of several miles, the sun shining out with a
little stronger promise than he had yet given, they resolved upon
the latter. But in the middle of the moorland the wind and the hail
came on with increased violence, and they were glad to tack from
one to another of the huge stones that lay about, and take a short
breathing time under the lee of each; so that when they recovered
the road, they had lost as many miles in time and strength as they
had saved in distance. They did not give in, however, but after
another rest and a little more refreshment, started again.</p>

<p id="iii.xvi-p11"><br />
</p>

<p id="iii.xvi-p12">The evening was now growing dusk around them, and the fatigue of
the day was telling so severely on Ericson, that when in the
twilight they heard the blast of a horn behind them, and turning
saw the two flaming eyes of a well-known four-horse coach come
fluctuating towards them, Robert insisted on their getting up and
riding the rest of the way.</p>

<p id="iii.xvi-p13"><br />
</p>

<p id="iii.xvi-p14">'But I can't afford it,' said Ericson.</p>

<p id="iii.xvi-p15"><br />
</p>

<p id="iii.xvi-p16">'But I can,' said Robert.</p>

<p id="iii.xvi-p17"><br />
</p>

<p id="iii.xvi-p18">'I don't doubt it,' returned Ericson. 'But I owe you too much
already.'</p>

<p id="iii.xvi-p19"><br />
</p>

<p id="iii.xvi-p20">'Gin ever we win hame--I mean to the heart o' hame--ye can pay
me there.'</p>

<p id="iii.xvi-p21"><br />
</p>

<p id="iii.xvi-p22">'There will be no need then.'</p>

<p id="iii.xvi-p23"><br />
</p>

<p id="iii.xvi-p24">'Whaur's the need than to mak sic a wark aboot a saxpence or twa
atween this and that? I thocht ye cared for naething that time or
space or sense could grip or measure. Mr. Ericson, ye're no half
sic a philosopher as ye wad set up for.--Hillo!'</p>

<p id="iii.xvi-p25"><br />
</p>

<p id="iii.xvi-p26">Ericson laughed a weary laugh, and as the coach stopped in
obedience to Robert's hail, he scrambled up behind.</p>

<p id="iii.xvi-p27"><br />
</p>

<p id="iii.xvi-p28">The guard knew Robert, was pitiful over the condition of the
travellers, would have put them inside, but that there was a lady
there, and their clothes were wet, got out a great horse-rug and
wrapped Robert in it, put a spare coat of his own, about an inch
thick, upon Ericson, drew out a flask, took a pull at it, handed it
to his new passengers, and blew a vigorous blast on his long horn,
for they were approaching a desolate shed where they had to change
their weary horses for four fresh thorough-breds.</p>

<p id="iii.xvi-p29"><br />
</p>

<p id="iii.xvi-p30">Away they went once more, careering through the gathering
darkness. It was delightful indeed to have to urge one weary leg
past the other no more, but be borne along towards food, fire, and
bed. But their adventures were not so nearly over as they imagined.
Once more the hail fell furiously--huge hailstones, each made of
many, half-melted and welded together into solid lumps of ice. The
coachman could scarcely hold his face to the shower, and the blows
they received on their faces and legs, drove the thin-skinned,
high-spirited horses nearly mad. At length they would face it no
longer. At a turn in the road, where it crossed a brook by a bridge
with a low stone wall, the wind met them right in the face with
redoubled vehemence; the leaders swerved from it, and were just
rising to jump over the parapet, when the coachman, whose hands
were nearly insensible with cold, threw his leg over the reins, and
pulled them up. One of the leaders reared, and fell backwards; one
of the wheelers kicked vigorously; a few moments, and in spite of
the guard at their heads, all was one struggling mass of bodies and
legs, with a broken pole in the midst. The few passengers got down;
and Robert, fearing that yet worse might happen and remembering the
lady, opened the door. He found her quite composed. As he helped
her out,</p>

<p id="iii.xvi-p31"><br />
</p>

<p id="iii.xvi-p32">'What is the matter?' asked the voice dearest to him in the
world--the voice of Miss St. John.</p>

<p id="iii.xvi-p33"><br />
</p>

<p id="iii.xvi-p34">He gave a cry of delight. Wrapped in the horse-cloth, Miss St.
John did not know him.</p>

<p id="iii.xvi-p35"><br />
</p>

<p id="iii.xvi-p36">'What is the matter?' she repeated.</p>

<p id="iii.xvi-p37"><br />
</p>

<p id="iii.xvi-p38">'Ow, naething, mem--naething. Only I doobt we winna get ye hame
the nicht.'</p>

<p id="iii.xvi-p39"><br />
</p>

<p id="iii.xvi-p40">'Is it you, Robert?' she said, gladly recognizing his voice.</p>

<p id="iii.xvi-p41"><br />
</p>

<p id="iii.xvi-p42">'Ay, it's me, and Mr. Ericson. We'll tak care o' ye, mem.'</p>

<p id="iii.xvi-p43"><br />
</p>

<p id="iii.xvi-p44">'But surely we shall get home!'</p>

<p id="iii.xvi-p45"><br />
</p>

<p id="iii.xvi-p46">Robert had heard the crack of the breaking pole.</p>

<p id="iii.xvi-p47"><br />
</p>

<p id="iii.xvi-p48">''Deed, I doobt no.'</p>

<p id="iii.xvi-p49"><br />
</p>

<p id="iii.xvi-p50">'What are we to do, then?'</p>

<p id="iii.xvi-p51"><br />
</p>

<p id="iii.xvi-p52">'Come into the lythe (<i>shelter</i>) o' the bank here, oot o'
the gait o' thae brutes o' horses,' said Robert, taking off his
horse-cloth and wrapping her in it.</p>

<p id="iii.xvi-p53"><br />
</p>

<p id="iii.xvi-p54">The storm hissed and smote all around them. She took Robert's
arm. Followed by Ericson, they left the coach and the struggling
horses, and withdrew to a bank that overhung the road. As soon as
they were out of the wind, Robert, who had made up his mind,
said,</p>

<p id="iii.xvi-p55"><br />
</p>

<p id="iii.xvi-p56">'We canna be mony yairds frae the auld hoose o' Bogbonnie. We
micht win throu the nicht there weel eneuch. I'll speir at the
gaird, the minute the horses are clear. We war 'maist ower the
brig, I heard the coachman say.'</p>

<p id="iii.xvi-p57"><br />
</p>

<p id="iii.xvi-p58">'I know quite well where the old house is,' said Ericson. 'I
went in the last time I walked this way.'</p>

<p id="iii.xvi-p59"><br />
</p>

<p id="iii.xvi-p60">'Was the door open?' asked Robert.</p>

<p id="iii.xvi-p61"><br />
</p>

<p id="iii.xvi-p62">'I don't know,' answered Ericson. 'I found one of the windows
open in the basement.'</p>

<p id="iii.xvi-p63"><br />
</p>

<p id="iii.xvi-p64">'We'll get the len' o' ane o' the lanterns, an' gang direckly.
It canna be mair nor the breedth o' a rig or twa frae the
burn.'</p>

<p id="iii.xvi-p65"><br />
</p>

<p id="iii.xvi-p66">'I can take you by the road,' said Ericson.</p>

<p id="iii.xvi-p67"><br />
</p>

<p id="iii.xvi-p68">'It will be very cold,' said Miss St. John,--already shivering,
partly from disquietude.</p>

<p id="iii.xvi-p69"><br />
</p>

<p id="iii.xvi-p70">'There's timmer eneuch there to haud 's warm for a twalmonth,'
said Robert.</p>

<p id="iii.xvi-p71"><br />
</p>

<p id="iii.xvi-p72">He went back to the coach. By this time the horses were nearly
extricated. Two of them stood steaming in the lamplight, with their
sides going at twenty bellows' speed. The guard would not let him
have one of the coach lamps, but gave him a small lantern of his
own. When he returned with it, he found Ericson and Miss St. John
talking together.</p>

<p id="iii.xvi-p73"><br />
</p>

<p id="iii.xvi-p74">Ericson led the way, and the others followed.</p>

<p id="iii.xvi-p75"><br />
</p>

<p id="iii.xvi-p76">'Whaur are ye gaein', gentlemen?' asked the guard, as they
passed the coach.</p>

<p id="iii.xvi-p77"><br />
</p>

<p id="iii.xvi-p78">'To the auld hoose,' answered Robert.</p>

<p id="iii.xvi-p79"><br />
</p>

<p id="iii.xvi-p80">'Ye canna do better. I maun bide wi' the coch till the lave gang
back to Drumheid wi' the horses, on' fess anither pole. Faith,
it'll be weel into the mornin' or we win oot o' this. Tak care hoo
ye gang. There's holes i' the auld hoose, I doobt.'</p>

<p id="iii.xvi-p81"><br />
</p>

<p id="iii.xvi-p82">'We'll tak gude care, ye may be sure, Hector,' said Robert, as
they left the bridge.</p>

<p id="iii.xvi-p83"><br />
</p>

<p id="iii.xvi-p84">The house to which Ericson was leading them was in the midst of
a field. There was just light enough to show a huge mass standing
in the dark, without a tree or shelter of any sort. When they
reached it, all that Miss St. John could distinguish was a wide
broken stair leading up to the door, with glimpses of a large,
plain, ugly, square front. The stones of the stair sloped and hung
in several directions; but it was plain to a glance that the place
was dilapidated through extraordinary neglect, rather than by the
usual wear of time. In fact, it belonged only to the beginning of
the preceding century, somewhere in Queen Anne's time. There was a
heavy door to it, but fortunately for Miss St. John, who would not
quite have relished getting in at the window of which Ericson had
spoken, it stood a little ajar. The wind roared in the gap and
echoed in the empty hall into which they now entered. Certainly
Robert was right: there was wood enough to keep them warm; for that
hall, and every room into which they went, from top to bottom of
the huge house, was lined with pine. No paint-brush had ever passed
upon it. Neither was there a spot to be seen upon the grain of the
wood: it was clean as the day when the house was finished, only it
had grown much browner. A close gallery, with window-frames which
had never been glazed, at one story's height, leading across from
the one side of the first floor to the other, looked down into the
great echoing hall, which rose in the centre of the building to the
height of two stories; but this was unrecognizable in the poor
light of the guard's lantern. All the rooms on every floor opened
each into the other;--but why should I give such a minute
description, making my reader expect a ghost story, or at least a
nocturnal adventure? I only want him to feel something of what our
party felt as they entered this desolate building, which, though
some hundred and twenty years old, bore not a single mark upon the
smooth floors or spotless walls to indicate that article of
furniture had ever stood in it, or human being ever inhabited it.
There was a strange and unusual horror about the place--a feeling
quite different from that belonging to an ancient house, however
haunted it might be. It was like a body that had never had a human
soul in it. There was no sense of a human history about it. Miss
St. John's feeling of <i>eeriness</i> rose to the height when, in
wandering through the many rooms in search of one where the windows
were less broken, she came upon one spot in the floor. It was only
a hole worn down through floor after floor, from top to bottom, by
the drip of the rains from the broken roof: it looked like the
disease of the desolate place, and she shuddered.</p>

<p id="iii.xvi-p85"><br />
</p>

<p id="iii.xvi-p86">Here they must pass the night, with the wind roaring awfully
through the echoing emptiness, and every now and then the hail
clashing against what glass remained in the windows. They found one
room with the window well boarded up, for until lately some care
had been taken of the place to keep it from the weather. There
Robert left his companions, who presently heard the sounds of
tearing and breaking below, necessity justifying him in the
appropriation of some of the wood-work for their own behoof. He
tore a panel or two from the walls, and returning with them,
lighted a fire on the empty hearth, where, from the look of the
stone and mortar, certainly never fire had blazed before. The wood
was dry as a bone, and burnt up gloriously.</p>

<p id="iii.xvi-p87"><br />
</p>

<p id="iii.xvi-p88">Then first Robert bethought himself that they had nothing to
eat. He himself was full of merriment, and cared nothing about
eating; for had he not Miss St. John and Ericson there? but for
them something must be provided. He took his lantern and went back
through the storm. The hail had ceased, but the wind blew
tremendously. The coach stood upon the bridge like a stranded
vessel, its two lamps holding doubtful battle with the wind, now
flaring out triumphantly, now almost yielding up the ghost. Inside,
the guard was snoring in defiance of the pother o'er his head.</p>

<p id="iii.xvi-p89"><br />
</p>

<p id="iii.xvi-p90">'Hector! Hector!' cried Robert.</p>

<p id="iii.xvi-p91"><br />
</p>

<p id="iii.xvi-p92">'Ay, ay,' answered Hector. 'It's no time to wauken yet.'</p>

<p id="iii.xvi-p93"><br />
</p>

<p id="iii.xvi-p94">'Hae ye nae basket, Hector, wi' something to eat in 't--naething
gaein' to Rothieden 'at a body micht say <i>by yer leave</i>
till?'</p>

<p id="iii.xvi-p95"><br />
</p>

<p id="iii.xvi-p96">'Ow! it's you, is 't?' returned Hector, rousing himself. 'Na.
Deil ane. An' gin I had, I daurna gie ye 't.'</p>

<p id="iii.xvi-p97"><br />
</p>

<p id="iii.xvi-p98">'I wad mak free to steal 't, though, an' tak my chance,' said
Robert. 'But ye say ye hae nane?'</p>

<p id="iii.xvi-p99"><br />
</p>

<p id="iii.xvi-p100">'Nane, I tell ye. Ye winna hunger afore the mornin', man.'</p>

<p id="iii.xvi-p101"><br />
</p>

<p id="iii.xvi-p102">'I'll stan' hunger as weel 's you ony day, Hector. It's no for
mysel'. There's Miss St. John.'</p>

<p id="iii.xvi-p103"><br />
</p>

<p id="iii.xvi-p104">'Hoots!' said Hector, peevishly, for he wanted to go to sleep
again, 'gang and mak luve till her. Nae lass 'll think o' meat as
lang 's ye do that. That 'll haud her ohn hungert.'</p>

<p id="iii.xvi-p105"><br />
</p>

<p id="iii.xvi-p106">The words were like blasphemy in Robert's ear. He make love to
Miss St. John! He turned from the coach-door in disgust. But there
was no place he knew of where anything could be had, and he must
return empty-handed.</p>

<p id="iii.xvi-p107"><br />
</p>

<p id="iii.xvi-p108">The light of the fire shone through a little hole in the boards
that closed the window. His lamp had gone out, but, guided by that,
he found the road again, and felt his way up the stairs. When he
entered the room he saw Miss St. John sitting on the floor, for
there was nowhere else to sit, with the guard's coat under her. She
had taken off her bonnet. Her back leaned against the side of the
chimney, and her eyes were bent thoughtfully on the ground. In
their shine Robert read instinctively that Ericson had said
something that had set her thinking. He lay on the floor at some
distance, leaning on his elbow, and his eye had the flash in it
that indicates one who has just ceased speaking. They had not found
his absence awkward at least.</p>

<p id="iii.xvi-p109"><br />
</p>

<p id="iii.xvi-p110">'I hae been efter something to eat,' said Robert; 'but I canna
fa' in wi' onything. We maun jist tell stories or sing sangs, as
fowk do in buiks, or else Miss St. John 'ill think lang.'</p>

<p id="iii.xvi-p111"><br />
</p>

<p id="iii.xvi-p112">They did sing songs, and they did tell stories. I will not
trouble my reader with more than the sketch of one which Robert
told--the story of the old house wherein they sat--a house without
a history, save the story of its no history. It had been built for
the jointure-house of a young countess, whose husband was an old
man. A lover to whom she had turned a deaf ear had left the
country, begging ere he went her acceptance of a lovely Italian
grayhound. She was weak enough to receive the animal. Her husband
died the same year, and before the end of it the dog went mad, and
bit her. According to the awful custom of the time they smothered
her between two feather-beds, just as the house of Bogbonnie was
ready to receive her furniture, and become her future dwelling. No
one had ever occupied it.</p>

<p id="iii.xvi-p113"><br />
</p>

<p id="iii.xvi-p114">If Miss St. John listened to story and song without as much show
of feeling as Mysie Lindsay would have manifested, it was not that
she entered into them less deeply. It was that she <i>was</i> more,
not felt less.</p>

<p id="iii.xvi-p115"><br />
</p>

<p id="iii.xvi-p116">Listening at her window once with Robert, Eric Ericson had heard
Mary St. John play: this was their first meeting. Full as his mind
was of Mysie, he could not fail to feel the charm of a noble,
stately womanhood that could give support, instead of rousing
sympathy for helplessness. There was in the dignified simplicity of
Mary St. John that which made every good man remember his mother;
and a good man will think this grand praise, though a fast girl
will take it for a doubtful compliment.</p>

<p id="iii.xvi-p117"><br />
</p>

<p id="iii.xvi-p118">Seeing her begin to look weary, the young men spread a couch for
her as best they could, made up the fire, and telling her they
would be in the hall below, retired, kindled another fire, and sat
down to wait for the morning. They held a long talk. At length
Robert fell asleep on the floor.</p>

<p id="iii.xvi-p119"><br />
</p>

<p id="iii.xvi-p120">Ericson rose. One of his fits of impatient doubt was upon him.
In the dying embers of the fire he strode up and down the waste
hall, with the storm raving around it. He was destined to an early
death; he would leave no one of his kin to mourn for him; the girl
whose fair face had possessed his imagination, would not give one
sigh to his memory, wandering on through the regions of fancy all
the same; and the death-struggle over, he might awake in a godless
void, where, having no creative power in himself, he must be tossed
about, a conscious yet helpless atom, to eternity. It was not
annihilation he feared, although he did shrink from the thought of
unconsciousness; it was life without law that he dreaded, existence
without the bonds of a holy necessity, thought without faith, being
without God.</p>

<p id="iii.xvi-p121"><br />
</p>

<p id="iii.xvi-p122">For all her fatigue Miss St. John could not sleep. The house
quivered in the wind which howled more and more madly through its
long passages and empty rooms; and she thought she heard cries in
the midst of the howling. In vain she reasoned with herself: she
could not rest. She rose and opened the door of her room, with a
vague notion of being nearer to the young men.</p>

<p id="iii.xvi-p123"><br />
</p>

<p id="iii.xvi-p124">It opened upon the narrow gallery, already mentioned as leading
from one side of the first floor to the other at mid-height along
the end of the hall. The fire below shone into this gallery, for it
was divided from the hall only by a screen of crossing bars of
wood, like unglazed window-frames, possibly intended to hold glass.
Of the relation of the passage to the hall Mary St. John knew
nothing, till, approaching the light, she found herself looking
down into the red dusk below. She stood riveted; for in the centre
of the hall, with his hands clasped over his head like the solitary
arch of a ruined Gothic aisle, stood Ericson.</p>

<p id="iii.xvi-p125"><br />
</p>

<p id="iii.xvi-p126">His agony had grown within him--the agony of the silence that
brooded immovable throughout the infinite, whose sea would ripple
to no breath of the feeble tempest of his prayers. At length it
broke from him in low but sharp sounds of words.</p>

<p id="iii.xvi-p127"><br />
</p>

<p id="iii.xvi-p128">'O God,' he said, 'if thou art, why dost thou not speak? If I am
thy handiwork--dost thou forget that which thou hast made?'</p>

<p id="iii.xvi-p129"><br />
</p>

<p id="iii.xvi-p130">He paused, motionless, then cried again:</p>

<p id="iii.xvi-p131"><br />
</p>

<p id="iii.xvi-p132">'There can be no God, or he would hear.'</p>

<p id="iii.xvi-p133"><br />
</p>

<p id="iii.xvi-p134">'God has heard <i>me</i>!' said a full-toned voice of feminine
tenderness somewhere in the air. Looking up, Ericson saw the dim
form of Mary St. John half-way up the side of the lofty hall. The
same moment she vanished--trembling at the sound of her own
voice.</p>

<p id="iii.xvi-p135"><br />
</p>

<p id="iii.xvi-p136">Thus to Ericson as to Robert had she appeared as an angel.</p>

<p id="iii.xvi-p137"><br />
</p>

<p id="iii.xvi-p138">And was she less of a divine messenger because she had a human
body, whose path lay not through the air? The storm of misery
folded its wings in Eric's bosom, and, at the sound of her voice,
there was a great calm. Nor if we inquire into the matter shall we
find that such an effect indicated anything derogatory to the depth
of his feelings or the strength of his judgment. It is not through
the judgment that a troubled heart can be set at rest. It needs a
revelation, a vision; a something for the higher nature that breeds
and infolds the intellect, to recognize as of its own, and lay hold
of by faithful hope. And what fitter messenger of such hope than
the harmonious presence of a woman, whose form itself tells of
highest law, and concord, and uplifting obedience; such a one whose
beauty walks the upper air of noble loveliness; whose voice, even
in speech, is one of the 'sphere-born harmonious sisters? The very
presence of such a being gives Unbelief the lie, deep as the throat
of her lying. Harmony, which is beauty and law, works necessary
faith in the region capable of truth. It needs the intervention of
no reasoning. It is beheld. This visible Peace, with that voice of
woman's truth, said, 'God has heard <i>me!</i>' What better
testimony could an angel have brought him? Or why should an angel's
testimony weigh more than such a woman's? The mere understanding of
a man like Ericson would only have demanded of an angel proof that
he was an angel, proof that angels knew better than he did in the
matter in question, proof that they were not easy-going creatures
that took for granted the rumours of heaven. The best that a
miracle can do is to give hope; of the objects of faith it can give
no proof; one spiritual testimony is worth a thousand of them. For
to gain the sole proof of which these truths admit, a man must grow
into harmony with them. If there are no such things he cannot
become conscious of a harmony that has no existence; he cannot thus
deceive himself; if there are, they must yet remain doubtful until
the harmony between them and his own willing nature is established.
The perception of this harmony is their only and incommunicable
proof. For this process time is needful; and therefore we are saved
by hope. Hence it is no wonder that before another half-hour was
over, Ericson was asleep by Robert's side.</p>

<p id="iii.xvi-p139"><br />
</p>

<p id="iii.xvi-p140">They were aroused in the cold gray light of the morning by the
blast of Hector's horn. Miss St. John was ready in a moment. The
coach was waiting for them at the end of the grassy road that led
from the house. Hector put them all inside. Before they reached
Rothieden the events of the night began to wear the doubtful aspect
of a dream. No allusion was made to what had occurred while Robert
slept; but all the journey Ericson felt towards Miss St. John as
Wordsworth felt towards the leech-gatherer, who, he says, was</p>

<p id="iii.xvi-p141"><br />
</p>

<p id="iii.xvi-p142">          like a man from some far region sent,</p>

<p id="iii.xvi-p143">     To give me human strength, by apt admonishment.</p>

<p id="iii.xvi-p144"><br />
</p>

<p id="iii.xvi-p145">And Robert saw a certain light in her eyes which reminded him of
how she looked when, having repented of her momentary hardness
towards him, she was ministering to his wounded head.</p>

<p id="iii.xvi-p146"><br />
</p>

<p id="iii.xvi-p147"><br />
</p>

</div2>

      <div2 title="CHAPTER XVII.--HOME AGAIN." n="xvii" shorttitle="" progress="54.78%" id="iii.xvii" prev="iii.xvi" next="iii.xviii">

<p id="iii.xvii-p1"><br />
</p>

<p id="iii.xvii-p2">CHAPTER XVII.</p>

<p id="iii.xvii-p3"><br />
</p>

<p id="iii.xvii-p4">HOME AGAIN.</p>

<p id="iii.xvii-p5"><br />
</p>

<p id="iii.xvii-p6">WHEN Robert opened the door of his grandmother's parlour, he
found the old lady seated at breakfast. She rose, pushed back her
chair, and met him in the middle of the room; put her old arms
round him, offered her smooth white cheek to him, and wept. Robert
wondered that she did not look older; for the time he had been away
seemed an age, although in truth only eight months.</p>

<p id="iii.xvii-p7"><br />
</p>

<p id="iii.xvii-p8">'Hoo are ye, laddie?' she said. 'I'm richt glaid, for I hae been
thinkin' lang to see ye. Sit ye doon.'</p>

<p id="iii.xvii-p9"><br />
</p>

<p id="iii.xvii-p10">Betty rushed in, drying her hands on her apron. She had not
heard him enter.</p>

<p id="iii.xvii-p11"><br />
</p>

<p id="iii.xvii-p12">'Eh losh!' she cried, and put her wet apron to her eyes. 'Sic a
man as ye're grown, Robert! A puir body like me maunna be speykin
to ye noo.'</p>

<p id="iii.xvii-p13"><br />
</p>

<p id="iii.xvii-p14">'There's nae odds in me, Betty,' returned Robert.</p>

<p id="iii.xvii-p15"><br />
</p>

<p id="iii.xvii-p16">''Deed but there is. Ye're sax feet an' a hairy ower, I s'
warran'.'</p>

<p id="iii.xvii-p17"><br />
</p>

<p id="iii.xvii-p18">'I said there was nae odds <i>i</i>' me, Betty,' persisted
Robert, laughing.</p>

<p id="iii.xvii-p19"><br />
</p>

<p id="iii.xvii-p20">'I kenna what may be <i>in</i> ye,' retorted Betty; 'but there's
an unco' odds <i>upo</i>' ye.'</p>

<p id="iii.xvii-p21"><br />
</p>

<p id="iii.xvii-p22">'Haud yer tongue, Betty,' said her mistress. 'Ye oucht to ken
better nor stan' jawin' wi' young men. Fess mair o' the creamy
cakes.'</p>

<p id="iii.xvii-p23"><br />
</p>

<p id="iii.xvii-p24">'Maybe Robert wad like a drappy o' parritch.'</p>

<p id="iii.xvii-p25"><br />
</p>

<p id="iii.xvii-p26">'Onything, Betty,' said Robert. 'I'm at deith's door wi'
hunger.'</p>

<p id="iii.xvii-p27"><br />
</p>

<p id="iii.xvii-p28">'Rin, Betty, for the cakes. An' fess a loaf o' white breid; we
canna bide for the parritch.'</p>

<p id="iii.xvii-p29"><br />
</p>

<p id="iii.xvii-p30">Robert fell to his breakfast, and while he ate--somewhat
ravenously--he told his grandmother the adventures of the night,
and introduced the question whether he might not ask Ericson to
stay a few days with him.</p>

<p id="iii.xvii-p31"><br />
</p>

<p id="iii.xvii-p32">'Ony frien' o' yours, laddie,' she replied, qualifying her words
only with the addition--'gin he be a frien'.--Whaur is he noo?'</p>

<p id="iii.xvii-p33"><br />
</p>

<p id="iii.xvii-p34">'He's up at Miss Naper's.'</p>

<p id="iii.xvii-p35"><br />
</p>

<p id="iii.xvii-p36">'Hoots! What for didna ye fess him in wi' ye?--Betty!'</p>

<p id="iii.xvii-p37"><br />
</p>

<p id="iii.xvii-p38">'Na, na, grannie. The Napers are frien's o' his. We maunna
interfere wi' them. I'll gang up mysel' ance I hae had my
brakfast.'</p>

<p id="iii.xvii-p39"><br />
</p>

<p id="iii.xvii-p40">'Weel, weel, laddie. Eh! I'm blythe to see ye! Hae ye gotten ony
prizes noo?'</p>

<p id="iii.xvii-p41"><br />
</p>

<p id="iii.xvii-p42">'Ay have I. I'm sorry they're nae baith o' them the first. But I
hae the first o' ane an' the third o' the ither.'</p>

<p id="iii.xvii-p43"><br />
</p>

<p id="iii.xvii-p44">'I <i>am</i> pleased at that, Robert. Ye'll be a man some day
gin ye haud frae drink an' frae--frae leein'.'</p>

<p id="iii.xvii-p45"><br />
</p>

<p id="iii.xvii-p46">'I never tellt a lee i' my life, grannie.'</p>

<p id="iii.xvii-p47"><br />
</p>

<p id="iii.xvii-p48">'Na. I dinna think 'at ever ye did.--An' what's that crater
Shargar aboot?'</p>

<p id="iii.xvii-p49"><br />
</p>

<p id="iii.xvii-p50">'Ow, jist gaein' to be a croon o' glory to ye, grannie. He
vroucht like a horse till Dr. Anderson took him by the han', an'
sent him to the schuil. An' he's gaein' to mak something o' 'im, or
a' be dune. He's a fine crater, Shargar.'</p>

<p id="iii.xvii-p51"><br />
</p>

<p id="iii.xvii-p52">'He tuik a munelicht flittin' frae here,' rejoined the old lady,
in a tone of offence. 'He micht hae said gude day to me, I
think.'</p>

<p id="iii.xvii-p53"><br />
</p>

<p id="iii.xvii-p54">'Ye see he was feart at ye, grannie.'</p>

<p id="iii.xvii-p55"><br />
</p>

<p id="iii.xvii-p56">'Feart at <i>me</i>, laddie! Wha ever was feart at me? I never
feart onybody i' my life.'</p>

<p id="iii.xvii-p57"><br />
</p>

<p id="iii.xvii-p58">So little did the dear old lady know that she was a terror to
her neighbourhood!--simply because, being a law to herself, she
would therefore be a law to other people,--a conclusion that cannot
be concluded.</p>

<p id="iii.xvii-p59"><br />
</p>

<p id="iii.xvii-p60">Mrs. Falconer's courtesy did not fail. Her grandson had ceased
to be a child; her responsibility had in so far ceased; her
conscience was relieved at being rid of it; and the humanity of her
great heart came out to greet the youth. She received Ericson with
perfect hospitality, made him at home as far as the stately respect
she showed him would admit of his being so, and confirmed in him
the impression of her which Robert had given him. They held many
talks together; and such was the circumspection of Ericson that,
not saying a word he did not believe, he so said what he did
believe, or so avoided the points upon which they would have
differed seriously, that although his theology was of course far
from satisfying her, she yet affirmed her conviction that the root
of the matter was in him. This distressed Ericson, however, for he
feared he must have been deceitful, if not hypocritical.</p>

<p id="iii.xvii-p61"><br />
</p>

<p id="iii.xvii-p62">It was with some grumbling that the Napiers, especially Miss
Letty, parted with him to Mrs. Falconer. The hearts of all three
had so taken to the youth, that he found himself more at home in
that hostelry than anywhere else in the world. Miss Letty was the
only one that spoke lightly of him--she even went so far as to make
good-natured game of him sometimes--all because she loved him more
than the others--more indeed than she cared to show, for fear of
exposing 'an old woman's ridiculous fancy,' as she called her
predilection.--'A lang-leggit, prood, landless laird,' she would
say, with a moist glimmer in her loving eyes, 'wi' the maist
ridiculous feet ye ever saw--hardly room for the five taes atween
the twa! Losh!'</p>

<p id="iii.xvii-p63"><br />
</p>

<p id="iii.xvii-p64">When Robert went forth into the streets, he was surprised to
find how friendly every one was. Even old William MacGregor shook
him kindly by the hand, inquired after his health, told him not to
study too hard, informed him that he had a copy of a queer old book
that he would like to see, &amp;c., &amp;c. Upon reflection Robert
discovered the cause: though he had scarcely gained a bursary, he
had gained prizes; and in a little place like Rothieden--long may
there be such places!--everybody with any brains at all took a
share in the distinction he had merited.</p>

<p id="iii.xvii-p65"><br />
</p>

<p id="iii.xvii-p66">Ericson stayed only a few days. He went back to the twilight of
the north, his fishy cousin, and his tutorship at Sir Olaf
Petersen's. Robert accompanied him ten miles on his journey, and
would have gone further, but that he was to play on his violin
before Miss St. John the next day for the first time.</p>

<p id="iii.xvii-p67"><br />
</p>

<p id="iii.xvii-p68">When he told his grandmother of the appointment he had made, she
only remarked, in a tone of some satisfaction,</p>

<p id="iii.xvii-p69"><br />
</p>

<p id="iii.xvii-p70">'Weel, she's a fine lass, Miss St. John; and gin ye tak to ane
anither, ye canna do better.'</p>

<p id="iii.xvii-p71"><br />
</p>

<p id="iii.xvii-p72">But Robert's thoughts were so different from Mrs. Falconer's
that he did not even suspect what she meant. He no more dreamed of
marrying Miss St. John than of marrying his forbidden grandmother.
Yet she was no loss at this period the ruling influence of his
life; and if it had not been for the benediction of her presence
and power, this part of his history too would have been torn by
inward troubles. It is not good that a man should batter day and
night at the gate of heaven. Sometimes he can do nothing else, and
then nothing else is worth doing; but the very noise of the siege
will sometimes drown the still small voice that calls from the open
postern. There is a door wide to the jewelled wall not far from any
one of us, even when he least can find it.</p>

<p id="iii.xvii-p73"><br />
</p>

<p id="iii.xvii-p74">Robert, however, notwithstanding the pedestal upon which Miss
St. John stood in his worshipping regard, began to be aware that
his feeling towards her was losing something of its placid flow,
and I doubt whether Miss St. John did not now and then see that in
his face which made her tremble a little, and doubt whether she
stood on safe ground with a youth just waking into manhood--tremble
a little, not for herself, but for him. Her fear would have found
itself more than justified, if she had surprised him kissing her
glove, and then replacing it where he had found it, with the air of
one consciously guilty of presumption.</p>

<p id="iii.xvii-p75"><br />
</p>

<p id="iii.xvii-p76">Possibly also Miss St. John may have had to confess to herself
that had she not had her history already, and been ten years his
senior, she might have found no little attraction in the noble
bearing and handsome face of young Falconer. The rest of his
features had now grown into complete harmony of relation with his
whilom premature and therefore portentous nose; his eyes glowed and
gleamed with humanity, and his whole countenance bore self-evident
witness of being a true face and no mask, a revelation of his
individual being, and not a mere inheritance from a fine breed of
fathers and mothers. As it was, she could admire and love him
without danger of falling in love with him; but not without fear
lest he should not assume the correlative position. She saw no way
of prevention, however, without running a risk of worse. She shrunk
altogether from <i>putting on</i> anything; she abhorred tact, and
pretence was impracticable with Mary St. John. She resolved that if
she saw any definite ground for uneasiness she would return to
England, and leave any impression she might have made to wear out
in her absence and silence. Things did not seem to render this
necessary yet.</p>

<p id="iii.xvii-p77"><br />
</p>

<p id="iii.xvii-p78">Meantime the violin of the dead shoemaker blended its wails with
the rich harmonies of Mary St. John's piano, and the soul of Robert
went forth upon the level of the sound and hovered about the beauty
of his friend. Oftener than she approved was she drawn by Robert's
eagerness into these <i>consorts</i>.</p>

<p id="iii.xvii-p79"><br />
</p>

<p id="iii.xvii-p80">But the heart of the king is in the hands of the Lord.</p>

<p id="iii.xvii-p81"><br />
</p>

<p id="iii.xvii-p82">While Robert thus once more for a season stood behind the cherub
with the flaming sword, Ericson was teaching two stiff-necked
youths in a dreary house in the midst of one of the moors of
Caithness. One day he had a slight attack of blood-spitting, and
welcomed it as a sign from what heaven there might be beyond the
grave.</p>

<p id="iii.xvii-p83"><br />
</p>

<p id="iii.xvii-p84">He had not received the consolation of Miss St. John without,
although unconsciously, leaving something in her mind in return. No
human being has ever been allowed to occupy the position of a pure
benefactor. The receiver has his turn, and becomes the giver. From
her talk with Ericson, and even more from the influence of his sad
holy doubt, a fresh touch of the actinism of the solar truth fell
upon the living seed in her heart, and her life burst forth afresh,
began to bud in new questions that needed answers, and new prayers
that sought them.</p>

<p id="iii.xvii-p85"><br />
</p>

<p id="iii.xvii-p86">But she never dreamed that Robert was capable of sympathy with
such thoughts and feelings: he was but a boy. Nor in power of
dealing with truth was he at all on the same level with her, for
however poor he might have considered her theories, she had led a
life hitherto, had passed through sorrow without bitterness, had
done her duty without pride, had hoped without conceit of favour,
had, as she believed, heard the voice of God saying, 'This is the
way.' Hence she was not afraid when the mists of prejudice began to
rise from around her path, and reveal a country very different from
what she had fancied it. She was soon able to perceive that it was
far more lovely and full of righteousness and peace than she had
supposed. But this anticipates; only I shall have less occasion to
speak of Miss St. John by the time she has come into this purer air
of the uphill road.</p>

<p id="iii.xvii-p87"><br />
</p>

<p id="iii.xvii-p88">Robert was happier than he ever could have expected to be in his
grandmother's house. She treated him like an honoured guest, let
him do as he would, and go where he pleased. Betty kept the
gable-room in the best of order for him, and, pattern of
housemaids, dusted his table without disturbing his papers. For he
began to have papers; nor were they occupied only with the
mathematics to which he was now giving his chief attention,
preparing, with the occasional help of Mr. Innes, for his second
session.</p>

<p id="iii.xvii-p89"><br />
</p>

<p id="iii.xvii-p90">He had fits of wandering, though; visited all the old places;
spent a week or two more than once at Bodyfauld; rode Mr. Lammie's
half-broke filly; revelled in the glories of the summer once more;
went out to tea occasionally, or supped with the school-master;
and, except going to church on Sunday, which was a weariness to
every inch of flesh upon his bones, enjoyed everything.</p>

<p id="iii.xvii-p91"><br />
</p>

<p id="iii.xvii-p92"><br />
</p>

</div2>

      <div2 title="CHAPTER XVIII.--A GRAVE OPENED." n="xviii" shorttitle="" progress="55.75%" id="iii.xviii" prev="iii.xvii" next="iii.xix">

<p id="iii.xviii-p1"><br />
</p>

<p id="iii.xviii-p2">CHAPTER XVIII.</p>

<p id="iii.xviii-p3"><br />
</p>

<p id="iii.xviii-p4">A GRAVE OPENED.</p>

<p id="iii.xviii-p5"><br />
</p>

<p id="iii.xviii-p6">ONE thing that troubled Robert on this his return home, was the
discovery that the surroundings of his childhood had deserted him.
There they were, as of yore, but they seemed to have nothing to say
to him--no remembrance of him. It was not that everything looked
small and narrow; it was not that the streets he saw from his new
quarters, the gable-room, were awfully still after the roar of
Aberdeen, and a passing cart seemed to shudder at the loneliness of
the noise itself made; it was that everything seemed to be
conscious only of the past and care nothing for him now. The very
chairs with their inlaid backs had an embalmed look, and stood as
in a dream. He could pass even the walled-up door without emotion,
for all the feeling that had been gathered about the knob that
admitted him to Mary St. John, had transferred itself to the brass
bell-pull at her street-door.</p>

<p id="iii.xviii-p7"><br />
</p>

<p id="iii.xviii-p8">But one day, after standing for a while at the window, looking
down on the street where he had first seen the beloved form of
Ericson, a certain old mood began to revive in him. He had been
working at quadratic equations all the morning; he had been foiled
in the attempt to find the true algebraic statement of a very tough
question involving various ratios; and, vexed with himself, he had
risen to look out, as the only available <i>zeitvertreib</i>. It
was one of those rainy days of spring which it needs a hopeful mood
to distinguish from autumnal ones--dull, depressing, persistent:
there might be sunshine in Mercury or Venus--but on the earth could
be none, from his right hand round by India and America to his
left; and certainly there was none between--a mood to which all
sensitive people are liable who have not yet learned by faith in
the everlasting to rule their own spirits. Naturally enough his
thoughts turned to the place where he had suffered most--his old
room in the garret. Hitherto he had shrunk from visiting it; but
now he turned away from the window, went up the steep stairs, with
their one sharp corkscrew curve, pushed the door, which clung
unwillingly to the floor, and entered. It was a nothing of a
place--with a window that looked only to heaven. There was the
empty bedstead against the wall, where he had so often kneeled,
sending forth vain prayers to a deaf heaven! Had they indeed been
vain prayers, and to a deaf heaven? or had they been prayers which
a hearing God must answer not according to the haste of the praying
child, but according to the calm course of his own infinite law of
love?</p>

<p id="iii.xviii-p9"><br />
</p>

<p id="iii.xviii-p10">Here, somehow or other, the things about him did not seem so
much absorbed in the past, notwithstanding those untroubled rows of
papers bundled in red tape. True, they looked almost awful in their
lack of interest and their non-humanity, for there is scarcely
anything that absolutely loses interest save the records of money;
but his mother's workbox lay behind them. And, strange to say, the
side of that bed drew him to kneel down: he did not yet believe
that prayer was in vain. If God had not answered him before, that
gave no certainty that he would not answer him now. It was, he
found, still as rational as it had ever been to hope that God would
answer the man that cried to him. This came, I think, from the fact
that God had been answering him all the time, although he had not
recognized his gifts as answers. Had he not given him Ericson, his
intercourse with whom and his familiarity with whose doubts had
done anything but quench his thirst after the higher life? For
Ericson's, like his own, were true and good and reverent doubts,
not merely consistent with but in a great measure springing from
devoutness and aspiration. Surely such doubts are far more precious
in the sight of God than many beliefs?</p>

<p id="iii.xviii-p11"><br />
</p>

<p id="iii.xviii-p12">He kneeled and sent forth one cry after the Father, arose, and
turned towards the shelves, removed some of the bundles of letters,
and drew out his mother's little box.</p>

<p id="iii.xviii-p13"><br />
</p>

<p id="iii.xviii-p14">There lay the miniature, still and open-eyed as he had left it.
There too lay the bit of paper, brown and dry, with the hymn and
the few words of sorrow written thereon. He looked at the portrait,
but did not open the folded paper. Then first he thought whether
there might not be something more in the box: what he had taken for
the bottom seemed to be a tray. He lifted it by two little ears of
ribbon, and there, underneath, lay a letter addressed to his
father, in the same old-fashioned handwriting as the hymn. It was
sealed with brown wax, full of spangles, impressed with a bush of
something--he could not tell whether rushes or reeds or flags. Of
course he dared not open it. His holy mother's words to his erring
father must be sacred even from the eyes of their son. But what
other or fitter messenger than himself could bear it to its
destination? It was for this that he had been guided to it.</p>

<p id="iii.xviii-p15"><br />
</p>

<p id="iii.xviii-p16">For years he had regarded the finding of his father as the first
duty of his manhood: it was as if his mother had now given her
sanction to the quest, with this letter to carry to the husband
who, however he might have erred, was yet dear to her. He replaced
it in the box, but the box no more on the forsaken shelf with its
dreary barricade of soulless records. He carried it with him, and
laid it in the bottom of his box, which henceforth he kept
carefully locked: there lay as it were the pledge of his father's
salvation, and his mother's redemption from an eternal grief.</p>

<p id="iii.xviii-p17"><br />
</p>

<p id="iii.xviii-p18">He turned to his equation: it had cleared itself up; he worked
it out in five minutes. Betty came to tell him that the dinner was
ready, and he went down, peaceful and hopeful, to his
grandmother.</p>

<p id="iii.xviii-p19"><br />
</p>

<p id="iii.xviii-p20">While at home he never worked in the evenings: it was bad enough
to have to do so at college. Hence nature had a chance with him
again. Blessings on the wintry blasts that broke into the first
youth of Summer! They made him feel what summer was! Blessings on
the cheerless days of rain, and even of sleet and hail, that would
shove the reluctant year back into January. The fair face of
Spring, with her tears dropping upon her quenchless smiles, peeped
in suppressed triumph from behind the growing corn and the budding
sallows on the river-bank. Nay, even when the snow came once more
in defiance of calendars, it was but a background from which the
near genesis should 'stick fiery off.'</p>

<p id="iii.xviii-p21"><br />
</p>

<p id="iii.xviii-p22">In general he had a lonely walk after his lesson with Miss St.
John was over: there was no one at Rothieden to whom his heart and
intellect both were sufficiently drawn to make a close friendship
possible. He had companions, however: Ericson had left his papers
with him. The influence of these led him into yet closer sympathy
with Nature and all her moods; a sympathy which, even in the stony
heart of London, he not only did not lose but never ceased to feel.
Even there a breath of wind would not only breathe upon him, it
would breathe into him; and a sunset seen from the Strand was
lovely as if it had hung over rainbow seas. On his way home he
would often go into one of the shops where the neighbours
congregated in the evenings, and hold a little talk; and although,
with Miss St. John filling his heart, his friend's poems his
imagination, and geometry and algebra his intellect, great was the
contrast between his own inner mood and the words by which he kept
up human relations with his townsfolk, yet in after years he
counted it one of the greatest blessings of a lowly birth and
education that he knew hearts and feelings which to understand one
must have been young amongst them. He would not have had a chance
of knowing such as these if he had been the son of Dr. Anderson and
born in Aberdeen.</p>

<p id="iii.xviii-p23"><br />
</p>

<p id="iii.xviii-p24"><br />
</p>

</div2>

      <div2 title="CHAPTER XIX.--ROBERT MEDIATES." n="xix" shorttitle="" progress="56.39%" id="iii.xix" prev="iii.xviii" next="iii.xx">

<p id="iii.xix-p1"><br />
</p>

<p id="iii.xix-p2">CHAPTER XIX.</p>

<p id="iii.xix-p3"><br />
</p>

<p id="iii.xix-p4">ROBERT MEDIATES.</p>

<p id="iii.xix-p5"><br />
</p>

<p id="iii.xix-p6">ONE lovely evening in the first of the summer Miss St. John had
dismissed him earlier than usual, and he had wandered out for a
walk. After a round of a couple of miles, he returned by a
fir-wood, through which went a pathway. He had heard Mary St. John
say that she was going to see the wife of a labourer who lived at
the end of this path. In the heart of the trees it was growing very
dusky; but when he came to a spot where they stood away from each
other a little space, and the blue sky looked in from above with
one cloud floating in it from which the rose of the sunset was
fading, he seated himself on a little mound of moss that had
gathered over an ancient stump by the footpath, and drew out his
friend's papers. Absorbed in his reading, he was not aware of an
approach till the rustle of silk startled him. He lifted up his
eyes, and saw Miss St. John a few yards from him on the pathway. He
rose.</p>

<p id="iii.xix-p7"><br />
</p>

<p id="iii.xix-p8">'It's almost too dark to read now, isn't it, Robert?' she
said.</p>

<p id="iii.xix-p9"><br />
</p>

<p id="iii.xix-p10">'Ah!' said. Robert, 'I know this writing so well that I could
read it by moonlight. I wish I might read some of it to you. You
<i>would</i> like it.'</p>

<p id="iii.xix-p11"><br />
</p>

<p id="iii.xix-p12">'May I ask whose it is, then? Poetry, too!'</p>

<p id="iii.xix-p13"><br />
</p>

<p id="iii.xix-p14">'It's Mr. Ericson's. But I'm feared he wouldna like me to read
it to anybody but myself. And yet--'</p>

<p id="iii.xix-p15"><br />
</p>

<p id="iii.xix-p16">'I don't think he would mind me,' returned Miss St. John. 'I do
know him a little. It is not as if I were <i>quite</i> a stranger,
you know. Did he tell you not?'</p>

<p id="iii.xix-p17"><br />
</p>

<p id="iii.xix-p18">'No. But then he never thought of such a thing. I don't know if
it's fair, for they are carelessly written, and there are words and
lines here and there that I am sure he would alter if he cared for
them ae hair.'</p>

<p id="iii.xix-p19"><br />
</p>

<p id="iii.xix-p20">'Then if he doesn't care for them, he won't mind my hearing
them. There!' she said, seating herself on the stump. 'You sit down
on the grass and read me--one at least.'</p>

<p id="iii.xix-p21"><br />
</p>

<p id="iii.xix-p22">'You'll remember they were never intended to be read?' urged
Robert, not knowing what he was doing, and so fulfilling his
destiny.</p>

<p id="iii.xix-p23"><br />
</p>

<p id="iii.xix-p24">'I will be as jealous of his honour as ever you can wish,'
answered Miss St. John gaily.</p>

<p id="iii.xix-p25"><br />
</p>

<p id="iii.xix-p26">Robert laid himself on the grass at her feet, and read:--</p>

<p id="iii.xix-p27"><br />
</p>

<p id="iii.xix-p28">MY TWO GENIUSES.</p>

<p id="iii.xix-p29"><br />
</p>

<p id="iii.xix-p30">One is a slow and melancholy maid:</p>

<p id="iii.xix-p31">I know not if she cometh from the skies,</p>

<p id="iii.xix-p32">Or from the sleepy gulfs, but she will rise</p>

<p id="iii.xix-p33">Often before me in the twilight shade</p>

<p id="iii.xix-p34">Holding a bunch of poppies, and a blade</p>

<p id="iii.xix-p35">Of springing wheat: prostrate my body lies</p>

<p id="iii.xix-p36">Before her on the turf, the while she ties</p>

<p id="iii.xix-p37">A fillet of the weed about my head;</p>

<p id="iii.xix-p38">And in the gaps of sleep I seem to hear</p>

<p id="iii.xix-p39">A gentle rustle like the stir of corn,</p>

<p id="iii.xix-p40">And words like odours thronging to my ear:</p>

<p id="iii.xix-p41">'Lie still, beloved, still until the morn;</p>

<p id="iii.xix-p42">Lie still with me upon this rolling sphere,</p>

<p id="iii.xix-p43">Still till the judgment--thou art faint and worn.'</p>

<p id="iii.xix-p44"><br />
</p>

<p id="iii.xix-p45">The other meets me in the public throng:</p>

<p id="iii.xix-p46">Her hair streams backward from her loose attire;</p>

<p id="iii.xix-p47">She hath a trumpet and an eye of fire;</p>

<p id="iii.xix-p48">She points me downward steadily and long--</p>

<p id="iii.xix-p49">'There is thy grave--arise, my son, be strong!</p>

<p id="iii.xix-p50">Hands are upon thy crown; awake, aspire</p>

<p id="iii.xix-p51">To immortality; heed not the lyre</p>

<p id="iii.xix-p52">Of the enchantress, nor her poppy-song;</p>

<p id="iii.xix-p53">But in the stillness of the summer calm,</p>

<p id="iii.xix-p54">Tremble for what is godlike in thy being.</p>

<p id="iii.xix-p55">Listen awhile, and thou shalt hear the psalm</p>

<p id="iii.xix-p56">Of victory sung by creatures past thy seeing;</p>

<p id="iii.xix-p57">And from far battle-fields there comes the neighing</p>

<p id="iii.xix-p58">Of dreadful onset, though the air is balm.'</p>

<p id="iii.xix-p59"><br />
</p>

<p id="iii.xix-p60">Maid with the poppies, must I let thee go?</p>

<p id="iii.xix-p61">Alas! I may not; thou art likewise dear;</p>

<p id="iii.xix-p62">I am but human, and thou hast a tear,</p>

<p id="iii.xix-p63">When she hath nought but splendour, and the glow</p>

<p id="iii.xix-p64">Of a wild energy that mocks the flow</p>

<p id="iii.xix-p65">Of the poor sympathies which keep us here.</p>

<p id="iii.xix-p66">Lay past thy poppies, and come twice as near,</p>

<p id="iii.xix-p67">And I will teach thee, and thou too shalt grow;</p>

<p id="iii.xix-p68">And thou shalt walk with me in open day</p>

<p id="iii.xix-p69">Through the rough thoroughfares with quiet grace;</p>

<p id="iii.xix-p70">And the wild-visaged maid shall lead the way,</p>

<p id="iii.xix-p71">Timing her footsteps to a gentler pace,</p>

<p id="iii.xix-p72">As her great orbs turn ever on thy face,</p>

<p id="iii.xix-p73">Drinking in draughts of loving help alway.</p>

<p id="iii.xix-p74"><br />
</p>

<p id="iii.xix-p75">Miss St. John did not speak.</p>

<p id="iii.xix-p76"><br />
</p>

<p id="iii.xix-p77">'War ye able to follow him?' asked Robert.</p>

<p id="iii.xix-p78"><br />
</p>

<p id="iii.xix-p79">'Quite, I assure you,' she answered, with a tremulousness in her
voice which delighted Robert as evidence of his friend's
success.</p>

<p id="iii.xix-p80"><br />
</p>

<p id="iii.xix-p81">'But they're nae a' so easy to follow, I can tell ye, mem. Just
hearken to this,' he said, with some excitement.</p>

<p id="iii.xix-p82"><br />
</p>

<p id="iii.xix-p83">     When the storm was proudest,</p>

<p id="iii.xix-p84">     And the wind was loudest,</p>

<p id="iii.xix-p85">I heard the hollow caverns drinking down below;</p>

<p id="iii.xix-p86">     When the stars were bright,</p>

<p id="iii.xix-p87">     And the ground was white,</p>

<p id="iii.xix-p88">I heard the grasses springing underneath the snow.</p>

<p id="iii.xix-p89"><br />
</p>

<p id="iii.xix-p90">     Many voices spake--</p>

<p id="iii.xix-p91">     The river to the lake,</p>

<p id="iii.xix-p92">The iron-ribbed sky was talking to the sea;</p>

<p id="iii.xix-p93">     And every starry spark</p>

<p id="iii.xix-p94">     Made music with the dark,</p>

<p id="iii.xix-p95">And said how bright and beautiful everything must be.</p>

<p id="iii.xix-p96"><br />
</p>

<p id="iii.xix-p97">'That line, mem,' remarked Robert, ''s only jist scrattit in, as
gin he had no intention o' leavin' 't, an' only set it there to
keep room for anither. But we'll jist gang on wi' the lave o' 't. I
ouchtna to hae interruppit it.'</p>

<p id="iii.xix-p98"><br />
</p>

<p id="iii.xix-p99">     When the sun was setting,</p>

<p id="iii.xix-p100">     All the clouds were getting</p>

<p id="iii.xix-p101">Beautiful and silvery in the rising moon;</p>

<p id="iii.xix-p102">     Beneath the leafless trees</p>

<p id="iii.xix-p103">     Wrangling in the breeze,</p>

<p id="iii.xix-p104">I could hardly see them for the leaves of June.</p>

<p id="iii.xix-p105"><br />
</p>

<p id="iii.xix-p106">     When the day had ended,</p>

<p id="iii.xix-p107">     And the night descended,</p>

<p id="iii.xix-p108">I heard the sound of streams that I heard not through the
day</p>

<p id="iii.xix-p109">     And every peak afar,</p>

<p id="iii.xix-p110">     Was ready for a star,</p>

<p id="iii.xix-p111">And they climbed and rolled around until the morning gray.</p>

<p id="iii.xix-p112"><br />
</p>

<p id="iii.xix-p113">     Then slumber soft and holy</p>

<p id="iii.xix-p114">     Came down upon me slowly;</p>

<p id="iii.xix-p115">And I went I know not whither, and I lived I know not how;</p>

<p id="iii.xix-p116">     My glory had been banished,</p>

<p id="iii.xix-p117">     For when I woke it vanished,</p>

<p id="iii.xix-p118">But I waited on it's coming, and I am waiting now.</p>

<p id="iii.xix-p119"><br />
</p>

<p id="iii.xix-p120">'<i>There!</i>' said Robert, ending, 'can ye mak onything o'
that, Miss St. John?'</p>

<p id="iii.xix-p121"><br />
</p>

<p id="iii.xix-p122">'I don't say I can in words,' she answered; 'but I think I could
put it all into music.'</p>

<p id="iii.xix-p123"><br />
</p>

<p id="iii.xix-p124">'But surely ye maun hae some notion o' what it's aboot afore you
can do that.'</p>

<p id="iii.xix-p125"><br />
</p>

<p id="iii.xix-p126">'Yes; but I have some notion of what it's about, I think. Just
lend it to me; and by the time we have our next lesson, you will
see whether I'm not able to show you I understand it. I shall take
good care of it,' she added, with a smile, seeing Robert's
reluctance to part with it. 'It doesn't matter my having it, you
know, now that you've read it to me, I want to make you do it
justice.--But it's quite time I were going home. Besides, I really
don't think you can see to read any more.'</p>

<p id="iii.xix-p127"><br />
</p>

<p id="iii.xix-p128">'Weel, it's better no to try, though I hae them maistly upo' my
tongue: I might blunder, and that wad blaud them.--Will you let me
go home with you?' he added, in pure tremulous English.</p>

<p id="iii.xix-p129"><br />
</p>

<p id="iii.xix-p130">'Certainly, if you like,' she answered; and they walked towards
the town.</p>

<p id="iii.xix-p131"><br />
</p>

<p id="iii.xix-p132">Robert opened the fountain of his love for Ericson, and let it
gush like a river from a hillside. He talked on and on about him,
with admiration, gratitude, devotion. And Miss St. John was glad of
the veil of the twilight over her face as she listened, for the
boy's enthusiasm trembled through her as the wind through an
Æolian harp. Poor Robert! He did not know, I say, what he was
doing, and so was fulfilling his sacred destiny.</p>

<p id="iii.xix-p133"><br />
</p>

<p id="iii.xix-p134">'Bring your manuscripts when you come next,' she said, as they
walked along--gently adding, 'I admire your friend's verses very
much, and should like to hear more of them.'</p>

<p id="iii.xix-p135"><br />
</p>

<p id="iii.xix-p136">'I'll be sure an' do that,' answered Robert, in delight that he
had found one to sympathize with him in his worship of Ericson, and
that one his other idol.</p>

<p id="iii.xix-p137"><br />
</p>

<p id="iii.xix-p138">When they reached the town, Miss St. John, calling to mind its
natural propensity to gossip, especially on the evening of a
market-day, when the shopkeepers, their labours over, would be
standing in a speculative mood at their doors, surrounded by groups
of friends and neighbours, felt shy of showing herself on the
square with Robert, and proposed that they should part, giving as a
by-the-bye reason that she had a little shopping to do as she went
home. Too simple to suspect the real reason, but with a heart that
delighted in obedience, Robert bade her good-night at once, and
took another way.</p>

<p id="iii.xix-p139"><br />
</p>

<p id="iii.xix-p140">As he passed the door of Merson the haberdasher's shop, there
stood William MacGregor, the weaver, looking at nothing and doing
nothing. We have seen something of him before: he was a remarkable
compound of good nature and bad temper. People were generally
afraid of him, because he had a biting satire at his command,
amounting even to wit, which found vent in verse--not altogether
despicable even from a literary point of view. The only person he,
on his part, was afraid of, was his own wife; for upon her, from
lack of apprehension, his keenest irony fell, as he said, like
water on a duck's back, and in respect of her he had, therefore, no
weapon of offence to strike terror withal. Her dulness was her
defence. He liked Robert. When he saw him, he wakened up, laid hold
of him by the button, and drew him in.</p>

<p id="iii.xix-p141"><br />
</p>

<p id="iii.xix-p142">'Come in, lad,' he said, 'an' tak a pinch. I'm waitin' for
Merson.' As he spoke he took from his pocket his <i>mull</i>, made
of the end of a ram's horn, and presented it to Robert, who
accepted the pledge of friendship. While he was partaking,
MacGregor drew himself with some effort upon the counter, saying in
a half-comical, half-admonitory tone,</p>

<p id="iii.xix-p143"><br />
</p>

<p id="iii.xix-p144">'Weel, and hoo's the mathematics, Robert?'</p>

<p id="iii.xix-p145"><br />
</p>

<p id="iii.xix-p146">'Thrivin',' answered Robert, falling into his humour.</p>

<p id="iii.xix-p147"><br />
</p>

<p id="iii.xix-p148">'Weel, that's verra weel. Duv ye min', Robert, hoo, whan ye was
aboot the age o' aucht year aul', ye cam to me ance at my shop
aboot something yer gran'mither, honest woman, wantit, an' I, by
way o' takin' my fun o' ye, said to ye, "Robert, ye hae grown
desperate; ye're a man clean; ye hae gotten the breeks on." An'
says ye, "Ay, Mr. MacGregor, I want naething noo but a watch an' a
wife"?'</p>

<p id="iii.xix-p149"><br />
</p>

<p id="iii.xix-p150">'I doobt I've forgotten a' aboot it, Mr. MacGregor,' answered
Robert. 'But I've made some progress, accordin' to your story, for
Dr. Anderson, afore I cam hame, gae me a watch. An' a fine crater
it is, for it aye does its best, an' sae I excuse its
shortcomin's.'</p>

<p id="iii.xix-p151"><br />
</p>

<p id="iii.xix-p152">'There's just ae thing, an' nae anither,' returned the
manufacturer, 'that I cannot excuse in a watch. Gin a watch gangs
ower fest, ye fin' 't oot. Gin she gangs ower slow, ye fin' 't oot,
an' ye can aye calculate upo' 't correck eneuch for maitters
sublunairy, as Mr. Maccleary says. An' gin a watch stops
a'thegither, ye ken it's failin', an' ye ken whaur it sticks, an'
a' 'at ye say 's "Tut, tut, de'il hae 't for a watch!" But there's
ae thing that God nor man canna bide in a watch, an' that's whan it
stan's still for a bittock, an' syne gangs on again. Ay, ay! tic,
tic, tic! wi' a fair face and a leein' hert. It wad gar ye believe
it was a' richt, and time for anither tum'ler, whan it's twal
o'clock, an' the kirkyaird fowk thinkin' aboot risin'. Fegs, I had
a watch o' my father's, an' I regairdit it wi' a reverence mair
like a human bein': the second time it played me that pliskie, I
dang oot its guts upo' the loupin'-on-stane at the door o' the
chop. But lat the watch sit: whaur's the wife? Ye canna be a man
yet wantin' the wife--by yer ain statement.'</p>

<p id="iii.xix-p153"><br />
</p>

<p id="iii.xix-p154">'The watch cam unsoucht, Mr. MacGregor, an' I'm thinkin' sae
maun the wife,' answered Robert, laughing.</p>

<p id="iii.xix-p155"><br />
</p>

<p id="iii.xix-p156">'Preserve me for ane frae a wife that comes unsoucht,' returned
the weaver. 'But, my lad, there may be some wives that winna come
whan they <i>are</i> soucht. Preserve me frae them too!--Noo, maybe
ye dinna ken what I mean--<i>but tak ye tent what ye're aboot</i>.
Dinna ye think 'at ilka bonnie lass 'at may like to haud a wark wi'
ye 's jist ready to mairry ye aff han' whan ye say, "Noo, my
dawtie."--An' ae word mair, Robert: Young men, especially braw lads
like yersel', 's unco ready to fa' in love wi' women fit to be
their mithers. An' sae ye see--'</p>

<p id="iii.xix-p157"><br />
</p>

<p id="iii.xix-p158">He was interrupted by the entrance of a girl. She had a shawl
over her head, notwithstanding it was summer weather, and crept in
hesitatingly, as if she were not quite at one with herself as to
her coming purchase. Approaching a boy behind the counter on the
opposite side of the shop, she asked for something, and he
proceeded to serve her. Robert could not help thinking, from the
one glimpse of her face he had got through the dusk, that he had
seen her before. Suddenly the vision of an earthen floor with a
pool of brown sunlight upon it, bare feet, brown hair, and soft
eyes, mingled with a musk odour wafted from Arabian fairyland, rose
before him: it was Jessie Hewson.</p>

<p id="iii.xix-p159"><br />
</p>

<p id="iii.xix-p160">'I ken that lassie,' he said, and moved to get down from the
counter on which he too had seated himself.</p>

<p id="iii.xix-p161"><br />
</p>

<p id="iii.xix-p162">'Na, na,' whispered the manufacturer, laying, like the Ancient
Mariner, a brown skinny hand of restraint upon Robert's arm--'na,
na, never heed her. Ye maunna speyk to ilka lass 'at ye ken.--Poor
thing! she's been doin' something wrang, to gang slinkin' aboot i'
the gloamin' like a baukie (<i>bat</i>), wi' her plaid ower her
heid. Dinna fash wi' her.'</p>

<p id="iii.xix-p163"><br />
</p>

<p id="iii.xix-p164">'Nonsense!' returned Robert, with indignation. 'What for
shouldna I speik till her? She's a decent lassie--a dochter o'
James Hewson, the cottar at Bodyfauld. I ken her fine.'</p>

<p id="iii.xix-p165"><br />
</p>

<p id="iii.xix-p166">He said this in a whisper; but the girl seemed to hear it, for
she left the shop with a perturbation which the dimness of the late
twilight could not conceal. Robert hesitated no longer, but
followed her, heedless of the louder expostulations of MacGregor.
She was speeding away down the street, but he took longer strides
than she, and was almost up with her, when she drew her shawl
closer about her head, and increased her pace.</p>

<p id="iii.xix-p167"><br />
</p>

<p id="iii.xix-p168">'Jessie!' said Robert, in a tone of expostulation. But she made
no answer. Her head sunk lower on her bosom, and she hurried yet
faster. He gave a long stride or two and laid his hand on her
shoulder. She stood still, trembling.</p>

<p id="iii.xix-p169"><br />
</p>

<p id="iii.xix-p170">'Jessie, dinna ye ken me--Robert Faukner? Dinna be feart at me.
What's the maitter wi' ye, 'at ye winna speik till a body? Hoo's a'
the fowk at hame?'</p>

<p id="iii.xix-p171"><br />
</p>

<p id="iii.xix-p172">She burst out crying, cast one look into Robert's face, and
fled. What a change was in that face? The peach-colour was gone
from her cheek; it was pale and thin. Her eyes were hollow, with
dark shadows under them, the shadows of a sad sunset. A foreboding
of the truth arose in his heart, and the tears rushed up into his
eyes. The next moment the eidolon of Mary St. John, moving gracious
and strong, clothed in worship and the dignity which is its own
defence, appeared beside that of Jessie Hewson, her bowed head
shaken with sobs, and her weak limbs urged to ungraceful flight. As
if walking in the vision of an eternal truth, he went straight to
Captain Forsyth's door.</p>

<p id="iii.xix-p173"><br />
</p>

<p id="iii.xix-p174">'I want to speak to Miss St. John, Isie,' said Robert.</p>

<p id="iii.xix-p175"><br />
</p>

<p id="iii.xix-p176">'She'll be doon in a minit.'</p>

<p id="iii.xix-p177"><br />
</p>

<p id="iii.xix-p178">'But isna yer mistress i' the drawin'-room?--I dinna want to see
<i>her</i>.'</p>

<p id="iii.xix-p179"><br />
</p>

<p id="iii.xix-p180">'Ow, weel,' said the girl, who was almost fresh from the
country, 'jist rin up the stair, an' chap at the door o' her
room.'</p>

<p id="iii.xix-p181"><br />
</p>

<p id="iii.xix-p182">With the simplicity of a child, for what a girl told him to do
must be right, Robert sped up the stair, his heart going like a
fire-engine. He had never approached Mary's room from this side,
but instinct or something else led him straight to her door. He
knocked.</p>

<p id="iii.xix-p183"><br />
</p>

<p id="iii.xix-p184">'Come in,' she said, never doubting it was the maid, and Robert
entered.</p>

<p id="iii.xix-p185"><br />
</p>

<p id="iii.xix-p186">She was brushing her hair by the light of a chamber candle.
Robert was seized with awe, and his limbs trembled. He could have
kneeled before her--not to beg forgiveness, he did not think of
that--but to worship, as a man may worship a woman. It is only a
strong, pure heart like Robert's that ever can feel all the inroad
of the divine mystery of womanhood. But he did not kneel. He had a
duty to perform. A flush rose in Miss St. John's face, and sank
away, leaving it pale. It was not that she thought once of her own
condition, with her hair loose on her shoulders, but, able only to
conjecture what had brought him thither, she could not but regard
Robert's presence with dismay. She stood with her ivory brush in
her right hand uplifted, and a great handful of hair in her left.
She was soon relieved, however, although what with his contemplated
intercession, the dim vision of Mary's lovely face between the
masses of her hair, and the lavender odour that filled the
room--perhaps also a faint suspicion of impropriety sufficient to
give force to the rest--Robert was thrown back into the abyss of
his mother-tongue, and out of this abyss talked like a
Behemoth.</p>

<p id="iii.xix-p187"><br />
</p>

<p id="iii.xix-p188">'Robert!' said Mary, in a tone which, had he not been so eager
after his end, he might have interpreted as one of displeasure.</p>

<p id="iii.xix-p189"><br />
</p>

<p id="iii.xix-p190">'Ye maun hearken till me, mem.--Whan I was oot at Bodyfauld,' he
began methodically, and Mary, bewildered, gave one hasty brush to
her handful of hair and again stood still: she could imagine no
connection between this meeting and their late parting--'Whan I was
was oot at Bodyfauld ae simmer, I grew acquant wi' a bonnie lassie
there, the dochter o' Jeames Hewson, an honest cottar, wi'
Shakspeare an' the Arabian Nichts upo' a skelf i' the hoose wi'
'im. I gaed in ae day whan I wasna weel; an' she jist ministert to
me, as nane ever did but yersel', mem. An' she was that kin' an'
mither-like to the wee bit greitin' bairnie 'at she had to tak care
o' 'cause her mither was oot wi' the lave shearin'! Her face was
jist like a simmer day, an' weel I likit the luik o' the lassie!--I
met her again the nicht. Ye never saw sic a change. A white face,
an' nothing but greitin' to come oot o' her. She ran frae me as gin
I had been the de'il himsel'. An' the thocht o' you, sae bonnie an'
straucht an' gran', cam ower me.'</p>

<p id="iii.xix-p191"><br />
</p>

<p id="iii.xix-p192">Yielding to a masterful impulse, Robert did kneel now. As if
sinner, and not mediator, he pressed the hem of her garment to his
lips.</p>

<p id="iii.xix-p193"><br />
</p>

<p id="iii.xix-p194">'Dinna be angry at me, Miss St. John,' he pleaded, 'but be
mercifu' to the lassie. Wha's to help her that can no more luik a
man i' the face, but the clear-e'ed lass that wad luik the sun
himsel' oot o' the lift gin he daured to say a word against her.
It's ae woman that can uphaud anither. Ye ken what I mean, an' I
needna say mair.'</p>

<p id="iii.xix-p195"><br />
</p>

<p id="iii.xix-p196">He rose and turned to leave the room.</p>

<p id="iii.xix-p197"><br />
</p>

<p id="iii.xix-p198">Bewildered and doubtful, Miss St. John did not know what to
answer, but felt that she must make some reply.</p>

<p id="iii.xix-p199"><br />
</p>

<p id="iii.xix-p200">'You haven't told me where to find the girl, or what you want me
to do with her.'</p>

<p id="iii.xix-p201"><br />
</p>

<p id="iii.xix-p202">'I'll fin' oot whaur she bides,' he said, moving again towards
the door.</p>

<p id="iii.xix-p203"><br />
</p>

<p id="iii.xix-p204">'But what am I to do with her, Robert?'</p>

<p id="iii.xix-p205"><br />
</p>

<p id="iii.xix-p206">'That's your pairt. Ye maun fin' oot what to do wi' her. I canna
tell ye that. But gin I was you, I wad gie her a kiss to begin wi'.
She's nane o' yer brazen-faced hizzies, yon. A kiss wad be the
savin' o' her.'</p>

<p id="iii.xix-p207"><br />
</p>

<p id="iii.xix-p208">'But you may be--. But I have nothing to go upon. She would
resent my interference.'</p>

<p id="iii.xix-p209"><br />
</p>

<p id="iii.xix-p210">'She's past resentin' onything. She was gaein' aboot the toon
like ane o' the deid 'at hae naething to say to onybody, an'
naebody onything to say to them. Gin she gangs on like that she'll
no be alive lang.'</p>

<p id="iii.xix-p211"><br />
</p>

<p id="iii.xix-p212">That night Jessie Hewson disappeared. A mile or two up the river
under a high bank, from which the main current had receded, lay an
awful, swampy place--full of reeds, except in the middle where was
one round space full of dark water and mud. Near this Jessie Hewson
was seen about an hour after Robert had thus pled for her with his
angel.</p>

<p id="iii.xix-p213"><br />
</p>

<p id="iii.xix-p214">The event made a deep impression upon Robert. The last time that
he saw them, James and his wife were as cheerful as usual, and gave
him a hearty welcome. Jessie was in service, and doing well, they
said. The next time he opened the door of the cottage it was like
the entrance to a haunted tomb. Not a smile was in the place.
James's cheeriness was all gone. He was sitting at the table with
his head leaning on his hand. His Bible was open before him, but he
was not reading a word. His wife was moving listlessly about. They
looked just as Jessie had looked that night--as if they had died
long ago, but somehow or other could not get into their graves and
be at rest. The child Jessie had nursed with such care was toddling
about, looking rueful with loss. George had gone to America, and
the whole of that family's joy had vanished from the earth.</p>

<p id="iii.xix-p215"><br />
</p>

<p id="iii.xix-p216">The subject was not resumed between Miss St. John and Robert.
The next time he saw her, he knew by her pale troubled face that
she had heard the report that filled the town; and she knew by his
silence that it had indeed reference to the same girl of whom he
had spoken to her. The music would not go right that evening. Mary
was <i>distraite</i>, and Robert was troubled. It was a week or two
before there came a change. When the turn did come, over his being
love rushed up like a spring-tide from the ocean of the
Infinite.</p>

<p id="iii.xix-p217"><br />
</p>

<p id="iii.xix-p218">He was accompanying her piano with his violin. He made blunders,
and her playing was out of heart. They stopped as by consent, and a
moment's silence followed. All at once she broke out with something
Robert had never heard before. He soon found that it was a fantasy
upon Ericson's poem. Ever through a troubled harmony ran a silver
thread of melody from far away. It was the caverns drinking from
the tempest overhead, the grasses growing under the snow, the stars
making music with the dark, the streams filling the night with the
sounds the day had quenched, the whispering call of the dreams left
behind in 'the fields of sleep,'--in a word, the central life
pulsing in aeonian peace through the outer ephemeral storms. At
length her voice took up the theme. The silvery thread became song,
and through all the opposing, supporting harmonies she led it to
the solution of a close in which the only sorrow was in the music
itself, for its very life is an 'endless ending.' She found Robert
kneeling by her side. As she turned from the instrument his head
drooped over her knee. She laid her hand on his clustering curls,
bethought herself, and left the room. Robert wandered out as in a
dream. At midnight he found himself on a solitary hill-top, seated
in the heather, with a few tiny fir-trees about him, and the sounds
of a wind, ethereal as the stars overhead, flowing through their
branches: he heard the sound of it, but it did not touch him.</p>

<p id="iii.xix-p219"><br />
</p>

<p id="iii.xix-p220">Where was God?</p>

<p id="iii.xix-p221"><br />
</p>

<p id="iii.xix-p222">In him and his question.</p>

<p id="iii.xix-p223"><br />
</p>

<p id="iii.xix-p224"><br />
</p>

</div2>

      <div2 title="CHAPTER XX.--ERICSON LOSES TO WIN." n="xx" shorttitle="" progress="58.27%" id="iii.xx" prev="iii.xix" next="iii.xxi">

<p id="iii.xx-p1"><br />
</p>

<p id="iii.xx-p2">CHAPTER XX.</p>

<p id="iii.xx-p3"><br />
</p>

<p id="iii.xx-p4">ERICSON LOSES TO WIN.</p>

<p id="iii.xx-p5"><br />
</p>

<p id="iii.xx-p6">IF Mary St. John had been an ordinary woman, and if,
notwithstanding, Robert had been in love with her, he would have
done very little in preparation for the coming session. But
although she now <i>possessed</i> him, although at times he only
knew himself as loving her, there was such a mountain air of calm
about her, such an outgoing divinity of peace, such a largely
moulded harmony of being, that he could not love her otherwise than
grandly. For her sake, weary with loving her, he would yet turn to
his work, and, to be worthy of her, or rather, for he never dreamed
of being worthy of her, to be worthy of leave to love her, would
forget her enough to lay hold of some abstract truth of lines,
angles, or symbols. A strange way of being in love, reader? You
think so? I would there were more love like it: the world would be
centuries nearer its redemption if a millionth part of the love in
it were of the sort. All I insist, however, on my reader's
believing is, that it showed, in a youth like Robert, not less but
more love that he could go against love's sweetness for the sake of
love's greatness. Literally, not figuratively, Robert would kiss
the place where her foot had trod; but I know that once he rose
from such a kiss 'to trace the hyperbola by means of a string.'</p>

<p id="iii.xx-p7"><br />
</p>

<p id="iii.xx-p8">It had been arranged between Ericson and Robert, in Miss
Napier's parlour, the old lady knitting beside, that Ericson should
start, if possible, a week earlier than usual, and spend the
difference with Robert at Rothieden. But then the old lady had
opened her mouth and spoken. And I firmly believe, though little
sign of tenderness passed between them, it was with an elder
sister's feeling for Letty's admiration of the 'lan'less laird,'
that she said as follows:--</p>

<p id="iii.xx-p9"><br />
</p>

<p id="iii.xx-p10">'Dinna ye think, Mr. Ericson, it wad be but fair to come to us
neist time? Mistress Faukner, honest lady, an' lang hae I kent her,
's no sae auld a frien' to you, Mr. Ericson, as oorsel's--nae
offence to her, ye ken. A'body canna be frien's to a'body, ane as
lang 's anither, ye ken.'</p>

<p id="iii.xx-p11"><br />
</p>

<p id="iii.xx-p12">''Deed I maun alloo, Miss Naper,' interposed Robert, 'it's only
fair. Ye see, Mr. Ericson, I cud see as muckle o' ye almost, the
tae way as the tither. Miss Naper maks me welcome as weel's
you.'</p>

<p id="iii.xx-p13"><br />
</p>

<p id="iii.xx-p14">'An' I <i>will</i> mak ye welcome, Robert, as lang's ye're a
gude lad, as ye are, and gang na efter--nae ill gait. But lat me
hear o' yer doin' as sae mony young gentlemen do, espeacially whan
they're ta'en up by their rich relations, an', public-hoose as this
is, I'll close the door o' 't i' yer face.'</p>

<p id="iii.xx-p15"><br />
</p>

<p id="iii.xx-p16">'Bless me, Miss Naper!' said Robert, 'what hae I dune to set ye
at me that gait? Faith, I dinna ken what ye mean.'</p>

<p id="iii.xx-p17"><br />
</p>

<p id="iii.xx-p18">'Nae mair do I, laddie. I hae naething against ye whatever. Only
ye see auld fowk luiks aheid, an' wad fain be as sure o' what's to
come as o' what's gane.'</p>

<p id="iii.xx-p19"><br />
</p>

<p id="iii.xx-p20">'Ye maun bide for that, I doobt,' said Robert.</p>

<p id="iii.xx-p21"><br />
</p>

<p id="iii.xx-p22">'Laddie,' retorted Miss Napier, 'ye hae mair sense nor ye hae
ony richt till. Haud the tongue o' ye. Mr. Ericson 's to come here
neist.'</p>

<p id="iii.xx-p23"><br />
</p>

<p id="iii.xx-p24">And the old lady laughed such good humour into her
stocking-sole, that the foot destined to wear it ought never to
have been cold while it lasted. So it was then settled; and a week
before Robert was to start for Aberdeen, Ericson walked into The
Boar's Head. Half-an-hour after that, Crookit Caumill was shown
into the ga'le-room with the message to Maister Robert that Maister
Ericson was come, and wanted to see him.</p>

<p id="iii.xx-p25"><br />
</p>

<p id="iii.xx-p26">Robert pitched Hutton's Mathematics into the grate, sprung to
his feet, all but embraced Crookit Caumill on the spot, and was
deterred only by the perturbed look the man wore. Crookit Caumill
was a very human creature, and hadn't a fault but the drink, Miss
Napier said. And very little of that he would have had if she had
been as active as she was willing.</p>

<p id="iii.xx-p27"><br />
</p>

<p id="iii.xx-p28">'What's the maitter, Caumill?' asked Robert, in considerable
alarm.</p>

<p id="iii.xx-p29"><br />
</p>

<p id="iii.xx-p30">'Ow, naething, sir,' returned Campbell.</p>

<p id="iii.xx-p31"><br />
</p>

<p id="iii.xx-p32">'What gars ye look like that, than?' insisted Robert.</p>

<p id="iii.xx-p33"><br />
</p>

<p id="iii.xx-p34">'Ow, naething. But whan Miss Letty cried doon the close upo' me,
she had her awpron till her een, an' I thocht something bude to be
wrang; but I hadna the hert to speir.'</p>

<p id="iii.xx-p35"><br />
</p>

<p id="iii.xx-p36">Robert darted to the door, and rushed to the inn, leaving
Caumill describing <i>iambi</i> on the road behind him.</p>

<p id="iii.xx-p37"><br />
</p>

<p id="iii.xx-p38">When he reached The Boar's Head there was nobody to be seen. He
darted up the stair to the room where he had first waited upon
Ericson.</p>

<p id="iii.xx-p39"><br />
</p>

<p id="iii.xx-p40">Three or four maids stood at the door. He asked no question, but
went in, a dreadful fear at his heart. Two of the sisters and Dr.
Gow stood by the bed.</p>

<p id="iii.xx-p41"><br />
</p>

<p id="iii.xx-p42">Ericson lay upon it, clear-eyed, and still. His cheek was
flushed. The doctor looked round as Robert entered.</p>

<p id="iii.xx-p43"><br />
</p>

<p id="iii.xx-p44">'Robert,' he said, 'you must keep your friend here quiet. He's
broken a blood-vessel--walked too much, I suppose. He'll be all
right soon, I hope; but we can't be too careful. Keep him
quiet--that's the main thing. He mustn't speak a word.'</p>

<p id="iii.xx-p45"><br />
</p>

<p id="iii.xx-p46">So saying he took his leave.</p>

<p id="iii.xx-p47"><br />
</p>

<p id="iii.xx-p48">Ericson held out his thin hand. Robert grasped it. Ericson's
lips moved as if he would speak.</p>

<p id="iii.xx-p49"><br />
</p>

<p id="iii.xx-p50">'Dinna speik, Mr. Ericson,' said Miss Letty, whose tears were
flowing unheeded down her cheeks, 'dinna speik. We a' ken what ye
mean an' what ye want wi'oot that.'</p>

<p id="iii.xx-p51"><br />
</p>

<p id="iii.xx-p52">Then she turned to Robert, and said in a whisper,</p>

<p id="iii.xx-p53"><br />
</p>

<p id="iii.xx-p54">'Dr. Gow wadna hae ye sent for; but I kent weel eneuch 'at he
wad be a' the quaieter gin ye war here. Jist gie a chap upo' the
flure gin ye want onything, an' I'll be wi' ye in twa seconds.'</p>

<p id="iii.xx-p55"><br />
</p>

<p id="iii.xx-p56">The sisters went away. Robert drew a chair beside the bed, and
once more was nurse to his friend. The doctor had already bled him
at the arm: such was the ordinary mode of treatment then.</p>

<p id="iii.xx-p57"><br />
</p>

<p id="iii.xx-p58">Scarcely was he seated, when Ericson spoke--a smile flickering
over his worn face.</p>

<p id="iii.xx-p59"><br />
</p>

<p id="iii.xx-p60">'Robert, my boy,' he said.</p>

<p id="iii.xx-p61"><br />
</p>

<p id="iii.xx-p62">'Dinna speak,' said Robert, in alarm; 'dinna speak, Mr.
Ericson.'</p>

<p id="iii.xx-p63"><br />
</p>

<p id="iii.xx-p64">'Nonsense,' returned Ericson, feebly. 'They're making a work
about nothing. I've done as much twenty times since I saw you last,
and I'm not dead yet. But I think it's coming.'</p>

<p id="iii.xx-p65"><br />
</p>

<p id="iii.xx-p66">'What's coming?' asked Robert, rising in alarm.</p>

<p id="iii.xx-p67"><br />
</p>

<p id="iii.xx-p68">'Nothing,' answered Ericson, soothingly,--'only death.--I should
like to see Miss St. John once before I die. Do you think she would
come and see me if I were really dying?'</p>

<p id="iii.xx-p69"><br />
</p>

<p id="iii.xx-p70">'I'm sure she wad. But gin ye speik like this, Miss Letty winna
lat <i>me</i> come near ye, no to say <i>her</i>. Oh, Mr. Ericson!
gin ye dee, I sanna care to live.'</p>

<p id="iii.xx-p71"><br />
</p>

<p id="iii.xx-p72">Bethinking himself that such was not the way to keep Ericson
quiet, he repressed his emotion, sat down behind the curtain, and
was silent. Ericson fell fast asleep. Robert crept from the room,
and telling Miss Letty that he would return presently, went to Miss
St. John.</p>

<p id="iii.xx-p73"><br />
</p>

<p id="iii.xx-p74">'How can I go to Aberdeen without him?' he thought as he walked
down the street.</p>

<p id="iii.xx-p75"><br />
</p>

<p id="iii.xx-p76">Neither was a guide to the other; but the questioning of two may
give just the needful points by which the parallax of a truth may
be gained.</p>

<p id="iii.xx-p77"><br />
</p>

<p id="iii.xx-p78">'Mr. Ericson's here, Miss St. John,' he said, the moment he was
shown into her presence.</p>

<p id="iii.xx-p79"><br />
</p>

<p id="iii.xx-p80">Her face flushed. Robert had never seen her look so
beautiful.</p>

<p id="iii.xx-p81"><br />
</p>

<p id="iii.xx-p82">'He's verra ill,' he added.</p>

<p id="iii.xx-p83"><br />
</p>

<p id="iii.xx-p84">Her face grew pale--very pale.</p>

<p id="iii.xx-p85"><br />
</p>

<p id="iii.xx-p86">'He asked if I thought you would go and see him--that is if he
were going to die.'</p>

<p id="iii.xx-p87"><br />
</p>

<p id="iii.xx-p88">A sunset flush, but faint as on the clouds of the east, rose
over her pallor.</p>

<p id="iii.xx-p89"><br />
</p>

<p id="iii.xx-p90">'I will go at once,' she said, rising.</p>

<p id="iii.xx-p91"><br />
</p>

<p id="iii.xx-p92">'Na, na,' returned Robert, hastily. 'It has to be manage. It's
no to be dune a' in a hurry. For ae thing, there's Dr. Gow says he
maunna speak ae word; and for anither, there's Miss Letty 'ill jist
be like a watch-dog to haud a'body oot ower frae 'im. We maun bide
oor time. But gin ye say ye'll gang, that 'll content him i' the
meantime. I'll tell him.'</p>

<p id="iii.xx-p93"><br />
</p>

<p id="iii.xx-p94">'I will go any moment,' she said. 'Is he very ill?'</p>

<p id="iii.xx-p95"><br />
</p>

<p id="iii.xx-p96">'I'm afraid he is. I doobt I'll hae to gang to Aberdeen withoot
him.'</p>

<p id="iii.xx-p97"><br />
</p>

<p id="iii.xx-p98">A week after, though he was better, his going was out of the
question. Robert wanted to stay with him, but he would not hear of
it. He would follow in a week or so, he said, and Robert must start
fair with the rest of the <i>semies</i>.</p>

<p id="iii.xx-p99"><br />
</p>

<p id="iii.xx-p100">But all the removal he was ever able to bear was to the 'red
room,' the best in the house, opening, as I have already mentioned,
from an outside stair in the archway. They put up a great screen
inside the door, and there the lan'less laird lay like a lord.</p>

<p id="iii.xx-p101"><br />
</p>

<p id="iii.xx-p102"><br />
</p>

</div2>

      <div2 title="CHAPTER XXI.--SHARGAR ASPIRES." n="xxi" shorttitle="" progress="58.97%" id="iii.xxi" prev="iii.xx" next="iii.xxii">

<p id="iii.xxi-p1"><br />
</p>

<p id="iii.xxi-p2">CHAPTER XXI.</p>

<p id="iii.xxi-p3"><br />
</p>

<p id="iii.xxi-p4">SHARGAR ASPIRES.</p>

<p id="iii.xxi-p5"><br />
</p>

<p id="iii.xxi-p6">ROBERT'S heart was dreary when he got on the box-seat of the
mail-coach at Rothieden--it was yet drearier when he got down at
The Royal Hotel in the street of Ben Accord--and it was dreariest
of all when he turned his back on Ericson's, and entered his own
room at Mrs. Fyvie's.</p>

<p id="iii.xxi-p7"><br />
</p>

<p id="iii.xxi-p8">Shargar had met him at the coach. Robert had scarcely a word to
say to him. And Shargar felt as dreary as Robert when he saw him
sit down, and lay his head on the table without a word.</p>

<p id="iii.xxi-p9"><br />
</p>

<p id="iii.xxi-p10">'What's the maitter wi' ye, Robert?' he faltered out at last.
'Gin ye dinna speyk to me, I'll cut my throat. I will, faith!'</p>

<p id="iii.xxi-p11"><br />
</p>

<p id="iii.xxi-p12">'Haud yer tongue wi' yer nonsense, Shargar. Mr. Ericson's
deein'.'</p>

<p id="iii.xxi-p13"><br />
</p>

<p id="iii.xxi-p14">'O lord!' said Shargar, and said nothing more for the space of
ten minutes.</p>

<p id="iii.xxi-p15"><br />
</p>

<p id="iii.xxi-p16">Then he spoke again--slowly and sententiously.</p>

<p id="iii.xxi-p17"><br />
</p>

<p id="iii.xxi-p18">'He hadna you to tak care o' him, Robert. Whaur is he?'</p>

<p id="iii.xxi-p19"><br />
</p>

<p id="iii.xxi-p20">'At The Boar's Heid.'</p>

<p id="iii.xxi-p21"><br />
</p>

<p id="iii.xxi-p22">'That's weel. He'll be luikit efter there.'</p>

<p id="iii.xxi-p23"><br />
</p>

<p id="iii.xxi-p24">'A body wad like to hae their ain han' in 't, Shargar.'</p>

<p id="iii.xxi-p25"><br />
</p>

<p id="iii.xxi-p26">'Ay. I wiss we had him here again.'</p>

<p id="iii.xxi-p27"><br />
</p>

<p id="iii.xxi-p28">The ice of trouble thus broken, the stream of talk flowed more
freely.</p>

<p id="iii.xxi-p29"><br />
</p>

<p id="iii.xxi-p30">'Hoo are ye gettin' on at the schule, man?' asked Robert.</p>

<p id="iii.xxi-p31"><br />
</p>

<p id="iii.xxi-p32">'Nae that ill,' answered Shargar. 'I was at the heid o' my class
yesterday for five meenits.'</p>

<p id="iii.xxi-p33"><br />
</p>

<p id="iii.xxi-p34">'An' hoo did ye like it?'</p>

<p id="iii.xxi-p35"><br />
</p>

<p id="iii.xxi-p36">'Man, it was fine. I thocht I was a gentleman a' at ance.'</p>

<p id="iii.xxi-p37"><br />
</p>

<p id="iii.xxi-p38">'Haud ye at it, man,' said Robert, as if from the heights of age
and experience, 'and maybe ye <i>will</i> be a gentleman some
day.'</p>

<p id="iii.xxi-p39"><br />
</p>

<p id="iii.xxi-p40">'Is 't poassible, Robert? A crater like me grow intil a
gentleman?' said Shargar, with wide eyes.</p>

<p id="iii.xxi-p41"><br />
</p>

<p id="iii.xxi-p42">'What for no?' returned Robert.</p>

<p id="iii.xxi-p43"><br />
</p>

<p id="iii.xxi-p44">'Eh, man!' said Shargar.</p>

<p id="iii.xxi-p45"><br />
</p>

<p id="iii.xxi-p46">He stood up, sat down again, and was silent.</p>

<p id="iii.xxi-p47"><br />
</p>

<p id="iii.xxi-p48">'For ae thing,' resumed Robert, after a pause, during which he
had been pondering upon the possibilities of Shargar's future--'for
ae thing, I doobt whether Dr. Anderson wad hae ta'en ony fash aboot
ye, gin he hadna thocht ye had the makin' o' a gentleman i'
ye.'</p>

<p id="iii.xxi-p49"><br />
</p>

<p id="iii.xxi-p50">'Eh, man!' said Shargar.</p>

<p id="iii.xxi-p51"><br />
</p>

<p id="iii.xxi-p52">He stood up again, sat down again, and was finally silent.</p>

<p id="iii.xxi-p53"><br />
</p>

<p id="iii.xxi-p54">Next day Robert went to see Dr. Anderson, and told him about
Ericson. The doctor shook his head, as doctors have done in such
cases from Æsculapius downwards. Robert pressed no further
questions.</p>

<p id="iii.xxi-p55"><br />
</p>

<p id="iii.xxi-p56">'Will he be taken care of where he is?' asked the doctor.</p>

<p id="iii.xxi-p57"><br />
</p>

<p id="iii.xxi-p58">'Guid care o',' answered Robert.</p>

<p id="iii.xxi-p59"><br />
</p>

<p id="iii.xxi-p60">'Has he any money, do you think?'</p>

<p id="iii.xxi-p61"><br />
</p>

<p id="iii.xxi-p62">'I hae nae doobt he has some, for he's been teachin' a' the
summer. The like o' him maun an' will work whether they're fit or
no.'</p>

<p id="iii.xxi-p63"><br />
</p>

<p id="iii.xxi-p64">'Well, at all events, you write, Robert, and give him the hint
that he's not to fash himself about money, for I have more than
he'll want. And you may just take the hint yourself at the same
time, Robert, my boy,' he added in, if possible, a yet kinder
tone.</p>

<p id="iii.xxi-p65"><br />
</p>

<p id="iii.xxi-p66">Robert's way of showing gratitude was the best way of all. He
returned kindness with faith.</p>

<p id="iii.xxi-p67"><br />
</p>

<p id="iii.xxi-p68">'Gin I be in ony want, doctor, I'll jist rin to ye at ance. An'
gin I want ower muckle ye maun jist say <i>na</i>.'</p>

<p id="iii.xxi-p69"><br />
</p>

<p id="iii.xxi-p70">'That's a good fellow. You take things as a body means
them.'</p>

<p id="iii.xxi-p71"><br />
</p>

<p id="iii.xxi-p72">'But hae ye naething ye wad like me to do for ye this session,
sir?'</p>

<p id="iii.xxi-p73"><br />
</p>

<p id="iii.xxi-p74">'No. I won't have you do anything but your own work. You have
more to do than you had last year. Mind your work; and as often as
you get tired over your books, shut them up and come to me. You may
bring Shargar with you sometimes, but we must take care and not
make too much of him all at once.'</p>

<p id="iii.xxi-p75"><br />
</p>

<p id="iii.xxi-p76">'Ay, ay, doctor. But he's a fine crater, Shargar, an' I dinna
think he'll be that easy to blaud. What do you think he's turnin'
ower i' that reid heid o' his noo?'</p>

<p id="iii.xxi-p77"><br />
</p>

<p id="iii.xxi-p78">'I can't tell that. But there's something to come out of the red
head, I do believe. What is he thinking of?'</p>

<p id="iii.xxi-p79"><br />
</p>

<p id="iii.xxi-p80">'Whether it be possible for him ever to be a gentleman. Noo I
tak that for a good sign i' the likes o' him.'</p>

<p id="iii.xxi-p81"><br />
</p>

<p id="iii.xxi-p82">'No doubt of it. What did you say to him?'</p>

<p id="iii.xxi-p83"><br />
</p>

<p id="iii.xxi-p84">'I tellt him 'at hoo I didna think ye wad hae ta'en sae muckle
fash gin ye hadna had some houps o' the kin' aboot him.'</p>

<p id="iii.xxi-p85"><br />
</p>

<p id="iii.xxi-p86">'You said well. Tell him from me that I expect him to be a
gentleman. And by the way, Robert, do try a little, as I think I
said to you once before, to speak English. I don't mean that you
should give up Scotch, you know.'</p>

<p id="iii.xxi-p87"><br />
</p>

<p id="iii.xxi-p88">'Weel, sir, I <i>hae</i> been tryin'; but what am I to do whan
ye speyk to me as gin ye war my ain father? I canna min' upo' a
word o' English whan ye do that.'</p>

<p id="iii.xxi-p89"><br />
</p>

<p id="iii.xxi-p90">Dr. Anderson laughed, but his eyes glittered.</p>

<p id="iii.xxi-p91"><br />
</p>

<p id="iii.xxi-p92">Robert found Shargar busy over his Latin version. With a 'Weel,
Shargar,' he took his books and sat down. A few moments after,
Shargar lifted his head, stared a while at Robert, and then
said,</p>

<p id="iii.xxi-p93"><br />
</p>

<p id="iii.xxi-p94">'Duv you railly think it, Robert?'</p>

<p id="iii.xxi-p95"><br />
</p>

<p id="iii.xxi-p96">'Think what? What are ye haverin' at, ye gowk?'</p>

<p id="iii.xxi-p97"><br />
</p>

<p id="iii.xxi-p98">'Duv ye think 'at I ever could <i>grow</i> intil a
gentleman?'</p>

<p id="iii.xxi-p99"><br />
</p>

<p id="iii.xxi-p100">'Dr. Anderson says he expecs 't o' ye.'</p>

<p id="iii.xxi-p101"><br />
</p>

<p id="iii.xxi-p102">'Eh, man!'</p>

<p id="iii.xxi-p103"><br />
</p>

<p id="iii.xxi-p104">A long pause followed, and Shargar spoke again.</p>

<p id="iii.xxi-p105"><br />
</p>

<p id="iii.xxi-p106">'Hoo am I to begin, Robert?'</p>

<p id="iii.xxi-p107"><br />
</p>

<p id="iii.xxi-p108">'Begin what?'</p>

<p id="iii.xxi-p109"><br />
</p>

<p id="iii.xxi-p110">'To be a gentleman.'</p>

<p id="iii.xxi-p111"><br />
</p>

<p id="iii.xxi-p112">Robert scratched his head, like Brutus, and at length became
oracular.</p>

<p id="iii.xxi-p113"><br />
</p>

<p id="iii.xxi-p114">'Speyk the truth,' he said.</p>

<p id="iii.xxi-p115"><br />
</p>

<p id="iii.xxi-p116">'I'll do that. But what aboot--my father?'</p>

<p id="iii.xxi-p117"><br />
</p>

<p id="iii.xxi-p118">'Naebody 'ill cast up yer <i>father</i> to ye. Ye need hae nae
fear o' that.'</p>

<p id="iii.xxi-p119"><br />
</p>

<p id="iii.xxi-p120">'My mither, than?' suggested Shargar, with hesitation.</p>

<p id="iii.xxi-p121"><br />
</p>

<p id="iii.xxi-p122">'Ye maun haud yer face to the fac'.'</p>

<p id="iii.xxi-p123"><br />
</p>

<p id="iii.xxi-p124">'Ay, ay. But gin they said onything, ye ken--aboot <i>
her</i>.'</p>

<p id="iii.xxi-p125"><br />
</p>

<p id="iii.xxi-p126">'Gin ony man-body says a word agen yer mither, ye maun jist
knock him doon upo' the spot.'</p>

<p id="iii.xxi-p127"><br />
</p>

<p id="iii.xxi-p128">'But I michtna be able.'</p>

<p id="iii.xxi-p129"><br />
</p>

<p id="iii.xxi-p130">'Ye could try, ony gait.'</p>

<p id="iii.xxi-p131"><br />
</p>

<p id="iii.xxi-p132">'He micht knock <i>me</i> down, ye ken.'</p>

<p id="iii.xxi-p133"><br />
</p>

<p id="iii.xxi-p134">'Weel, gae doon than.'</p>

<p id="iii.xxi-p135"><br />
</p>

<p id="iii.xxi-p136">'Ay.'</p>

<p id="iii.xxi-p137"><br />
</p>

<p id="iii.xxi-p138">This was all the instruction Robert ever gave Shargar in the
duties of a gentleman. And I doubt whether Shargar sought further
enlightenment by direct question of any one. He worked harder than
ever; grew cleanly in his person, even to fastidiousness; tried to
speak English; and a wonderful change gradually, but rapidly,
passed over his outer man. He grew taller and stronger, and as he
grew stronger, his legs grew straighter, till the defect of
approximating knees, the consequence of hardship, all but vanished.
His hair became darker, and the albino look less remarkable, though
still he would remind one of a vegetable grown in a cellar.</p>

<p id="iii.xxi-p139"><br />
</p>

<p id="iii.xxi-p140">Dr. Anderson thought it well that he should have another year at
the grammar-school before going to college.--Robert now occupied
Ericson's room, and left his own to Shargar.</p>

<p id="iii.xxi-p141"><br />
</p>

<p id="iii.xxi-p142">Robert heard every week from Miss St. John about Ericson. Her
reports varied much; but on the whole he got a little better as the
winter went on. She said that the good women at The Boar's Head
paid him every attention: she did not say that almost the only way
to get him to eat was to carry him delicacies which she had
prepared with her own hands.</p>

<p id="iii.xxi-p143"><br />
</p>

<p id="iii.xxi-p144">She had soon overcome the jealousy with which Miss Letty
regarded her interest in their guest, and before many days had
passed she would walk into the archway and go up to his room
without seeing any one, except the sister whom she generally found
there. By what gradations their intimacy grew I cannot inform my
reader, for on the events lying upon the boundary of my story, I
have received very insufficient enlightenment; but the result it is
easy to imagine. I have already hinted at an early disappointment
of Miss St. John. She had grown greatly since, and her estimate of
what she had lost had altered considerably in consequence. But the
change was more rapid after she became acquainted with Ericson. She
would most likely have found the young man she thought she was in
love with in the days gone by a very commonplace person now. The
heart which she had considered dead to the world had, even before
that stormy night in the old house, begun to expostulate against
its owner's mistake, by asserting a fair indifference to that
portion of its past history. And now, to her large nature the
simplicity, the suffering, the patience, the imagination, the grand
poverty of Ericson, were irresistibly attractive. Add to this that
she became his nurse, and soon saw that he was not indifferent to
her--and if she fell in love with him as only a full-grown woman
can love, without Ericson's <i>lips</i> saying anything that might
not by Love's jealousy be interpreted as only of grateful
affection, why should she not?</p>

<p id="iii.xxi-p145"><br />
</p>

<p id="iii.xxi-p146">And what of Marjory Lindsay? Ericson had not forgotten her. But
the brightest star must grow pale as the sun draws near; and on
Ericson there were two suns rising at once on the low sea-shore of
life whereon he had been pacing up and down moodily for
three-and-twenty years, listening evermore to the unprogressive
rise and fall of the tidal waves, all talking of the eternal, all
unable to reveal it--the sun of love and the sun of death. Mysie
and he had never met. She pleased his imagination; she touched his
heart with her helplessness; but she gave him no welcome to the
shrine of her beauty: he loved through admiration and pity. He
broke no faith to her; for he had never offered her any save in
looks, and she had not accepted it. She was but a sickly plant
grown in a hot-house. On his death-bed he found a woman a
hiding-place from the wind, a covert from the tempest, the shadow
of a great rock in a weary land! A strong she-angel with mighty
wings, Mary St. John came behind him as he fainted out of life,
tempered the burning heat of the Sun of Death, and laid him to
sleep in the cool twilight of her glorious shadow. In the stead of
trouble about a wilful, thoughtless girl, he found repose and
protection and motherhood in a great-hearted woman.</p>

<p id="iii.xxi-p147"><br />
</p>

<p id="iii.xxi-p148">For Ericson's sake, Robert made some effort to preserve the
acquaintance of Mr. Lindsay and his daughter. But he could hardly
keep up a conversation with Mr. Lindsay, and Mysie showed herself
utterly indifferent to him even in the way of common friendship. He
told her of Ericson's illness: she said she was sorry to hear it,
and looked miles away. He could never get within a certain
atmosphere of--what shall I call it? <i>avertedness</i> that
surrounded her. She had always lived in a dream of unrealities; and
the dream had almost devoured her life.</p>

<p id="iii.xxi-p149"><br />
</p>

<p id="iii.xxi-p150">One evening Shargar was later than usual in coming home from the
walk, or ramble rather, without which he never could settle down to
his work. He knocked at Robert's door.</p>

<p id="iii.xxi-p151"><br />
</p>

<p id="iii.xxi-p152">'Whaur do ye think I've been, Robert?'</p>

<p id="iii.xxi-p153"><br />
</p>

<p id="iii.xxi-p154">'Hoo suld I ken, Shargar?' answered Robert, puzzling over a
problem.</p>

<p id="iii.xxi-p155"><br />
</p>

<p id="iii.xxi-p156">'I've been haein' a glaiss wi' Jock Mitchell.'</p>

<p id="iii.xxi-p157"><br />
</p>

<p id="iii.xxi-p158">'Wha's Jock Mitchell?'</p>

<p id="iii.xxi-p159"><br />
</p>

<p id="iii.xxi-p160">'My brither Sandy's groom, as I tellt ye afore.'</p>

<p id="iii.xxi-p161"><br />
</p>

<p id="iii.xxi-p162">'Ye dinna think I can min' a' your havers, Shargar. Whaur was
the comin' gentleman whan ye gaed to drink wi' a chield like that,
wha, gin my memory serves me, ye tauld me yersel' was i' the mids
o' a' his maister's deevilry?'</p>

<p id="iii.xxi-p163"><br />
</p>

<p id="iii.xxi-p164">'Yer memory serves ye weel eneuch to be doon upo' me,' said
Shargar. 'But there's a bit wordy 'at they read at the cathedral
kirk the last Sunday 'at's stucken to me as gin there was something
by ordinar' in 't.'</p>

<p id="iii.xxi-p165"><br />
</p>

<p id="iii.xxi-p166">'What's that?' asked Robert, pretending to go on with his
calculations all the time.</p>

<p id="iii.xxi-p167"><br />
</p>

<p id="iii.xxi-p168">'Ow, nae muckle; only this: "Judge not, that ye be not
judged."--I took a lesson frae Jeck the giant-killer, wi' the Welsh
giant--was 't Blunderbore they ca'd him?--an' poored the maist o'
my glaiss doon my breist. It wasna like ink; it wadna du my sark
ony ill.'</p>

<p id="iii.xxi-p169"><br />
</p>

<p id="iii.xxi-p170">'But what garred ye gang wi' 'im at a'? He wasna fit company for
a gentleman.'</p>

<p id="iii.xxi-p171"><br />
</p>

<p id="iii.xxi-p172">'A gentleman 's some saft gin he be ony the waur o' the company
he gangs in till. There may be rizzons, ye ken. Ye needna du as
they du. Jock Mitchell was airin' Reid Rorie an' Black Geordie. An'
says I--for I wantit to ken whether I was sic a breme-buss
(<i>broom-bush</i>) as I used to be--says I, "Hoo are ye, Jock
Mitchell?" An' says Jock, "Brawly. Wha the deevil are ye?" An' says
I, "Nae mair o' a deevil nor yersel', Jock Mitchell, or Alexander,
Baron Rothie, either--though maybe that's no little o' ane."
"Preserve me!" cried Jock, "it's Shargar."--"Nae mair o' that,
Jock," says I. "Gin I bena a gentleman, or a' be dune,"--an' there
I stack, for I saw I was a muckle fule to lat oot onything o' the
kin' to Jock. And sae he seemed to think, too, for he brak oot wi'
a great guffaw; an' to win ower 't, I jined, an' leuch as gin
naething was farrer aff frae my thochts than ever bein' a
gentleman. "Whaur do ye pit up, Jock?" I said. "Oot by here," he
answert, "at Luckie Maitlan's."--"That's a queer place for a baron
to put up, Jock," says I. "There's rizzons," says he, an' lays his
forefinger upo' the side o' 's nose, o' whilk there was hardly
eneuch to haud it ohn gane intil the opposit ee. "We're no far frae
there," says I--an' deed I can hardly tell ye, Robert, what garred
me say sae, but I jist wantit to ken what that gentleman-brither o'
mine was efter; "tak the horse hame," says I--"I'll jist loup upo'
Black Geordie--an' we'll hae a glaiss thegither. I'll stan' treat."
Sae he gae me the bridle, an' I lap on. The deevil tried to get a
moufu' o' my hip, but, faith! I was ower swack for 'im; an' awa we
rade.'</p>

<p id="iii.xxi-p173"><br />
</p>

<p id="iii.xxi-p174">'I didna ken 'at ye cud ride, Shargar.'</p>

<p id="iii.xxi-p175"><br />
</p>

<p id="iii.xxi-p176">'Hoots! I cudna help it. I was aye takin' the horse to the
watter at The Boar's Heid, or The Royal Oak, or Lucky Happit's, or
The Aucht an' Furty. That's hoo I cam to ken Jock sae weel. We war
guid eneuch frien's whan I didna care for leein' or sweirin', an'
sic like.'</p>

<p id="iii.xxi-p177"><br />
</p>

<p id="iii.xxi-p178">'And what on earth did ye want wi' 'im noo?'</p>

<p id="iii.xxi-p179"><br />
</p>

<p id="iii.xxi-p180">'I tell ye I wantit to ken what that ne'er-do-weel brither o'
mine was efter. I had seen the horses stan'in' aboot twa or three
times i' the gloamin'; an' Sandy maun be aboot ill gin he be aboot
onything.'</p>

<p id="iii.xxi-p181"><br />
</p>

<p id="iii.xxi-p182">'What can 't maitter to you, Shargar, what a man like him 's
aboot?'</p>

<p id="iii.xxi-p183"><br />
</p>

<p id="iii.xxi-p184">'Weel, ye see, Robert, my mither aye broucht me up to ken a' 'at
fowk was aboot, for she said ye cud never tell whan it micht turn
oot to the weelfaur o' yer advantage--gran' words!--I wonner whaur
she forgathert wi' them. But she was a terrible wuman, my mither,
an' kent a heap o' things--mair nor 'twas gude to ken, maybe. She
gaed aboot the country sae muckle, an' they say the gipsies she
gaed amang 's a dreadfu' auld fowk, an' hae the wisdom o' the
Egyptians 'at Moses wad hae naething to do wi'.'</p>

<p id="iii.xxi-p185"><br />
</p>

<p id="iii.xxi-p186">'Whaur is she noo?'</p>

<p id="iii.xxi-p187"><br />
</p>

<p id="iii.xxi-p188">'I dinna ken. She may turn up ony day.'</p>

<p id="iii.xxi-p189"><br />
</p>

<p id="iii.xxi-p190">'There's ae thing, though, Shargar: gin ye want to be a
gentleman, ye maunna gang keekin' that gate intil ither fowk's
affairs.'</p>

<p id="iii.xxi-p191"><br />
</p>

<p id="iii.xxi-p192">'Weel, I maun gie 't up. I winna say a word o' what Jock
Mitchell tellt me aboot Lord Sandy.'</p>

<p id="iii.xxi-p193"><br />
</p>

<p id="iii.xxi-p194">'Ow, say awa'.'</p>

<p id="iii.xxi-p195"><br />
</p>

<p id="iii.xxi-p196">'Na, na; ye wadna like to hear aboot ither fowk's affairs. My
mither tellt me he did verra ill efter Watterloo till a fremt
(<i>stranger</i>) lass at Brussels. But that's neither here nor
there. I maun set aboot my version, or I winna get it dune the
nicht.'</p>

<p id="iii.xxi-p197"><br />
</p>

<p id="iii.xxi-p198">'What is Lord Sandy after? What did the rascal tell you? Why do
you make such a mystery of it?' said Robert, authoritatively, and
in his best English.</p>

<p id="iii.xxi-p199"><br />
</p>

<p id="iii.xxi-p200">''Deed I cudna mak naething o' 'm. He winkit an' he mintit
(<i>hinted</i>) an' he gae me to unnerstan' 'at the deevil was
efter some lass or ither, but wha--my lad was as dumb 's the
graveyard about that. Gin I cud only win at that, maybe I cud play
him a plisky. But he coupit ower three glasses o' whusky, an' the
mair he drank the less he wad say. An' sae I left him.'</p>

<p id="iii.xxi-p201"><br />
</p>

<p id="iii.xxi-p202">'Well, take care what you're about, Shargar. I don't think Dr.
Anderson would like you to be in such company,' said Robert; and
Shargar departed to his own room and his version.</p>

<p id="iii.xxi-p203"><br />
</p>

<p id="iii.xxi-p204">Towards the end of the session Miss St. John's reports of
Ericson were worse. Yet he was very hopeful himself, and thought he
was getting better fast. Every relapse he regarded as temporary;
and when he got a little better, thought he had recovered his
original position. It was some relief to Miss St. John to
communicate her anxiety to Robert.</p>

<p id="iii.xxi-p205"><br />
</p>

<p id="iii.xxi-p206">After the distribution of the prizes, of which he gained three,
Robert went the same evening to visit Dr. Anderson, intending to go
home the next day. The doctor gave him five golden sovereigns--a
rare sight in Scotland. Robert little thought in what service he
was about to spend them.</p>

<p id="iii.xxi-p207"><br />
</p>

<p id="iii.xxi-p208"><br />
</p>

</div2>

      <div2 title="CHAPTER XXII.--ROBERT IN ACTION." n="xxii" shorttitle="" progress="60.34%" id="iii.xxii" prev="iii.xxi" next="iii.xxiii">

<p id="iii.xxii-p1"><br />
</p>

<p id="iii.xxii-p2">CHAPTER XXII.</p>

<p id="iii.xxii-p3"><br />
</p>

<p id="iii.xxii-p4">ROBERT IN ACTION.</p>

<p id="iii.xxii-p5"><br />
</p>

<p id="iii.xxii-p6">IT was late when he left his friend. As he walked through the
Gallowgate, an ancient narrow street, full of low courts, some one
touched him upon the arm. He looked round. It was a young woman. He
turned again to walk on.</p>

<p id="iii.xxii-p7"><br />
</p>

<p id="iii.xxii-p8">'Mr Faukner,' she said, in a trembling voice, which Robert
thought he had heard before.</p>

<p id="iii.xxii-p9"><br />
</p>

<p id="iii.xxii-p10">He stopped.</p>

<p id="iii.xxii-p11"><br />
</p>

<p id="iii.xxii-p12">'I don't know you,' he said. 'I can't see your face. Tell me who
you are.'</p>

<p id="iii.xxii-p13"><br />
</p>

<p id="iii.xxii-p14">She returned no answer, but stood with her head aside. He could
see that her hands shook.</p>

<p id="iii.xxii-p15"><br />
</p>

<p id="iii.xxii-p16">'What do you want with me--if you won't say who you are?'</p>

<p id="iii.xxii-p17"><br />
</p>

<p id="iii.xxii-p18">'I want to tell you something,' she said; 'but I canna speyk
here. Come wi' me.'</p>

<p id="iii.xxii-p19"><br />
</p>

<p id="iii.xxii-p20">'I won't go with you without knowing who you are or where you're
going to take me.'</p>

<p id="iii.xxii-p21"><br />
</p>

<p id="iii.xxii-p22">'Dinna ye ken me?' she said pitifully, turning a little towards
the light of the gas-lamp, and looking up in his face.</p>

<p id="iii.xxii-p23"><br />
</p>

<p id="iii.xxii-p24">'It canna be Jessie Hewson?' said Robert, his heart swelling at
the sight of the pale worn countenance of the girl.</p>

<p id="iii.xxii-p25"><br />
</p>

<p id="iii.xxii-p26">'I was Jessie Hewson ance,' she said, 'but naebody here kens me
by that name but yersel'. Will ye come in? There's no a crater i'
the hoose but mysel'.'</p>

<p id="iii.xxii-p27"><br />
</p>

<p id="iii.xxii-p28">Robert turned at once. 'Go on,' he said.</p>

<p id="iii.xxii-p29"><br />
</p>

<p id="iii.xxii-p30">She led the way up a narrow stone stair between two houses. A
door high up in the gable admitted them. The boards bent so much
under his weight that Robert feared the floor would fall.</p>

<p id="iii.xxii-p31"><br />
</p>

<p id="iii.xxii-p32">'Bide ye there, sir, till I fess a licht,' she said.</p>

<p id="iii.xxii-p33"><br />
</p>

<p id="iii.xxii-p34">This was Robert's first introduction to a phase of human life
with which he became familiar afterwards.</p>

<p id="iii.xxii-p35"><br />
</p>

<p id="iii.xxii-p36">'Mind hoo ye gang, sir,' she resumed, returning with a candle.
'There's nae flurin' there. Haud i' the middle efter me, or ye'll
gang throu.'</p>

<p id="iii.xxii-p37"><br />
</p>

<p id="iii.xxii-p38">She led him into a room, with nothing in it but a bed, a table,
and a chair. On the table was a half-made shirt. In the bed lay a
tiny baby, fast asleep. It had been locked up alone in the dreary
garret. Robert approached to look at the child, for his heart felt
very warm to poor Jessie.</p>

<p id="iii.xxii-p39"><br />
</p>

<p id="iii.xxii-p40">'A bonnie bairnie,' he said,</p>

<p id="iii.xxii-p41"><br />
</p>

<p id="iii.xxii-p42">'Isna he, sir? Think o' 'im comin' to me! Nobody can tell the
mercy o' 't. Isna it strange that the verra sin suld bring an angel
frae haven upo' the back o' 't to uphaud an' restore the sinner?
Fowk thinks it's a punishment; but eh me! it's a mercifu' ane. It's
a wonner he didna think shame to come to me. But he cam to beir <i>
my</i> shame.'</p>

<p id="iii.xxii-p43"><br />
</p>

<p id="iii.xxii-p44">Robert wondered at her words. She talked of her sin with such a
meek openness! She looked her shame in the face, and acknowledged
it hers. Had she been less weak and worn, perhaps she could not
have spoken thus.</p>

<p id="iii.xxii-p45"><br />
</p>

<p id="iii.xxii-p46">'But what am I aboot!' she said, checking herself. 'I didna fess
ye here to speyk aboot mysel'. He's efter mair mischeef, and gin
onything cud be dune to haud him frae 't--'</p>

<p id="iii.xxii-p47"><br />
</p>

<p id="iii.xxii-p48">'Wha's efter mischeef, Jessie?' interrupted Robert.</p>

<p id="iii.xxii-p49"><br />
</p>

<p id="iii.xxii-p50">'Lord Rothie. He's gaein' aff the nicht in Skipper Hornbeck's
boat to Antwerp, I think they ca' 't, an' a bonnie young leddy wi'
'im. They war to sail wi' the first o' the munelicht.--Surely I'm
nae ower late,' she added, going to the window. 'Na, the mune canna
be up yet.'</p>

<p id="iii.xxii-p51"><br />
</p>

<p id="iii.xxii-p52">'Na,' said Robert; 'I dinna think she rises muckle afore twa
o'clock the nicht. But hoo ken ye? Are ye sure o' 't? It's an awfu'
thing to think o'.'</p>

<p id="iii.xxii-p53"><br />
</p>

<p id="iii.xxii-p54">'To convence ye, I maun jist tell ye the trowth. The hoose we're
in hasna a gude character. We're middlin' dacent up here; but the
lave o' the place is dreadfu'. Eh for the bonnie leys o' Bodyfauld!
Gin ye see my father, tell him I'm nane waur than I was.'</p>

<p id="iii.xxii-p55"><br />
</p>

<p id="iii.xxii-p56">'They think ye droont i' the Dyer's Pot, as they ca' 't.'</p>

<p id="iii.xxii-p57"><br />
</p>

<p id="iii.xxii-p58">'There I am again!' she said--'miles awa' an' nae time to be
lost!--My lord has a man they ca' Mitchell. Ower weel I ken him.
There's a wuman doon the stair 'at he comes to see whiles; an' twa
or three nichts ago, I heard them lauchin' thegither. Sae I
hearkened. They war baith some fou, I'm thinkin'. I cudna tell ye
a' 'at they said. That's a punishment noo, gin ye like--to see and
hear the warst o' yer ain ill doin's. He tellt the limmer a heap o'
his lord's secrets. Ay, he tellt her aboot me, an' hoo I had gane
and droont mysel'. I could hear 'maist ilka word 'at he said; for
ye see the flurin' here 's no verra soon', and I was jist 'at I
cudna help hearkenin'. My lord's aff the nicht, as I tell ye. It's
a queer gait, but a quaiet, he thinks, nae doobt. Gin onybody wad
but tell her hoo mony een the baron's made sair wi' greitin'!'</p>

<p id="iii.xxii-p59"><br />
</p>

<p id="iii.xxii-p60">'But hoo's that to be dune?' said Robert.</p>

<p id="iii.xxii-p61"><br />
</p>

<p id="iii.xxii-p62">'I dinna ken. But I hae been watchin' to see you ever sin' syne.
I hae seen ye gang by mony a time. Ye're the only man I ken 'at I
could speyk till aboot it. Ye maun think what ye can do. The warst
o' 't is I canna tell wha she is or whaur she bides.'</p>

<p id="iii.xxii-p63"><br />
</p>

<p id="iii.xxii-p64">'In that case, I canna see what's to be dune.'</p>

<p id="iii.xxii-p65"><br />
</p>

<p id="iii.xxii-p66">'Cudna ye watch them aboord, an' slip a letter intil her han'?
Or ye cud gie 't to the skipper to gie her.'</p>

<p id="iii.xxii-p67"><br />
</p>

<p id="iii.xxii-p68">'I ken the skipper weel eneuch. He's a respectable man. Gin he
kent what the baron was efter, he wadna tak him on boord.'</p>

<p id="iii.xxii-p69"><br />
</p>

<p id="iii.xxii-p70">'That wad do little guid. He wad only hae her aff some ither
gait.'</p>

<p id="iii.xxii-p71"><br />
</p>

<p id="iii.xxii-p72">'Weel,' said Robert, rising, 'I'll awa' hame, an' think aboot it
as I gang.--Wad ye tak a feow shillin's frae an auld frien'?' he
added with hesitation, putting his hand in his pocket.</p>

<p id="iii.xxii-p73"><br />
</p>

<p id="iii.xxii-p74">'Na--no a baubee,' she answered. 'Nobody sall say it was for
mysel' I broucht ye here. Come efter me, an' min' whaur ye pit doon
yer feet. It's no sicker.'</p>

<p id="iii.xxii-p75"><br />
</p>

<p id="iii.xxii-p76">She led him to the door. He bade her good-night.</p>

<p id="iii.xxii-p77"><br />
</p>

<p id="iii.xxii-p78">'Tak care ye dinna fa' gaein' doon the stair. It's maist as
steep 's a wa'.'</p>

<p id="iii.xxii-p79"><br />
</p>

<p id="iii.xxii-p80">As Robert came from between the houses, he caught a glimpse of a
man in a groom's dress going in at the street door of that he had
left.</p>

<p id="iii.xxii-p81"><br />
</p>

<p id="iii.xxii-p82">All the natural knighthood in him was roused. But what could he
do? To write was a sneaking way. He would confront the baron. The
baron and the girl would both laugh at him. The sole conclusion he
could arrive at was to consult Shargar.</p>

<p id="iii.xxii-p83"><br />
</p>

<p id="iii.xxii-p84">He lost no time in telling him the story.</p>

<p id="iii.xxii-p85"><br />
</p>

<p id="iii.xxii-p86">'I tauld ye he was up to some deevilry or ither,' said Shargar.
'I can shaw ye the verra hoose he maun be gaein' to tak her
frae.'</p>

<p id="iii.xxii-p87"><br />
</p>

<p id="iii.xxii-p88">'Ye vratch! what for didna ye tell me that afore?'</p>

<p id="iii.xxii-p89"><br />
</p>

<p id="iii.xxii-p90">'Ye wadna hear aboot ither fowk's affairs. Na, not you! But some
fowk has no richt to consideration. The verra stanes they say 'ill
cry oot ill secrets like brither Sandy's.'</p>

<p id="iii.xxii-p91"><br />
</p>

<p id="iii.xxii-p92">'Whase hoose is 't?'</p>

<p id="iii.xxii-p93"><br />
</p>

<p id="iii.xxii-p94">'I dinna ken. I only saw him come oot o' 't ance, an' Jock
Mitchell was haudin' Black Geordie roon' the neuk. It canna be far
frae Mr. Lindsay's 'at you an' Mr. Ericson used to gang till.'</p>

<p id="iii.xxii-p95"><br />
</p>

<p id="iii.xxii-p96">'Come an' lat me see 't direckly,' cried Robert, starting up,
with a terrible foreboding at his heart.</p>

<p id="iii.xxii-p97"><br />
</p>

<p id="iii.xxii-p98">They were in the street in a moment. Shargar led the way by a
country lane to the top of the hill on the right, and then turning
to the left, brought him to some houses standing well apart from
each other. It was a region unknown to Robert. They were the backs
of the houses of which Mr. Lindsay's was one.</p>

<p id="iii.xxii-p99"><br />
</p>

<p id="iii.xxii-p100">'This is the hoose,' said Shargar.</p>

<p id="iii.xxii-p101"><br />
</p>

<p id="iii.xxii-p102">Robert rushed into action. He knocked at the door. Mr. Lindsay's
Jenny opened it.</p>

<p id="iii.xxii-p103"><br />
</p>

<p id="iii.xxii-p104">'Is yer mistress in, Jenny?' he asked at once.</p>

<p id="iii.xxii-p105"><br />
</p>

<p id="iii.xxii-p106">'Na. Ay. The maister's gane to Bors Castle.'</p>

<p id="iii.xxii-p107"><br />
</p>

<p id="iii.xxii-p108">'It's Miss Lindsay I want to see.'</p>

<p id="iii.xxii-p109"><br />
</p>

<p id="iii.xxii-p110">'She's up in her ain room wi' a sair heid.'</p>

<p id="iii.xxii-p111"><br />
</p>

<p id="iii.xxii-p112">Robert looked her hard in the face, and knew she was lying.</p>

<p id="iii.xxii-p113"><br />
</p>

<p id="iii.xxii-p114">'I want to see her verra partic'lar,' he said.</p>

<p id="iii.xxii-p115"><br />
</p>

<p id="iii.xxii-p116">'Weel, ye canna see her,' returned Jenny angrily. 'I'll tell her
onything ye like.'</p>

<p id="iii.xxii-p117"><br />
</p>

<p id="iii.xxii-p118">Concluding that little was to be gained by longer parley, but
quite uncertain whether Mysie was in the house or not, Robert
turned to Shargar, took him by the arm, and walked away in silence.
When they were beyond earshot of Jenny, who stood looking after
them,</p>

<p id="iii.xxii-p119"><br />
</p>

<p id="iii.xxii-p120">'Ye're sure that's the hoose, Shargar?' said Robert quietly.</p>

<p id="iii.xxii-p121"><br />
</p>

<p id="iii.xxii-p122">'As sure's deith, and maybe surer, for I saw him come oot wi' my
ain een.'</p>

<p id="iii.xxii-p123"><br />
</p>

<p id="iii.xxii-p124">'Weel, Shargar, it's grown something awfu' noo. It's Miss
Lindsay. Was there iver sic a villain as that Lord Rothie--that
brither o' yours!'</p>

<p id="iii.xxii-p125"><br />
</p>

<p id="iii.xxii-p126">'I disoun 'im frae this verra 'oor,' said Shargar solemnly.</p>

<p id="iii.xxii-p127"><br />
</p>

<p id="iii.xxii-p128">'Something <i>maun</i> be dune. We'll awa' to the quay, an' see
what'll turn up. I wonner hoo's the tide.'</p>

<p id="iii.xxii-p129"><br />
</p>

<p id="iii.xxii-p130">'The tide's risin'. They'll never try to win oot till it's slack
watter--furbye 'at the Amphitrite, for as braid 's she is, and her
bows modelled efter the cheeks o' a resurrection cherub upo' a
gravestane, draws a heap o' watter: an' the bar they say 's waur to
win ower nor usual: it's been gatherin' again.'</p>

<p id="iii.xxii-p131"><br />
</p>

<p id="iii.xxii-p132">As they spoke, the boys were making for the new town, eagerly.
Just opposite where the Amphitrite lay was a public-house: into
that they made up their minds to go, and there to write a letter,
which they would give to Miss Lindsay if they could, or, if not,
leave with Skipper Hoornbeek. Before they reached the river, a
thick rain of minute drops began to fall, rendering the night still
darker, so that they could scarcely see the vessels from the
pavement on the other side of the quay, along which they were
hurrying, to avoid the cables, rings, and stone posts that made its
margin dangerous in the dim light. When they came to The Smack Inn
they crossed right over to reach the Amphitrite. A growing fear
kept them silent as they approached her berth. It was empty. They
turned and stared at each other in dismay.</p>

<p id="iii.xxii-p133"><br />
</p>

<p id="iii.xxii-p134">One of those amphibious animals that loiter about the borders of
the water was seated on a stone smoking, probably fortified against
the rain by the whisky inside him.</p>

<p id="iii.xxii-p135"><br />
</p>

<p id="iii.xxii-p136">'Whaur's the Amphitrite, Alan?' asked Shargar, for Robert was
dumb with disappointment and rage.</p>

<p id="iii.xxii-p137"><br />
</p>

<p id="iii.xxii-p138">'Half doon to Stanehive by this time, I'm thinkin',' answered
Alan. 'For a brewin' tub like her, she fummles awa nae ill wi' a
licht win' astarn o' her. But I'm doobtin' afore she win across the
herrin-pot her fine passengers 'll win at the boddom o' their
stamacks. It's like to blaw a bonnetfu', and she rows awfu' in ony
win'. I dinna think she cud capsize, but for wamlin' she's waur nor
a bairn with the grips.'</p>

<p id="iii.xxii-p139"><br />
</p>

<p id="iii.xxii-p140">In absolute helplessness, the boys had let him talk on: there
was nothing more to be done; and Alan was in a talkative mood.</p>

<p id="iii.xxii-p141"><br />
</p>

<p id="iii.xxii-p142">'Fegs! gin 't come on to blaw,' he resumed, 'I wadna wonner gin
they got the skipper to set them ashore at Stanehive. I heard auld
Horny say something aboot lyin' to there for a bit, to tak a keg or
something aboord.'</p>

<p id="iii.xxii-p143"><br />
</p>

<p id="iii.xxii-p144">The boys looked at each other, bade Alan good-night, and walked
away.</p>

<p id="iii.xxii-p145"><br />
</p>

<p id="iii.xxii-p146">'Hoo far is 't to Stonehaven, Shargar?' said Robert.</p>

<p id="iii.xxii-p147"><br />
</p>

<p id="iii.xxii-p148">'I dinna richtly ken. Maybe frae twal to fifteen mile.'</p>

<p id="iii.xxii-p149"><br />
</p>

<p id="iii.xxii-p150">Robert stood still. Shargar saw his face pale as death, and
contorted with the effort to control his feelings.</p>

<p id="iii.xxii-p151"><br />
</p>

<p id="iii.xxii-p152">'Shargar,' he said, 'what <i>am</i> I to do? I vowed to Mr.
Ericson that, gin he deid, I wad luik efter that bonny lassie. An'
noo whan he's lyin' a' but deid, I hae latten her slip throu' my
fingers wi' clean carelessness. What <i>am</i> I to do? Gin I cud
only win to Stonehaven afore the Amphitrite! I cud gang aboord wi'
the keg, and gin I cud do naething mair, I wad hae tried to do my
best. Gin I do naething, my hert 'll brak wi' the weicht o' my
shame.'</p>

<p id="iii.xxii-p153"><br />
</p>

<p id="iii.xxii-p154">Shargar burst into a roar of laughter. Robert was on the point
of knocking him down, but took him by the throat as a milder
proceeding, and shook him.</p>

<p id="iii.xxii-p155"><br />
</p>

<p id="iii.xxii-p156">'Robert! Robert!' gurgled Shargar, as soon as his choking had
overcome his merriment, 'ye're an awfu' Hielan'man. Hearken to me.
I beg--g--g yer pardon. What I was thinkin' o' was--'</p>

<p id="iii.xxii-p157"><br />
</p>

<p id="iii.xxii-p158">Robert relaxed his hold. But Shargar, notwithstanding the lesson
Robert had given him, could hardly speak yet for the enjoyment of
his own device.</p>

<p id="iii.xxii-p159"><br />
</p>

<p id="iii.xxii-p160">'Gin we could only get rid o' Jock Mitchell!--' he crowed; and
burst out again.</p>

<p id="iii.xxii-p161"><br />
</p>

<p id="iii.xxii-p162">'He's wi' a wuman i' the Gallowgate,' said Robert.</p>

<p id="iii.xxii-p163"><br />
</p>

<p id="iii.xxii-p164">'Losh, man!' exclaimed Shargar, and started off at full
speed.</p>

<p id="iii.xxii-p165"><br />
</p>

<p id="iii.xxii-p166">He was no match for his companion, however.</p>

<p id="iii.xxii-p167"><br />
</p>

<p id="iii.xxii-p168">'Whaur the deevil are ye rinnin' till, ye wirrycow
(<i>scarecrow</i>)?' panted Robert, as he laid hold of his
collar.</p>

<p id="iii.xxii-p169"><br />
</p>

<p id="iii.xxii-p170">'Lat me gang, Robert,' gasped Shargar. 'Losh, man! ye'll be on
Black Geordie in anither ten meenits, an' me ahin' ye upo' Reid
Rorie. An' faith gin we binna at Stanehive afore the Dutchman wi'
's boddom foremost, it'll be the faut o' the horse and no o' the
men.'</p>

<p id="iii.xxii-p171"><br />
</p>

<p id="iii.xxii-p172">Robert's heart gave a bound of hope.</p>

<p id="iii.xxii-p173"><br />
</p>

<p id="iii.xxii-p174">'Hoo 'ill ye get them, Shargar?' he asked eagerly.</p>

<p id="iii.xxii-p175"><br />
</p>

<p id="iii.xxii-p176">'Steal them,' answered Shargar, struggling to get away from the
grasp still upon his collar.</p>

<p id="iii.xxii-p177"><br />
</p>

<p id="iii.xxii-p178">'We micht be hanged for that.'</p>

<p id="iii.xxii-p179"><br />
</p>

<p id="iii.xxii-p180">'Weel, Robert, I'll tak a' the wyte o' 't. Gin it hadna been for
you, I micht ha' been hangt by this time for ill doin': for your
sake I'll be hangt for weel doin', an' welcome. Come awa'. To steal
a mairch upo' brither Sandy wi' aucht (<i>eight</i>) horse-huves o'
's ain! Ha! ha! ha!'</p>

<p id="iii.xxii-p181"><br />
</p>

<p id="iii.xxii-p182">They sped along, now running themselves out of breath, now
walking themselves into it again, until they reached a retired
hostelry between the two towns. Warning Robert not to show himself,
Shargar disappeared round the corner of the house.</p>

<p id="iii.xxii-p183"><br />
</p>

<p id="iii.xxii-p184">Robert grew weary, and then anxious. At length Shargar's face
came through the darkness.</p>

<p id="iii.xxii-p185"><br />
</p>

<p id="iii.xxii-p186">'Robert,' he whispered, 'gie 's yer bonnet. I'll be wi' ye in a
moment noo.'</p>

<p id="iii.xxii-p187"><br />
</p>

<p id="iii.xxii-p188">Robert obeyed, too anxious to question him. In about three
minutes more Shargar reappeared, leading what seemed the ghost of a
black horse; for Robert could see only his eyes, and his hoofs made
scarcely any noise. How he had managed it with a horse of Black
Geordie's temper, I do not know, but some horses will let some
persons do anything with them: he had drawn his own stockings over
his fore feet, and tied their two caps upon his hind hoofs.</p>

<p id="iii.xxii-p189"><br />
</p>

<p id="iii.xxii-p190">'Lead him awa' quaietly up the road till I come to ye,' said
Shargar, as he took the mufflings off the horse's feet. 'An' min'
'at he doesna tak a nip o' ye. He's some ill for bitin'. I'll be
efter ye direckly. Rorie's saiddlet an' bridled. He only wants his
carpet-shune.'</p>

<p id="iii.xxii-p191"><br />
</p>

<p id="iii.xxii-p192">Robert led the horse a few hundred yards, then stopped and
waited. Shargar soon joined him, already mounted on Red
Roderick.</p>

<p id="iii.xxii-p193"><br />
</p>

<p id="iii.xxii-p194">'Here's yer bonnet, Robert. It's some foul, I doobt. But I cudna
help it. Gang on, man. Up wi' ye. Maybe I wad hae better keepit
Geordie mysel'. But ye can ride. Ance ye're on, he canna bite
ye.'</p>

<p id="iii.xxii-p195"><br />
</p>

<p id="iii.xxii-p196">But Robert needed no encouragement from Shargar. In his present
mood he would have mounted a griffin. He was on horseback in a
moment. They trotted gently through the streets, and out of the
town. Once over the Dee, they gave their horses the rein, and off
they went through the dark drizzle. Before they got half-way they
were wet to the skin; but little did Robert, or Shargar either,
care for that. Not many words passed between them.</p>

<p id="iii.xxii-p197"><br />
</p>

<p id="iii.xxii-p198">'Hoo 'ill ye get the horse (<i>plural</i>) in again, Shargar?'
asked Robert.</p>

<p id="iii.xxii-p199"><br />
</p>

<p id="iii.xxii-p200">'Afore I get them back,' answered Shargar, 'they'll be tired
eneuch to gang hame o' themsel's. Gin we had only had the luck to
meet Jock!--that wad hae been gran'.'</p>

<p id="iii.xxii-p201"><br />
</p>

<p id="iii.xxii-p202">'What for that?'</p>

<p id="iii.xxii-p203"><br />
</p>

<p id="iii.xxii-p204">'I wad hae cawed Reid Rorie ower the heid o' 'm, an' left him
lyin'--the coorse villain!'</p>

<p id="iii.xxii-p205"><br />
</p>

<p id="iii.xxii-p206">The horses never flagged till they drew up in the main street of
Stonehaven. Robert ran down to the harbour to make inquiry, and
left Shargar to put them up.</p>

<p id="iii.xxii-p207"><br />
</p>

<p id="iii.xxii-p208">The moon had risen, but the air was so full of vapour that she
only succeeded in melting the darkness a little. The sea rolled in
front, awful in its dreariness, under just light enough to show a
something unlike the land. But the rain had ceased, and the air was
clearer. Robert asked a solitary man, with a telescope in his hand,
whether he was looking out for the Amphitrite. The man asked him
gruffly in return what he knew of her. Possibly the nature of the
keg to be put on board had something to do with his Scotch reply.
Robert told him he was a friend of the captain, had missed the
boat, and would give any one five shillings to put him on board.
The man went away and returned with a companion. After some further
questioning and bargaining, they agreed to take him. Robert
loitered about the pier full of impatience. Shargar joined him.</p>

<p id="iii.xxii-p209"><br />
</p>

<p id="iii.xxii-p210">Day began to break over the waves. They gleamed with a blue-gray
leaden sheen. The men appeared coming along the harbour, and
descended by a stair into a little skiff, where a barrel, or
something like one, lay under a tarpaulin. Robert bade Shargar
good-bye, and followed. They pushed off, rowed out into the bay,
and lay on their oars waiting for the vessel. The light grew apace,
and Robert fancied he could distinguish the two horses with one
rider against the sky on the top of the cliffs, moving northwards.
Turning his eyes to the sea, he saw the canvas of the brig, and his
heart beat fast. The men bent to their oars. She drew nearer, and
lay to. When they reached her he caught the rope the sailors threw,
was on board in a moment, and went aft to the captain. The Dutchman
stared. In a few words Robert made him understand his object,
offering to pay for his passage, but the good man would not hear of
it. He told him that the lady and gentleman had come on board as
brother and sister: the baron was too knowing to run his head into
the noose of Scotch law.</p>

<p id="iii.xxii-p211"><br />
</p>

<p id="iii.xxii-p212">'I cannot throw him over the board,' said the skipper; 'and what
am I to do? I am afraid it is of no use. Ah! poor thing!'</p>

<p id="iii.xxii-p213"><br />
</p>

<p id="iii.xxii-p214">By this time the vessel was under way. The wind freshened. Mysie
had been ill ever since they left the month of the river: now she
was much worse. Before another hour passed, she was crying to be
taken home to her papa. Still the wind increased, and the vessel
laboured much.</p>

<p id="iii.xxii-p215"><br />
</p>

<p id="iii.xxii-p216">Robert never felt better, and if it had not been for the cause
of his sea-faring, would have thoroughly enjoyed it. He put on some
sea-going clothes of the captain's, and set himself to take his
share in working the brig, in which he was soon proficient enough
to be useful. When the sun rose, they were in a tossing wilderness
of waves. With the sunrise, Robert began to think he had been
guilty of a great folly. For what could he do? How was he to
prevent the girl from going off with her lover the moment they
landed? But his poor attempt would verify his willingness.</p>

<p id="iii.xxii-p217"><br />
</p>

<p id="iii.xxii-p218">The baron came on deck now and then, looking bored. He had not
calculated on having to nurse the girl. Had Mysie been well, he
could have amused himself with her, for he found her ignorance
interesting. As it was, he felt injured, and indeed disgusted at
the result of the experiment.</p>

<p id="iii.xxii-p219"><br />
</p>

<p id="iii.xxii-p220">On the third day the wind abated a little; but towards night it
blew hard again, and it was not until they reached the smooth
waters of the Scheldt that Mysie made her appearance on deck,
looking dreadfully ill, and altogether like a miserable, unhappy
child. Her beauty was greatly gone, and Lord Rothie did not pay her
much attention.</p>

<p id="iii.xxii-p221"><br />
</p>

<p id="iii.xxii-p222">Robert had as yet made no attempt to communicate with her, for
there was scarcely a chance of her concealing a letter from the
baron. But as soon as they were in smooth water, he wrote one,
telling her in the simplest language that the baron was a bad man,
who had amused himself by making many women fall in love with him,
and then leaving them miserable: he knew one of them himself.</p>

<p id="iii.xxii-p223"><br />
</p>

<p id="iii.xxii-p224">Having finished his letter, he began to look abroad over the
smooth water, and the land smooth as the water. He saw tall
poplars, the spires of the forest, and rows of round-headed dumpy
trees, like domes. And he saw that all the buildings like churches,
had either spires like poplars, or low round domes like those other
trees. The domes gave an eastern aspect to the country. The spire
of Antwerp cathedral especially had the poplar for its model. The
pinnacles which rose from the base of each successive start of its
narrowing height were just the clinging, upright branches of the
poplar--a lovely instance of Art following Nature's suggestion.</p>

<p id="iii.xxii-p225"><br />
</p>

<p id="iii.xxii-p226"><br />
</p>

</div2>

      <div2 title="CHAPTER XXIII.--ROBERT FINDS A NEW INSTRUMENT." n="xxiii" shorttitle="" progress="62.02%" id="iii.xxiii" prev="iii.xxii" next="iii.xxiv">

<p id="iii.xxiii-p1"><br />
</p>

<p id="iii.xxiii-p2">CHAPTER XXIII.</p>

<p id="iii.xxiii-p3"><br />
</p>

<p id="iii.xxiii-p4">ROBERT FINDS A NEW INSTRUMENT.</p>

<p id="iii.xxiii-p5"><br />
</p>

<p id="iii.xxiii-p6">AT length the vessel lay alongside the quay, and as Mysie
stepped from its side the skipper found an opportunity of giving
her Robert's letter. It was the poorest of chances, but Robert
could think of no other. She started on receiving it, but regarding
the skipper's significant gestures put it quietly away. She looked
anything but happy, for her illness had deprived her of courage,
and probably roused her conscience. Robert followed the pair, saw
them enter The Great Labourer--what could the name mean? could it
mean The Good Shepherd?--and turned away helpless, objectless
indeed, for he had done all that he could, and that all was of no
potency. A world of innocence and beauty was about to be hurled
from its orbit of light into the blackness of outer chaos; he knew
it, and was unable to speak word or do deed that should frustrate
the power of a devil who so loved himself that he counted it an
honour to a girl to have him for her ruin. Her after life had no
significance for him, save as a trophy of his victory. He never
perceived that such victory was not yielded to him; that he gained
it by putting on the garments of light; that if his inward form had
appeared in its own ugliness, not one of the women whose admiration
he had secured would not have turned from him as from the monster
of an old tale.</p>

<p id="iii.xxiii-p7"><br />
</p>

<p id="iii.xxiii-p8">Robert wandered about till he was so weary that his head ached
with weariness. At length he came upon the open space before the
cathedral, whence the poplar-spire rose aloft into a blue sky
flecked with white clouds. It was near sunset, and he could not see
the sun, but the upper half of the spire shone glorious in its
radiance. From the top his eye sank to the base. In the base was a
little door half open. Might not that be the lowly narrow entrance
through the shadow up to the sun-filled air? He drew near with a
kind of tremor, for never before had he gazed upon visible grandeur
growing out of the human soul, in the majesty of everlastingness--a
tree of the Lord's planting. Where had been but an empty space of
air and light and darkness, had risen, and had stood for ages, a
mighty wonder awful to the eye, solid to the hand. He peeped
through the opening of the door: there was the foot of a
stair--marvellous as the ladder of Jacob's dream--turning away
towards the unknown. He pushed the door and entered. A man appeared
and barred his advance. Robert put his hand in his pocket and drew
out some silver. The man took one piece--looked at it--turned it
over--put it in his pocket, and led the way up the stair. Robert
followed and followed and followed.</p>

<p id="iii.xxiii-p9"><br />
</p>

<p id="iii.xxiii-p10">He came out of stone walls upon an airy platform whence the
spire ascended heavenwards. His conductor led upward still, and he
followed, winding within a spiral network of stone, through which
all the world looked in. Another platform, and yet another spire
springing from its basement. Still up they went, and at length
stood on a circle of stone surrounding like a coronet the last base
of the spire which lifted its apex untrodden. Then Robert turned
and looked below. He grasped the stones before him. The loneliness
was awful.</p>

<p id="iii.xxiii-p11"><br />
</p>

<p id="iii.xxiii-p12">There was nothing between him and the roofs of the houses, four
hundred feet below, but the spot where he stood. The whole city,
with its red roofs, lay under him. He stood uplifted on the genius
of the builder, and the town beneath him was a toy. The all but
featureless flat spread forty miles on every side, and the roofs of
the largest buildings below were as dovecots. But the space between
was alive with awe--so vast, so real!</p>

<p id="iii.xxiii-p13"><br />
</p>

<p id="iii.xxiii-p14">He turned and descended, winding through the network of stone
which was all between him and space. The object of the architect
must have been to melt away the material from before the eyes of
the spirit. He hung in the air in a cloud of stone. As he came in
his descent within the ornaments of one of the basements, he found
himself looking through two thicknesses of stone lace on the
nearing city. Down there was the beast of prey and his victim; but
for the moment he was above the region of sorrow. His weariness and
his headache had vanished utterly. With his mind tossed on its own
speechless delight, he was slowly descending still, when he saw on
his left hand a door ajar. He would look what mystery lay within. A
push opened it. He discovered only a little chamber lined with
wood. In the centre stood something--a bench-like piece of
furniture, plain and worn. He advanced a step; peered over the top
of it; saw keys, white and black; saw pedals below: it was an
organ! Two strides brought him in front of it. A wooden stool,
polished and hollowed with centuries of use, was before it. But
where was the bellows? That might be down hundreds of steps below,
for he was half-way only to the ground. He seated himself musingly,
and struck, as he thought, a dumb chord. Responded, up in the air,
far overhead, a mighty booming clang. Startled, almost frightened,
even as if Mary St. John had said she loved him, Robert sprung from
the stool, and, without knowing why, moved only by the chastity of
delight, flung the door to the post. It banged and clicked. Almost
mad with the joy of the titanic instrument, he seated himself again
at the keys, and plunged into a tempest of clanging harmony. One
hundred bells hang in that tower of wonder, an instrument for a
city, nay, for a kingdom. Often had Robert dreamed that he was the
galvanic centre of a thunder-cloud of harmony, flashing off from
every finger the willed lightning tone: such was the unexpected
scale of this instrument--so far aloft in the sunny air rang the
responsive notes, that his dream appeared almost realized. The
music, like a fountain bursting upwards, drew him up and bore him
aloft. From the resounding cone of bells overhead he no longer
heard their tones proceed, but saw level-winged forms of light
speeding off with a message to the nations. It was only his roused
phantasy; but a sweet tone is nevertheless a messenger of God; and
a right harmony and sequence of such tones is a little gospel.</p>

<p id="iii.xxiii-p15"><br />
</p>

<p id="iii.xxiii-p16">At length he found himself following, till that moment
unconsciously, the chain of tunes he well remembered having played
on his violin the night he went first with Ericson to see Mysie,
ending with his strange chant about the witch lady and the dead
man's hand.</p>

<p id="iii.xxiii-p17"><br />
</p>

<p id="iii.xxiii-p18">Ere he had finished the last, his passion had begun to fold its
wings, and he grew dimly aware of a beating at the door of the
solitary chamber in which he sat. He knew nothing of the enormity
of which he was guilty--presenting unsought the city of Antwerp
with a glorious phantasia. He did not know that only upon grand,
solemn, world-wide occasions, such as a king's birthday or a ball
at the Hôtel de Ville, was such music on the card. When he flung
the door to, it had closed with a spring lock, and for the last
quarter of an hour three gens-d'arme, commanded by the sacristan of
the tower, had been thundering thereat. He waited only to finish
the last notes of the wild Orcadian chant, and opened the door. He
was seized by the collar, dragged down the stair into the street,
and through a crowd of wondering faces--poor unconscious dreamer!
it will not do to think on the house-top even, and you had been
dreaming very loud indeed in the church spire--away to the bureau
of the police.</p>

<p id="iii.xxiii-p19"><br />
</p>

<p id="iii.xxiii-p20"><br />
</p>

</div2>

      <div2 title="CHAPTER XXIV.--DEATH." n="xxiv" shorttitle="" progress="62.64%" id="iii.xxiv" prev="iii.xxiii" next="iii.xxv">

<p id="iii.xxiv-p1"><br />
</p>

<p id="iii.xxiv-p2">CHAPTER XXIV.</p>

<p id="iii.xxiv-p3"><br />
</p>

<p id="iii.xxiv-p4">DEATH.</p>

<p id="iii.xxiv-p5"><br />
</p>

<p id="iii.xxiv-p6">I NEED not recount the proceedings of the Belgian police; how
they interrogated Robert concerning a letter from Mary St. John
which they found in an inner pocket; how they looked doubtful over
a copy of Horace that lay in his coat, and put evidently a
momentous question about some algebraical calculations on the
fly-leaf of it. Fortunately or unfortunately--I do not know
which--Robert did not understand a word they said to him. He was
locked up, and left to fret for nearly a week; though what he could
have done had he been at liberty, he knew as little as I know. At
last, long after it was useless to make any inquiry about Miss
Lindsay, he was set at liberty. He could just pay for a steerage
passage to London, whence he wrote to Dr. Anderson for a supply,
and was in Aberdeen a few days after.</p>

<p id="iii.xxiv-p7"><br />
</p>

<p id="iii.xxiv-p8">This was Robert's first cosmopolitan experience. He confided the
whole affair to the doctor, who approved of all, saying it could
have been of no use, but he had done right. He advised him to go
home at once, for he had had letters inquiring after him. Ericson
was growing steadily worse--in fact, he feared Robert might not see
him alive.</p>

<p id="iii.xxiv-p9"><br />
</p>

<p id="iii.xxiv-p10">If this news struck Robert to the heart, his pain was yet not
without some poor alleviation:--he need not tell Ericson about
Mysie, but might leave him to find out the truth when, free of a
dying body, he would be better able to bear it. That very night he
set off on foot for Rothieden. There was no coach from Aberdeen
till eight the following morning, and before that he would be
there.</p>

<p id="iii.xxiv-p11"><br />
</p>

<p id="iii.xxiv-p12">It was a dreary journey without Ericson. Every turn of the road
reminded him of him. And Ericson too was going a lonely unknown
way.</p>

<p id="iii.xxiv-p13"><br />
</p>

<p id="iii.xxiv-p14">Did ever two go together upon that way? Might not two die
together and not lose hold of each other all the time, even when
the sense of the clasping hands was gone, and the soul had
withdrawn itself from the touch? Happy they who prefer the will of
God to their own even in this, and would, as the best friend, have
him near who <i>can</i> be near--him who made the fourth in the
fiery furnace! Fable or fact, reader, I do not care. The One I mean
<i>is</i>, and in him I hope.</p>

<p id="iii.xxiv-p15"><br />
</p>

<p id="iii.xxiv-p16">Very weary was Robert when he walked into his grandmother's
house.</p>

<p id="iii.xxiv-p17"><br />
</p>

<p id="iii.xxiv-p18">Betty came out of the kitchen at the sound of his entrance.</p>

<p id="iii.xxiv-p19"><br />
</p>

<p id="iii.xxiv-p20">'Is Mr. Ericson--?'</p>

<p id="iii.xxiv-p21"><br />
</p>

<p id="iii.xxiv-p22">'Na; he's nae deid,' she answered. 'He'll maybe live a day or
twa, they say.'</p>

<p id="iii.xxiv-p23"><br />
</p>

<p id="iii.xxiv-p24">'Thank God!' said Robert, and went to his grandmother.</p>

<p id="iii.xxiv-p25"><br />
</p>

<p id="iii.xxiv-p26">'Eh, laddie!' said Mrs. Falconer, the first greetings over, 'ane
's ta'en an' anither 's left! but what for 's mair nor I can
faddom. There's that fine young man, Maister Ericson, at deith's
door; an' here am I, an auld runklet wife, left to cry upo' deith,
an' he winna hear me.'</p>

<p id="iii.xxiv-p27"><br />
</p>

<p id="iii.xxiv-p28">'Cry upo' God, grannie, an' no upo' deith,' said Robert,
catching at the word as his grandmother herself might have done. He
had no such unfair habit when I knew him, and always spoke to one's
meaning, not one's words. But then he had a wonderful gift of
knowing what one's meaning was.</p>

<p id="iii.xxiv-p29"><br />
</p>

<p id="iii.xxiv-p30">He did not sit down, but, tired as he was, went straight to The
Boar's Head. He met no one in the archway, and walked up to
Ericson's room. When he opened the door, he found the large screen
on the other side, and hearing a painful cough, lingered behind it,
for he could not control his feelings sufficiently. Then he heard a
voice--Ericson's voice; but oh, how changed!--He had no idea that
he ought not to listen.</p>

<p id="iii.xxiv-p31"><br />
</p>

<p id="iii.xxiv-p32">'Mary,' the voice said, 'do not look like that. <i>I</i> am not
suffering. It is only my body. Your arm round me makes me so
strong! Let me lay my head on your shoulder.'</p>

<p id="iii.xxiv-p33"><br />
</p>

<p id="iii.xxiv-p34">A brief pause followed.</p>

<p id="iii.xxiv-p35"><br />
</p>

<p id="iii.xxiv-p36">'But, Eric,' said Mary's voice, 'there is one that loves you
better than I do.'</p>

<p id="iii.xxiv-p37"><br />
</p>

<p id="iii.xxiv-p38">'If there is,' returned Ericson, feebly, 'he has sent his angel
to deliver me.'</p>

<p id="iii.xxiv-p39"><br />
</p>

<p id="iii.xxiv-p40">'But you do believe in him, Eric?'</p>

<p id="iii.xxiv-p41"><br />
</p>

<p id="iii.xxiv-p42">The voice expressed anxiety no less than love.</p>

<p id="iii.xxiv-p43"><br />
</p>

<p id="iii.xxiv-p44">'I am going to see. There is no other way. When I find him, I
shall believe in him. I shall love him with all my heart, I know. I
love the thought of him now.'</p>

<p id="iii.xxiv-p45"><br />
</p>

<p id="iii.xxiv-p46">'But that's not himself, my--darling!' she said.</p>

<p id="iii.xxiv-p47"><br />
</p>

<p id="iii.xxiv-p48">'No. But I cannot love himself till I find him. Perhaps there is
no Jesus.'</p>

<p id="iii.xxiv-p49"><br />
</p>

<p id="iii.xxiv-p50">'Oh, don't say that. I can't bear to hear you talk so,'</p>

<p id="iii.xxiv-p51"><br />
</p>

<p id="iii.xxiv-p52">'But, dear heart, if you're so sure of him, do you think he
would turn me away because I don't do what I can't do? I would if I
could with all my heart. If I were to say I believed in him, and
then didn't trust him, I could understand it. But when it's only
that I'm not sure about what I never saw, or had enough of proof to
satisfy me of, how can he be vexed at that? You seem to me to do
him great wrong, Mary. Would you now banish me for ever, if I
should, when my brain is wrapped in the clouds of death, forget you
along with everything else for a moment?'</p>

<p id="iii.xxiv-p53"><br />
</p>

<p id="iii.xxiv-p54">'No, no, no. Don't talk like that, Eric, dear. There may be
reasons, you know.'</p>

<p id="iii.xxiv-p55"><br />
</p>

<p id="iii.xxiv-p56">'I know what they say well enough. But I expect Him, if there is
a Him, to be better even than you, my beautiful--and I don't know a
fault in you, but that you believe in a God you can't trust. If I
believed in a God, wouldn't I trust him just? And I do hope in him.
We'll see, my darling. When we meet again I think you'll say I was
right.'</p>

<p id="iii.xxiv-p57"><br />
</p>

<p id="iii.xxiv-p58">Robert stood like one turned into marble. Deep called unto deep
in his soul. The waves and the billows went over him.</p>

<p id="iii.xxiv-p59"><br />
</p>

<p id="iii.xxiv-p60">Mary St. John answered not a word. I think she must have been
conscience-stricken. Surely the Son of Man saw <i>nearly</i> as
much faith in Ericson as in her. Only she clung to the word as a
bond that the Lord had given her: she would rather have his
bond.</p>

<p id="iii.xxiv-p61"><br />
</p>

<p id="iii.xxiv-p62">Ericson had another fit of coughing. Robert heard the rustling
of ministration. But in a moment the dying man again took up the
word. He seemed almost as anxious about Mary's faith as she was
about his.</p>

<p id="iii.xxiv-p63"><br />
</p>

<p id="iii.xxiv-p64">'There's Robert,' he said: 'I do believe that boy would die for
me, and I never did anything to deserve it. Now Jesus Christ must
be as good as Robert at least. <i>I</i> think he must be a great
deal better, if he's Jesus Christ at all. Now Robert might be hurt
if I didn't believe in <i>him</i>. But I've never seen Jesus
Christ. It's all in an old book, over which the people that say
they believe in it the most, fight like dogs and cats. I beg your
pardon, my Mary; but they do, though the words are ugly.'</p>

<p id="iii.xxiv-p65"><br />
</p>

<p id="iii.xxiv-p66">'Ah! but if you had tried it as I've tried it, you would know
better, Eric.'</p>

<p id="iii.xxiv-p67"><br />
</p>

<p id="iii.xxiv-p68">'I think I should, dear. But it's too late now. I must just go
and see. There's no other way left.'</p>

<p id="iii.xxiv-p69"><br />
</p>

<p id="iii.xxiv-p70">The terrible cough came again. As soon as the fit was over, with
a grand despair in his heart, Robert went from behind the
screen.</p>

<p id="iii.xxiv-p71"><br />
</p>

<p id="iii.xxiv-p72">Ericson was on a couch. His head lay on Mary St. John's bosom.
Neither saw him.</p>

<p id="iii.xxiv-p73"><br />
</p>

<p id="iii.xxiv-p74">'Perhaps,' said Ericson, panting with death, 'a kiss in heaven
may be as good as being married on earth, Mary.'</p>

<p id="iii.xxiv-p75"><br />
</p>

<p id="iii.xxiv-p76">She saw Robert and did not answer. Then Eric saw him. He smiled;
but Mary grew very pale.</p>

<p id="iii.xxiv-p77"><br />
</p>

<p id="iii.xxiv-p78">Robert came forward, stooped and kissed Ericson's forehead,
kneeled and kissed Mary's hand, rose and went out.</p>

<p id="iii.xxiv-p79"><br />
</p>

<p id="iii.xxiv-p80">From that moment they were both dead to him. <i>Dead</i>, I
say--not lost, not estranged, but dead--that is, awful and holy. He
wept for Eric. He did not weep for Mary yet. But he found a
time.</p>

<p id="iii.xxiv-p81"><br />
</p>

<p id="iii.xxiv-p82">Ericson died two days after.</p>

<p id="iii.xxiv-p83"><br />
</p>

<p id="iii.xxiv-p84">Here endeth Robert's youth.</p>

<p id="iii.xxiv-p85"><br />
</p>

<p id="iii.xxiv-p86"><br />
</p>

</div2>

      <div2 title="CHAPTER XXV.--IN MEMORIAM." n="xxv" shorttitle="" progress="63.26%" id="iii.xxv" prev="iii.xxiv" next="iv">

<p id="iii.xxv-p1"><br />
</p>

<p id="iii.xxv-p2">CHAPTER XXV.</p>

<p id="iii.xxv-p3"><br />
</p>

<p id="iii.xxv-p4">IN MEMORIAM.</p>

<p id="iii.xxv-p5"><br />
</p>

<p id="iii.xxv-p6">IN memory of Eric Ericson, I add a chapter of sonnets gathered
from his papers, almost desiring that those only should read them
who turn to the book a second time. How his papers came into my
possession, will be explained afterwards.</p>

<p id="iii.xxv-p7"><br />
</p>

<p id="iii.xxv-p8">Tumultuous rushing o'er the outstretched plains;</p>

<p id="iii.xxv-p9">A wildered maze of comets and of suns;</p>

<p id="iii.xxv-p10">The blood of changeless God that ever runs</p>

<p id="iii.xxv-p11">With quick diastole up the immortal veins;</p>

<p id="iii.xxv-p12">A phantom host that moves and works in chains;</p>

<p id="iii.xxv-p13">A monstrous fiction which, collapsing, stuns</p>

<p id="iii.xxv-p14">The mind to stupor and amaze at once;</p>

<p id="iii.xxv-p15">A tragedy which that man best explains</p>

<p id="iii.xxv-p16">Who rushes blindly on his wild career</p>

<p id="iii.xxv-p17">With trampling hoofs and sound of mailed war,</p>

<p id="iii.xxv-p18">Who will not nurse a life to win a tear,</p>

<p id="iii.xxv-p19">But is extinguished like a falling star:--</p>

<p id="iii.xxv-p20">Such will at times this life appear to me,</p>

<p id="iii.xxv-p21">Until I learn to read more perfectly.</p>

<p id="iii.xxv-p22"><br />
</p>

<p id="iii.xxv-p23">HOM. IL. v. 403.</p>

<p id="iii.xxv-p24"><br />
</p>

<p id="iii.xxv-p25">If thou art tempted by a thought of ill,</p>

<p id="iii.xxv-p26">Crave not too soon for victory, nor deem</p>

<p id="iii.xxv-p27">Thou art a coward if thy safety seem</p>

<p id="iii.xxv-p28">To spring too little from a righteous will:</p>

<p id="iii.xxv-p29">For there is nightmare on thee, nor until</p>

<p id="iii.xxv-p30">Thy soul hath caught the morning's early gleam</p>

<p id="iii.xxv-p31">Seek thou to analyze the monstrous dream</p>

<p id="iii.xxv-p32">By painful introversion; rather fill</p>

<p id="iii.xxv-p33">Thine eye with forms thou knowest to be truth:</p>

<p id="iii.xxv-p34">But see thou cherish higher hope than this;</p>

<p id="iii.xxv-p35">A hope hereafter that thou shalt be fit</p>

<p id="iii.xxv-p36">Calm-eyed to face distortion, and to sit</p>

<p id="iii.xxv-p37">Transparent among other forms of youth</p>

<p id="iii.xxv-p38">Who own no impulse save to God and bliss.</p>

<p id="iii.xxv-p39"><br />
</p>

<p id="iii.xxv-p40">And must I ever wake, gray dawn, to know</p>

<p id="iii.xxv-p41">Thee standing sadly by me like a ghost?</p>

<p id="iii.xxv-p42">I am perplexed with thee, that thou shouldst cost</p>

<p id="iii.xxv-p43">This Earth another turning: all aglow</p>

<p id="iii.xxv-p44">Thou shouldst have reached me, with a purple show</p>

<p id="iii.xxv-p45">Along far-mountain tops: and I would post</p>

<p id="iii.xxv-p46">Over the breadth of seas though I were lost</p>

<p id="iii.xxv-p47">In the hot phantom-chase for life, if so</p>

<p id="iii.xxv-p48">Thou camest ever with this numbing sense</p>

<p id="iii.xxv-p49">Of chilly distance and unlovely light;</p>

<p id="iii.xxv-p50">Waking this gnawing soul anew to fight</p>

<p id="iii.xxv-p51">With its perpetual load: I drive thee hence--</p>

<p id="iii.xxv-p52">I have another mountain-range from whence</p>

<p id="iii.xxv-p53">Bursteh a sun unutterably bright.</p>

<p id="iii.xxv-p54"><br />
</p>

<p id="iii.xxv-p55">GALILEO.</p>

<p id="iii.xxv-p56"><br />
</p>

<p id="iii.xxv-p57">'And yet it moves!' Ah, Truth, where wert thou then,</p>

<p id="iii.xxv-p58">When all for thee they racked each piteous limb?</p>

<p id="iii.xxv-p59">Wert though in Heaven, and busy with thy hymn,</p>

<p id="iii.xxv-p60">When those poor hands convulsed that held thy pen?</p>

<p id="iii.xxv-p61">Art thou a phantom that deceivest men</p>

<p id="iii.xxv-p62">To their undoing? or dost thou watch him</p>

<p id="iii.xxv-p63">Pale, cold, and silent in his dungeon dim?</p>

<p id="iii.xxv-p64">And wilt thou ever speak to him again?</p>

<p id="iii.xxv-p65">'It moves, it moves! Alas, my flesh was weak;</p>

<p id="iii.xxv-p66">That was a hideous dream! I'll cry aloud</p>

<p id="iii.xxv-p67">How the green bulk wheels sunward day by day!</p>

<p id="iii.xxv-p68">Ah me! ah me! perchance my heart was proud</p>

<p id="iii.xxv-p69">That I alone should know that word to speak;</p>

<p id="iii.xxv-p70">And now, sweet Truth, shine upon these, I pray.'</p>

<p id="iii.xxv-p71"><br />
</p>

<p id="iii.xxv-p72">If thou wouldst live the Truth in very deed,</p>

<p id="iii.xxv-p73">Thou hast thy joy, but thou hast more of pain.</p>

<p id="iii.xxv-p74">Others will live in peace, and thou be fain</p>

<p id="iii.xxv-p75">To bargain with despair, and in thy need</p>

<p id="iii.xxv-p76">To make thy meal upon the scantiest weed.</p>

<p id="iii.xxv-p77">These palaces, for thee they stand in vain;</p>

<p id="iii.xxv-p78">Thine is a ruinous hut; and oft the rain</p>

<p id="iii.xxv-p79">Shall drench thee in the midnight; yea the speed</p>

<p id="iii.xxv-p80">Of earth outstrip thee pilgrim, while thy feet</p>

<p id="iii.xxv-p81">Move slowly up the heights. Yet will there come</p>

<p id="iii.xxv-p82">Through the time-rents about thy moving cell,</p>

<p id="iii.xxv-p83">An arrow for despair, and oft the hum</p>

<p id="iii.xxv-p84">Of far-off populous realms where spirits dwell.</p>

<p id="iii.xxv-p85"><br />
</p>

<p id="iii.xxv-p86">TO * * * *</p>

<p id="iii.xxv-p87"><br />
</p>

<p id="iii.xxv-p88">Speak, Prophet of the Lord! We may not start</p>

<p id="iii.xxv-p89">To find thee with us in thine ancient dress,</p>

<p id="iii.xxv-p90">Haggard and pale from some bleak wilderness,</p>

<p id="iii.xxv-p91">Empty of all save God and thy loud heart:</p>

<p id="iii.xxv-p92">Nor with like rugged message quick to dart</p>

<p id="iii.xxv-p93">Into the hideous fiction mean and base:</p>

<p id="iii.xxv-p94">But yet, O prophet man, we need not less,</p>

<p id="iii.xxv-p95">But more of earnest; though it is thy part</p>

<p id="iii.xxv-p96">To deal in other words, if thou wouldst smite</p>

<p id="iii.xxv-p97">The living Mammon, seated, not as then</p>

<p id="iii.xxv-p98">In bestial quiescence grimly dight,</p>

<p id="iii.xxv-p99">But thrice as much an idol-god as when</p>

<p id="iii.xxv-p100">He stared at his own feet from morn to night.8</p>

<p id="iii.xxv-p101"><br />
</p>

<p id="iii.xxv-p102">THE WATCHER.</p>

<p id="iii.xxv-p103"><br />
</p>

<p id="iii.xxv-p104">From out a windy cleft there comes a gaze</p>

<p id="iii.xxv-p105">Of eyes unearthly which go to and fro</p>

<p id="iii.xxv-p106">Upon the people's tumult, for below</p>

<p id="iii.xxv-p107">The nations smite each other: no amaze</p>

<p id="iii.xxv-p108">Troubles their liquid rolling, or affrays</p>

<p id="iii.xxv-p109">Their deep-set contemplation: steadily glow</p>

<p id="iii.xxv-p110">Those ever holier eye-balls, for they grow</p>

<p id="iii.xxv-p111">Liker unto the eyes of one that prays.</p>

<p id="iii.xxv-p112">And if those clasped hands tremble, comes a power</p>

<p id="iii.xxv-p113">As of the might of worlds, and they are holden</p>

<p id="iii.xxv-p114">Blessing above us in the sunrise golden;</p>

<p id="iii.xxv-p115">And they will be uplifted till that hour</p>

<p id="iii.xxv-p116">Of terrible rolling which shall rise and shake</p>

<p id="iii.xxv-p117">This conscious nightmare from us and we wake.</p>

<p id="iii.xxv-p118"><br />
</p>

<p id="iii.xxv-p119">THE BELOVED DISCIPLE.</p>

<p id="iii.xxv-p120"><br />
</p>

<p id="iii.xxv-p121"><br /></p>

<p id="iii.xxv-p122"><br />
</p>

<p id="iii.xxv-p123">One do I see and twelve; but second there</p>

<p id="iii.xxv-p124">Methinks I know thee, thou beloved one;</p>

<p id="iii.xxv-p125">Not from thy nobler port, for there are none</p>

<p id="iii.xxv-p126">More quiet-featured; some there are who bear</p>

<p id="iii.xxv-p127">Their message on their brows, while others wear</p>

<p id="iii.xxv-p128">A look of large commission, nor will shun</p>

<p id="iii.xxv-p129">The fiery trial, so their work is done:</p>

<p id="iii.xxv-p130">But thou hast parted with thine eyes in prayer--</p>

<p id="iii.xxv-p131">Unearthly are they both; and so thy lips</p>

<p id="iii.xxv-p132">Seem like the porches of the spirit land;</p>

<p id="iii.xxv-p133">For thou hast laid a mighty treasure by,</p>

<p id="iii.xxv-p134">Unlocked by Him in Nature, and thine eye</p>

<p id="iii.xxv-p135">Burns with a vision and apocalypse</p>

<p id="iii.xxv-p136">Thy own sweet soul can hardly understand.</p>

<p id="iii.xxv-p137"><br />
</p>

<p id="iii.xxv-p138">II</p>

<p id="iii.xxv-p139"><br />
</p>

<p id="iii.xxv-p140">A Boanerges too! Upon my heart</p>

<p id="iii.xxv-p141">It lay a heavy hour: features like thine</p>

<p id="iii.xxv-p142">Should glow with other message than the shine</p>

<p id="iii.xxv-p143">Of the earth-burrowing levin, and the start</p>

<p id="iii.xxv-p144">That cleaveth horrid gulfs. Awful and swart</p>

<p id="iii.xxv-p145">A moment stoodest thou, but less divine--</p>

<p id="iii.xxv-p146">Brawny and clad in ruin!--till with mine</p>

<p id="iii.xxv-p147">Thy heart made answering signals, and apart</p>

<p id="iii.xxv-p148">Beamed forth thy two rapt eye-balls doubly clear,</p>

<p id="iii.xxv-p149">And twice as strong because thou didst thy duty,</p>

<p id="iii.xxv-p150">And though affianced to immortal Beauty,</p>

<p id="iii.xxv-p151">Hiddest not weakly underneath her veil</p>

<p id="iii.xxv-p152">The pest of Sin and Death which maketh pale:</p>

<p id="iii.xxv-p153">Henceforward be thy spirit doubly dear.9</p>

<p id="iii.xxv-p154"><br />
</p>

<p id="iii.xxv-p155">THE LILY OF THE VALLEY.</p>

<p id="iii.xxv-p156"><br />
</p>

<p id="iii.xxv-p157">There is not any weed but hath its shower,</p>

<p id="iii.xxv-p158">There is not any pool but hath its star;</p>

<p id="iii.xxv-p159">And black and muddy though the waters are,</p>

<p id="iii.xxv-p160">We may not miss the glory of a flower,</p>

<p id="iii.xxv-p161">And winter moons will give them magic power</p>

<p id="iii.xxv-p162">To spin in cylinders of diamond spar;</p>

<p id="iii.xxv-p163">And everything hath beauty near and far,</p>

<p id="iii.xxv-p164">And keepeth close and waiteth on its hour.</p>

<p id="iii.xxv-p165">And I when I encounter on my road</p>

<p id="iii.xxv-p166">A human soul that looketh black and grim,</p>

<p id="iii.xxv-p167">Shall I more ceremonious be than God?</p>

<p id="iii.xxv-p168">Shall I refuse to watch one hour with him</p>

<p id="iii.xxv-p169">Who once beside our deepest woe did bud</p>

<p id="iii.xxv-p170">A patient watching flower about the brim.</p>

<p id="iii.xxv-p171"><br />
</p>

<p id="iii.xxv-p172">'Tis not the violent hands alone that bring</p>

<p id="iii.xxv-p173">The curse, the ravage, and the downward doom</p>

<p id="iii.xxv-p174">Although to these full oft the yawning tomb</p>

<p id="iii.xxv-p175">Owes deadly surfeit; but a keener sting,</p>

<p id="iii.xxv-p176">A more immortal agony, will cling</p>

<p id="iii.xxv-p177">To the half-fashioned sin which would assume</p>

<p id="iii.xxv-p178">Fair Virtue's garb. The eye that sows the gloom</p>

<p id="iii.xxv-p179">With quiet seeds of Death henceforth to spring</p>

<p id="iii.xxv-p180">What time the sun of passion burning fierce</p>

<p id="iii.xxv-p181">Breaks through the kindly cloud of circumstance;</p>

<p id="iii.xxv-p182">The bitter word, and the unkindly glance,</p>

<p id="iii.xxv-p183">The crust and canker coming with the years,</p>

<p id="iii.xxv-p184">Are liker Death than arrows, and the lance</p>

<p id="iii.xxv-p185">Which through the living heart at once doth pierce.</p>

<p id="iii.xxv-p186"><br />
</p>

<p id="iii.xxv-p187">SPOKEN OF SEVERAL PHILOSOPHERS.</p>

<p id="iii.xxv-p188"><br />
</p>

<p id="iii.xxv-p189">I pray you, all ye men, who put your trust</p>

<p id="iii.xxv-p190">In moulds and systems and well-tackled gear,</p>

<p id="iii.xxv-p191">Holding that Nature lives from year to year</p>

<p id="iii.xxv-p192">In one continual round because she must--</p>

<p id="iii.xxv-p193">Set me not down, I pray you, in the dust</p>

<p id="iii.xxv-p194">Of all these centuries, like a pot of beer,</p>

<p id="iii.xxv-p195">A pewter-pot disconsolately clear,</p>

<p id="iii.xxv-p196">Which holds a potful, as is right and just.</p>

<p id="iii.xxv-p197">I will grow clamorous--by the rood, I will,</p>

<p id="iii.xxv-p198">If thus ye use me like a pewter pot.</p>

<p id="iii.xxv-p199">Good friend, thou art a toper and a sot--</p>

<p id="iii.xxv-p200">I will not be the lead to hold thy swill,</p>

<p id="iii.xxv-p201">Nor any lead: I will arise and spill</p>

<p id="iii.xxv-p202">Thy silly beverage, spill it piping hot.</p>

<p id="iii.xxv-p203"><br />
</p>

<p id="iii.xxv-p204">Nature, to him no message dost thou bear,</p>

<p id="iii.xxv-p205">Who in thy beauty findeth not the power</p>

<p id="iii.xxv-p206">To gird himself more strongly for the hour</p>

<p id="iii.xxv-p207">Of night and darkness. Oh, what colours rare</p>

<p id="iii.xxv-p208">The woods, the valleys, and the mountains wear</p>

<p id="iii.xxv-p209">To him who knows thy secret, and in shower</p>

<p id="iii.xxv-p210">And fog, and ice-cloud, hath a secret bower</p>

<p id="iii.xxv-p211">Where he may rest until the heavens are fair!</p>

<p id="iii.xxv-p212">Not with the rest of slumber, but the trance</p>

<p id="iii.xxv-p213">Of onward movement steady and serene,</p>

<p id="iii.xxv-p214">Where oft in struggle and in contest keen</p>

<p id="iii.xxv-p215">His eyes will opened be, and all the dance</p>

<p id="iii.xxv-p216">Of life break on him, and a wide expanse</p>

<p id="iii.xxv-p217">Roll upward through the void, sunny and green.</p>

<p id="iii.xxv-p218"><br />
</p>

<p id="iii.xxv-p219">TO JUNE.</p>

<p id="iii.xxv-p220"><br />
</p>

<p id="iii.xxv-p221">Ah, truant, thou art here again, I see!</p>

<p id="iii.xxv-p222">For in a season of such wretched weather</p>

<p id="iii.xxv-p223">I thought that thou hadst left us altogether,</p>

<p id="iii.xxv-p224">Although I could not choose but fancy thee</p>

<p id="iii.xxv-p225">Skulking about the hill-tops, whence the glee</p>

<p id="iii.xxv-p226">Of thy blue laughter peeped at times, or rather</p>

<p id="iii.xxv-p227">Thy bashful awkwardness, as doubtful whether</p>

<p id="iii.xxv-p228">Thou shouldst be seen in such a company</p>

<p id="iii.xxv-p229">Of ugly runaways, unshapely heaps</p>

<p id="iii.xxv-p230">Of ruffian vapour, broken from restraint</p>

<p id="iii.xxv-p231">Of their slim prison in the ocean deeps.</p>

<p id="iii.xxv-p232">But yet I may not, chide: fall to thy books,</p>

<p id="iii.xxv-p233">Fall to immediately without complaint--</p>

<p id="iii.xxv-p234">There they are lying, hills and vales and brooks.</p>

<p id="iii.xxv-p235"><br />
</p>

<p id="iii.xxv-p236">WRITTEN ABOUT THE LONGEST DAY.</p>

<p id="iii.xxv-p237"><br />
</p>

<p id="iii.xxv-p238">Summer, sweet Summer, many-fingered Summer!</p>

<p id="iii.xxv-p239">We hold thee very dear, as well we may:</p>

<p id="iii.xxv-p240">It is the kernel of the year to-day--</p>

<p id="iii.xxv-p241">All hail to thee! Thou art a welcome corner!</p>

<p id="iii.xxv-p242">If every insect were a fairy drummer,</p>

<p id="iii.xxv-p243">And I a fifer that could deftly play,</p>

<p id="iii.xxv-p244">We'd give the old Earth such a roundelay</p>

<p id="iii.xxv-p245">That she would cast all thought of labour from her</p>

<p id="iii.xxv-p246">Ah! what is this upon my window-pane?</p>

<p id="iii.xxv-p247">Some sulky drooping cloud comes pouting up,</p>

<p id="iii.xxv-p248">Stamping its glittering feet along the plain!</p>

<p id="iii.xxv-p249">Well, I will let that idle fancy drop.</p>

<p id="iii.xxv-p250">Oh, how the spouts are bubbling with the rain!</p>

<p id="iii.xxv-p251">And all the earth shines like a silver cup!</p>

<p id="iii.xxv-p252"><br />
</p>

<p id="iii.xxv-p253">ON A MIDGE.</p>

<p id="iii.xxv-p254"><br />
</p>

<p id="iii.xxv-p255">Whence do ye come, ye creature? Each of you</p>

<p id="iii.xxv-p256">Is perfect as an angel; wings and eyes</p>

<p id="iii.xxv-p257">Stupendous in their beauty--gorgeous dyes</p>

<p id="iii.xxv-p258">In feathery fields of purple and of blue!</p>

<p id="iii.xxv-p259">Would God I saw a moment as ye do!</p>

<p id="iii.xxv-p260">I would become a molecule in size,</p>

<p id="iii.xxv-p261">Rest with you, hum with you, or slanting rise</p>

<p id="iii.xxv-p262">Along your one dear sunbeam, could I view</p>

<p id="iii.xxv-p263">The pearly secret which each tiny fly,</p>

<p id="iii.xxv-p264">Each tiny fly that hums and bobs and stirs,</p>

<p id="iii.xxv-p265">Hides in its little breast eternally</p>

<p id="iii.xxv-p266">From you, ye prickly grim philosophers,</p>

<p id="iii.xxv-p267">With all your theories that sound so high:</p>

<p id="iii.xxv-p268">Hark to the buzz a moment, my good sirs!</p>

<p id="iii.xxv-p269"><br />
</p>

<p id="iii.xxv-p270">ON A WATERFALL.</p>

<p id="iii.xxv-p271"><br />
</p>

<p id="iii.xxv-p272">Here stands a giant stone from whose far top</p>

<p id="iii.xxv-p273">Comes down the sounding water. Let me gaze</p>

<p id="iii.xxv-p274">Till every sense of man and human ways</p>

<p id="iii.xxv-p275">Is wrecked and quenched for ever, and I drop</p>

<p id="iii.xxv-p276">Into the whirl of time, and without stop</p>

<p id="iii.xxv-p277">Pass downward thus! Again my eyes I raise</p>

<p id="iii.xxv-p278">To thee, dark rock; and through the mist and haze</p>

<p id="iii.xxv-p279">My strength returns when I behold thy prop</p>

<p id="iii.xxv-p280">Gleam stern and steady through the wavering wrack</p>

<p id="iii.xxv-p281">Surely thy strength is human, and like me</p>

<p id="iii.xxv-p282">Thou bearest loads of thunder on thy back!</p>

<p id="iii.xxv-p283">And, lo, a smile upon thy visage black--</p>

<p id="iii.xxv-p284">A breezy tuft of grass which I can see</p>

<p id="iii.xxv-p285">Waving serenely from a sunlit crack!</p>

<p id="iii.xxv-p286"><br />
</p>

<p id="iii.xxv-p287">Above my head the great pine-branches tower</p>

<p id="iii.xxv-p288">Backwards and forwards each to the other bends,</p>

<p id="iii.xxv-p289">Beckoning the tempest-cloud which hither wends</p>

<p id="iii.xxv-p290">Like a slow-laboured thought, heavy with power;</p>

<p id="iii.xxv-p291">Hark to the patter of the coming shower!</p>

<p id="iii.xxv-p292">Let me be silent while the Almighty sends</p>

<p id="iii.xxv-p293">His thunder-word along; but when it ends</p>

<p id="iii.xxv-p294">I will arise and fashion from the hour</p>

<p id="iii.xxv-p295">Words of stupendous import, fit to guard</p>

<p id="iii.xxv-p296">High thoughts and purposes, which I may wave,</p>

<p id="iii.xxv-p297">When the temptation cometh close and hard,</p>

<p id="iii.xxv-p298">Like fiery brands betwixt me and the grave</p>

<p id="iii.xxv-p299">Of meaner things--to which I am a slave</p>

<p id="iii.xxv-p300">If evermore I keep not watch and ward.</p>

<p id="iii.xxv-p301"><br />
</p>

<p id="iii.xxv-p302">I do remember how when very young,</p>

<p id="iii.xxv-p303">I saw the great sea first, and heard its swell</p>

<p id="iii.xxv-p304">As I drew nearer, caught within the spell</p>

<p id="iii.xxv-p305">Of its vast size and its mysterious tongue.</p>

<p id="iii.xxv-p306">How the floor trembled, and the dark boat swung</p>

<p id="iii.xxv-p307">With a man in it, and a great wave fell</p>

<p id="iii.xxv-p308">Within a stone's cast! Words may never tell</p>

<p id="iii.xxv-p309">The passion of the moment, when I flung</p>

<p id="iii.xxv-p310">All childish records by, and felt arise</p>

<p id="iii.xxv-p311">A thing that died no more! An awful power</p>

<p id="iii.xxv-p312">I claimed with trembling hands and eager eyes,</p>

<p id="iii.xxv-p313">Mine, mine for ever, an immortal dower.--</p>

<p id="iii.xxv-p314">The noise of waters soundeth to this hour,</p>

<p id="iii.xxv-p315">When I look seaward through the quiet skies.</p>

<p id="iii.xxv-p316"><br />
</p>

<p id="iii.xxv-p317">ON THE SOURCE OF THE ARVE.</p>

<p id="iii.xxv-p318"><br />
</p>

<p id="iii.xxv-p319">Hear'st thou the dash of water loud and hoarse</p>

<p id="iii.xxv-p320">With its perpetual tidings upward climb,</p>

<p id="iii.xxv-p321">Struggling against the wind? Oh, how sublime!</p>

<p id="iii.xxv-p322">For not in vain from its portentous source,</p>

<p id="iii.xxv-p323">Thy heart, wild stream, hath yearned for its full force,</p>

<p id="iii.xxv-p324">But from thine ice-toothed caverns dark as time</p>

<p id="iii.xxv-p325">At last thou issuest, dancing to the rhyme</p>

<p id="iii.xxv-p326">Of thy outvolleying freedom! Lo, thy course</p>

<p id="iii.xxv-p327">Lies straight before thee as the arrow flies,</p>

<p id="iii.xxv-p328">Right to the ocean-plains. Away, away!</p>

<p id="iii.xxv-p329">Thy parent waits thee, and her sunset dyes</p>

<p id="iii.xxv-p330">Are ruffled for thy coming, and the gray</p>

<p id="iii.xxv-p331">Of all her glittering borders flashes high</p>

<p id="iii.xxv-p332">Against the glittering rocks: oh, haste, and fly!</p>

<p id="iii.xxv-p333"><br />
</p>





</div2></div1>

    <div1 title="PART III.--HIS MANHOOD." n="iv" shorttitle="" progress="64.34%" id="iv" prev="iii.xxv" next="iv.i">

<p id="iv-p1"><br />
</p>

<p id="iv-p2">PART III.--HIS MANHOOD.</p>

<p id="iv-p3"><br />
</p>

      <div2 title="CHAPTER I.--IN THE DESERT." n="i" shorttitle="" progress="64.34%" id="iv.i" prev="iv" next="iv.ii">

<p id="iv.i-p1"><br />
</p>

<p id="iv.i-p2">CHAPTER I.</p>

<p id="iv.i-p3"><br />
</p>

<p id="iv.i-p4">IN THE DESERT.</p>

<p id="iv.i-p5"><br />
</p>

<p id="iv.i-p6">A LIFE lay behind Robert Falconer, and a life lay before him. He
stood on a shoal between.</p>

<p id="iv.i-p7"><br />
</p>

<p id="iv.i-p8">The life behind him was in its grave. He had covered it over and
turned away. But he knew it would rise at night.</p>

<p id="iv.i-p9"><br />
</p>

<p id="iv.i-p10">The life before him was not yet born; and what should issue from
that dull ghastly unrevealing fog on the horizon, he did not care.
Thither the tide setting eastward would carry him, and his future
must be born. All he cared about was to leave the empty garments of
his dead behind him--the sky and the fields, the houses and the
gardens which those dead had made alive with their presence.
Travel, motion, ever on, ever away, was the sole impulse in his
heart. Nor had the thought of finding his father any share in his
restlessness.</p>

<p id="iv.i-p11"><br />
</p>

<p id="iv.i-p12">He told his grandmother that he was going back to Aberdeen. She
looked in his face with surprise, but seeing trouble there, asked
no questions. As if walking in a dream, he found himself at Dr.
Anderson's door.</p>

<p id="iv.i-p13"><br />
</p>

<p id="iv.i-p14">'Why, Robert,' said the good man, 'what has brought you back?
Ah! I see. Poor Ericson! I am very sorry, my boy. What can I do for
you?'</p>

<p id="iv.i-p15"><br />
</p>

<p id="iv.i-p16">'I can't go on with my studies now, sir,' answered Robert. 'I
have taken a great longing for travel. Will you give me a little
money and let me go?'</p>

<p id="iv.i-p17"><br />
</p>

<p id="iv.i-p18">'To be sure I will. Where do you want to go?'</p>

<p id="iv.i-p19"><br />
</p>

<p id="iv.i-p20">'I don't know. Perhaps as I go I shall find myself wanting to go
somewhere. You're not afraid to trust me, are you, sir?'</p>

<p id="iv.i-p21"><br />
</p>

<p id="iv.i-p22">'Not in the least, Robert. I trust you perfectly. You shall do
just as you please.--Have you any idea, how much money you will
want?'</p>

<p id="iv.i-p23"><br />
</p>

<p id="iv.i-p24">'No. Give me what you are willing I should spend: I will go by
that.'</p>

<p id="iv.i-p25"><br />
</p>

<p id="iv.i-p26">'Come along to the bank then. I will give you enough to start
with. Write at once when you want more. Don't be too saving. Enjoy
yourself as well as you can. I shall not grudge it.'</p>

<p id="iv.i-p27"><br />
</p>

<p id="iv.i-p28">Robert smiled a wan smile at the idea of enjoying himself. His
friend saw it, but let it pass. There was no good in persuading a
man whose grief was all he had left, that he must ere long part
with that too. That would have been in lowest deeps of sorrow to
open a yet lower deep of horror. But Robert would have refused, and
would have been right in refusing to believe with regard to himself
what might be true in regard to most men. He might rise above his
grief; he might learn to contain his grief; but lose it, forget
it?--never.</p>

<p id="iv.i-p29"><br />
</p>

<p id="iv.i-p30">He went to bid Shargar farewell. As soon as he had a glimpse of
what his friend meant, he burst out in an agony of
supplication.</p>

<p id="iv.i-p31"><br />
</p>

<p id="iv.i-p32">'Tak me wi' ye, Robert,' he cried. 'Ye're a gentleman noo. I'll
be yer man. I'll put on a livery coat, an' gang wi' ye. I'll awa'
to Dr. Anderson. He's sure to lat me gang.'</p>

<p id="iv.i-p33"><br />
</p>

<p id="iv.i-p34">'No, Shargar,' said Robert, 'I can't have you with me. I've come
into trouble, Shargar, and I must fight it out alone.'</p>

<p id="iv.i-p35"><br />
</p>

<p id="iv.i-p36">'Ay, ay; I ken. Puir Mr. Ericson!'</p>

<p id="iv.i-p37"><br />
</p>

<p id="iv.i-p38">'There's nothing the matter with Mr. Ericson. Don't ask me any
questions. I've said more to you now than I've said to anybody
besides.'</p>

<p id="iv.i-p39"><br />
</p>

<p id="iv.i-p40">'That is guid o' you, Robert. But am I never to see ye
again?'</p>

<p id="iv.i-p41"><br />
</p>

<p id="iv.i-p42">'I don't know. Perhaps we may meet some day.'</p>

<p id="iv.i-p43"><br />
</p>

<p id="iv.i-p44">'<i>Perhaps</i> is nae muckle to say, Robert,' protested
Shargar.</p>

<p id="iv.i-p45"><br />
</p>

<p id="iv.i-p46">'It's more than can be said about everything, Shargar,' returned
Robert, sadly.</p>

<p id="iv.i-p47"><br />
</p>

<p id="iv.i-p48">'Weel, I maun jist tak it as 't comes,' said Shargar, with a
despairing philosophy derived from the days when his mother
thrashed him. 'But, eh! Robert, gin it had only pleased the
Almichty to sen' me into the warl' in a some respectable kin' o' a
fashion!'</p>

<p id="iv.i-p49"><br />
</p>

<p id="iv.i-p50">'Wi' a chance a' gaein' aboot the country like that curst
villain yer brither, I suppose?' retorted Robert, rousing himself
for a moment.</p>

<p id="iv.i-p51"><br />
</p>

<p id="iv.i-p52">'Na, na,' responded Shargar. 'I'll stick to my ain mither. <i>
She</i> never learned <i>me</i> sic tricks.'</p>

<p id="iv.i-p53"><br />
</p>

<p id="iv.i-p54">'Do ye that. Ye canna compleen o' God. It's a' richt as far 's
ye're concerned. Gin he dinna something o' ye yet, it'll be <i>
your</i> wyte, no his, I'm thinkin'.'</p>

<p id="iv.i-p55"><br />
</p>

<p id="iv.i-p56">They walked to Dr. Anderson's together, and spent the night
there. In the morning Robert got on the coach for Edinburgh.</p>

<p id="iv.i-p57"><br />
</p>

<p id="iv.i-p58">I cannot, if I would, follow him on his travels. Only at times,
when the conversation rose in the dead of night, by some Jacob's
ladder of blessed ascent, into regions where the heart of such a
man could open as in its own natural clime, would a few words cause
the clouds that enveloped this period of his history to dispart,
and grant me a peep into the phantasm of his past. I suspect,
however, that much of it left upon his mind no recallable
impressions. I suspect that much of it looked to himself in the
retrospect like a painful dream, with only certain objects and
occurrences standing prominent enough to clear the moonlight mist
enwrapping the rest.</p>

<p id="iv.i-p59"><br />
</p>

<p id="iv.i-p60">What the precise nature of his misery was I shall not even
attempt to conjecture. That would be to intrude within the holy
place of a human heart. One thing alone I will venture to
affirm--that bitterness against either of his friends, whose
spirits rushed together and left his outside, had no place in that
noble nature. His fate lay behind him, like the birth of Shargar,
like the death of Ericson, a decree.</p>

<p id="iv.i-p61"><br />
</p>

<p id="iv.i-p62">I do not even know in what direction he first went. That he had
seen many cities and many countries was apparent from glimpses of
ancient streets, of mountain-marvels, of strange constellations, of
things in heaven and earth which no one could have seen but
himself, called up by the magic of his words. A silent man in
company, he talked much when his hour of speech arrived. Seldom,
however, did he narrate any incident save in connection with some
truth of human nature, or fact of the universe.</p>

<p id="iv.i-p63"><br />
</p>

<p id="iv.i-p64">I do know that the first thing he always did on reaching any new
place was to visit the church with the loftiest spire; but he never
looked into the church itself until he had left the earth behind
him as far as that church would afford him the possibility of
ascent. Breathing the air of its highest region, he found himself
vaguely strengthened, yes comforted. One peculiar feeling he had,
into which I could enter only upon happy occasion, of the presence
of God in the wind. He said the wind up there on the heights of
human aspiration always made him long and pray. Asking him one day
something about his going to church so seldom, he answered
thus:</p>

<p id="iv.i-p65"><br />
</p>

<p id="iv.i-p66">'My dear boy, it does me ten times more good to get outside the
spire than to go inside the church. The spire is the most
essential, and consequently the most neglected part of the
building. It symbolizes the aspiration without which no man's faith
can hold its own. But the effort of too many of her priests goes to
conceal from the worshippers the fact that there is such a stair,
with a door to it out of the church. It looks as if they feared
their people would desert them for heaven. But I presume it arises
generally from the fact that they know of such an ascent
themselves, only by hearsay. The knowledge of God is good, but the
church is better!'</p>

<p id="iv.i-p67"><br />
</p>

<p id="iv.i-p68">'Could it be,' I ventured to suggest, 'that, in order to ascend,
they must put off the priests' garments?'</p>

<p id="iv.i-p69"><br />
</p>

<p id="iv.i-p70">'Good, my boy!' he answered. 'All are priests up there, and must
be clothed in fine linen, clean and white--the righteousness of
saints--not the imputed righteousness of another,--that is a lying
doctrine--but their own righteousness which God has wrought in them
by Christ.' I never knew a man in whom the inward was so constantly
clothed upon by the outward, whose ordinary habits were so symbolic
of his spiritual tastes, or whose enjoyment of the sight of his
eyes and the hearing of his ears was so much informed by his
highest feelings. He regarded all human affairs from the heights of
religion, as from their church-spires he looked down on the red
roofs of Antwerp, on the black roofs of Cologne, on the gray roofs
of Strasburg, or on the brown roofs of Basel--uplifted for the time
above them, not in dissociation from them.</p>

<p id="iv.i-p71"><br />
</p>

<p id="iv.i-p72">On the base of the missing twin-spire at Strasburg, high over
the roof of the church, stands a little cottage--how strange its
white muslin window-curtains look up there! To the day of his death
he cherished the fancy of writing a book in that cottage, with the
grand city to which London looks a modern mushroom, its thousand
roofs with row upon row of windows in them--often five garret
stories, one above the other, and its thickets of multiform
chimneys, the thrones and procreant cradles of the storks,
marvellous in history, habit, and dignity--all below him.</p>

<p id="iv.i-p73"><br />
</p>

<p id="iv.i-p74">He was taken ill at Valence and lay there for a fortnight,
oppressed with some kind of low fever. One night he awoke from a
refreshing sleep, but could not sleep again. It seemed to him
afterwards as if he had lain waiting for something. Anyhow
something came. As it were a faint musical rain had invaded his
hearing; but the night was clear, for the moon was shining on his
window-blind. The sound came nearer, and revealed itself a delicate
tinkling of bells. It drew nearer still and nearer, growing in
sweet fulness as it came, till at length a slow torrent of
tinklings went past his window in the street below. It was the flow
of a thousand little currents of sound, a gliding of silvery
threads, like the talking of water-ripples against the side of a
barge in a slow canal--all as soft as the moonlight, as exquisite
as an odour, each sound tenderly truncated and dull. A great
multitude of sheep was shifting its quarters in the night, whence
and whither and why he never knew. To his heart they were the
messengers of the Most High. For into that heart, soothed and
attuned by their thin harmony, not on the wind that floated without
breaking their lovely message, but on the ripples of the wind that
bloweth where it listeth, came the words, unlooked for, their
coming unheralded by any mental premonition, 'My peace I give unto
you.' The sounds died slowly away in the distance, fainting out of
the air, even as they had grown upon it, but the words
remained.</p>

<p id="iv.i-p75"><br />
</p>

<p id="iv.i-p76">In a few moments he was fast asleep, comforted by pleasure into
repose; his dreams were of gentle self-consoling griefs; and when
he awoke in the morning--'My peace I give unto you,' was the first
thought of which he was conscious. It may be that the sound of the
sheep-bells made him think of the shepherds that watched their
flocks by night, and they of the multitude of the heavenly host,
and they of the song--'On earth peace': I do not know. The
important point is not how the words came, but that the words
remained--remained until he understood them, and they became to him
spirit and life.</p>

<p id="iv.i-p77"><br />
</p>

<p id="iv.i-p78">He soon recovered strength sufficiently to set out again upon
his travels, great part of which he performed on foot. In this way
he reached Avignon. Passing from one of its narrow streets into an
open place in the midst, all at once he beheld, towering above him,
on a height that overlooked the whole city and surrounding country,
a great crucifix. The form of the Lord of Life still hung in the
face of heaven and earth. He bowed his head involuntarily. No
matter that when he drew nearer the power of it vanished. The
memory of it remained with its first impression, and it had a share
in what followed.</p>

<p id="iv.i-p79"><br />
</p>

<p id="iv.i-p80">He made his way eastward towards the Alps. As he walked one day
about noon over a desolate heath-covered height, reminding him not
a little of the country of his childhood, the silence seized upon
him. In the midst of the silence arose the crucifix, and once more
the words which had often returned upon him sounded in the ears of
the inner hearing, 'My peace I give unto you.' They were words he
had known from the earliest memorial time. He had heard them in
infancy, in childhood, in boyhood, in youth: now first in manhood
it flashed upon him that the Lord did really mean that the peace of
his soul should be the peace of their souls; that the peace
wherewith his own soul was quiet, the peace at the very heart of
the universe, was henceforth theirs--open to them, to all the
world, to enter and be still. He fell upon his knees, bowed down in
the birth of a great hope, held up his hands towards heaven, and
cried, 'Lord Christ, give me thy peace.'</p>

<p id="iv.i-p81"><br />
</p>

<p id="iv.i-p82">He said no more, but rose, caught up his stick, and strode
forward, thinking.</p>

<p id="iv.i-p83"><br />
</p>

<p id="iv.i-p84">He had learned what the sentence meant; what that was of which
it spoke he had not yet learned. The peace he had once sought, the
peace that lay in the smiles and tenderness of a woman, had
'overcome him like a summer cloud,' and had passed away. There was
surely a deeper, a wider, a grander peace for him than that, if
indeed it was the same peace wherewith the king of men regarded his
approaching end, that he had left as a heritage to his brothers.
Suddenly he was aware that the earth had begun to live again. The
hum of insects arose from the heath around him; the odour of its
flowers entered his dulled sense; the wind kissed him on the
forehead; the sky domed up over his head; and the clouds veiled the
distant mountain tops like the smoke of incense ascending from the
altars of the worshipping earth. All Nature began to minister to
one who had begun to lift his head from the baptism of fire. He had
thought that Nature could never more be anything to him; and she
was waiting on him like a mother. The next moment he was offended
with himself for receiving ministrations the reaction of whose
loveliness might no longer gather around the form of Mary St. John.
Every wavelet of scent, every toss of a flower's head in the
breeze, came with a sting in its pleasure--for there was no woman
to whom they belonged. Yet he could not shut them out, for God and
not woman is the heart of the universe. Would the day ever come
when the loveliness of Mary St. John, felt and acknowledged as
never before, would be even to him a joy and a thanksgiving? If
ever, then because God is the heart of all.</p>

<p id="iv.i-p85"><br />
</p>

<p id="iv.i-p86">I do not think this mood, wherein all forms of beauty sped to
his soul as to their own needful centre, could have lasted over
many miles of his journey. But such delicate inward revelations are
none the less precious that they are evanescent. Many feelings are
simply too good to last--using the phrase not in the unbelieving
sense in which it is generally used, expressing the conviction that
God is a hard father, fond of disappointing his children, but to
express the fact that intensity and endurance cannot yet coexist in
the human economy. But the virtue of a mood depends by no means on
its immediate presence. Like any other experience, it may be
believed in, and, in the absence which leaves the mind free to
contemplate it, work even more good than in its presence.</p>

<p id="iv.i-p87"><br />
</p>

<p id="iv.i-p88">At length he came in sight of the Alpine regions. Far off, the
heads of the great mountains rose into the upper countries of
cloud, where the snows settled on their stony heads, and the
torrents ran out from beneath the frozen mass to gladden the earth
below with the faith of the lonely hills. The mighty creatures lay
like grotesque animals of a far-off titanic time, whose dead bodies
had been first withered into stone, then worn away by the storms,
and covered with shrouds and palls of snow, till the outlines of
their forms were gone, and only rough shapes remained like those
just blocked out in the sculptor's marble, vaguely suggesting what
the creatures had been, as the corpse under the sheet of death is
like a man. He came amongst the valleys at their feet, with their
blue-green waters hurrying seawards--from stony heights of air into
the mass of 'the restless wavy plain'; with their sides of rock
rising in gigantic terrace after terrace up to the heavens; with
their scaling pines, erect and slight, cone-head aspiring above
cone-head, ambitious to clothe the bare mass with green, till
failing at length in their upward efforts, the savage rock shot
away and beyond and above them, the white and blue glaciers
clinging cold and cruel to their ragged sides, and the dead blank
of whiteness covering their final despair. He drew near to the
lower glaciers, to find their awful abysses tremulous with liquid
blue, a blue tender and profound as if fed from the reservoir of
some hidden sky intenser than ours; he rejoiced over the velvety
fields dotted with the toy-like houses of the mountaineers; he sat
for hours listening by the side of their streams; he grew weary,
felt oppressed, longed for a wider outlook, and began to climb
towards a mountain village of which he had heard from a traveller,
to find solitude and freedom in an air as lofty as if he climbed
twelve of his beloved cathedral spires piled up in continuous
ascent.</p>

<p id="iv.i-p89"><br />
</p>

<p id="iv.i-p90">After ascending for hours in zigzags through pine woods, where
the only sound was of the little streams trotting down to the
valley below, or the distant hush of some thin waterfall, he
reached a level, and came out of the woods. The path now led along
the edge of a precipice descending sheer to the uppermost terrace
of the valley he had left. The valley was but a cleft in the mass
of the mountain: a little way over sank its other wall, steep as a
plumb-line could have made it, of solid rock. On his right lay
green fields of clover and strange grasses. Ever and anon from the
cleft steamed up great blinding clouds of mist, which now wandered
about over the nations of rocks on the mountain side beyond the
gulf, now wrapt himself in their bewildering folds. In one moment
the whole creation had vanished, and there seemed scarce existence
enough left for more than the following footstep; the next, a
mighty mountain stood in front, crowned with blinding snow, an
awful fact; the lovely heavens were over his head, and the green
sod under his feet; the grasshoppers chirped about him, and the
gorgeous butterflies flew. From regions far beyond came the bells
of the kine and the goats. He reached a little inn, and there took
up his quarters.</p>

<p id="iv.i-p91"><br />
</p>

<p id="iv.i-p92">I am able to be a little minute in my description, because I
have since visited the place myself. Great heights rise around it
on all sides. It stands as between heaven and hell, suspended
between peaks and gulfs. The wind must roar awfully there in the
winter; but the mountains stand away with their avalanches, and all
the summer long keep the cold off the grassy fields.</p>

<p id="iv.i-p93"><br />
</p>

<p id="iv.i-p94">The same evening, he was already weary. The next morning it
rained. It rained fiercely all day. He would leave the place on the
morrow. In the evening it began to clear up. He walked out. The sun
was setting. The snow-peaks were faintly tinged with rose, and the
ragged masses of vapour that hung lazy and leaden-coloured about
the sides of the abyss, were partially dyed a sulky orange red.
Then all faded into gray. But as the sunlight vanished, a veil sank
from the face of the moon, already half-way to the zenith, and she
gathered courage and shone, till the mountain looked lovely as a
ghost in the gleam of its snow and the glimmer of its glaciers.
'Ah!' thought Falconer, 'such a peace at last is all a man can look
for--the repose of a spectral Elysium, a world where passion has
died away, and only the dim ghost of its memory to disturb with a
shadowy sorrow the helpless content of its undreaming years. The
religion that can do but this much is not a very great or very
divine thing. The human heart cannot invent a better it may be, but
it can imagine grander results.</p>

<p id="iv.i-p95"><br />
</p>

<p id="iv.i-p96">He did not yet know what the religion was of which he spoke. As
well might a man born stone-deaf estimate the power of sweet
sounds, or he who knows not a square from a circle pronounce upon
the study of mathematics.</p>

<p id="iv.i-p97"><br />
</p>

<p id="iv.i-p98">The next morning rose brilliant--an ideal summer day. He would
not go yet; he would spend one day more in the place. He opened his
valise to get some lighter garments. His eye fell on a New
Testament. Dr. Anderson had put it there. He had never opened it
yet, and now he let it lie. Its time had not yet come. He went
out.</p>

<p id="iv.i-p99"><br />
</p>

<p id="iv.i-p100">Walking up the edge of the valley, he came upon a little stream
whose talk he had heard for some hundred yards. It flowed through a
grassy hollow, with steeply sloping sides. Water is the same all
the world over; but there was more than water here to bring his
childhood back to Falconer. For at the spot where the path led him
down to the <i>burn</i>, a little crag stood out from the bank,--a
gray stone like many he knew on the stream that watered the valley
of Rothieden: on the top of the stone grew a little heather; and
beside it, bending towards the water, was a silver birch. He sat
down on the foot of the rock, shut in by the high grassy banks from
the gaze of the awful mountains. The sole unrest was the run of the
water beside him, and it sounded so homely, that he began to jabber
Scotch to it. He forgot that this stream was born in the clouds,
far up where that peak rose into the air behind him; he did not
know that a couple of hundred yards from where he sat, it tumbled
headlong into the valley below: with his country's birch-tree
beside him, and the rock crowned with its tuft of heather over his
head, the quiet as of a Sabbath afternoon fell upon him--that quiet
which is the one altogether lovely thing in the Scotch Sabbath--and
once more the words arose in his mind, 'My peace I give unto
you.'</p>

<p id="iv.i-p101"><br />
</p>

<p id="iv.i-p102">Now he fell a-thinking what this peace could be. And it came
into his mind as he thought, that Jesus had spoken in another place
about giving rest to those that came to him, while here he spoke
about '<i>my</i> peace.' Could this <i>my</i> mean a certain <i>
kind</i> of peace that the Lord himself possessed? Perhaps it was
in virtue of that peace, whatever it was, that he was the Prince of
Peace. Whatever peace he had must be the highest and best
peace--therefore the one peace for a man to seek, if indeed, as the
words of the Lord seemed to imply, a man was capable of possessing
it. He remembered the New Testament in his box, and, resolving to
try whether he could not make something more out of it, went back
to the inn quieter in heart than since he left his home. In the
evening he returned to the brook, and fell to searching the story,
seeking after the peace of Jesus.</p>

<p id="iv.i-p103"><br />
</p>

<p id="iv.i-p104">He found that the whole passage stood thus:--</p>

<p id="iv.i-p105"><br />
</p>

<p id="iv.i-p106">'Peace I leave with you, my peace I give unto you: not as the
world giveth give I unto you. Let not your heart be troubled,
neither let it be afraid.'</p>

<p id="iv.i-p107"><br />
</p>

<p id="iv.i-p108">He did not leave the place for six weeks. Every day he went to
the burn, as he called it, with his New Testament; every day tried
yet again to make out something more of what the Saviour meant. By
the end of the month it had dawned upon him, he hardly knew how,
that the peace of Jesus (although, of course, he could not know
what it was like till he had it) must have been a peace that came
from the doing of the will of his Father. From the account he gave
of the discoveries he then made, I venture to represent them in the
driest and most exact form that I can find they will admit of. When
I use the word <i>discoveries</i>, I need hardly say that I use it
with reference to Falconer and his previous knowledge. They were
these:--that Jesus taught--</p>

<p id="iv.i-p109"><br />
</p>

<p id="iv.i-p110">First,--That a man's business is to do the will of God:</p>

<p id="iv.i-p111"><br />
</p>

<p id="iv.i-p112">Second,--That God takes upon himself the care of the man:</p>

<p id="iv.i-p113"><br />
</p>

<p id="iv.i-p114">Third,--Therefore, that a man must never be afraid of
anything;</p>

<p id="iv.i-p115">and so,</p>

<p id="iv.i-p116"><br />
</p>

<p id="iv.i-p117">Fourth,--be left free to love God with all his heart, and his
neighbour as himself.</p>

<p id="iv.i-p118"><br />
</p>

<p id="iv.i-p119">But one day, his thoughts having cleared themselves a little
upon these points, a new set of questions arose with sudden
inundation--comprised in these two:--</p>

<p id="iv.i-p120"><br />
</p>

<p id="iv.i-p121">'How can I tell for certain that there ever was such a man? How
am I to be sure that such as he says is the mind of the maker of
these glaciers and butterflies?'</p>

<p id="iv.i-p122"><br />
</p>

<p id="iv.i-p123">All this time he was in the wilderness as much as Moses at the
back of Horeb, or St. Paul when he vanishes in Arabia: and he did
nothing but read the four gospels and ponder over them. Therefore
it is not surprising that he should have already become so familiar
with the gospel story, that the moment these questions appeared,
the following words should dart to the forefront of his
consciousness to meet them:--</p>

<p id="iv.i-p124"><br />
</p>

<p id="iv.i-p125">'If any man will do his will, he shall know of the doctrine,
whether it be of God, or whether I speak of myself.'</p>

<p id="iv.i-p126"><br />
</p>

<p id="iv.i-p127">Here was a word of Jesus himself, announcing the one means of
arriving at a conviction of the truth or falsehood of all that he
said, namely, the doing of the will of God by the man who would
arrive at such conviction.</p>

<p id="iv.i-p128"><br />
</p>

<p id="iv.i-p129">The next question naturally was: What is this will of God of
which Jesus speaks? Here he found himself in difficulty. The
theology of his grandmother rushed in upon him, threatening to
overwhelm him with demands as to feeling and inward action from
which his soul turned with sickness and fainting. That they were
repulsive to him, that they appeared unreal, and contradictory to
the nature around him, was no <i>proof</i> that they were not of
God. But on the other hand, that they demanded what <i>seemed</i>
to him unjust,--that these demands were founded on what <i>
seemed</i> to him untruth attributed to God, on ways of thinking
and feeling which are certainly degrading in a man,--these were
reasons of the very highest nature for refusing to act upon them so
long as, from whatever defects it might be in himself, they bore to
him this aspect. He saw that while they appeared to be such, even
though it might turn out that he mistook them, to acknowledge them
would be to wrong God. But this conclusion left him in no better
position for practice than before.</p>

<p id="iv.i-p130"><br />
</p>

<p id="iv.i-p131">When at length he did see what the will of God was, he wondered,
so simple did it appear, that he had failed to discover it at once.
Yet not less than a fortnight had he been brooding and pondering
over the question, as he wandered up and down that burnside, or sat
at the foot of the heather-crowned stone and the silver-barked
birch, when the light began to dawn upon him. It was thus.</p>

<p id="iv.i-p132"><br />
</p>

<p id="iv.i-p133">In trying to understand the words of Jesus by searching back, as
it were, for such thoughts and feelings in him as would account for
the words he spoke, the perception awoke that at least he could not
have meant by the will of God any such theological utterances as
those which troubled him. Next it grew plain that what he came to
do, was just to lead his life. That he should do the work, such as
recorded, and much besides, that the Father gave him to do--this
was the will of God concerning him. With this perception arose the
conviction that unto every man whom God had sent into the world, he
had given a work to do in that world. He had to lead the life God
meant him to lead. The will of God was to be found and done in the
world. In seeking a true relation to the world, would he find his
relation to God?</p>

<p id="iv.i-p134"><br />
</p>

<p id="iv.i-p135">The time for action was come.</p>

<p id="iv.i-p136"><br />
</p>

<p id="iv.i-p137">He rose up from the stone of his meditation, took his staff in
his hand, and went down the mountain, not knowing whither he went.
And these were some of his thoughts as he went:</p>

<p id="iv.i-p138"><br />
</p>

<p id="iv.i-p139">'If it was the will of God who made me and her, my will shall
not be set against his. I cannot be happy, but I will bow my head
and let his waves and his billows go over me. If there is such a
God, he knows what a pain I bear. His will be done. Jesus thought
it well that his will should be done to the death. Even if there be
no God, it will be grand to be a disciple of such a man, to do as
he says, think as he thought--perhaps come to feel as he felt.'</p>

<p id="iv.i-p140"><br />
</p>

<p id="iv.i-p141">My reader may wonder that one so young should have been able to
think so practically--to the one point of action. But he was in
earnest, and what lay at the root of his character, at the root of
all that he did, felt, and became, was childlike simplicity and
purity of nature. If the sins of his father were mercifully visited
upon him, so likewise were the grace and loveliness of his mother.
And between the two, Falconer had fared well.</p>

<p id="iv.i-p142"><br />
</p>

<p id="iv.i-p143">As he descended the mountain, the one question was--his calling.
With the faintest track to follow, with the clue of a spider's
thread to guide him, he would have known that his business was to
set out at once to find, and save his father. But never since the
day when the hand of that father smote him, and Mary St. John found
him bleeding on the floor, had he heard word or conjecture
concerning him. If he were to set out to find him now, it would be
to search the earth for one who might have vanished from it years
ago. He might as well search the streets of a great city for a lost
jewel. When the time came for him to find his father, if such an
hour was written in the decrees of--I dare not say Fate, for
Falconer hated the word--if such was the will of God, some sign
would be given him--that is, some hint which he could follow with
action. As he thought and thought it became gradually plainer that
he must begin his obedience by getting ready for anything that God
might require of him. Therefore he must go on learning till the
call came.</p>

<p id="iv.i-p144"><br />
</p>

<p id="iv.i-p145">But he shivered at the thought of returning to Aberdeen. Might
he not continue his studies in Germany? Would that not be as
good--possibly, from the variety of the experience, better? But how
was it to be decided? By submitting the matter to the friend who
made either possible. Dr. Anderson had been to him as a father: he
would be guided by his pleasure.</p>

<p id="iv.i-p146"><br />
</p>

<p id="iv.i-p147">He wrote, therefore, to Dr. Anderson, saying that he would
return at once if he wished it, but that he would greatly prefer
going to a German university for two years. The doctor replied that
of course he would rather have him at home, but that he was
confident Robert knew best what was best for himself; therefore he
had only to settle where he thought proper, and the next summer he
would come and see him, for he was not tied to Aberdeen any more
than Robert.</p>

<p id="iv.i-p148"><br />
</p>

<p id="iv.i-p149"><br />
</p>

</div2>

      <div2 title="CHAPTER II.--HOME AGAIN." n="ii" shorttitle="" progress="66.84%" id="iv.ii" prev="iv.i" next="iv.iii">

<p id="iv.ii-p1"><br />
</p>

<p id="iv.ii-p2">CHAPTER II.</p>

<p id="iv.ii-p3"><br />
</p>

<p id="iv.ii-p4">HOME AGAIN.</p>

<p id="iv.ii-p5"><br />
</p>

<p id="iv.ii-p6">FOUR years passed before Falconer returned to his native
country, during which period Dr. Anderson had visited him twice,
and shown himself well satisfied with his condition and pursuits.
The doctor had likewise visited Rothieden, and had comforted the
heart of the grandmother with regard to her Robert. From what he
learned upon this visit, he had arrived at a true conjecture, I
believe, as to the cause of the great change which had suddenly
taken place in the youth. But he never asked Robert a question
leading in the direction of the grief which he saw the healthy and
earnest nature of the youth gradually assimilating into his life.
He had too much respect for sorrow to approach it with curiosity.
He had learned to put off his shoes when he drew nigh the burning
bush of human pain.</p>

<p id="iv.ii-p7"><br />
</p>

<p id="iv.ii-p8">Robert had not settled at any of the universities, but had moved
from one to the other as he saw fit, report guiding him to the men
who spoke with authority. The time of doubt and anxious questioning
was far from over, but the time was long gone by--if in his case it
had ever been--when he could be like a wave of the sea, driven of
the wind and tossed. He had ever one anchor of the soul, and he
found that it held--the faith of Jesus (I say the faith of Jesus,
not his own faith in Jesus), the truth of Jesus, the life of Jesus.
However his intellect might be tossed on the waves of speculation
and criticism, he found that the word the Lord had spoken remained
steadfast; for in doing righteously, in loving mercy, in walking
humbly, the conviction increased that Jesus knew the very secret of
human life. Now and then some great vision gleamed across his soul
of the working of all things towards a far-off goal of simple
obedience to a law of life, which God knew, and which his son had
justified through sorrow and pain. Again and again the words of the
Master gave him a peep into a region where all was explicable,
where all that was crooked might be made straight, where every
mountain of wrong might be made low, and every valley of suffering
exalted. Ever and again some one of the dark perplexities of
humanity began to glimmer with light in its inmost depth. Nor was
he without those moments of communion when the creature is lifted
into the secret place of the Creator.</p>

<p id="iv.ii-p9"><br />
</p>

<p id="iv.ii-p10">Looking back to the time when it seemed that he cried and was
not heard, he saw that God had been hearing, had been answering,
all the time; had been making him capable of receiving the gift for
which he prayed. He saw that intellectual difficulty encompassing
the highest operations of harmonizing truth, can no more affect
their reality than the dulness of chaos disprove the motions of the
wind of God over the face of its waters. He saw that any true
revelation must come out of the unknown in God through the unknown
in man. He saw that its truths must rise in the man as powers of
life, and that only as that life grows and unfolds can the
ever-lagging intellect gain glimpses of partial outlines fading
away into the infinite--that, indeed, only in material things and
the laws that belong to them, are outlines possible--even there,
only in the picture of them which the mind that analyzes them makes
for itself, not in the things themselves.</p>

<p id="iv.ii-p11"><br />
</p>

<p id="iv.ii-p12">At the close of these four years, with his spirit calm and
hopeful, truth his passion, and music, which again he had resumed
and diligently cultivated, his pleasure, Falconer returned to
Aberdeen. He was received by Dr. Anderson as if he had in truth
been his own son. In the room stood a tall figure, with its back
towards them, pocketing its handkerchief. The next moment the
figure turned, and--could it be?--yes, it was Shargar. Doubt
lingered only until he opened his mouth, and said 'Eh, Robert!'
with which exclamation he threw himself upon him, and after a very
undignified fashion began crying heartily. Tall as he was, Robert's
great black head towered above him, and his shoulders were like a
rock against which Shargar's slight figure leaned. He looked down
like a compassionate mastiff upon a distressed Italian grayhound.
His eyes shimmered with feeling, but Robert's tears, if he ever
shed any, were kept for very solemn occasions. He was more likely
to weep for awful joy than for any sufferings either in himself or
others. 'Shargar!' pronounced in a tone full of a thousand
memories, was all the greeting he returned; but his great manly
hand pressed Shargar's delicate long-fingered one with a grasp
which must have satisfied his friend that everything was as it had
been between them, and that their friendship from henceforth would
take a new start. For with all that Robert had seen, thought, and
learned, now that the bitterness of loss had gone by, the old times
and the old friends were dearer. If there was any truth in the
religion of God's will, in which he was a disciple, every moment of
life's history which had brought soul in contact with soul, must be
sacred as a voice from behind the veil. Therefore he could not now
rest until he had gone to see his grandmother.</p>

<p id="iv.ii-p13"><br />
</p>

<p id="iv.ii-p14">'Will you come to Rothieden with me, Shargar? I beg your
pardon--I oughtn't to keep up an old nickname,' said Robert, as
they sat that evening with the doctor, over a tumbler of toddy.</p>

<p id="iv.ii-p15"><br />
</p>

<p id="iv.ii-p16">'If you call me anything else, I'll cut my throat, Robert, as I
told you before. If any one else does,' he added, laughing, 'I'll
cut his throat.'</p>

<p id="iv.ii-p17"><br />
</p>

<p id="iv.ii-p18">'Can he go with me, doctor?' asked Robert, turning to their
host.</p>

<p id="iv.ii-p19"><br />
</p>

<p id="iv.ii-p20">'Certainly. He has not been to Rothieden since he took his
degree. He's an A.M. now, and has distinguished himself besides.
You'll see him in his uniform soon, I hope. Let's drink his health,
Robert. Fill your glass.'</p>

<p id="iv.ii-p21"><br />
</p>

<p id="iv.ii-p22">The doctor filled his glass slowly and solemnly. He seldom drank
even wine, but this was a rare occasion. He then rose, and with
equal slowness, and a tremor in his voice which rendered it
impossible to imagine the presence of anything but seriousness,
said,</p>

<p id="iv.ii-p23"><br />
</p>

<p id="iv.ii-p24">'Robert, my son, let's drink the health of George Moray,
Gentleman. Stand up.'</p>

<p id="iv.ii-p25"><br />
</p>

<p id="iv.ii-p26">Robert rose, and in his confusion Shargar rose too, and sat down
again, blushing till his red hair looked yellow beside his cheeks.
The men repeated the words, 'George Moray, Gentleman,' emptied
their glasses, and resumed their seats. Shargar rose trembling, and
tried in vain to speak. The reason in part was, that he sought to
utter himself in English.</p>

<p id="iv.ii-p27"><br />
</p>

<p id="iv.ii-p28">'Hoots! Damn English!' he broke out at last. 'Gin I be a
gentleman, Dr. Anderson and Robert Falconer, it's you twa 'at's
made me ane, an' God bless ye, an' I'm yer hoomble servant to a'
etairnity.'</p>

<p id="iv.ii-p29"><br />
</p>

<p id="iv.ii-p30">So saying, Shargar resumed his seat, filled his glass with
trembling hand, emptied it to hide his feelings, but without
success, rose once more, and retreated to the hall for a space.</p>

<p id="iv.ii-p31"><br />
</p>

<p id="iv.ii-p32">The next morning Robert and Shargar got on the coach and went to
Rothieden. Robert turned his head aside as they came near the
bridge and the old house of Bogbonnie. But, ashamed of his
weakness, he turned again and looked at the house. There it stood,
all the same,--a thing for the night winds to howl in, and follow
each other in mad gambols through its long passages and rooms, so
empty from the first that not even a ghost had any reason for going
there--a place almost without a history--dreary emblem of so many
empty souls that have hidden their talent in a napkin, and have
nothing to return for it when the Master calls them. Having looked
this one in the face, he felt stronger to meet those other places
before which his heart quailed yet more. He knew that Miss St. John
had left soon after Ericson's death: whether he was sorry or glad
that he should not see her he could not tell. He thought Rothieden
would look like Pompeii, a city buried and disinterred; but when
the coach drove into the long straggling street, he found the old
love revive, and although the blood rushed back to his heart when
Captain Forsyth's house came in view, he did not turn away, but
made his eyes, and through them his heart, familiar with its
desolation. He got down at the corner, and leaving Shargar to go on
to The Boar's Head and look after the luggage, walked into his
grandmother's house and straight into her little parlour. She rose
with her old stateliness when she saw a stranger enter the room,
and stood waiting his address.</p>

<p id="iv.ii-p33"><br />
</p>

<p id="iv.ii-p34">'Weel, grannie,' said Robert, and took her in his arms.</p>

<p id="iv.ii-p35"><br />
</p>

<p id="iv.ii-p36">'The Lord's name be praised!' faltered she. 'He's ower guid to
the likes o' me.'</p>

<p id="iv.ii-p37"><br />
</p>

<p id="iv.ii-p38">And she lifted up her voice and wept.</p>

<p id="iv.ii-p39"><br />
</p>

<p id="iv.ii-p40">She had been informed of his coming, but she had not expected
him till the evening; he was much altered, and old age is slow.</p>

<p id="iv.ii-p41"><br />
</p>

<p id="iv.ii-p42">He had hardly placed her in her chair, when Betty came in. If
she had shown him respect before, it was reverence now.</p>

<p id="iv.ii-p43"><br />
</p>

<p id="iv.ii-p44">'Eh, sir!' she said, 'I didna ken it was you, or I wadna hae
come into the room ohn chappit at the door. I'll awa' back to my
kitchie.'</p>

<p id="iv.ii-p45"><br />
</p>

<p id="iv.ii-p46">So saying, she turned to leave the room.</p>

<p id="iv.ii-p47"><br />
</p>

<p id="iv.ii-p48">'Hoots! Betty,' cried Robert, 'dinna be a gowk. Gie 's a grip o
yer han'.'</p>

<p id="iv.ii-p49"><br />
</p>

<p id="iv.ii-p50">Betty stood staring and irresolute, overcome at sight of the
manly bulk before her.</p>

<p id="iv.ii-p51"><br />
</p>

<p id="iv.ii-p52">'Gin ye dinna behave yersel', Betty, I'll jist awa' ower to
Muckledrum, an' hae a caw (<i>drive</i>) throu the
sessions-buik.'</p>

<p id="iv.ii-p53"><br />
</p>

<p id="iv.ii-p54">Betty laughed for the first time at the awful threat, and the
ice once broken, things returned to somewhat of their old
footing.</p>

<p id="iv.ii-p55"><br />
</p>

<p id="iv.ii-p56">I must not linger on these days. The next morning Robert paid a
visit to Bodyfauld, and found that time had there flowed so gently
that it had left but few wrinkles and fewer gray hairs. The fields,
too, had little change to show; and the hill was all the same, save
that its pines had grown. His chief mission was to John Hewson and
his wife. When he left for the continent, he was not so utterly
absorbed in his own griefs as to forget Jessie. He told her story
to Dr. Anderson, and the good man had gone to see her the same
day.</p>

<p id="iv.ii-p57"><br />
</p>

<p id="iv.ii-p58">In the evening, when he knew he should find them both at home,
he walked into the cottage. They were seated by the fire, with the
same pot hanging on the same crook for their supper. They rose, and
asked him to sit down, but did not know him. When he told them who
he was, they greeted him warmly, and John Hewson smiled something
of the old smile, but only like it, for it had no 'rays
proportionately delivered' from his mouth over his face.</p>

<p id="iv.ii-p59"><br />
</p>

<p id="iv.ii-p60">After a little indifferent chat, Robert said,</p>

<p id="iv.ii-p61"><br />
</p>

<p id="iv.ii-p62">'I came through Aberdeen yesterday, John.'</p>

<p id="iv.ii-p63"><br />
</p>

<p id="iv.ii-p64">At the very mention of Aberdeen, John's head sunk. He gave no
answer, but sat looking in the fire. His wife rose and went to the
other end of the room, busying herself quietly about the supper.
Robert thought it best to plunge into the matter at once.</p>

<p id="iv.ii-p65"><br />
</p>

<p id="iv.ii-p66">'I saw Jessie last nicht,' he said.</p>

<p id="iv.ii-p67"><br />
</p>

<p id="iv.ii-p68">Still there was no reply. John's face had grown hard as a stone
face, but Robert thought rather from the determination to govern
his feelings than from resentment.</p>

<p id="iv.ii-p69"><br />
</p>

<p id="iv.ii-p70">'She's been doin' weel ever sin' syne,' he added.</p>

<p id="iv.ii-p71"><br />
</p>

<p id="iv.ii-p72">Still no word from either; and Robert fearing some outburst of
indignation ere he had said his say, now made haste.</p>

<p id="iv.ii-p73"><br />
</p>

<p id="iv.ii-p74">'She's been a servant wi' Dr. Anderson for four year noo, an'
he's sair pleased wi' her. She's a fine woman. But her bairnie's
deid, an' that was a sair blow till her.'</p>

<p id="iv.ii-p75"><br />
</p>

<p id="iv.ii-p76">He heard a sob from the mother, but still John made no sign.</p>

<p id="iv.ii-p77"><br />
</p>

<p id="iv.ii-p78">'It was a bonnie bairnie as ever ye saw. It luikit in her face,
she says, as gin it kent a' aboot it, and had only come to help her
throu the warst o' 't; for it gaed hame 'maist as sune's ever she
was richt able to thank God for sen'in' her sic an angel to lead
her to repentance.'</p>

<p id="iv.ii-p79"><br />
</p>

<p id="iv.ii-p80">'John,' said his wife, coming behind his chair, and laying her
hand on his shoulder, 'what for dinna ye speyk? Ye hear what
Maister Faukner says.--Ye dinna think a thing's clean useless
'cause there may be a spot upo' 't?' she added, wiping her eyes
with her apron.</p>

<p id="iv.ii-p81"><br />
</p>

<p id="iv.ii-p82">'A spot upo' 't?' cried John, starting to his feet. 'What ca' ye
a spot?--Wuman, dinna drive me mad to hear ye lichtlie the glory o'
virginity.'</p>

<p id="iv.ii-p83"><br />
</p>

<p id="iv.ii-p84">'That's a' verra weel, John,' interposed Robert quietly; 'but
there was ane thocht as muckle o' 't as ye do, an' wad hae been
ashamed to hear ye speak that gait aboot yer ain dauchter'</p>

<p id="iv.ii-p85"><br />
</p>

<p id="iv.ii-p86">'I dinna unnerstan' ye,' returned Hewson, looking <i>
raised-like</i> at him.</p>

<p id="iv.ii-p87"><br />
</p>

<p id="iv.ii-p88">'Dinna ye ken, man, that amo' them 'at kent the Lord best whan
he cam frae haiven to luik efter his ain--to seek and to save, ye
ken--amo' them 'at cam roon aboot him to hearken till 'im, was
lasses 'at had gane the wrang gait a'thegither,--no like your
bonnie Jessie 'at fell but ance. Man, ye're jist like Simon the
Pharisee, 'at was sae scunnert at oor Lord 'cause he loot the wuman
'at was a sinner tak her wull o' 's feet--the feet 'at they war
gaein' to tak their wull o' efter anither fashion afore lang. He
wad hae shawn her the door--Simon wad--like you, John; but the Lord
tuik her pairt. An' lat me tell <i>you</i>, John--an' I winna beg
yer pardon for sayin' 't, for it's God's trowth--lat me tell <i>
you</i>, 'at gin ye gang on that gait ye'll be sidin' wi' the
Pharisee, an' no wi' oor Lord. Ye may lippen to yer wife, ay, an'
to Jessie hersel', that kens better nor eyther o' ye, no to mak
little o' virginity. Faith! they think mair o' 't than ye do, I'm
thinkin', efter a'; only it's no a thing to say muckle aboot. An'
it's no to stan' for a'thing, efter a'.'</p>

<p id="iv.ii-p89"><br />
</p>

<p id="iv.ii-p90">Silence followed. John sat down again, and buried his face in
his hands. At length he murmured from between them,</p>

<p id="iv.ii-p91"><br />
</p>

<p id="iv.ii-p92">'The lassie's weel?'</p>

<p id="iv.ii-p93"><br />
</p>

<p id="iv.ii-p94">'Ay,' answered Robert; and silence followed again.</p>

<p id="iv.ii-p95"><br />
</p>

<p id="iv.ii-p96">'What wad ye hae me do?' asked John, lifting his head a
little.</p>

<p id="iv.ii-p97"><br />
</p>

<p id="iv.ii-p98">'I wad hae ye sen' a kin' word till her. The lassie's hert's
jist longin' efter ye. That's a'. And that's no ower muckle.'</p>

<p id="iv.ii-p99"><br />
</p>

<p id="iv.ii-p100">''Deed no,' assented the mother.</p>

<p id="iv.ii-p101"><br />
</p>

<p id="iv.ii-p102">John said nothing. But when his visitor rose he bade him a warm
good-night.</p>

<p id="iv.ii-p103"><br />
</p>

<p id="iv.ii-p104">When Robert returned to Aberdeen he was the bearer of such a
message as made poor Jessie glad at heart. This was his first
experience of the sort.</p>

<p id="iv.ii-p105"><br />
</p>

<p id="iv.ii-p106">When he left the cottage, he did not return to the house, but
threaded the little forest of pines, climbing the hill till he came
out on its bare crown, where nothing grew but heather and
blaeberries. There he threw himself down, and gazed into the
heavens. The sun was below the horizon; all the dazzle was gone out
of the gold, and the roses were fast fading; the downy blue of the
sky was trembling into stars over his head; the brown dusk was
gathering in the air; and a wind full of gentleness and peace came
to him from the west. He let his thoughts go where they would, and
they went up into the abyss over his head.</p>

<p id="iv.ii-p107"><br />
</p>

<p id="iv.ii-p108">'Lord, come to me,' he cried in his heart, 'for I cannot go to
thee. If I were to go up and up through that awful space for ages
and ages, I should never find thee. Yet there thou art. The
tenderness of thy infinitude looks upon me from those heavens. Thou
art in them and in me. Because thou thinkest, I think. I am
thine--all thine. I abandon myself to thee. Fill me with thyself.
When I am full of thee, my griefs themselves will grow golden in
thy sunlight. Thou holdest them and their cause, and wilt find some
nobler atonement between them than vile forgetfulness and the death
of love. Lord, let me help those that are wretched because they do
not know thee. Let me tell them that thou, the Life, must needs
suffer for and with them, that they may be partakers of thy
ineffable peace. My life is hid in thine: take me in thy hand as
Gideon bore the pitcher to the battle. Let me be broken if need be,
that thy light may shine upon the lies which men tell them in thy
name, and which eat away their hearts.'</p>

<p id="iv.ii-p109"><br />
</p>

<p id="iv.ii-p110">Having persuaded Shargar to remain with Mrs. Falconer for a few
days, and thus remove the feeling of offence she still cherished
because of his 'munelicht flittin',' he returned to Dr. Anderson,
who now unfolded his plans for him. These were, that he should
attend the medical classes common to the two universities, and at
the same time accompany him in his visits to the poor. He did not
at all mean, he said, to determine Robert's life as that of a
medical man, but from what he had learned of his feelings, he was
confident that a knowledge of medicine would be invaluable to him.
I think the good doctor must have foreseen the kind of life which
Falconer would at length choose to lead, and with true and
admirable wisdom, sought to prepare him for it. However this may
be, Robert entertained the proposal gladly, went into the scheme
with his whole heart, and began to widen that knowledge of and
sympathy with the poor which were the foundation of all his
influence over them.</p>

<p id="iv.ii-p111"><br />
</p>

<p id="iv.ii-p112">For a time, therefore, he gave a diligent and careful attendance
upon lectures, read sufficiently, took his rounds with Dr.
Anderson, and performed such duties as he delegated to his greater
strength. Had the healing art been far less of an enjoyment to him
than it was, he could yet hardly have failed of great progress
therein; but seeing that it accorded with his best feelings,
profoundest theories, and loftiest hopes, and that he received it
as a work given him to do, it is not surprising that a certain
faculty of cure, almost partaking of the instinctive, should have
been rapidly developed in him, to the wonder and delight of his
friend and master.</p>

<p id="iv.ii-p113"><br />
</p>

<p id="iv.ii-p114">In this labour he again spent about four years, during which
time he gathered much knowledge of human nature, learning
especially to judge it from no stand-point of his own, but in every
individual case to take a new position whence the nature and
history of the man should appear in true relation to the yet
uncompleted result. He who cannot feel the humanity of his
neighbour because he is different from himself in education,
habits, opinions, morals, circumstances, objects, is unfit, if not
unworthy, to aid him.</p>

<p id="iv.ii-p115"><br />
</p>

<p id="iv.ii-p116">Within this period Shargar had gone out to India, where he had
distinguished himself particularly on a certain harassing march.
Towards the close of the four years he had leave of absence, and
was on his way home. About the same time Robert, in consequence of
a fever brought on by over-fatigue, was in much need of a holiday;
and Dr. Anderson proposed that he should meet Moray at
Southampton.</p>

<p id="iv.ii-p117"><br />
</p>

<p id="iv.ii-p118">Shargar had no expectation of seeing him, and his delight, not
greater on that account, broke out more wildly. No thinnest film
had grown over his heart, though in all else he was considerably
changed. The army had done everything that was wanted for his
outward show of man. The drawling walk had vanished, and a firm
step and soldierly stride had taken its place; his bearing was
free, yet dignified; his high descent came out in the ease of his
carriage and manners: there could be no doubt that at last Shargar
was a gentleman. His hair had changed to a kind of red chestnut.
His complexion was much darkened with the Indian sun. His eyes,
too, were darker, and no longer rolled slowly from one object to
another, but indicated by their quick glances a mind ready to
observe and as ready to resolve. His whole appearance was more than
prepossessing--it was even striking.</p>

<p id="iv.ii-p119"><br />
</p>

<p id="iv.ii-p120">Robert was greatly delighted with the improvement in him, and
far more when he found that his mind's growth had at least kept
pace with his body's change. It would be more correct to say that
it had preceded and occasioned it; for however much the army may be
able to do in that way, it had certainly, in Moray's case, only
seconded the law of inward growth working outward show.</p>

<p id="iv.ii-p121"><br />
</p>

<p id="iv.ii-p122">The young men went up to London together, and great was the
pleasure they had in each other's society, after so long a
separation in which their hearts had remained unchanged while their
natures had grown both worthy and capable of more honour and
affection. They had both much to tell; for Robert was naturally
open save in regard to his grief; and Shargar was proud of being
able to communicate with Robert from a nearer level, in virtue of
now knowing many things that Robert could not know. They went
together to a hotel in St. Paul's Churchyard.</p>

<p id="iv.ii-p123"><br />
</p>

<p id="iv.ii-p124"><br />
</p>

</div2>

      <div2 title="CHAPTER III.--A MERE GLIMPSE." n="iii" shorttitle="" progress="68.53%" id="iv.iii" prev="iv.ii" next="iv.iv">

<p id="iv.iii-p1"><br />
</p>

<p id="iv.iii-p2">CHAPTER III.</p>

<p id="iv.iii-p3"><br />
</p>

<p id="iv.iii-p4">A MERE GLIMPSE.</p>

<p id="iv.iii-p5"><br />
</p>

<p id="iv.iii-p6">AT the close of a fortnight, Falconer thought it time to return
to his duties in Aberdeen. The day before the steamer sailed, they
found themselves, about six o'clock, in Gracechurch Street. It was
a fine summer evening. The street was less crowded than earlier in
the afternoon, although there was a continuous stream of waggons,
omnibuses, and cabs both ways. As they stood on the curbstone, a
little way north of Lombard Street, waiting to cross--</p>

<p id="iv.iii-p7"><br />
</p>

<p id="iv.iii-p8">'You see, Shargar,' said Robert, 'Nature will have her way. Not
all the hurry and confusion and roar can keep the shadows out.
Look: wherever a space is for a moment vacant, there falls a
shadow, as grotesque, as strange, as full of unutterable things as
any shadow on a field of grass and daisies.'</p>

<p id="iv.iii-p9"><br />
</p>

<p id="iv.iii-p10">'I remember feeling the same kind of thing in India,' returned
Shargar, 'where nothing looked as if it belonged to the world I was
born in, but my own shadow. In such a street as this, however, all
the shadows look as if they belonged to another world, and had no
business here.'</p>

<p id="iv.iii-p11"><br />
</p>

<p id="iv.iii-p12">'I quite feel that,' returned Falconer. 'They come like angels
from the lovely west and the pure air, to show that London cannot
hurt them, for it too is within the Kingdom of God--to teach the
lovers of nature, like the old orthodox Jew, St. Peter, that they
must not call anything common or unclean.'</p>

<p id="iv.iii-p13"><br />
</p>

<p id="iv.iii-p14">Shargar made no reply, and Robert glanced round at him. He was
staring with wide eyes into, not at the crowd of vehicles that
filled the street. His face was pale, and strangely like the
Shargar of old days.</p>

<p id="iv.iii-p15"><br />
</p>

<p id="iv.iii-p16">'What's the matter with you?' Robert asked in some
bewilderment.</p>

<p id="iv.iii-p17"><br />
</p>

<p id="iv.iii-p18">Receiving no answer, he followed Shargar's gaze, and saw a
strange sight for London city.</p>

<p id="iv.iii-p19"><br />
</p>

<p id="iv.iii-p20">In the middle of the crowd of vehicles, with an omnibus before
them, and a brewer's dray behind them, came a line of three
donkey-carts, heaped high with bundles and articles of gipsy-gear.
The foremost was conducted by a middle-aged woman of tall,
commanding aspect, and expression both cunning and fierce. She
walked by the donkey's head carrying a short stick, with which she
struck him now and then, but which she oftener waved over his head
like the truncheon of an excited marshal on the battle-field,
accompanying its movements now with loud cries to the animal, now
with loud response to the chaff of the omnibus conductor, the dray
driver, and the tradesmen in carts about her. She was followed by a
very handsome, olive-complexioned, wild-looking young woman, with
her black hair done up in a red handkerchief, who conducted her
donkey more quietly. Both seemed as much at home in the roar of
Gracechurch Street as if they had been crossing a wild common. A
loutish-looking young man brought up the rear with the third
donkey. From the bundles on the foremost cart peeped a lovely,
fair-haired, English-looking child.</p>

<p id="iv.iii-p21"><br />
</p>

<p id="iv.iii-p22">Robert took all this in in a moment. The same moment Shargar's
spell was broken.</p>

<p id="iv.iii-p23"><br />
</p>

<p id="iv.iii-p24">'Lord, it <i>is</i> my mither!' he cried, and darted under a
horse's neck into the middle of the <i>ruck</i>.</p>

<p id="iv.iii-p25"><br />
</p>

<p id="iv.iii-p26">He needled his way through till he reached the woman. She was
swearing at a cabman whose wheel had caught the point of her
donkey's shaft, and was hauling him round. Heedless of everything,
Shargar threw his arms about her, crying,</p>

<p id="iv.iii-p27"><br />
</p>

<p id="iv.iii-p28">'Mither! mither!'</p>

<p id="iv.iii-p29"><br />
</p>

<p id="iv.iii-p30">'Nane o' yer blastit humbug!' she exclaimed, as, with a vigorous
throw and a wriggle, she freed herself from his embrace and pushed
him away.</p>

<p id="iv.iii-p31"><br />
</p>

<p id="iv.iii-p32">The moment she had him at arm's length, however, her hand closed
upon his arm, and her other hand went up to her brow. From
underneath it her eyes shot up and down him from head to foot, and
he could feel her hand closing and relaxing and closing again, as
if she were trying to force her long nails into his flesh. He stood
motionless, waiting the result of her scrutiny, utterly unconscious
that he caused a congestion in the veins of London, for every
vehicle within sight of the pair had stopped. Falconer said a
strange silence fell upon the street, as if all the things in it
had been turned into shadows.</p>

<p id="iv.iii-p33"><br />
</p>

<p id="iv.iii-p34">A rough voice, which sounded as if all London must have heard
it, broke the silence. It was the voice of the cabman who had been
in altercation with the woman. Bursting into an insulting laugh, he
used words with regard to her which it is better to leave
unrecorded. The same instant Shargar freed himself from her grasp,
and stood by the fore wheel of the cab.</p>

<p id="iv.iii-p35"><br />
</p>

<p id="iv.iii-p36">'Get down!' he said, in a voice that was not the less impressive
that it was low and hoarse.</p>

<p id="iv.iii-p37"><br />
</p>

<p id="iv.iii-p38">The fellow saw what he meant, and whipped his horse. Shargar
sprung on the box, and dragged him down all but headlong.</p>

<p id="iv.iii-p39"><br />
</p>

<p id="iv.iii-p40">'Now,' he said, 'beg my mother's pardon.'</p>

<p id="iv.iii-p41"><br />
</p>

<p id="iv.iii-p42">'Be damned if I do, &amp;c., &amp;c.,' said the cabman.</p>

<p id="iv.iii-p43"><br />
</p>

<p id="iv.iii-p44">'Then defend yourself,' said Shargar. 'Robert.'</p>

<p id="iv.iii-p45"><br />
</p>

<p id="iv.iii-p46">Falconer was watching it all, and was by his side in a
moment.</p>

<p id="iv.iii-p47"><br />
</p>

<p id="iv.iii-p48">'Come on, you, &amp;c., &amp;c.,' cried the cabman, plucking up
heart and putting himself in fighting shape. He looked one of those
insolent fellows whom none see discomfited more gladly than the
honest men of his own class. The same moment he lay between his
horse's feet.</p>

<p id="iv.iii-p49"><br />
</p>

<p id="iv.iii-p50">Shargar turned to Robert, and saying only, 'There, Robert!'
turned again towards the woman. The cabman rose bleeding, and,
desiring no more of the same, climbed on his box, and went off,
belabouring his horse, and pursued by a roar from the street, for
the spectators were delighted at his punishment.</p>

<p id="iv.iii-p51"><br />
</p>

<p id="iv.iii-p52">'Now, mother,' said Shargar, panting with excitement.</p>

<p id="iv.iii-p53"><br />
</p>

<p id="iv.iii-p54">'What ca' they ye?' she asked, still doubtful, but as proud of
being defended as if the coarse words of her assailant had had no
truth in them. 'Ye canna be my lang-leggit Geordie.'</p>

<p id="iv.iii-p55"><br />
</p>

<p id="iv.iii-p56">'What for no?'</p>

<p id="iv.iii-p57"><br />
</p>

<p id="iv.iii-p58">'Ye're a gentleman, faith!'</p>

<p id="iv.iii-p59"><br />
</p>

<p id="iv.iii-p60">'An' what for no, again?' returned Shargar, beginning to
smile.</p>

<p id="iv.iii-p61"><br />
</p>

<p id="iv.iii-p62">'Weel, it's weel speired. Yer father was ane ony gait--gin sae
be 'at ye are as ye say.'</p>

<p id="iv.iii-p63"><br />
</p>

<p id="iv.iii-p64">Moray put his head close to hers, and whispered some words that
nobody heard but herself.</p>

<p id="iv.iii-p65"><br />
</p>

<p id="iv.iii-p66">'It's ower lang syne to min' upo' that,' she said in reply, with
a look of cunning consciousness ill settled upon her fine features.
'But ye can be naebody but my Geordie. Haith, man!' she went on,
regarding him once more from head to foot, 'but ye're a credit to
me, I maun alloo. Weel, gie me a sovereign, an' I s' never come
near ye.'</p>

<p id="iv.iii-p67"><br />
</p>

<p id="iv.iii-p68">Poor Shargar in his despair turned half mechanically towards
Robert. He felt that it was time to interfere.</p>

<p id="iv.iii-p69"><br />
</p>

<p id="iv.iii-p70">'You forget, mother,' said Shargar, turning again to her, and
speaking English now, 'it was I that claimed you, and not you that
claimed me.'</p>

<p id="iv.iii-p71"><br />
</p>

<p id="iv.iii-p72">She seemed to have no idea of what he meant.</p>

<p id="iv.iii-p73"><br />
</p>

<p id="iv.iii-p74">'Come up the road here, to oor public, an' tak a glaiss, wuman,'
said Falconer. 'Dinna haud the fowk luikin' at ye.'</p>

<p id="iv.iii-p75"><br />
</p>

<p id="iv.iii-p76">The temptation of a glass of something strong, and the hope of
getting money out of them, caused an instant acquiescence. She said
a few words to the young woman, who proceeded at once to tie her
donkey's head to the tail of the other cart.</p>

<p id="iv.iii-p77"><br />
</p>

<p id="iv.iii-p78">'Shaw the gait than,' said the elder, turning again to
Falconer.</p>

<p id="iv.iii-p79"><br />
</p>

<p id="iv.iii-p80">Shargar and he led the way to St. Paul's Churchyard, and the
woman followed faithfully. The waiter stared when they entered.</p>

<p id="iv.iii-p81"><br />
</p>

<p id="iv.iii-p82">'Bring a glass of whisky,' said Falconer, as he passed on to
their private room. When the whisky arrived, she tossed it off, and
looked as if she would like another glass.</p>

<p id="iv.iii-p83"><br />
</p>

<p id="iv.iii-p84">'Yer father 'ill hae ta'en ye up, I'm thinkin', laddie?' she
said, turning to her son.</p>

<p id="iv.iii-p85"><br />
</p>

<p id="iv.iii-p86">'No,' answered Shargar, gloomily. 'There's the man that took me
up.'</p>

<p id="iv.iii-p87"><br />
</p>

<p id="iv.iii-p88">'An' wha may ye be?' she asked, turning to Falconer.</p>

<p id="iv.iii-p89"><br />
</p>

<p id="iv.iii-p90">'Mr. Falconer,' said Shargar.</p>

<p id="iv.iii-p91"><br />
</p>

<p id="iv.iii-p92">'No a son o' Anerew Faukner?' she asked again, with evident
interest.</p>

<p id="iv.iii-p93"><br />
</p>

<p id="iv.iii-p94">'The same,' answered Robert.</p>

<p id="iv.iii-p95"><br />
</p>

<p id="iv.iii-p96">'Well, Geordie,' she said, turning once more to her son, 'it's
like mither, like father to the twa o' ye.'</p>

<p id="iv.iii-p97"><br />
</p>

<p id="iv.iii-p98">'Did you know my father?' asked Robert, eagerly.</p>

<p id="iv.iii-p99"><br />
</p>

<p id="iv.iii-p100">Instead of answering him she made another remark to her son.</p>

<p id="iv.iii-p101"><br />
</p>

<p id="iv.iii-p102">'He needna be ashamed o' <i>your</i> company, ony gait--queer
kin' o' a mither 'at I am.'</p>

<p id="iv.iii-p103"><br />
</p>

<p id="iv.iii-p104">'He never was ashamed of my company,' said Shargar, still
gloomily.</p>

<p id="iv.iii-p105"><br />
</p>

<p id="iv.iii-p106">'Ay, I kent yer father weel eneuch,' she said, now answering
Robert--'mair by token 'at I saw him last nicht. He was luikin' nae
that ill.'</p>

<p id="iv.iii-p107"><br />
</p>

<p id="iv.iii-p108">Robert sprung from his seat, and caught her by the arm.</p>

<p id="iv.iii-p109"><br />
</p>

<p id="iv.iii-p110">'Ow! ye needna gang into sic a flurry. <i>He</i>'ll no come near
ye, I s' warran'.'</p>

<p id="iv.iii-p111"><br />
</p>

<p id="iv.iii-p112">'Tell me where he is,' said Robert. 'Where did you see him? I'll
gie ye a' 'at I hae gin ye'll tak me till him.'</p>

<p id="iv.iii-p113"><br />
</p>

<p id="iv.iii-p114">'Hooly! hooly! Wha's to gang luikin' for a thrum in a hay-sow?'
returned she, coolly. 'I only said 'at I saw him.'</p>

<p id="iv.iii-p115"><br />
</p>

<p id="iv.iii-p116">'But are ye sure it was him?' asked Falconer.</p>

<p id="iv.iii-p117"><br />
</p>

<p id="iv.iii-p118">'Ay, sure eneuch,' she answered.</p>

<p id="iv.iii-p119"><br />
</p>

<p id="iv.iii-p120">'What maks ye sae sure?'</p>

<p id="iv.iii-p121"><br />
</p>

<p id="iv.iii-p122">''Cause I never was vrang yet. Set a man ance atween my twa een,
an' that 'll be twa 'at kens him whan 's ain mither 's forgotten
'im.'</p>

<p id="iv.iii-p123"><br />
</p>

<p id="iv.iii-p124">'Did you speak to him?'</p>

<p id="iv.iii-p125"><br />
</p>

<p id="iv.iii-p126">'Maybe ay, an' maybe no. I didna come here to be hecklet afore a
jury.'</p>

<p id="iv.iii-p127"><br />
</p>

<p id="iv.iii-p128">'Tell me what he's like,' said Robert, agitated with eager
hope.</p>

<p id="iv.iii-p129"><br />
</p>

<p id="iv.iii-p130">'Gin ye dinna ken what he's like, what for suld ye tak the
trouble to speir? But 'deed ye'll ken what he's like whan ye fa' in
wi' him,' she added, with a vindictive laugh--vindictive because he
had given her only one glass of strong drink.</p>

<p id="iv.iii-p131"><br />
</p>

<p id="iv.iii-p132">With the laugh she rose, and made for the door. They rose at the
same moment to detain her. Like one who knew at once to fight and
flee, she turned and stunned them as with a blow.</p>

<p id="iv.iii-p133"><br />
</p>

<p id="iv.iii-p134">'She's a fine yoong thing, yon sister o' yours, Geordie. She'll
be worth siller by the time she's had a while at the schuil.'</p>

<p id="iv.iii-p135"><br />
</p>

<p id="iv.iii-p136">The men looked at each other aghast. When they turned their eyes
she had vanished. They rushed to the door, and, parting, searched
in both directions. But they were soon satisfied that it was of no
use. Probably she had found a back way into Paternoster Row, whence
the outlets are numerous.</p>

<p id="iv.iii-p137"><br />
</p>

<p id="iv.iii-p138"><br />
</p>

</div2>

      <div2 title="CHAPTER IV.--THE DOCTOR'S DEATH." n="iv" shorttitle="" progress="69.37%" id="iv.iv" prev="iv.iii" next="iv.v">

<p id="iv.iv-p1"><br />
</p>

<p id="iv.iv-p2">CHAPTER IV.</p>

<p id="iv.iv-p3"><br />
</p>

<p id="iv.iv-p4">THE DOCTOR'S DEATH.</p>

<p id="iv.iv-p5"><br />
</p>

<p id="iv.iv-p6">BUT now that Falconer had a ground, even thus shadowy, for
hoping--I cannot say believing--that his father might be in London,
he could not return to Aberdeen. Moray, who had no heart to hunt
for his mother, left the next day by the steamer. Falconer took to
wandering about the labyrinthine city, and in a couple of months
knew more about the metropolis--the west end excepted--than most
people who had lived their lives in it. The west end is no doubt a
considerable exception to make, but Falconer sought only his
father, and the west end was the place where he was least likely to
find him. Day and night he wandered into all sorts of places: the
worse they looked the more attractive he found them. It became
almost a craze with him. He could not pass a dirty court or
low-browed archway. He <i>might</i> be there. Or he might have been
there. Or it was such a place as he would choose for shelter. He
knew to what such a life as his must have tended.</p>

<p id="iv.iv-p7"><br />
</p>

<p id="iv.iv-p8">At first he was attracted only by tall elderly men. Such a man
he would sometimes follow till his following made him turn and
demand his object. If there was no suspicion of Scotch in his tone,
Falconer easily apologized. If there was, he made such replies as
might lead to some betrayal. He could not defend the course he was
adopting: it had not the shadow of probability upon its side. Still
the greatest successes the world has ever beheld had been at one
time the greatest improbabilities! He could not choose but go on,
for as yet he could think of no other way.</p>

<p id="iv.iv-p9"><br />
</p>

<p id="iv.iv-p10">Neither could a man like Falconer long confine his interest to
this immediate object, especially after he had, in following it,
found opportunity of being useful. While he still made it his main
object to find his father, that object became a centre from which
radiated a thousand influences upon those who were as sheep that
had no shepherd. He fell back into his old ways at Aberdeen, only
with a boundless sphere to work in, and with the hope of finding
his father to hearten him. He haunted the streets at night, went
into all places of entertainment, often to the disgust of senses
and soul, and made his way into the lowest forms of life without
introduction or protection.</p>

<p id="iv.iv-p11"><br />
</p>

<p id="iv.iv-p12">There was a certain stately air of the hills about him which was
often mistaken for country inexperience, and men thought in
consequence to make gain or game of him. But such found their
mistake, and if not soon, then the more completely. Far from
provoking or even meeting hostility, he soon satisfied those that
persisted, that it was dangerous. In two years he became well known
to the poor of a large district, especially on both sides of
Shoreditch, for whose sake he made the exercise of his profession
though not an object yet a ready accident.</p>

<p id="iv.iv-p13"><br />
</p>

<p id="iv.iv-p14">He lived in lodgings in John Street--the same in which I found
him when I came to know him. He made few acquaintances, and they
were chiefly the house-surgeons of hospitals--to which he paid
frequent visits.</p>

<p id="iv.iv-p15"><br />
</p>

<p id="iv.iv-p16">He always carried a book in his pocket, but did not read much.
On Sundays he generally went to some one of the many lonely heaths
or commons of Surrey with his New Testament. When weary in London,
he would go to the reading-room of the British Museum for an hour
or two. He kept up a regular correspondence with Dr. Anderson.</p>

<p id="iv.iv-p17"><br />
</p>

<p id="iv.iv-p18">At length he received a letter from him, which occasioned his
immediate departure for Aberdeen. Until now, his friend, who was
entirely satisfied with his mode of life, and supplied him freely
with money, had not even expressed a wish to recall him, though he
had often spoken of visiting him in London. It now appeared that,
unwilling to cause him any needless anxiety, he had abstained from
mentioning the fact that his health had been declining. He had got
suddenly worse, and Falconer hastened to obey the summons he had
sent him in consequence.</p>

<p id="iv.iv-p19"><br />
</p>

<p id="iv.iv-p20">With a heavy heart he walked up to the hospitable door,
recalling as he ascended the steps how he had stood there a
helpless youth, in want of a few pounds to save his hopes, when
this friend received him and bid him God-speed on the path he
desired to follow. In a moment more he was shown into the study,
and was passing through it to go to the cottage-room, when Johnston
laid his hand on his arm.</p>

<p id="iv.iv-p21"><br />
</p>

<p id="iv.iv-p22">'The maister's no up yet, sir,' he said, with a very solemn
look. 'He's been desperate efter seein' ye, and I maun gang an' lat
him ken 'at ye're here at last, for fear it suld be ower muckle for
him, seein' ye a' at ance. But eh, sir!' he added, the tears
gathering in his eyes, 'ye'll hardly ken 'im. He's that
changed!'</p>

<p id="iv.iv-p23"><br />
</p>

<p id="iv.iv-p24">Johnston left the study by the door to the cottage--Falconer had
never known the doctor sleep there--and returning a moment after,
invited him to enter. In the bed in the recess--the room unchanged,
with its deal table, and its sanded floor--lay the form of his
friend. Falconer hastened to the bedside, kneeled down, and took
his hand speechless. The doctor was silent too, but a smile
overspread his countenance, and revealed his inward satisfaction.
Robert's heart was full, and he could only gaze on the worn face.
At length he was able to speak.</p>

<p id="iv.iv-p25"><br />
</p>

<p id="iv.iv-p26">'What for didna ye sen' for me?' he said. 'Ye never tellt me ye
was ailin'.'</p>

<p id="iv.iv-p27"><br />
</p>

<p id="iv.iv-p28">'Because you were doing good, Robert, my boy; and I who had done
so little had no right to interrupt what you were doing. I wonder
if God will give me another chance. I would fain do better. I don't
think I <i>could</i> sit singing psalms to all eternity,' he added
with a smile.</p>

<p id="iv.iv-p29"><br />
</p>

<p id="iv.iv-p30">'Whatever good I may do afore my turn comes, I hae you to thank
for 't. Eh, doctor, gin it hadna been for you!'</p>

<p id="iv.iv-p31"><br />
</p>

<p id="iv.iv-p32">Robert's feelings overcame him. He resumed, brokenly,</p>

<p id="iv.iv-p33"><br />
</p>

<p id="iv.iv-p34">'Ye gae me a man to believe in, whan my ain father had forsaken
me, and my frien' was awa to God. Ye hae made me, doctor. Wi' meat
an' drink an' learnin' an' siller, an' a'thing at ance, ye hae made
me.'</p>

<p id="iv.iv-p35"><br />
</p>

<p id="iv.iv-p36">'Eh, Robert!' said the dying man, half rising on his elbow, 'to
think what God maks us a' to ane anither! My father did ten times
for me what I hae dune for you. As I lie here thinkin' I may see
him afore a week's ower, I'm jist a bairn again.'</p>

<p id="iv.iv-p37"><br />
</p>

<p id="iv.iv-p38">As he spoke, the polish of his speech was gone, and the social
refinement of his countenance with it. The face of his ancestors,
the noble, sensitive, heart-full, but rugged, bucolic, and
weather-beaten through centuries of windy ploughing, hail-stormed
sheep-keeping, long-paced seed-sowing, and multiform labour, surely
not less honourable in the sight of the working God than the
fighting of the noble, came back in the face of the dying
physician. From that hour to his death he spoke the rugged dialect
of his fathers.</p>

<p id="iv.iv-p39"><br />
</p>

<p id="iv.iv-p40">A day or two after this, Robert again sitting by his
bedside,</p>

<p id="iv.iv-p41"><br />
</p>

<p id="iv.iv-p42">'I dinna ken,' he said, 'whether it's richt--but I hae nae fear
o' deith, an' yet I canna say I'm sure aboot onything. I hae seen
mony a ane dee that cud hae no faith i' the Saviour; but I never
saw that fear that some gude fowk wud hae ye believe maun come at
the last. I wadna like to tak to ony papistry; but I never cud mak
oot frae the Bible--and I read mair at it i' the jungle than maybe
ye wad think--that it's a' ower wi' a body at their deith. I never
heard them bring foret ony text but ane--the maist ridiculous hash
'at ever ye heard--to justifee 't.'</p>

<p id="iv.iv-p43"><br />
</p>

<p id="iv.iv-p44">'I ken the text ye mean--"As the tree falleth so it shall lie,"
or something like that--'at they say King Solomon wrote, though
better scholars say his tree had fa'en mony a lang year afore that
text saw the licht. I dinna believe sic a thocht was i' the man's
heid when he wrote it. It is as ye say--ower contemptible to ca' an
argument. I'll read it to ye ance mair.'</p>

<p id="iv.iv-p45"><br />
</p>

<p id="iv.iv-p46">Robert got his Bible, and read the following portion from that
wonderful book, so little understood, because it is so full of
wisdom--the Book of Ecclesiastes:--</p>

<p id="iv.iv-p47"><br />
</p>

<p id="iv.iv-p48">'Cast thy bread upon the waters: for thou shalt find it after
many days.</p>

<p id="iv.iv-p49"><br />
</p>

<p id="iv.iv-p50">'Give a portion to seven, and also to eight; for thou knowest
not what evil shall be upon the earth.</p>

<p id="iv.iv-p51"><br />
</p>

<p id="iv.iv-p52">'If the clouds be full of rain, they empty themselves upon the
earth: and if the tree fall toward the south, or toward the north,
in the place where the tree falleth, there it shall be.</p>

<p id="iv.iv-p53"><br />
</p>

<p id="iv.iv-p54">'He that observeth the wind shall not sow; and he that regardeth
the clouds shall not reap.</p>

<p id="iv.iv-p55"><br />
</p>

<p id="iv.iv-p56">'As thou knowest not what is the way of the spirit, nor how the
bones do grow in the womb of her that is with child: even so thou
knowest not the works of God who maketh all.</p>

<p id="iv.iv-p57"><br />
</p>

<p id="iv.iv-p58">'In the morning sow thy seed, and in the evening withhold not
thine hand: for thou knowest not whether shall prosper, either this
or that, or whether they both shall be alike good.'</p>

<p id="iv.iv-p59"><br />
</p>

<p id="iv.iv-p60">'Ay, ay; that's it,' said Dr. Anderson. 'Weel, I maun say again
that they're ill aff for an argument that taks that for ane upo'
sic a momentous subjec'. I prefer to say, wi' the same auld man,
that I know not the works of God who maketh all. But I wish I could
say I believed onything for certain sure. But whan I think aboot
it--wad ye believe 't? the faith o' my father's mair to me nor ony
faith o' my ain. That soonds strange. But it's this: I'm positeeve
that that godly great auld man kent mair aboot a' thae things--I
cud see 't i' the face o' 'm--nor ony ither man 'at ever I kent.
An' it's no by comparison only. I'm sure he <i>did</i> ken. There
was something atween God and him. An' I think he wasna likely to be
wrang; an' sae I tak courage to believe as muckle as I can, though
maybe no sae muckle as I fain wad.'</p>

<p id="iv.iv-p61"><br />
</p>

<p id="iv.iv-p62">Robert, who from experience of himself, and the observations he
had made by the bedsides of not a few dying men and women, knew
well that nothing but the truth itself can carry its own
conviction; that the words of our Lord are a body as it were in
which the spirit of our Lord dwells, or rather the key to open the
heart for the entrance of that spirit, turned now from all
argumentation to the words of Jesus. He himself had said of them,
'They are spirit and they are life;' and what folly to buttress
life and spirit with other powers than their own! From that day to
the last, as often and as long as the dying man was able to listen
to him, he read from the glad news just the words of the Lord. As
he read thus, one fading afternoon, the doctor broke out with,</p>

<p id="iv.iv-p63"><br />
</p>

<p id="iv.iv-p64">'Eh, Robert, the patience o' him! <i>He</i> didna quench the
smokin' flax. There's little fire aboot me, but surely I ken in my
ain hert some o' the risin' smoke o' the sacrifice. Eh! sic words
as they are! An' he was gaein' doon to the grave himsel', no half
my age, as peacefu', though the road was sae rouch, as gin he had
been gaein' hame till 's father.'</p>

<p id="iv.iv-p65"><br />
</p>

<p id="iv.iv-p66">'Sae he was,' returned Robert.</p>

<p id="iv.iv-p67"><br />
</p>

<p id="iv.iv-p68">'Ay; but here am I lyin' upo' my bed, slippin' easy awa. An'
there was he--'</p>

<p id="iv.iv-p69"><br />
</p>

<p id="iv.iv-p70">The old man ceased. The sacred story was too sacred for speech.
Robert sat with the New Testament open before him on the bed.</p>

<p id="iv.iv-p71"><br />
</p>

<p id="iv.iv-p72">'The mair the words o' Jesus come into me,' the doctor began
again, 'the surer I am o' seein' my auld Brahmin frien', Robert.
It's true I thought his religion not only began but ended inside
him. It was a' a booin' doon afore and an aspirin' up into the
bosom o' the infinite God. I dinna mean to say 'at he wasna
honourable to them aboot him. And I never saw in him muckle o' that
pride to the lave (<i>rest</i>) that belangs to the Brahmin. It was
raither a stately kin'ness than that condescension which is the
vice o' Christians. But he had naething to do wi' them. The first
comman'ment was a' he kent. He loved God--nae a God like Jesus
Christ, but the God he kent--and that was a' he could. The second
comman'ment--that glorious recognition o' the divine in humanity
makin' 't fit and needfu' to be loved, that claim o' God upon and
for his ain bairns, that love o' the neebour as yer'sel--he didna
ken. Still there was religion in him; and he who died for the sins
o' the whole world has surely been revealed to him lang er' noo,
and throu the knowledge o' him, he noo dwalls in that God efter
whom he aspired.'</p>

<p id="iv.iv-p73"><br />
</p>

<p id="iv.iv-p74">Here was the outcome of many talks which Robert and the doctor
had had together, as they laboured amongst the poor.</p>

<p id="iv.iv-p75"><br />
</p>

<p id="iv.iv-p76">'Did ye never try,' Robert asked, 'to lat him ken aboot the
comin' o' God to his world in Jesus Christ?'</p>

<p id="iv.iv-p77"><br />
</p>

<p id="iv.iv-p78">'I couldna do muckle that way honestly, my ain faith was sae
poor and sma'. But I tellt him what Christians believed. I tellt
him aboot the character and history o' Christ. But it didna seem to
tak muckle hauld o' him. It wasna interesstin' till him. Just ance
whan I tellt him some things he had said aboot his relation to
God--sic as, "I and my Father are one,"--and aboot the relation o'
a' his disciples to God and himsel'--"I in them, and thou in me,
that they may be made perfect in one," he said, wi' a smile, "The
man was a good Brahmin."</p>

<p id="iv.iv-p79"><br />
</p>

<p id="iv.iv-p80">'It's little,' said Robert, 'the one great commandment can do
withoot the other. It's little we can ken what God to love, or hoo
to love him, withoot "thy neighbour as thyself." Ony ane o' them
withoot the ither stan's like the ae factor o' a multiplication, or
ae wing upo' a laverock (<i>lark</i>).'</p>

<p id="iv.iv-p81"><br />
</p>

<p id="iv.iv-p82">Towards the close of the week, he grew much feebler. Falconer
scarcely left his room. He woke one midnight, and murmured as
follows, with many pauses for breath and strength:</p>

<p id="iv.iv-p83"><br />
</p>

<p id="iv.iv-p84">'Robert, my time's near, I'm thinkin'; for, wakin' an' sleepin',
I'm a bairn again. I can hardly believe whiles 'at my father hasna
a grup o' my han'. A meenute ago I was traivellin' throu a terrible
driftin' o' snaw--eh, hoo it whustled and sang! and the cauld o' 't
was stingin'; but my father had a grup o' me, an' I jist despised
it, an' was stampin' 't doon wi' my wee bit feet, for I was like
saven year auld or thereaboots. An' syne I thocht I heard my mither
singin', and kent by that that the ither was a dream. I'm thinkin'
a hantle 'ill luik dreamy afore lang. Eh! I wonner what the final
waukin' 'ill be like.'</p>

<p id="iv.iv-p85"><br />
</p>

<p id="iv.iv-p86">After a pause he resumed,</p>

<p id="iv.iv-p87"><br />
</p>

<p id="iv.iv-p88">'Robert, my dear boy, ye're i' the richt gait. Haud on an' lat
naething turn ye aside. Man, it's a great comfort to me to think
that ye're my ain flesh and blude, an' nae that far aff. My father
an' your great-gran'father upo' the gran'mither's side war ain
brithers. I wonner hoo far doon it wad gang. Ye're the only ane
upo' my father's side, you and yer father, gin he <i>be</i> alive,
that I hae sib to me. My will's i' the bottom drawer upo' the left
han' i' my writin' table i' the leebrary:--I hae left ye ilka plack
'at I possess. Only there's ae thing that I want ye to do. First o'
a', ye maun gang on as yer doin' in London for ten year mair. Gin
deein' men hae ony o' that foresicht that's been attreebuted to
them in a' ages, it's borne in upo' me that ye <i>wull</i> see yer
father again. At a' events, ye'll be helpin' some ill-faured sowls
to a clean face and a bonny. But gin ye dinna fa' in wi' yer father
within ten year, ye maun behaud a wee, an' jist pack up yer box,
an' gang awa' ower the sea to Calcutta, an' du what I hae tellt ye
to do i' that wull. I bind ye by nae promise, Robert, an' I winna
hae nane. Things micht happen to put ye in a terrible difficulty
wi' a promise. I'm only tellin' ye what I wad like. Especially gin
ye hae fund yer father, ye maun gang by yer ain jeedgment aboot it,
for there 'll be a hantle to do wi' him efter ye hae gotten a grup
o' 'im. An' noo, I maun lie still, an' maybe sleep again, for I hae
spoken ower muckle.'</p>

<p id="iv.iv-p89"><br />
</p>

<p id="iv.iv-p90">Hoping that he would sleep and wake yet again, Robert sat still.
After an hour, he looked, and saw that, although hitherto much
oppressed, he was now breathing like a child. There was no sign
save of past suffering: his countenance was peaceful as if he had
already entered into his rest. Robert withdrew, and again seated
himself. And the great universe became to him as a bird brooding
over the breaking shell of the dying man.</p>

<p id="iv.iv-p91"><br />
</p>

<p id="iv.iv-p92">On either hand we behold a birth, of which, as of the moon, we
see but half. We are outside the one, waiting for a life from the
unknown; we are inside the other, watching the departure of a
spirit from the womb of the world into the unknown. To the region
whither he goes, the man enters newly born. We forget that it is a
birth, and call it a death. The body he leaves behind is but the
<i>placenta</i> by which he drew his nourishment from his mother
Earth. And as the child-bed is watched on earth with anxious
expectancy, so the couch of the dying, as we call them, may be
surrounded by the birth-watchers of the other world, waiting like
anxious servants to open the door to which this world is but the
wind-blown porch.</p>

<p id="iv.iv-p93"><br />
</p>

<p id="iv.iv-p94">Extremes meet. As a man draws nigh to his second birth, his
heart looks back to his childhood. When Dr. Anderson knew that he
was dying, he retired into the <i>simulacrum</i> of his father's
<i>benn end</i>.</p>

<p id="iv.iv-p95"><br />
</p>

<p id="iv.iv-p96">As Falconer sat thinking, the doctor spoke. They were low,
faint, murmurous sounds, for the lips were nearly at rest. Wanted
no more for utterance, they were going back to the holy dust, which
is God's yet.</p>

<p id="iv.iv-p97"><br />
</p>

<p id="iv.iv-p98">'Father, father!' he cried quickly, in the tone and speech of a
Scotch laddie, 'I'm gaein' doon. Haud a grup o' my han'.'</p>

<p id="iv.iv-p99"><br />
</p>

<p id="iv.iv-p100">When Robert hurried to the bedside, he found that the last
breath had gone in the words. The thin right hand lay partly
closed, as if it had been grasping a larger hand. On the face lay
confidence just ruffled with apprehension: the latter melted away,
and nothing remained but that awful and beautiful peace which is
the farewell of the soul to its servant.</p>

<p id="iv.iv-p101"><br />
</p>

<p id="iv.iv-p102">Robert knelt and thanked God for the noble man.</p>

<p id="iv.iv-p103"><br />
</p>

<p id="iv.iv-p104"><br />
</p>

</div2>

      <div2 title="CHAPTER V.--A TALK WITH GRANNIE." n="v" shorttitle="" progress="70.85%" id="iv.v" prev="iv.iv" next="iv.vi">

<p id="iv.v-p1"><br />
</p>

<p id="iv.v-p2">CHAPTER V.</p>

<p id="iv.v-p3"><br />
</p>

<p id="iv.v-p4">A TALK WITH GRANNIE.</p>

<p id="iv.v-p5"><br />
</p>

<p id="iv.v-p6">DR. ANDERSON'S body was, according to the fine custom of many of
the people of Aberdeen, borne to the grave by twelve stalwart men
in black, with broad round <i>bonnets</i> on their heads, the
one-half relieving the other--a privilege of the company of
shore-porters. Their exequies are thus freed from the artificial,
grotesque, and pagan horror given by obscene mutes, frightful
hearse, horses, and feathers. As soon as, in the beautiful phrase
of the Old Testament, John Anderson was thus gathered to his
fathers, Robert went to pay a visit to his grandmother.</p>

<p id="iv.v-p7"><br />
</p>

<p id="iv.v-p8">Dressed to a point in the same costume in which he had known her
from childhood, he found her little altered in appearance. She was
one of those who instead of stooping with age, settle downwards:
she was still as erect as ever, though shorter. Her step was
feebler, and when she prayed, her voice quavered more. On her face
sat the same settled, almost hard repose, as ever; but her
behaviour was still more gentle than when he had seen her last.
Notwithstanding, however, that time had wrought so little change in
her appearance, Robert felt that somehow the mist of a separation
between her world and his was gathering; that she was, as it were,
fading from his sight and presence, like the moon towards 'her
interlunar cave.' Her face was gradually turning from him towards
the land of light.</p>

<p id="iv.v-p9"><br />
</p>

<p id="iv.v-p10">'I hae buried my best frien' but yersel', grannie,' he said, as
he took a chair close by her side, where he used to sit when he
read the Bible and Boston to her.</p>

<p id="iv.v-p11"><br />
</p>

<p id="iv.v-p12">'I trust he's happy. He was a douce and a weel-behaved man; and
ye hae rizzon to respec' his memory. Did he dee the deith o' the
richteous, think ye, laddie?'</p>

<p id="iv.v-p13"><br />
</p>

<p id="iv.v-p14">'I do think that, grannie. He loved God and his Saviour.'</p>

<p id="iv.v-p15"><br />
</p>

<p id="iv.v-p16">'The Lord be praised!' said Mrs. Falconer. 'I had guid houps o'
'im in 's latter days. And fowk says he's made a rich man o' ye,
Robert?'</p>

<p id="iv.v-p17"><br />
</p>

<p id="iv.v-p18">'He's left me ilka thing, excep' something till 's servan's--wha
hae weel deserved it.'</p>

<p id="iv.v-p19"><br />
</p>

<p id="iv.v-p20">'Eh, Robert! but it's a terrible snare. Siller 's an awfu'
thing. My puir Anerew never begud to gang the ill gait, till he
began to hae ower muckle siller. But it badena lang wi' 'im.'</p>

<p id="iv.v-p21"><br />
</p>

<p id="iv.v-p22">'But it's no an ill thing itsel', grannie; for God made siller
as weel 's ither things.'</p>

<p id="iv.v-p23"><br />
</p>

<p id="iv.v-p24">'He thinksna muckle o' 't, though, or he wad gie mair o' 't to
some fowk. But as ye say, it's his, and gin ye hae grace to use 't
aricht, it may be made a great blessin' to yersel' and ither fowk.
But eh, laddie! tak guid tent 'at ye ride upo' the tap o' 't, an'
no lat it rise like a muckle jaw (<i>billow</i>) ower yer heid; for
it's an awfu' thing to be droont in riches.'</p>

<p id="iv.v-p25"><br />
</p>

<p id="iv.v-p26">'Them 'at prays no to be led into temptation hae a chance--haena
they, grannie?'</p>

<p id="iv.v-p27"><br />
</p>

<p id="iv.v-p28">'That hae they, Robert. And to be plain wi' ye, I haena that
muckle fear o' ye; for I hae heard the kin' o' life 'at ye hae been
leadin'. God's hearkent to my prayers for you; and gin ye gang on
as ye hae begun, my prayers, like them o' David the son o' Jesse,
are endit. Gang on, my dear lad, gang on to pluck brands frae the
burnin'. Haud oot a helpin' han' to ilka son and dauchter o' Adam
'at will tak a grip o' 't. Be a burnin' an' a shinin' licht, that
men may praise, no you, for ye're but clay i' the han's o' the
potter, but yer Father in heaven. Tak the drunkard frae his whusky,
the deboshed frae his debosh, the sweirer frae his aiths, the leear
frae his lees; and giena ony o' them ower muckle o' yer siller at
ance, for fear 'at they grow fat an' kick an' defy God and you.
That's my advice to ye, Robert.'</p>

<p id="iv.v-p29"><br />
</p>

<p id="iv.v-p30">'And I houp I'll be able to haud gey and near till 't, grannie,
for it's o' the best. But wha tellt ye what I was aboot in
Lonnon?'</p>

<p id="iv.v-p31"><br />
</p>

<p id="iv.v-p32">'Himsel'.'</p>

<p id="iv.v-p33"><br />
</p>

<p id="iv.v-p34">'Dr. Anderson?'</p>

<p id="iv.v-p35"><br />
</p>

<p id="iv.v-p36">'Ay, jist himsel'. I hae had letter upo' letter frae 'im aboot
you and a' 'at ye was aboot. He keepit me acquant wi' 't a'.'</p>

<p id="iv.v-p37"><br />
</p>

<p id="iv.v-p38">This fresh proof of his friend's affection touched Robert
deeply. He had himself written often to his grandmother, but he had
never entered into any detail of his doings, although the thought
of her was ever at hand beside the thought of his father.</p>

<p id="iv.v-p39"><br />
</p>

<p id="iv.v-p40">'Do ye ken, grannie, what's at the hert o' my houps i' the
meesery an' degradation that I see frae mornin' to nicht, and
aftener yet frae nicht to mornin' i' the back closes and wynds o'
the great city?'</p>

<p id="iv.v-p41"><br />
</p>

<p id="iv.v-p42">'I trust it's the glory o' God, laddie.'</p>

<p id="iv.v-p43"><br />
</p>

<p id="iv.v-p44">'I houp that's no a'thegither wantin', grannie. For I love God
wi' a' my hert. But I doobt it's aftener the savin' o' my earthly
father nor the glory o' my heavenly ane that I'm thinkin' o'.'</p>

<p id="iv.v-p45"><br />
</p>

<p id="iv.v-p46">Mrs. Falconer heaved a deep sigh.</p>

<p id="iv.v-p47"><br />
</p>

<p id="iv.v-p48">'God grant ye success, Robert,' she said. 'But that canna be
richt.'</p>

<p id="iv.v-p49"><br />
</p>

<p id="iv.v-p50">'What canna be richt?'</p>

<p id="iv.v-p51"><br />
</p>

<p id="iv.v-p52">'No to put the glory o' God first and foremost.'</p>

<p id="iv.v-p53"><br />
</p>

<p id="iv.v-p54">'Weel, grannie; but a body canna rise to the heicht o' grace a'
at ance, nor yet in ten, or twenty year. Maybe gin I do richt, I
may be able to come to that or a' be dune. An' efter a', I'm sure I
love God mair nor my father. But I canna help thinkin' this, that
gin God heardna ae sang o' glory frae this ill-doin' earth o' his,
he wadna be nane the waur; but--'</p>

<p id="iv.v-p55"><br />
</p>

<p id="iv.v-p56">'Hoo ken ye that?' interrupted his grandmother.</p>

<p id="iv.v-p57"><br />
</p>

<p id="iv.v-p58">'Because he wad be as gude and great and grand as ever.'</p>

<p id="iv.v-p59"><br />
</p>

<p id="iv.v-p60">'Ow ay.'</p>

<p id="iv.v-p61"><br />
</p>

<p id="iv.v-p62">'But what wad come o' my father wantin' his salvation? He can
waur want that, remainin' the slave o' iniquity, than God can want
his glory. Forby, ye ken there's nae glory to God like the
repentin' o' a sinner, justifeein' God, an' sayin' till
him--"Father, ye're a' richt, an' I'm a' wrang." What greater glory
can God hae nor that?'</p>

<p id="iv.v-p63"><br />
</p>

<p id="iv.v-p64">'It's a' true 'at ye say. But still gin God cares for that same
glory, ye oucht to think o' that first, afore even the salvation o'
yer father.'</p>

<p id="iv.v-p65"><br />
</p>

<p id="iv.v-p66">'Maybe ye're richt, grannie. An' gin it be as ye say--he's
promised to lead us into a' trowth, an' he'll lead me into that
trowth. But I'm thinkin' it's mair for oor sakes than his ain 'at
he cares aboot his glory. I dinna believe 'at he thinks aboot his
glory excep' for the sake o' the trowth an' men's herts deein' for
want o' 't.'</p>

<p id="iv.v-p67"><br />
</p>

<p id="iv.v-p68">Mrs. Falconer thought for a moment.</p>

<p id="iv.v-p69"><br />
</p>

<p id="iv.v-p70">'It may be 'at ye're richt, laddie; but ye hae a way o' sayin'
things 'at 's some fearsome.'</p>

<p id="iv.v-p71"><br />
</p>

<p id="iv.v-p72">'God's nae like a prood man to tak offence, grannie. There's
naething pleases him like the trowth, an' there's naething
displeases him like leein', particularly whan it's by way o'
uphaudin' him. He wants nae sic uphaudin'. Noo, <i>ye</i> say
things aboot him whiles 'at soun's to me fearsome.'</p>

<p id="iv.v-p73"><br />
</p>

<p id="iv.v-p74">'What kin' o' things are they, laddie?' asked the old lady, with
offence glooming in the background.</p>

<p id="iv.v-p75"><br />
</p>

<p id="iv.v-p76">'Sic like as whan ye speyk aboot him as gin he was a puir prood
bailey-like body, fu' o' his ain importance, an' ready to be doon
upo' onybody 'at didna ca' him by the name o' 's office--ay
think-thinkin' aboot 's ain glory; in place o' the quaiet, michty,
gran', self-forgettin', a'-creatin', a'-uphaudin', eternal bein',
wha took the form o' man in Christ Jesus, jist that he micht hae 't
in 's pooer to beir and be humblet for oor sakes. Eh, grannie!
think o' the face o' that man o' sorrows, that never said a hard
word till a sinfu' wuman, or a despised publican: was he thinkin'
aboot 's ain glory, think ye? An' we hae no richt to say we ken God
save in the face o' Christ Jesus. Whatever 's no like Christ is no
like God.'</p>

<p id="iv.v-p77"><br />
</p>

<p id="iv.v-p78">'But, laddie, he cam to saitisfee God's justice by sufferin' the
punishment due to oor sins; to turn aside his wrath an' curse; to
reconcile him to us. Sae he cudna be <i>a'thegither</i> like
God.'</p>

<p id="iv.v-p79"><br />
</p>

<p id="iv.v-p80">'He did naething o' the kin', grannie. It's a' a lee that. He
cam to saitisfee God's justice by giein' him back his bairns; by
garrin' them see that God was just; by sendin' them greetin' hame
to fa' at his feet, an' grip his knees an' say, "Father, ye're i'
the richt." He cam to lift the weicht o' the sins that God had
curst aff o' the shoothers o' them 'at did them, by makin' them
turn agen them, an' be for God an' no for sin. And there isna a
word o' reconceelin' God till 's in a' the Testament, for there was
no need o' that: it was us that he needed to be reconcilet to him.
An' sae he bore oor sins and carried oor sorrows; for those sins
comin' oot in the multitudes--ay and in his ain disciples as weel,
caused him no en' o' grief o' mind an' pain o' body, as a'body
kens. It wasna his ain sins, for he had nane, but oors, that caused
him sufferin'; and he took them awa'--they're vainishin' even noo
frae the earth, though it doesna luik like it in Rag-fair or
Petticoat-lane. An' for oor sorrows--they jist garred him greit.
His richteousness jist annihilates oor guilt, for it's a great gulf
that swallows up and destroys 't. And sae he gae his life a ransom
for us: and he is the life o' the world. He took oor sins upo' him,
for he cam into the middle o' them an' took them up--by no sleicht
o' han', by no quibblin' o' the lawyers, aboot imputin' his
richteousness to us, and sic like, which is no to be found i' the
Bible at a', though I dinna say that there's no possible meanin' i'
the phrase, but he took them and took them awa'; and here am I,
grannie, growin' oot o' my sins in consequennce, and there are ye,
grannie, growin' oot o' yours in consequennce, an' haein' nearhan'
dune wi' them a'thegither er this time.'</p>

<p id="iv.v-p81"><br />
</p>

<p id="iv.v-p82">'I wis that may be true, laddie. But I carena hoo ye put it,'
returned his grandmother, bewildered no doubt with this outburst,
'sae be that ye put him first an' last an' i' the mids' o' a'
thing, an' say wi' a' yer hert, "His will be dune!"'</p>

<p id="iv.v-p83"><br />
</p>

<p id="iv.v-p84">'Wi' a' my hert, "His will be dune," grannie,' responded
Robert.</p>

<p id="iv.v-p85"><br />
</p>

<p id="iv.v-p86">'Amen, amen. And noo, laddie, duv ye think there's ony likliheid
that yer father 's still i' the body? I dream aboot him whiles sae
lifelike that I canna believe him deid. But that's a' freits
(<i>superstitions</i>).'</p>

<p id="iv.v-p87"><br />
</p>

<p id="iv.v-p88">'Weel, grannie, I haena the least assurance. But I hae the mair
houp. Wad ye ken him gin ye saw him?'</p>

<p id="iv.v-p89"><br />
</p>

<p id="iv.v-p90">'Ken him!' she cried; 'I wad ken him gin he had been no to say
four, but forty days i' the sepulchre! My ain Anerew! Hoo cud ye
speir sic a queston, laddie?'</p>

<p id="iv.v-p91"><br />
</p>

<p id="iv.v-p92">'He maun be sair changed, grannie. He maun be turnin' auld by
this time.'</p>

<p id="iv.v-p93"><br />
</p>

<p id="iv.v-p94">'Auld! Sic like 's yersel, laddie.--Hoots, hoots! ye're richt. I
am forgettin'. But nanetheless wad I ken him.'</p>

<p id="iv.v-p95"><br />
</p>

<p id="iv.v-p96">'I wis I kent what he was like. I saw him ance--hardly twise,
but a' that I min' upo' wad stan' me in ill stead amo' the streets
o' Lonnon.'</p>

<p id="iv.v-p97"><br />
</p>

<p id="iv.v-p98">'I doobt that,' returned Mrs. Falconer--a form of expression
rather oddly indicating sympathetic and somewhat regretful
agreement with what has been said. 'But,' she went on, 'I can lat
ye see a pictur' o' 'im, though I doobt it winna shaw sae muckle to
you as to me. He had it paintit to gie to yer mother upo' their
weddin' day. Och hone! She did the like for him; but what cam o'
that ane, I dinna ken.'</p>

<p id="iv.v-p99"><br />
</p>

<p id="iv.v-p100">Mrs. Falconer went into the little closet to the old bureau, and
bringing out the miniature, gave it to Robert. It was the portrait
of a young man in antiquated blue coat and white waistcoat, looking
innocent, and, it must be confessed, dull and uninteresting. It had
been painted by a travelling artist, and probably his skill did not
reach to expression. It brought to Robert's mind no faintest shadow
of recollection. It did not correspond in the smallest degree to
what seemed his vague memory, perhaps half imagination, of the tall
worn man whom he had seen that Sunday. He could not have a hope
that this would give him the slightest aid in finding him of whom
it had once been a shadowy resemblance at least.</p>

<p id="iv.v-p101"><br />
</p>

<p id="iv.v-p102">'Is 't like him, grannie?' he asked.</p>

<p id="iv.v-p103"><br />
</p>

<p id="iv.v-p104">As if to satisfy herself once more ere she replied, she took the
miniature, and gazed at it for some time. Then with a deep hopeless
sigh, she answered,</p>

<p id="iv.v-p105"><br />
</p>

<p id="iv.v-p106">'Ay, it's like him; but it's no himsel'. Eh, the bonny broo, an'
the smilin' een o' him!--smilin' upon a'body, an' upo' her maist o'
a', till he took to the drink, and waur gin waur can be. It was a'
siller an' company--company 'at cudna be merry ohn drunken. Verity
their lauchter was like the cracklin' o' thorns aneath a pot. Het
watter and whusky was aye the cry efter their denner an' efter
their supper, till my puir Anerew tuik till the bare whusky i' the
mornin' to fill the ebb o' the toddy. He wad never hae dune as he
did but for the whusky. It jist drave oot a' gude and loot in a'
ill.'</p>

<p id="iv.v-p107"><br />
</p>

<p id="iv.v-p108">'Wull ye lat me tak this wi' me, grannie?' said Robert; for
though the portrait was useless for identification, it might serve
a further purpose.</p>

<p id="iv.v-p109"><br />
</p>

<p id="iv.v-p110">'Ow, ay, tak it. I dinna want it. I can see him weel wantin'
that. But I hae nae houp left 'at ye'll ever fa' in wi' him.'</p>

<p id="iv.v-p111"><br />
</p>

<p id="iv.v-p112">'God's aye doin' unlikly things, grannie,' said Robert,
solemnly.</p>

<p id="iv.v-p113"><br />
</p>

<p id="iv.v-p114">'He's dune a' 'at he can for him, I doobt, already.'</p>

<p id="iv.v-p115"><br />
</p>

<p id="iv.v-p116">'Duv ye think 'at God cudna save a man gin he liket, than,
grannie?'</p>

<p id="iv.v-p117"><br />
</p>

<p id="iv.v-p118">'God can do a'thing. There's nae doobt but by the gift o' his
speerit he cud save a'body.'</p>

<p id="iv.v-p119"><br />
</p>

<p id="iv.v-p120">'An' ye think he's no mercifu' eneuch to do 't?'</p>

<p id="iv.v-p121"><br />
</p>

<p id="iv.v-p122">'It winna do to meddle wi' fowk's free wull. To gar fowk he gude
wad be nae gudeness.'</p>

<p id="iv.v-p123"><br />
</p>

<p id="iv.v-p124">'But gin God could actually create the free wull, dinna ye think
he cud help it to gang richt, withoot ony garrin'? We ken sae
little aboot it, grannie! Hoo does his speerit help onybody? Does
he <i>gar</i> them 'at accep's the offer o' salvation?'</p>

<p id="iv.v-p125"><br />
</p>

<p id="iv.v-p126">'Na, I canna think that. But he shaws them the trowth in sic a
way that they jist canna bide themsel's, but maun turn to him for
verra peace an' rist.'</p>

<p id="iv.v-p127"><br />
</p>

<p id="iv.v-p128">'Weel, that's something as I think. An' until I'm sure that a
man has had the trowth shawn till him in sic a way 's that, I canna
alloo mysel' to think that hooever he may hae sinned, he has
finally rejeckit the trowth. Gin I kent that a man had seen the
trowth as I hae seen 't whiles, and had deleeberately turned his
back upo' 't and said, "I'll nane o' 't," than I doobt I wad be
maist compelled to alloo that there was nae mair salvation for him,
but a certain and fearfu' luikin' for o' judgment and fiery
indignation. But I dinna believe that ever man did sae. But even
than, I dinna ken.'</p>

<p id="iv.v-p129"><br />
</p>

<p id="iv.v-p130">'I did a' for him that I kent hoo to do,' said Mrs. Falconer,
reflectingly. 'Nicht an' mornin' an' aften midday prayin' for an'
wi' him.'</p>

<p id="iv.v-p131"><br />
</p>

<p id="iv.v-p132">'Maybe ye scunnert him at it, grannie.'</p>

<p id="iv.v-p133"><br />
</p>

<p id="iv.v-p134">She gave a stifled cry of despair.</p>

<p id="iv.v-p135"><br />
</p>

<p id="iv.v-p136">'Dinna say that, laddie, or ye'll drive me oot o' my min'. God
forgie me, gin that be true. I deserve hell mair nor my
Anerew.'</p>

<p id="iv.v-p137"><br />
</p>

<p id="iv.v-p138">'But, ye see, grannie, supposin' it war sae, that wadna be laid
to your accoont, seein' ye did the best ye kent. Nor wad it be
forgotten to him. It wad mak a hantle difference to his sin; it wad
be a great excuse for him. An' jist think, gin it be fair for ae
human being to influence anither a' 'at they can, and that's nae
interferin' wi' their free wull--it's impossible to measure what
God cud do wi' his speerit winnin' at them frae a' sides, and able
to put sic thouchts an' sic pictures into them as we canna think.
It wad a' be true that he tellt them, and the trowth can never be a
meddlin' wi' the free wull.'</p>

<p id="iv.v-p139"><br />
</p>

<p id="iv.v-p140">Mrs. Falconer made no reply, but evidently went on thinking.</p>

<p id="iv.v-p141"><br />
</p>

<p id="iv.v-p142">She was, though not a great reader, yet a good reader. Any book
that was devout and thoughtful she read gladly. Through some one or
other of this sort she must have been instructed concerning free
will, for I do not think such notions could have formed any portion
of the religious teaching she had heard. Men in that part of
Scotland then believed that the free will of man was only exercised
in rejecting--never in accepting the truth; and that men were saved
by the gift of the Spirit, given to some and not to others,
according to the free will of God, in the exercise of which no
reason appreciable by men, or having anything to do with their
notions of love or justice, had any share. In the recognition of
will and choice in the acceptance of the mercy of God, Mrs.
Falconer was then in advance of her time. And it is no wonder if
her notions did not all hang logically together.</p>

<p id="iv.v-p143"><br />
</p>

<p id="iv.v-p144">'At ony rate, grannie,' resumed her grandson, '<i>I</i> haena
dune a' for him 'at <i>I</i> can yet; and I'm no gaein' to believe
onything that wad mak me remiss in my endeavour. Houp for mysel',
for my father, for a'body, is what's savin' me, an' garrin' me
work. An' gin ye tell me that I'm no workin' wi' God, that God's no
the best an' the greatest worker aboon a', ye tak the verra hert
oot o' my breist, and I dinna believe in God nae mair, an' my han's
drap doon by my sides, an' my legs winna gang. No,' said Robert,
rising, 'God 'ill gie me my father sometime, grannie; for what man
can do wantin' a father? Human bein' canna win at the hert o'
things, canna ken a' the oots an' ins, a' the sides o' love, excep'
he has a father amo' the lave to love; an' I hae had nane, grannie.
An' that God kens.'</p>

<p id="iv.v-p145"><br />
</p>

<p id="iv.v-p146">She made him no answer. She dared not say that he expected too
much from God. Is it likely that Jesus will say so of any man or
woman when he looks for faith in the earth?</p>

<p id="iv.v-p147"><br />
</p>

<p id="iv.v-p148">Robert went out to see some of his old friends, and when he
returned it was time for supper and <i>worship</i>. These were the
same as of old: a plate of porridge, and a wooden bowl of milk for
the former; a chapter and a hymn, both read, and a prayer from
grannie, and then from Robert for the latter. And so they went to
bed.</p>

<p id="iv.v-p149"><br />
</p>

<p id="iv.v-p150">But Robert could not sleep. He rose and dressed himself, went up
to the empty garret, looked at the stars through the skylight,
knelt and prayed for his father and for all men to the Father of
all, then softly descended the stairs, and went out into the
street.</p>

<p id="iv.v-p151"><br />
</p>

<p id="iv.v-p152"><br />
</p>

</div2>

      <div2 title="CHAPTER VI.--SHARGAR'S MOTHER." n="vi" shorttitle="" progress="72.34%" id="iv.vi" prev="iv.v" next="iv.vii">

<p id="iv.vi-p1"><br />
</p>

<p id="iv.vi-p2">CHAPTER VI.</p>

<p id="iv.vi-p3"><br />
</p>

<p id="iv.vi-p4">SHARGAR'S MOTHER.</p>

<p id="iv.vi-p5"><br />
</p>

<p id="iv.vi-p6">IT was a warm still night in July--moonless but not dark. There
is no night there in the summer--only a long ethereal twilight. He
walked through the sleeping town so full of memories, all quiet in
his mind now--quiet as the air that ever broods over the house
where a friend has dwelt. He left the town behind, and
walked--through the odours of grass and of clover and of the yellow
flowers on the old earthwalls that divided the fields--sweet scents
to which the darkness is friendly, and which, mingling with the
smell of the earth itself, reach the founts of memory sooner than
even words or tones--down to the brink of the river that flowed
scarcely murmuring through the night, itself dark and brown as the
night from its far-off birthplace in the peaty hills. He crossed
the footbridge and turned into the bleachfield. Its houses were
desolate, for that trade too had died away. The machinery stood
rotting and rusting. The wheel gave no answering motion to the flow
of the water that glided away beneath it. The thundering <i>
beatles</i> were still. The huge legs of the wauk-mill took no more
seven-leagued strides nowhither. The rubbing-boards with their
thickly-fluted surfaces no longer frothed the soap from every side,
tormenting the web of linen into a brightness to gladden the heart
of the housewife whose hands had spun the yarn. The terrible boiler
that used to send up from its depths bubbling and boiling spouts
and peaks and ridges, lay empty and cold. The little house behind,
where its awful furnace used to glow, and which the pungent
chlorine used to fill with its fumes, stood open to the wind and
the rain: he could see the slow river through its unglazed window
beyond. The water still went slipping and sliding through the
deserted places, a power whose use had departed. The canal, the
delight of his childhood, was nearly choked with weeds; it went
flowing over long grasses that drooped into it from its edges,
giving a faint gurgle once and again in its flow, as if it feared
to speak in the presence of the stars, and escaped silently into
the river far below. The grass was no longer mown like a lawn, but
was long and deep and thick. He climbed to the place where he had
once lain and listened to the sounds of the belt of fir-trees
behind him, hearing the voice of Nature that whispered <i>God</i>
in his ears, and there he threw himself down once more. All the old
things, the old ways, the old glories of childhood--were they gone?
No. Over them all, in them all, was God still. There is no past
with him. An eternal present, He filled his soul and all that his
soul had ever filled. His history was taken up into God: it had not
vanished: his life was hid with Christ in God. To the God of the
human heart nothing that has ever been a joy, a grief, a passing
interest, can ever cease to be what it has been; there is no fading
at the breath of time, no passing away of fashion, no dimming of
old memories in the heart of him whose being creates time.
Falconer's heart rose up to him as to his own deeper life, his
indwelling deepest spirit--above and beyond him as the heavens are
above and beyond the earth, and yet nearer and homelier than his
own most familiar thought. 'As the light fills the earth,' thought
he, 'so God fills what we call life. My sorrows, O God, my hopes,
my joys, the upliftings of my life are with thee, my root, my life.
Thy comfortings, my perfect God, are strength indeed!'</p>

<p id="iv.vi-p7"><br />
</p>

<p id="iv.vi-p8">He rose and looked around him. While he lay, the waning, fading
moon had risen, weak and bleared and dull. She brightened and
brightened until at last she lighted up the night with a wan,
forgetful gleam. 'So should I feel,' he thought, 'about the past on
which I am now gazing, were it not that I believe in the God who
forgets nothing. That which has been, is.' His eye fell on
something bright in the field beyond. He would see what it was, and
crossed the earthen dyke. It shone like a little moon in the grass.
By humouring the reflection he reached it. It was only a cutting of
<i>white iron</i>, left by some tinker. He walked on over the
field, thinking of Shargar's mother. If he could but find her! He
walked on and on. He had no inclination to go home. The
solitariness of the night, the <i>uncanniness</i> of the moon,
prevents most people from wandering far: Robert had learned long
ago to love the night, and to feel at home with every aspect of
God's world. How this peace contrasted with the nights in London
streets! this grass with the dark flow of the Thames! these hills
and those clouds half melted into moonlight with the lanes blazing
with gas! He thought of the child who, taken from London for the
first time, sent home the message: 'Tell mother that it's dark in
the country at night.' Then his thoughts turned again to Shargar's
mother! Was it not possible, being a wanderer far and wide, that
she might be now in Rothieden? Such people have a love for their
old haunts, stronger than that of orderly members of society for
their old homes. He turned back, and did not know where he was. But
the lines of the hill-tops directed him. He hastened to the town,
and went straight through the sleeping streets to the back wynd
where he had found Shargar sitting on the doorstep. Could he
believe his eyes? A feeble light was burning in the shed. Some
other poverty-stricken bird of the night, however, might be there,
and not she who could perhaps guide him to the goal of his earthly
life. He drew near, and peeped in at the broken window. A heap of
something lay in a corner, watched only by a long-snuffed
candle.</p>

<p id="iv.vi-p9"><br />
</p>

<p id="iv.vi-p10">The heap moved, and a voice called out querulously,</p>

<p id="iv.vi-p11"><br />
</p>

<p id="iv.vi-p12">'Is that you, Shargar, ye shochlin deevil?'</p>

<p id="iv.vi-p13"><br />
</p>

<p id="iv.vi-p14">Falconer's heart leaped. He hesitated no longer, but lifted the
latch and entered. He took up the candle, snuffed it as he best
could, and approached the woman. When the light fell on her face
she sat up, staring wildly with eyes that shunned and sought
it.</p>

<p id="iv.vi-p15"><br />
</p>

<p id="iv.vi-p16">'Wha are ye that winna lat me dee in peace and quaietness?'</p>

<p id="iv.vi-p17"><br />
</p>

<p id="iv.vi-p18">'I'm Robert Falconer.'</p>

<p id="iv.vi-p19"><br />
</p>

<p id="iv.vi-p20">'Come to speir efter yer ne'er-do-weel o' a father, I reckon,'
she said.</p>

<p id="iv.vi-p21"><br />
</p>

<p id="iv.vi-p22">'Yes,' he answered.</p>

<p id="iv.vi-p23"><br />
</p>

<p id="iv.vi-p24">'Wha's that ahin' ye?'</p>

<p id="iv.vi-p25"><br />
</p>

<p id="iv.vi-p26">'Naebody's ahin' me,' answered Robert.</p>

<p id="iv.vi-p27"><br />
</p>

<p id="iv.vi-p28">'Dinna lee. Wha's that ahin' the door?'</p>

<p id="iv.vi-p29"><br />
</p>

<p id="iv.vi-p30">'Naebody. I never tell lees.'</p>

<p id="iv.vi-p31"><br />
</p>

<p id="iv.vi-p32">'Whaur's Shargar? What for doesna he come till 's mither?'</p>

<p id="iv.vi-p33"><br />
</p>

<p id="iv.vi-p34">'He's hynd awa' ower the seas--a captain o' sodgers.'</p>

<p id="iv.vi-p35"><br />
</p>

<p id="iv.vi-p36">'It's a lee. He's an ill-faured scoonrel no to come till 's
mither an' bid her gude-bye, an' her gaein' to hell.'</p>

<p id="iv.vi-p37"><br />
</p>

<p id="iv.vi-p38">'Gin ye speir at Christ, he'll tak ye oot o' the verra mou' o'
hell, wuman.'</p>

<p id="iv.vi-p39"><br />
</p>

<p id="iv.vi-p40">'Christ! wha's that? Ow, ay! It's him 'at they preach aboot i'
the kirks. Na, na. There's nae gude o' that. There's nae time to
repent noo. I doobt sic repentance as mine wadna gang for muckle
wi' the likes o' him.'</p>

<p id="iv.vi-p41"><br />
</p>

<p id="iv.vi-p42">'The likes o' him 's no to be gotten. He cam to save the likes
o' you an' me.'</p>

<p id="iv.vi-p43"><br />
</p>

<p id="iv.vi-p44">'The likes o' you an' me! said ye, laddie? There's no like
atween you and me. He'll hae naething to say to me, but gang to
hell wi' ye for a bitch.'</p>

<p id="iv.vi-p45"><br />
</p>

<p id="iv.vi-p46">'He never said sic a word in 's life. He wad say, "Poor thing!
she was ill-used. Ye maunna sin ony mair. Come, and I'll help ye."
He wad say something like that. He'll save a body whan she wadna
think it.'</p>

<p id="iv.vi-p47"><br />
</p>

<p id="iv.vi-p48">'An' I hae gien my bonnie bairn to the deevil wi' my ain han's!
She'll come to hell efter me to girn at me, an' set them on me wi'
their reid het taings, and curse me. Och hone! och hone!'</p>

<p id="iv.vi-p49"><br />
</p>

<p id="iv.vi-p50">'Hearken to me,' said Falconer, with as much authority as he
could assume. But she rolled herself over again in the corner, and
lay groaning.</p>

<p id="iv.vi-p51"><br />
</p>

<p id="iv.vi-p52">'Tell me whaur she is,' said Falconer, 'and I'll tak her oot o'
their grup, whaever they be.'</p>

<p id="iv.vi-p53"><br />
</p>

<p id="iv.vi-p54">She sat up again, and stared at him for a few moments without
speaking.</p>

<p id="iv.vi-p55"><br />
</p>

<p id="iv.vi-p56">'I left her wi' a wuman waur nor mysel',' she said at length.
'God forgie me.'</p>

<p id="iv.vi-p57"><br />
</p>

<p id="iv.vi-p58">'He will forgie ye, gin ye tell me whaur she is.'</p>

<p id="iv.vi-p59"><br />
</p>

<p id="iv.vi-p60">'Do ye think he will? Eh, Maister Faukner! The wuman bides in a
coort off o' Clare Market. I dinna min' upo' the name o' 't, though
I cud gang till 't wi' my een steekit. <i>Her</i> name's Widow
Walker--an auld rowdie--damn her sowl!'</p>

<p id="iv.vi-p61"><br />
</p>

<p id="iv.vi-p62">'Na, na, ye maunna say that gin ye want to be forgien yersel'.
I'll fin' her oot. An' I'm thinkin' it winna be lang or I hae a
grup o' her. I'm gaein' back to Lonnon in twa days or three.'</p>

<p id="iv.vi-p63"><br />
</p>

<p id="iv.vi-p64">'Dinna gang till I'm deid. Bide an' haud the deevil aff o' me.
He has a grup o' my hert noo, rivin' at it wi' his lang nails--as
lang 's birds' nebs.'</p>

<p id="iv.vi-p65"><br />
</p>

<p id="iv.vi-p66">'I'll bide wi' ye till we see what can be dune for ye. What's
the maitter wi' ye? I'm a doctor noo.'</p>

<p id="iv.vi-p67"><br />
</p>

<p id="iv.vi-p68">There was not a chair or box or stool on which to sit down. He
therefore kneeled beside her. He felt her pulse, questioned her,
and learned that she had long been suffering from an internal
complaint, which had within the last week grown rapidly worse. He
saw that there was no hope of her recovery, but while she lived he
gave himself to her service as to that of a living soul capable of
justice and love. The night was more than warm, but she had fits of
shivering. He wrapped his coat round her, and wiped from the poor
degraded face the damps of suffering. The woman-heart was alive
still, for she took the hand that ministered to her and kissed it
with a moan. When the morning came she fell asleep. He crept out
and went to his grandmother's, where he roused Betty, and asked her
to get him some peat and coals. Finding his grandmother awake, he
told her all, and taking the coals and the peat, carried them to
the hut, where he managed, with some difficulty, to light a fire on
the hearth; after which he sat on the doorstep till Betty appeared
with two men carrying a mattress and some bedding. The noise they
made awoke her.</p>

<p id="iv.vi-p69"><br />
</p>

<p id="iv.vi-p70">'Dinna tak me,' she cried. 'I winna do 't again, an' I'm deein',
I tell ye I'm deein', and that'll clear a' scores--o' this side ony
gait,' she added.</p>

<p id="iv.vi-p71"><br />
</p>

<p id="iv.vi-p72">They lifted her upon the mattress, and made her more comfortable
than perhaps she had ever been in her life. But it was only her
illness that made her capable of prizing such comfort. In health,
the heather on a hill-side was far more to her taste than bed and
blankets. She had a wild, roving, savage nature, and the wind was
dearer to her than house-walls. She had come of ancestors--and it
was a poor little atom of truth that a soul bred like this woman
could have been born capable of entertaining. But she too was
eternal--and surely not to be fixed for ever in a bewilderment of
sin and ignorance--a wild-eyed soul staring about in hell-fire for
want of something it could not understand and had never beheld--by
the changeless mandate of the God of love! She was in less pain
than during the night, and lay quietly gazing at the fire. Things
awful to another would no doubt cross her memory without any
accompanying sense of dismay; tender things would return without
moving her heart; but Falconer had a hold of her now. Nothing could
be done for her body except to render its death as easy as might
be; but something might be done for herself. He made no attempt to
produce this or that condition of mind in the poor creature. He
never made such attempts. 'How can I tell the next lesson a soul is
capable of learning?' he would say. 'The Spirit of God is the
teacher. My part is to tell the good news. Let that work as it
ought, as it can, as it will.' He knew that pain is with some the
only harbinger that can prepare the way for the entrance of
kindness: it is not understood till then. In the lulls of her pain
he told her about the man Christ Jesus--what he did for the poor
creatures who came to him--how kindly he spoke to them--how he
cured them. He told her how gentle he was with the sinning women,
how he forgave them and told them to do so no more. He left the
story without comment to work that faith which alone can redeem
from selfishness and bring into contact with all that is living and
productive of life, for to believe in him is to lay hold of eternal
life: he is the Life--therefore the life of men. She gave him but
little encouragement: he did not need it, for he believed in the
Life. But her outcries were no longer accompanied with that fierce
and dreadful language in which she sought relief at first. He said
to himself, 'What matter if I see no sign? I am doing my part. Who
can tell, when the soul is free from the distress of the body, when
sights and sounds have vanished from her, and she is silent in the
eternal, with the terrible past behind her, and clear to her
consciousness, how the words I have spoken to her may yet live and
grow in her; how the kindness God has given me to show her may help
her to believe in the root of all kindness, in the everlasting love
of her Father in heaven? That she can feel at all is as sure a sign
of life as the adoration of an ecstatic saint.'</p>

<p id="iv.vi-p73"><br />
</p>

<p id="iv.vi-p74">He had no difficulty now in getting from her what information
she could give him about his father. It seemed to him of the
greatest import, though it amounted only to this, that when he was
in London, he used to lodge at the house of an old Scotchwoman of
the name of Macallister, who lived in Paradise Gardens, somewhere
between Bethnal Green and Spitalfields. Whether he had been in
London lately, she did not know; but if anybody could tell him
where he was, it would be Mrs. Macallister.</p>

<p id="iv.vi-p75"><br />
</p>

<p id="iv.vi-p76">His heart filled with gratitude and hope and the surging desire
for the renewal of his London labours. But he could not leave the
dying woman till she was beyond the reach of his comfort: he was
her keeper now. And 'he that believeth shall not make haste.'
Labour without perturbation, readiness without hurry, no haste, and
no hesitation, was the divine law of his activity.</p>

<p id="iv.vi-p77"><br />
</p>

<p id="iv.vi-p78">Shargar's mother breathed her last holding his hand. They were
alone. He kneeled by the bed, and prayed to God, saying,</p>

<p id="iv.vi-p79"><br />
</p>

<p id="iv.vi-p80">'Father, this woman is in thy hands. Take thou care of her, as
thou hast taken care of her hitherto. Let the light go up in her
soul, that she may love and trust thee, O light, O gladness. I
thank thee that thou hast blessed me with this ministration. Now
lead me to my father. Thine is the kingdom, and the power, and the
glory, for ever and ever. Amen.'</p>

<p id="iv.vi-p81"><br />
</p>

<p id="iv.vi-p82">He rose and went to his grandmother and told her all. She put
her arms round his neck, and kissed him, and said,</p>

<p id="iv.vi-p83"><br />
</p>

<p id="iv.vi-p84">'God bless ye, my bonny lad. And he will bless ye. He will; he
will. Noo gang yer wa's, and do the wark he gies ye to do. Only
min', it's no you; it's him.'</p>

<p id="iv.vi-p85"><br />
</p>

<p id="iv.vi-p86">The next morning, the sweet winds of his childhood wooing him to
remain yet a day among their fields, he sat on the top of the
Aberdeen coach, on his way back to the horrors of court and alley
in the terrible London.</p>

<p id="iv.vi-p87"><br />
</p>

<p id="iv.vi-p88"><br />
</p>

</div2>

      <div2 title="CHAPTER VII.--THE SILK-WEAVER." n="vii" shorttitle="" progress="73.58%" id="iv.vii" prev="iv.vi" next="iv.viii">

<p id="iv.vii-p1"><br />
</p>

<p id="iv.vii-p2">CHAPTER VII.</p>

<p id="iv.vii-p3"><br />
</p>

<p id="iv.vii-p4">THE SILK-WEAVER.</p>

<p id="iv.vii-p5"><br />
</p>

<p id="iv.vii-p6">WHEN he arrived he made it his first business to find 'Widow
Walker.' She was evidently one of the worst of her class; and could
it have been accomplished without scandal, and without interfering
with the quietness upon which he believed that the true effect of
his labours in a large measure depended, he would not have scrupled
simply to carry off the child. With much difficulty, for the woman
was suspicious, he contrived to see her, and was at once reminded
of the child he had seen in the cart on the occasion of Shargar's
recognition of his mother. He fancied he saw in her some
resemblance to his friend Shargar. The affair ended in his paying
the woman a hundred and fifty pounds to give up the girl. Within
six months she had drunk herself to death. He took little Nancy
Kennedy home with him, and gave her in charge to his housekeeper.
She cried a good deal at first, and wanted to go back to Mother
Walker, but he had no great trouble with her after a time. She
began to take a share in the house-work, and at length to wait upon
him. Then Falconer began to see that he must cultivate relations
with other people in order to enlarge his means of helping the
poor. He nowise abandoned his conviction that whatever good he
sought to do or lent himself to aid must be effected entirely by
individual influence. He had little faith in societies, regarding
them chiefly as a wretched substitute, just better than nothing,
for that help which the neighbour is to give to his neighbour.
Finding how the unbelief of the best of the poor is occasioned by
hopelessness in privation, and the sufferings of those dear to
them, he was confident that only the personal communion of
friendship could make it possible for them to believe in God.
Christians must be in the world as He was in the world; and in
proportion as the truth radiated from them, the world would be able
to believe in Him. Money he saw to be worse than useless, except as
a gracious outcome of human feelings and brotherly love. He always
insisted that the Saviour healed only those on whom his humanity
had laid hold; that he demanded faith of them in order to make them
regard him, that so his personal being might enter into their
hearts. Healing without faith in its source would have done them
harm instead of good--would have been to them a windfall, not a
Godsend; at best the gift of magic, even sometimes the power of
Satan casting out Satan. But he must not therefore act as if he
were the only one who could render this individual aid, or as if
men influencing the poor individually could not aid each other in
their individual labours. He soon found, I say, that there were
things he could not do without help, and Nancy was his first
perplexity. From this he was delivered in a wonderful way.</p>

<p id="iv.vii-p7"><br />
</p>

<p id="iv.vii-p8">One afternoon he was <i>prowling</i> about Spitalfields, where
he had made many acquaintances amongst the silk-weavers and their
families. Hearing a loud voice as he passed down a stair from the
visit he had been paying further up the house, he went into the
room whence the sound came, for he knew a little of the occupant.
He was one De Fleuri, or as the neighbours called him, Diffleery,
in whose countenance, after generations of want and debasement, the
delicate lines and noble cast of his ancient race were yet
emergent. This man had lost his wife and three children, his whole
family except a daughter now sick, by a slow-consuming hunger; and
he did not believe there was a God that ruled in the earth. But he
supported his unbelief by no other argument than a hopeless bitter
glance at his empty loom. At this moment he sat silent--a rock
against which the noisy waves of a combative Bible-reader were
breaking in rude foam. His silence and apparent impassiveness
angered the irreverent little worthy. To Falconer's humour he
looked a vulgar bull-terrier barking at a noble, sad-faced
staghound. His foolish arguments against infidelity, drawn from
Paley's <i>Natural Theology</i>, and tracts about the inspiration
of the Bible, touched the sore-hearted unbelief of the man no
nearer than the clangour of negro kettles affects the eclipse of
the sun. Falconer stood watching his opportunity. Nor was the eager
disputant long in affording him one. Socratic fashion, Falconer
asked him a question, and was answered; followed it with another,
which, after a little hesitation, was likewise answered; then asked
a third, the ready answer to which involved such a flagrant
contradiction of the first, that the poor sorrowful weaver burst
into a laugh of delight at the discomfiture of his tormentor. After
some stammering, and a confused attempt to recover the line of
argument, the would-be partizan of Deity roared out, 'The fool hath
said in his heart there is no God;' and with this triumphant
discharge of his swivel, turned and ran down the stairs
precipitately.</p>

<p id="iv.vii-p9"><br />
</p>

<p id="iv.vii-p10">Both laughed while the sound of his footsteps lasted. Then
Falconer said,</p>

<p id="iv.vii-p11"><br />
</p>

<p id="iv.vii-p12">'My. De Fleuri, I believe in God with all my heart, and soul,
and strength, and mind; though not in that poor creature's
arguments. I don't know that your unbelief is not better than his
faith.'</p>

<p id="iv.vii-p13"><br />
</p>

<p id="iv.vii-p14">'I am greatly obliged to you, Mr. Falconer. I haven't laughed so
for years. What right has he to come pestering me?'</p>

<p id="iv.vii-p15"><br />
</p>

<p id="iv.vii-p16">'None whatever. But you must forgive him, because he is
well-meaning, and because his conceit has made a fool of him.
They're not all like him. But how is your daughter?'</p>

<p id="iv.vii-p17"><br />
</p>

<p id="iv.vii-p18">'Very poorly, sir. She's going after the rest. A Spitalfields
weaver ought to be like the cats: they don't mind how many of their
kittens are drowned.'</p>

<p id="iv.vii-p19"><br />
</p>

<p id="iv.vii-p20">'I beg your pardon. They don't like it. Only they forget it
sooner than we do.'</p>

<p id="iv.vii-p21"><br />
</p>

<p id="iv.vii-p22">'Why do you say <i>we</i>, sir? <i>You</i> don't know anything
of that sort.'</p>

<p id="iv.vii-p23"><br />
</p>

<p id="iv.vii-p24">'The heart knows its own bitterness, De Fleuri--and finds it
enough, I dare say.'</p>

<p id="iv.vii-p25"><br />
</p>

<p id="iv.vii-p26">The weaver was silent for a moment. When he spoke again, there
was a touch of tenderness in his respect.</p>

<p id="iv.vii-p27"><br />
</p>

<p id="iv.vii-p28">'Will you go and see my poor Katey, sir?'</p>

<p id="iv.vii-p29"><br />
</p>

<p id="iv.vii-p30">'Would she like to see me?'</p>

<p id="iv.vii-p31"><br />
</p>

<p id="iv.vii-p32">'It does her good to see you. I never let that fellow go near
her. He may worry me as he pleases; but she shall die in peace.
That is all I can do for her.'</p>

<p id="iv.vii-p33"><br />
</p>

<p id="iv.vii-p34">'Do you still persist in refusing help--for your daughter--I
don't mean for yourself?'</p>

<p id="iv.vii-p35"><br />
</p>

<p id="iv.vii-p36">Not believing in God, De Fleuri would not be obliged to his
fellow. Falconer had never met with a similar instance.</p>

<p id="iv.vii-p37"><br />
</p>

<p id="iv.vii-p38">'I do. I won't kill her, and I won't kill myself: I am not bound
to accept charity. It's all right. I only want to leave the whole
affair behind; and I sincerely hope there's nothing to come after.
If I were God, I should be ashamed of such a mess of a world.'</p>

<p id="iv.vii-p39"><br />
</p>

<p id="iv.vii-p40">'Well, no doubt you would have made something more to your
mind--and better, too, if all you see were all there is to be seen.
But I didn't send that bore away to bore you myself. I'm going to
see Katey.'</p>

<p id="iv.vii-p41"><br />
</p>

<p id="iv.vii-p42">'Very well, sir. I won't go up with you, for I won't interfere
with what you think proper to say to her.'</p>

<p id="iv.vii-p43"><br />
</p>

<p id="iv.vii-p44">'That's rather like faith somewhere!' thought Falconer. 'Could
that man fail to believe in Jesus Christ if he only saw
him--anything like as he is?'</p>

<p id="iv.vii-p45"><br />
</p>

<p id="iv.vii-p46">Katey lay in a room overhead; for though he lacked food, this
man contrived to pay for a separate room for his daughter, whom he
treated with far more respect than many gentlemen treat their
wives. Falconer found her lying on a wretched bed. Still it was a
bed; and many in the same house had no bed to lie on. He had just
come from a room overhead where lived a widow with four children.
All of them lay on a floor whence issued at night, by many holes,
awful rats. The children could not sleep for horror. They did not
mind the little ones, they said, but when the big ones came, they
were awake all night.</p>

<p id="iv.vii-p47"><br />
</p>

<p id="iv.vii-p48">'Well, Katey, how are you?'</p>

<p id="iv.vii-p49"><br />
</p>

<p id="iv.vii-p50">'No better, thank God.'</p>

<p id="iv.vii-p51"><br />
</p>

<p id="iv.vii-p52">She spoke as her father had taught her. Her face was worn and
thin, but hardly death-like. Only extremes met in it--the
hopelessness had turned through quietude into comfort. Her
hopelessness affected him more than her father's. But there was
nothing he could do for her.</p>

<p id="iv.vii-p53"><br />
</p>

<p id="iv.vii-p54">There came a tap at the door.</p>

<p id="iv.vii-p55"><br />
</p>

<p id="iv.vii-p56">'Come in,' said Falconer, involuntarily.</p>

<p id="iv.vii-p57"><br />
</p>

<p id="iv.vii-p58">A lady in the dress of a Sister of Mercy entered with a large
basket on her arm. She started, and hesitated for a moment when she
saw him. He rose, thinking it better to go. She advanced to the
bedside. He turned at the door, and said,</p>

<p id="iv.vii-p59"><br />
</p>

<p id="iv.vii-p60">'I won't say good-bye yet, Katey, for I'm going to have a chat
with your father, and if you will let me, I will look in
again.'</p>

<p id="iv.vii-p61"><br />
</p>

<p id="iv.vii-p62">As he turned he saw the lady kiss her on the forehead. At the
sound of his voice she started again, left the bedside and came
towards him. Whether he knew her by her face or her voice first, he
could not tell.</p>

<p id="iv.vii-p63"><br />
</p>

<p id="iv.vii-p64">'Robert,' she said, holding out her hand.</p>

<p id="iv.vii-p65"><br />
</p>

<p id="iv.vii-p66">It was Mary St. John. Their hands met, joined fast, and
lingered, as they gazed each in the other's face. It was nearly
fourteen years since they had parted. The freshness of youth was
gone from her cheek, and the signs of middle age were present on
her forehead. But she was statelier, nobler, and gentler than ever.
Falconer looked at her calmly, with only a still swelling at the
heart, as if they met on the threshold of heaven. All the
selfishness of passion was gone, and the old earlier adoration,
elevated and glorified, had returned. He was a boy once more in the
presence of a woman-angel. She did not shrink from his gaze, she
did not withdraw her hand from his clasp.</p>

<p id="iv.vii-p67"><br />
</p>

<p id="iv.vii-p68">'I am so glad, Robert!' was all she said.</p>

<p id="iv.vii-p69"><br />
</p>

<p id="iv.vii-p70">'So am I,' he answered quietly. 'We may meet sometimes
then?'</p>

<p id="iv.vii-p71"><br />
</p>

<p id="iv.vii-p72">'Yes. Perhaps we can help each other.'</p>

<p id="iv.vii-p73"><br />
</p>

<p id="iv.vii-p74">'You can help me,' said Falconer. 'I have a girl I don't know
what to do with.'</p>

<p id="iv.vii-p75"><br />
</p>

<p id="iv.vii-p76">'Send her to me. I will take care of her.'</p>

<p id="iv.vii-p77"><br />
</p>

<p id="iv.vii-p78">'I will bring her. But I must come and see you first.'</p>

<p id="iv.vii-p79"><br />
</p>

<p id="iv.vii-p80">'That will tell you where I live,' she said, giving him a card.
Good-bye.'</p>

<p id="iv.vii-p81"><br />
</p>

<p id="iv.vii-p82">'Till to-morrow,' said Falconer.</p>

<p id="iv.vii-p83"><br />
</p>

<p id="iv.vii-p84">'<i>She's</i> not like that Bible fellow,' said De Fleuri, as he
entered his room again. 'She don't walk into your house as if it
was her own.'</p>

<p id="iv.vii-p85"><br />
</p>

<p id="iv.vii-p86">He was leaning against his idle loom, which, like a dead thing,
filled the place with the mournfulness of death. Falconer took a
broken chair, the only one, and sat down.</p>

<p id="iv.vii-p87"><br />
</p>

<p id="iv.vii-p88">'I am going to take a liberty with you, Mr. De Fleuri,' he
said.</p>

<p id="iv.vii-p89"><br />
</p>

<p id="iv.vii-p90">'As you please, Mr. Falconer.'</p>

<p id="iv.vii-p91"><br />
</p>

<p id="iv.vii-p92">'I want to tell you the only fault I have to you.'</p>

<p id="iv.vii-p93"><br />
</p>

<p id="iv.vii-p94">'Yes?'</p>

<p id="iv.vii-p95"><br />
</p>

<p id="iv.vii-p96">'You don't do anything for the people in the house. Whether you
believe in God or not, you ought to do what you can for your
neighbour.'</p>

<p id="iv.vii-p97"><br />
</p>

<p id="iv.vii-p98">He held that to help a neighbour is the strongest antidote to
unbelief, and an open door out of the bad air of one's own
troubles, as well.</p>

<p id="iv.vii-p99"><br />
</p>

<p id="iv.vii-p100">De Fleuri laughed bitterly, and rubbed his hand up and down his
empty pocket. It was a pitiable action. Falconer understood it.</p>

<p id="iv.vii-p101"><br />
</p>

<p id="iv.vii-p102">'There are better things than money: sympathy, for instance. You
could talk to them a little.'</p>

<p id="iv.vii-p103"><br />
</p>

<p id="iv.vii-p104">'I have no sympathy, sir.'</p>

<p id="iv.vii-p105"><br />
</p>

<p id="iv.vii-p106">'You would find you had, if you would let it out.'</p>

<p id="iv.vii-p107"><br />
</p>

<p id="iv.vii-p108">'I should only make them more miserable. If I believed as you
do, now, there might be some use.'</p>

<p id="iv.vii-p109"><br />
</p>

<p id="iv.vii-p110">'There's that widow with her four children in the garret. The
poor little things are tormented by the rats: couldn't you nail
bits of wood over their holes?'</p>

<p id="iv.vii-p111"><br />
</p>

<p id="iv.vii-p112">De Fleuri laughed again.</p>

<p id="iv.vii-p113"><br />
</p>

<p id="iv.vii-p114">'Where am I to get the bits of wood, except I pull down some of
those laths. And they wouldn't keep them out a night.'</p>

<p id="iv.vii-p115"><br />
</p>

<p id="iv.vii-p116">'Couldn't you ask some carpenter?'</p>

<p id="iv.vii-p117"><br />
</p>

<p id="iv.vii-p118">'I won't ask a favour.'</p>

<p id="iv.vii-p119"><br />
</p>

<p id="iv.vii-p120">'I shouldn't mind asking, now.'</p>

<p id="iv.vii-p121"><br />
</p>

<p id="iv.vii-p122">'That's because you don't know the bitterness of needing.'</p>

<p id="iv.vii-p123"><br />
</p>

<p id="iv.vii-p124">'Fortunately, however, there's no occasion for it. You have no
right to refuse for another what you wouldn't accept for yourself.
Of course I could send in a man to do it; but if you would do it,
that would do her heart good. And that's what most wants doing good
to--isn't it, now?'</p>

<p id="iv.vii-p125"><br />
</p>

<p id="iv.vii-p126">'I believe you're right there, sir. If it wasn't for the misery
of it, I shouldn't mind the hunger.'</p>

<p id="iv.vii-p127"><br />
</p>

<p id="iv.vii-p128">'I should like to tell you how I came to go poking my nose into
other people's affairs. Would you like to hear my story now?'</p>

<p id="iv.vii-p129"><br />
</p>

<p id="iv.vii-p130">'If you please, sir.'</p>

<p id="iv.vii-p131"><br />
</p>

<p id="iv.vii-p132">A little pallid curiosity seemed to rouse itself in the heart of
the hopeless man. So Falconer began at once to tell him how he had
been brought up, describing the country and their ways of life, not
excluding his adventures with Shargar, until he saw that the man
was thoroughly interested. Then all at once, pulling out his watch,
he said,</p>

<p id="iv.vii-p133"><br />
</p>

<p id="iv.vii-p134">'But it's time I had my tea, and I haven't half done yet. I am
not fond of being hungry, like you, Mr. De Fleuri.'</p>

<p id="iv.vii-p135"><br />
</p>

<p id="iv.vii-p136">The poor fellow could only manage a very dubious smile.</p>

<p id="iv.vii-p137"><br />
</p>

<p id="iv.vii-p138">'I'll tell you what,' said Falconer, as if the thought had only
just struck him--'come home with me, and I'll give you the rest of
it at my own place.'</p>

<p id="iv.vii-p139"><br />
</p>

<p id="iv.vii-p140">'You must excuse me, sir.'</p>

<p id="iv.vii-p141"><br />
</p>

<p id="iv.vii-p142">'Bless my soul, the man's as proud as Lucifer! He wont accept a
neighbour's invitation to a cup of tea--for fear it should put him
under obligations, I suppose.'</p>

<p id="iv.vii-p143"><br />
</p>

<p id="iv.vii-p144">'It's very kind of you, sir, to put it in that way; but I don't
choose to be taken in. You know very well it's not as one equal
asks another you ask me. It's charity.'</p>

<p id="iv.vii-p145"><br />
</p>

<p id="iv.vii-p146">'Do I not behave to you as an equal?'</p>

<p id="iv.vii-p147"><br />
</p>

<p id="iv.vii-p148">'But you know that don't make us equals.'</p>

<p id="iv.vii-p149"><br />
</p>

<p id="iv.vii-p150">'But isn't there something better than being equals? Supposing,
as you will have it, that we're not equals, can't we be
friends?'</p>

<p id="iv.vii-p151"><br />
</p>

<p id="iv.vii-p152">'I hope so, sir.'</p>

<p id="iv.vii-p153"><br />
</p>

<p id="iv.vii-p154">'Do you think now, Mr. De Fleuri, if you weren't something more
to me than a mere equal, I would go telling you my own history? But
I forgot: I have told you hardly anything yet. I have to tell you
how much nearer I am to your level than you think. I had the design
too of getting you to help me in the main object of my life. Come,
don't be a fool. I want you.'</p>

<p id="iv.vii-p155"><br />
</p>

<p id="iv.vii-p156">'I can't leave Katey,' said the weaver, hesitatingly.</p>

<p id="iv.vii-p157"><br />
</p>

<p id="iv.vii-p158">'Miss St. John is there still. I will ask her to stop till you
come back.'</p>

<p id="iv.vii-p159"><br />
</p>

<p id="iv.vii-p160">Without waiting for an answer, he ran up the stairs, and had
speedily arranged with Miss St. John. Then taking his consent for
granted, he hurried De Fleuri away with him, and knowing how unfit
a man of his trade was for walking, irrespective of feebleness from
want, he called the first cab, and took him home. Here, over their
tea, which he judged the safest meal for a stomach unaccustomed to
food, he told him about his grandmother, and about Dr. Anderson,
and how he came to give himself to the work he was at, partly for
its own sake, partly in the hope of finding his father. He told him
his only clue to finding him; and that he had called on Mrs.
Macallister twice every week for two years, but had heard nothing
of him. De Fleuri listened with what rose to great interest before
the story was finished. And one of its ends at least was gained:
the weaver was at home with him. The poor fellow felt that such
close relation to an outcast, did indeed bring Falconer nearer to
his own level.</p>

<p id="iv.vii-p161"><br />
</p>

<p id="iv.vii-p162">'Do you want it kept a secret, sir?' he asked.</p>

<p id="iv.vii-p163"><br />
</p>

<p id="iv.vii-p164">'I don't want it made a matter of gossip. But I do not mind how
many respectable people like yourself know of it.'</p>

<p id="iv.vii-p165"><br />
</p>

<p id="iv.vii-p166">He said this with a vague hope of assistance.</p>

<p id="iv.vii-p167"><br />
</p>

<p id="iv.vii-p168">Before they parted, the unaccustomed tears had visited the eyes
of De Fleuri, and he had consented not only to repair Mrs.
Chisholm's garret-floor, but to take in hand the expenditure of a
certain sum weekly, as he should judge expedient, for the people
who lived in that and the neighbouring houses--in no case, however,
except of sickness, or actual want of bread from want of work. Thus
did Falconer appoint a sorrow-made infidel to be the almoner of his
christian charity, knowing well that the nature of the Son of Man
was in him, and that to get him to do as the Son of Man did, in
ever so small a degree, was the readiest means of bringing his
higher nature to the birth. Nor did he ever repent the choice he
had made.</p>

<p id="iv.vii-p169"><br />
</p>

<p id="iv.vii-p170">When he waited upon Miss St. John the next day, he found her in
the ordinary dress of a lady. She received him with perfect
confidence and kindness, but there was no reference made to the
past. She told him that she had belonged to a sisterhood, but had
left it a few days before, believing she could do better without
its restrictions.</p>

<p id="iv.vii-p171"><br />
</p>

<p id="iv.vii-p172">'It was an act of cowardice,' she said,--'wearing the dress
yesterday. I had got used to it, and did not feel safe without it;
but I shall not wear it any more.'</p>

<p id="iv.vii-p173"><br />
</p>

<p id="iv.vii-p174">'I think you are right,' said Falconer. 'The nearer any friendly
act is associated with the individual heart, without intervention
of class or creed, the more the humanity, which is the divinity of
it, will appear.'</p>

<p id="iv.vii-p175"><br />
</p>

<p id="iv.vii-p176">He then told her about Nancy.</p>

<p id="iv.vii-p177"><br />
</p>

<p id="iv.vii-p178">'I will keep her about myself for a while,' said Miss St. John,
'till I see what can be done with her. I know a good many people
who without being prepared, or perhaps able to take any trouble,
are yet ready to do a kindness when it is put in their way.'</p>

<p id="iv.vii-p179"><br />
</p>

<p id="iv.vii-p180">'I feel more and more that I ought to make some friends,' said
Falconer; 'for I find my means of help reach but a little way. What
had I better do? I suppose I could get some introductions.--I
hardly know how.'</p>

<p id="iv.vii-p181"><br />
</p>

<p id="iv.vii-p182">'That will easily be managed. I will take that in hand. If you
will accept invitations, you will soon know a good many people--of
all sorts,' she added with a smile.</p>

<p id="iv.vii-p183"><br />
</p>

<p id="iv.vii-p184">About this time Falconer, having often felt the pressure of his
ignorance of legal affairs, and reflected whether it would not add
to his efficiency to rescue himself from it, began such a course of
study as would fit him for the profession of the law. Gifted with
splendid health, and if with a slow strength of grasping, yet with
a great power of holding, he set himself to work, and regularly
read for the bar.</p>

<p id="iv.vii-p185"><br />
</p>

<p id="iv.vii-p186"><br />
</p>

</div2>

      <div2 title="CHAPTER VIII.--MY OWN ACQUAINTANCE." n="viii" shorttitle="" progress="75.07%" id="iv.viii" prev="iv.vii" next="iv.ix">

<p id="iv.viii-p1"><br />
</p>

<p id="iv.viii-p2">CHAPTER VIII.</p>

<p id="iv.viii-p3"><br />
</p>

<p id="iv.viii-p4">MY OWN ACQUAINTANCE.</p>

<p id="iv.viii-p5"><br />
</p>

<p id="iv.viii-p6">IT was after this that my own acquaintance with Falconer
commenced. I had just come out of one of the theatres in the
neighbourhood of the Strand, unable to endure any longer the dreary
combination of false magnanimity and real meanness, imported from
Paris in the shape of a melodrama, for the delectation of the
London public. I had turned northwards, and was walking up one of
the streets near Covent Garden, when my attention was attracted to
a woman who came out of a gin-shop, carrying a baby. She went to
the kennel, and bent her head over, ill with the poisonous stuff
she had been drinking. And while the woman stood in this degrading
posture, the poor, white, wasted baby was looking over her shoulder
with the smile of a seraph, perfectly unconscious of the hell
around her.</p>

<p id="iv.viii-p7"><br />
</p>

<p id="iv.viii-p8">'Children <i>will</i> see things as God sees them,' murmured a
voice beside me.</p>

<p id="iv.viii-p9"><br />
</p>

<p id="iv.viii-p10">I turned and saw a tall man with whose form I had already become
a little familiar, although I knew nothing of him, standing almost
at my elbow, with his eyes fixed on the woman and the child, and a
strange smile of tenderness about his mouth, as if he were blessing
the little creature in his heart.</p>

<p id="iv.viii-p11"><br />
</p>

<p id="iv.viii-p12">He too saw the wonder of the show, typical of so much in the
world, indeed of the world itself--the seemingly vile upholding and
ministering to the life of the pure, the gracious, the fearless.
Aware from his tone more than from his pronunciation that he was a
fellow-countryman, I ventured to speak to him, and in a
home-dialect.</p>

<p id="iv.viii-p13"><br />
</p>

<p id="iv.viii-p14">'It's a wonnerfu' sicht. It's the cake o' Ezekiel ower
again.'</p>

<p id="iv.viii-p15"><br />
</p>

<p id="iv.viii-p16">He looked at me sharply, thought a moment, and said,</p>

<p id="iv.viii-p17"><br />
</p>

<p id="iv.viii-p18">'You were going my way when you stopped. I will walk with you,
if you will.'</p>

<p id="iv.viii-p19"><br />
</p>

<p id="iv.viii-p20">'But what's to be done about it?' I said.</p>

<p id="iv.viii-p21"><br />
</p>

<p id="iv.viii-p22">'About what?' he returned.</p>

<p id="iv.viii-p23"><br />
</p>

<p id="iv.viii-p24">'About the child there,' I answered.</p>

<p id="iv.viii-p25"><br />
</p>

<p id="iv.viii-p26">'Oh! she is its mother,' he replied, walking on.</p>

<p id="iv.viii-p27"><br />
</p>

<p id="iv.viii-p28">'What difference does that make?' I said.</p>

<p id="iv.viii-p29"><br />
</p>

<p id="iv.viii-p30">'All the difference in the world. If God has given her that
child, what right have you or I to interfere?'</p>

<p id="iv.viii-p31"><br />
</p>

<p id="iv.viii-p32">'But I verily believe from the look of the child she gives it
gin.'</p>

<p id="iv.viii-p33"><br />
</p>

<p id="iv.viii-p34">'God saves the world by the new blood, the children. To take her
child from her, would be to do what you could to damn her.'</p>

<p id="iv.viii-p35"><br />
</p>

<p id="iv.viii-p36">'It doesn't look much like salvation there.'</p>

<p id="iv.viii-p37"><br />
</p>

<p id="iv.viii-p38">'You mustn't interfere with God's thousand years any more than
his one day.'</p>

<p id="iv.viii-p39"><br />
</p>

<p id="iv.viii-p40">'Are you sure she is the mother?' I asked.</p>

<p id="iv.viii-p41"><br />
</p>

<p id="iv.viii-p42">'Yes. I would not have left the child with her otherwise.'</p>

<p id="iv.viii-p43"><br />
</p>

<p id="iv.viii-p44">'What would you have done with it? Got it into some orphan
asylum?--or the Foundling perhaps?'</p>

<p id="iv.viii-p45"><br />
</p>

<p id="iv.viii-p46">'Never,' he answered. 'All those societies are wretched
inventions for escape from the right way. There ought not to be an
orphan asylum in the kingdom.'</p>

<p id="iv.viii-p47"><br />
</p>

<p id="iv.viii-p48">'What! Would you put them all down then?'</p>

<p id="iv.viii-p49"><br />
</p>

<p id="iv.viii-p50">'God forbid. But I would, if I could, make them all
useless,'</p>

<p id="iv.viii-p51"><br />
</p>

<p id="iv.viii-p52">'How could you do that?'</p>

<p id="iv.viii-p53"><br />
</p>

<p id="iv.viii-p54">'I would <i>merely</i> enlighten the hearts of childless people
as to their privileges.'</p>

<p id="iv.viii-p55"><br />
</p>

<p id="iv.viii-p56">'Which are?'</p>

<p id="iv.viii-p57"><br />
</p>

<p id="iv.viii-p58">'To be fathers and mothers to the fatherless and
motherless.'</p>

<p id="iv.viii-p59"><br />
</p>

<p id="iv.viii-p60">'I have often wondered why more of them did not adopt children.
Why don't they?'</p>

<p id="iv.viii-p61"><br />
</p>

<p id="iv.viii-p62">'For various reasons which a real love to child nature would
blow to the winds--all comprised in this, that such a child would
not be their own child. As if ever a child could be their own! That
a child is God's is of rather more consequence than whether it is
born of this or that couple. Their hearts would surely be glad when
they went into heaven to have the angels of the little ones that
always behold the face of their Father coming round them, though
they were not exactly their father and mother.'</p>

<p id="iv.viii-p63"><br />
</p>

<p id="iv.viii-p64">'I don't know what the passage you refer to means.'</p>

<p id="iv.viii-p65"><br />
</p>

<p id="iv.viii-p66">'Neither do I. But it must mean something, if He said it. Are
you a clergyman?'</p>

<p id="iv.viii-p67"><br />
</p>

<p id="iv.viii-p68">'No. I am only a poor teacher of mathematics and poetry, shown
up the back stairs into the nurseries of great houses.'</p>

<p id="iv.viii-p69"><br />
</p>

<p id="iv.viii-p70">'A grand chance, if I may use the word.'</p>

<p id="iv.viii-p71"><br />
</p>

<p id="iv.viii-p72">'I do try to wake a little enthusiasm in the sons and
daughters--without much success, I fear.'</p>

<p id="iv.viii-p73"><br />
</p>

<p id="iv.viii-p74">'Will you come and see me?' he said.</p>

<p id="iv.viii-p75"><br />
</p>

<p id="iv.viii-p76">'With much pleasure. But, as I have given you an answer, you owe
me one.'</p>

<p id="iv.viii-p77"><br />
</p>

<p id="iv.viii-p78">'I do.'</p>

<p id="iv.viii-p79"><br />
</p>

<p id="iv.viii-p80">'Have you adopted a child?'</p>

<p id="iv.viii-p81"><br />
</p>

<p id="iv.viii-p82">'No.'</p>

<p id="iv.viii-p83"><br />
</p>

<p id="iv.viii-p84">'Then you have some of your own?'</p>

<p id="iv.viii-p85"><br />
</p>

<p id="iv.viii-p86">'No.'</p>

<p id="iv.viii-p87"><br />
</p>

<p id="iv.viii-p88">'Then, excuse me, but why the warmth of your remarks on those
who--'</p>

<p id="iv.viii-p89"><br />
</p>

<p id="iv.viii-p90">'I think I shall be able to satisfy you on that point, if we
draw to each other. Meantime I must leave you. Could you come
to-morrow evening?'</p>

<p id="iv.viii-p91"><br />
</p>

<p id="iv.viii-p92">'With pleasure.'</p>

<p id="iv.viii-p93"><br />
</p>

<p id="iv.viii-p94">We arranged the hour and parted. I saw him walk into a low
public-house, and went home.</p>

<p id="iv.viii-p95"><br />
</p>

<p id="iv.viii-p96">At the time appointed, I rang the bell, and was led by an
elderly woman up the stair, and shown into a large room on the
first-floor--poorly furnished, and with many signs of
bachelor-carelessness. Mr. Falconer rose from an old hair-covered
sofa to meet me as I entered. I will first tell my reader something
of his personal appearance.</p>

<p id="iv.viii-p97"><br />
</p>

<p id="iv.viii-p98">He was considerably above six feet in height, square-shouldered,
remarkably long in the arms, and his hands were uncommonly large
and powerful. His head was large, and covered with dark wavy hair,
lightly streaked with gray. His broad forehead projected over
deep-sunk eyes, that shone like black fire. His features,
especially his Roman nose, were large, and finely, though not
delicately, modelled. His nostrils were remarkably large and
flexile, with a tendency to slight motion: I found on further
acquaintance that when he was excited, they expanded in a wild
equine manner. The expression of his mouth was of tender power,
crossed with humour. He kept his lips a little compressed, which
gave a certain sternness to his countenance: but when this
sternness dissolved in a smile, it was something enchanting. He was
plainly, rather shabbily clothed. No one could have guessed at his
profession or social position. He came forward and received me
cordially. After a little indifferent talk, he asked me if I had
any other engagement for the evening.</p>

<p id="iv.viii-p99"><br />
</p>

<p id="iv.viii-p100">'I never have any engagements,' I answered--'at least, of a
social kind. I am <i>burd alane</i>. I know next to nobody.'</p>

<p id="iv.viii-p101"><br />
</p>

<p id="iv.viii-p102">'Then perhaps you would not mind going out with me for a
stroll?'</p>

<p id="iv.viii-p103"><br />
</p>

<p id="iv.viii-p104">'I shall be most happy,' I answered.</p>

<p id="iv.viii-p105"><br />
</p>

<p id="iv.viii-p106">There was something about the man I found exceedingly
attractive; I had very few friends; and there was besides something
odd, almost romantic, in this beginning of an intercourse: I would
see what would come of it.</p>

<p id="iv.viii-p107"><br />
</p>

<p id="iv.viii-p108">'Then we'll have some supper first,' said Mr. Falconer, and rang
the bell.</p>

<p id="iv.viii-p109"><br />
</p>

<p id="iv.viii-p110">While we ate our chops--</p>

<p id="iv.viii-p111"><br />
</p>

<p id="iv.viii-p112">'I dare say you think it strange,' my host said, 'that without
the least claim on your acquaintance, I should have asked you to
come and see me, Mr.--'</p>

<p id="iv.viii-p113"><br />
</p>

<p id="iv.viii-p114">He stopped, smiling.</p>

<p id="iv.viii-p115"><br />
</p>

<p id="iv.viii-p116">'My name is Gordon--Archie Gordon,' I said.</p>

<p id="iv.viii-p117"><br />
</p>

<p id="iv.viii-p118">'Well, then, Mr. Gordon, I confess I have a design upon you. But
you will remember that you addressed me first.'</p>

<p id="iv.viii-p119"><br />
</p>

<p id="iv.viii-p120">'You <i>spoke</i> first,' I said.</p>

<p id="iv.viii-p121"><br />
</p>

<p id="iv.viii-p122">'Did I?'</p>

<p id="iv.viii-p123"><br />
</p>

<p id="iv.viii-p124">'I did not say you spoke to me, but you spoke.--I should not
have ventured to make the remark I did make, if I had not heard
your voice first. What design have you on me?'</p>

<p id="iv.viii-p125"><br />
</p>

<p id="iv.viii-p126">'That will appear in due course. Now take a glass of wine, and
we'll set out.'</p>

<p id="iv.viii-p127"><br />
</p>

<p id="iv.viii-p128">We soon found ourselves in Holborn, and my companion led the way
towards the City. The evening was sultry and close.</p>

<p id="iv.viii-p129"><br />
</p>

<p id="iv.viii-p130">'Nothing excites me move,' said Mr. Falconer, 'than a walk in
the twilight through a crowded street. Do you find it affect you
so?'</p>

<p id="iv.viii-p131"><br />
</p>

<p id="iv.viii-p132">'I cannot speak as strongly as you do,' I replied. 'But I
perfectly understand what you mean. Why is it, do you think?'</p>

<p id="iv.viii-p133"><br />
</p>

<p id="iv.viii-p134">'Partly, I fancy, because it is like the primordial chaos, a
concentrated tumult of undetermined possibilities. The germs of
infinite adventure and result are floating around you like a
snow-storm. You do not know what may arise in a moment and colour
all your future. Out of this mass may suddenly start something
marvellous, or, it may be, something you have been looking for for
years.'</p>

<p id="iv.viii-p135"><br />
</p>

<p id="iv.viii-p136">The same moment, a fierce flash of lightning, like a blue
sword-blade a thousand times shattered, quivered and palpitated
about us, leaving a thick darkness on the sense. I heard my
companion give a suppressed cry, and saw him run up against a heavy
drayman who was on the edge of the path, guiding his horses with
his long whip. He begged the man's pardon, put his hand to his
head, and murmured, 'I shall know him now.' I was afraid for a
moment that the lightning had struck him, but he assured me there
was nothing amiss. He looked a little excited and confused,
however.</p>

<p id="iv.viii-p137"><br />
</p>

<p id="iv.viii-p138">I should have forgotten the incident, had he not told me
afterwards--when I had come to know him intimately--that in the
moment of that lightning flash, he had had a strange experience: he
had seen the form of his father, as he had seen him that Sunday
afternoon, in the midst of the surrounding light. He was as certain
of the truth of the presentation as if a gradual revival of memory
had brought with it the clear conviction of its own accuracy. His
explanation of the phenomenon was, that, in some cases, all that
prevents a vivid conception from assuming objectivity, is the
self-assertion of external objects. The gradual approach of
darkness cannot surprise and isolate the phantasm; but the
suddenness of the lightning could and did, obliterating everything
without, and leaving that over which it had no power standing
alone, and therefore visible.</p>

<p id="iv.viii-p139"><br />
</p>

<p id="iv.viii-p140">'But,' I ventured to ask, 'whence the minuteness of detail,
surpassing, you say, all that your memory could supply?'</p>

<p id="iv.viii-p141"><br />
</p>

<p id="iv.viii-p142">'That I think was a quickening of the memory by the realism of
the presentation. Excited by the vision, it caught at its own past,
as it were, and suddenly recalled that which it had forgotten. In
the rapidity of all pure mental action, this at once took its part
in the apparent objectivity.'</p>

<p id="iv.viii-p143"><br />
</p>

<p id="iv.viii-p144">To return to the narrative of my first evening in Falconer's
company.</p>

<p id="iv.viii-p145"><br />
</p>

<p id="iv.viii-p146">It was strange how insensible the street population was to the
grandeur of the storm. While the thunder was billowing and
bellowing over and around us--</p>

<p id="iv.viii-p147"><br />
</p>

<p id="iv.viii-p148">'A hundred pins for one ha'penny,' bawled a man from the gutter,
with the importance of a Cagliostro.</p>

<p id="iv.viii-p149"><br />
</p>

<p id="iv.viii-p150">'Evening Star! Telegrauwff!' roared an ear-splitting urchin in
my very face. I gave him a shove off the pavement.</p>

<p id="iv.viii-p151"><br />
</p>

<p id="iv.viii-p152">'Ah! don't do that,' said Falconer. 'It only widens the crack
between him and his fellows--not much, but a little.'</p>

<p id="iv.viii-p153"><br />
</p>

<p id="iv.viii-p154">'You are right,' I said. 'I won't do it again.'</p>

<p id="iv.viii-p155"><br />
</p>

<p id="iv.viii-p156">The same moment we heard a tumult in a neighbouring street. A
crowd was execrating a policeman, who had taken a woman into
custody, and was treating her with unnecessary rudeness. Falconer
looked on for a few moments.</p>

<p id="iv.viii-p157"><br />
</p>

<p id="iv.viii-p158">'Come, policeman!' he said at length, in a tone of
expostulation. 'You're rather rough, are you not? She's a woman,
you know.'</p>

<p id="iv.viii-p159"><br />
</p>

<p id="iv.viii-p160">'Hold your blasted humbug,' answered the man, an exceptional
specimen of the force at that time at all events, and shook the
tattered wretch, as if he would shake her out of her rags.</p>

<p id="iv.viii-p161"><br />
</p>

<p id="iv.viii-p162">Falconer gently parted the crowd, and stood beside the two.</p>

<p id="iv.viii-p163"><br />
</p>

<p id="iv.viii-p164">'I will help you,' he said, 'to take her to the station, if you
like, but you must not treat her that way.'</p>

<p id="iv.viii-p165"><br />
</p>

<p id="iv.viii-p166">'I don't want your help,' said the policeman; 'I know you, and
all the damned lot of you.'</p>

<p id="iv.viii-p167"><br />
</p>

<p id="iv.viii-p168">'Then I shall be compelled to give you a lesson,' said
Falconer.</p>

<p id="iv.viii-p169"><br />
</p>

<p id="iv.viii-p170">The man's only answer was a shake that made the woman cry
out.</p>

<p id="iv.viii-p171"><br />
</p>

<p id="iv.viii-p172">'I shall get into trouble if you get off,' said Falconer to her.
'Will you promise me, on your word, to go with me to the station,
if I rid you of the fellow?'</p>

<p id="iv.viii-p173"><br />
</p>

<p id="iv.viii-p174">'I will, I will,' said the woman.</p>

<p id="iv.viii-p175"><br />
</p>

<p id="iv.viii-p176">'Then, look out,' said Falconer to the policeman; 'for I'm going
to give you that lesson.'</p>

<p id="iv.viii-p177"><br />
</p>

<p id="iv.viii-p178">The officer let the woman go, took his baton, and made a blow at
Falconer. In another moment--I could hardly see how--he lay in the
street.</p>

<p id="iv.viii-p179"><br />
</p>

<p id="iv.viii-p180">'Now, my poor woman, come along,' said Falconer.</p>

<p id="iv.viii-p181"><br />
</p>

<p id="iv.viii-p182">She obeyed, crying gently. Two other policemen came up.</p>

<p id="iv.viii-p183"><br />
</p>

<p id="iv.viii-p184">'Do you want to give that woman in charge, Mr. Falconer?' asked
one of them.</p>

<p id="iv.viii-p185"><br />
</p>

<p id="iv.viii-p186">'I give that man in charge,' cried his late antagonist, who had
just scrambled to his feet. 'Assaulting the police in discharge of
their duty.'</p>

<p id="iv.viii-p187"><br />
</p>

<p id="iv.viii-p188">'Very well,' said the other. 'But you're in the wrong box, and
that you'll find. You had better come along to the station,
sir.'</p>

<p id="iv.viii-p189"><br />
</p>

<p id="iv.viii-p190">'Keep that fellow from getting hold of the woman--you two, and
we'll go together,' said Falconer.</p>

<p id="iv.viii-p191"><br />
</p>

<p id="iv.viii-p192">Bewildered with the rapid sequence of events, I was following in
the crowd. Falconer looked about till he saw me, and gave me a nod
which meant <i>come along</i>. Before we reached Bow Street.
however, the offending policeman, who had been walking a little
behind in conversation with one of the others, advanced to
Falconer, touched his hat, and said something, to which Falconer
replied.</p>

<p id="iv.viii-p193"><br />
</p>

<p id="iv.viii-p194">'Remember, I have my eye upon you,' was all I heard, however, as
he left the crowd and rejoined me. We turned and walked eastward
again.</p>

<p id="iv.viii-p195"><br />
</p>

<p id="iv.viii-p196">The storm kept on intermittently, but the streets were rather
more crowded than usual notwithstanding.</p>

<p id="iv.viii-p197"><br />
</p>

<p id="iv.viii-p198">'Look at that man in the woollen jacket,' said Falconer. 'What a
beautiful outline of face! There must be something noble in that
man.'</p>

<p id="iv.viii-p199"><br />
</p>

<p id="iv.viii-p200">'I did not see him,' I answered, 'I was taken up with a woman's
face, like that of a beautiful corpse. It's eyes were bright. There
was gin in its brain.'</p>

<p id="iv.viii-p201"><br />
</p>

<p id="iv.viii-p202">The streets swarmed with human faces gleaming past. It was a
night of ghosts.</p>

<p id="iv.viii-p203"><br />
</p>

<p id="iv.viii-p204">There stood a man who had lost one arm, earnestly pumping
bilge-music out of an accordion with the other, holding it to his
body with the stump. There was a woman, pale with hunger and gin,
three match-boxes in one extended hand, and the other holding a
baby to her breast. As we looked, the poor baby let go its hold,
turned its little head, and smiled a wan, shrivelled, old-fashioned
smile in our faces.</p>

<p id="iv.viii-p205"><br />
</p>

<p id="iv.viii-p206">Another happy baby, you see, Mr. Gordon,' said Falconer. 'A
child, fresh from God, finds its heaven where no one else would.
The devil could drive woman out of Paradise; but the devil himself
cannot drive the Paradise out of a woman.'</p>

<p id="iv.viii-p207"><br />
</p>

<p id="iv.viii-p208">'What can be done for them?' I said, and at the moment, my eye
fell upon a row of little children, from two to five years of age,
seated upon the curb-stone.</p>

<p id="iv.viii-p209"><br />
</p>

<p id="iv.viii-p210">They were chattering fast, and apparently carrying on some game,
as happy as if they had been in the fields.</p>

<p id="iv.viii-p211"><br />
</p>

<p id="iv.viii-p212">'Wouldn't you like to take all those little grubby things, and
put them in a great tub and wash them clean?' I said.</p>

<p id="iv.viii-p213"><br />
</p>

<p id="iv.viii-p214">'They'd fight like spiders,' rejoined Falconer.</p>

<p id="iv.viii-p215"><br />
</p>

<p id="iv.viii-p216">'They're not fighting now.'</p>

<p id="iv.viii-p217"><br />
</p>

<p id="iv.viii-p218">'Then don't make them. It would be all useless. The probability
is that you would only change the forms of the various evils, and
possibly for worse. You would buy all that man's glue-lizards, and
that man's three-foot rules, and that man's dog-collars and chains,
at three times their value, that they might get more drink than
usual, and do nothing at all for their living to-morrow.--What a
happy London you would make if you were Sultan Haroun!' he added,
laughing. 'You would put an end to poverty altogether, would you
not?'</p>

<p id="iv.viii-p219"><br />
</p>

<p id="iv.viii-p220">I did not reply at once.</p>

<p id="iv.viii-p221"><br />
</p>

<p id="iv.viii-p222">'But I beg your pardon,' he resumed; 'I am very rude.'</p>

<p id="iv.viii-p223"><br />
</p>

<p id="iv.viii-p224">'Not at all,' I returned. 'I was only thinking how to answer
you. They would be no worse after all than those who inherit
property and lead idle lives.'</p>

<p id="iv.viii-p225"><br />
</p>

<p id="iv.viii-p226">'True; but they would be no better. Would you be content that
your quondam poor should be no better off than the rich? What would
be gained thereby? Is there no truth in the words "Blessed are the
poor"? A deeper truth than most Christians dare to see.--Did you
ever observe that there is not one word about the vices of the poor
in the Bible--from beginning to end?'</p>

<p id="iv.viii-p227"><br />
</p>

<p id="iv.viii-p228">'But they have their vices.'</p>

<p id="iv.viii-p229"><br />
</p>

<p id="iv.viii-p230">'Indubitably. I am only stating a fact. The Bible is full enough
of the vices of the rich. I make no comment.'</p>

<p id="iv.viii-p231"><br />
</p>

<p id="iv.viii-p232">'But don't you care for their sufferings?'</p>

<p id="iv.viii-p233"><br />
</p>

<p id="iv.viii-p234">'They are of secondary importance quite. But if you had been as
much amongst them as I, perhaps you would be of my opinion, that
the poor are not, cannot possibly feel so wretched as they seem to
us. They live in a climate, as it were, which is their own, by
natural law comply with it, and find it not altogether unfriendly.
The Laplander will prefer his wastes to the rich fields of England,
not merely from ignorance, but for the sake of certain blessings
amongst which he has been born and brought up. The blessedness of
life depends far more on its interest than upon its comfort. The
need of exertion and the doubt of success, renders life much more
interesting to the poor than it is to those who, unblessed with
anxiety for the bread that perisheth, waste their poor hearts about
rank and reputation.'</p>

<p id="iv.viii-p235"><br />
</p>

<p id="iv.viii-p236">'I thought such anxiety was represented as an evil in the New
Testament.'</p>

<p id="iv.viii-p237"><br />
</p>

<p id="iv.viii-p238">'Yes. But it is a still greater evil to lose it in any other way
than by faith in God. You would remove the anxiety by destroying
its cause: God would remove it by lifting them above it, by
teaching them to trust in him, and thus making them partakers of
the divine nature. Poverty is a blessing when it makes a man look
up.'</p>

<p id="iv.viii-p239"><br />
</p>

<p id="iv.viii-p240">'But you cannot say it does so always.'</p>

<p id="iv.viii-p241"><br />
</p>

<p id="iv.viii-p242">'I cannot determine when, where, and how much; but I am sure it
does. And I am confident that to free those hearts from it by any
deed of yours would be to do them the greatest injury you could.
Probably their want of foresight would prove the natural remedy,
speedily reducing them to their former condition--not however
without serious loss.'</p>

<p id="iv.viii-p243"><br />
</p>

<p id="iv.viii-p244">'But will not this theory prove at last an anæsthetic rather
than an anodyne? I mean that, although you may adopt it at first
for refuge from the misery the sight of their condition occasions
you, there is surely a danger of its rendering you at last
indifferent to it.'</p>

<p id="iv.viii-p245"><br />
</p>

<p id="iv.viii-p246">'Am I indifferent? But you do not know me yet. Pardon my
egotism. There may be such danger. Every truth has its own danger
or shadow. Assuredly I would have no less labour spent upon them.
But there can be no <i>true</i> labour done, save in as far as we
are fellow-labourers with God. We must work with him, not <i>
against</i> him. Every one who works without believing that God is
doing the best, the absolute good for them, is, must be, more or
less, thwarting God. He would take the poor out of God's hands. For
others, as for ourselves, we must trust him. If we could thoroughly
understand anything, that would be enough to prove it undivine; and
that which is but one step beyond our understanding must be in some
of its relations as mysterious as if it were a hundred. But through
all this darkness about the poor, at least I can see wonderful
veins and fields of light, and with the help of this partial
vision, I trust for the rest. The only and the greatest thing man
is capable of is Trust in God.'</p>

<p id="iv.viii-p247"><br />
</p>

<p id="iv.viii-p248">'What then is a man to do for the poor? How is he to work with
God?' I asked.</p>

<p id="iv.viii-p249"><br />
</p>

<p id="iv.viii-p250">'He must be a man amongst them--a man breathing the air of a
higher life, and therefore in all natural ways fulfilling his
endless human relations to them. Whatever you do for them, let your
own being, that is you in relation to them, be the background, that
so you may be a link between them and God, or rather I should say,
between them and the knowledge of God.'</p>

<p id="iv.viii-p251"><br />
</p>

<p id="iv.viii-p252">While Falconer spoke, his face grew grander and grander, till at
last it absolutely shone. I felt that I walked with a man whose
faith was his genius.</p>

<p id="iv.viii-p253"><br />
</p>

<p id="iv.viii-p254">'Of one thing I am pretty sure,' he resumed, 'that the same
recipe Goethe gave for the enjoyment of life, applies equally to
all work: "Do the thing that lies next you." That is all our
business. Hurried results are worse than none. We must force
nothing, but be partakers of the divine patience. How long it took
to make the cradle! and we fret that the baby Humanity is not
reading Euclid and Plato, even that it is not understanding the
Gospel of St. John! If there is one thing evident in the world's
history, it is that God hasteneth not. All haste implies weakness.
Time is as cheap as space and matter. What they call the church
militant is only at drill yet, and a good many of the officers too
not out of the awkward squad. I am sure I, for a private, am not.
In the drill a man has to conquer himself, and move with the rest
by individual attention to his own duty: to what mighty
battlefields the recruit may yet be led, he does not know. Meantime
he has nearly enough to do with his goose-step, while there is
plenty of single combat, skirmish, and light cavalry work
generally, to get him ready for whatever is to follow. I beg your
pardon: I am preaching.'</p>

<p id="iv.viii-p255"><br />
</p>

<p id="iv.viii-p256">'Eloquently,' I answered.</p>

<p id="iv.viii-p257"><br />
</p>

<p id="iv.viii-p258">Of some of the places into which Falconer led me that night I
will attempt no description--places blazing with lights and
mirrors, crowded with dancers, billowing with music, close and hot,
and full of the saddest of all sights, the uninteresting faces of
commonplace women.</p>

<p id="iv.viii-p259"><br />
</p>

<p id="iv.viii-p260">'There is a passion,' I said, as we came out of one of these
dreadful places, 'that lingers about the heart like the odour of
violets, like a glimmering twilight on the borders of moonrise; and
there is a passion that wraps itself in the vapours of patchouli
and coffins, and streams from the eyes like gaslight from a tavern.
And yet the line is ill to draw between them. It is very dreadful.
These are women.'</p>

<p id="iv.viii-p261"><br />
</p>

<p id="iv.viii-p262">'They are in God's hands,' answered Falconer. 'He hasn't done
with them yet. Shall it take less time to make a woman than to make
a world? Is not the woman the greater? She may have her ages of
chaos, her centuries of crawling slime, yet rise a woman at
last.'</p>

<p id="iv.viii-p263"><br />
</p>

<p id="iv.viii-p264">'How much alike all those women were!'</p>

<p id="iv.viii-p265"><br />
</p>

<p id="iv.viii-p266">'A family likeness, alas! which always strikes you first.'</p>

<p id="iv.viii-p267"><br />
</p>

<p id="iv.viii-p268">'Some of them looked quite modest.'</p>

<p id="iv.viii-p269"><br />
</p>

<p id="iv.viii-p270">'There are great differences. I do not know anything more
touching than to see how a woman will sometimes wrap around her the
last remnants of a soiled and ragged modesty. It has moved me
almost to tears to see such a one hanging her head in shame during
the singing of a detestable song. That poor thing's shame was
precious in the eyes of the Master, surely.'</p>

<p id="iv.viii-p271"><br />
</p>

<p id="iv.viii-p272">'Could nothing be done for her?'</p>

<p id="iv.viii-p273"><br />
</p>

<p id="iv.viii-p274">'I contrived to let her know where she would find a friend if
she wanted to be good: that is all you can do in such cases. If the
horrors of their life do not drive them out at such an open door,
you can do nothing else, I fear--for the time.'</p>

<p id="iv.viii-p275"><br />
</p>

<p id="iv.viii-p276">'Where are you going now, may I ask?'</p>

<p id="iv.viii-p277"><br />
</p>

<p id="iv.viii-p278">'Into the city--on business,' he added with a smile.</p>

<p id="iv.viii-p279"><br />
</p>

<p id="iv.viii-p280">'There will be nobody there so late.'</p>

<p id="iv.viii-p281"><br />
</p>

<p id="iv.viii-p282">'Nobody! One would think you were the beadle of a city church,
Mr. Gordon.'</p>

<p id="iv.viii-p283"><br />
</p>

<p id="iv.viii-p284">We came into a very narrow, dirty street. I do not know where it
is. A slatternly woman advanced from an open door, and said,</p>

<p id="iv.viii-p285"><br />
</p>

<p id="iv.viii-p286">'Mr. Falconer.'</p>

<p id="iv.viii-p287"><br />
</p>

<p id="iv.viii-p288">He looked at her for a moment.</p>

<p id="iv.viii-p289"><br />
</p>

<p id="iv.viii-p290">'Why, Sarah, have you come to this already?' he said.</p>

<p id="iv.viii-p291"><br />
</p>

<p id="iv.viii-p292">'Never mind me, sir. It's no more than you told me to expect.
You knowed him better than I did. Leastways I'm an honest
woman.'</p>

<p id="iv.viii-p293"><br />
</p>

<p id="iv.viii-p294">'Stick to that, Sarah; and be good-tempered.'</p>

<p id="iv.viii-p295"><br />
</p>

<p id="iv.viii-p296">'I'll have a try anyhow, sir. But there's a poor cretur a dyin'
up-stairs; and I'm afeard it'll go hard with her, for she throwed a
Bible out o' window this very morning, sir.'</p>

<p id="iv.viii-p297"><br />
</p>

<p id="iv.viii-p298">'Would she like to see me? I'm afraid not.'</p>

<p id="iv.viii-p299"><br />
</p>

<p id="iv.viii-p300">'She's got Lilywhite, what's a sort of a reader, readin' that
same Bible to her now.'</p>

<p id="iv.viii-p301"><br />
</p>

<p id="iv.viii-p302">'There can be no great harm in just looking in,' he said,
turning to me.</p>

<p id="iv.viii-p303"><br />
</p>

<p id="iv.viii-p304">'I shall be happy to follow you--anywhere,' I returned.</p>

<p id="iv.viii-p305"><br />
</p>

<p id="iv.viii-p306">'She's awful ill, sir; cholerer or summat,' said Sarah, as she
led the way up the creaking stair.</p>

<p id="iv.viii-p307"><br />
</p>

<p id="iv.viii-p308">We half entered the room softly. Two or three women sat by the
chimney, and another by a low bed, covered with a torn patchwork
counterpane, spelling out a chapter in the Bible. We paused for a
moment to hear what she was reading. Had the book been opened by
chance, or by design? It was the story of David and Bathsheba.
Moans came from the bed, but the candle in a bottle, by which the
woman was reading, was so placed that we could not see the
sufferer.</p>

<p id="iv.viii-p309"><br />
</p>

<p id="iv.viii-p310">We stood still and did not interrupt the reading.</p>

<p id="iv.viii-p311"><br />
</p>

<p id="iv.viii-p312">'Ha! ha! ha!' laughed a coarse voice from the side of the
chimney: 'the saint, you see, was no better than some of the rest
of us!'</p>

<p id="iv.viii-p313"><br />
</p>

<p id="iv.viii-p314">'I think he was a good deal worse just then,' said Falconer,
stepping forward.</p>

<p id="iv.viii-p315"><br />
</p>

<p id="iv.viii-p316">'Gracious! there's Mr. Falconer,' said another woman, rising,
and speaking in a flattering tone.</p>

<p id="iv.viii-p317"><br />
</p>

<p id="iv.viii-p318">'Then,' remarked the former speaker, 'there's a chance for old
Moll and me yet. King David was a saint, wasn't he? Ha! ha!'</p>

<p id="iv.viii-p319"><br />
</p>

<p id="iv.viii-p320">'Yes, and you might be one too, if you were as sorry for your
faults as he was for his.'</p>

<p id="iv.viii-p321"><br />
</p>

<p id="iv.viii-p322">'Sorry, indeed! I'll be damned if I be sorry. What have I to be
sorry for? Where's the harm in turning an honest penny? I ha' took
no man's wife, nor murdered himself neither. There's yer saints! He
was a rum 'un. Ha! ha!'</p>

<p id="iv.viii-p323"><br />
</p>

<p id="iv.viii-p324">Falconer approached her, bent down and whispered something no
one could hear but herself. She gave a smothered cry, and was
silent.</p>

<p id="iv.viii-p325"><br />
</p>

<p id="iv.viii-p326">'Give me the book,' he said, turning towards the bed. 'I'll read
you something better than that. I'll read about some one that never
did anything wrong.'</p>

<p id="iv.viii-p327"><br />
</p>

<p id="iv.viii-p328">'I don't believe there never was no sich a man,' said the
previous reader, as she handed him the book, grudgingly.</p>

<p id="iv.viii-p329"><br />
</p>

<p id="iv.viii-p330">'Not Jesus Christ himself?' said Falconer.</p>

<p id="iv.viii-p331"><br />
</p>

<p id="iv.viii-p332">'Oh! I didn't know as you meant him.'</p>

<p id="iv.viii-p333"><br />
</p>

<p id="iv.viii-p334">'Of course I meant him. There never was another.'</p>

<p id="iv.viii-p335"><br />
</p>

<p id="iv.viii-p336">'I have heard tell--p'raps it was yourself, sir--as how he
didn't come down upon us over hard after all, bless him!'</p>

<p id="iv.viii-p337"><br />
</p>

<p id="iv.viii-p338">Falconer sat down on the side of the bed, and read the story of
Simon the Pharisee and the woman that was a sinner. When he ceased,
the silence that followed was broken by a sob from somewhere in the
room. The sick woman stopped her moaning, and said,</p>

<p id="iv.viii-p339"><br />
</p>

<p id="iv.viii-p340">'Turn down the leaf there, please, sir. Lilywhite will read it
to me when you're gone.'</p>

<p id="iv.viii-p341"><br />
</p>

<p id="iv.viii-p342">The some one sobbed again. It was a young slender girl, with a
face disfigured by the small-pox, and, save for the tearful look it
wore, poor and expressionless. Falconer said something gentle to
her.</p>

<p id="iv.viii-p343"><br />
</p>

<p id="iv.viii-p344">'Will he ever come again?' she sobbed.</p>

<p id="iv.viii-p345"><br />
</p>

<p id="iv.viii-p346">'Who?' asked Falconer.</p>

<p id="iv.viii-p347"><br />
</p>

<p id="iv.viii-p348">'Him--Jesus Christ. I've heard tell, I think, that he was to
come again some day.'</p>

<p id="iv.viii-p349"><br />
</p>

<p id="iv.viii-p350">'Why do you ask?'</p>

<p id="iv.viii-p351"><br />
</p>

<p id="iv.viii-p352">'Because--' she said, with a fresh burst of tears, which
rendered the words that followed unintelligible. But she recovered
herself in a few moments, and, as if finishing her sentence, put
her hand up to her poor, thin, colourless hair, and said,</p>

<p id="iv.viii-p353"><br />
</p>

<p id="iv.viii-p354">'<i>My</i> hair ain't long enough to wipe his feet.'</p>

<p id="iv.viii-p355"><br />
</p>

<p id="iv.viii-p356">'Do you know what he would say to you, my girl?' Falconer
asked.</p>

<p id="iv.viii-p357"><br />
</p>

<p id="iv.viii-p358">'No. What would he say to me? He would speak to me, would
he?'</p>

<p id="iv.viii-p359"><br />
</p>

<p id="iv.viii-p360">'He would say: Thy sins are forgiven thee.'</p>

<p id="iv.viii-p361"><br />
</p>

<p id="iv.viii-p362">'Would he, though? Would he?' she cried, starting up. 'Take me
to him--take me to him. Oh! I forgot. He's dead. But he will come
again, won't he? He was crucified four times, you know, and he must
ha' come four times for that. Would they crucify him again,
sir?'</p>

<p id="iv.viii-p363"><br />
</p>

<p id="iv.viii-p364">'No, they wouldn't crucify him now--in England at least. They
would only laugh at him, shake their heads at what he told them, as
much as to say it wasn't true, and sneer and mock at him in some of
the newspapers.'</p>

<p id="iv.viii-p365"><br />
</p>

<p id="iv.viii-p366">'Oh dear! I've been very wicked.'</p>

<p id="iv.viii-p367"><br />
</p>

<p id="iv.viii-p368">'But you won't be so any more.'</p>

<p id="iv.viii-p369"><br />
</p>

<p id="iv.viii-p370">'No, no, no. I won't, I won't, I won't.'</p>

<p id="iv.viii-p371"><br />
</p>

<p id="iv.viii-p372">She talked hurriedly, almost wildly. The coarse old woman tapped
her forehead with her finger. Falconer took the girl's hand.</p>

<p id="iv.viii-p373"><br />
</p>

<p id="iv.viii-p374">'What is your name?' he said.</p>

<p id="iv.viii-p375"><br />
</p>

<p id="iv.viii-p376">'Nell.'</p>

<p id="iv.viii-p377"><br />
</p>

<p id="iv.viii-p378">'What more?'</p>

<p id="iv.viii-p379"><br />
</p>

<p id="iv.viii-p380">'Nothing more.'</p>

<p id="iv.viii-p381"><br />
</p>

<p id="iv.viii-p382">'Well, Nelly,' said Falconer.</p>

<p id="iv.viii-p383"><br />
</p>

<p id="iv.viii-p384">'How kind of you to call me Nelly!' interrupted the poor girl.
'They always calls me Nell, just.'</p>

<p id="iv.viii-p385"><br />
</p>

<p id="iv.viii-p386">'Nelly,' repeated Falconer, 'I will send a lady here to-morrow
to take you away with her, if you like, and tell you how you must
do to find Jesus.--People always find him that want to find
him.'</p>

<p id="iv.viii-p387"><br />
</p>

<p id="iv.viii-p388">The elderly woman with the rough voice, who had not spoken since
he whispered to her, now interposed with a kind of cowed
fierceness.</p>

<p id="iv.viii-p389"><br />
</p>

<p id="iv.viii-p390">'Don't go putting humbug into my child's head now, Mr.
Falconer--'ticing her away from her home. Everybody knows my Nell's
been an idiot since ever she was born. Poor child!'</p>

<p id="iv.viii-p391"><br />
</p>

<p id="iv.viii-p392">'I ain't your child,' cried the girl, passionately. 'I ain't
nobody's child.'</p>

<p id="iv.viii-p393"><br />
</p>

<p id="iv.viii-p394">'You are God's child,' said Falconer, who stood looking on with
his eyes shining, but otherwise in a state of absolute
composure.</p>

<p id="iv.viii-p395"><br />
</p>

<p id="iv.viii-p396">'Am I? Am I? You won't forget to send for me, sir?'</p>

<p id="iv.viii-p397"><br />
</p>

<p id="iv.viii-p398">'That I won't,' he answered.</p>

<p id="iv.viii-p399"><br />
</p>

<p id="iv.viii-p400">She turned instantly towards the woman, and snapped her fingers
in her face.</p>

<p id="iv.viii-p401"><br />
</p>

<p id="iv.viii-p402">'I don't care that for you,' she cried. 'You dare to touch me
now, and I'll bite you.'</p>

<p id="iv.viii-p403"><br />
</p>

<p id="iv.viii-p404">'Come, come, Nelly, you mustn't be rude,' said Falconer.</p>

<p id="iv.viii-p405"><br />
</p>

<p id="iv.viii-p406">'No, sir, I won't no more, leastways to nobody but she. It's she
makes me do all the wicked things, it is.'</p>

<p id="iv.viii-p407"><br />
</p>

<p id="iv.viii-p408">She snapped her fingers in her face again, and then burst out
crying.</p>

<p id="iv.viii-p409"><br />
</p>

<p id="iv.viii-p410">'She will leave you alone now, I think,' said Falconer. 'She
knows it will be quite as well for her not to cross me.'</p>

<p id="iv.viii-p411"><br />
</p>

<p id="iv.viii-p412">This he said very significantly, as he turned to the door, where
he bade them a general good-night. When we reached the street, I
was too bewildered to offer any remark. Falconer was the first to
speak.</p>

<p id="iv.viii-p413"><br />
</p>

<p id="iv.viii-p414">'It always comes back upon me, as if I had never known it
before, that women like some of those were of the first to
understand our Lord.'</p>

<p id="iv.viii-p415"><br />
</p>

<p id="iv.viii-p416">'Some of them wouldn't have understood him any more than the
Pharisee, though.'</p>

<p id="iv.viii-p417"><br />
</p>

<p id="iv.viii-p418">'I'm not so sure of that. Of course there are great differences.
There are good and bad amongst them as in every class. But one
thing is clear to me, that no indulgence of passion destroys the
spiritual nature so much as respectable selfishness.'</p>

<p id="iv.viii-p419"><br />
</p>

<p id="iv.viii-p420">'I am afraid you will not get society to agree with you,' I
said, foolishly.</p>

<p id="iv.viii-p421"><br />
</p>

<p id="iv.viii-p422">'I have no wish that society should agree with me; for if it
did, it would be sure to do so upon the worst of principles. It is
better that society should be cruel, than that it should call the
horrible thing a trifle: it would know nothing between.'</p>

<p id="iv.viii-p423"><br />
</p>

<p id="iv.viii-p424">Through the city--though it was only when we crossed one of the
main thoroughfares that I knew where we were--we came into the
region of Bethnal Green. From house to house till it grew very
late, Falconer went, and I went with him. I will not linger on this
part of our wanderings. Where I saw only dreadful darkness,
Falconer always would see some glimmer of light. All the people
into whose houses we went knew him. They were all in the depths of
poverty. Many of them were respectable. With some of them he had
long talks in private, while I waited near. At length he said,</p>

<p id="iv.viii-p425"><br />
</p>

<p id="iv.viii-p426">'I think we had better be going home, Mr. Gordon. You must be
tired.'</p>

<p id="iv.viii-p427"><br />
</p>

<p id="iv.viii-p428">'I am, rather,' I answered. 'But it doesn't matter, for I have
nothing to do to-morrow.'</p>

<p id="iv.viii-p429"><br />
</p>

<p id="iv.viii-p430">'We shall get a cab, I dare say, before we go far.'</p>

<p id="iv.viii-p431"><br />
</p>

<p id="iv.viii-p432">'Not for me. I am not so tired, but that I would rather walk,' I
said.</p>

<p id="iv.viii-p433"><br />
</p>

<p id="iv.viii-p434">'Very well,' he returned. 'Where do you live?'</p>

<p id="iv.viii-p435"><br />
</p>

<p id="iv.viii-p436">I told him.</p>

<p id="iv.viii-p437"><br />
</p>

<p id="iv.viii-p438">'I will take you the nearest way.'</p>

<p id="iv.viii-p439"><br />
</p>

<p id="iv.viii-p440">'You know London marvellously.'</p>

<p id="iv.viii-p441"><br />
</p>

<p id="iv.viii-p442">'Pretty well now,' he answered.</p>

<p id="iv.viii-p443"><br />
</p>

<p id="iv.viii-p444">We were somewhere near Leather Lane about one o'clock. Suddenly
we came upon two tiny children standing on the pavement, one on
each side of the door of a public-house. They could not have been
more than two and three. They were sobbing a little--not much. The
tiny creatures stood there awfully awake in sleeping London, while
even their own playmates were far off in the fairyland of
dreams.</p>

<p id="iv.viii-p445"><br />
</p>

<p id="iv.viii-p446">'This is the kind of thing,' I said, 'that makes me doubt
whether there be a God in heaven.'</p>

<p id="iv.viii-p447"><br />
</p>

<p id="iv.viii-p448">'That is only because he is down here,' answered Falconer,
'taking such good care of us all that you can't see him. There is
not a gin-palace, or yet lower hell in London, in which a man or
woman can be out of God. The whole being love, there is nothing for
you to set it against and judge it by. So you are driven to
fancies.'</p>

<p id="iv.viii-p449"><br />
</p>

<p id="iv.viii-p450">The house was closed, but there was light above the door. We
went up to the children, and spoke to them, but all we could make
out was that mammie was in there. One of them could not speak at
all. Falconer knocked at the door. A good-natured-looking
Irishwoman opened it a little way and peeped out.</p>

<p id="iv.viii-p451"><br />
</p>

<p id="iv.viii-p452">'Here are two children crying at your door, ma'am,' said
Falconer.</p>

<p id="iv.viii-p453"><br />
</p>

<p id="iv.viii-p454">'Och, the darlin's! they want their mother.'</p>

<p id="iv.viii-p455"><br />
</p>

<p id="iv.viii-p456">'Do you know her, then?'</p>

<p id="iv.viii-p457"><br />
</p>

<p id="iv.viii-p458">'True for you, and I do. She's a mighty dacent woman in her way
when the drink's out uv her, and very kind to the childher; but
oncet she smells the dhrop o' gin, her head's gone intirely. The
purty craytures have waked up, an' she not come home, and they've
run out to look after her.'</p>

<p id="iv.viii-p459"><br />
</p>

<p id="iv.viii-p460">Falconer stood a moment as if thinking what would be best. The
shriek of a woman rang through the night.</p>

<p id="iv.viii-p461"><br />
</p>

<p id="iv.viii-p462">'There she is!' said the Irishwoman. 'For God's sake don't let
her get a hould o' the darlints. She's ravin' mad. I seen her try
to kill them oncet.'</p>

<p id="iv.viii-p463"><br />
</p>

<p id="iv.viii-p464">The shrieks came nearer and nearer, and after a few moments the
woman appeared in the moonlight, tossing her arms over her head,
and screaming with a despair for which she yet sought a defiant
expression. Her head was uncovered, and her hair flying in tangles;
her sleeves were torn, and her gaunt arms looked awful in the
moonlight. She stood in the middle of the street, crying again and
again, with shrill laughter between, 'Nobody cares for me, and I
care for nobody! Ha! ha! ha!'</p>

<p id="iv.viii-p465"><br />
</p>

<p id="iv.viii-p466">'Mammie! mammie!' cried the elder of the children, and ran
towards her.</p>

<p id="iv.viii-p467"><br />
</p>

<p id="iv.viii-p468">The woman heard, and rushed like a fury towards the child.
Falconer too ran, and caught up the child. The woman gave a howl
and rushed towards the other. I caught up that one. With a last
shriek, she dashed her head against the wall of the public-house,
dropped on the pavement, and lay still.</p>

<p id="iv.viii-p469"><br />
</p>

<p id="iv.viii-p470">Falconer set the child down, lifted the wasted form in his arms,
and carried it into the house. The face was blue as that of a
strangled corpse. She was dead.</p>

<p id="iv.viii-p471"><br />
</p>

<p id="iv.viii-p472">'Was she a married woman?' Falconer asked.</p>

<p id="iv.viii-p473"><br />
</p>

<p id="iv.viii-p474">'It's myself can't tell you sir,' the Irishwoman answered. 'I
never saw any boy with her.'</p>

<p id="iv.viii-p475"><br />
</p>

<p id="iv.viii-p476">'Do you know where she lived?'</p>

<p id="iv.viii-p477"><br />
</p>

<p id="iv.viii-p478">'No, sir. Somewhere not far off, though. The children will
know.'</p>

<p id="iv.viii-p479"><br />
</p>

<p id="iv.viii-p480">But they stood staring at their mother, and we could get nothing
out of them. They would not move from the corpse.</p>

<p id="iv.viii-p481"><br />
</p>

<p id="iv.viii-p482">'I think we may appropriate this treasure-trove,' said Falconer,
turning at last to me; and as he spoke, he took the eldest in his
arms. Then, turning to the woman, he gave her a card, saying, 'If
any inquiry is made about them, there is my address.--Will you take
the other, Mr. Gordon?'</p>

<p id="iv.viii-p483"><br />
</p>

<p id="iv.viii-p484">I obeyed. The children cried no more. After traversing a few
streets, we found a cab, and drove to a house in Queen Square,
Bloomsbury.</p>

<p id="iv.viii-p485"><br />
</p>

<p id="iv.viii-p486">Falconer got out at the door of a large house, and rung the
bell; then got the children out, and dismissed the cab. There we
stood in the middle of the night, in a silent, empty square, each
with a child in his arms. In a few minutes we heard the bolts being
withdrawn. The door opened, and a tall graceful form wrapped in a
dressing-gown, appeared.</p>

<p id="iv.viii-p487"><br />
</p>

<p id="iv.viii-p488">'I have brought you two babies, Miss St. John,' said Falconer.
'Can you take them?'</p>

<p id="iv.viii-p489"><br />
</p>

<p id="iv.viii-p490">'To be sure I can,' she answered, and turned to lead the way.
'Bring them in.'</p>

<p id="iv.viii-p491"><br />
</p>

<p id="iv.viii-p492">We followed her into a little back room. She put down her
candle, and went straight to the cupboard, whence she brought a
sponge-cake, from which she cut a large piece for each of the
children.</p>

<p id="iv.viii-p493"><br />
</p>

<p id="iv.viii-p494">'What a mercy they are, Robert,--those little gates in the face!
Red Lane leads direct to the heart,' she said, smiling, as if she
rejoiced in the idea of taming the little wild angelets. 'Don't you
stop. You are tired enough, I am sure. I will wake my maid, and
we'll get them washed and put to bed at once.'</p>

<p id="iv.viii-p495"><br />
</p>

<p id="iv.viii-p496">She was closing the door, when Falconer turned.</p>

<p id="iv.viii-p497"><br />
</p>

<p id="iv.viii-p498">'Oh! Miss St. John,' he said, 'I was forgetting. Could you go
down to No. 13 in Soap Lane--you know it, don't you?'</p>

<p id="iv.viii-p499"><br />
</p>

<p id="iv.viii-p500">'Yes. Quite well.'</p>

<p id="iv.viii-p501"><br />
</p>

<p id="iv.viii-p502">'Ask for a girl called Nell--a plain, pock-marked young
girl--and take her away with you.'</p>

<p id="iv.viii-p503"><br />
</p>

<p id="iv.viii-p504">'When shall I go?'</p>

<p id="iv.viii-p505"><br />
</p>

<p id="iv.viii-p506">'To-morrow morning. But I shall be in. Don't go till you see me.
Good-night.'</p>

<p id="iv.viii-p507"><br />
</p>

<p id="iv.viii-p508">We took our leave without more ado.</p>

<p id="iv.viii-p509"><br />
</p>

<p id="iv.viii-p510">'What a lady-like woman to be the matron of an asylum!' I
said.</p>

<p id="iv.viii-p511"><br />
</p>

<p id="iv.viii-p512">Falconer gave a little laugh.</p>

<p id="iv.viii-p513"><br />
</p>

<p id="iv.viii-p514">'That is no asylum. It is a private house.'</p>

<p id="iv.viii-p515"><br />
</p>

<p id="iv.viii-p516">'And the lady?'</p>

<p id="iv.viii-p517"><br />
</p>

<p id="iv.viii-p518">'Is a lady of private means,' he answered, 'who prefers
Bloomsbury to Belgravia, because it is easier to do noble work in
it. Her heaven is on the confines of hell.'</p>

<p id="iv.viii-p519"><br />
</p>

<p id="iv.viii-p520">'What will she do with those children?'</p>

<p id="iv.viii-p521"><br />
</p>

<p id="iv.viii-p522">'Kiss them and wash them and put them to bed.'</p>

<p id="iv.viii-p523"><br />
</p>

<p id="iv.viii-p524">'And after that?'</p>

<p id="iv.viii-p525"><br />
</p>

<p id="iv.viii-p526">'Give them bread and milk in the morning.'</p>

<p id="iv.viii-p527"><br />
</p>

<p id="iv.viii-p528">'And after that?'</p>

<p id="iv.viii-p529"><br />
</p>

<p id="iv.viii-p530">'Oh! there's time enough. We'll see. There's only one thing she
won't do.'</p>

<p id="iv.viii-p531"><br />
</p>

<p id="iv.viii-p532">'What is that?'</p>

<p id="iv.viii-p533"><br />
</p>

<p id="iv.viii-p534">'Turn them out again.'</p>

<p id="iv.viii-p535"><br />
</p>

<p id="iv.viii-p536">A pause followed, I cogitating.</p>

<p id="iv.viii-p537"><br />
</p>

<p id="iv.viii-p538">'Are you a society, then?' I asked at length.</p>

<p id="iv.viii-p539"><br />
</p>

<p id="iv.viii-p540">'No. At least we don't use the word. And certainly no other
society would acknowledge us.'</p>

<p id="iv.viii-p541"><br />
</p>

<p id="iv.viii-p542">'What are you, then?'</p>

<p id="iv.viii-p543"><br />
</p>

<p id="iv.viii-p544">'Why should we be anything, so long as we do our work?'</p>

<p id="iv.viii-p545"><br />
</p>

<p id="iv.viii-p546">'Don't you think there is some affectation in refusing a
name?'</p>

<p id="iv.viii-p547"><br />
</p>

<p id="iv.viii-p548">'Yes, if the name belongs to you? Not otherwise.'</p>

<p id="iv.viii-p549"><br />
</p>

<p id="iv.viii-p550">'Do you lay claim to no epithet of any sort?'</p>

<p id="iv.viii-p551"><br />
</p>

<p id="iv.viii-p552">'We are a church, if you like. There!'</p>

<p id="iv.viii-p553"><br />
</p>

<p id="iv.viii-p554">'Who is your clergyman?'</p>

<p id="iv.viii-p555"><br />
</p>

<p id="iv.viii-p556">'Nobody.'</p>

<p id="iv.viii-p557"><br />
</p>

<p id="iv.viii-p558">'Where do you meet?'</p>

<p id="iv.viii-p559"><br />
</p>

<p id="iv.viii-p560">'Nowhere.'</p>

<p id="iv.viii-p561"><br />
</p>

<p id="iv.viii-p562">'What are your rules, then?'</p>

<p id="iv.viii-p563"><br />
</p>

<p id="iv.viii-p564">'We have none.'</p>

<p id="iv.viii-p565"><br />
</p>

<p id="iv.viii-p566">'What makes you a church?'</p>

<p id="iv.viii-p567"><br />
</p>

<p id="iv.viii-p568">'Divine Service.'</p>

<p id="iv.viii-p569"><br />
</p>

<p id="iv.viii-p570">'What do you mean by that?'</p>

<p id="iv.viii-p571"><br />
</p>

<p id="iv.viii-p572">'The sort of thing you have seen to-night.'</p>

<p id="iv.viii-p573"><br />
</p>

<p id="iv.viii-p574">'What is your creed?'</p>

<p id="iv.viii-p575"><br />
</p>

<p id="iv.viii-p576">'Christ Jesus.'</p>

<p id="iv.viii-p577"><br />
</p>

<p id="iv.viii-p578">'But what do you believe about him?'</p>

<p id="iv.viii-p579"><br />
</p>

<p id="iv.viii-p580">'What we can. We count any belief <i>in</i> him--the
smallest--better than any belief about him--the greatest--or about
anything else besides. But we exclude no one.'</p>

<p id="iv.viii-p581"><br />
</p>

<p id="iv.viii-p582">'How do you manage without?'</p>

<p id="iv.viii-p583"><br />
</p>

<p id="iv.viii-p584">'By admitting no one.'</p>

<p id="iv.viii-p585"><br />
</p>

<p id="iv.viii-p586">'I cannot understand you.'</p>

<p id="iv.viii-p587"><br />
</p>

<p id="iv.viii-p588">'Well, then: we are an undefined company of people, who have
grown into human relations with each other naturally, through one
attractive force--love for human beings, regarding them <i>as</i>
human beings only in virtue of the divine in them.'</p>

<p id="iv.viii-p589"><br />
</p>

<p id="iv.viii-p590">'But you must have some rules,' I insisted.</p>

<p id="iv.viii-p591"><br />
</p>

<p id="iv.viii-p592">'None whatever. They would cause us only trouble. We have
nothing to take us from our work. Those that are most in earnest,
draw most together; those that are on the outskirts have only to do
nothing, and they are free of us. But we do sometimes ask people to
help us--not with money.'</p>

<p id="iv.viii-p593"><br />
</p>

<p id="iv.viii-p594">'But who are the <i>we</i>?'</p>

<p id="iv.viii-p595"><br />
</p>

<p id="iv.viii-p596">'Why <i>you</i>, if you will do anything, and I and Miss St.
John and twenty others--and a great many more I don't know, for
every one is a centre to others. It is our work that binds us
together.'</p>

<p id="iv.viii-p597"><br />
</p>

<p id="iv.viii-p598">'Then when that stops you drop to pieces.'</p>

<p id="iv.viii-p599"><br />
</p>

<p id="iv.viii-p600">'Yes, thank God. We shall then die. There will be no corporate
body--which means a bodied body, or an unsouled body, left behind
to simulate life, and corrupt, and work no end of disease. We go to
ashes at once, and leave no corpse for a ghoul to inhabit and make
a vampire of. When our spirit is dead, our body is vanished.'</p>

<p id="iv.viii-p601"><br />
</p>

<p id="iv.viii-p602">'Then you won't last long.'</p>

<p id="iv.viii-p603"><br />
</p>

<p id="iv.viii-p604">'Then we oughtn't to last long.'</p>

<p id="iv.viii-p605"><br />
</p>

<p id="iv.viii-p606">'But the work of the world could not go on so.'</p>

<p id="iv.viii-p607"><br />
</p>

<p id="iv.viii-p608">'We are not the life of the world. God is. And when we fail, he
can and will send out more and better labourers into his
harvest-field. It is a divine accident by which we are thus
associated.'</p>

<p id="iv.viii-p609"><br />
</p>

<p id="iv.viii-p610">'But surely the church must be otherwise constituted.'</p>

<p id="iv.viii-p611"><br />
</p>

<p id="iv.viii-p612">'My dear sir, you forget: I said we were <i>a</i> church, not
<i>the</i> church.'</p>

<p id="iv.viii-p613"><br />
</p>

<p id="iv.viii-p614">'Do you belong to the Church of England?'</p>

<p id="iv.viii-p615"><br />
</p>

<p id="iv.viii-p616">'Yes, some of us. Why should we not? In as much as she has
faithfully preserved the holy records and traditions, our
obligations to her are infinite. And to leave her would be to
quarrel, and start a thousand <i>vermiculate</i> questions, as Lord
Bacon calls them, for which life is too serious in my eyes. I have
no time for that.'</p>

<p id="iv.viii-p617"><br />
</p>

<p id="iv.viii-p618">'Then you count the Church of England <i>the</i> Church?' 'Of
England, yes; of the universe, no: that is constituted just like
ours, with the living working Lord for the heart of it.'</p>

<p id="iv.viii-p619"><br />
</p>

<p id="iv.viii-p620">'Will you take me for a member?'</p>

<p id="iv.viii-p621"><br />
</p>

<p id="iv.viii-p622">'No.'</p>

<p id="iv.viii-p623"><br />
</p>

<p id="iv.viii-p624">'Will you not, if--?'</p>

<p id="iv.viii-p625"><br />
</p>

<p id="iv.viii-p626">'You may make yourself one if you will. I will not speak a word
to gain you. I have shown you work. Do something, and you are of
Christ's Church.'</p>

<p id="iv.viii-p627"><br />
</p>

<p id="iv.viii-p628">We were almost at the door of my lodging, and I was getting very
weary in body, and indeed in mind, though I hope not in heart.
Before we separated, I ventured to say,</p>

<p id="iv.viii-p629"><br />
</p>

<p id="iv.viii-p630">'Will you tell me why you invited me to come and see you?
Forgive my presumption, but you seemed to seek acquaintance with
me, although you did make me address you first.'</p>

<p id="iv.viii-p631"><br />
</p>

<p id="iv.viii-p632">He laughed gently, and answered in the words of the ancient
mariner:--</p>

<p id="iv.viii-p633"><br />
</p>

<p id="iv.viii-p634">     'The moment that his face I see,</p>

<p id="iv.viii-p635">     I know the man that must hear me:</p>

<p id="iv.viii-p636">     To him my tale I teach.'</p>

<p id="iv.viii-p637"><br />
</p>

<p id="iv.viii-p638">Without another word, he shook hands with me, and left me. Weary
as I was, I stood in the street until I could hear his footsteps no
longer.</p>

<p id="iv.viii-p639"><br />
</p>

<p id="iv.viii-p640"><br />
</p>

</div2>

      <div2 title="CHAPTER IX.--THE BROTHERS." n="ix" shorttitle="" progress="78.54%" id="iv.ix" prev="iv.viii" next="iv.x">

<p id="iv.ix-p1"><br />
</p>

<p id="iv.ix-p2">CHAPTER IX.</p>

<p id="iv.ix-p3"><br />
</p>

<p id="iv.ix-p4">THE BROTHERS.</p>

<p id="iv.ix-p5"><br />
</p>

<p id="iv.ix-p6">ONE day, as Falconer sat at a late breakfast, Shargar burst into
his room. Falconer had not even known that he was coming home, for
he had outstripped the letter he had sent. He had his arm in a
sling, which accounted for his leave.</p>

<p id="iv.ix-p7"><br />
</p>

<p id="iv.ix-p8">'Shargar!' cried Falconer, starting up in delight.</p>

<p id="iv.ix-p9"><br />
</p>

<p id="iv.ix-p10">'Major Shargar, if you please. Give me all my honours, Robert,'
said Moray, presenting his left hand.</p>

<p id="iv.ix-p11"><br />
</p>

<p id="iv.ix-p12">'I congratulate you, my boy. Well, this is delightful! But you
are wounded.'</p>

<p id="iv.ix-p13"><br />
</p>

<p id="iv.ix-p14">'Bullet--broken--that's all. It's nearly right again. I'll tell
you about it by and by. I am too full of something else to talk
about trifles of that sort. I want you to help me.'</p>

<p id="iv.ix-p15"><br />
</p>

<p id="iv.ix-p16">He then rushed into the announcement that he had fallen
desperately in love with a lady who had come on board with her maid
at Malta, where she had been spending the winter. She was not very
young, about his own age, but very beautiful, and of enchanting
address. How she could have remained so long unmarried he could not
think. It could not be but that she had had many offers. She was an
heiress, too, but that Shargar felt to be a disadvantage for him.
All the progress he could yet boast of was that his attentions had
not been, so far as he could judge, disagreeable to her. Robert
thought even less of the latter fact than Shargar himself, for he
did not believe there were many women to whom Shargar's attentions
would be disagreeable: they must always be simple and manly. What
was more to the point, she had given him her address in London, and
he was going to call upon her the next day. She was on a visit to
Lady Janet Gordon, an elderly spinster, who lived in
Park-street.</p>

<p id="iv.ix-p17"><br />
</p>

<p id="iv.ix-p18">'Are you quite sure she's not an adventuress, Shargar?'</p>

<p id="iv.ix-p19"><br />
</p>

<p id="iv.ix-p20">'It's o' no mainner o' use to tell ye what I'm sure or no sure
o', Robert, in sic a case. But I'll manage, somehoo, 'at ye sall
see her yersel', an' syne I'll speir back yer ain queston at
ye.'</p>

<p id="iv.ix-p21"><br />
</p>

<p id="iv.ix-p22">'Weel, hae ye tauld her a' aboot yersel'?'</p>

<p id="iv.ix-p23"><br />
</p>

<p id="iv.ix-p24">'No!' answered Shargar, growing suddenly pale. 'I never thocht
aboot that. But I had no richt, for a' that passed, to intrude
mysel' upo' her to that extent.'</p>

<p id="iv.ix-p25"><br />
</p>

<p id="iv.ix-p26">'Weel, I reckon ye're richt. Yer wounds an' yer medals ought to
weigh weel against a' that. There's this comfort in 't, that gin
she bena richt weel worthy o' ye, auld frien', she winna tak
ye.'</p>

<p id="iv.ix-p27"><br />
</p>

<p id="iv.ix-p28">Shargar did not seem to see the comfort of it. He was depressed
for the remainder of the day. In the morning he was in wild spirits
again. Just before he started, however, he said, with an expression
of tremulous anxiety,</p>

<p id="iv.ix-p29"><br />
</p>

<p id="iv.ix-p30">'Oucht I to tell her a' at ance--already--aboot--aboot my
mither?'</p>

<p id="iv.ix-p31"><br />
</p>

<p id="iv.ix-p32">'I dinna say that. Maybe it wad be equally fair to her and to
yersel' to lat her ken ye a bit better afore ye do that.--We'll
think that ower.--Whan ye gang doon the stair, ye'll see a bit
brougham at the door waitin' for ye. Gie the coachman ony orders ye
like. He's your servant as lang 's ye're in London. Commit yer way
to the Lord, my boy.'</p>

<p id="iv.ix-p33"><br />
</p>

<p id="iv.ix-p34">Though Shargar did not say much, he felt strengthened by
Robert's truth to meet his fate with something of composure. But it
was not to be decided that day. Therein lay some comfort.</p>

<p id="iv.ix-p35"><br />
</p>

<p id="iv.ix-p36">He returned in high spirits still. He had been graciously
received both by Miss Hamilton and her hostess--a kind-hearted old
lady, who spoke Scotch with the pure tone of a gentlewoman, he
said--a treat not to be had once in a twelvemonth. She had asked
him to go to dinner in the evening, and to bring his friend with
him. Robert, however, begged him to make his excuse, as he had an
engagement in--a very different sort of place.</p>

<p id="iv.ix-p37"><br />
</p>

<p id="iv.ix-p38">When Shargar returned, Robert had not come in. He was too
excited to go to bed, and waited for him. It was two o'clock before
he came home. Shargar told him there was to be a large party at
Lady Patterdale's the next evening but one, and Lady Janet had
promised to procure him an invitation.</p>

<p id="iv.ix-p39"><br />
</p>

<p id="iv.ix-p40">The next morning Robert went to see Mary St. John, and asked if
she knew anything of Lady Patterdale, and whether she could get him
an invitation. Miss St. John did not know her, but she thought she
could manage it for him. He told her all about Shargar, for whose
sake he wished to see Miss Hamilton before consenting to be
introduced to her. Miss St. John set out at once, and Falconer
received a card the next day. When the evening came, he allowed
Shargar to set out alone in his brougham, and followed an hour
later in a hansom.</p>

<p id="iv.ix-p41"><br />
</p>

<p id="iv.ix-p42">When he reached the house, the rooms were tolerably filled, and
as several parties had arrived just before him, he managed to enter
without being announced. After a little while he caught sight of
Shargar. He stood alone, almost in a corner, with a strange, rather
<i>raised</i> expression in his eyes. Falconer could not see the
object to which they were directed. Certainly, their look was not
that of love. He made his way up to him and laid his hand on his
arm. Shargar betrayed no little astonishment when he saw him.</p>

<p id="iv.ix-p43"><br />
</p>

<p id="iv.ix-p44">'You here, Robert!' he said.</p>

<p id="iv.ix-p45"><br />
</p>

<p id="iv.ix-p46">'Yes, I'm here. Have you seen her yet? Is she here?'</p>

<p id="iv.ix-p47"><br />
</p>

<p id="iv.ix-p48">'Wha do ye think 's speakin' till her this verra minute? Look
there!' Shargar said in a low voice, suppressed yet more to hide
his excitement.</p>

<p id="iv.ix-p49"><br />
</p>

<p id="iv.ix-p50">Following his directions, Robert saw, amidst a little group of
gentlemen surrounding a seated lady, of whose face he could not get
a peep, a handsome elderly man, who looked more fashionable than
his years justified, and whose countenance had an expression which
he felt repulsive. He thought he had seen him before, but Shargar
gave him no time to come to a conclusion of himself.</p>

<p id="iv.ix-p51"><br />
</p>

<p id="iv.ix-p52">'It's my brither Sandy, as sure 's deith!' he said; 'and he's
been hingin' aboot her ever sin' she cam in. But I dinna think she
likes him a'thegither by the leuk o' her.'</p>

<p id="iv.ix-p53"><br />
</p>

<p id="iv.ix-p54">'What for dinna ye gang up till her yersel', man? I wadna stan'
that gin 'twas me.'</p>

<p id="iv.ix-p55"><br />
</p>

<p id="iv.ix-p56">'I'm feared 'at he ken me. He's terrible gleg. A' the Morays are
gleg, and yon marquis has an ee like a hawk.'</p>

<p id="iv.ix-p57"><br />
</p>

<p id="iv.ix-p58">'What does 't maitter? Ye hae dune naething to be ashamed o'
like him.'</p>

<p id="iv.ix-p59"><br />
</p>

<p id="iv.ix-p60">'Ay; but it's this. I wadna hae her hear the trowth aboot me
frae that boar's mou' o' his first. I wad hae her hear 't frae my
ain, an' syne she canna think I meant to tak her in.'</p>

<p id="iv.ix-p61"><br />
</p>

<p id="iv.ix-p62">At this moment there was a movement in the group. Shargar,
receiving no reply, looked round at Robert. It was now Shargar's
turn to be surprised at his expression.</p>

<p id="iv.ix-p63"><br />
</p>

<p id="iv.ix-p64">'Are ye seein' a vraith, Robert?' he said. 'What gars ye leuk
like that, man?'</p>

<p id="iv.ix-p65"><br />
</p>

<p id="iv.ix-p66">'Oh!' answered Robert, recovering himself, 'I thought I saw some
one I knew. But I'm not sure. I'll tell you afterwards. We've been
talking too earnestly. People are beginning to look at us.'</p>

<p id="iv.ix-p67"><br />
</p>

<p id="iv.ix-p68">So saying, he moved away towards the group of which the marquis
still formed one. As he drew near he saw a piano behind Miss
Hamilton. A sudden impulse seized him, and he yielded to it. He
made his way to the piano, and seating himself, began to play very
softly--so softly that the sounds could scarcely be heard beyond
the immediate neighbourhood of the instrument. There was no change
on the storm of talk that filled the room. But in a few minutes a
face white as a shroud was turned round upon him from the group in
front, like the moon dawning out of a cloud. He stopped at once,
saying to himself, 'I was right;' and rising, mingled again with
the crowd. A few minutes after, he saw Shargar leading Miss
Hamilton out of the room, and Lady Janet following. He did not
intend to wait his return, but got near the door, that he might
slip out when he should re-enter. But Shargar did not return. For,
the moment she reached the fresh air, Miss Hamilton was so much
better that Lady Janet, whose heart was as young towards young
people as if she had never had the unfortunate love affair
tradition assigned her, asked him to see them home, and he followed
them into her carriage. Falconer left a few minutes after, anxious
for quiet that he might make up his mind as to what he ought to do.
Before he had walked home, he had resolved on the next step. But
not wishing to see Shargar yet, and at the same time wanting to
have a night's rest, he went home only to change his clothes, and
betook himself to a hotel in Covent Garden.</p>

<p id="iv.ix-p69"><br />
</p>

<p id="iv.ix-p70">He was at Lady Janet's door by ten o'clock the next morning, and
sent in his card to Miss Hamilton. He was shown into the
drawing-room, where she came to him.</p>

<p id="iv.ix-p71"><br />
</p>

<p id="iv.ix-p72">'May I presume on old acquaintance?' he asked, holding out his
hand.</p>

<p id="iv.ix-p73"><br />
</p>

<p id="iv.ix-p74">She looked in his face quietly, took his hand, pressed it
warmly, and said,</p>

<p id="iv.ix-p75"><br />
</p>

<p id="iv.ix-p76">'No one has so good a right, Mr. Falconer. Do sit down.'</p>

<p id="iv.ix-p77"><br />
</p>

<p id="iv.ix-p78">He placed a chair for her, and obeyed.</p>

<p id="iv.ix-p79"><br />
</p>

<p id="iv.ix-p80">After a moment's silence on both sides:</p>

<p id="iv.ix-p81"><br />
</p>

<p id="iv.ix-p82">'Are you aware, Miss--?' he said and hesitated.</p>

<p id="iv.ix-p83"><br />
</p>

<p id="iv.ix-p84">'Miss Hamilton,' she said with a smile. 'I was Miss Lindsay when
you knew me so many years ago. I will explain presently.'</p>

<p id="iv.ix-p85"><br />
</p>

<p id="iv.ix-p86">Then with an air of expectation she awaited the finish of his
sentence.</p>

<p id="iv.ix-p87"><br />
</p>

<p id="iv.ix-p88">'Are you aware, Miss Hamilton, that I am Major Moray's oldest
friend?'</p>

<p id="iv.ix-p89"><br />
</p>

<p id="iv.ix-p90">'I am quite aware of it, and delighted to know it. He told me so
last night.'</p>

<p id="iv.ix-p91"><br />
</p>

<p id="iv.ix-p92">Somewhat dismayed at this answer, Falconer resumed,</p>

<p id="iv.ix-p93"><br />
</p>

<p id="iv.ix-p94">'Did Major Moray likewise communicate with you concerning his
own history?'</p>

<p id="iv.ix-p95"><br />
</p>

<p id="iv.ix-p96">'He did. He told me all.'</p>

<p id="iv.ix-p97"><br />
</p>

<p id="iv.ix-p98">Falconer was again silent for some moments.</p>

<p id="iv.ix-p99"><br />
</p>

<p id="iv.ix-p100">'Shall I be presuming too far if I venture to conclude that my
friend will not continue his visits?'</p>

<p id="iv.ix-p101"><br />
</p>

<p id="iv.ix-p102">'On the contrary,' she answered, with the same delicate blush
that in old times used to overspread the lovely whiteness of her
face, 'I expect him within half-an-hour.'</p>

<p id="iv.ix-p103"><br />
</p>

<p id="iv.ix-p104">'Then there is no time to be lost,' thought Falconer.</p>

<p id="iv.ix-p105"><br />
</p>

<p id="iv.ix-p106">'Without presuming to express any opinion of my own,' he said
quietly, 'a social code far less severe than that which prevails in
England, would take for granted that an impassable barrier existed
between Major Moray and Miss Hamilton.'</p>

<p id="iv.ix-p107"><br />
</p>

<p id="iv.ix-p108">'Do not suppose, Mr. Falconer, that I could not meet Major
Moray's honesty with equal openness on my side.'</p>

<p id="iv.ix-p109"><br />
</p>

<p id="iv.ix-p110">Falconer, for the first time almost in his life, was incapable
of speech from bewilderment. But Miss Hamilton did not in the least
enjoy his perplexity, and made haste to rescue both him and
herself. With a blush that was now deep as any rose, she
resumed,</p>

<p id="iv.ix-p111"><br />
</p>

<p id="iv.ix-p112">'But I owe you equal frankness, Mr. Falconer. There is no
barrier between Major Moray and myself but the foolish--no,
wicked--indiscretion of an otherwise innocent and ignorant girl.
Listen, Mr. Falconer: under the necessity of the circumstances you
will not misjudge me if I compel myself to speak calmly. This, I
trust, will be my final penance. I thought Lord Rothie was going to
marry me. To do him justice, he never said so. Make what excuse for
my folly you can. I was lost in a mist of vain imaginations. I had
had no mother to teach me anything, Mr. Falconer, and my father
never suspected the necessity of teaching me anything. I was very
ill on the passage to Antwerp, and when I began to recover a
little, I found myself beginning to doubt both my own conduct and
his lordship's intentions. Possibly the fact that he was not quite
so kind to me in my illness as I had expected, and that I felt hurt
in consequence, aided the doubt. Then the thought of my father
returning and finding that I had left him, came and burned in my
heart like fire. But what was I to do? I had never been out of
Aberdeen before. I did not know even a word of French. I was
altogether in Lord Rothie's power. I thought I loved him, but it
was not much of love that sea-sickness could get the better of.
With a heart full of despair I went on shore. The captain slipped a
note into my hand. I put it in my pocket, but pulled it out with my
handkerchief in the street. Lord Rothie picked it up. I begged him
to give it me, but he read it, and then tore it in pieces. I
entered the hotel, as wretched as girl could well be. I began to
dislike him. But during dinner he was so kind and attentive that I
tried to persuade myself that my fears were fanciful. After dinner
he took me out. On the stairs we met a lady whose speech was
Scotch. Her maid called her Lady Janet. She looked kindly at me as
I passed. I thought she could read my face. I remembered afterwards
that Lord Rothie turned his head away when we met her. We went into
the cathedral. We were standing under that curious dome, and I was
looking up at its strange lights, when down came a rain of
bell-notes on the roof over my head. Before the first tune was
over, I seemed to expect the second, and then the third, without
thinking how I could know what was coming; but when they ended with
the ballad of the Witch Lady, and I lifted up my head and saw that
I was not by my father's fireside, but in Antwerp Cathedral with
Lord Rothie, despair filled me with a half-insane resolution.
Happily Lord Rothie was at some little distance talking to a priest
about one of Rubens's pictures. I slipped unseen behind the nearest
pillar, and then flew from the church. How I got to the hotel I do
not know, but I did reach it. 'Lady Janet,' was all I could say.
The waiter knew the name, and led me to her room. I threw myself on
my knees, and begged her to save me. She assured me no one should
touch me. I gasped 'Lord Rothie,' and fainted. When I came to
myself--but I need not tell you all the particulars. Lady Janet did
take care of me. Till last night I never saw Lord Rothie again. I
did not acknowledge him, but he persisted in talking to me, behave
as I would, and I saw well enough that he knew me.'</p>

<p id="iv.ix-p113"><br />
</p>

<p id="iv.ix-p114">Falconer took her hand and kissed it.</p>

<p id="iv.ix-p115"><br />
</p>

<p id="iv.ix-p116">'Thank God,' he said. 'That spire was indeed the haunt of angels
as I fancied while I played upon those bells.'</p>

<p id="iv.ix-p117"><br />
</p>

<p id="iv.ix-p118">'I knew it was you--that is, I was sure of it when I came to
think about it; but at the time I took it for a direct message from
heaven, which nobody heard but myself.'</p>

<p id="iv.ix-p119"><br />
</p>

<p id="iv.ix-p120">'It was such none the less that I was sent to deliver it,' said
Falconer. 'I little thought during my imprisonment because of it,
that the end of my journey was already accomplished.'</p>

<p id="iv.ix-p121"><br />
</p>

<p id="iv.ix-p122">Mysie put her hand in his.</p>

<p id="iv.ix-p123"><br />
</p>

<p id="iv.ix-p124">'You have saved me, Mr. Falconer.'</p>

<p id="iv.ix-p125"><br />
</p>

<p id="iv.ix-p126">'For Ericson's sake, who was dying and could not,' returned
Falconer.</p>

<p id="iv.ix-p127"><br />
</p>

<p id="iv.ix-p128">'Ah!' said Mysie, her large eyes opening with wonder. It was
evident she had had no suspicion of his attachment to her.</p>

<p id="iv.ix-p129"><br />
</p>

<p id="iv.ix-p130">'But,' said Falconer, 'there was another in it, without whom I
could have done nothing.'</p>

<p id="iv.ix-p131"><br />
</p>

<p id="iv.ix-p132">'Who was that?'</p>

<p id="iv.ix-p133"><br />
</p>

<p id="iv.ix-p134">'George Moray.'</p>

<p id="iv.ix-p135"><br />
</p>

<p id="iv.ix-p136">'Did he know me then?'</p>

<p id="iv.ix-p137"><br />
</p>

<p id="iv.ix-p138">'No. Fortunately not. You would not have looked at him then. It
was all done for love of me. He is the truest fellow in the world,
and altogether worthy of you, Miss Hamilton. I will tell you the
whole story some day, lest he should not do himself justice.'</p>

<p id="iv.ix-p139"><br />
</p>

<p id="iv.ix-p140">'Ah, that reminds me. Hamilton sounds strange in your voice. You
suspected me of having changed my name to hide my history?'</p>

<p id="iv.ix-p141"><br />
</p>

<p id="iv.ix-p142">It was so, and Falconer's silence acknowledged the fact.</p>

<p id="iv.ix-p143"><br />
</p>

<p id="iv.ix-p144">'Lady Janet brought me home, and told my father all. When he
died a few years after, she took me to live with her, and never
rested till she had brought me acquainted with Sir John Hamilton,
in favour of whom my father had renounced his claim to some
disputed estates. Sir John had lost his only son, and he had no
daughter. He was a kind-hearted old man, rather like my own father.
He took to me, as they say, and made me change my name to his,
leaving me the property that might have been my father's, on
condition that whoever I married should take the same name. I don't
think your friend will mind making the exchange,' said Mysie in
conclusion, as the door opened and Shargar came in.</p>

<p id="iv.ix-p145"><br />
</p>

<p id="iv.ix-p146">'Robert, ye're a' gait (<i>everywhere</i>)!' he exclaimed as he
entered. Then, stopping to ask no questions, 'Ye see I'm to hae a
name o' my ain efter a',' he said, with a face which looked even
handsome in the light of his gladness.</p>

<p id="iv.ix-p147"><br />
</p>

<p id="iv.ix-p148">Robert shook hands with him, and wished him joy heartily.</p>

<p id="iv.ix-p149"><br />
</p>

<p id="iv.ix-p150">'Wha wad hae thocht it, Shargar,' he added, 'that day 'at ye pat
bonnets for hose upo' Black Geordie's huves?'</p>

<p id="iv.ix-p151"><br />
</p>

<p id="iv.ix-p152">The butler announced the Marquis of Boarshead. Mysie's eyes
flashed. She rose from her seat, and advanced to meet the marquis,
who entered behind the servant. He bowed and held out his hand.
Mysie retreated one step, and stood.</p>

<p id="iv.ix-p153"><br />
</p>

<p id="iv.ix-p154">'Your lordship has no right to force yourself upon me. You must
have seen that I had no wish to renew the acquaintance I was
unhappy enough to form--now, thank God, many years ago.'</p>

<p id="iv.ix-p155"><br />
</p>

<p id="iv.ix-p156">'Forgive me, Miss Hamilton. One word in private,' said the
marquis.</p>

<p id="iv.ix-p157"><br />
</p>

<p id="iv.ix-p158">'Not a word,' returned Mysie.</p>

<p id="iv.ix-p159"><br />
</p>

<p id="iv.ix-p160">'Before these gentlemen, then, whom I have not the honour of
knowing, I offer you my hand.'</p>

<p id="iv.ix-p161"><br />
</p>

<p id="iv.ix-p162">'To accept that offer would be to wrong myself even more than
your lordship has done.'</p>

<p id="iv.ix-p163"><br />
</p>

<p id="iv.ix-p164">She went back to where Moray was standing, and stood beside him.
The evil spirit in the marquis looked out at its windows.</p>

<p id="iv.ix-p165"><br />
</p>

<p id="iv.ix-p166">'You are aware, madam,' he said, 'that your reputation is in the
hand I offer you?'</p>

<p id="iv.ix-p167"><br />
</p>

<p id="iv.ix-p168">'The worse for it, my lord,' returned Mysie, with a scornful
smile. 'But your lordship's brother will protect it.'</p>

<p id="iv.ix-p169"><br />
</p>

<p id="iv.ix-p170">'My brother!' said the marquis. 'What do you mean? I have no
brother!'</p>

<p id="iv.ix-p171"><br />
</p>

<p id="iv.ix-p172">'Ye hae mair brithers than ye ken o', Lord Sandy, and I'm ane o'
them,' said Shargar.</p>

<p id="iv.ix-p173"><br />
</p>

<p id="iv.ix-p174">'You are either a liar or a bastard, then,' said the marquis,
who had not been brought up in a school of which either
self-restraint or respect for women were prominent
characteristics.</p>

<p id="iv.ix-p175"><br />
</p>

<p id="iv.ix-p176">Falconer forgot himself for a moment, and made a stride
forward.</p>

<p id="iv.ix-p177"><br />
</p>

<p id="iv.ix-p178">'Dinna hit him, Robert,' cried Shargar. 'He ance gae me a
shillin', an' it helpit, as ye ken, to haud me alive to face him
this day.--No liar, my lord, but a bastard, thank heaven.' Then,
with a laugh, he instantly added, 'Gin I had been ain brither to
you, my lord, God only knows what a rascal I micht hae been.'</p>

<p id="iv.ix-p179"><br />
</p>

<p id="iv.ix-p180">'By God, you shall answer for your damned insolence,' said the
marquis, and, lifting his riding-whip from the table where he had
laid it, he approached his brother.</p>

<p id="iv.ix-p181"><br />
</p>

<p id="iv.ix-p182">Mysie rang the bell.</p>

<p id="iv.ix-p183"><br />
</p>

<p id="iv.ix-p184">'Haud yer han', Sandy,' cried Shargar. 'I hae faced mair
fearsome foes than you. But I hae some faimily-feelin', though ye
hae nane: I wadna willin'ly strike my brither.'</p>

<p id="iv.ix-p185"><br />
</p>

<p id="iv.ix-p186">As he spoke, he retreated a little. The marquis came on with
raised whip. But Falconer stepped between, laid one of his great
hands on the marquis's chest, and flung him to the other end of the
room, where he fell over an ottoman. The same moment the servant
entered.</p>

<p id="iv.ix-p187"><br />
</p>

<p id="iv.ix-p188">'Ask your mistress to oblige me by coming to the drawing-room,'
said Mysie.</p>

<p id="iv.ix-p189"><br />
</p>

<p id="iv.ix-p190">The marquis had risen, but had not recovered his presence of
mind when Lady Janet entered. She looked inquiringly from one to
the other.</p>

<p id="iv.ix-p191"><br />
</p>

<p id="iv.ix-p192">'Please, Lady Janet, will you ask the Marquis of Boarshead to
leave the house,' said Mysie.</p>

<p id="iv.ix-p193"><br />
</p>

<p id="iv.ix-p194">'With all my hert,' answered Lady Janet; 'and the mair that he's
a kin' o' a cousin o' my ain. Gang yer wa's, Sandy. Ye're no fit
company for decent fowk; an' that ye wad ken yersel', gin ye had
ony idea left o' what decency means.'</p>

<p id="iv.ix-p195"><br />
</p>

<p id="iv.ix-p196">Without heeding her, the marquis went up to Falconer.</p>

<p id="iv.ix-p197"><br />
</p>

<p id="iv.ix-p198">'Your card, sir.'</p>

<p id="iv.ix-p199"><br />
</p>

<p id="iv.ix-p200">Lady Janet followed him.</p>

<p id="iv.ix-p201"><br />
</p>

<p id="iv.ix-p202">''Deed ye s' get nae cairds here,' she said, pushing him aside.
'So you allow your friends to insult me in your own house as they
please, cousin Janet?' said the marquis, who probably felt her
opposition the most formidable of all.</p>

<p id="iv.ix-p203"><br />
</p>

<p id="iv.ix-p204">''Deed they canna say waur o' ye nor I think. Gang awa', an'
repent. Consider yer gray hairs, man.'</p>

<p id="iv.ix-p205"><br />
</p>

<p id="iv.ix-p206">This was the severest blow he had yet received. He left the
room, 'swearing at large.'</p>

<p id="iv.ix-p207"><br />
</p>

<p id="iv.ix-p208">Falconer followed him; but what came of it nobody ever
heard.</p>

<p id="iv.ix-p209"><br />
</p>

<p id="iv.ix-p210">Major and Miss Hamilton were married within three months, and
went out to India together, taking Nancy Kennedy with them.</p>

<p id="iv.ix-p211"><br />
</p>

<p id="iv.ix-p212"><br />
</p>

</div2>

      <div2 title="CHAPTER X.--A NEOPHYTE." n="x" shorttitle="" progress="80.21%" id="iv.x" prev="iv.ix" next="iv.xi">

<p id="iv.x-p1"><br />
</p>

<p id="iv.x-p2">CHAPTER X.</p>

<p id="iv.x-p3"><br />
</p>

<p id="iv.x-p4">A NEOPHYTE.</p>

<p id="iv.x-p5"><br />
</p>

<p id="iv.x-p6">BEFORE many months had passed, without the slightest approach to
any formal recognition, I found myself one of the church of labour
of which Falconer was clearly the bishop. As he is the subject, or
rather object of my book, I will now record a fact which may serve
to set forth his views more clearly. I gained a knowledge of some
of the circumstances, not merely from the friendly confidences of
Miss St. John and Falconer, but from being a kind of a Scotch
cousin of Lady Janet Gordon, whom I had taken an opportunity of
acquainting with the relation. She was old-fashioned enough to
acknowledge it even with some eagerness. The ancient clan-feeling
is good in this, that it opens a channel whose very existence is a
justification for the flow of simply human feelings along all
possible levels of social position. And I would there were more of
it. Only something better is coming instead of it--a recognition of
the infinite brotherhood in Christ. All other relations, all
attempts by churches, by associations, by secret societies--of
Freemasons and others, are good merely as they tend to destroy
themselves in the wider truth; as they teach men to be dissatisfied
with their limitations. But I wander; for I mentioned Lady Janet
now, merely to account for some of the information I possess
concerning Lady Georgina Betterton.</p>

<p id="iv.x-p7"><br />
</p>

<p id="iv.x-p8">I met her once at my so-called cousin's, whom she patronized as
a dear old thing. To my mind, she was worth twenty of her, though
she was wrinkled and Scottishly sententious. 'A sweet old bat,' was
another epithet of Lady Georgina's. But she came to see her,
notwithstanding, and did not refuse to share in her nice little
dinners, and least of all, when Falconer was of the party, who had
been so much taken with Lady Janet's behaviour to the Marquis of
Boarshead, just recorded, that he positively <i>cultivated</i> her
acquaintance thereafter.</p>

<p id="iv.x-p9"><br />
</p>

<p id="iv.x-p10">Lady Georgina was of an old family--an aged family, indeed; so
old, in fact, that some envious people professed to think it
decrepit with age. This, however, may well be questioned if any
argument bearing on the point may be drawn from the person of Lady
Georgina. She was at least as tall as Mary St. John, and very
handsome--only with somewhat masculine features and expression. She
had very sloping shoulders and a long neck, which took its finest
curves when she was talking to inferiors: condescension was her
forte. Of the admiration of <i>the men</i>, she had had more than
enough, although either they were afraid to go farther, or she was
hard to please.</p>

<p id="iv.x-p11"><br />
</p>

<p id="iv.x-p12">She had never contemplated anything admirable long enough to
comprehend it; she had never looked up to man or woman with
anything like reverence; she saw too quickly and too keenly into
the foibles of all who came near her to care to look farther for
their virtues. If she had ever been humbled, and thence taught to
look up, she might by this time have been a grand woman, worthy of
a great man's worship. She patronized Miss St. John, considerably
to her amusement, and nothing to her indignation. Of course she
could not understand her. She had a vague notion of how she spent
her time; and believing a certain amount of fanaticism essential to
religion, wondered how so sensible and ladylike a person as Miss
St. John could <i>go in for</i> it.</p>

<p id="iv.x-p13"><br />
</p>

<p id="iv.x-p14">Meeting Falconer at Lady Janet's, she was taken with him.
Possibly she recognized in him a strength that would have made him
her master, if he had cared for such a distinction; but nothing she
could say attracted more than a passing attention on his part.
Falconer was out of her sphere, and her influences were powerless
to reach him.</p>

<p id="iv.x-p15"><br />
</p>

<p id="iv.x-p16">At length she began to have a glimmering of the relation of
labour between Miss St. John and him, and applied to the former for
some enlightenment. But Miss St. John was far from explicit, for
she had no desire for such assistance as Lady Georgina's. What
motives next led her to seek the interview I am now about to
record, I cannot satisfactorily explain, but I will hazard a
conjecture or two, although I doubt if she understood them
thoroughly herself.</p>

<p id="iv.x-p17"><br />
</p>

<p id="iv.x-p18">She was, if not <i>blasée</i>, at least <i>ennuyée</i>, and
began to miss excitement, and feel blindly about her for something
to make life interesting. She was gifted with far more capacity
than had ever been exercised, and was of a large enough nature to
have grown sooner weary of trifles than most women of her class.
She might have been an artist, but she drew like a young lady; she
might have been a prophetess, and Byron was her greatest poet. It
is no wonder that she wanted something she had not got.</p>

<p id="iv.x-p19"><br />
</p>

<p id="iv.x-p20">Since she had been foiled in her attempt on Miss St. John, which
she attributed to jealousy, she had, in quite another circle, heard
strange, wonderful, even romantic stories about Falconer and his
doings among the poor. A new world seemed to open before her
longing gaze--a world, or a calenture, a mirage? for would she
cross the 'wandering fields of barren foam,' to reach the green
grass that did wave on the far shore? the dewless desert to reach
the fair water that did lie leagues beyond its pictured sweetness?
But I think, mingled with whatever motives she may have had, there
must have been some desire to be a nobler, that is a more useful
woman than she had been.</p>

<p id="iv.x-p21"><br />
</p>

<p id="iv.x-p22">She had not any superabundance of feminine delicacy, though she
had plenty of good-breeding, and she trusted to her position in
society to cover the eccentricity of her present undertaking.</p>

<p id="iv.x-p23"><br />
</p>

<p id="iv.x-p24">One morning after breakfast she called upon Falconer; and
accustomed to visits from all sorts of people, Mrs. Ashton showed
her into his sitting-room without even asking her name. She found
him at his piano, apologized, in her fashionable drawl, for
interrupting his music, and accepted his offer of a chair without a
shade of embarrassment. Falconer seated himself and sat
waiting.</p>

<p id="iv.x-p25"><br />
</p>

<p id="iv.x-p26">'I fear the step I have taken will appear strange to you, Mr.
Falconer. Indeed it appears strange to myself. I am afraid it may
appear stranger still.'</p>

<p id="iv.x-p27"><br />
</p>

<p id="iv.x-p28">'It is easy for me to leave all judgment in the matter to
yourself, Miss--I beg your pardon; I know we have met; but for the
moment I cannot recall your name.'</p>

<p id="iv.x-p29"><br />
</p>

<p id="iv.x-p30">'Lady Georgina Betterton,' drawled the visitor carelessly,
hiding whatever annoyance she may have felt.</p>

<p id="iv.x-p31"><br />
</p>

<p id="iv.x-p32">Falconer bowed. Lady Georgina resumed.</p>

<p id="iv.x-p33"><br />
</p>

<p id="iv.x-p34">'Of course it only affects myself; and I am willing to take the
risk, notwithstanding the natural desire to stand well in the
opinion of any one with whom even <i>my</i> boldness could venture
such a step.'</p>

<p id="iv.x-p35"><br />
</p>

<p id="iv.x-p36">A smile, intended to be playful, covered the retreat of the
sentence. Falconer bowed again. Lady Georgina had yet again to
resume.</p>

<p id="iv.x-p37"><br />
</p>

<p id="iv.x-p38">'From the little I have seen, and the much I have heard of
you--excuse me, Mr. Falconer--I cannot help thinking that you know
more of the secret of life than other people--if indeed it has any
secret.'</p>

<p id="iv.x-p39"><br />
</p>

<p id="iv.x-p40">'Life certainly is no burden to me,' returned Falconer. 'If that
implies the possession of any secret which is not common property,
I fear it also involves a natural doubt whether such secret be
communicable.'</p>

<p id="iv.x-p41"><br />
</p>

<p id="iv.x-p42">'Of course I mean only some secret everybody ought to know.'</p>

<p id="iv.x-p43"><br />
</p>

<p id="iv.x-p44">'I do not misunderstand you.'</p>

<p id="iv.x-p45"><br />
</p>

<p id="iv.x-p46">'I want to live. You know the world, Mr. Falconer. I need not
tell you what kind of life a girl like myself leads. I am not old,
but the gilding is worn off. Life looks bare, ugly, uninteresting.
I ask you to tell me whether there is any reality in it or not;
whether its past glow was only gilt; whether the best that can be
done is to get through with it as fast as possible?'</p>

<p id="iv.x-p47"><br />
</p>

<p id="iv.x-p48">'Surely your ladyship must know some persons whose very
countenances prove that they have found a reality at the heart of
life.'</p>

<p id="iv.x-p49"><br />
</p>

<p id="iv.x-p50">'Yes. But none whose judgment I could trust. I cannot tell how
soon they may find reason to change their minds on the subject.
Their satisfaction may only be that they have not tried to rub the
varnish off the gilding so much as I, and therefore the gilding
itself still shines a little in their eyes.'</p>

<p id="iv.x-p51"><br />
</p>

<p id="iv.x-p52">'If it be only gilding, it is better it should be rubbed
off.'</p>

<p id="iv.x-p53"><br />
</p>

<p id="iv.x-p54">'But I am unwilling to think it is. I am not willing to sign a
bond of farewell to hope. Life seemed good once. It is bad enough
that it seems such no longer, without consenting that it must and
shall be so. Allow me to add, for my own sake, that I speak from
the bitterness of no chagrin. I have had all I ever cared--or
condescended to wish for. I never had anything worth the name of a
disappointment in my life.'</p>

<p id="iv.x-p55"><br />
</p>

<p id="iv.x-p56">'I cannot congratulate you upon that,' said Falconer, seriously.
'But if there be a truth or a heart in life, assurance of the fact
can only spring from harmony with that truth. It is not to be known
save by absolute contact with it; and the sole guide in the
direction of it must be duty: I can imagine no other possible
conductor. We must do before we can know.'</p>

<p id="iv.x-p57"><br />
</p>

<p id="iv.x-p58">'Yes, yes,' replied Lady Georgina, hastily, in a tone that
implied, 'Of course, of course: we know all about that.' But aware
at once, with the fine instinct belonging to her mental
organization, that she was thus shutting the door against all
further communication, she added instantly: 'But what <i>is</i>
one's duty? There is the question.'</p>

<p id="iv.x-p59"><br />
</p>

<p id="iv.x-p60">'The thing that lies next you, of course. You are, and must
remain, the sole judge of that. Another cannot help you.'</p>

<p id="iv.x-p61"><br />
</p>

<p id="iv.x-p62">'But that is just what I do not know.'</p>

<p id="iv.x-p63"><br />
</p>

<p id="iv.x-p64">I interrupt Lady Georgina to remark--for I too have been a pupil
of Falconer--that I believe she must have suspected what her duty
was, and would not look firmly at her own suspicion. She added:</p>

<p id="iv.x-p65"><br />
</p>

<p id="iv.x-p66">'I want direction.'</p>

<p id="iv.x-p67"><br />
</p>

<p id="iv.x-p68">But the same moment she proceeded to indicate the direction in
which she wanted to be directed; for she went on:</p>

<p id="iv.x-p69"><br />
</p>

<p id="iv.x-p70">'You know that now-a-days there are so many modes in which to
employ one's time and money that one does not know which to choose.
The lower strata of society, you know, Mr. Falconer--so many
channels! I want the advice of a man of experience, as to the best
investment, if I may use the expression: I do not mean of money
only, but of time as well.'</p>

<p id="iv.x-p71"><br />
</p>

<p id="iv.x-p72">'I am not fitted to give advice in such a matter.'</p>

<p id="iv.x-p73"><br />
</p>

<p id="iv.x-p74">'Mr. Falconer!'</p>

<p id="iv.x-p75"><br />
</p>

<p id="iv.x-p76">'I assure you I am not. I subscribe to no society myself--not
one.'</p>

<p id="iv.x-p77"><br />
</p>

<p id="iv.x-p78">'Excuse me, but I can hardly believe the rumours I hear of
you--people will talk, you know--are all inventions. They say you
are for ever burrowing amongst the poor. Excuse the phrase.'</p>

<p id="iv.x-p79"><br />
</p>

<p id="iv.x-p80">'I excuse or accept it, whichever you please. Whatever I do, I
am my own steward.'</p>

<p id="iv.x-p81"><br />
</p>

<p id="iv.x-p82">'Then you are just the person to help me! I have a fortune, not
very limited, at my own disposal: a gentleman who is his own
steward, would find his labours merely facilitated by administering
for another as well--such labours, I mean.'</p>

<p id="iv.x-p83"><br />
</p>

<p id="iv.x-p84">'I must beg to be excused, Lady Georgina. I am accountable only
for my own, and of that I have quite as much as I can properly
manage. It is far more difficult to use money for others than to
spend it for yourself.'</p>

<p id="iv.x-p85"><br />
</p>

<p id="iv.x-p86">'Ah!' said Lady Georgina, thoughtfully, and cast an involuntary
glance round the untidy room, with its horse-hair furniture, its
ragged array of books on the wall, its side-table littered with
pamphlets he never read, with papers he never printed, with pipes
he smoked by chance turns. He saw the glance and understood it.</p>

<p id="iv.x-p87"><br />
</p>

<p id="iv.x-p88">'I am accustomed,' he said, 'to be in such sad places for human
beings to live in, that I sometimes think even this dingy old room
an absolute palace of comfort.--But,' he added, checking himself,
as it were, 'I do not see in the least how your proposal would
facilitate an answer to your question.'</p>

<p id="iv.x-p89"><br />
</p>

<p id="iv.x-p90">'You seem hardly inclined to do me justice,' said Lady Georgina,
with, for the first time, a perceptible, though slight shadow
crossing the disc of her resolution. 'I only meant it,' she went
on, 'as a step towards a further proposal, which I think you will
allow looks at least in the direction you have been
indicating.'</p>

<p id="iv.x-p91"><br />
</p>

<p id="iv.x-p92">She paused.</p>

<p id="iv.x-p93"><br />
</p>

<p id="iv.x-p94">'May I beg of you to state the proposal?' said Falconer.</p>

<p id="iv.x-p95"><br />
</p>

<p id="iv.x-p96">But Lady Georgina was apparently in some little difficulty as to
the proper form in which to express her object. At last it appeared
in the cloak of a question.</p>

<p id="iv.x-p97"><br />
</p>

<p id="iv.x-p98">'Do you require no assistance in your efforts for the elevation
of the lower classes?' she asked.</p>

<p id="iv.x-p99"><br />
</p>

<p id="iv.x-p100">'I don't make any such efforts,' said Falconer.</p>

<p id="iv.x-p101"><br />
</p>

<p id="iv.x-p102">Some of my lady-readers will probably be remarking to
themselves, 'How disagreeable of him! I can't endure the man.' If
they knew how Falconer had to beware of the forwardness and
annoyance of well-meaning women, they would not dislike him so
much. But Falconer could be indifferent to much dislike, and
therein I know some men that envy him.</p>

<p id="iv.x-p103"><br />
</p>

<p id="iv.x-p104">When he saw, however, that Lady Georgina was trying to swallow a
lump in her throat, he hastened to add,</p>

<p id="iv.x-p105"><br />
</p>

<p id="iv.x-p106">'I have only relations with individuals--none with classes.'</p>

<p id="iv.x-p107"><br />
</p>

<p id="iv.x-p108">Lady Georgina gathered her failing courage. 'Then there is the
more hope for me,' she said. 'Surely there are things a woman might
be useful in that a man cannot do so well--especially if she would
do as she was told, Mr. Falconer?'</p>

<p id="iv.x-p109"><br />
</p>

<p id="iv.x-p110">He looked at her, inquiring of her whole person what <i>
numen</i> abode in the fane. She misunderstood the look.</p>

<p id="iv.x-p111"><br />
</p>

<p id="iv.x-p112">'I could dress very differently, you know. I will be a sister of
charity, if you like.'</p>

<p id="iv.x-p113"><br />
</p>

<p id="iv.x-p114">'And wear a uniform?--as if the god of another world wanted to
make proselytes or traitors in this! No, Lady Georgina, it was not
of a dress so easily altered that I was thinking; it was of the <i>
habit</i>, the dress of mind, of thought, of feeling. When you laid
aside your beautiful dress, could you avoid putting on the garment
of <i>condescension</i>, the most unchristian virtue attributed to
Deity or saint? Could you--I must be plain with you, Lady Georgina,
for this has nothing to do with the forms of so-called
society--could your temper endure the mortifications of low
opposition and misrepresentation of motive and end--which, avoid
intrusion as you might, would yet force themselves on your
perception? Could you be rudely, impudently thwarted by the very
persons for whom you were spending your strength and means, and
show no resentment? Could you make allowances for them as for your
own brothers and sisters, your own children?'</p>

<p id="iv.x-p115"><br />
</p>

<p id="iv.x-p116">Lady Georgina was silent.</p>

<p id="iv.x-p117"><br />
</p>

<p id="iv.x-p118">'I shall seem to glorify myself, but at that risk I must put the
reality before you.--Could you endure the ugliness both moral and
physical which you must meet at every turn? Could you look upon
loathsomeness, not merely without turning away in disgust, and thus
wounding the very heart you would heal, but without losing your
belief in the Fatherhood of God, by losing your faith in the actual
blood-relationship to yourself of these wretched beings? Could you
believe in the immortal essence hidden under all this garbage--God
at the root of it all? How would the delicate senses you probably
inherit receive the intrusions from which they could not protect
themselves? Would you be in no danger of finding personal refuge in
the horrid fancy, that these are but the slimy borders of humanity
where it slides into, and is one with bestiality? I could show you
one fearful baboon-like woman, whose very face makes my nerves
shudder: could you believe that woman might one day become a lady,
beautiful as yourself, and <i>therefore</i> minister to her? Would
you not be tempted, for the sake of your own comfort, if not for
the pride of your own humanity, to believe that, like untimely
blossoms, these must fall from off the boughs of the tree of life,
and come to nothing at all--a theory that may do for the preacher,
but will not do for the worker: him it would paralyze?--or, still
worse, infinitely worse, that they were doomed, from their birth,
to endless ages of a damnation, filthy as that in which you now
found them, and must probably leave them? If you could come to
this, you had better withhold your hand; for no desire for the
betterment of the masses, as they are stupidly called, can make up
for a lack of faith in the individual. If you cannot hope for them
in your heart, your hands cannot reach them to do them good. They
will only hurt them.'</p>

<p id="iv.x-p119"><br />
</p>

<p id="iv.x-p120">Lady Georgina was still silent. Falconer's eloquence had perhaps
made her ashamed.</p>

<p id="iv.x-p121"><br />
</p>

<p id="iv.x-p122">'I want you to sit down and count the cost, before you do any
mischief by beginning what you are unfit for. Last week I was
compelled more than once to leave the house where my duty led me,
and to sit down upon a stone in the street, so ill that I was in
danger of being led away as intoxicated, only the policeman
happened to know me. Twice I went back to the room I had left,
crowded with human animals, and one of them at least dying. It was
all I could do, and I have tolerable nerve and tolerable
experience.'</p>

<p id="iv.x-p123"><br />
</p>

<p id="iv.x-p124">A mist was gathering over Lady Georgina's eyes. She confessed it
afterwards to Miss St. John. And through the mist he looked larger
than human.</p>

<p id="iv.x-p125"><br />
</p>

<p id="iv.x-p126">'And then the time you must spend before you can lay hold upon
them at all, that is with the personal relation which alone is of
any real influence! Our Saviour himself had to be thirty years in
the world before he had footing enough in it to justify him in
beginning to teach publicly: he had been laying the needful
foundations all the time. Not under any circumstances could I
consent to make use of you before you had brought yourself into
genuine relations with some of them first.'</p>

<p id="iv.x-p127"><br />
</p>

<p id="iv.x-p128">'Do you count societies, then, of no use whatever?' Lady
Georgina asked, more to break the awkwardness of her prolonged
silence than for any other reason.</p>

<p id="iv.x-p129"><br />
</p>

<p id="iv.x-p130">'In as far as any of the persons they employ fulfil the
conditions of which I have spoken, they are useful--that is, just
in as far as they come into genuine human relations with those whom
they would help. In as far as their servants are incapable of this,
the societies are hurtful. The chief good which societies might
effect would be the procuring of simple justice for the poor. That
is what they need at the hands of the nation, and what they do not
receive. But though few can have the knowledge of the poor I have,
many could do something, if they would only set about it simply,
and not be too anxious to convert them; if they would only be their
friends after a common-sense fashion. I know, say, a hundred
wretched men and women far better than a man in general knows him
with whom he claims an ordinary intimacy. I know many more by sight
whose names in the natural course of events I shall probably know
soon. I know many of their relations to each other, and they talk
about each other to me as if I were one of themselves, which I hope
in God I am. I have been amongst them a good many years now, and
shall probably spend my life amongst them. When I went first, I was
repeatedly robbed; now I should hardly fear to carry another man's
property. Two years ago I had my purse taken, but next morning it
was returned, I do not know by whom: in fact it was put into my
pocket again--every coin, as far as I could judge, as it left me. I
seldom pretend to teach them--only now and then drop a word of
advice. But possibly, before I die, I may speak to them in public.
At present I avoid all attempt at organization of any sort, and as
far as I see, am likely of all things to avoid it. What I want is
first to be their friend, and then to be at length recognized as
such. It is only in rare cases that I seek the acquaintance of any
of them: I let it come naturally. I bide my time. Almost never do I
offer assistance. I wait till they ask it, and then often refuse
the sort they want. The worst thing you can do for them is to
attempt to save them from the natural consequences of wrong: you
may sometimes help them out of them. But it is right to do many
things for them when you know them, which it would not be right to
do for them until you know them. I am amongst them; they know me;
their children know me; and something is always occurring that
makes this or that one come to me. Once I have a footing, I seldom
lose it. So you see, in this my labour I am content to do the thing
that lies next me. I wait events. You have had no training, no
blundering to fit you for such work. There are many other modes of
being useful; but none in which I could undertake to direct you. I
am not in the habit of talking so much about my ways--but that is
of no consequence. I think I am right in doing so in this
instance.'</p>

<p id="iv.x-p131"><br />
</p>

<p id="iv.x-p132">'I cannot misunderstand you,' faltered Lady Georgina.</p>

<p id="iv.x-p133"><br />
</p>

<p id="iv.x-p134">Falconer was silent. Without looking up from the floor on which
her eyes had rested all the time he spoke, Lady Georgina said at
last,</p>

<p id="iv.x-p135"><br />
</p>

<p id="iv.x-p136">'Then what is <i>my</i> next duty? What is the thing that lies
nearest to me?'</p>

<p id="iv.x-p137"><br />
</p>

<p id="iv.x-p138">'That, I repeat, belongs to your every-day history. No one can
answer that question but yourself. Your next duty is just to
determine what your next duty is.--Is there nothing you neglect? Is
there nothing you know you ought not to do?--You would know your
duty, if you thought in earnest about it, and were not ambitious of
great things.'</p>

<p id="iv.x-p139"><br />
</p>

<p id="iv.x-p140">'Ah then,' responded Lady Georgina, with an abandoning sigh, 'I
suppose it is something very commonplace, which will make life more
dreary than ever. That cannot help me.'</p>

<p id="iv.x-p141"><br />
</p>

<p id="iv.x-p142">'It will, if it be as dreary as reading the newspapers to an old
deaf aunt. It will soon lead you to something more. Your duty will
begin to comfort you at once, but will at length open the unknown
fountain of life in your heart.'</p>

<p id="iv.x-p143"><br />
</p>

<p id="iv.x-p144">Lady Georgina lifted up her head in despair, looked at Falconer
through eyes full of tears, and said vehemently,</p>

<p id="iv.x-p145"><br />
</p>

<p id="iv.x-p146">'Mr. Falconer, you can have no conception how wretched a life
like mine is. And the futility of everything is embittered by the
consciousness that it is from no superiority to such things that I
do not care for them.'</p>

<p id="iv.x-p147"><br />
</p>

<p id="iv.x-p148">'It <i>is</i> from superiority to such things that you do not
care for them. You were not made for such things. They cannot fill
your heart. It has whole regions with which they have no
relation.'</p>

<p id="iv.x-p149"><br />
</p>

<p id="iv.x-p150">'The very thought of music makes me feel ill. I used to be
passionately fond of it.'</p>

<p id="iv.x-p151"><br />
</p>

<p id="iv.x-p152">'I presume you got so far in it that you asked, "Is there
nothing more?" Concluding there was nothing more, and yet needing
more, you turned from it with disappointment?'</p>

<p id="iv.x-p153"><br />
</p>

<p id="iv.x-p154">'It is the same,' she went on hurriedly, 'with painting,
modelling, reading--whatever I have tried. I am sick of them all.
They do nothing for me.'</p>

<p id="iv.x-p155"><br />
</p>

<p id="iv.x-p156">'How can you enjoy music, Lady Georgina, if you are not in
harmony with the heart and source of music?'</p>

<p id="iv.x-p157"><br />
</p>

<p id="iv.x-p158">'How do you mean?'</p>

<p id="iv.x-p159"><br />
</p>

<p id="iv.x-p160">'Until the human heart knows the divine heart, it must sigh and
complain like a petulant child, who flings his toys from him
because his mother is not at home. When his mother comes back to
him he finds his toys are good still. When we find Him in our own
hearts, we shall find him in everything, and music will be deep
enough then, Lady Georgina. It is this that the Brahmin and the
Platonist seek; it is this that the mystic and the anchorite sigh
for; towards this the teaching of the greatest of men would lead
us: Lord Bacon himself says, "Nothing can fill, much less extend
the soul of man, but God, and the contemplation of God." It is Life
you want. If you will look in your New Testament, and find out all
that our Lord says about Life, you will find the only cure for your
malady. I know what such talk looks like; but depend upon it, what
I am talking about is something very different from what you fancy
it. Anyhow to this you must come, one day or other.'</p>

<p id="iv.x-p161"><br />
</p>

<p id="iv.x-p162">'But how am I to gain this indescribable good, which so many
seek, and so few find?'</p>

<p id="iv.x-p163"><br />
</p>

<p id="iv.x-p164">'Those are not my words,' said Falconer emphatically. 'I should
have said--"which so few yet seek; but so many shall at length
find."'</p>

<p id="iv.x-p165"><br />
</p>

<p id="iv.x-p166">'Do not quarrel with my foolish words, but tell me how I am to
find it; for I suppose there must be something in what so many good
people assert.'</p>

<p id="iv.x-p167"><br />
</p>

<p id="iv.x-p168">'You thought I could give you help?'</p>

<p id="iv.x-p169"><br />
</p>

<p id="iv.x-p170">'Yes. That is why I came to you.'</p>

<p id="iv.x-p171"><br />
</p>

<p id="iv.x-p172">'Just so. I cannot give you help. Go and ask it of one who
can.'</p>

<p id="iv.x-p173"><br />
</p>

<p id="iv.x-p174">'Speak more plainly.'</p>

<p id="iv.x-p175"><br />
</p>

<p id="iv.x-p176">'Well then: if there be a God, he must hear you if you call to
him. If there be a father, he will listen to his child. He will
teach you everything.'</p>

<p id="iv.x-p177"><br />
</p>

<p id="iv.x-p178">'But I don't know what I want.'</p>

<p id="iv.x-p179"><br />
</p>

<p id="iv.x-p180">'He does: ask him to tell you what you want. It all comes back
to the old story: "If ye then being evil, know how to give good
gifts to your children, how much more will your heavenly Father
give the holy Spirit to them that ask him!" But I wish you would
read your New Testament--the Gospels I mean: you are not in the
least fit to understand the Epistles yet. Read the story of our
Saviour as if you had never read it before. He at least was a man
who seemed to have that secret of life after the knowledge of which
your heart is longing.'</p>

<p id="iv.x-p181"><br />
</p>

<p id="iv.x-p182">Lady Georgina rose. Her eyes were again full of tears. Falconer
too was moved. She held out her hand to him, and without another
word left the room. She never came there again.</p>

<p id="iv.x-p183"><br />
</p>

<p id="iv.x-p184">Her manner towards Falconer was thereafter much altered. People
said she was in love with him: if she was, it did her no harm. Her
whole character certainly was changed. She sought the friendship of
Miss St. John, who came at length to like her so much, that she
took her with her in some of her walks among the poor. By degrees
she began to do something herself after a quiet modest fashion. But
within a few years, probably while so engaged, she caught a fever
from which she did not recover. It was not till after her death
that Falconer told any one of the interview he had had with her.
And by that time I had the honour of being very intimate with him.
When she knew that she was dying, she sent for him. Mary St. John
was with her. She left them together. When he came out, he was
weeping.</p>

<p id="iv.x-p185"><br />
</p>

<p id="iv.x-p186"><br />
</p>

</div2>

      <div2 title="CHAPTER XI.--THE SUICIDE." n="xi" shorttitle="" progress="82.38%" id="iv.xi" prev="iv.x" next="iv.xii">

<p id="iv.xi-p1"><br />
</p>

<p id="iv.xi-p2">CHAPTER XI.</p>

<p id="iv.xi-p3"><br />
</p>

<p id="iv.xi-p4">THE SUICIDE.</p>

<p id="iv.xi-p5"><br />
</p>

<p id="iv.xi-p6">FALCONER lived on and laboured on in London. Wherever he found a
man fitted for the work, he placed him in such office as De Fleuri
already occupied. At the same time he went more into society, and
gained the friendship of many influential people. Besides the use
he made of this to carry out plans for individual rescue, it
enabled him to bestir himself for the first and chief good which he
believed it was in the power of the government to effect for the
class amongst which he laboured. As I have shown, he did not
believe in any positive good being effected save through individual
contact--through faith, in a word--faith in the human helper--which
might become a stepping-stone through the chaotic misery towards
faith in the Lord and in his Father. All that association could do,
as such, was only, in his judgment, to remove obstructions from the
way of individual growth and education--to put better conditions
within reach--first of all, to provide that the people should be
able, if they would, to live decently. He had no notion of domestic
inspection, or of offering prizes for cleanliness and order. He
knew that misery and wretchedness are the right and best condition
of those who live so that misery and wretchedness are the natural
consequences of their life. But there ought always to be the
possibility of emerging from these; and as things were, over the
whole country, for many who would if they could, it was impossible
to breathe fresh air, to be clean, to live like human beings. And
he saw this difficulty ever on the increase, through the rapacity
of the holders of small house-property, and the utter wickedness of
railway companies, who pulled down every house that stood in their
way, and did nothing to provide room for those who were thus
ejected--most probably from a wretched place, but only, to be
driven into a more wretched still. To provide suitable dwellings
for the poor he considered the most pressing of all necessary
reforms. His own fortune was not sufficient for doing much in this
way, but he set about doing what he could by purchasing houses in
which the poor lived, and putting them into the hands of persons
whom he could trust, and who were immediately responsible to him
for their proceedings: they had to make them fit for human abodes,
and let them to those who desired better accommodation, giving the
preference to those already tenants, so long as they paid their
reasonable rent, which he considered far more necessary for them to
do than for him to have done.</p>

<p id="iv.xi-p7"><br />
</p>

<p id="iv.xi-p8">One day he met by appointment the owner of a small block, of
which he contemplated the purchase. They were in a dreadfully
dilapidated condition, a shame that belonged more to the owner than
the inhabitants. The man wanted to sell the houses, or at least was
willing to sell them, but put an exorbitant price upon them.
Falconer expostulated.</p>

<p id="iv.xi-p9"><br />
</p>

<p id="iv.xi-p10">'I know the whole of the rent these houses could bring you in,'
he said, 'without making any deduction for vacancies and
defalcations: what you ask is twice as much as they would fetch if
the full rent were certain.'</p>

<p id="iv.xi-p11"><br />
</p>

<p id="iv.xi-p12">The poor wretch looked up at him with the leer of a ghoul. He
was dressed like a broken-down clergyman, in rusty black, with a
neck-cloth of whitey-brown.</p>

<p id="iv.xi-p13"><br />
</p>

<p id="iv.xi-p14">'I admit it,' he said in good English, and a rather educated
tone. 'Your arguments are indisputable. I confess besides that so
far short does the yield come of the amount on paper, that it would
pay me to give them away. But it's the funerals, sir, that make it
worth my while. I'm an undertaker, as you may judge from my
costume. I count back-rent in the burying. People may cheat their
landlord, but they can't cheat the undertaker. They <i>must</i> be
buried. That's the one indispensable--ain't it, sir?'</p>

<p id="iv.xi-p15"><br />
</p>

<p id="iv.xi-p16">Falconer had let him run on that he might have the measure of
him. Now he was prepared with his reply.</p>

<p id="iv.xi-p17"><br />
</p>

<p id="iv.xi-p18">'You've told me your profession,' he said: 'I'll tell you mine.
I am a lawyer. If you don't let me have those houses for five
hundred, which is the full market value, I'll prosecute you. It'll
take a good penny from the profits of your coffins to put those
houses in a state to satisfy the inspector.'</p>

<p id="iv.xi-p19"><br />
</p>

<p id="iv.xi-p20">The wretched creature was struck dumb. Falconer resumed.</p>

<p id="iv.xi-p21"><br />
</p>

<p id="iv.xi-p22">'You're the sort of man that ought to be kept to your pound of
filthy flesh. I know what I say; and I'll do it. The law costs me
nothing. <i>You</i> won't find it so.'</p>

<p id="iv.xi-p23"><br />
</p>

<p id="iv.xi-p24">The undertaker sold the houses, and no longer in that quarter
killed the people he wanted to bury.</p>

<p id="iv.xi-p25"><br />
</p>

<p id="iv.xi-p26">I give this as a specimen of the kind of thing Falconer did. But
he took none of the business part in his own hands, on the same
principle on which Paul the Apostle said it was unmeet for him to
leave the preaching of the word in order to serve tables--not that
the thing was beneath him, but that it was not his work so long as
he could be doing more important service still.</p>

<p id="iv.xi-p27"><br />
</p>

<p id="iv.xi-p28">De Fleuri was one of his chief supports. The whole nature of the
man mellowed under the sun of Falconer, and over the work that
Falconer gave him to do. His daughter recovered, and devoted
herself to the same labour that had rescued her. Miss St. John was
her <i>superior</i>. By degrees, without any laws or regulations, a
little company was gathered, not of ladies and gentlemen, but of
men and women, who aided each, other, and without once meeting as a
whole, laboured not the less as one body in the work of the Lord,
bound in one by bonds that had nothing to do with cobweb committee
meetings or public dinners, chairmen or wine-flushed subscriptions.
They worked like the leaven of which the Lord spoke.</p>

<p id="iv.xi-p29"><br />
</p>

<p id="iv.xi-p30">But De Fleuri, like almost every one in the community I believe,
had his own private schemes subserving the general good. He knew
the best men of his own class and his own trade, and with them his
superior intellectual gifts gave him influence. To them he told the
story of Falconer's behaviour to him, of Falconer's own need, and
of his hungry-hearted search. An enthusiasm of help seized upon the
men. To aid your superior is such a rousing gladness!--Was anything
of this in St. Paul's mind when he spoke of our being
fellow-workers with God? I only put the question.--Each one of
these had his own trustworthy acquaintances, or neighbours,
rather--for like finds out like all the world <i>through</i>, as
well as <i>over</i>--and to them he told the story of Falconer and
his father, so that in all that region of London it became known
that the man who loved the poor was himself needy, and looked to
the poor for their help. Without them he could not be made
perfect.</p>

<p id="iv.xi-p31"><br />
</p>

<p id="iv.xi-p32">Some of my readers may be inclined to say that it was
dishonourable in Falconer to have occasioned the publishing of his
father's disgrace. Such may recall to their minds that concealment
is no law of the universe; that, on the contrary, the Lord of the
Universe said once: 'There is nothing covered that shall not be
revealed.' Was the disgrace of Andrew Falconer greater because a
thousand men knew it, instead of forty, who could not help knowing
it? Hope lies in light and knowledge. Andrew would be none the
worse that honest men knew of his vice: they would be the first to
honour him if he should overcome it. If he would not--the disgrace
was just, and would fall upon his son only in sorrow, not in
dishonour. The grace of God--the making of humanity by his
beautiful hand--no, heart--is such, that disgrace clings to no man
after repentance, any more than the feet defiled with the mud of
the world come yet defiled from the bath. Even the things that
proceed out of the man, and do terribly defile him, can be cast off
like the pollution of the leper by a grace that goes deeper than
they; and the man who says, 'I have sinned: I will sin no more,' is
even by the voice of his brothers crowned as a conqueror, and by
their hearts loved as one who has suffered and overcome. Blessing
on the God-born human heart! Let the hounds of God, not of Satan,
loose upon sin;--God only can rule the dogs of the devil;--let them
hunt it to the earth; let them drag forth the demoniac to the feet
of the Man who loved the people while he let the devil take their
swine; and do not talk about disgrace from a thing being known when
the disgrace is that the thing should exist.</p>

<p id="iv.xi-p33"><br />
</p>

<p id="iv.xi-p34">One night I was returning home from some poor attempts of my
own. I had now been a pupil of Falconer for a considerable time,
but having my own livelihood to make, I could not do so much as I
would.</p>

<p id="iv.xi-p35"><br />
</p>

<p id="iv.xi-p36">It was late, nearly twelve o'clock, as I passed through the
region of Seven Dials. Here and there stood three or four
brutal-looking men, and now and then a squalid woman with a
starveling baby in her arms, in the light of the gin-shops. The
babies were the saddest to see--nursery-plants already in training
for the places these men and women now held, then to fill a
pauper's grave, or perhaps a perpetual cell--say rather, for the
awful spaces of silence, where the railway director can no longer
be guilty of a worse sin than house-breaking, and his miserable
brother will have no need of the shelter of which he deprived him.
Now and then a flaunting woman wavered past--a <i>night-shade</i>,
as our old dramatists would have called her. I could hardly keep
down an evil disgust that would have conquered my pity, when a
scanty white dress would stop beneath a lamp, and the gay dirty
bonnet, turning round, reveal a painted face, from which shone
little more than an animal intelligence, <i>not</i> brightened by
the gin she had been drinking. Vague noises of strife and of
drunken wrath flitted around me as I passed an alley, or an opening
door let out its evil secret. Once I thought I heard the dull <i>
thud</i> of a blow on the head. The noisome vapours were fit for
any of Swedenborg's hells. There were few sounds, but the very
quiet seemed infernal. The night was hot and sultry. A skinned cat,
possibly still alive, fell on the street before me. Under one of
the gas-lamps lay something long: it was a tress of dark hair, torn
perhaps from some woman's head: she had beautiful hair at least.
Once I heard the cry of <i>murder</i>, but where, in that chaos of
humanity, right or left, before or behind me, I could not even
guess. <i>Home</i> to such regions, from gorgeous stage-scenery and
dresses, from splendid, mirror-beladen casinos, from singing-halls,
and places of private and prolonged revelry, trail the daughters of
men at all hours from midnight till morning. Next day they drink
hell-fire that they may forget. Sleep brings an hour or two of
oblivion, hardly of peace; but they must wake, worn and miserable,
and the waking brings no hope: their only known help lies in the
gin-shop. What can be done with them? But the secrets God keeps
must be as good as those he tells.</p>

<p id="iv.xi-p37"><br />
</p>

<p id="iv.xi-p38">But no sights of the night ever affected me so much as walking
through this same St. Giles's on a summer Sunday morning, when
church-goers were in church. Oh! the faces that creep out into the
sunshine then, and haunt their doors! Some of them but skins drawn
over skulls, living Death's-heads, grotesque in their
hideousness.</p>

<p id="iv.xi-p39"><br />
</p>

<p id="iv.xi-p40">I was not very far from Falconer's abode. My mind was oppressed
with sad thoughts and a sense of helplessness. I began to wonder
what Falconer might at that moment be about. I had not seen him for
a long time--a whole fortnight. He might be at home: I would go and
see, and if there were light in his windows I would ring his
bell.</p>

<p id="iv.xi-p41"><br />
</p>

<p id="iv.xi-p42">I went. There was light in his windows. He opened the door
himself, and welcomed me. I went up with him, and we began to talk.
I told him of my sad thoughts, and my feelings of helplessness.</p>

<p id="iv.xi-p43"><br />
</p>

<p id="iv.xi-p44">'He that believeth shall not make haste,' he said. 'There is
plenty of time. You must not imagine that the result depends on
you, or that a single human soul can be lost because you may fail.
The question, as far as you are concerned, is, whether you are to
be honoured in having a hand in the work that God is doing, and
will do, whether you help him or not. Some will be honoured: shall
it be me? And this honour gained excludes no one: there is work, as
there is bread in his house, enough and to spare. It shows no faith
in God to make frantic efforts or frantic lamentations. Besides, we
ought to teach ourselves to see, as much as we may, the good that
is in the condition of the poor.'</p>

<p id="iv.xi-p45"><br />
</p>

<p id="iv.xi-p46">'Teach me to see that, then,' I said. 'Show me something.'</p>

<p id="iv.xi-p47"><br />
</p>

<p id="iv.xi-p48">'The best thing is their kindness to each other. There is an
absolute divinity in their self-denial for those who are poorer
than themselves. I know one man and woman, married people, who
pawned their very furniture and wearing apparel to procure
cod-liver oil for a girl dying in consumption. She was not even a
relative, only an acquaintance of former years. They had found her
destitute and taken her to their own poor home. There are fathers
and mothers who will work hard all the morning, and when
dinner-time comes "don't want any," that there may be enough for
their children--or half enough, more likely. Children will take the
bread out of their own mouths to put in that of their sick brother,
or to stick in the fist of baby crying for a crust--giving only a
queer little helpless grin, half of hungry sympathy, half of
pleasure, as they see it disappear. The marvel to me is that the
children turn out so well as they do; but that applies to the
children in all ranks of life. Have you ever watched a group of
poor children, half-a-dozen of them with babies in their arms?'</p>

<p id="iv.xi-p49"><br />
</p>

<p id="iv.xi-p50">'I have, a little, and have seen such a strange mixture of
carelessness and devotion.'</p>

<p id="iv.xi-p51"><br />
</p>

<p id="iv.xi-p52">'Yes. I was once stopped in the street by a child of ten, with
face absolutely swollen with weeping, asking me to go and see baby
who was very ill. She had dropped him four times that morning, but
had no idea that could have done him any harm. The carelessness is
ignorance. Their form of it is not half so shocking as that of the
mother who will tremble at the slightest sign of suffering in her
child, but will hear him lie against his brother without the
smallest discomfort. Ah! we shall all find, I fear, some day, that
we have differed from each other, where we have done best, only in
mode--perhaps not even in degree. A grinding tradesman takes
advantage of the over supply of labour to get his work done at
starvation prices: I owe him love, and have never thought of paying
my debt except in boundless indignation.'</p>

<p id="iv.xi-p53"><br />
</p>

<p id="iv.xi-p54">'I wish I had your faith and courage, Mr. Falconer,' I said.</p>

<p id="iv.xi-p55"><br />
</p>

<p id="iv.xi-p56">'You are in a fair way of having far more,' he returned. 'You
are not so old as I am, by a long way. But I fear you are getting
out of spirits. Is to-morrow a hard day with you?'</p>

<p id="iv.xi-p57"><br />
</p>

<p id="iv.xi-p58">'I have next to nothing to do to-morrow.'</p>

<p id="iv.xi-p59"><br />
</p>

<p id="iv.xi-p60">'Then will you come to me in the evening? We will go out
together.'</p>

<p id="iv.xi-p61"><br />
</p>

<p id="iv.xi-p62">Of course I was only too glad to accept the proposal. But our
talk did not end here. The morning began to shine before I rose to
leave him; and before I reached my abode it was broad daylight. But
what a different heart I carried within me! And what a different
London it was outside of me! The scent of the hayfields came on the
hardly-moving air. It was a strange morning--a new day of unknown
history--in whose young light the very streets were transformed,
looking clear and clean, and wondrously transparent in perspective,
with unknown shadows lying in unexpected nooks, with projection and
recess, line and bend, as I had never seen them before. The light
was coming as if for the first time since the city sprang into
being--as if a thousand years had rolled over it in darkness and
lamplight, and now, now, after the prayers and longings of ages,
the sun of God was ascending the awful east, and the spirit-voice
had gone forth: 'Arise, shine, for thy light is come.'</p>

<p id="iv.xi-p63"><br />
</p>

<p id="iv.xi-p64">It was a well-behaved, proper London through which I walked
home. Here and there, it is true, a debauched-looking man, with
pale face, and red sleepy eyes, or a weary, withered girl, like a
half-moon in the daylight, straggled somewhither. But they looked
strange to the London of the morning. They were not of it. Alas for
those who creep to their dens, like the wild beasts when the sun
arises, because the light has shaken them out of the world. All the
horrid phantasms of the Valley of the Shadow of Death that had
risen from the pit with the vaporous night had sunk to escape the
arrows of the sun, once more into its bottomless depth. If any
horrid deed was doing now, how much more horrid in the awful still
light of this first hour of a summer morn! How many evil passions
now lay sunk under the holy waves of sleep! How many heartaches
were gnawing only in dreams, to wake with the brain, and gnaw in
earnest again! And over all brooded the love of the Lord Christ,
who is Lord over all blessed for ever, and shall yet cast death and
hell into the lake of fire--the holy purifying Fate.</p>

<p id="iv.xi-p65"><br />
</p>

<p id="iv.xi-p66">I got through my sole engagement--a very dreary one, for surely
never were there stupider young people in the whole region of rank
than those to whom duty and necessity sent me on the Wednesday
mornings of that London season--even with some enjoyment. For the
lessons Falconer had been giving me clung to me and grew on me
until I said thus to myself: 'Am I to believe only for the poor,
and not for the rich? Am I not to bear with conceit even, hard as
it is to teach? for is not this conceit itself the measure as the
consequence of incapacity and ignorance? They cannot help being
born stupid, any more than some of those children in St. Giles's
can help being born preternaturally, unhealthily clever. I am going
with my friend this evening: that hope is enough to make me strong
for one day at least.' So I set myself to my task, and that morning
wiled the first gleam of intelligent delight out of the eyes of one
poor little washed-out ladyship. I could have kissed her from
positive thankfulness.</p>

<p id="iv.xi-p67"><br />
</p>

<p id="iv.xi-p68">The day did wear over. The evening did come. I was with my
friend--for friend I could call him none the less and all the more
that I worshipped him.</p>

<p id="iv.xi-p69"><br />
</p>

<p id="iv.xi-p70">'I have business in Westminster,' he said, 'and then on the
other side of the water.'</p>

<p id="iv.xi-p71"><br />
</p>

<p id="iv.xi-p72">'I am more and more astonished at your knowledge of London, Mr.
Falconer,' I said. 'You must have a great faculty for places.'</p>

<p id="iv.xi-p73"><br />
</p>

<p id="iv.xi-p74">'I think rather the contrary,' he answered. 'But there is no end
to the growth of a faculty, if one only uses it--especially when
his whole nature is interested in its efficiency, and makes demands
upon it. The will applies to the intellect; the intellect
communicates its necessities to the brain; the brain bestirs
itself, and grows more active; the eyes lend their aid; the memory
tries not to be behind; and at length you have a man gifted in
localities.'</p>

<p id="iv.xi-p75"><br />
</p>

<p id="iv.xi-p76">'How is it that people generally can live in such quiet
ignorance of the regions that surround them, and the kind of
humanity so near them?' I said after a pause.</p>

<p id="iv.xi-p77"><br />
</p>

<p id="iv.xi-p78">'It does seem strange. It is as if a man should not know who
were in his own house. Would-be civilization has for the very
centre of its citadel, for the citizens of its innermost city, for
the heart around which the gay and fashionable, the learned, the
artistic, the virtuous, the religious are gathered, a people some
of whom are barbarous, some cruel, many miserable, many unhappy,
save for brief moments not of hope, but of defiance, distilled in
the alembic of the brain from gin: what better life could steam up
from such a Phlegethon! Look there: "Cream of the Valley!" As if
the mocking serpent must with sweet words of Paradise deepen the
horrors of the hellish compound, to which so many of our brothers
and sisters made in the image of God, fly as to their only Saviour
from the misery of feeling alive.'</p>

<p id="iv.xi-p79"><br />
</p>

<p id="iv.xi-p80">'How is it that the civilized people of London do not make a
simultaneous inroad upon the haunts of the demons and drive them
out?'</p>

<p id="iv.xi-p81"><br />
</p>

<p id="iv.xi-p82">'It is a mercy they do not. They would only do infinite
mischief. The best notion civilization seems to have is--not to
drive out the demons, but to drive out the possessed; to take from
them the poor refuges they have, and crowd them into deeper and
more fetid hells--to make room for what?--more and more temples in
which Mammon may be worshipped. The good people on the other hand
invade them with foolish tracts, that lie against God; or give
their money to build churches, where there is as yet no people that
will go to them. Why, the other day, a young clergyman bored me,
and would have been boring me till now, I think, if I would have
let him, to part with a block of my houses, where I know every man,
woman, and child, and keep them in comparative comfort and
cleanliness and decency, to say no more, that he might pull them
down and build a church upon the site--not quite five minutes' walk
from the church where he now officiates.'</p>

<p id="iv.xi-p83"><br />
</p>

<p id="iv.xi-p84">It was a blowing, moon-lit night. The gaslights flickered and
wavered in the gusts of wind. It was cold, very cold for the
season. Even Falconer buttoned his coat over his chest. He got a
few paces in advance of me sometimes, when I saw him towering black
and tall and somewhat gaunt, like a walking shadow. The wind
increased in violence. It was a north-easter, laden with dust, and
a sense of frozen Siberian steppes. We had to stoop and head it at
the corners of streets. Not many people were out, and those who
were, seemed to be hurrying home. A few little provision-shops, and
a few inferior butchers' stalls were still open. Their great jets
of gas, which looked as if they must poison the meat, were flaming
fierce and horizontal, roaring like fiery flags, and anon dying
into a blue hiss. Discordant singing, more like the howling of wild
beasts, came from the corner houses, which blazed like the gates of
hell. Their doors were ever on the swing, and the hot odours of
death rushed out, and the cold blast of life rushed in. We paused a
little before one of them--over the door, upon the sign, was in
very deed the name <i>Death</i>. There were ragged women within who
took their half-dead babies from their bare, cold, cheerless
bosoms, and gave them of the poison of which they themselves drank
renewed despair in the name of comfort. They say that most of the
gin consumed in London is drunk by women. And the little
clay-coloured baby-faces made a grimace or two, and sank to sleep
on the thin tawny breasts of the mothers, who having gathered
courage from the essence of despair, faced the scowling night once
more, and with bare necks and hopeless hearts went--whither? Where
do they all go when the gin-hells close their yawning jaws? Where
do they lie down at night? They vanish like unlawfully risen
corpses in the graves of cellars and garrets, in the charnel-vaults
of pestiferously-crowded lodging-houses, in the prisons of
police-stations, under <i>dry</i> arches, within hoardings; or they
make vain attempts to rest the night out upon door-steps or
curbstones. All their life long man denies them the one right in
the soil which yet is so much theirs, that once that life is over,
he can no longer deny it--the right of room to lie down. Space
itself is not allowed to be theirs by any right of existence: the
voice of the night-guardian commanding them to move on, is as the
howling of a death-hound hunting them out of the air into their
graves.</p>

<p id="iv.xi-p85"><br />
</p>

<p id="iv.xi-p86">In St. James's we came upon a group around the gates of a great
house. Visitors were coming and going, and it was a show to be had
for nothing by those who had nothing to pay. Oh! the children with
clothes too ragged to hold pockets for their chilled hands, that
stared at the childless duchess descending from her lordly
carriage! Oh! the wan faces, once lovely as theirs, it may be, that
gazed meagre and pinched and hungry on the young maidens in
rose-colour and blue, tripping lightly through the avenue of their
eager eyes--not yet too envious of unattainable felicity to gaze
with admiring sympathy on those who seemed to them the angels, the
goddesses of their kind. 'O God!' I thought, but dared not speak,
'and thou couldst make <i>all</i> these girls so lovely! Thou
couldst give them all the gracious garments of rose and blue and
white if thou wouldst! Why should these not be like those? They are
hungry even, and wan and torn. These too are thy children. There is
wealth enough in thy mines and in thy green fields, room enough in
thy starry spaces, O God!' But a voice--the echo of Falconer's
teaching, awoke in my heart--'Because I would have these more
blessed than those, and those more blessed with them, for they <i>
are</i> all my children.'</p>

<p id="iv.xi-p87"><br />
</p>

<p id="iv.xi-p88">By the Mall we came into Whitehall, and so to Westminster
Bridge. Falconer had changed his mind, and would cross at once. The
present bridge was not then finished, and the old bridge alongside
of it was still in use for pedestrians. We went upon it to reach
the other side. Its centre rose high above the other, for the line
of the new bridge ran like a chord across the arc of the old.
Through chance gaps in the boarding between, we looked down on the
new portion which was as yet used by carriages alone. The moon had,
throughout the evening, alternately shone in brilliance from amidst
a lake of blue sky, and been overwhelmed in billowy heaps of
wind-tormented clouds. As we stood on the apex of the bridge,
looking at the night, the dark river, and the mass of human effort
about us, the clouds gathered and closed and tumbled upon her in
crowded layers. The wind howled through the arches beneath, swept
along the boarded fences, and whistled in their holes. The
gas-lights blew hither and thither, and were perplexed to live at
all.</p>

<p id="iv.xi-p89"><br />
</p>

<p id="iv.xi-p90">We were standing at a spot where some shorter pieces had been
used in the hoarding; and, although I could not see over them,
Falconer, whose head rose more than half a foot above mine, was
looking on the other bridge below. Suddenly he grasped the top with
his great hands, and his huge frame was over it in an instant. I
was on the top of the hoarding the same moment, and saw him
prostrate some twelve feet below. He was up the next instant, and
running with huge paces diagonally towards the Surrey side. He had
seen the figure of a woman come flying along from the Westminster
side, without bonnet or shawl. When she came under the spot where
we stood, she had turned across at an obtuse angle towards the
other side of the bridge, and Falconer, convinced that she meant to
throw herself into the river, went over as I have related. She had
all but scrambled over the fence--for there was no parapet yet--by
the help of the great beam that ran along to support it, when he
caught her by her garments. So poor and thin were those garments,
that if she had not been poor and thin too, she would have dropped
from them into the darkness below. He took her in his arms, lifted
her down upon the bridge, and stood as if protecting her from a
pursuing death. I had managed to find an easier mode of descent,
and now stood a little way from them.</p>

<p id="iv.xi-p91"><br />
</p>

<p id="iv.xi-p92">'Poor girl! poor girl!' he said, as if to himself: 'was this the
only way left?'</p>

<p id="iv.xi-p93"><br />
</p>

<p id="iv.xi-p94">Then he spoke tenderly to her. What he said I could not hear--I
only heard the tone.</p>

<p id="iv.xi-p95"><br />
</p>

<p id="iv.xi-p96">'O sir!' she cried, in piteous entreaty, 'do let me go. Why
should a wretched creature like me be forced to live? It's no good
to you, sir. Do let me go.'</p>

<p id="iv.xi-p97"><br />
</p>

<p id="iv.xi-p98">'Come here,' he said, drawing her close to the fence. 'Stand up
again on the beam. Look down.'</p>

<p id="iv.xi-p99"><br />
</p>

<p id="iv.xi-p100">She obeyed, in a mechanical kind of way. But as he talked, and
she kept looking down on the dark mystery beneath, flowing past
with every now and then a dull vengeful glitter--continuous,
forceful, slow, he felt her shudder in his still clasping arm.</p>

<p id="iv.xi-p101"><br />
</p>

<p id="iv.xi-p102">'Look,' he said, 'how it crawls along--black and slimy! how
silent and yet how fierce! Is that a nice place to go to down
there? Would there be any rest there, do you think, tumbled about
among filth and creeping things, and slugs that feed on the dead;
among drowned women like yourself drifting by, and murdered men,
and strangled babies? Is that the door by which you would like to
go out of the world?'</p>

<p id="iv.xi-p103"><br />
</p>

<p id="iv.xi-p104">'It's no worse,' she faltered, '--not so bad as what I should
leave behind.'</p>

<p id="iv.xi-p105"><br />
</p>

<p id="iv.xi-p106">'If this were the only way out of it, I would not keep you from
it. I would say, "Poor thing! there is no help: she must go." But
there is another way.'</p>

<p id="iv.xi-p107"><br />
</p>

<p id="iv.xi-p108">'There is no other way, sir--if you knew all,' she said.</p>

<p id="iv.xi-p109"><br />
</p>

<p id="iv.xi-p110">'Tell me, then.'</p>

<p id="iv.xi-p111"><br />
</p>

<p id="iv.xi-p112">'I cannot. I dare not. Please--I would rather go.'</p>

<p id="iv.xi-p113"><br />
</p>

<p id="iv.xi-p114">She looked, from the mere glimpses I could get of her, somewhere
about five-and-twenty, making due allowance for the wear of
suffering so evident even in those glimpses. I think she might have
been beautiful if the waste of her history could have been
restored. That she had had at least some advantages of education,
was evident from both her tone and her speech. But oh, the wild
eyes, and the tortured lips, drawn back from the teeth with an
agony of hopelessness, as she struggled anew, perhaps mistrusting
them, to escape from the great arms that held her!</p>

<p id="iv.xi-p115"><br />
</p>

<p id="iv.xi-p116">'But the river cannot drown <i>you</i>,' Falconer said. 'It can
only stop your breath. It cannot stop your thinking. You will go on
thinking, thinking, all the same. Drowning people remember in a
moment all their past lives. All their evil deeds come up before
them, as if they were doing them all over again. So they plunge
back into the past and all its misery. While their bodies are
drowning, their souls are coming more and more awake.'</p>

<p id="iv.xi-p117"><br />
</p>

<p id="iv.xi-p118">'That is dreadful,' she murmured, with her great eyes fixed on
his, and growing steadier in their regard. She had ceased to
struggle, so he had slackened his hold of her, and she was leaning
back against the fence.</p>

<p id="iv.xi-p119"><br />
</p>

<p id="iv.xi-p120">'And then,' he went on, 'what if, instead of closing your eyes,
as you expected, and going to sleep, and forgetting everything, you
should find them come open all at once, in the midst of a multitude
of eyes all round about you, all looking at you, all thinking about
you, all judging you? What if you should hear, not a tumult of
voices and noises, from which you could hope to hide, but a solemn
company talking about you--every word clear and plain, piercing
your heart with what you could not deny,--and you standing naked
and shivering in the midst of them?'</p>

<p id="iv.xi-p121"><br />
</p>

<p id="iv.xi-p122">'It is too dreadful!' she cried, making a movement as if the
very horror of the idea had a fascination to draw her towards the
realization of it. 'But,' she added, yielding to Falconer's renewed
grasp, 'they wouldn't be so hard upon me there. They would not be
so cruel as men are here.'</p>

<p id="iv.xi-p123"><br />
</p>

<p id="iv.xi-p124">'Surely not. But all men are not cruel. I am not cruel,' he
added, forgetting himself for a moment, and caressing with his huge
hand the wild pale face that glimmered upon him as it were out of
the infinite night--all but swallowed up in it.</p>

<p id="iv.xi-p125"><br />
</p>

<p id="iv.xi-p126">She drew herself back, and Falconer, instantly removing his
hand, said,</p>

<p id="iv.xi-p127"><br />
</p>

<p id="iv.xi-p128">'Look in my face, child, and see whether you cannot trust
me.'</p>

<p id="iv.xi-p129"><br />
</p>

<p id="iv.xi-p130">As he uttered the words, he took off his hat, and stood
bare-headed in the moon, which now broke out clear from the clouds.
She did look at him. His hair blew about his face. He turned it
towards the wind and the moon, and away from her, that she might be
undisturbed in her scrutiny. But how she judged of him, I cannot
tell; for the next moment he called out in a tone of repressed
excitement,</p>

<p id="iv.xi-p131"><br />
</p>

<p id="iv.xi-p132">'Gordon, Gordon, look there--above your head, on the other
bridge.'</p>

<p id="iv.xi-p133"><br />
</p>

<p id="iv.xi-p134">I looked and saw a gray head peering over the same gap through
which Falconer had looked a few minutes before. I knew something of
his personal quest by this time, and concluded at once that he
thought it was or might be his father.</p>

<p id="iv.xi-p135"><br />
</p>

<p id="iv.xi-p136">'I cannot leave the poor thing--I dare not,' he said.</p>

<p id="iv.xi-p137"><br />
</p>

<p id="iv.xi-p138">I understood him, and darted off at full speed for the Surrey
end of the bridge. What made me choose that end, I do not know; but
I was right.</p>

<p id="iv.xi-p139"><br />
</p>

<p id="iv.xi-p140">I had some reason to fear that I might be stopped when I reached
it, as I had no business to be upon the new bridge. I therefore
managed, where the upper bridge sank again towards a level with the
lower, to scramble back upon it. As I did so the tall gray-headed
man passed me with an uncertain step. I did not see his face. I
followed him a few yards behind. He seemed to hear and dislike the
sound of my footsteps, for he quickened his pace. I let him
increase the distance between us, but followed him still. He turned
down the river. I followed. He began to double. I doubled after
him. Not a turn could he get before me. He crossed all the main
roads leading to the bridges till he came to the last--when he
turned toward London Bridge. At the other end, he went down the
stairs into Thames Street, and held eastward still. It was not
difficult to keep up with him, for his stride though long was slow.
He never looked round, and I never saw his face; but I could not
help fancying that his back and his gait and his carriage were very
like Falconer's.</p>

<p id="iv.xi-p141"><br />
</p>

<p id="iv.xi-p142">We were now in a quarter of which I knew nothing, but as far as
I can guess from after knowledge, it was one of the worst districts
in London, lying to the east of Spital Square. It was late, and
there were not many people about.</p>

<p id="iv.xi-p143"><br />
</p>

<p id="iv.xi-p144">As I passed a court, I was accosted thus:</p>

<p id="iv.xi-p145"><br />
</p>

<p id="iv.xi-p146">''Ain't you got a glass of ale for a poor cove, gov'nor?'</p>

<p id="iv.xi-p147"><br />
</p>

<p id="iv.xi-p148">'I have no coppers,' I said hastily. 'I am in a hurry besides,'
I added as I walked on.</p>

<p id="iv.xi-p149"><br />
</p>

<p id="iv.xi-p150">'Come, come!' he said, getting up with me in a moment, 'that
ain't a civil answer to give a cove after his lush, that 'ain't got
a blessed mag.'</p>

<p id="iv.xi-p151"><br />
</p>

<p id="iv.xi-p152">As he spoke he laid his hand rather heavily on my arm. He was a
lumpy-looking individual, like a groom who had been discharged for
stealing his horse's provender, and had not quite worn out the
clothes he had brought with him. From the opposite side at the same
moment, another man appeared, low in stature, pale, and marked with
the small-pox.</p>

<p id="iv.xi-p153"><br />
</p>

<p id="iv.xi-p154">He advanced upon me at right angles. I shook off the hand of the
first, and I confess would have taken to my heels, for more reasons
than one, but almost before I was clear of him, the other came
against me, and shoved me into one of the low-browed entries which
abounded.</p>

<p id="iv.xi-p155"><br />
</p>

<p id="iv.xi-p156">I was so eager to follow my chase that I acted foolishly
throughout. I ought to have emptied my pockets at once; but I was
unwilling to lose a watch which was an old family piece, and of
value besides.</p>

<p id="iv.xi-p157"><br />
</p>

<p id="iv.xi-p158">'Come, come! I don't carry a barrel of ale in my pocket,' I
said, thinking to keep them in good-humour. I know better now. Some
of these roughs will take all you have in the most good-humoured
way in the world, bandying chaff with you all the time. I had got
amongst another set, however.</p>

<p id="iv.xi-p159"><br />
</p>

<p id="iv.xi-p160">'Leastways you've got as good,' said a third, approaching from
the court, as villanous-looking a fellow as I have ever seen.</p>

<p id="iv.xi-p161"><br />
</p>

<p id="iv.xi-p162">'This is hardly the right way to ask for it,' I said, looking
out for a chance of bolting, but putting my hand in my pocket at
the same time. I confess again I acted very stupidly throughout the
whole affair, but it was my first experience.</p>

<p id="iv.xi-p163"><br />
</p>

<p id="iv.xi-p164">'It's a way we've got down here, anyhow,' said the third with a
brutal laugh. 'Look out, Savoury Sam,' he added to one of them.</p>

<p id="iv.xi-p165"><br />
</p>

<p id="iv.xi-p166">'Now I don't want to hurt you,' struck in the first, coming
nearer, 'but if you gives tongue, I'll make cold meat of you, and
gouge your pockets at my leisure, before ever a blueskin can turn
the corner.'</p>

<p id="iv.xi-p167"><br />
</p>

<p id="iv.xi-p168">Two or three more came sidling up with their hands in their
pockets.</p>

<p id="iv.xi-p169"><br />
</p>

<p id="iv.xi-p170">'What have you got there, Slicer?' said one of them, addressing
the third, who looked like a ticket-of-leave man.</p>

<p id="iv.xi-p171"><br />
</p>

<p id="iv.xi-p172">'We've cotched a pig-headed counter-jumper here, that didn't
know Jim there from a man-trap, and went by him as if he'd been a
bull-dog on a long-chain. He wants to fight cocum. But we won't
trouble him. We'll help ourselves. Shell out now.'</p>

<p id="iv.xi-p173"><br />
</p>

<p id="iv.xi-p174">As he spoke he made a snatch at my watch-chain. I forgot myself
and hit him. The same moment I received a blow on the head, and
felt the blood running down my face. I did not quite lose my
senses, though, for I remember seeing yet another man--a tall
fellow, coming out of the gloom of the court. How it came into my
mind, I do not know, and what I said I do not remember, but I must
have mentioned Falconer's name somehow.</p>

<p id="iv.xi-p175"><br />
</p>

<p id="iv.xi-p176">The man they called Slicer, said,</p>

<p id="iv.xi-p177"><br />
</p>

<p id="iv.xi-p178">'Who's he? Don't know the--.'</p>

<p id="iv.xi-p179"><br />
</p>

<p id="iv.xi-p180">Words followed which I cannot write.</p>

<p id="iv.xi-p181"><br />
</p>

<p id="iv.xi-p182">'What! you devil's gossoon!' returned an Irish voice I had not
heard before. 'You don't know Long Bob, you gonnof!'</p>

<p id="iv.xi-p183"><br />
</p>

<p id="iv.xi-p184">All that passed I heard distinctly, but I was in a half faint, I
suppose, for I could no longer see.</p>

<p id="iv.xi-p185"><br />
</p>

<p id="iv.xi-p186">'Now what the devil in a dice-box do you mean?' said Slicer,
possessing himself of my watch. 'Who is the blasted cove?--not that
I care a flash of damnation.'</p>

<p id="iv.xi-p187"><br />
</p>

<p id="iv.xi-p188">'A man as 'll knock you down if he thinks you want it, or give
you a half-a-crown if he thinks you want it--all's one to him, only
he'll have the choosing which.'</p>

<p id="iv.xi-p189"><br />
</p>

<p id="iv.xi-p190">'What the hell's that to me? Look spry. He mustn't lie there all
night. It's too near the ken. Come along, you Scotch haddock.'</p>

<p id="iv.xi-p191"><br />
</p>

<p id="iv.xi-p192">I was aware of a kick in the side as he spoke.</p>

<p id="iv.xi-p193"><br />
</p>

<p id="iv.xi-p194">'I tell you what it is, Slicer,' said one whose voice I had not
yet heard, 'if so be this gentleman's a friend of Long Bob, you
just let him alone, <i>I</i> say.'</p>

<p id="iv.xi-p195"><br />
</p>

<p id="iv.xi-p196">I opened my eyes now, and saw before me a tall rather slender
man in a big loose dress-coat, to whom Slicer had turned with the
words,</p>

<p id="iv.xi-p197"><br />
</p>

<p id="iv.xi-p198">'<i>You</i> say! Ha! ha! Well, <i>I</i> say--There's my Scotch
haddock! who'll touch him?'</p>

<p id="iv.xi-p199"><br />
</p>

<p id="iv.xi-p200">'I'll take him home,' said the tall man, advancing towards me. I
made an attempt to rise. But I grew deadly ill, fell back, and
remember nothing more.</p>

<p id="iv.xi-p201"><br />
</p>

<p id="iv.xi-p202">When I came to myself I was lying on a bed in a miserable place.
A middle-aged woman of degraded countenance, but kindly eyes, was
putting something to my mouth with a teaspoon: I knew it by the
smell to be gin. But I could not yet move. They began to talk about
me, and I lay and listened. Indeed, while I listened, I lost for a
time all inclination to get up, I was so much interested in what I
heard.</p>

<p id="iv.xi-p203"><br />
</p>

<p id="iv.xi-p204">'He's comin' to hisself,' said the woman. 'He'll be all right by
and by. I wonder what brings the likes of him into the likes of
this place. It must look a kind of hell to them gentle-folks,
though <i>w</i>e manage to live and die in it.'</p>

<p id="iv.xi-p205"><br />
</p>

<p id="iv.xi-p206">'I suppose,' said another, 'he's come on some of Mr. Falconer's
business.'</p>

<p id="iv.xi-p207"><br />
</p>

<p id="iv.xi-p208">'That's why Job's took him in charge. They say he was after
somebody or other, they think.--No friend of Mr. Falconer's would
be after another for any mischief,' said my hostess.</p>

<p id="iv.xi-p209"><br />
</p>

<p id="iv.xi-p210">'But who is this Mr. Falconer?--Is Long Bob and he both the same
alias?' asked a third.</p>

<p id="iv.xi-p211"><br />
</p>

<p id="iv.xi-p212">'Why, Bessy, ain't you no better than that damned Slicer, who
ought to ha' been hung up to dry this many a year? But to be sure
you 'ain't been long in our quarter. Why, every child hereabouts
knows Mr. Falconer. Ask Bobby there.'</p>

<p id="iv.xi-p213"><br />
</p>

<p id="iv.xi-p214">'Who's Mr. Falconer, Bobby?'</p>

<p id="iv.xi-p215"><br />
</p>

<p id="iv.xi-p216">A child's voice made reply,</p>

<p id="iv.xi-p217"><br />
</p>

<p id="iv.xi-p218">'A man with a long, long beard, that goes about, and sometimes
grows tired and sits on a door-step. I see him once. But he ain't
Mr. Falconer, nor Long Bob neither,' added Bobby in a mysterious
tone. 'I know who he is.'</p>

<p id="iv.xi-p219"><br />
</p>

<p id="iv.xi-p220">'What do you mean, Bobby? Who is he, then?'</p>

<p id="iv.xi-p221"><br />
</p>

<p id="iv.xi-p222">The child answered very slowly and solemnly,</p>

<p id="iv.xi-p223"><br />
</p>

<p id="iv.xi-p224">'He's Jesus Christ.'</p>

<p id="iv.xi-p225"><br />
</p>

<p id="iv.xi-p226">The woman burst into a rude laugh.</p>

<p id="iv.xi-p227"><br />
</p>

<p id="iv.xi-p228">'Well,' said Bobby in an offended tone, 'Slicer's own Tom says
so, and Polly too. We all says so. He allus pats me on the head,
and gives me a penny.'</p>

<p id="iv.xi-p229"><br />
</p>

<p id="iv.xi-p230">Here Bobby began to cry, bitterly offended at the way Bessy had
received his information, after considering him sufficiently
important to have his opinion asked.</p>

<p id="iv.xi-p231"><br />
</p>

<p id="iv.xi-p232">'True enough,' said his mother. 'I see him once a-sittin' on a
door-step, lookin' straight afore him, and worn-out like, an' a lot
o' them childer standin' all about him, an' starin' at him as mum
as mice, for fear of disturbin' of him. When I come near, he got up
with a smile on his face, and give each on 'em a penny all round,
and walked away. Some do say he's a bit crazed like; but I never
saw no sign o' that; and if any one ought to know, that one's Job's
Mary; and you may believe me when I tell you that he was here night
an' mornin' for a week, and after that off and on, when we was all
down in the cholerer. Ne'er a one of us would ha' come through but
for him.'</p>

<p id="iv.xi-p233"><br />
</p>

<p id="iv.xi-p234">I made an attempt to rise. The woman came to my bedside.</p>

<p id="iv.xi-p235"><br />
</p>

<p id="iv.xi-p236">'How does the gentleman feel hisself now?' she asked kindly.</p>

<p id="iv.xi-p237"><br />
</p>

<p id="iv.xi-p238">'Better, thank you,' I said. 'I am ashamed of lying like this,
but I feel very queer.'</p>

<p id="iv.xi-p239"><br />
</p>

<p id="iv.xi-p240">'And it's no wonder, when that devil Slicer give you one o' his
even down blows on the top o' your head. Nobody knows what he carry
in his sleeve that he do it with--only you've got off well, young
man, and that <i>I</i> tell you, with a decent cut like that. Only
don't you go tryin' to get up now. Don't be in a hurry till your
blood comes back like.'</p>

<p id="iv.xi-p241"><br />
</p>

<p id="iv.xi-p242">I lay still again for a little. When I lifted my hand to my
head, I found it was bandaged up. I tried again to rise. The woman
went to the door, and called out,</p>

<p id="iv.xi-p243"><br />
</p>

<p id="iv.xi-p244">'Job, the gentleman's feelin' better. He'll soon be able to
move, I think. What will you do with him now?'</p>

<p id="iv.xi-p245"><br />
</p>

<p id="iv.xi-p246">'I'll go and get a cab,' said Job; and I heard him go down a
stair.</p>

<p id="iv.xi-p247"><br />
</p>

<p id="iv.xi-p248">I raised myself, and got on the floor, but found I could not
stand. By the time the cab arrived, however, I was able to crawl to
it. When Job came, I saw the same tall thin man in the long dress
coat. His head was bound up too.</p>

<p id="iv.xi-p249"><br />
</p>

<p id="iv.xi-p250">'I am sorry to see you too have been hurt--for my sake, of
course,' I said. 'Is it a bad blow?'</p>

<p id="iv.xi-p251"><br />
</p>

<p id="iv.xi-p252">'Oh! it ain't over much. I got in with a smeller afore he came
right down with his slogger. But I say, I hope as how you <i>
are</i> a friend of Mr. Falconer's, for you see we can't afford the
likes of this in this quarter for every chance that falls in
Slicer's way. Gentlemen has no business here.'</p>

<p id="iv.xi-p253"><br />
</p>

<p id="iv.xi-p254">'On the contrary, I mean to come again soon, to thank you all
for being so good to me.'</p>

<p id="iv.xi-p255"><br />
</p>

<p id="iv.xi-p256">'Well, when you comes next, you'd better come with <i>him</i>,
you know.'</p>

<p id="iv.xi-p257"><br />
</p>

<p id="iv.xi-p258">'You mean with Mr. Falconer?'</p>

<p id="iv.xi-p259"><br />
</p>

<p id="iv.xi-p260">'Yes, who else? But are you able to go now? for the sooner
you're out of this the better.'</p>

<p id="iv.xi-p261"><br />
</p>

<p id="iv.xi-p262">'Quite able. Just give me your arm.'</p>

<p id="iv.xi-p263"><br />
</p>

<p id="iv.xi-p264">He offered it kindly. Taking a grateful farewell of my hostess,
I put my hand in my pocket, but there was nothing there. Job led me
to the mouth of the court, where a cab, evidently of a sort with
the neighbourhood, was waiting for us. I got in. Job was shutting
the door.</p>

<p id="iv.xi-p265"><br />
</p>

<p id="iv.xi-p266">'Come along with me, Job,' I said. 'I'm going straight to Mr.
Falconer's. He will like to see you, especially after your kindness
to me.'</p>

<p id="iv.xi-p267"><br />
</p>

<p id="iv.xi-p268">'Well, I don't mind if I do look arter you a little longer; for
to tell the truth,' said Job, as he opened the door, and got in
beside me, 'I don't over and above like the look of
the--horse.'</p>

<p id="iv.xi-p269"><br />
</p>

<p id="iv.xi-p270">'It's no use trying to rob me over again,' I said; but he gave
no reply. He only shouted to the cabman to drive to John Street,
telling him the number.</p>

<p id="iv.xi-p271"><br />
</p>

<p id="iv.xi-p272">I can scarcely recall anything more till we reached Falconer's
chambers. Job got out and rang the bell. Mrs. Ashton came down. Her
master was not come home.</p>

<p id="iv.xi-p273"><br />
</p>

<p id="iv.xi-p274">'Tell Mr. Falconer,' I said, 'that I'm all right, only I
couldn't make anything of it.'</p>

<p id="iv.xi-p275"><br />
</p>

<p id="iv.xi-p276">'Tell him,' growled Job, 'that he's got his head broken, and
won't be out o' bed to-morrow. That's the way with them fine-bred
ones. They lies a-bed when the likes o' me must go out what they
calls a-custamongering, broken head and all.'</p>

<p id="iv.xi-p277"><br />
</p>

<p id="iv.xi-p278">'You shall stay at home for a week if you like, Job--that is if
I've got enough to give you a week's earnings. I'm not sure though
till I look, for I'm not a rich man any more than yourself.'</p>

<p id="iv.xi-p279"><br />
</p>

<p id="iv.xi-p280">'Rubbish!' said Job as he got in again; 'I was only flummuxing
the old un. Bless your heart, sir, I wouldn't stay in--not for
nothink. Not for a bit of a pat on the crown, nohow. Home ain't
none so nice a place to go snoozing in--nohow. Where do you go to,
gov'nor?'</p>

<p id="iv.xi-p281"><br />
</p>

<p id="iv.xi-p282">I told him. When I got out, and was opening the door, leaning on
his arm, I said I was very glad they hadn't taken my keys.</p>

<p id="iv.xi-p283"><br />
</p>

<p id="iv.xi-p284">'Slicer nor Savoury Sam neither's none the better o' you, and I
hopes you're not much the worse for them,' said Job, as he put into
my hands my purse and watch. 'Count it, gov'nor, and see if it's
all right. Them pusses is mannyfactered express for the convenience
o' the fakers. Take my advice, sir, and keep a yellow dump
(<i>sovereign</i>) in yer coat-tails, a flatch yenork
(<i>half-crown</i>) in yer waistcoat, and yer yeneps (<i>pence</i>)
in yer breeches. You won't lose much nohow then. Good-night, sir,
and I wish you better.'</p>

<p id="iv.xi-p285"><br />
</p>

<p id="iv.xi-p286">'But I must give you something for plaster,' I said. 'You'll
take a yellow dump, at least?'</p>

<p id="iv.xi-p287"><br />
</p>

<p id="iv.xi-p288">'We'll talk about that another day,' said Job; and with a second
still heartier good-night, he left me. I managed to crawl up to my
room, and fell on my bed once more fainting. But I soon recovered
sufficiently to undress and get into it. I was feverish all night
and next day, but towards evening begun to recover.</p>

<p id="iv.xi-p289"><br />
</p>

<p id="iv.xi-p290">I kept expecting Falconer to come and inquire after me; but he
never came. Nor did he appear the next day or the next, and I began
to be very uneasy about him. The fourth day I sent for a cab, and
drove to John Street. He was at home, but Mrs. Ashton, instead of
showing me into his room, led me into her kitchen, and left me
there.</p>

<p id="iv.xi-p291"><br />
</p>

<p id="iv.xi-p292">A minute after, Falconer came to me. The instant I saw him I
understood it all. I read it in his face: he had found his
father.</p>

<p id="iv.xi-p293"><br />
</p>

<p id="iv.xi-p294"><br />
</p>

</div2>

      <div2 title="CHAPTER XII.--ANDREW AT LAST." n="xii" shorttitle="" progress="86.19%" id="iv.xii" prev="iv.xi" next="iv.xiii">

<p id="iv.xii-p1"><br />
</p>

<p id="iv.xii-p2">CHAPTER XII.</p>

<p id="iv.xii-p3"><br />
</p>

<p id="iv.xii-p4">ANDREW AT LAST.</p>

<p id="iv.xii-p5"><br />
</p>

<p id="iv.xii-p6">HAVING at length persuaded the woman to go with him, Falconer
made her take his arm, and led her off the bridge. In Parliament
Street he was looking about for a cab as they walked on, when a man
he did not know, stopped, touched his hat, and addressed him.</p>

<p id="iv.xii-p7"><br />
</p>

<p id="iv.xii-p8">'I'm thinkin', sir, ye'll be sair wantit at hame the nicht It
wad be better to gang at ance, an' lat the puir fowk luik efter
themsels for ae nicht.'</p>

<p id="iv.xii-p9"><br />
</p>

<p id="iv.xii-p10">'I'm sorry I dinna ken ye, man. Do ye ken me?'</p>

<p id="iv.xii-p11"><br />
</p>

<p id="iv.xii-p12">'Fine that, Mr. Falconer. There's mony ane kens you and praises
God.'</p>

<p id="iv.xii-p13"><br />
</p>

<p id="iv.xii-p14">'God be praised!' returned Falconer. 'Why am I wanted at
home?'</p>

<p id="iv.xii-p15"><br />
</p>

<p id="iv.xii-p16">''Deed I wad raither not say, sir.--Hey!'</p>

<p id="iv.xii-p17"><br />
</p>

<p id="iv.xii-p18">This last exclamation was addressed to a cab just disappearing
down King Street from Whitehall. The driver heard, turned, and in a
moment more was by their side.</p>

<p id="iv.xii-p19"><br />
</p>

<p id="iv.xii-p20">'Ye had better gang into her an' awa' hame, and lea' the poor
lassie to me. I'll tak guid care o' her.'</p>

<p id="iv.xii-p21"><br />
</p>

<p id="iv.xii-p22">She clung to Falconer's arm. The man opened the door of the cab.
Falconer put her in, told the driver to go to Queen Square, and if
he could not make haste, to stop the first cab that could, got in
himself, thanked his unknown friend, who did not seem quite
satisfied, and drove off.</p>

<p id="iv.xii-p23"><br />
</p>

<p id="iv.xii-p24">Happily Miss St. John was at home, and there was no delay.
Neither was any explanation of more than six words necessary. He
jumped again into the cab and drove home. Fortunately for his mood,
though in fact it mattered little for any result, the horse was
fresh, and both able and willing.</p>

<p id="iv.xii-p25"><br />
</p>

<p id="iv.xii-p26">When he entered John Street, he came to observe before reaching
his own door that a good many men were about in little quiet
groups--some twenty or so, here and there. When he let himself in
with his pass-key, there were two men in the entry. Without
stopping to speak, he ran up to his own chambers. When he got into
his sitting-room, there stood De Fleuri, who simply waved his hand
towards the old sofa. On it lay an elderly man, with his eyes half
open, and a look almost of idiocy upon his pale, puffed face, which
was damp and shining. His breathing was laboured, but there was no
further sign of suffering. He lay perfectly still. Falconer saw at
once that he was under the influence of some narcotic, probably
opium; and the same moment the all but conviction darted into his
mind that Andrew Falconer, his grandmother's son, lay there before
him. That he was his own father he had no feeling yet. He turned to
De Fleuri.</p>

<p id="iv.xii-p27"><br />
</p>

<p id="iv.xii-p28">'Thank you, friend,' he said. 'I shall find time to thank
you.'</p>

<p id="iv.xii-p29"><br />
</p>

<p id="iv.xii-p30">'Are we right?' asked De Fleuri.</p>

<p id="iv.xii-p31"><br />
</p>

<p id="iv.xii-p32">'I don't know. I think so,' answered Falconer; and without
another word the man withdrew.</p>

<p id="iv.xii-p33"><br />
</p>

<p id="iv.xii-p34">His first mood was very strange. It seemed as if all the romance
had suddenly deserted his life, and it lay bare and hopeless. He
felt nothing. No tears rose to the brim of their bottomless
wells--the only wells that have no bottom, for they go into the
depths of the infinite soul. He sat down in his chair, stunned as
to the heart and all the finer chords of his nature. The man on the
horsehair sofa lay breathing--that was all. The gray hair about the
pale ill-shaven face glimmered like a cloud before him. What should
he do or say when he awaked? How approach this far-estranged soul?
How ever send the cry of <i>father</i> into that fog-filled world?
Could he ever have climbed on those knees and kissed those lips, in
the far-off days when the sun and the wind of that northern
atmosphere made his childhood blessed beyond dreams? The
actual--that is the present phase of the ever-changing--looked the
ideal in the face; and the mirror that held them both, shook and
quivered at the discord of the faces reflected. A kind of moral
cold seemed to radiate from the object before him, and chill him to
the very bones. This could not long be endured. He fled from the
actual to the source of all the ideal--to that Saviour who, the
infinite mediator, mediates between all hopes and all positions;
between the most debased actual and the loftiest ideal; between the
little scoffer of St. Giles's and his angel that ever beholds the
face of the Father in heaven. He fell on his knees, and spoke to
God, saying that he had made this man; that the mark of his fingers
was on the man's soul somewhere. He prayed to the making Spirit to
bring the man to his right mind, to give him once more the heart of
a child, to begin him yet again at the beginning. Then at last, all
the evil he had done and suffered would but swell his gratitude to
Him who had delivered him from himself and his own deeds. Having
breathed this out before the God of his life, Falconer rose,
strengthened to meet the honourable debased soul when it should at
length look forth from the dull smeared windows of those ill-used
eyes.</p>

<p id="iv.xii-p35"><br />
</p>

<p id="iv.xii-p36">He felt his pulse. There was no danger from the narcotic. The
coma would pass away. Meantime he would get him to bed. When he
began to undress him a new reverence arose which overcame all
disgust at the state in which he found him. At length one sad
little fact about his dress, revealing the poverty-stricken attempt
of a man to preserve the shadow of decency, called back the waters
of the far-ebbed ocean of his feelings. At the prick of a pin the
heart's blood will flow: at the sight of--a pin it was--Robert
burst into tears, and wept like a child; the deadly cold was
banished from his heart, and he not only loved, but knew that he
loved--felt the love that was there. Everything then about the worn
body and shabby garments of the man smote upon the heart of his
son, and through his very poverty he was sacred in his eyes. The
human heart awakened the filial--reversing thus the ordinary
process of Nature, who by means of the filial, when her plans are
unbroken, awakes the human; and he reproached himself bitterly for
his hardness, as he now judged his late mental condition--unfairly,
I think. He soon had him safe in bed, unconscious of the helping
hands that had been busy about him in his heedless sleep;
unconscious of the radiant planet of love that had been folding him
round in its atmosphere of affection.</p>

<p id="iv.xii-p37"><br />
</p>

<p id="iv.xii-p38">But while he thus ministered, a new question arose in his
mind--to meet with its own new, God-given answer. What if this
should not be the man after all?--if this love had been spent in
mistake, and did not belong to him at all? The answer was, that he
was a man. The love Robert had given he could not, would not
withdraw. The man who had been for a moment as his father he could
not cease to regard with devotion. At least he was a man with a
divine soul. He might at least be somebody's father. Where love had
found a moment's rest for the sole of its foot, there it must build
its nest.</p>

<p id="iv.xii-p39"><br />
</p>

<p id="iv.xii-p40">When he had got him safe in bed, he sat down beside him to think
what he would do next. This sleep gave him very needful leisure to
think. He could determine nothing--not even how to find out if he
was indeed his father. If he approached the subject without guile,
the man might be fearful and cunning--might have reasons for being
so, and for striving to conceal the truth. But this was the first
thing to make sure of, because, if it was he, all the hold he had
upon him lay in his knowing it for certain. He could not think. He
had had little sleep the night before. He must not sleep this
night. He dragged his bath into his sitting-room, and refreshed his
faculties with plenty of cold water, then lighted his pipe and went
on thinking--not without prayer to that Power whose candle is the
understanding of man. All at once he saw how to begin. He went
again into the chamber, and looked at the man, and handled him, and
knew by his art that a waking of some sort was nigh. Then he went
to a corner of his sitting-room, and from beneath the table drew
out a long box, and from the box lifted Dooble Sandy's auld wife,
tuned the somewhat neglected strings, and laid the instrument on
the table.</p>

<p id="iv.xii-p41"><br />
</p>

<p id="iv.xii-p42">When, keeping constant watch over the sleeping man, he judged at
length that his soul had come near enough to the surface of the
ocean of sleep to communicate with the outer world through that
bubble his body, which had floated upon its waves all the night
unconscious, he put his chair just outside the chamber door, which
opened from his sitting-room, and began to play gently, softly, far
away. For a while he extemporized only, thinking of Rothieden, and
the grandmother, and the bleach-green, and the hills, and the waste
old factory, and his mother's portrait and letters. As he dreamed
on, his dream got louder, and, he hoped, was waking a more and more
vivid dream in the mind of the sleeper. 'For who can tell,' thought
Falconer, 'what mysterious sympathies of blood and childhood's
experience there may be between me and that man?--such, it may be,
that my utterance on the violin will wake in his soul the very
visions of which my soul is full while I play, each with its own
nebulous atmosphere of dream-light around it.' For music wakes its
own feeling, and feeling wakes thought, or rather, when perfected,
blossoms into thought, thought radiant of music as those lilies
that shine phosphorescent in the July nights. He played more and
more forcefully, growing in hope. But he had been led astray in
some measure by the fulness of his expectation. Strange to tell,
doctor as he was, he had forgotten one important factor in his
calculation: how the man would awake from his artificial sleep. He
had not reckoned of how the limbeck of his brain would be left
discoloured with vile deposit, when the fumes of the narcotic
should have settled and given up its central spaces to the
faintness of desertion.</p>

<p id="iv.xii-p43"><br />
</p>

<p id="iv.xii-p44">Robert was very keen of hearing. Indeed he possessed all his
senses keener than any other man I have known. He heard him toss on
his bed. Then he broke into a growl, and damned the miauling,
which, he said, the strings could never have learned anywhere but
in a cat's belly. But Robert was used to bad language; and there
are some bad things which, seeing that there they are, it is of the
greatest consequence to get used to. It gave him, no doubt, a pang
of disappointment to hear such an echo to his music from the soul
which he had hoped especially fitted to respond in harmonious
unison with the wail of his violin. But not for even this moment
did he lose his presence of mind. He instantly moderated the tone
of the instrument, and gradually drew the sound away once more into
the distance of hearing. But he did not therefore let it die.
Through various changes it floated in the thin æther of the soul,
changes delicate as when the wind leaves the harp of the reeds by a
river's brink, and falls a-ringing at the heather bells, or playing
with the dry silvery pods of honesty that hang in the poor man's
garden, till at length it drew nearer once more, bearing on its
wings the wail of red Flodden, the Flowers of the Forest. Listening
through the melody for sounds of a far different kind, Robert was
aware that those sounds had ceased; the growling was still; he
heard no more turnings to and fro. How it was operating he could
not tell, further than that there must be some measure of soothing
in its influence. He ceased quite, and listened again. For a few
moments there was no sound. Then he heard the half-articulate
murmuring of one whose organs have been all but overcome by the
beneficent paralysis of sleep, but whose feeble will would compel
them to utterance. He was nearly asleep again. Was it a fact, or a
fancy of Robert's eager heart? Did the man really say,</p>

<p id="iv.xii-p45"><br />
</p>

<p id="iv.xii-p46">'Play that again, father. It's bonnie, that! I aye likit the
Flooers o' the Forest. Play awa'. I hae had a frichtsome dream. I
thocht I was i' the ill place. I doobt I'm no weel. But yer fiddle
aye did me gude. Play awa', father!'</p>

<p id="iv.xii-p47"><br />
</p>

<p id="iv.xii-p48">All the night through, till the dawn of the gray morning,
Falconer watched the sleeping man, all but certain that he was
indeed his father. Eternities of thought passed through his mind as
he watched--this time by the couch, as he hoped, of a new birth. He
was about to see what could be done by one man, strengthened by all
the aids that love and devotion could give, for the redemption of
his fellow. As through the darkness of the night and a sluggish fog
to aid it, the light of a pure heaven made its slow irresistible
way, his hope grew that athwart the fog of an evil life, the
darkness that might be felt, the light of the Spirit of God would
yet penetrate the heart of the sinner, and shake the wickedness out
of it. Deeper and yet deeper grew his compassion and his sympathy,
in prospect of the tortures the man must go through, before the
will that he had sunk into a deeper sleep than any into which opium
could sink his bodily being, would shake off its deathly lethargy,
and arise, torn with struggling pain, to behold the light of a new
spiritual morning. All that he could do he was prepared to do,
regardless of entreaty, regardless of torture, anger, and hate,
with the inexorable justice of love, the law that will not, must
not, dares not yield--strong with an awful tenderness, a wisdom
that cannot be turned aside, to redeem the lost soul of his father.
And he strengthened his heart for the conflict by saying that if he
would do thus for his father, what would not God do for his child?
Had He not proved already, if there was any truth in the grand
story of the world's redemption through that obedience unto the
death, that his devotion was entire, and would leave nothing undone
that could be done to lift this sheep out of the pit into whose
darkness and filth he had fallen out of the sweet Sabbath of the
universe?</p>

<p id="iv.xii-p49"><br />
</p>

<p id="iv.xii-p50">He removed all his clothes, searched the pockets, found in them
one poor shilling and a few coppers, a black <i>cutty</i> pipe, a
box of snuff, a screw of pigtail, a knife with a buckhorn handle
and one broken blade, and a pawn-ticket for a keyed flute, on the
proceeds of which he was now sleeping--a sleep how dearly
purchased, when he might have had it free, as the gift of God's
gentle darkness! Then he destroyed the garments, committing them to
the fire as the hoped farewell to the state of which they were the
symbols and signs.</p>

<p id="iv.xii-p51"><br />
</p>

<p id="iv.xii-p52">He found himself perplexed, however, by the absence of some of
the usual symptoms of the habit of opium, and concluded that his
poor father was in the habit of using stimulants as well as
narcotics, and that the action of the one interfered with the
action of the other.</p>

<p id="iv.xii-p53"><br />
</p>

<p id="iv.xii-p54">He called his housekeeper. She did not know whom her master
supposed his guest to be, and regarded him only as one of the many
objects of his kindness. He told her to get some tea ready, as the
patient would most likely wake with a headache. He instructed her
to wait upon him as a matter of course, and explain nothing. He had
resolved to pass for the doctor, as indeed he was; and he told her
that if he should be at all troublesome, he would be with her at
once. She must keep the room dark. He would have his own breakfast
now; and if the patient remained quiet, would sleep on the
sofa.</p>

<p id="iv.xii-p55"><br />
</p>

<p id="iv.xii-p56">He woke murmuring, and evidently suffered from headache and
nausea. Mrs. Ashton took him some tea. He refused it with an
oath--more of discomfort than of ill-nature--and was too unwell to
show any curiosity about the person who had offered it. Probably he
was accustomed to so many changes of abode, and to so many
bewilderments of the brain, that he did not care to inquire where
he was or who waited upon him. But happily for the heart's desire
of Falconer, the debauchery of his father had at length reached one
of many crises. He had caught cold before De Fleuri and his
comrades found him. He was now ill--feverish and oppressed. Through
the whole of the following week they nursed and waited upon him
without his asking a single question as to where he was or who they
were; during all which time Falconer saw no one but De Fleuri and
the many poor fellows who called to inquire after him and the
result of their supposed success. He never left the house, but
either watched by the bedside, or waited in the next room. Often
would the patient get out of bed, driven by the longing for drink
or for opium, gnawing him through all the hallucinations of
delirium; but he was weak, and therefore manageable. If in any
lucid moments he thought where he was, he no doubt supposed that he
was in a hospital, and probably had sense enough to understand that
it was of no use to attempt to get his own way there. He was soon
much worn, and his limbs trembled greatly. It was absolutely
necessary to give him stimulants, or he would have died, but Robert
reduced them gradually as he recovered strength.</p>

<p id="iv.xii-p57"><br />
</p>

<p id="iv.xii-p58">But there was an infinite work to be done beyond even curing him
of his evil habits. To keep him from strong drink and opium, even
till the craving after them was gone, would be but the capturing of
the merest outwork of the enemy's castle. He must be made such
that, even if the longing should return with tenfold force, and all
the means for its gratification should lie within the reach of his
outstretched hand, he would not touch them. God only was able to do
that for him. He would do all that he knew how to do, and God would
not fail of his part. For this he had raised him up; to this he had
called him; for this work he had educated him, made him a
physician, given him money, time, the love and aid of his fellows,
and, beyond all, a rich energy of hope and faith in his heart,
emboldening him to attempt whatever his hand found to do.</p>

<p id="iv.xii-p59"><br />
</p>

<p id="iv.xii-p60"><br />
</p>

</div2>

      <div2 title="CHAPTER XIII.--ANDREW REBELS." n="xiii" shorttitle="" progress="87.67%" id="iv.xiii" prev="iv.xii" next="iv.xiv">

<p id="iv.xiii-p1"><br />
</p>

<p id="iv.xiii-p2">CHAPTER XIII.</p>

<p id="iv.xiii-p3"><br />
</p>

<p id="iv.xiii-p4">ANDREW REBELS.</p>

<p id="iv.xiii-p5"><br />
</p>

<p id="iv.xiii-p6">AS Andrew Falconer grew better, the longing of his mind after
former excitement and former oblivion, roused and kept alive the
longing of his body, until at length his thoughts dwelt upon
nothing but his diseased cravings. His whole imagination, naturally
not a feeble one, was concentrated on the delights in store for him
as soon as he was well enough to be his own master, as he phrased
it, once more. He soon began to see that, if he was in a hospital,
it must be a private one, and at last, irresolute as he was both
from character and illness, made up his mind to demand his liberty.
He sat by his bedroom fire one afternoon, for he needed much
artificial warmth. The shades of evening were thickening the air.
He had just had one of his frequent meals, and was gazing, as he
often did, into the glowing coals. Robert had come in, and after a
little talk was sitting silent at the opposite corner of the
chimney-piece.</p>

<p id="iv.xiii-p7"><br />
</p>

<p id="iv.xiii-p8">'Doctor,' said Andrew, seizing the opportunity, 'you've been
very kind to me, and I don't know how to thank you, but it is time
I was going. I am quite well now. Would you kindly order the nurse
to bring me my clothes to-morrow morning, and I will go.'</p>

<p id="iv.xiii-p9"><br />
</p>

<p id="iv.xiii-p10">This he said with the quavering voice of one who speaks because
he has made up his mind to speak. A certain something, I believe a
vague molluscous form of conscience, made him wriggle and shift
uneasily upon his chair as he spoke.</p>

<p id="iv.xiii-p11"><br />
</p>

<p id="iv.xiii-p12">'No, no,' said Robert, 'you are not fit to go. Make yourself
comfortable, my dear sir. There is no reason why you should
go.'</p>

<p id="iv.xiii-p13"><br />
</p>

<p id="iv.xiii-p14">'There is something I don't understand about it. I want to
go.'</p>

<p id="iv.xiii-p15"><br />
</p>

<p id="iv.xiii-p16">'It would ruin my character as a professional man to let a
patient in your condition leave the house. The weather is
unfavourable. I cannot--I must not consent.'</p>

<p id="iv.xiii-p17"><br />
</p>

<p id="iv.xiii-p18">'Where am I? I don't understand it. I want to understand
it.'</p>

<p id="iv.xiii-p19"><br />
</p>

<p id="iv.xiii-p20">'Your friends wish you to remain where you are for the
present.'</p>

<p id="iv.xiii-p21"><br />
</p>

<p id="iv.xiii-p22">'I have no friends.'</p>

<p id="iv.xiii-p23"><br />
</p>

<p id="iv.xiii-p24">'You have one, at least, who puts his house here at your
service.'</p>

<p id="iv.xiii-p25"><br />
</p>

<p id="iv.xiii-p26">'There's something about it I don't like. Do you suppose I am
incapable of taking care of myself?'</p>

<p id="iv.xiii-p27"><br />
</p>

<p id="iv.xiii-p28">'I do indeed,' answered his son with firmness.</p>

<p id="iv.xiii-p29"><br />
</p>

<p id="iv.xiii-p30">'Then you are quite mistaken,' said Andrew, angrily. 'I am quite
well enough to go, and have a right to judge for myself. It is very
kind of you, but I am in a free country, I believe.'</p>

<p id="iv.xiii-p31"><br />
</p>

<p id="iv.xiii-p32">'No doubt. All honest men are free in this country. But--'</p>

<p id="iv.xiii-p33"><br />
</p>

<p id="iv.xiii-p34">He saw that his father winced, and said no more. Andrew resumed,
after a pause in which he had been rousing his feeble
drink-exhausted anger,</p>

<p id="iv.xiii-p35"><br />
</p>

<p id="iv.xiii-p36">'I tell you I will not be treated like a child. I demand my
clothes and my liberty.'</p>

<p id="iv.xiii-p37"><br />
</p>

<p id="iv.xiii-p38">'Do you know where you were found that night you were brought
here?'</p>

<p id="iv.xiii-p39"><br />
</p>

<p id="iv.xiii-p40">'No. But what has that to do with it? I was ill. You know that
as well as I.'</p>

<p id="iv.xiii-p41"><br />
</p>

<p id="iv.xiii-p42">'You are ill now because you were lying then on the wet ground
under a railway-arch--utterly incapable from the effects of opium,
or drink, or both. You would have been taken to the police-station,
and would probably have been dead long before now, if you had not
been brought here.'</p>

<p id="iv.xiii-p43"><br />
</p>

<p id="iv.xiii-p44">He was silent for some time. Then he broke out,</p>

<p id="iv.xiii-p45"><br />
</p>

<p id="iv.xiii-p46">'I tell you I <i>will</i> go. I do not choose to live on
charity. I will <i>not</i>. I demand my clothes.'</p>

<p id="iv.xiii-p47"><br />
</p>

<p id="iv.xiii-p48">'I tell you it is of no use. When you are well enough to go out
you shall go out, but not now.'</p>

<p id="iv.xiii-p49"><br />
</p>

<p id="iv.xiii-p50">'Where am I? Who are you?'</p>

<p id="iv.xiii-p51"><br />
</p>

<p id="iv.xiii-p52">He looked at Robert with a keen, furtive glance, in which were
mingled bewilderment and suspicion.</p>

<p id="iv.xiii-p53"><br />
</p>

<p id="iv.xiii-p54">'I am your best friend at present.'</p>

<p id="iv.xiii-p55"><br />
</p>

<p id="iv.xiii-p56">He started up--fiercely and yet feebly, for a thought of terror
had crossed him.</p>

<p id="iv.xiii-p57"><br />
</p>

<p id="iv.xiii-p58">'You do not mean I am in a madhouse?'</p>

<p id="iv.xiii-p59"><br />
</p>

<p id="iv.xiii-p60">Robert made no reply. He left him to suppose what he pleased.
Andrew took it for granted that he was in a private asylum, sank
back in his chair, and from that moment was quiet as a lamb. But it
was easy to see that he was constantly contriving how to escape.
This mental occupation, however, was excellent for his recovery;
and Robert dropped no hint of his suspicion. Nor were many
precautions necessary in consequence; for he never left the house
without having De Fleuri there, who was a man of determination,
nerve, and, now that he ate and drank, of considerable
strength.</p>

<p id="iv.xiii-p61"><br />
</p>

<p id="iv.xiii-p62">As he grew better, the stimulants given him in the form of
medicine at length ceased. In their place Robert substituted other
restoratives, which prevented him from missing the stimulants so
much, and at length got his system into a tolerably healthy
condition, though at his age, and after so long indulgence, it
could hardly be expected ever to recover its tone.</p>

<p id="iv.xiii-p63"><br />
</p>

<p id="iv.xiii-p64">He did all he could to provide him with healthy
amusement--played backgammon, draughts, and cribbage with him,
brought him Sir Walter's and other novels to read, and often played
on his violin, to which he listened with great delight. At times of
depression, which of course were frequent, the Flowers of the
Forest made the old man weep. Falconer put yet more soul into the
sounds than he had ever put into them before. He tried to make the
old man talk of his childhood, asking him about the place of his
birth, the kind of country, how he had been brought up, his family,
and many questions of the sort. His answers were vague, and often
contradictory. Indeed, the moment the subject was approached, he
looked suspicious and cunning. He said his name was John Mackinnon,
and Robert, although his belief was strengthened by a hundred
little circumstances, had as yet received no proof that he was
Andrew Falconer. Remembering the pawn-ticket, and finding that he
could play on the flute, he brought him a beautiful instrument--in
fact a silver one--the sight of which made the old man's eyes
sparkle. He put it to his lips with trembling hands, blew a note or
two, burst into the tears of weakness, and laid it down. But he
soon took it up again, and evidently found both pleasure in the
tones and sadness in the memories they awakened. At length Robert
brought a tailor, and had him dressed like a gentleman--a change
which pleased him much. The next step was to take him out every day
for a drive, upon which his health began to improve more rapidly.
He ate better, grew more lively, and began to tell tales of his
adventures, of the truth of which Robert was not always certain,
but never showed any doubt. He knew only too well that the use of
opium is especially destructive to the conscience. Some of his
stories he believed more readily than others, from the fact that he
suddenly stopped in them, as if they were leading him into regions
of confession which must be avoided, resuming with matter that did
not well connect itself with what had gone before. At length he
took him out walking, and he comported himself with perfect
propriety.</p>

<p id="iv.xiii-p65"><br />
</p>

<p id="iv.xiii-p66">But one day as they were going along a quiet street, Robert met
an acquaintance, and stopped to speak with him. After a few
moments' chat he turned, and found that his father, whom he had
supposed to be standing beside him, had vanished. A glance at the
other side of the street showed the probable refuge--a
public-house. Filled but not overwhelmed with dismay, although he
knew that months might be lost in this one moment, Robert darted
in. He was there, with a glass of whisky in his hand, trembling now
more from eagerness than weakness. He struck it from his hold. But
he had already swallowed one glass, and he turned in a rage. He was
a tall and naturally powerful man--almost as strongly built as his
son, with long arms like his, which were dangerous even yet in such
a moment of factitious strength and real excitement. Robert could
not lift his arm even to defend himself from his father, although,
had he judged it necessary, I believe he would not, in the cause of
his redemption, have hesitated to knock him down, as he had often
served others whom he would rather a thousand times have borne on
his shoulders. He received his father's blow on the cheek. For one
moment it made him dizzy, for it was well delivered. But when the
bar-keeper jumped across the counter and approached with his fist
doubled, that was another matter. He measured his length on the
floor, and Falconer seized his father, who was making for the
street, and notwithstanding his struggles and fierce efforts to
strike again, held him secure and himself scathless, and bore him
out of the house.</p>

<p id="iv.xiii-p67"><br />
</p>

<p id="iv.xiii-p68">A crowd gathers in a moment in London, speeding to a fray as the
vultures to carrion. On the heels of the population of the
neighbouring mews came two policemen, and at the same moment out
came the barman to the assistance of Andrew. But Falconer was as
well known to the police as if he had a ticket-of-leave, and a good
deal better.</p>

<p id="iv.xiii-p69"><br />
</p>

<p id="iv.xiii-p70">'Call a four-wheel cab,' he said to one of them. 'I'm all
right.'</p>

<p id="iv.xiii-p71"><br />
</p>

<p id="iv.xiii-p72">The man started at once. Falconer turned to the other.</p>

<p id="iv.xiii-p73"><br />
</p>

<p id="iv.xiii-p74">'Tell that man in the apron,' he said, 'that I'll make him all
due reparation. But he oughtn't to be in such a hurry to meddle. He
gave me no time but to strike hard.'</p>

<p id="iv.xiii-p75"><br />
</p>

<p id="iv.xiii-p76">'Yes, sir,' answered the policeman obediently. The crowd thought
he must be a great man amongst the detectives; but the bar-keeper
vowed he would 'summons' him for the assault.</p>

<p id="iv.xiii-p77"><br />
</p>

<p id="iv.xiii-p78">'You may, if you like,' said Falconer. 'When I think of it, you
shall do so. You know where I live?' he said, turning to the
policeman.</p>

<p id="iv.xiii-p79"><br />
</p>

<p id="iv.xiii-p80">'No, sir, I don't. I only know you well enough.'</p>

<p id="iv.xiii-p81"><br />
</p>

<p id="iv.xiii-p82">'Put your hand in my coat-pocket, then, and you'll find a
card-case. The other. There! Help yourself.'</p>

<p id="iv.xiii-p83"><br />
</p>

<p id="iv.xiii-p84">He said this with his arms round Andrew's, who had ceased to cry
out when he saw the police.</p>

<p id="iv.xiii-p85"><br />
</p>

<p id="iv.xiii-p86">'Do you want to give this gentleman in charge, sir?'</p>

<p id="iv.xiii-p87"><br />
</p>

<p id="iv.xiii-p88">'No. It is a little private affair of my own, this.'</p>

<p id="iv.xiii-p89"><br />
</p>

<p id="iv.xiii-p90">'Hadn't you better let him go, sir, and we'll find him for you
when you want him?'</p>

<p id="iv.xiii-p91"><br />
</p>

<p id="iv.xiii-p92">'No. He may give me in charge if he likes. Or if you should want
him, you will find him at my house.'</p>

<p id="iv.xiii-p93"><br />
</p>

<p id="iv.xiii-p94">Then pinioning his prisoner still more tightly in his arms, he
leaned forward, and whispered in his ear,</p>

<p id="iv.xiii-p95"><br />
</p>

<p id="iv.xiii-p96">'Will you go home quietly, or give me in charge? There is no
other way, Andrew Falconer.'</p>

<p id="iv.xiii-p97"><br />
</p>

<p id="iv.xiii-p98">He ceased struggling. Through all the flush of the contest his
face grew pale. His arms dropped by his side. Robert let him go,
and he stood there without offering to move. The cab came up; the
policeman got out; Andrew stepped in of his own accord, and Robert
followed.</p>

<p id="iv.xiii-p99"><br />
</p>

<p id="iv.xiii-p100">'You see it's all right,' he said. 'Here, give the barman a
sovereign. If he wants more, let me know. He deserved all he got,
but I was wrong. John Street.'</p>

<p id="iv.xiii-p101"><br />
</p>

<p id="iv.xiii-p102">His father did not speak a word, or ask a question all the way
home. Evidently he thought it safer to be silent. But the drink he
had taken, though not enough to intoxicate him, was more than
enough to bring back the old longing with redoubled force. He paced
about the room the rest of the day like a wild beast in a cage, and
in the middle of the night, got up and dressed, and would have
crept through the room in which Robert lay, in the hope of getting
out. But Robert slept too anxiously for that. The captive did not
make the slightest noise, but his very presence was enough to wake
his son. He started at a bound from his couch, and his father
retreated in dismay to his chamber.</p>

<p id="iv.xiii-p103"><br />
</p>

<p id="iv.xiii-p104"><br />
</p>

</div2>

      <div2 title="CHAPTER XIV.--THE BROWN LETTER." n="xiv" shorttitle="" progress="88.61%" id="iv.xiv" prev="iv.xiii" next="iv.xv">

<p id="iv.xiv-p1"><br />
</p>

<p id="iv.xiv-p2">CHAPTER XIV.</p>

<p id="iv.xiv-p3"><br />
</p>

<p id="iv.xiv-p4">THE BROWN LETTER.</p>

<p id="iv.xiv-p5"><br />
</p>

<p id="iv.xiv-p6">AT length the time arrived when Robert would make a further
attempt, although with a fear and trembling to quiet which he had
to seek the higher aid. His father had recovered his attempt to
rush anew upon destruction. He was gentler and more thoughtful, and
would again sit for an hour at a time gazing into the fire. From
the expression of his countenance upon such occasions, Robert hoped
that his visions were not of the evil days, but of those of his
innocence.</p>

<p id="iv.xiv-p7"><br />
</p>

<p id="iv.xiv-p8">One evening when he was in one of these moods--he had just had
his tea, the gas was lighted, and he was sitting as I have
described--Robert began to play in the next room, hoping that the
music would sink into his heart, and do something to prepare the
way for what was to follow. Just as he had played over the Flowers
of the Forest for the third time, his housekeeper entered the room,
and receiving permission from her master, went through into
Andrew's chamber, and presented a packet, which she said, and said
truly, for she was not in the secret, had been left for him. He
received it with evident surprise, mingled with some consternation,
looked at the address, looked at the seal, laid it on the table,
and gazed again with troubled looks into the fire. He had had no
correspondence for many years. Falconer had peeped in when the
woman entered, but the moment she retired he could watch him no
longer. He went on playing a slow, lingering voluntary, such as the
wind plays, of an amber autumn evening, on the æolian harp of its
pines. He played so gently that he must hear if his father should
speak.</p>

<p id="iv.xiv-p9"><br />
</p>

<p id="iv.xiv-p10">For what seemed hours, though it was but half-an-hour, he went
on playing. At length he heard a stifled sob. He rose, and peeped
again into the room. The gray head was bowed between the hands, and
the gaunt frame was shaken with sobs. On the table lay the
portraits of himself and his wife; and the faded brown letter, so
many years folded in silence and darkness, lay open beside them. He
had known the seal, with the bush of rushes and the Gaelic motto.
He had gently torn the paper from around it, and had read the
letter from the grave--no, from the land beyond, the land of light,
where human love is glorified. Not then did Falconer read the
sacred words of his mother; but afterwards his father put them into
his hands. I will give them as nearly as I can remember them, for
the letter is not in my possession.</p>

<p id="iv.xiv-p11"><br />
</p>

<p id="iv.xiv-p12">'My beloved Andrew, I can hardly write, for I am at the point of
death. I love you still--love you as dearly as before you left me.
Will you ever see this? I will try to send it to you. I will leave
it behind me, that it may come into your hands when and how it may
please God. You may be an old man before you read these words, and
may have almost forgotten your young wife. Oh! if I could take your
head on my bosom where it used to lie, and without saying a word,
think all that I am thinking into your heart. Oh! my love, my love!
will you have had enough of the world and its ways by the time this
reaches you? Or will you be dead, like me, when this is found, and
the eyes of your son only, my darling little Robert, read the
words? Oh, Andrew, Andrew! my heart is bleeding, not altogether for
myself, not altogether for you, but both for you and for me. Shall
I never, never be able to let out the sea of my love that swells
till my heart is like to break with its longing after you, my own
Andrew? Shall I never, never see you again? That is the terrible
thought--the only thought almost that makes me shrink from dying.
If I should go to sleep, as some think, and not even dream about
you, as I dream and weep every night now! If I should only wake in
the crowd of the resurrection, and not know where to find you! Oh,
Andrew, I feel as if I should lose my reason when I think that you
may be on the left hand of the Judge, and I can no longer say <i>my
love</i>, because you do not, cannot any more love God. I will tell
you the dream I had about you last night, which I think was what
makes me write this letter. I was standing in a great crowd of
people, and I saw the empty graves about us on every side. We were
waiting for the great white throne to appear in the clouds. And as
soon as I knew that, I cried, "Andrew, Andrew!" for I could not
help it. And the people did not heed me; and I cried out and ran
about everywhere, looking for you. At last I came to a great gulf.
When I looked down into it, I could see nothing but a blue deep,
like the blue of the sky, under my feet. It was not so wide but
that I could see across it, but it was oh! so terribly deep. All at
once, as I stood trembling on the very edge, I saw you on the other
side, looking towards me, and stretching out your arms as if you
wanted me. You were old and much changed, but I knew you at once,
and I gave a cry that I thought all the universe must have heard.
You heard me. I could see that. And I was in a terrible agony to
get to you. But there was no way, for if I fell into the gulf I
should go down for ever, it was so deep. Something made me look
away, and I saw a man coming quietly along the same side of the
gulf, on the edge, towards me. And when he came nearer to me, I saw
that he was dressed in a gown down to his feet, and that his feet
were bare and had a hole in each of them. So I knew who it was,
Andrew. And I fell down and kissed his feet, and lifted up my
hands, and looked into his face--oh, such a face! And I tried to
pray. But all I could say was, "O Lord, Andrew, Andrew!" Then he
smiled, and said, "Daughter, be of good cheer. Do you want to go to
him?" And I said, "Yes, Lord." Then he said, "And so do I. Come."
And he took my hand and led me over the edge of the precipice; and
I was not afraid, and I did not sink, but walked upon the air to go
to you. But when I got to you, it was too much to bear; and when I
thought I had you in my arms at last, I awoke, crying as I never
cried before, not even when I found that you had left me to die
without you. Oh, Andrew, what if the dream should come true! But if
it should <i>not</i> come true! I dare not think of that, Andrew. I
<i>couldn't</i> be happy in heaven without you. It may be very
wicked, but I do not feel as if it were, and I can't help it if it
is. But, dear husband, come to me again. Come back, like the
prodigal in the New Testament. God will forgive you everything.
Don't touch drink again, my dear love. I know it was the drink that
made you do as you did. <i>You</i> could never have done it. It was
the drink that drove you to do it. You didn't know what you were
doing. And then you were ashamed, and thought I would be angry, and
could not bear to come back to me. Ah, if you were to come in at
the door, as I write, you would see whether or not I was proud to
have my Andrew again. But I would not be nice for you to look at
now. You used to think me pretty--you said beautiful--so long ago.
But I am so thin now, and my face so white, that I almost frighten
myself when I look in the glass. And before you get this I shall be
all gone to dust, either knowing nothing about you, or trying to
praise God, and always forgetting where I am in my psalm, longing
so for you to come. I am afraid I love you too much to be fit to go
to heaven. Then, perhaps, God will send me to the other place, all
for love of you, Andrew. And I do believe I should like that
better. But I don't think he will, if he is anything like the man I
saw in my dream. But I am growing so faint that I can hardly write.
I never felt like this before. But that dream has given me strength
to die, because I hope you will come too. Oh, my dear Andrew, do,
do repent and turn to God, and he will forgive you. Believe in
Jesus, and he will save you, and bring me to you across the deep
place. But I must make haste. I can hardly see. And I must not
leave this letter open for anybody but you to read after I am dead.
Good-bye, Andrew. I love you all the same. I am, my dearest
Husband, your affectionate Wife,</p>

<p id="iv.xiv-p13"><br />
</p>

<p id="iv.xiv-p14">'H. FALCONER.'</p>

<p id="iv.xiv-p15"><br />
</p>

<p id="iv.xiv-p16">Then followed the date. It was within a week of her death. The
letter was feebly written, every stroke seeming more feeble by the
contrasted strength of the words. When Falconer read it afterwards,
in the midst of the emotions it aroused--the strange lovely
feelings of such a bond between him and a beautiful ghost, far away
somewhere in God's universe, who had carried him in her lost body,
and nursed him at her breasts--in the midst of it all, he could not
help wondering, he told me, to find the forms and words so like
what he would have written himself. It seemed so long ago when that
faded, discoloured paper, with the gilt edges, and the pale brown
ink, and folded in the large sheet, and sealed with the curious
wax, must have been written; and here were its words so fresh, so
new! not withered like the rose-leaves that scented the paper from
the work-box where he had found it, but as fresh as if just shaken
from the rose-trees of the heart's garden. It was no wonder that
Andrew Falconer should be sitting with his head in his hands when
Robert looked in on him, for he had read this letter.</p>

<p id="iv.xiv-p17"><br />
</p>

<p id="iv.xiv-p18">When Robert saw how he sat, he withdrew, and took his violin
again, and played all the tunes of the old country he could think
of, recalling Dooble Sandy's workshop, that he might recall the
music he had learnt there.</p>

<p id="iv.xiv-p19"><br />
</p>

<p id="iv.xiv-p20">No one who understands the bit and bridle of the association of
ideas, as it is called in the skeleton language of mental
philosophy, wherewith the Father-God holds fast the souls of his
children--to the very last that we see of them, at least, and
doubtless to endless ages beyond--will sneer at Falconer's notion
of making God's violin a ministering spirit in the process of
conversion. There is a well-authenticated story of a convict's
having been greatly reformed for a time, by going, in one of the
colonies, into a church, where the matting along the aisle was of
<i>the same pattern as that in the church to which he had gone when
a</i> <i>boy</i>--with his mother, I suppose. It was not the
matting that so far converted him: it was not to the music of his
violin that Falconer looked for aid, but to the memories of
childhood, the mysteries of the kingdom of innocence which that
could recall--those memories which</p>

<p id="iv.xiv-p21"><br />
</p>

<p id="iv.xiv-p22">     Are yet the fountain light of all our day,</p>

<p id="iv.xiv-p23">     Are yet a master light of all our seeing.</p>

<p id="iv.xiv-p24"><br />
</p>

<p id="iv.xiv-p25">For an hour he did not venture to go near him. When he entered
the room he found him sitting in the same place, no longer weeping,
but gazing into the fire with a sad countenance, the expression of
which showed Falconer at once that the soul had come out of its
cave of obscuration, and drawn nearer to the surface of life. He
had not seen him look so much like one 'clothed, and in his right
mind,' before. He knew well that nothing could be built upon this;
that this very emotion did but expose him the more to the besetting
sin; that in this mood he would drink, even if he knew that he
would in consequence be in danger of murdering the wife whose
letter had made him weep. But it was progress, notwithstanding. He
looked up at Robert as he entered, and then dropped his eyes again.
He regarded him perhaps as a presence doubtful whether of angel or
devil, even as the demoniacs regarded the Lord of Life who had come
to set them free. Bewildered he must have been to find himself,
towards the close of a long life of debauchery, wickedness, and the
growing pains of hell, caught in a net of old times, old feelings,
old truths.</p>

<p id="iv.xiv-p26"><br />
</p>

<p id="iv.xiv-p27">Now Robert had carefully avoided every indication that might
disclose him to be a Scotchman even, nor was there the least sign
of suspicion in Andrew's manner. The only solution of the mystery
that could have presented itself to him was, that his friends were
at the root of it--probably his son, of whom he knew absolutely
nothing. His mother could not be alive still. Of his wife's
relatives there had never been one who would have taken any trouble
about him after her death, hardly even before it. John Lammie was
the only person, except Dr. Anderson, whose friendship he could
suppose capable of this development. The latter was the more likely
person. But he would be too much for him yet; he was not going to
be treated like a child, he said to himself, as often as the devil
got uppermost.</p>

<p id="iv.xiv-p28"><br />
</p>

<p id="iv.xiv-p29">My reader must understand that Andrew had never been a man of
resolution. He had been wilful and headstrong; and these qualities,
in children especially, are often mistaken for resolution, and
generally go under the name of strength of will. There never was a
greater mistake. The mistake, indeed, is only excusable from the
fact that extremes meet, and that this disposition is so opposite
to the other, that it looks to the careless eye most like it. He
never resisted his own impulses, or the enticements of evil
companions. Kept within certain bounds at home, after he had begun
to go wrong, by the weight of opinion, he rushed into all excesses
when abroad upon business, till at length the vessel of his fortune
went to pieces, and he was a waif on the waters of the world. But
in feeling he had never been vulgar, however much so in action.
There was a feeble good in him that had in part been protected by
its very feebleness. He could not sin so much against it as if it
had been strong. For many years he had fits of shame, and of grief
without repentance; for repentance is the active, the divine
part--the turning again; but taking more steadily both to strong
drink and opium, he was at the time when De Fleuri found him only
the dull ghost of Andrew Falconer walking in a dream of its lost
carcass.</p>

<p id="iv.xiv-p30"><br />
</p>

<p id="iv.xiv-p31"><br />
</p>

</div2>

      <div2 title="CHAPTER XV.--FATHER AND SON." n="xv" shorttitle="" progress="89.76%" id="iv.xv" prev="iv.xiv" next="iv.xvi">

<p id="iv.xv-p1"><br />
</p>

<p id="iv.xv-p2">CHAPTER XV.</p>

<p id="iv.xv-p3"><br />
</p>

<p id="iv.xv-p4">FATHER AND SON.</p>

<p id="iv.xv-p5"><br />
</p>

<p id="iv.xv-p6">ONCE more Falconer retired, but not to take his violin. He could
play no more. Hope and love were swelling within him. He could not
rest. Was it a sign from heaven that the hour for speech had
arrived? He paced up and down the room. He kneeled and prayed for
guidance and help. Something within urged him to try the rusted
lock of his father's heart. Without any formed resolution, without
any conscious volition, he found himself again in his room. There
the old man still sat, with his back to the door, and his gaze
fixed on the fire, which had sunk low in the grate. Robert went
round in front of him, kneeled on the rug before him, and said the
one word,</p>

<p id="iv.xv-p7"><br />
</p>

<p id="iv.xv-p8">'Father!'</p>

<p id="iv.xv-p9"><br />
</p>

<p id="iv.xv-p10">Andrew started violently, raised his hand, which trembled as
with a palsy, to his head, and stared wildly at Robert. But he did
not speak. Robert repeated the one great word. Then Andrew spoke,
and said in a trembling, hardly audible voice,</p>

<p id="iv.xv-p11"><br />
</p>

<p id="iv.xv-p12">'Are you my son?--my boy Robert, sir?'</p>

<p id="iv.xv-p13"><br />
</p>

<p id="iv.xv-p14">'I am. I am. Oh, father, I have longed for you by day, and
dreamed about you by night, ever since I saw that other boys had
fathers, and I had none. Years and years of my life--I hardly know
how many--have been spent in searching for you. And now I have
found you!'</p>

<p id="iv.xv-p15"><br />
</p>

<p id="iv.xv-p16">The great tall man, in the prime of life and strength, laid his
big head down on the old man's knee, as if he had been a little
child. His father said nothing, but laid his hand on the head. For
some moments the two remained thus, motionless and silent. Andrew
was the first to speak. And his words were the voice of the spirit
that striveth with man.</p>

<p id="iv.xv-p17"><br />
</p>

<p id="iv.xv-p18">'What am I to do, Robert?'</p>

<p id="iv.xv-p19"><br />
</p>

<p id="iv.xv-p20">No other words, not even those of passionate sorrow, or
overflowing affection, could have been half so precious in the ears
of Robert. When a man once asks what he is to do, there is hope for
him. Robert answered instantly,</p>

<p id="iv.xv-p21"><br />
</p>

<p id="iv.xv-p22">'You must come home to your mother.'</p>

<p id="iv.xv-p23"><br />
</p>

<p id="iv.xv-p24">'My mother!' Andrew exclaimed. 'You don't mean to say she's
alive?'</p>

<p id="iv.xv-p25"><br />
</p>

<p id="iv.xv-p26">'I heard from her yesterday--in her own hand, too,' said
Robert.</p>

<p id="iv.xv-p27"><br />
</p>

<p id="iv.xv-p28">'I daren't. I daren't,' murmured Andrew.</p>

<p id="iv.xv-p29"><br />
</p>

<p id="iv.xv-p30">'You must, father,' returned Robert. 'It is a long way, but I
will make the journey easy for you. She knows I have found you. She
is waiting and longing for you. She has hardly thought of anything
but you ever since she lost you. She is only waiting to see you,
and then she will go home, she says. I wrote to her and said,
"Grannie, I have found your Andrew." And she wrote back to me and
said, "God be praised. I shall die in peace."'</p>

<p id="iv.xv-p31"><br />
</p>

<p id="iv.xv-p32">A silence followed.</p>

<p id="iv.xv-p33"><br />
</p>

<p id="iv.xv-p34">'Will she forgive me?' said Andrew.</p>

<p id="iv.xv-p35"><br />
</p>

<p id="iv.xv-p36">'She loves you more than her own soul,' answered Robert. 'She
loves you as much as I do. She loves you as God loves you.'</p>

<p id="iv.xv-p37"><br />
</p>

<p id="iv.xv-p38">'God can't love me,' said Andrews, feebly. 'He would never have
left me if he had loved me.'</p>

<p id="iv.xv-p39"><br />
</p>

<p id="iv.xv-p40">'He has never left you from the very first. You would not take
his way, father, and he just let you try your own. But long before
that he had begun to get me ready to go after you. He put such love
to you in my heart, and gave me such teaching and such training,
that I have found you at last. And now I have found you, I will
hold you. You cannot escape--you will not want to escape any more,
father?'</p>

<p id="iv.xv-p41"><br />
</p>

<p id="iv.xv-p42">Andrew made no reply to this appeal. It sounded like
imprisonment for life, I suppose. But thought was moving in him.
After a long pause, during which the son's heart was hungering for
a word whereon to hang a further hope, the old man spoke again,
muttering as if he were only speaking his thoughts
unconsciously.</p>

<p id="iv.xv-p43"><br />
</p>

<p id="iv.xv-p44">'Where's the use? There's no forgiveness for me. My mother is
going to heaven. I must go to hell. No. It's no good. Better leave
it as it is. I daren't see her. It would kill me to see her.'</p>

<p id="iv.xv-p45"><br />
</p>

<p id="iv.xv-p46">'It will kill her not to see you; and that will be one sin more
on your conscience, father.'</p>

<p id="iv.xv-p47"><br />
</p>

<p id="iv.xv-p48">Andrew got up and walked about the room. And Robert only then
arose from his knees.</p>

<p id="iv.xv-p49"><br />
</p>

<p id="iv.xv-p50">'And there's <i>my</i> mother,' he said.</p>

<p id="iv.xv-p51"><br />
</p>

<p id="iv.xv-p52">Andrew did not reply; but Robert saw when he turned next towards
the light, that the sweat was standing in beads on his
forehead.</p>

<p id="iv.xv-p53"><br />
</p>

<p id="iv.xv-p54">'Father,' he said, going up to him.</p>

<p id="iv.xv-p55"><br />
</p>

<p id="iv.xv-p56">The old man stopped in his walk, turned, and faced his son.</p>

<p id="iv.xv-p57"><br />
</p>

<p id="iv.xv-p58">'Father,' repeated Robert, 'you've go to repent; and God won't
let you off; and you needn't think it. You'll have to repent some
day.'</p>

<p id="iv.xv-p59"><br />
</p>

<p id="iv.xv-p60">'In hell, Robert,' said Andrew, looking him full in the eyes, as
he had never looked at him before. It seemed as if even so much
acknowledgment of the truth had already made him bolder and
honester.</p>

<p id="iv.xv-p61"><br />
</p>

<p id="iv.xv-p62">'Yes. Either on earth or in hell. Would it not be better on
earth?'</p>

<p id="iv.xv-p63"><br />
</p>

<p id="iv.xv-p64">'But it will be no use in hell,' he murmured.</p>

<p id="iv.xv-p65"><br />
</p>

<p id="iv.xv-p66">In those few words lay the germ of the preference for hell of
poor souls, enfeebled by wickedness. They will not have to <i>
do</i> anything there--only to moan and cry and suffer for ever,
they think. It is effort, the out-going of the living will that
they dread. The sorrow, the remorse of repentance, they do not so
much regard: it is the action it involves; it is the having to
turn, be different, and do differently, that they shrink from; and
they have been taught to believe that this will not be required of
them there--in that awful refuge of the will-less. I do not say
they think thus: I only say their dim, vague, feeble feelings are
such as, if they grew into thought, would take this form. But tell
them that the fire of God without and within them will compel them
to bethink themselves; that the vision of an open door beyond the
smoke and the flames will ever urge them to call up the ice-bound
will, that it may obey; that the torturing spirit of God in them
will keep their consciences awake, not to remind them of what they
ought to have done, but to tell them what they <i>must</i> do now,
and hell will no longer fascinate them. Tell them that there is <i>
no</i> refuge from the compelling Love of God, save that Love
itself--that He is in hell too, and that if they make their bed in
hell they shall not escape him, and then, perhaps, they will have
some true presentiment of the worm that dieth not and the fire that
is not quenched.</p>

<p id="iv.xv-p67"><br />
</p>

<p id="iv.xv-p68">'Father, it <i>will</i> be of use in hell,' said Robert. 'God
will give you no rest even there. You will have to repent some day,
I do believe--if not now under the sunshine of heaven, then in the
torture of the awful world where there is no light but that of the
conscience. Would it not be better and easier to repent now, with
your wife waiting for you in heaven, and your mother waiting for
you on earth?'</p>

<p id="iv.xv-p69"><br />
</p>

<p id="iv.xv-p70">Will it be credible to my reader, that Andrew interrupted his
son with the words,</p>

<p id="iv.xv-p71"><br />
</p>

<p id="iv.xv-p72">'Robert, it is dreadful to hear you talk like that. Why, you
don't believe in the Bible!'</p>

<p id="iv.xv-p73"><br />
</p>

<p id="iv.xv-p74">His words will be startling to one who has never heard the lips
of a hoary old sinner drivel out religion. To me they are not so
startling as the words of Christian women and bishops of the Church
of England, when they say that the doctrine of the everlasting
happiness of the righteous stands or falls with the doctrine of the
hopeless damnation of the wicked. Can it be that to such the word
is everything, the spirit nothing? No. It is only that the devil is
playing a very wicked prank, not with them, but in them: they are
pluming themselves on being selfish after a godly sort.</p>

<p id="iv.xv-p75"><br />
</p>

<p id="iv.xv-p76">'I do believe the Bible, father,' returned Robert, 'and have
ordered my life by it. If I had not believed the Bible, I fear I
should never have looked for you. But I won't dispute about it. I
only say I believe that you will be compelled to repent some day,
and that now is the best time. Then, you will not only have to
repent, but to repent that you did not repent now. And I tell you,
father, that you <i>shall</i> go to my grandmother.'</p>

<p id="iv.xv-p77"><br />
</p>

<p id="iv.xv-p78"><br />
</p>

</div2>

      <div2 title="CHAPTER XVI.--CHANGE OF SCENE." n="xvi" shorttitle="" progress="90.42%" id="iv.xvi" prev="iv.xv" next="iv.xvii">

<p id="iv.xvi-p1"><br />
</p>

<p id="iv.xvi-p2">CHAPTER XVI.</p>

<p id="iv.xvi-p3"><br />
</p>

<p id="iv.xvi-p4">CHANGE OF SCENE.</p>

<p id="iv.xvi-p5"><br />
</p>

<p id="iv.xvi-p6">BUT various reasons combined to induce Falconer to postpone yet
for a period their journey to the North. Not merely did his father
require an unremitting watchfulness, which it would be difficult to
keep up in his native place amongst old friends and acquaintances,
but his health was more broken than he had at first supposed, and
change of air and scene without excitement was most desirable. He
was anxious too that the change his mother must see in him should
be as little as possible attributable to other causes than those
that years bring with them. To this was added that his own health
had begun to suffer from the watching and anxiety he had gone
through, and for his father's sake, as well as for the labour which
yet lay before him, he would keep that as sound as he might. He
wrote to his grandmother and explained the matter. She begged him
to do as he thought best, for she was so happy that she did not
care if she should never see Andrew in this world: it was enough to
die in the hope of meeting him in the other. But she had no reason
to fear that death was at hand; for, although much more <i>
frail</i>, she felt as well as ever.</p>

<p id="iv.xvi-p7"><br />
</p>

<p id="iv.xvi-p8">By this time Falconer had introduced me to his father. I found
him in some things very like his son; in others, very different.
His manners were more polished; his pleasure in pleasing much
greater: his humanity had blossomed too easily, and then <i>run to
seed</i>. Alas, to no seed that could bear fruit! There was a weak
expression about his mouth--a wavering interrogation: it was so
different from the firmly-closed portals whence issued the golden
speech of his son! He had a sly, sidelong look at times, whether of
doubt or cunning, I could not always determine. His eyes, unlike
his son's, were of a light blue, and hazy both in texture and
expression. His hands were long-fingered and tremulous. He gave
your hand a sharp squeeze, and the same instant abandoned it with
indifference. I soon began to discover in him a tendency to
patronize any one who showed him a particle of respect as
distinguished from common-place civility. But under all outward
appearances it seemed to me that there was a change going on: at
least being very willing to believe it, I found nothing to render
belief impossible.</p>

<p id="iv.xvi-p9"><br />
</p>

<p id="iv.xvi-p10">He was very fond of the flute his son had given him, and on that
sweetest and most expressionless of instruments he played
exquisitely.</p>

<p id="iv.xvi-p11"><br />
</p>

<p id="iv.xvi-p12">One evening when I called to see them, Falconer said,</p>

<p id="iv.xvi-p13"><br />
</p>

<p id="iv.xvi-p14">'We are going out of town for a few weeks, Gordon: will you go
with us?'</p>

<p id="iv.xvi-p15"><br />
</p>

<p id="iv.xvi-p16">'I am afraid I can't.'</p>

<p id="iv.xvi-p17"><br />
</p>

<p id="iv.xvi-p18">'Why? You have no teaching at present, and your writing you can
do as well in the country as in town.'</p>

<p id="iv.xvi-p19"><br />
</p>

<p id="iv.xvi-p20">'That is true; but still I don't see how I can. I am too poor
for one thing.'</p>

<p id="iv.xvi-p21"><br />
</p>

<p id="iv.xvi-p22">'Between you and me that is nonsense.'</p>

<p id="iv.xvi-p23"><br />
</p>

<p id="iv.xvi-p24">'Well, I withdraw that,' I said. 'But there is so much to be
done, specially as you will be away, and Miss St John is at the
Lakes.'</p>

<p id="iv.xvi-p25"><br />
</p>

<p id="iv.xvi-p26">'That is all very true; but you need a change. I have seen for
some weeks that you are failing. Mind, it is our best work that He
wants, not the dregs of our exhaustion. I hope you are not of the
mind of our friend Mr. Watts, the curate of St. Gregory's.'</p>

<p id="iv.xvi-p27"><br />
</p>

<p id="iv.xvi-p28">'I thought you had a high opinion of Mr. Watts,' I returned.</p>

<p id="iv.xvi-p29"><br />
</p>

<p id="iv.xvi-p30">'So I have. I hope it is not necessary to agree with a man in
everything before we can have a high opinion of him.'</p>

<p id="iv.xvi-p31"><br />
</p>

<p id="iv.xvi-p32">'Of course not. But what is it you hope I am not of his opinion
in?'</p>

<p id="iv.xvi-p33"><br />
</p>

<p id="iv.xvi-p34">'He seems ambitious of killing himself with work--of wearing
himself out in the service of his master--and as quickly as
possible. A good deal of that kind of thing is a mere holding of
the axe to the grindstone, not a lifting of it up against thick
trees. Only he won't be convinced till it comes to the helve. I met
him the other day; he was looking as white as his surplice. I took
upon me to read him a lecture on the holiness of holidays. "I can't
leave my poor," he said. "Do you think God can't do without you?" I
asked. "Is he so weak that he cannot spare the help of a weary man?
But I think he must prefer quality to quantity, and for healthy
work you must be healthy yourself. How can you be the visible sign
of the Christ-present amongst men, if you inhabit an exhausted,
irritable brain? Go to God's infirmary and rest a while. Bring back
health from the country to those that cannot go to it. If on the
way it be transmuted into spiritual forms, so much the better. A
little more of God will make up for a good deal less of you.'</p>

<p id="iv.xvi-p35"><br />
</p>

<p id="iv.xvi-p36">'What did he say to that?'</p>

<p id="iv.xvi-p37"><br />
</p>

<p id="iv.xvi-p38">'He said our Lord died doing the will of his Father. I told
him--"Yes, when his time was come, not sooner. Besides, he often
avoided both speech and action." "Yes," he answered, "but he could
tell when, and we cannot." "Therefore," I rejoined, "you ought to
accept your exhaustion as a token that your absence will be the
best thing for your people. If there were no God, then perhaps you
ought to work till you drop down dead--I don't know."'</p>

<p id="iv.xvi-p39"><br />
</p>

<p id="iv.xvi-p40">'Is he gone yet?'</p>

<p id="iv.xvi-p41"><br />
</p>

<p id="iv.xvi-p42">'No. He won't go. I couldn't persuade him.'</p>

<p id="iv.xvi-p43"><br />
</p>

<p id="iv.xvi-p44">'When do you go?'</p>

<p id="iv.xvi-p45"><br />
</p>

<p id="iv.xvi-p46">'To-morrow.'</p>

<p id="iv.xvi-p47"><br />
</p>

<p id="iv.xvi-p48">'I shall be ready, if you really mean it.'</p>

<p id="iv.xvi-p49"><br />
</p>

<p id="iv.xvi-p50">'That's an <i>if</i> worthy only of a courtier. There may be
much virtue in an <i>if</i>, as Touchstone says, for the taking up
of a quarrel; but that <i>if</i> is bad enough to breed one,' said
Falconer, laughing. 'Be at the Paddington Station at noon
to-morrow. To tell the whole truth, I want you to help me with my
father.'</p>

<p id="iv.xvi-p51"><br />
</p>

<p id="iv.xvi-p52">This last was said at the door as he showed me out.</p>

<p id="iv.xvi-p53"><br />
</p>

<p id="iv.xvi-p54">In the afternoon we were nearing Bristol. It was a lovely day in
October. Andrew had been enjoying himself; but it was evidently
rather the pleasure of travelling in a first-class carriage like a
gentleman than any delight in the beauty of heaven and earth. The
country was in the rich sombre dress of decay.</p>

<p id="iv.xvi-p55"><br />
</p>

<p id="iv.xvi-p56">'Is it not remarkable,' said my friend to me, 'that the older I
grow, I find autumn affecting me the more like spring?'</p>

<p id="iv.xvi-p57"><br />
</p>

<p id="iv.xvi-p58">'I am thankful to say,' interposed Andrew, with a smile in which
was mingled a shade of superiority, 'that no change of the seasons
ever affects <i>me</i>.'</p>

<p id="iv.xvi-p59"><br />
</p>

<p id="iv.xvi-p60">'Are you sure you are right in being thankful for that, father?'
asked his son.</p>

<p id="iv.xvi-p61"><br />
</p>

<p id="iv.xvi-p62">His father gazed at him for a moment, seemed to bethink himself
after some feeble fashion or other, and rejoined,</p>

<p id="iv.xvi-p63"><br />
</p>

<p id="iv.xvi-p64">'Well, I must confess I did feel a touch of the rheumatism this
morning.'</p>

<p id="iv.xvi-p65"><br />
</p>

<p id="iv.xvi-p66">How I pitied Falconer! Would he ever see of the travail of his
soul in this man? But he only smiled a deep sweet smile, and seemed
to be thinking divine things in that great head of his.</p>

<p id="iv.xvi-p67"><br />
</p>

<p id="iv.xvi-p68">At Bristol we went on board a small steamer, and at night were
landed at a little village on the coast of North Devon. The hotel
to which we went was on the steep bank of a tumultuous little
river, which tumbled past its foundation of rock, like a troop of
watery horses galloping by with ever-dissolving limbs. The elder
Falconer retired almost as soon as we had had supper. My friend and
I lighted our pipes, and sat by the open window, for although the
autumn was so far advanced, the air here was very mild. For some
time we only listened to the sound of the waters.</p>

<p id="iv.xvi-p69"><br />
</p>

<p id="iv.xvi-p70">'There are three things,' said Falconer at last, taking his pipe
out of his mouth with a smile, 'that give a peculiarly perfect
feeling of abandonment: the laughter of a child; a snake lying <i>
across</i> a fallen branch; and the rush of a stream like this
beneath us, whose only thought is to get to the sea.'</p>

<p id="iv.xvi-p71"><br />
</p>

<p id="iv.xvi-p72">We did not talk much that night, however, but went soon to bed.
None of us slept well. We agreed in the morning that the noise of
the stream had been too much for us all, and that the place felt
close and torpid. Andrew complained that the ceaseless sound
wearied him, and Robert that he felt the aimless endlessness of it
more than was good for him. I confess it irritated me like an
anodyne unable to soothe. We were clearly all in want of something
different. The air between the hills clung to them, hot and
moveless. We would climb those hills, and breathe the air that
flitted about over their craggy tops.</p>

<p id="iv.xvi-p73"><br />
</p>

<p id="iv.xvi-p74">As soon as we had breakfasted, we set out. It was soon evident
that Andrew could not ascend the steep road. We returned and got a
carriage. When we reached the top, it was like a resurrection, like
a dawning of hope out of despair. The cool friendly wind blew on
our faces, and breathed strength into our frames. Before us lay the
ocean, the visible type of the invisible, and the vessels with
their white sails moved about over it like the thoughts of men
feebly searching the unknown. Even Andrew Falconer spread out his
arms to the wind, and breathed deep, filling his great chest
full.</p>

<p id="iv.xvi-p75"><br />
</p>

<p id="iv.xvi-p76">'I feel like a boy again,' he said.</p>

<p id="iv.xvi-p77"><br />
</p>

<p id="iv.xvi-p78">His son strode to his side, and laid his arm over his
shoulders.</p>

<p id="iv.xvi-p79"><br />
</p>

<p id="iv.xvi-p80">'So do I, father,' he returned; 'but it is because I have got
you.'</p>

<p id="iv.xvi-p81"><br />
</p>

<p id="iv.xvi-p82">The old man turned and looked at him with a tenderness I had
never seen on his face before. As soon as I saw that, I no longer
doubted that he could be saved.</p>

<p id="iv.xvi-p83"><br />
</p>

<p id="iv.xvi-p84">We found rooms in a farm-house on the topmost height.</p>

<p id="iv.xvi-p85"><br />
</p>

<p id="iv.xvi-p86">'These are poor little hills, Falconer,' I said. 'Yet they help
one like mountains.'</p>

<p id="iv.xvi-p87"><br />
</p>

<p id="iv.xvi-p88">'The whole question is,' he returned, 'whether they are high
enough to lift you out of the dirt. Here we are in the airs of
heaven--that is all we need.'</p>

<p id="iv.xvi-p89"><br />
</p>

<p id="iv.xvi-p90">'They make me think how often, amongst the country people of
Scotland, I have wondered at the clay-feet upon which a golden head
of wisdom stood! What poor needs, what humble aims, what a narrow
basement generally, was sufficient to support the statues of
pure-eyed Faith and white-handed Hope,'</p>

<p id="iv.xvi-p91"><br />
</p>

<p id="iv.xvi-p92">'Yes,' said Falconer: 'he who is faithful over a few things is a
lord of cities. It does not matter whether you preach in
Westminster Abbey, or teach a ragged class, so you be faithful. The
faithfulness is all.'</p>

<p id="iv.xvi-p93"><br />
</p>

<p id="iv.xvi-p94">After an early dinner we went out for a walk, but we did not go
far before we sat down upon the grass. Falconer laid himself at
full length and gazed upwards.</p>

<p id="iv.xvi-p95"><br />
</p>

<p id="iv.xvi-p96">'When I look like this into the blue sky,' he said, after a
moment's silence, 'it seems so deep, so peaceful, so full of a
mysterious tenderness, that I could lie for centuries, and wait for
the dawning of the face of God out of the awful
loving-kindness.'</p>

<p id="iv.xvi-p97"><br />
</p>

<p id="iv.xvi-p98">I had never heard Falconer talk of his own present feelings in
this manner; but glancing at the face of his father with a sense of
his unfitness to hear such a lofty utterance, I saw at once that it
was for his sake that he had thus spoken. The old man had thrown
himself back too, and was gazing into the sky, puzzling himself, I
could see, to comprehend what his son could mean. I fear he
concluded, for the time, that Robert was not gifted with the amount
of common-sense belonging of right to the Falconer family, and that
much religion had made him a dreamer. Still, I thought I could see
a kind of awe pass like a spiritual shadow across his face as he
gazed into the blue gulfs over him. No one can detect the first
beginnings of any life, and those of spiritual emotion must more
than any lie beyond our ken: there is infinite room for hope.
Falconer said no more. We betook ourselves early within doors, and
he read King Lear to us, expounding the spiritual history of the
poor old king after a fashion I had never conceived--showing us how
the said history was all compressed, as far as human eye could see
of it, into the few months that elapsed between his abdication and
his death; how in that short time he had to learn everything that
he ought to have been learning all his life; and how, because he
had put it off so long, the lessons that had then to be given him
were awfully severe.</p>

<p id="iv.xvi-p99"><br />
</p>

<p id="iv.xvi-p100">I thought what a change it was for the old man to lift his head
into the air of thought and life, out of the sloughs of misery in
which he had been wallowing for years.</p>

<p id="iv.xvi-p101"><br />
</p>

<p id="iv.xvi-p102"><br />
</p>

</div2>

      <div2 title="CHAPTER XVII.--IN THE COUNTRY." n="xvii" shorttitle="" progress="91.42%" id="iv.xvii" prev="iv.xvi" next="iv.xviii">

<p id="iv.xvii-p1"><br />
</p>

<p id="iv.xvii-p2">CHAPTER XVII.</p>

<p id="iv.xvii-p3"><br />
</p>

<p id="iv.xvii-p4">IN THE COUNTRY.</p>

<p id="iv.xvii-p5"><br />
</p>

<p id="iv.xvii-p6">THE next morning Falconer, who knew the country, took us out for
a drive. We passed through lanes and gates out upon all open moor,
where he stopped the carriage, and led us a few yards on one side.
Suddenly, hundreds of feet below us, down what seemed an almost
precipitous descent, we saw the wood-embosomed, stream-trodden
valley we had left the day before. Enough had been cleft and
scooped seawards out of the lofty table-land to give room for a few
little conical hills with curious peaks of bare rock. At the bases
of these hills flowed noisily two or three streams, which joined in
one, and trotted out to sea over rocks and stones. The hills and
the sides of the great cleft were half of them green with grass,
and half of them robed in the autumnal foliage of thick woods. By
the streams and in the woods nestled pretty houses; and away at the
mouth of the valley and the stream lay the village. All around, on
our level, stretched farm and moorland.</p>

<p id="iv.xvii-p7"><br />
</p>

<p id="iv.xvii-p8">When Andrew Falconer stood so unexpectedly on the verge of the
steep descent, he trembled and started back with fright. His son
made him sit down a little way off, where yet we could see into the
valley. The sun was hot, the air clear and mild, and the sea broke
its blue floor into innumerable sparkles of radiance. We sat for a
while in silence.</p>

<p id="iv.xvii-p9"><br />
</p>

<p id="iv.xvii-p10">'Are you sure,' I said, in the hope of setting my friend
talking, 'that there is no horrid pool down there? no half-trampled
thicket, with broken pottery and shreds of tin lying about? no dead
carcass, or dirty cottage, with miserable wife and greedy children?
When I was a child, I knew a lovely place that I could not half
enjoy, because, although hidden from my view, an ugly stagnation,
half mud, half water, lay in a certain spot below me. When I had to
pass it, I used to creep by with a kind of dull terror, mingled
with hopeless disgust, and I have never got over the feeling.'</p>

<p id="iv.xvii-p11"><br />
</p>

<p id="iv.xvii-p12">'You remind me much of a friend of mine of whom I have spoken to
you before,' said Falconer, 'Eric Ericson. I have shown you many of
his verses, but I don't think I ever showed you one little poem
containing an expression of the same feeling. I think I can repeat
it.</p>

<p id="iv.xvii-p13"><br />
</p>

<p id="iv.xvii-p14">'Some men there are who cannot spare</p>

<p id="iv.xvii-p15">A single tear until they feel</p>

<p id="iv.xvii-p16">The last cold pressure, and the heel</p>

<p id="iv.xvii-p17">Is stamped upon the outmost layer.</p>

<p id="iv.xvii-p18"><br />
</p>

<p id="iv.xvii-p19">And, waking, some will sigh to think</p>

<p id="iv.xvii-p20">The clouds have borrowed winter's wing--</p>

<p id="iv.xvii-p21">Sad winter when the grasses spring</p>

<p id="iv.xvii-p22">No more about the fountain's brink.</p>

<p id="iv.xvii-p23"><br />
</p>

<p id="iv.xvii-p24">And some would call me coward-fool:</p>

<p id="iv.xvii-p25">I lay a claim to better blood;</p>

<p id="iv.xvii-p26">But yet a heap of idle mud</p>

<p id="iv.xvii-p27">Hath power to make me sorrowful.</p>

<p id="iv.xvii-p28"><br />
</p>

<p id="iv.xvii-p29">I sat thinking over the verses, for I found the feeling a little
difficult to follow, although the last stanza was plain enough.
Falconer resumed.</p>

<p id="iv.xvii-p30"><br />
</p>

<p id="iv.xvii-p31">'I think this is as likely as any place,' he said, 'to be free
of such physical blots. For the moral I cannot say. But I have
learned, I hope, not to be too fastidious--I mean so as to be
unjust to the whole because of the part. The impression made by a
whole is just as true as the result of an analysis, and is greater
and more valuable in every respect. If we rejoice in the beauty of
the whole, the other is sufficiently forgotten. For moral ugliness,
it ceases to distress in proportion as we labour to remove it, and
regard it in its true relations to all that surrounds it. There is
an old legend which I dare say you know. The Saviour and his
disciples were walking along the way, when they came upon a dead
dog. The disciples did not conceal their disgust. The Saviour said:
"How white its teeth are!"'</p>

<p id="iv.xvii-p32"><br />
</p>

<p id="iv.xvii-p33">'That is very beautiful,' I rejoined. 'Thank God for that. It is
true, whether invented or not. But,' I added, 'it does not quite
answer to the question about which we have been talking. The Lord
got rid of the pain of the ugliness by finding the beautiful in
it.'</p>

<p id="iv.xvii-p34"><br />
</p>

<p id="iv.xvii-p35">'It does correspond, however, I think, in principle,' returned
Falconer; 'only it goes much farther, making the exceptional beauty
hallow the general ugliness--which is the true way, for beauty is
life, and therefore infinitely deeper and more powerful than
ugliness which is death. "A dram of sweet," says Spenser, 'is worth
a pound of sour."'</p>

<p id="iv.xvii-p36"><br />
</p>

<p id="iv.xvii-p37">It was so delightful to hear him talk--for what he said was not
only far finer than my record of it, but the whole man spoke as
well as his mouth--that I sought to start him again.</p>

<p id="iv.xvii-p38"><br />
</p>

<p id="iv.xvii-p39">'I wish,' I said, 'that I could see things as you do--in great
masses of harmonious unity. I am only able to see a truth sparkling
here and there, and to try to lay hold of it. When I aim at more, I
am like Noah's dove, without a place to rest the sole of my
foot.'</p>

<p id="iv.xvii-p40"><br />
</p>

<p id="iv.xvii-p41">'That is the only way to begin. Leave the large vision to
itself, and look well after your sparkles. You will find them grow
and gather and unite, until you are afloat on a sea of
radiance--with cloud shadows no doubt.'</p>

<p id="iv.xvii-p42"><br />
</p>

<p id="iv.xvii-p43">'And yet,' I resumed, 'I never seem to have room.'</p>

<p id="iv.xvii-p44"><br />
</p>

<p id="iv.xvii-p45">'That is just why.'</p>

<p id="iv.xvii-p46"><br />
</p>

<p id="iv.xvii-p47">'But I feel that I cannot find it. I know that if I fly to that
bounding cape on the far horizon there, I shall only find <i>a
place</i>--a place to want another in. There is no fortunate island
out on that sea.'</p>

<p id="iv.xvii-p48"><br />
</p>

<p id="iv.xvii-p49">'I fancy,' said Falconer, 'that until a man loves space, he will
never be at peace in a place. At least so I have found it. I am
content if you but give me room. All space to me throbs with being
and life; and the loveliest spot on the earth seems but the
compression of space till the meaning shines out of it, as the fire
flies out of the air when you drive it close together. To seek
place after place for freedom, is a constant effort to flee from
space, and a vain one, for you are ever haunted by the need of it,
and therefore when you seek most to escape it, fancy that you love
it and want it.'</p>

<p id="iv.xvii-p50"><br />
</p>

<p id="iv.xvii-p51">'You are getting too mystical for me now,' I said. 'I am not
able to follow you.'</p>

<p id="iv.xvii-p52"><br />
</p>

<p id="iv.xvii-p53">'I fear I was on the point of losing myself. At all events I can
go no further now. And indeed I fear I have been but skirting the
Limbo of Vanities.'</p>

<p id="iv.xvii-p54"><br />
</p>

<p id="iv.xvii-p55">He rose, for we could both see that this talk was not in the
least interesting to our companion. We got again into the carriage,
which, by Falconer's orders, was turned and driven in the opposite
direction, still at no great distance from the lofty edge of the
heights that rose above the shore.</p>

<p id="iv.xvii-p56"><br />
</p>

<p id="iv.xvii-p57">We came at length to a lane bounded with stone walls, every
stone of which had its moss and every chink its fern. The lane grew
more and more grassy; the walls vanished; and the track faded away
into a narrow winding valley, formed by the many meeting curves of
opposing hills. They were green to the top with sheep-grass, and
spotted here and there with patches of fern, great stones, and tall
withered foxgloves. The air was sweet and healthful, and Andrew
evidently enjoyed it because it reminded him again of his boyhood.
The only sound we heard was the tinkle of a few tender sheep-bells,
and now and then the tremulous bleating of a sheep. With a gentle
winding, the valley led us into a more open portion of itself,
where the old man paused with a look of astonished pleasure.</p>

<p id="iv.xvii-p58"><br />
</p>

<p id="iv.xvii-p59">Before us, seaward, rose a rampart against the sky, like the
turreted and embattled wall of a huge eastern city, built of loose
stones piled high, and divided by great peaky rocks. In the centre
rose above them all one solitary curiously-shaped mass, one of the
oddest peaks of the Himmalays in miniature. From its top on the
further side was a sheer descent to the waters far below the level
of the valley from which it immediately rose. It was altogether a
strange freaky fantastic place, not without its grandeur. It looked
like the remains of a frolic of the Titans, or rather as if reared
by the boys and girls, while their fathers and mothers 'lay
stretched out huge in length,' and in breadth too, upon the slopes
around, and laughed thunderously at the sportive invention of their
sons and daughters. Falconer helped his father up to the edge of
the rampart that he might look over. Again he started back, 'afraid
of that which was high,' for the lowly valley was yet at a great
height above the diminished waves. On the outside of the rampart
ran a narrow path whence the green hill-side went down steep to the
sea. The gulls were screaming far below us; we could see the little
flying streaks of white. Beyond was the great ocean. A murmurous
sound came up from its shore.</p>

<p id="iv.xvii-p60"><br />
</p>

<p id="iv.xvii-p61">We descended and seated ourselves on the short springy grass of
a little mound at the foot of one of the hills, where it sank
slowly, like the dying gush of a wave, into the hollowest centre of
the little vale.</p>

<p id="iv.xvii-p62"><br />
</p>

<p id="iv.xvii-p63">'Everything tends to the cone-shape here,' said Falconer,--'the
oddest and at the same time most wonderful of mathematical
figures.'</p>

<p id="iv.xvii-p64"><br />
</p>

<p id="iv.xvii-p65">'Is it not strange,' I said, 'that oddity and wonder should come
so near?'</p>

<p id="iv.xvii-p66"><br />
</p>

<p id="iv.xvii-p67">'They often do in the human world as well,' returned he.
'Therefore it is not strange that Shelley should have been so fond
of this place. It is told of him that repeated sketches of the spot
were found on the covers of his letters. I know nothing more like
Shelley's poetry than this valley--wildly fantastic and yet
beautiful--as if a huge genius were playing at grandeur, and
producing little models of great things. But there is one grand
thing I want to show you a little further on.'</p>

<p id="iv.xvii-p68"><br />
</p>

<p id="iv.xvii-p69">We rose, and walked out of the valley on the other side, along
the lofty coast. When we reached a certain point, Falconer stood
and requested us to look as far as we could, along the cliffs to
the face of the last of them.</p>

<p id="iv.xvii-p70"><br />
</p>

<p id="iv.xvii-p71">'What do you see?' he asked.</p>

<p id="iv.xvii-p72"><br />
</p>

<p id="iv.xvii-p73">'A perpendicular rock, going right down into the blue waters,' I
answered.</p>

<p id="iv.xvii-p74"><br />
</p>

<p id="iv.xvii-p75">'Look at it: what is the outline of it like? Whose face is
it?'</p>

<p id="iv.xvii-p76"><br />
</p>

<p id="iv.xvii-p77">'Shakspere's, by all that is grand!' I cried.</p>

<p id="iv.xvii-p78"><br />
</p>

<p id="iv.xvii-p79">'So it is,' said Andrew.</p>

<p id="iv.xvii-p80"><br />
</p>

<p id="iv.xvii-p81">'Right. Now I'll tell you what I would do. If I were very rich,
and there were no poor people in the country, I would give a
commission to some great sculptor to attack that rock and work out
its suggestion. Then, it I had any money left, we should find one
for Bacon, and one for Chaucer, and one for Milton; and, as we are
about it, we may fancy as many more as we like; so that from the
bounding rocks of our island, the memorial faces of our great
brothers should look abroad over the seas into the infinite sky
beyond.'</p>

<p id="iv.xvii-p82"><br />
</p>

<p id="iv.xvii-p83">'Well, now,' said the elder, 'I think it is grander as it
is.'</p>

<p id="iv.xvii-p84"><br />
</p>

<p id="iv.xvii-p85">'You are quite right, father,' said Robert. 'And so with many of
our fancies for perfecting God's mighty sketches, which he only can
finish.'</p>

<p id="iv.xvii-p86"><br />
</p>

<p id="iv.xvii-p87">Again we seated ourselves and looked out over the waves.</p>

<p id="iv.xvii-p88"><br />
</p>

<p id="iv.xvii-p89">'I have never yet heard,' I said, 'how you managed with that
poor girl that wanted to drown herself--on Westminster Bridge, I
mean--that night, you remember.'</p>

<p id="iv.xvii-p90"><br />
</p>

<p id="iv.xvii-p91">'Miss St. John has got her in her own house at present. She has
given her those two children we picked up at the door of the
public-house to take care of. Poor little darlings! they are
bringing back the life in her heart already. There is actually a
little colour in her cheek--the dawn, I trust, of the eternal life.
That is Miss St. John's way. As often as she gets hold of a poor
hopeless woman, she gives her a motherless child. It is wonderful
what the childless woman and motherless child do for each
other.'</p>

<p id="iv.xvii-p92"><br />
</p>

<p id="iv.xvii-p93">'I was much amused the other day with the lecture one of the
police magistrates gave a poor creature who was brought before him
for attempting to drown herself. He did give her a sovereign out of
the poor box, though.'</p>

<p id="iv.xvii-p94"><br />
</p>

<p id="iv.xvii-p95">'Well, that might just tide her over the shoal of
self-destruction,' said Falconer. 'But I cannot help doubting
whether any one has a <i>right</i> to prevent a suicide from
carrying out his purpose, who is not prepared to do a good deal
more for him than that. What would you think of the man who
snatched the loaf from a hungry thief, threw it back into the
baker's cart, and walked away to his club-dinner? Harsh words of
rebuke, and the threat of severe punishment upon a second
attempt--what are they to the wretch weary of life? To some of them
the <i>kindest</i> punishment would be to hang them for it. It is
something else than punishment that they need. If the comfortable
alderman had but "a feeling of their afflictions," felt in himself
for a moment how miserable <i>he</i> must be, what a waste of
despair must be in his heart, before he would do it himself, before
the awful river would appear to him a refuge from the upper air, he
would change his tone. I fear he regards suicide chiefly as a
burglarious entrance into the premises of the respectable firm of
Vension, Port, &amp; Co.'</p>

<p id="iv.xvii-p96"><br />
</p>

<p id="iv.xvii-p97">'But you mustn't be too hard upon him, Falconer; for if his God
is his belly, how can he regard suicide as other than the most
awful sacrilege?'</p>

<p id="iv.xvii-p98"><br />
</p>

<p id="iv.xvii-p99">'Of course not. His well-fed divinity gives him one great
commandment: "Thou shalt love thyself with all thy heart. The great
breach is to hurt thyself--worst of all to send thyself away from
the land of luncheons and dinners, to the country of thought and
vision." But, alas! he does not reflect on the fact that the god
Belial does not feed all his votaries; that he has his elect; that
the altar of his inner-temple too often smokes with no sacrifice of
which his poor meagre priests may partake. They must uphold the
Divinity which has been good to <i>them</i>, and not suffer his
worship to fall into disrepute.'</p>

<p id="iv.xvii-p100"><br />
</p>

<p id="iv.xvii-p101">'Really, Robert,' said his father, 'I am afraid to think what
you will come to. You will end in denying there is a God at all.
You don't believe in hell, and now you justify suicide. Really--I
must say--to say the least of it--I have not been accustomed to
hear such things.'</p>

<p id="iv.xvii-p102"><br />
</p>

<p id="iv.xvii-p103">The poor old man looked feebly righteous at his wicked son. I
verily believe he was concerned for his eternal fate. Falconer gave
a pleased glance at me, and for a moment said nothing. Then he
began, with a kind of logical composure:</p>

<p id="iv.xvii-p104"><br />
</p>

<p id="iv.xvii-p105">'In the first place, father, I do not believe in such a God as
some people say they believe in. Their God is but an idol of the
heathen, modified with a few Christian qualities. For hell, I don't
believe there is any escape from it but by leaving hellish things
behind. For suicide, I do not believe it is wicked because it hurts
yourself, but I do believe it is very wicked. I only want to put it
on its own right footing.'</p>

<p id="iv.xvii-p106"><br />
</p>

<p id="iv.xvii-p107">'And pray what do you consider its right footing?'</p>

<p id="iv.xvii-p108"><br />
</p>

<p id="iv.xvii-p109">'My dear father, I recognize no duty as owing to a man's self.
There is and can be no such thing. I am and can be under no
obligation to myself. The whole thing is a fiction, and of evil
invention. It comes from the upper circles of the hell of
selfishness. Or, perhaps, it may with some be merely a form of
metaphysical mistake; but an untruth it is. Then for the duty we do
owe to other people: how can we expect the men or women who have
found life to end, as it seems to them, in a dunghill of
misery--how can we expect such to understand any obligation to live
for the sake of the general <i>others</i>, to no individual of
whom, possibly, do they bear an endurable relation? What
remains?--The grandest, noblest duty from which all other duty
springs: the duty to the possible God. Mind, I say <i>possible</i>
God, for I judge it the first of my duties towards my neighbour to
regard his duty from his position, not from mine.'</p>

<p id="iv.xvii-p110"><br />
</p>

<p id="iv.xvii-p111">'But,' said I, 'how would you bring that duty to bear on the
mind of a suicide?'</p>

<p id="iv.xvii-p112"><br />
</p>

<p id="iv.xvii-p113">'I think some of the tempted could understand it, though I fear
not one of those could who judge them hardly, and talk
sententiously of the wrong done to a society which has done next to
nothing for her, by the poor, starved, refused, husband-tortured
wretch perhaps, who hurries at last to the might of the filthy
flowing river which, the one thread of hope in the web of despair,
crawls through the city of death. What should I say to him? I
should say: "God liveth: thou art not thine own but his. Bear thy
hunger, thy horror in his name. I in his name will help thee out of
them, as I may. To go before he calleth thee, is to say 'Thou
forgettest,' unto him who numbereth the hairs of thy head. Stand
out in the cold and the sleet and the hail of this world, O son of
man, till thy Father open the door and call thee. Yea, even if thou
knowest him not, stand and wait, lest there should be, after all,
such a loving and tender one, who, for the sake of a good with
which thou wilt be all-content, and without which thou never
couldst be content, permits thee there to stand--for a time--long
to his sympathizing as well as to thy suffering heart."'</p>

<p id="iv.xvii-p114"><br />
</p>

<p id="iv.xvii-p115">Here Falconer paused, and when he spoke again it was from the
ordinary level of conversation. Indeed I fancied that he was a
little uncomfortable at the excitement into which his feelings had
borne him.</p>

<p id="iv.xvii-p116"><br />
</p>

<p id="iv.xvii-p117">'Not many of them could understand this, I dare say: but I think
most of them could feel it without understanding it. Certainly the
"belly with good capon lined" will neither understand nor feel it.
Suicide is a sin against God, I repeat, not a crime over which
human laws have any hold. In regard to such, man has a duty
alone--that, namely, of making it possible for every man to live.
And where the dread of death is not sufficient to deter, what can
the threat of punishment do? Or what great thing is gained if it
should succeed? What agonies a man must have gone through in whom
neither the horror of falling into such a river, nor of the knife
in the flesh instinct with life, can extinguish the vague longing
to wrap up his weariness in an endless sleep!'</p>

<p id="iv.xvii-p118"><br />
</p>

<p id="iv.xvii-p119">'But,' I remarked, 'you would, I fear, encourage the trade in
suicide. Your kindness would be terribly abused. What would you do
with the pretended suicides?'</p>

<p id="iv.xvii-p120"><br />
</p>

<p id="iv.xvii-p121">'Whip them, for trifling with and trading upon the feelings of
their kind.'</p>

<p id="iv.xvii-p122"><br />
</p>

<p id="iv.xvii-p123">'Then you would drive them to suicide in earnest.'</p>

<p id="iv.xvii-p124"><br />
</p>

<p id="iv.xvii-p125">'Then they might be worth something, which they were not
before.'</p>

<p id="iv.xvii-p126"><br />
</p>

<p id="iv.xvii-p127">'We are a great deal too humane for that now-a-days, I fear. We
don't like hurting people.'</p>

<p id="iv.xvii-p128"><br />
</p>

<p id="iv.xvii-p129">'No. We are infested with a philanthropy which is the offspring
of our mammon-worship. But surely our tender mercies are cruel. We
don't like to hang people, however unfit they may be to live
amongst their fellows. A weakling pity will petition for the life
of the worst murderer--but for what? To keep him alive in a
confinement as like their notion of hell as they dare to make
it--namely, a place whence all the sweet visitings of the grace of
God are withdrawn, and the man has not a chance, so to speak, of
growing better. In this hell of theirs they will even pamper his
beastly body.'</p>

<p id="iv.xvii-p130"><br />
</p>

<p id="iv.xvii-p131">'They have the chaplain to visit them.'</p>

<p id="iv.xvii-p132"><br />
</p>

<p id="iv.xvii-p133">'I pity the chaplain, cut off in his labours from all the aids
which God's world alone can give for the teaching of these men.
Human beings have <i>not</i> the right to inflict such cruel
punishment upon their fellow-man. It springs from a cowardly
shrinking from responsibility, and from mistrust of the mercy of
God;--perhaps first of all from an over-valuing of the mere life of
the body. Hanging is tenderness itself to such a punishment.'</p>

<p id="iv.xvii-p134"><br />
</p>

<p id="iv.xvii-p135">'I think you are hardly fair, though, Falconer. It is the fear
of sending them to hell that prevents them from hanging them.'</p>

<p id="iv.xvii-p136"><br />
</p>

<p id="iv.xvii-p137">'Yes. You are right, I dare say. They are not of David's mind,
who would rather fall into the hands of God than of men. They think
their hell is not so hard as his, and may be better for them. But I
must not, as you say, forget that they do believe their everlasting
fate hangs upon their hands, for if God once gets his hold of them
by death, they are lost for ever.'</p>

<p id="iv.xvii-p138"><br />
</p>

<p id="iv.xvii-p139">'But the chaplain may awake them to a sense of their sins.'</p>

<p id="iv.xvii-p140"><br />
</p>

<p id="iv.xvii-p141">'I do not think it is likely that talk will do what the
discipline of life has not done. It seems to me, on the contrary,
that the clergyman has no commission to rouse people to a sense of
their sins. That is not his work. He is far more likely to harden
them by any attempt in that direction. Every man does feel his
sins, though he often does not know it. To turn his attention away
from what he does feel by trying to rouse in him feelings which are
impossible to him in his present condition, is to do him a great
wrong. The clergyman has the message of salvation, not of sin, to
give. Whatever oppression is on a man, whatever trouble, whatever
conscious something that comes between him and the blessedness of
life, is his sin; for whatever is not of faith is sin; and from all
this He came to save us. Salvation alone can rouse in us a sense of
our sinfulness. One must have got on a good way before he can be
sorry for his sins. There is no condition of sorrow laid down as
necessary to forgiveness. Repentance does not mean sorrow: it means
turning away from the sins. Every man can do that, more or less.
And that every man must do. The sorrow will come afterwards, all in
good time. Jesus offers to take us out of our own hands into his,
if we will only obey him.'</p>

<p id="iv.xvii-p142"><br />
</p>

<p id="iv.xvii-p143">The eyes of the old man were fixed on his son as he spoke, He
did seem to be thinking. I could almost fancy that a glimmer of
something like hope shone in his eyes.</p>

<p id="iv.xvii-p144"><br />
</p>

<p id="iv.xvii-p145">It was time to go home, and we were nearly silent all the
way.</p>

<p id="iv.xvii-p146"><br />
</p>

<p id="iv.xvii-p147">The next morning was so wet that we could not go out, and had to
amuse ourselves as we best might in-doors. But Falconer's resources
never failed. He gave us this day story after story about the poor
people he had known. I could see that his object was often to get
some truth into his father's mind without exposing it to rejection
by addressing it directly to himself; and few subjects could be
more fitted for affording such opportunity than his experiences
among the poor.</p>

<p id="iv.xvii-p148"><br />
</p>

<p id="iv.xvii-p149">The afternoon was still rainy and misty. In the evening I sought
to lead the conversation towards the gospel-story; and then
Falconer talked as I never heard him talk before. No little
circumstance in the narratives appeared to have escaped him. He had
thought about everything, as it seemed to me. He had looked under
the surface everywhere, and found truth--mines of it--under all the
upper soil of the story. The deeper he dug the richer seemed the
ore. This was combined with the most pictorial apprehension of
every outward event, which he treated as if it had been described
to him by the lips of an eye-witness. The whole thing lived in his
words and thoughts.</p>

<p id="iv.xvii-p150"><br />
</p>

<p id="iv.xvii-p151">'When anything looks strange, you must look the deeper,' he
would say.</p>

<p id="iv.xvii-p152"><br />
</p>

<p id="iv.xvii-p153">At the close of one of our fits of talk, he rose and went to the
window.</p>

<p id="iv.xvii-p154"><br />
</p>

<p id="iv.xvii-p155">'Come here,' he said, after looking for a moment.</p>

<p id="iv.xvii-p156"><br />
</p>

<p id="iv.xvii-p157">All day a dropping cloud had filled the space below, so that the
hills on the opposite side of the valley were hidden, and the whole
of the sea, near as it was. But when we went to the window we found
that a great change had silently taken place. The mist continued to
veil the sky, and it clung to the tops of the hills; but, like the
rising curtain of a stage, it had rolled half-way up from their
bases, revealing a great part of the sea and shore, and half of a
cliff on the opposite side of the valley: this, in itself of a deep
red, was now smitten by the rays of the setting sun, and glowed
over the waters a splendour of carmine. As we gazed, the vaporous
curtain sank upon the shore, and the sun sank under the waves, and
the sad gray evening closed in the weeping night, and clouds and
darkness swathed the weary earth. For doubtless the earth needs its
night as well as the creatures that live thereon.</p>

<p id="iv.xvii-p158"><br />
</p>

<p id="iv.xvii-p159">In the morning the rain had ceased, but the clouds remained. But
they were high in the heavens now, and, like a departing sorrow,
revealed the outline and form which had appeared before as an
enveloping vapour of universal and shapeless evil. The mist was now
far enough off to be seen and thought about. It was clouds now--no
longer mist and rain. And I thought how at length the evils of the
world would float away, and we should see what it was that made it
so hard for us to believe and be at peace.</p>

<p id="iv.xvii-p160"><br />
</p>

<p id="iv.xvii-p161">In the afternoon the sky had partially cleared, but clouds hid
the sun as he sank towards the west. We walked out. A cold autumnal
wind blew, not only from the twilight of the dying day, but from
the twilight of the dying season. A sorrowful hopeless wind it
seemed, full of the odours of dead leaves--those memories of green
woods, and of damp earth--the bare graves of the flowers. Would the
summer ever come again?</p>

<p id="iv.xvii-p162"><br />
</p>

<p id="iv.xvii-p163">We were pacing in silence along a terraced walk which overhung
the shore far below. More here than from the hilltop we seemed to
look immediately into space, not even a parapet intervening betwixt
us and the ocean. The sound of a mournful lyric, never yet sung,
was in my brain; it drew nearer to my mental grasp; but ere it
alighted, its wings were gone, and it fell dead on my
consciousness. Its meaning was this: 'Welcome, Requiem of Nature.
Let me share in thy Requiescat. Blow, wind of mournful memories.
Let us moan together. No one taketh from us the joy of our sorrow.
We may mourn as we will.'</p>

<p id="iv.xvii-p164"><br />
</p>

<p id="iv.xvii-p165">But while I brooded thus, behold a wonder! The mass about the
sinking sun broke up, and drifted away in cloudy bergs, as if
scattered on the diverging currents of solar radiance that burst
from the gates of the west, and streamed east and north and south
over the heavens and over the sea. To the north, these masses built
a cloudy bridge across the sky from horizon to horizon, and beneath
it shone the rosy-sailed ships floating stately through their
triumphal arch up the channel to their home. Other clouds floated
stately too in the upper sea over our heads, with dense forms,
thinning into vaporous edges. Some were of a dull angry red; some
of as exquisite a primrose hue as ever the flower itself bore on
its bosom; and betwixt their edges beamed out the sweetest, purest,
most melting, most transparent blue, the heavenly blue which is the
symbol of the spirit as red is of the heart. I think I never saw a
blue to satisfy me before. Some of these clouds threw shadows of
many-shaded purple upon the green sea; and from one of the shadows,
so dark and so far out upon the glooming horizon that it looked
like an island, arose as from a pier, a wondrous structure of dim,
fairy colours, a multitude of rainbow-ends, side by side, that
would have spanned the heavens with a gorgeous arch, but failed
from the very grandeur of the idea, and grew up only a few degrees
against the clouded west. I stood rapt. The two Falconers were at
some distance before me, walking arm in arm. They stood and gazed
likewise. It was as if God had said to the heavens and the earth
and the chord of the seven colours, 'Comfort ye, comfort ye my
people.' And I said to my soul, 'Let the tempest rave in the world;
let sorrow wail like a sea-bird in the midst thereof; and let thy
heart respond to her shivering cry; but the vault of heaven
encloses the tempest and the shrieking bird and the echoing heart;
and the sun of God's countenance can with one glance from above
change the wildest winter day into a summer evening compact of
poets' dreams.'</p>

<p id="iv.xvii-p166"><br />
</p>

<p id="iv.xvii-p167">My companions were walking up over the hill. I could see that
Falconer was earnestly speaking in his father's ear. The old man's
head was bent towards the earth. I kept away. They made a turn from
home. I still followed at a distance. The evening began to grow
dark. The autumn wind met us again, colder, stronger, yet more
laden with the odours of death and the frosts of the coming winter.
But it no longer blew as from the charnel-house of the past; it
blew from the stars through the chinks of the unopened door on the
other side of the sepulchre. It was a wind of the worlds, not a
wind of the leaves. It told of the march of the spheres, and the
rest of the throne of God. We were going on into the universe--home
to the house of our Father. Mighty adventure! Sacred repose! And as
I followed the pair, one great star throbbed and radiated over my
head.</p>

<p id="iv.xvii-p168"><br />
</p>

<p id="iv.xvii-p169"><br />
</p>

</div2>

      <div2 title="CHAPTER XVIII.--THREE GENERATIONS." n="xviii" shorttitle="" progress="93.77%" id="iv.xviii" prev="iv.xvii" next="iv.xix">

<p id="iv.xviii-p1"><br />
</p>

<p id="iv.xviii-p2">CHAPTER XVIII.</p>

<p id="iv.xviii-p3"><br />
</p>

<p id="iv.xviii-p4">THREE GENERATIONS.</p>

<p id="iv.xviii-p5"><br />
</p>

<p id="iv.xviii-p6">THE next week I went back to my work, leaving the father and son
alone together. Before I left, I could see plainly enough that the
bonds were being drawn closer between them. A whole month passed
before they returned to London. The winter then had set in with
unusual severity. But it seemed to bring only health to the two
men. When I saw Andrew next, there was certainly a marked change
upon him. Light had banished the haziness from his eye, and his
step was a good deal firmer. I can hardly speak of more than the
physical improvement, for I saw very little of him now. Still I did
think I could perceive more of judgment in his face, as if he
sometimes weighed things in his mind. But it was plain that Robert
continued very careful not to let him a moment out of his
knowledge. He busied him with the various sights of London, for
Andrew, although he knew all its miseries well, had never yet been
inside Westminster Abbey. If he could only trust him enough to get
him something to do! But what was he fit for? To try him, he
proposed once that he should write some account of what he had seen
and learned in his wanderings; but the evident distress with which
he shrunk from the proposal was grateful to the eyes and heart of
his son.</p>

<p id="iv.xviii-p7"><br />
</p>

<p id="iv.xviii-p8">It was almost the end of the year when a letter arrived from
John Lammie, informing Robert that his grandmother had caught a
violent cold, and that, although the special symptoms had
disappeared, it was evident her strength was sinking fast, and that
she would not recover.</p>

<p id="iv.xviii-p9"><br />
</p>

<p id="iv.xviii-p10">He read the letter to his father.</p>

<p id="iv.xviii-p11"><br />
</p>

<p id="iv.xviii-p12">'We must go and see her, Robert, my boy,' said Andrew.</p>

<p id="iv.xviii-p13"><br />
</p>

<p id="iv.xviii-p14">It was the first time that he had shown the smallest desire to
visit her. Falconer rose with glad heart, and proceeded at once to
make arrangements for their journey.</p>

<p id="iv.xviii-p15"><br />
</p>

<p id="iv.xviii-p16">It was a cold, powdery afternoon in January, with the snow thick
on the ground, save where the little winds had blown the crown of
the street bare before Mrs. Falconer's house. A post-chaise with
four horses swept wearily round the corner, and pulled up at her
door. Betty opened it, and revealed an old withered face very
sorrowful, and yet expectant. Falconer's feelings I dare not,
Andrew's I cannot attempt to describe, as they stepped from the
chaise and entered. Betty led the way without a word into the
little parlour. Robert went next, with long quiet strides, and
Andrew followed with gray, bowed head. Grannie was not in her
chair. The doors which during the day concealed the bed in which
she slept, were open, and there lay the aged woman with her eyes
closed. The room was as it had always been, only there seemed a
filmy shadow in it that had not been there before.</p>

<p id="iv.xviii-p17"><br />
</p>

<p id="iv.xviii-p18">'She's deein', sir,' whispered Betty. 'Ay is she. Och hone!'</p>

<p id="iv.xviii-p19"><br />
</p>

<p id="iv.xviii-p20">Robert took his father's hand, and led him towards the bed. They
drew nigh softly, and bent over the withered, but not even yet very
wrinkled face. The smooth, white, soft hands lay on the sheet,
which was folded back over her bosom. She was asleep, or rather,
she slumbered.</p>

<p id="iv.xviii-p21"><br />
</p>

<p id="iv.xviii-p22">But the soul of the child began to grow in the withered heart of
the old man as he regarded his older mother, and as it grew it
forced the tears to his eyes, and the words to his lips.</p>

<p id="iv.xviii-p23"><br />
</p>

<p id="iv.xviii-p24">'Mother!' he said, and her eyelids rose at once. He stooped to
kiss her, with the tears rolling down his face. The light of heaven
broke and flashed from her aged countenance. She lifted her weak
hands, took his head, and held it to her bosom.</p>

<p id="iv.xviii-p25"><br />
</p>

<p id="iv.xviii-p26">'Eh! the bonnie gray heid!' she said, and burst into a passion
of weeping. She had kept some tears for the last. Now she would
spend all that her griefs had left her. But there came a pause in
her sobs, though not in her weeping, and then she spoke.</p>

<p id="iv.xviii-p27"><br />
</p>

<p id="iv.xviii-p28">'I kent it a' the time, O Lord. I kent it a' the time. He's come
hame. My Anerew, my Anerew! I'm as happy 's a bairn. O Lord! O
Lord!'</p>

<p id="iv.xviii-p29"><br />
</p>

<p id="iv.xviii-p30">And she burst again into sobs, and entered paradise in radiant
weeping.</p>

<p id="iv.xviii-p31"><br />
</p>

<p id="iv.xviii-p32">Her hands sank away from his head, and when her son gazed in her
face he saw that she was dead. She had never looked at Robert.</p>

<p id="iv.xviii-p33"><br />
</p>

<p id="iv.xviii-p34">The two men turned towards each other. Robert put out his arms.
His father laid his head on his bosom, and went on weeping. Robert
held him to his heart.</p>

<p id="iv.xviii-p35"><br />
</p>

<p id="iv.xviii-p36">When shall a man dare to say that God has done all he can?</p>

<p id="iv.xviii-p37"><br />
</p>

<p id="iv.xviii-p38"><br />
</p>

</div2>

      <div2 title="CHAPTER XIX.--THE WHOLE STORY." n="xix" shorttitle="" progress="94.13%" id="iv.xix" prev="iv.xviii" next="iv.xx">

<p id="iv.xix-p1"><br />
</p>

<p id="iv.xix-p2">CHAPTER XIX.</p>

<p id="iv.xix-p3"><br />
</p>

<p id="iv.xix-p4">THE WHOLE STORY.</p>

<p id="iv.xix-p5"><br />
</p>

<p id="iv.xix-p6">THE men laid their mother's body with those of the generations
that had gone before her, beneath the long grass in their country
churchyard near Rothieden--a dreary place, one accustomed to trim
cemeteries and sentimental wreaths would call it--to Falconer's
mind so friendly to the forsaken dust, because it lapt it in sweet
oblivion.</p>

<p id="iv.xix-p7"><br />
</p>

<p id="iv.xix-p8">They returned to the dreary house, and after a simple meal such
as both had used to partake of in their boyhood, they sat by the
fire, Andrew in his mother's chair, Robert in the same chair in
which he had learned his Sallust and written his versions. Andrew
sat for a while gazing into the fire, and Robert sat watching his
face, where in the last few months a little feeble fatherhood had
begun to dawn.</p>

<p id="iv.xix-p9"><br />
</p>

<p id="iv.xix-p10">'It was there, father, that grannie used to sit, every day,
sometimes looking in the fire for hours, thinking about you, I
know,' Robert said at length.</p>

<p id="iv.xix-p11"><br />
</p>

<p id="iv.xix-p12">Andrew stirred uneasily in his chair.</p>

<p id="iv.xix-p13"><br />
</p>

<p id="iv.xix-p14">'How do you know that?' he asked.</p>

<p id="iv.xix-p15"><br />
</p>

<p id="iv.xix-p16">'If there was one thing I could be sure of, it was when grannie
was thinking about you, father. Who wouldn't have known it, father,
when her lips were pressed together, as if she had some dreadful
pain to bear, and her eyes were looking away through the fire--so
far away! and I would speak to her three times before she would
answer? She lived only to think about God and you, father. God and
you came very close together in her mind. Since ever I can
remember, almost, the thought of you was just the one thing in this
house.'</p>

<p id="iv.xix-p17"><br />
</p>

<p id="iv.xix-p18">Then Robert began at the beginning of his memory, and told his
father all that he could remember. When he came to speak about his
solitary musings in the garret, he said--and long before he reached
this part, he had relapsed into his mother tongue:</p>

<p id="iv.xix-p19"><br />
</p>

<p id="iv.xix-p20">'Come and luik at the place, father. I want to see 't again,
mysel'.'</p>

<p id="iv.xix-p21"><br />
</p>

<p id="iv.xix-p22">He rose. His father yielded and followed him. Robert got a
candle in the kitchen, and the two big men climbed the little
narrow stair and stood in the little sky of the house, where their
heads almost touched the ceiling.</p>

<p id="iv.xix-p23"><br />
</p>

<p id="iv.xix-p24">'I sat upo' the flure there,' said Robert, 'an' thoucht and
thoucht what I wad du to get ye, father, and what I wad du wi' ye
whan I had gotten ye. I wad greit whiles, 'cause ither laddies had
a father an' I had nane. An' there's whaur I fand mamma's box wi'
the letter in 't and her ain picter: grannie gae me that ane o'
you. An' there's whaur I used to kneel doon an' pray to God. An'
he's heard my prayers, and grannie's prayers, and here ye are wi'
me at last. Instead o' thinkin' aboot ye, I hae yer ain sel'. Come,
father, I want to say a word o' thanks to God, for hearin' my
prayer.'</p>

<p id="iv.xix-p25"><br />
</p>

<p id="iv.xix-p26">He took the old man's hand, led him to the bedside, and kneeled
with him there.</p>

<p id="iv.xix-p27"><br />
</p>

<p id="iv.xix-p28">My reader can hardly avoid thinking it was a poor sad triumph
that Robert had after all. How the dreams of the boy had dwindled
in settling down into the reality! He had his father, it was true,
but what a father! And how little he had him!</p>

<p id="iv.xix-p29"><br />
</p>

<p id="iv.xix-p30">But this was not the end; and Robert always believed that the
end must be the greater in proportion to the distance it was
removed, to give time for its true fulfilment. And when he prayed
aloud beside his father, I doubt not that his thanksgiving and his
hope were equal.</p>

<p id="iv.xix-p31"><br />
</p>

<p id="iv.xix-p32">The prayer over, he took his father's hand and led him down
again to the little parlour, and they took their seats again by the
fire; and Robert began again and went on with his story, not
omitting the parts belonging to Mary St. John and Eric Ericson.</p>

<p id="iv.xix-p33"><br />
</p>

<p id="iv.xix-p34">When he came to tell how he had encountered him in the deserted
factory:</p>

<p id="iv.xix-p35"><br />
</p>

<p id="iv.xix-p36">'Luik here, father, here's the mark o' the cut,' he said,
parting the thick hair on the top of his head.</p>

<p id="iv.xix-p37"><br />
</p>

<p id="iv.xix-p38">His father hid his face in his hands.</p>

<p id="iv.xix-p39"><br />
</p>

<p id="iv.xix-p40">'It wasna muckle o' a blow that ye gied me, father,' he went on,
'but I fell against the grate, and that was what did it. And I
never tellt onybody, nae even Miss St. John, wha plaistered it up,
hoo I had gotten 't. And I didna mean to say onything aboot it; but
I wantit to tell ye a queer dream, sic a queer dream it garred me
dream the same nicht.'</p>

<p id="iv.xix-p41"><br />
</p>

<p id="iv.xix-p42">As he told the dream, his father suddenly grew attentive, and
before he had finished, looked almost scared; but he said nothing.
When he came to relate his grandmother's behaviour after having
discovered that the papers relating to the factory were gone, he
hid his face in his hands once more. He told him how grannie had
mourned and wept over him, from the time when he heard her praying
aloud as he crept through her room at night to their last talk
together after Dr. Anderson's death. He set forth, as he could, in
the simplest language, the agony of her soul over her lost son. He
told him then about Ericson, and Dr. Anderson, and how good they
had been to him, and at last of Dr. Anderson's request that he
would do something for him in India.</p>

<p id="iv.xix-p43"><br />
</p>

<p id="iv.xix-p44">'Will ye gang wi' me, father?' he asked.</p>

<p id="iv.xix-p45"><br />
</p>

<p id="iv.xix-p46">'I'll never leave ye again, Robert, my boy,' he answered. 'I
have been a bad man, and a bad father, and now I gie mysel' up to
you to mak the best o' me ye can. I daurna leave ye, Robert.'</p>

<p id="iv.xix-p47"><br />
</p>

<p id="iv.xix-p48">'Pray to God to tak care o' ye, father. He'll do a'thing for ye,
gin ye'll only lat him.'</p>

<p id="iv.xix-p49"><br />
</p>

<p id="iv.xix-p50">'I will, Robert.'</p>

<p id="iv.xix-p51"><br />
</p>

<p id="iv.xix-p52">'I was mysel' dreidfu' miserable for a while,' Robert resumed,
'for I cudna see or hear God at a'; but God heard me, and loot me
ken that he was there an' that a' was richt. It was jist like whan
a bairnie waukens up an' cries oot, thinkin' it 's its lane, an'
through the mirk comes the word o' the mither o' 't, sayin', "I'm
here, cratur: dinna greit." And I cam to believe 'at he wad mak you
a good man at last. O father, it's been my dream waukin' an'
sleepin' to hae you back to me an' grannie, an' mamma, an' the
Father o' 's a', an' Jesus Christ that's done a'thing for 's. An'
noo ye maun pray to God, father. Ye <i>will</i> pray to God to haud
a grip o' ye--willna ye, father?'</p>

<p id="iv.xix-p53"><br />
</p>

<p id="iv.xix-p54">'I will, I will, Robert. But I've been an awfu' sinner. I
believe I was the death o' yer mother, laddie.'</p>

<p id="iv.xix-p55"><br />
</p>

<p id="iv.xix-p56">Some closet of memory was opened; a spring of old tenderness
gushed up in his heart; at some window of the past the face of his
dead wife looked out: the old man broke into a great cry, and
sobbed and wept bitterly. Robert said no more, but wept with
him.</p>

<p id="iv.xix-p57"><br />
</p>

<p id="iv.xix-p58">Henceforward the father clung to his son like a child. The heart
of Falconer turned to his Father in heaven with speechless
thanksgiving. The ideal of his dreams was beginning to dawn, and
his life was new-born.</p>

<p id="iv.xix-p59"><br />
</p>

<p id="iv.xix-p60">For a few days Robert took Andrew about to see those of his old
friends who were left, and the kindness with which they all
received him, moved Andrew's heart not a little. Every one who saw
him seemed to feel that he or she had a share in the redeeming duty
of the son. Robert was in their eyes like a heavenly messenger,
whom they were bound to aid; for here was the possessed of demons
clothed and in his right mind. Therefore they overwhelmed both
father and son with kindness. Especially at John Lammie's was he
received with a perfection of hospitality; as if that had been the
father's house to which he had returned from his prodigal
wanderings.</p>

<p id="iv.xix-p61"><br />
</p>

<p id="iv.xix-p62">The good old farmer begged that they would stay with him for a
few days.</p>

<p id="iv.xix-p63"><br />
</p>

<p id="iv.xix-p64">'I hae sae mony wee things to luik efter at Rothieden, afore we
gang,' said Robert.</p>

<p id="iv.xix-p65"><br />
</p>

<p id="iv.xix-p66">'Weel, lea' yer father here. We s' tak guid care o' 'im, I
promise ye.'</p>

<p id="iv.xix-p67"><br />
</p>

<p id="iv.xix-p68">'There's only ae difficulty. I believe ye are my father's
frien', Mr. Lammie, as ye hae been mine, and God bless ye; sae I'll
jist tell you the trowth, what for I canna lea' him. I'm no sure
eneuch yet that he could withstan' temptation. It's the drink ye
ken. It's months sin' he's tasted it; but--ye ken weel eneuch--the
temptation's awfu'. Sin' ever I got him back, I haena tasted ae
mou'fu' o' onything that cud be ca'd strong drink mysel', an' as
lang 's he lives, not ae drap shall cross my lips--no to save my
life.'</p>

<p id="iv.xix-p69"><br />
</p>

<p id="iv.xix-p70">'Robert,' said Mr. Lammie, giving him his hand with solemnity,
'I sweir by God that he shanna see, smell, taste, nor touch drink
in this hoose. There's but twa boatles o' whusky, i' the shape o'
drink, i' the hoose; an' gin ye say 'at he sall bide, I'll gang and
mak them an' the midden weel acquant.'</p>

<p id="iv.xix-p71"><br />
</p>

<p id="iv.xix-p72">Andrew was pleased at the proposal. Robert too was pleased that
his father should be free of him for a while. It was arranged for
three days. Half-an-hour after, Robert came upon Mr. Lammie
emptying the two bottles of whisky into the dunghill in the
farmyard.</p>

<p id="iv.xix-p73"><br />
</p>

<p id="iv.xix-p74">He returned with glad heart to Rothieden. It did not take him
long to arrange his grandmother's little affairs. He had already
made up his mind about her house and furniture. He rang the bell
one morning for Betty.</p>

<p id="iv.xix-p75"><br />
</p>

<p id="iv.xix-p76">'Hae ye ony siller laid up, Betty?'</p>

<p id="iv.xix-p77"><br />
</p>

<p id="iv.xix-p78">'Ay. I hae feifteen poun' i' the savin's bank.'</p>

<p id="iv.xix-p79"><br />
</p>

<p id="iv.xix-p80">'An' what do ye think o' doin'?'</p>

<p id="iv.xix-p81"><br />
</p>

<p id="iv.xix-p82">'I'll get a bit roomy, an' tak in washin'.</p>

<p id="iv.xix-p83"><br />
</p>

<p id="iv.xix-p84">'Weel, I'll tell ye what I wad like ye to do. Ye ken Mistress
Elshender?'</p>

<p id="iv.xix-p85"><br />
</p>

<p id="iv.xix-p86">'Fine that. An' a verra dacent body she is.'</p>

<p id="iv.xix-p87"><br />
</p>

<p id="iv.xix-p88">'Weel, gin ye like, ye can haud this hoose, an' a' 'at's in't,
jist as it is, till the day o' yer deith. And ye'll aye keep it in
order, an' the ga'le-room ready for me at ony time I may happen to
come in upo' ye in want o' a nicht's quarters. But I wad like ye,
gin ye hae nae objections, to tak Mistress Elshender to bide wi'
ye. She's turnin' some frail noo, and I'm unner great obligation to
her Sandy, ye ken.'</p>

<p id="iv.xix-p89"><br />
</p>

<p id="iv.xix-p90">'Ay, weel that. He learnt ye to fiddle, Robert--I hoombly beg
your pardon, sir, Mister Robert.'</p>

<p id="iv.xix-p91"><br />
</p>

<p id="iv.xix-p92">'Nae offence, Betty, I assure ye. Ye hae been aye gude to me,
and I thank ye hertily.'</p>

<p id="iv.xix-p93"><br />
</p>

<p id="iv.xix-p94">Betty could not stand this. Her apron went up to her eyes.</p>

<p id="iv.xix-p95"><br />
</p>

<p id="iv.xix-p96">'Eh, sir,' she sobbed, 'ye was aye a gude lad.'</p>

<p id="iv.xix-p97"><br />
</p>

<p id="iv.xix-p98">'Excep' whan I spak o' Muckledrum, Betty.'</p>

<p id="iv.xix-p99"><br />
</p>

<p id="iv.xix-p100">She laughed and sobbed together.</p>

<p id="iv.xix-p101"><br />
</p>

<p id="iv.xix-p102">'Weel, ye'll tak Mistress Elshender in, winna ye?'</p>

<p id="iv.xix-p103"><br />
</p>

<p id="iv.xix-p104">'I'll do that, sir. And I'll try to do my best wi' her.'</p>

<p id="iv.xix-p105"><br />
</p>

<p id="iv.xix-p106">'She can help ye, ye ken, wi' yer washin', an' sic like.'</p>

<p id="iv.xix-p107"><br />
</p>

<p id="iv.xix-p108">'She's a hard-workin' wuman, sir. She wad do that weel.'</p>

<p id="iv.xix-p109"><br />
</p>

<p id="iv.xix-p110">'And whan ye're in ony want o' siller, jist write to me. An' gin
onything suld happen to me, ye ken, write to Mr. Gordon, a frien'
o' mine. There's his address in Lonnon.'</p>

<p id="iv.xix-p111"><br />
</p>

<p id="iv.xix-p112">'Eh, sir, but ye are kin'. God bless ye for a'.'</p>

<p id="iv.xix-p113"><br />
</p>

<p id="iv.xix-p114">She could bear no more, and left the room crying.</p>

<p id="iv.xix-p115"><br />
</p>

<p id="iv.xix-p116">Everything settled at Rothieden, he returned to Bodyfauld. The
most welcome greeting he had ever received in his life, lay in the
shine of his father's eyes when he entered the room where he sat
with Miss Lammie. The next day they left for London.</p>

<p id="iv.xix-p117"><br />
</p>

<p id="iv.xix-p118"><br />
</p>

</div2>

      <div2 title="CHAPTER XX.--THE VANISHING." n="xx" shorttitle="" progress="95.03%" id="iv.xx" prev="iv.xix" next="iv.xxi">

<p id="iv.xx-p1"><br />
</p>

<p id="iv.xx-p2">CHAPTER XX.</p>

<p id="iv.xx-p3"><br />
</p>

<p id="iv.xx-p4">THE VANISHING.</p>

<p id="iv.xx-p5"><br />
</p>

<p id="iv.xx-p6">THEY came to see me the very evening of their arrival. As to
Andrew's progress there could be no longer any doubt. All that was
necessary for conviction on the point was to have seen him before
and to see him now. The very grasp of his hand was changed. But not
yet would Robert leave him alone.</p>

<p id="iv.xx-p7"><br />
</p>

<p id="iv.xx-p8">It will naturally occur to my reader that his goodness was not
much yet. It was not. It may have been greater than we could be
sure of, though. But if any one object that such a conversion, even
if it were perfected, was poor, inasmuch as the man's free will was
intromitted with, I answer: 'The development of the free will was
the one object. Hitherto it was not free.' I ask the man who says
so: 'Where would your free will have been if at some period of your
life you could have had everything you wanted?' If he says it is
nobler in a man to do with less help, I answer, 'Andrew was not
noble: was he therefore to be forsaken? The prodigal was not left
without the help of the swine and their husks, at once to keep him
alive and disgust him with the life. Is the less help a man has
from God the better?' According to you, the grandest thing of all
would be for a man sunk in the absolute abysses of sensuality all
at once to resolve to be pure as the empyrean, and be so, without
help from God or man. But is the thing possible? As well might a
hyena say: I will be a man, and become one. That would be to
create. Andrew must be kept from the evil long enough to let him at
least see the good, before he was let alone. But when would we be
let alone? For a man to be fit to be let alone, is for a man not to
need God, but to be able to live without him. Our hearts cry out,
'To have God is to live. We want God. Without him no life of ours
is worth living. We are not then even human, for that is but the
lower form of the divine. We are immortal, eternal: fill us, O
Father, with thyself. Then only all is well.' More: I heartily
believe, though I cannot understand the boundaries of will and
inspiration, that what God will do for us at last is infinitely
beyond any greatness we could gain, even if we could will ourselves
from the lowest we could be, into the highest we can imagine. It is
essential divine life we want; and there is grand truth, however
incomplete or perverted, in the aspiration of the Brahmin. He is
wrong, but he wants something right. If the man had the power in
his pollution to will himself into the right without God, the fact
that he was in that pollution with such power, must damn him there
for ever. And if God must help ere a man can be saved, can the help
of man go too far towards the same end? Let God solve the
mystery--for he made it. One thing is sure: We are his, and he will
do his part, which is no part but the all in all. If man could do
what in his wildest self-worship he can imagine, the grand result
would be that he would be his own God, which is the Hell of
Hells.</p>

<p id="iv.xx-p9"><br />
</p>

<p id="iv.xx-p10">For some time I had to give Falconer what aid I could in being
with his father while he arranged matters in prospect of their
voyage to India. Sometimes he took him with him when he went
amongst his people, as he called the poor he visited. Sometimes,
when he wanted to go alone, I had to take him to Miss St. John, who
would play and sing as I had never heard any one play or sing
before. Andrew on such occasions carried his flute with him, and
the result of the two was something exquisite. How Miss St. John
did lay herself out to please the old man! And pleased he was. I
think her kindness did more than anything else to make him feel
like a gentleman again. And in his condition that was much.</p>

<p id="iv.xx-p11"><br />
</p>

<p id="iv.xx-p12">At length Falconer would sometimes leave him with Miss St. John,
till he or I should go for him: he knew she could keep him safe. He
knew that she <i>would</i> keep him if necessary.</p>

<p id="iv.xx-p13"><br />
</p>

<p id="iv.xx-p14">One evening when I went to see Falconer, I found him alone. It
was one of these occasions.</p>

<p id="iv.xx-p15"><br />
</p>

<p id="iv.xx-p16">'I am very glad you have come, Gordon,' he said. 'I was wanting
to see you. I have got things nearly ready now. Next month, or at
latest, the one after, we shall sail; and I have some business with
you which had better be arranged at once. No one knows what is
going to happen. The man who believes the least in chance knows as
little as the man who believes in it the most. My will is in the
hands of Dobson. I have left you everything.'</p>

<p id="iv.xx-p17"><br />
</p>

<p id="iv.xx-p18">I was dumb.</p>

<p id="iv.xx-p19"><br />
</p>

<p id="iv.xx-p20">'Have you any objection?' he said, a little anxiously.</p>

<p id="iv.xx-p21"><br />
</p>

<p id="iv.xx-p22">'Am I able to fulfil the conditions?' I faltered.</p>

<p id="iv.xx-p23"><br />
</p>

<p id="iv.xx-p24">'I have burdened you with no conditions,' he returned. 'I don't
believe in conditions. I know your heart and mind now. I trust you
perfectly.'</p>

<p id="iv.xx-p25"><br />
</p>

<p id="iv.xx-p26">'I am unworthy of it.'</p>

<p id="iv.xx-p27"><br />
</p>

<p id="iv.xx-p28">'That is for me to judge.'</p>

<p id="iv.xx-p29"><br />
</p>

<p id="iv.xx-p30">'Will you have no trustees?'</p>

<p id="iv.xx-p31"><br />
</p>

<p id="iv.xx-p32">'Not one.'</p>

<p id="iv.xx-p33"><br />
</p>

<p id="iv.xx-p34">'What do you want me to do with your property?'</p>

<p id="iv.xx-p35"><br />
</p>

<p id="iv.xx-p36">'You know well enough. Keep it going the right way.'</p>

<p id="iv.xx-p37"><br />
</p>

<p id="iv.xx-p38">'I will always think what you would like.'</p>

<p id="iv.xx-p39"><br />
</p>

<p id="iv.xx-p40">'No; do not. Think what is right; and where there is no right or
wrong plain in itself, then think what is best. You may see good
reason to change some of my plans. You may be wrong; but you must
do what you see right--not what I see or might see right.'</p>

<p id="iv.xx-p41"><br />
</p>

<p id="iv.xx-p42">'But there is no need to talk so seriously about it,' I said.
'You will manage it yourself for many years yet. Make me your
steward, if you like, during your absence: I will not object to
that.'</p>

<p id="iv.xx-p43"><br />
</p>

<p id="iv.xx-p44">'You do not object to the other, I hope?'</p>

<p id="iv.xx-p45"><br />
</p>

<p id="iv.xx-p46">'No.'</p>

<p id="iv.xx-p47"><br />
</p>

<p id="iv.xx-p48">'Then so let it be. The other, of course. I have, being a lawyer
myself, taken good care not to trust myself only with the arranging
of these matters. I think you will find them all right.'</p>

<p id="iv.xx-p49"><br />
</p>

<p id="iv.xx-p50">'But supposing you should not return--you have compelled me to
make the supposition--'</p>

<p id="iv.xx-p51"><br />
</p>

<p id="iv.xx-p52">'Of course. Go on.'</p>

<p id="iv.xx-p53"><br />
</p>

<p id="iv.xx-p54">'What am I to do with the money in the prospect of following
you?'</p>

<p id="iv.xx-p55"><br />
</p>

<p id="iv.xx-p56">'Ah! that is the one point on which I want a word, although I do
not think it is necessary. I want to entail the property.'</p>

<p id="iv.xx-p57"><br />
</p>

<p id="iv.xx-p58">'How?'</p>

<p id="iv.xx-p59"><br />
</p>

<p id="iv.xx-p60">'By word of mouth,' he answered, laughing. 'You must look out
for a right man, as I have done, get him to know your ways and
ideas, and if you find him <i>worthy</i>--that is a grand wide
word--our Lord gave it to his disciples--leave it all to him in the
same way I have left it to you, trusting to the spirit of truth
that is in him, the spirit of God. You can copy my will--as far as
it will apply, for you may have, one way or another, lost the half
of it by that time. But, by word of mouth, you must make the same
condition with him as I have made with you--that is, with regard to
his leaving it, and the conditions on which he leaves it, adding
the words, "that it may descend thus <i>in perpetuum</i>." And he
must do the same.'</p>

<p id="iv.xx-p61"><br />
</p>

<p id="iv.xx-p62">He broke into a quiet laugh. I knew well enough what he meant.
But he added:</p>

<p id="iv.xx-p63"><br />
</p>

<p id="iv.xx-p64">'That means, of course, for as long as there is any.'</p>

<p id="iv.xx-p65"><br />
</p>

<p id="iv.xx-p66">'Are you sure you are doing right, Falconer?' I said.</p>

<p id="iv.xx-p67"><br />
</p>

<p id="iv.xx-p68">'Quite. It is better to endow one man, who will work as the
Father works, than a hundred charities. But it is time I went to
fetch my father. Will you go with me?'</p>

<p id="iv.xx-p69"><br />
</p>

<p id="iv.xx-p70">This was all that passed between us on the subject, save that,
on our way, he told me to move to his rooms, and occupy them until
he returned.</p>

<p id="iv.xx-p71"><br />
</p>

<p id="iv.xx-p72">'My papers,' he added, 'I commit to your discretion.'</p>

<p id="iv.xx-p73"><br />
</p>

<p id="iv.xx-p74">On our way back from Queen Square, he joked and talked merrily.
Andrew joined in. Robert showed himself delighted with every
attempt at gaiety or wit that Andrew made. When we reached the
house, something that had occurred on the way made him turn to
Martin Chuzzlewit, and he read Mrs. Gamp's best to our great
enjoyment.</p>

<p id="iv.xx-p75"><br />
</p>

<p id="iv.xx-p76">I went down with the two to Southampton, to see them on board
the steamer. I staid with them there until she sailed. It was a
lovely morning in the end of April, when at last I bade them
farewell on the quarter-deck. My heart was full. I took his hand
and kissed it. He put his arms round me, and laid his cheek to
mine. I was strong to bear the parting.</p>

<p id="iv.xx-p77"><br />
</p>

<p id="iv.xx-p78">The great iron steamer went down in the middle of the Atlantic,
and I have not yet seen my friend again.</p>

<p id="iv.xx-p79"><br />
</p>

<p id="iv.xx-p80"><br />
</p>

</div2>

      <div2 title="CHAPTER XXI.--IN EXPECTATIONE." n="xxi" shorttitle="" progress="95.71%" id="iv.xxi" prev="iv.xx" next="v">

<p id="iv.xxi-p1"><br />
</p>

<p id="iv.xxi-p2">CHAPTER XXI.</p>

<p id="iv.xxi-p3"><br />
</p>

<p id="iv.xxi-p4">IN EXPECTATIONE.</p>

<p id="iv.xxi-p5"><br />
</p>

<p id="iv.xxi-p6">I HAD left my lodging and gone to occupy Falconer's till his
return. There, on a side-table among other papers, I found the
following verses. The manuscript was much scored and interlined,
but more than decipherable, for he always wrote plainly. I copied
them out fair, and here they are for the reader that loves him.</p>

<p id="iv.xxi-p7"><br />
</p>

<p id="iv.xxi-p8">Twilight is near, and the day grows old;</p>

<p id="iv.xxi-p9">  The spiders of care are weaving their net;</p>

<p id="iv.xxi-p10">All night 'twill be blowing and rainy and cold;</p>

<p id="iv.xxi-p11">  I cower at his door from the wind and wet.</p>

<p id="iv.xxi-p12"><br />
</p>

<p id="iv.xxi-p13">He sent me out the world to see,</p>

<p id="iv.xxi-p14">  Drest for the road in a garment new;</p>

<p id="iv.xxi-p15">It is clotted with clay, and worn beggarly--</p>

<p id="iv.xxi-p16">  The porter will hardly let me through!</p>

<p id="iv.xxi-p17"><br />
</p>

<p id="iv.xxi-p18">I bring in my hand a few dusty ears--</p>

<p id="iv.xxi-p19">  Once I thought them a tribute meet!</p>

<p id="iv.xxi-p20">I bring in my heart a few unshed tears:</p>

<p id="iv.xxi-p21">  Which is my harvest--the pain or the wheat?</p>

<p id="iv.xxi-p22"><br />
</p>

<p id="iv.xxi-p23">A broken man, at the door of his hall</p>

<p id="iv.xxi-p24">  I listen, and hear it go merry within;</p>

<p id="iv.xxi-p25">The sounds are of birthday-festival!</p>

<p id="iv.xxi-p26">  Hark to the trumpet! the violin!</p>

<p id="iv.xxi-p27"><br />
</p>

<p id="iv.xxi-p28">I know the bench where the shadowed folk</p>

<p id="iv.xxi-p29">  Sit 'neath the music-loft--<i>there</i> none upbraids!</p>

<p id="iv.xxi-p30">They will make me room who bear the same yoke,</p>

<p id="iv.xxi-p31">  Dear publicans, sinners, and foolish maids!</p>

<p id="iv.xxi-p32"><br />
</p>

<p id="iv.xxi-p33">An ear has been hearing my heart forlorn!</p>

<p id="iv.xxi-p34">  A step comes soft through the dancing-din!</p>

<p id="iv.xxi-p35">Oh Love eternal! oh woman-born!</p>

<p id="iv.xxi-p36">  Son of my Father to take me in!</p>

<p id="iv.xxi-p37"><br />
</p>

<p id="iv.xxi-p38">One moment, low at our Father's feet</p>

<p id="iv.xxi-p39">  Loving I lie in a self-lost trance;</p>

<p id="iv.xxi-p40">Then walk away to the sinners' seat,</p>

<p id="iv.xxi-p41">  With them, at midnight, to rise and dance!</p>

<p id="iv.xxi-p42"><br />
</p>

<p id="iv.xxi-p43"><br />
</p>

<p id="iv.xxi-p44"><br />
</p>

<p id="iv.xxi-p45"><br />
</p>

<p id="iv.xxi-p46">THE END</p>

<p id="iv.xxi-p47"><br />
</p>

<p id="iv.xxi-p48"><br />
</p>





</div2></div1>

    <div1 title="FOOTNOTES:" n="v" shorttitle="" progress="95.84%" id="v" prev="iv.xxi" next="vi">

<p id="v-p1"><br />
</p>

<p id="v-p2">FOOTNOTES:</p>

<p id="v-p3"><br />
</p>

<p id="v-p4">1 In Scotch the <i>ch</i> and <i>gh</i> are almost always
guttural. The <i>gh</i> according to Mr. Alexander Ellis, the sole
authority in the past pronunciation of the country, was guttural in
England in the time of Shakspere.</p>

<p id="v-p5"><br />
</p>

<p id="v-p6">2 An exclamation of pitiful sympathy, inexplicable to the
understanding. Thus the author covers his philological ignorance of
the cross-breeding of the phrase.</p>

<p id="v-p7"><br />
</p>

<p id="v-p8">3 Extra--over all--ower a'--orra--one more than is wanted.</p>

<p id="v-p9"><br />
</p>

<p id="v-p10">4 Tennyson's <i>Morte d'Arthur</i>.</p>

<p id="v-p11">     Atque animum nunc huc celerem, nunc dividit illuc.</p>

<p id="v-p12">     <i>Æneid</i>: <i>IV</i>. 285</p>

<p id="v-p13"><br />
</p>

<p id="v-p14">5 This line is one of many instances in which my reader will see
both the carelessness of Ericson and my religion towards his
remains.</p>

<p id="v-p15"><br />
</p>

<p id="v-p16">6 Why should Sir Walter Scott, who felt the death of Camp, his
bullterrier, so much that he declined a dinner engagement in
consequence, say on the death of his next favourite, a grayhound
bitch--'Rest her body, since I dare not say soul!'? Where did he
get that <i>dare not</i>? Is it well that the daring of genius
should be circumscribed by an unbelief so common-place as to be
capable only of subscription?</p>

<p id="v-p17"><br />
</p>

<p id="v-p18">7 Amongst Ericson's papers I find the following sonnets, which
belong to the mood here embodied:</p>

<p id="v-p19"><br />
</p>

<p id="v-p20">  Oft, as I rest in quiet peace, am I</p>

<p id="v-p21">Thrust out at sudden doors, and madly driven</p>

<p id="v-p22">Through desert solitudes, and thunder-riven</p>

<p id="v-p23">Black passages which have not any sky.</p>

<p id="v-p24">The scourge is on me now, with all the cry</p>

<p id="v-p25">Of ancient life that hath with murder striven.</p>

<p id="v-p26">How many an anguish hath gone up to heaven!</p>

<p id="v-p27">How many a hand in prayer been lifted high</p>

<p id="v-p28">When the black fate came onward with the rush</p>

<p id="v-p29">Of whirlwind, avalanche, or fiery spume!</p>

<p id="v-p30">Even at my feet is cleft a shivering tomb</p>

<p id="v-p31">Beneath the waves; or else with solemn hush</p>

<p id="v-p32">The graveyard opens, and I feel a crush</p>

<p id="v-p33">As if we were all huddled in one doom.</p>

<p id="v-p34"><br />
</p>

<p id="v-p35">  Comes there, O Earth, no breathing time for thee?</p>

<p id="v-p36">No pause upon thy many-chequered lands?</p>

<p id="v-p37">Now resting on my bed with listless hands,</p>

<p id="v-p38">I mourn thee resting not. Continually</p>

<p id="v-p39">Hear I the plashing borders of the sea</p>

<p id="v-p40">Answer each other from the rocks and sands.</p>

<p id="v-p41">Troop all the rivers seawards; nothing stands,</p>

<p id="v-p42">But with strange noises hasteth terribly.</p>

<p id="v-p43">Loam-eared hyenas go a moaning by.</p>

<p id="v-p44">Howls to each other all the bloody crew</p>

<p id="v-p45">Of Afric's tigers. But, O men, from you</p>

<p id="v-p46">Comes this perpetual sound more loud and high</p>

<p id="v-p47">Than aught that vexes air. I hear the cry</p>

<p id="v-p48">Of infant generations rising too.</p>

<p id="v-p49"><br />
</p>

<p id="v-p50">8 This sonnet and the preceding are both one line deficient.</p>

<p id="v-p51"><br />
</p>

<p id="v-p52">9 To these two sonnets Falconer had appended this note.</p>

<p id="v-p53"><br />
</p>

<p id="v-p54">'Something I wrote to Ericson concerning these, during my first
college vacation, produced a reply of which the following is a
passage: "On writing the first I was not aware that James and John
were the Sons of Thunder. For a time it did indeed grieve me to
think of the spiritual-minded John as otherwise than a still and
passionless lover of Christ."'</p>

<p id="v-p55"><br />
</p>

<p id="v-p56"><br />
</p>

</div1>

    <div1 title="GLOSSARY:" n="vi" shorttitle="" progress="96.09%" id="vi" prev="v" next="toc">

<p id="vi-p1"><br />
</p>

<p id="vi-p2">GLOSSARY:</p>

<p id="vi-p3"><br />
</p>

<p id="vi-p4">Note from John Bechard, creator of this Electronic text.</p>

<p id="vi-p5"><br />
</p>

<p id="vi-p6">The following is a list of Scottish words which are found in
George MacDonald’s “Robert Falconer”.  I have compiled this
list myself and worked out the definitions from context with the
help of Margaret West, from Leven in Fife, Scotland, and also by
referring to a word list found in a collection of poems by Robert
Burns, “Chamber’s Scots Dialect Dictionary from the 17th
century to the Present” c. 1911 and “Scots-English
English-Scots Dictionary” Lomond Books c. 1998.  I have tried to
be as thorough as possible given the limited resources and welcome
any feedback on this list which may be wrong (my e-mail address is
JaBBechard@aol.com).  This was never meant to be a comprehensive
list of the National Scottish Language, but rather an aid to
understanding some of the conversations and references in this text
in the Broad Scots.  I do apologise for any mistakes or
omissions.  I aimed for my list to be very comprehensive, and it
often repeats the same word in a plural or diminutive form.  As
well, it includes words that are quite obvious to native English
speakers, only spelled in such a way to demonstrate the regional
pronunciation.</p>

<p id="vi-p7"><br />
</p>

<p id="vi-p8">This list is a compressed form that consists of three columns
for ‘word’, ‘definition’, and ‘additional notes’.  It
is set up with a comma between each item and a hard return at the
end of each definition.  This means that this section could easily
be cut and pasted into its own text file and imported into a
database or spreadsheet as a comma separated variable file (.csv
file).  Failing that, you could do a search and replace for commas
in this section (I have not used any commas in my words,
definitions or notes) and replace the commas with spaces or
tabs.</p>

<p id="vi-p9"><br />
</p>

<p id="vi-p10">Word,Definition,Notes</p>

<p id="vi-p11">a', all; every, also have</p>

<p id="vi-p12">a' gait, everywhere,</p>

<p id="vi-p13">a' thing, everything; anything,</p>

<p id="vi-p14">abeelity, ability,</p>

<p id="vi-p15">abettin', abetting,</p>

<p id="vi-p16">a'body, everyone; everybody,</p>

<p id="vi-p17">aboon, above; up; over,</p>

<p id="vi-p18">aboord, aboard,</p>

<p id="vi-p19">aboot, about,</p>

<p id="vi-p20">aboot it an' aboot it, all about,</p>

<p id="vi-p21">abune, above; up; over,</p>

<p id="vi-p22">accep's, accepts,</p>

<p id="vi-p23">accoont, account,</p>

<p id="vi-p24">accoonts, accounts,</p>

<p id="vi-p25">accordin', according,</p>

<p id="vi-p26">acquant, acquainted,</p>

<p id="vi-p27">a'-creatin', all-creating,</p>

<p id="vi-p28">ae, one,</p>

<p id="vi-p29">aff, off; away; past; beyond,</p>

<p id="vi-p30">aff-gang, outlet,</p>

<p id="vi-p31">afflickit, afflicted,</p>

<p id="vi-p32">affoord, afford,</p>

<p id="vi-p33">affront, affront; disgrace; shame,</p>

<p id="vi-p34">affrontet, affronted; disgraced, also ashamed; shamed</p>

<p id="vi-p35">afit, afoot; on foot,</p>

<p id="vi-p36">afore, before; in front of,</p>

<p id="vi-p37">aforehan', beforehand,</p>

<p id="vi-p38">aften, often,</p>

<p id="vi-p39">aftener, more often,</p>

<p id="vi-p40">agen, against,</p>

<p id="vi-p41">aheid, ahead,</p>

<p id="vi-p42">ahin', behind; after; at the back of,</p>

<p id="vi-p43">ahint, behind; after; at the back of,</p>

<p id="vi-p44">aiblins, perhaps; possibly,</p>

<p id="vi-p45">aidin', aiding,</p>

<p id="vi-p46">ailin', ailing; sick,</p>

<p id="vi-p47">ain, own, also one</p>

<p id="vi-p48">airin', airing,</p>

<p id="vi-p49">airm, arm,</p>

<p id="vi-p50">airm-cheir, armchair,</p>

<p id="vi-p51">airms, arms, also coat of arms; crest</p>

<p id="vi-p52">airmy, army,</p>

<p id="vi-p53">airth, earth,</p>

<p id="vi-p54">aise, ashes,</p>

<p id="vi-p55">ait, eat,</p>

<p id="vi-p56">aither, either,</p>

<p id="vi-p57">aiths, oaths,</p>

<p id="vi-p58">aitin', eating,</p>

<p id="vi-p59">aits, oats,</p>

<p id="vi-p60">alane, alone,</p>

<p id="vi-p61">alang, along,</p>

<p id="vi-p62">Algerine,Algerian,</p>

<p id="vi-p63">alloo, allow,</p>

<p id="vi-p64">allooed, allowed,</p>

<p id="vi-p65">Almichty,Almighty; God,</p>

<p id="vi-p66">amaist, almost,</p>

<p id="vi-p67">amang, among; in; together with,</p>

<p id="vi-p68">amen's, amends,</p>

<p id="vi-p69">amo', among,</p>

<p id="vi-p70">amuntit, amounted,</p>

<p id="vi-p71">an', and,</p>

<p id="vi-p72">ance, once,</p>

<p id="vi-p73">ane, one, also a single person or thing</p>

<p id="vi-p74">aneath, beneath; under,</p>

<p id="vi-p75">anent, opposite to; in front of, also concerning</p>

<p id="vi-p76">Anerew,Andrew,</p>

<p id="vi-p77">anes, ones,</p>

<p id="vi-p78">angert, angered; angry, also grieved</p>

<p id="vi-p79">anither, another,</p>

<p id="vi-p80">answerin', answering,</p>

<p id="vi-p81">answert, answered,</p>

<p id="vi-p82">a'ready, already,</p>

<p id="vi-p83">aricht, aright,</p>

<p id="vi-p84">aside, beside, also aside</p>

<p id="vi-p85">aspirin', aspiring,</p>

<p id="vi-p86">astarn, astern,</p>

<p id="vi-p87">'at, that,</p>

<p id="vi-p88">ate, hate, also eat</p>

<p id="vi-p89">a'thegither, all together,</p>

<p id="vi-p90">a'thing, everything; anything,</p>

<p id="vi-p91">'at's, that is; that has,</p>

<p id="vi-p92">attreebuted, attributed,</p>

<p id="vi-p93">atweel, indeed; truely; of course,</p>

<p id="vi-p94">atween, between,</p>

<p id="vi-p95">aucht, eight; eighth, also ought; own; possess</p>

<p id="vi-p96">aul', old,</p>

<p id="vi-p97">auld, old,</p>

<p id="vi-p98">aulder, older,</p>

<p id="vi-p99">aumrie, cupboard; pantry; store-closet,</p>

<p id="vi-p100">aumry, cupboard; pantry; store-closet,</p>

<p id="vi-p101">a'-uphaudin', all-upholding; all-supporting,</p>

<p id="vi-p102">ava, at all; of all, exclamation of banter; ridicule</p>

<p id="vi-p103">awa, away; distant, also off; go away</p>

<p id="vi-p104">awa', away; distant, also off; go away</p>

<p id="vi-p105">awaur, aware,</p>

<p id="vi-p106">Awbrahawm,Abraham,</p>

<p id="vi-p107">aweel, ah well; well then; well,</p>

<p id="vi-p108">awfu', awful,</p>

<p id="vi-p109">awpron, apron,</p>

<p id="vi-p110">ay, yes; indeed, exclamation of surprise; wonder</p>

<p id="vi-p111">aye, yes; indeed,</p>

<p id="vi-p112">ayont, beyond; after,</p>

<p id="vi-p113">bade, did bide,</p>

<p id="vi-p114">badena, did not bide,</p>

<p id="vi-p115">bagonet, bayonet,</p>

<p id="vi-p116">bailey, civic dignitary; magistrate,</p>

<p id="vi-p117">bairn, child,</p>

<p id="vi-p118">bairnie, little child, diminutive</p>

<p id="vi-p119">bairns, children,</p>

<p id="vi-p120">baith, both,</p>

<p id="vi-p121">bakehoose, bakery,</p>

<p id="vi-p122">baneless, insipid; without pith,</p>

<p id="vi-p123">banes, bones,</p>

<p id="vi-p124">barfut, barefoot,</p>

<p id="vi-p125">barrin', barring,</p>

<p id="vi-p126">barrowfu', wheelbarrow full,</p>

<p id="vi-p127">baubee, halfpenny,</p>

<p id="vi-p128">baubees, halfpennies,</p>

<p id="vi-p129">bauchles, old pair of shoes, also shoes down at the heel</p>

<p id="vi-p130">baukie, bat,</p>

<p id="vi-p131">beggit, begged,</p>

<p id="vi-p132">beginnin', beginning,</p>

<p id="vi-p133">begud, began,</p>

<p id="vi-p134">behaud, withhold; wait; delay, also behold</p>

<p id="vi-p135">behavin', behaving,</p>

<p id="vi-p136">bein', being,</p>

<p id="vi-p137">beir, bear,</p>

<p id="vi-p138">beirer, bearer,</p>

<p id="vi-p139">beirs, bears,</p>

<p id="vi-p140">bejan, first year's student, at a Scottish university</p>

<p id="vi-p141">belangs, belongs,</p>

<p id="vi-p142">believin', believing,</p>

<p id="vi-p143">ben' leather, thick leather for soling boots/shoes,</p>

<p id="vi-p144">bena, be not; is not,</p>

<p id="vi-p145">bend-leather, thick leather for soling boots/shoes,</p>

<p id="vi-p146">benn, in; inside; into; within; inwards, also inner room</p>

<p id="vi-p147">benn the hoose, in/into the parlour, best room of the house</p>

<p id="vi-p148">beowty, beauty,</p>

<p id="vi-p149">beuks, books,</p>

<p id="vi-p150">beyon', beyond,</p>

<p id="vi-p151">bide, endure; bear; remain; live, also desire; wish</p>

<p id="vi-p152">bides, endures; bears; remains; lives, also stays for</p>

<p id="vi-p153">biggit, built,</p>

<p id="vi-p154">bilin', boiling, also the whole quantity</p>

<p id="vi-p155">bin', bind,</p>

<p id="vi-p156">binna, be not,</p>

<p id="vi-p157">birse, bristle; hair; plume of hair,</p>

<p id="vi-p158">bit, but; bit, also small; little--diminutive</p>

<p id="vi-p159">bitch,, term of contempt usually applied to a man</p>

<p id="vi-p160">bitin', biting,</p>

<p id="vi-p161">bittie, little bit, diminutive</p>

<p id="vi-p162">bittock, a little bit; a short distance,</p>

<p id="vi-p163">blaeberries, blueberries,</p>

<p id="vi-p164">blastit, blasted,</p>

<p id="vi-p165">blate, over-modest; bashful; shy,</p>

<p id="vi-p166">blaud, spoil; injure; soil,</p>

<p id="vi-p167">blaudit, spoiled; injured; soiled,</p>

<p id="vi-p168">blaw, blow,</p>

<p id="vi-p169">blecks, nonplusses; perplexes; beats,</p>

<p id="vi-p170">blessin', blessing,</p>

<p id="vi-p171">blether, talk nonsense; babble; boast,</p>

<p id="vi-p172">bletherin', talking nonsense; babbling; boasting,</p>

<p id="vi-p173">blethers, talks nonsense; babbles; boasts, nonsense; foolish
talk</p>

<p id="vi-p174">blin', blind,</p>

<p id="vi-p175">blink, take a hasty glance; ogle, also shine; gleam; twinkle;
glimmer</p>

<p id="vi-p176">blinner, blinder,</p>

<p id="vi-p177">blude, blood,</p>

<p id="vi-p178">bluidy, bloody,</p>

<p id="vi-p179">boasom, bosom,</p>

<p id="vi-p180">boatles, bottles,</p>

<p id="vi-p181">boddom, bottom,</p>

<p id="vi-p182">body, person; fellow, also body</p>

<p id="vi-p183">boglet, bamboozled; terrified,</p>

<p id="vi-p184">bonnet, man's cap,</p>

<p id="vi-p185">bonnetfu', bonnetful; capful,</p>

<p id="vi-p186">bonnets, man's caps,</p>

<p id="vi-p187">bonnie, good; beautiful; pretty; handsome,</p>

<p id="vi-p188">bonniest, best; most beautiful; prettiest, also considerable</p>

<p id="vi-p189">bonny, good; beautiful; pretty; handsome,</p>

<p id="vi-p190">boodie, ghost; hobgoblin,</p>

<p id="vi-p191">booin', bowing,</p>

<p id="vi-p192">bools, marbles,</p>

<p id="vi-p193">boon', bound,</p>

<p id="vi-p194">boord, board (i.e. room and board),</p>

<p id="vi-p195">bothie, cottage in common for farm-servants,</p>

<p id="vi-p196">boucht, bought,</p>

<p id="vi-p197">bourach, heap; cluster; mound,</p>

<p id="vi-p198">bowat, stable-lantern,</p>

<p id="vi-p199">bowie, small barrel or cask,</p>

<p id="vi-p200">boxie, little box, diminutive</p>

<p id="vi-p201">brae, hill; hillside; high ground by a river,</p>

<p id="vi-p202">braid, broad; having a strong accent,</p>

<p id="vi-p203">brak, break,</p>

<p id="vi-p204">brakfast, breakfast,</p>

<p id="vi-p205">brat, child, term of contempt</p>

<p id="vi-p206">braw, beautiful; good; fine, also lovely (girl); handsome
(boy)</p>

<p id="vi-p207">brawly, admirably; very; very much; well,</p>

<p id="vi-p208">breedth, breadth,</p>

<p id="vi-p209">breeks, breeches; trousers,</p>

<p id="vi-p210">breid, bread,</p>

<p id="vi-p211">breist, breast,</p>

<p id="vi-p212">breists, breasts,</p>

<p id="vi-p213">breith, breath,</p>

<p id="vi-p214">breme-bush, broom-bush, also simpleton</p>

<p id="vi-p215">brewin', brewing,</p>

<p id="vi-p216">brig, bridge,</p>

<p id="vi-p217">brither, brother,</p>

<p id="vi-p218">brithers, brothers; fellows,</p>

<p id="vi-p219">brithren, brethren; brothers,</p>

<p id="vi-p220">brocht, brought,</p>

<p id="vi-p221">broo, brow; eyebrow,</p>

<p id="vi-p222">broucht, brought,</p>

<p id="vi-p223">browst, brewage; booze, also the consequences of one's own
acts</p>

<p id="vi-p224">bruik, broke,</p>

<p id="vi-p225">brunt, burned,</p>

<p id="vi-p226">bude, would prefer to; behoved, also must; had to</p>

<p id="vi-p227">budena, must not; could not; might not,</p>

<p id="vi-p228">buff, nonsense,</p>

<p id="vi-p229">buik, book, also Bible</p>

<p id="vi-p230">buiks, books,</p>

<p id="vi-p231">bund, bound,</p>

<p id="vi-p232">burd alane, quite alone, also the only surviving child of a
family</p>

<p id="vi-p233">burn, water; stream; brook,</p>

<p id="vi-p234">burnin', burning,</p>

<p id="vi-p235">burnside, along the side of a stream,</p>

<p id="vi-p236">buss, bush; shrub; thicket,</p>

<p id="vi-p237">butes, boots,</p>

<p id="vi-p238">butt, main room in a croft; outside, includes kitchen and
storage</p>

<p id="vi-p239">butt the hoose, into the house; into the kitchen,</p>

<p id="vi-p240">by ordinar, out of the ordinary; supernatural, also unusual</p>

<p id="vi-p241">by ordinar', out of the ordinary; supernatural, also unusual</p>

<p id="vi-p242">by-ordinar, out of the ordinary; supernatural, also unusual</p>

<p id="vi-p243">byous, exceedingly; extraordinary; very,</p>

<p id="vi-p244">ca, drive; impel; hammer,</p>

<p id="vi-p245">ca', call; name,</p>

<p id="vi-p246">ca'd, called,</p>

<p id="vi-p247">cadger, carrier; pedlar,</p>

<p id="vi-p248">ca'in', calling,</p>

<p id="vi-p249">cairds, cards,</p>

<p id="vi-p250">cairriage, carriage,</p>

<p id="vi-p251">cairriet, carried,</p>

<p id="vi-p252">cairry, carry,</p>

<p id="vi-p253">cairryin', carrying,</p>

<p id="vi-p254">calfie, little calf, diminutive</p>

<p id="vi-p255">callant, stripling; lad, term of affection</p>

<p id="vi-p256">cam, came,</p>

<p id="vi-p257">cam', came,</p>

<p id="vi-p258">camna, did not come,</p>

<p id="vi-p259">camstairie, unmanageable; wild; obstinate,</p>

<p id="vi-p260">camstairy, unmanageable; wild; obstinate,</p>

<p id="vi-p261">camstary, unmanageable; wild; obstinate,</p>

<p id="vi-p262">can'le, candle,</p>

<p id="vi-p263">canna, cannot, also cotton-grass</p>

<p id="vi-p264">canny, cautious; prudent; shrewd; artful,</p>

<p id="vi-p265">cap, wooden cup or bowl,</p>

<p id="vi-p266">capt'n, captain,</p>

<p id="vi-p267">carena, do not care,</p>

<p id="vi-p268">carldoddies, stalks of rib-grass, also term of endearment</p>

<p id="vi-p269">carritchis, catechism,</p>

<p id="vi-p270">ca's, calls,</p>

<p id="vi-p271">cast up, taunt; reproach,</p>

<p id="vi-p272">catchin', catching,</p>

<p id="vi-p273">cattle, lice; fleas, used contemptuously of persons</p>

<p id="vi-p274">cauld, cold,</p>

<p id="vi-p275">caure, calves,</p>

<p id="vi-p276">'cause, because,</p>

<p id="vi-p277">caw, drive; impel; hammer,</p>

<p id="vi-p278">cawed, driven; impeled; hammered,</p>

<p id="vi-p279">cawin', driving; impeling; hammering,</p>

<p id="vi-p280">ceevil, civil,</p>

<p id="vi-p281">'cep', except; but,</p>

<p id="vi-p282">chackit, checkered,</p>

<p id="vi-p283">chairge, charge,</p>

<p id="vi-p284">chap, knock; hammer; strike; rap,</p>

<p id="vi-p285">chappit, knocked; hammered; struck; rapped,</p>

<p id="vi-p286">chaps, knocks; hammers; strikes; raps,</p>

<p id="vi-p287">chaumer, chamber; room; bedroom,</p>

<p id="vi-p288">cheep, chirp; creak; hint; word,</p>

<p id="vi-p289">cheerman, chairman,</p>

<p id="vi-p290">chessel, tub for pressing cheese,</p>

<p id="vi-p291">chice, choice,</p>

<p id="vi-p292">chiel', child; young person; fellow, term of fondness or
intimacy</p>

<p id="vi-p293">chield, child; young person; fellow, term of fondness or
intimacy</p>

<p id="vi-p294">chimla-lug, fireside,</p>

<p id="vi-p295">chits, sweetbreads,</p>

<p id="vi-p296">chop, shop; store,</p>

<p id="vi-p297">circumspec', circumspect,</p>

<p id="vi-p298">claes, clothes; dress,</p>

<p id="vi-p299">claikin', clucking (like a hen), also talk much in a trivial
way</p>

<p id="vi-p300">claith, cloth,</p>

<p id="vi-p301">clams, vice or pincers, used by saddlers and shoemakers</p>

<p id="vi-p302">clap, press down; pat; fondle,</p>

<p id="vi-p303">clashes, blows; slaps; messes, also gossip; tittle-tattle</p>

<p id="vi-p304">clash-pyet, tell-tale; scandal-monger,</p>

<p id="vi-p305">clean, altogether; entirely, also comely; shapely; empty;
clean</p>

<p id="vi-p306">cleant, cleaned,</p>

<p id="vi-p307">clear-e'ed, clear-eyed,</p>

<p id="vi-p308">cleed, clothe; shelter,</p>

<p id="vi-p309">cleedin', clothing; sheltering,</p>

<p id="vi-p310">cleuks, claws; hands; paws,</p>

<p id="vi-p311">clo'en, cloven,</p>

<p id="vi-p312">clomb, climbed,</p>

<p id="vi-p313">clood, cloud,</p>

<p id="vi-p314">cloods, clouds,</p>

<p id="vi-p315">cloody, cloudy,</p>

<p id="vi-p316">close, narrow alley; blind alley, also enclosed land</p>

<p id="vi-p317">closin', closing,</p>

<p id="vi-p318">clype, tell tales; gossip,</p>

<p id="vi-p319">coaties, children's coats; petticoats,</p>

<p id="vi-p320">coaton, cotton,</p>

<p id="vi-p321">coats, petticoats,</p>

<p id="vi-p322">coch, coach,</p>

<p id="vi-p323">coches, coaches,</p>

<p id="vi-p324">coff, buy,</p>

<p id="vi-p325">colliginer, college student, also college boy</p>

<p id="vi-p326">Come yer wa's butt.,Come on in.,</p>

<p id="vi-p327">comin', coming,</p>

<p id="vi-p328">comman'ment, commandment,</p>

<p id="vi-p329">compleen, complain,</p>

<p id="vi-p330">con thanks, return thanks,</p>

<p id="vi-p331">considerin', considering,</p>

<p id="vi-p332">contradickit, contradicted,</p>

<p id="vi-p333">contrairy, contrary,</p>

<p id="vi-p334">contred, contradicted; thwarted; crossed,</p>

<p id="vi-p335">convence, convince,</p>

<p id="vi-p336">conversin', conversing,</p>

<p id="vi-p337">convertit, converted,</p>

<p id="vi-p338">coorse, coarse, also course</p>

<p id="vi-p339">coort, court,</p>

<p id="vi-p340">corbie, crow; raven,</p>

<p id="vi-p341">cornel, colonel,</p>

<p id="vi-p342">correck, correct,</p>

<p id="vi-p343">cottar, farm tenant; cottager,</p>

<p id="vi-p344">cottars, farm tenants; cottagers,</p>

<p id="vi-p345">cottar-wark, stipulated work done by the cottager,</p>

<p id="vi-p346">couldna, could not,</p>

<p id="vi-p347">coupit, tilted; tumbled; drank off,</p>

<p id="vi-p348">couples, rafters,</p>

<p id="vi-p349">crackin', cracking,</p>

<p id="vi-p350">cracklin', crackling,</p>

<p id="vi-p351">crap o' the wa', natural shelf between wall and roof,</p>

<p id="vi-p352">crappit, topped; cropped; lopped,</p>

<p id="vi-p353">crappit heids, stuffed head of cod or haddock,</p>

<p id="vi-p354">crater, creature,</p>

<p id="vi-p355">cratur, creature,</p>

<p id="vi-p356">craturs, creatures,</p>

<p id="vi-p357">cried, called; summoned,</p>

<p id="vi-p358">crookit, crooked,</p>

<p id="vi-p359">croon, crown,</p>

<p id="vi-p360">croudin', cooing; croaking; groaning,</p>

<p id="vi-p361">Cry Moany,Cremona, make of violin</p>

<p id="vi-p362">cryin', calling; summoning,</p>

<p id="vi-p363">cryin' doon, decrying; depreciating,</p>

<p id="vi-p364">cud, could,</p>

<p id="vi-p365">cudna, could not,</p>

<p id="vi-p366">culd, could,</p>

<p id="vi-p367">cumber, encumbrance; inconvenience,</p>

<p id="vi-p368">cunnin', cunning,</p>

<p id="vi-p369">curst, cursed,</p>

<p id="vi-p370">cuttin', cutting,</p>

<p id="vi-p371">cutty pipe, short tobacco-pipe,</p>

<p id="vi-p372">cwytes, petticoats,</p>

<p id="vi-p373">dacent, decent,</p>

<p id="vi-p374">dame, young unmarried woman; damsel, also farmer's wife</p>

<p id="vi-p375">damnin', damning; condemning,</p>

<p id="vi-p376">dancin', dancing,</p>

<p id="vi-p377">dang, knock; bang; drive, also damn</p>

<p id="vi-p378">darnin', darning,</p>

<p id="vi-p379">dauchter, daughter,</p>

<p id="vi-p380">daunerin', strolling; sauntering; ambling,</p>

<p id="vi-p381">daur, dare; challenge,</p>

<p id="vi-p382">daured, dared; challenged,</p>

<p id="vi-p383">daurna, dare not; do not dare,</p>

<p id="vi-p384">daursay, dare say,</p>

<p id="vi-p385">dauty, darling; pet, term of endearment</p>

<p id="vi-p386">dawtie, darling; pet, term of endearment</p>

<p id="vi-p387">daylicht, daylight,</p>

<p id="vi-p388">debosh, excessive indulgence; debauch, also extravagance;
waste</p>

<p id="vi-p389">deboshed, debauched; worthless,</p>

<p id="vi-p390">deceitfu', deceitful,</p>

<p id="vi-p391">deceivin', deceiving,</p>

<p id="vi-p392">dee, do, also die</p>

<p id="vi-p393">deed, died, also deed; indeed</p>

<p id="vi-p394">'deed, indeed,</p>

<p id="vi-p395">dee'd, died,</p>

<p id="vi-p396">deein', doing, also dying</p>

<p id="vi-p397">deevil, devil,</p>

<p id="vi-p398">deevil-ma'-care, devil-may-care; utterly careless, also no
matter</p>

<p id="vi-p399">deevilry, devilry,</p>

<p id="vi-p400">deevils, devils,</p>

<p id="vi-p401">deid, dead,</p>

<p id="vi-p402">deif, deaf,</p>

<p id="vi-p403">deil, devil, also not</p>

<p id="vi-p404">de'il, devil, also not</p>

<p id="vi-p405">De'il a bit!,Not at all! Not a bit!,</p>

<p id="vi-p406">deith, death,</p>

<p id="vi-p407">deleeberately, deliberately,</p>

<p id="vi-p408">dementit, demented; mad; crazy,</p>

<p id="vi-p409">denner, dinner,</p>

<p id="vi-p410">desertit, deserted,</p>

<p id="vi-p411">desperate, exceedingly; beyond measure, also irreclaimable; very
bad</p>

<p id="vi-p412">didna, did not,</p>

<p id="vi-p413">differ, difference; dissent, also differ</p>

<p id="vi-p414">dingin', overcoming; wearying; vexing, also raining/snowing
heavily</p>

<p id="vi-p415">dinna, do not,</p>

<p id="vi-p416">direckly, directly; immediately,</p>

<p id="vi-p417">dirt, worthless persons or things, term of contempt</p>

<p id="vi-p418">dishcloot, cloth for washing dishes,</p>

<p id="vi-p419">disna, does not,</p>

<p id="vi-p420">disoun, disown,</p>

<p id="vi-p421">distinckly, distinctly,</p>

<p id="vi-p422">div, do,</p>

<p id="vi-p423">divots, thin flat pieces of sod,</p>

<p id="vi-p424">dochter, daughter,</p>

<p id="vi-p425">doesna, does not,</p>

<p id="vi-p426">doin', doing,</p>

<p id="vi-p427">doin's, doings,</p>

<p id="vi-p428">doited, foolish; stupefied; crazy,</p>

<p id="vi-p429">dominie, minister; schoolmaster, slightly contemptuous</p>

<p id="vi-p430">dooble, double; duplicate, also double dealing; devious</p>

<p id="vi-p431">dooble-sole, double-sole,</p>

<p id="vi-p432">doobt, suspect; know; doubt, have an unpleasant conviction</p>

<p id="vi-p433">doobtin', suspecting; knowing, also doubting</p>

<p id="vi-p434">doobtless, doubtless,</p>

<p id="vi-p435">doobts, suspects; knows, also doubts</p>

<p id="vi-p436">dooce, gentle; sensible; sober; prudent,</p>

<p id="vi-p437">dooms, extremely; exceedingly; very,</p>

<p id="vi-p438">doon, down,</p>

<p id="vi-p439">doonricht, downright,</p>

<p id="vi-p440">door-cheek, door-post; threshold; doorway,</p>

<p id="vi-p441">door-stane, flagstone at the threshold of a door,</p>

<p id="vi-p442">dother, daughter,</p>

<p id="vi-p443">dottled, crazy; in dotage,</p>

<p id="vi-p444">douce, gentle; sensible; sober; prudent,</p>

<p id="vi-p445">dowie, sad; lonely; depressing; dismal, also ailing</p>

<p id="vi-p446">draigon, dragon; also boy's paper kite, reference to <scripRef passage="Revelation 12" id="vi-p446.1" parsed="|Rev|12|0|0|0" osisRef="Bible:Rev.12">Revelation
12</scripRef>-13</p>

<p id="vi-p447">draigons, dragons, also boys' paper kites</p>

<p id="vi-p448">dram, glass of whisky,</p>

<p id="vi-p449">drap, drop; small quantity of,</p>

<p id="vi-p450">drap i' the hoose, presence of someone unknown,</p>

<p id="vi-p451">drappit, dropped,</p>

<p id="vi-p452">drappy, little drop; a little (liquor), diminutive</p>

<p id="vi-p453">drauchts, plans; schemes; policies, also lineaments of the
face</p>

<p id="vi-p454">drave, drove,</p>

<p id="vi-p455">drawin', drawing,</p>

<p id="vi-p456">dreadfu', dreadful,</p>

<p id="vi-p457">dreamin', dreaming,</p>

<p id="vi-p458">drear, dreary; dreariness; tedium,</p>

<p id="vi-p459">dreidfu', dreadful; dreadfully,</p>

<p id="vi-p460">drift, snow driven by the wind,</p>

<p id="vi-p461">driftin', drifting, snow driven by the wind</p>

<p id="vi-p462">drinkin', drinking,</p>

<p id="vi-p463">drivin', driving,</p>

<p id="vi-p464">droont, drowned,</p>

<p id="vi-p465">drucken, drunken; tipsy,</p>

<p id="vi-p466">drum-heid, drum head,</p>

<p id="vi-p467">drunken, drank; drunk,</p>

<p id="vi-p468">du, do,</p>

<p id="vi-p469">duin', doing,</p>

<p id="vi-p470">dumfoundered, perplexed; stunned; amazed,</p>

<p id="vi-p471">dune, done,</p>

<p id="vi-p472">dunna, do not,</p>

<p id="vi-p473">duv, do,</p>

<p id="vi-p474">duvna, do not,</p>

<p id="vi-p475">dwalls, dwells,</p>

<p id="vi-p476">d'ye, do you,</p>

<p id="vi-p477">dyke, wall of stone or turf,</p>

<p id="vi-p478">eaves-drapper, eavesdropper,</p>

<p id="vi-p479">Ebberdeen,Aberdeen,</p>

<p id="vi-p480">ee, eye,</p>

<p id="vi-p481">een, eyes,</p>

<p id="vi-p482">e'en, even; just; simply; equal, also eyes; evening</p>

<p id="vi-p483">efter, after; afterwards,</p>

<p id="vi-p484">efterhin, after; afterwards,</p>

<p id="vi-p485">efternune, afternoon,</p>

<p id="vi-p486">eident, industrious; diligent; steady,</p>

<p id="vi-p487">elbuck, elbow,</p>

<p id="vi-p488">eleckit, elected, chosen by God for salvation (Calvinism)</p>

<p id="vi-p489">ellwand, ell-wand; ruler; yardstick,1 ell = 37 inches or 94
cm</p>

<p id="vi-p490">en', end,</p>

<p id="vi-p491">endit, ended,</p>

<p id="vi-p492">eneuch, enough,</p>

<p id="vi-p493">Englan',England,</p>

<p id="vi-p494">enjoyin', enjoying,</p>

<p id="vi-p495">eppiteet, appetite,</p>

<p id="vi-p496">er, ere; before,</p>

<p id="vi-p497">er', ere; before,</p>

<p id="vi-p498">Erse,Irish; Gaelic,</p>

<p id="vi-p499">etairnity, eternity,</p>

<p id="vi-p500">ewie, young ewe,</p>

<p id="vi-p501">exackly, exactly,</p>

<p id="vi-p502">excep', except,</p>

<p id="vi-p503">expairience, experience,</p>

<p id="vi-p504">expeckin', expecting,</p>

<p id="vi-p505">expecs, expects,</p>

<p id="vi-p506">eyther, either,</p>

<p id="vi-p507">fa', fall; befall,</p>

<p id="vi-p508">fac', fact; truth; reality,</p>

<p id="vi-p509">fac's, facts; truths; realities,</p>

<p id="vi-p510">factor, manager of a landed property, lets farms; collects
rents</p>

<p id="vi-p511">fact'ry, factory,</p>

<p id="vi-p512">faddom, fathom,</p>

<p id="vi-p513">fa'en, fallen,</p>

<p id="vi-p514">failin', failing,</p>

<p id="vi-p515">faimilies, families,</p>

<p id="vi-p516">faimily, family,</p>

<p id="vi-p517">fain, eager; anxious; fond, also fondly; gladly</p>

<p id="vi-p518">fa'in', falling,</p>

<p id="vi-p519">fairmy, little farm, diminutive</p>

<p id="vi-p520">Faith!,Indeed!; Truly!, exclamation</p>

<p id="vi-p521">fallow, fellow; chap,</p>

<p id="vi-p522">fan', found, also felt</p>

<p id="vi-p523">fand, found,</p>

<p id="vi-p524">farrer, farther,</p>

<p id="vi-p525">fash, trouble; inconvenience; vex,</p>

<p id="vi-p526">faun't, found,</p>

<p id="vi-p527">faured, favoured; featured,</p>

<p id="vi-p528">faut, fault; blame,</p>

<p id="vi-p529">fau'ts, faults,</p>

<p id="vi-p530">feared, afraid; frightened; scared,</p>

<p id="vi-p531">fearfu', fearful; easily frightened,</p>

<p id="vi-p532">fearsome, terrifying; fearful; awful,</p>

<p id="vi-p533">feart, afraid; frightened; scared,</p>

<p id="vi-p534">feelin', feeling,</p>

<p id="vi-p535">fegs!, truly!; really!; goodness!, mild oath; exclamation of
surprise</p>

<p id="vi-p536">feifteen, fifteen,</p>

<p id="vi-p537">fell, very; potent; keen; harsh; sharp, intensifies; also turf</p>

<p id="vi-p538">feow, few,</p>

<p id="vi-p539">ferlie, wonder; novelty; curiosity,</p>

<p id="vi-p540">fess, fetch; bring,</p>

<p id="vi-p541">fest, fast,</p>

<p id="vi-p542">festen, fasten; bind,</p>

<p id="vi-p543">fiddlin', fiddling,</p>

<p id="vi-p544">fin', find, also feel</p>

<p id="vi-p545">fir-can'le, a torch; 'firwood' used as a candle,</p>

<p id="vi-p546">fishin', fishing,</p>

<p id="vi-p547">fit, foot; base, also fit; capable; able</p>

<p id="vi-p548">flax, flax; wick,</p>

<p id="vi-p549">flech, flea,</p>

<p id="vi-p550">fleys, terrifies; frightens,</p>

<p id="vi-p551">fleyt, terrified; frightened,</p>

<p id="vi-p552">flingin', kicking; throwing,</p>

<p id="vi-p553">flittin', shifting; removing; departing,</p>

<p id="vi-p554">flooers, flowers,</p>

<p id="vi-p555">flure, floor,</p>

<p id="vi-p556">flurin', flooring,</p>

<p id="vi-p557">forby, as well; as well as; besides, also over and above</p>

<p id="vi-p558">forbye, as well; as well as; besides, also over and above</p>

<p id="vi-p559">foresicht, foresight,</p>

<p id="vi-p560">foret, forward,</p>

<p id="vi-p561">forgather, assemble; encounter, also meet for a special
purpose</p>

<p id="vi-p562">forgathert, assembled; encountered, also met for a special
purpose</p>

<p id="vi-p563">forgettin', forgetting,</p>

<p id="vi-p564">forgie, forgive,</p>

<p id="vi-p565">forgien, forgiven,</p>

<p id="vi-p566">fortnicht, fortnight; two weeks,</p>

<p id="vi-p567">fou, full; well-fed,</p>

<p id="vi-p568">fouchten, fought,</p>

<p id="vi-p569">fower-hoors, four o'clock tea,</p>

<p id="vi-p570">fowk, folk,</p>

<p id="vi-p571">frae, from,</p>

<p id="vi-p572">freely, quite; very; thoroughly,</p>

<p id="vi-p573">freits, superstitions; charms, also superstitious fancies</p>

<p id="vi-p574">fremt, stranger, also strange; foreign</p>

<p id="vi-p575">fren', friend,</p>

<p id="vi-p576">fricht, frighten; scare away, also fright</p>

<p id="vi-p577">frichtit, frightened; scared away,</p>

<p id="vi-p578">frichtsome, frightful,</p>

<p id="vi-p579">frien', friend,</p>

<p id="vi-p580">frien's, friends,</p>

<p id="vi-p581">frien'ship, friendship,</p>

<p id="vi-p582">fu', full; very; much,</p>

<p id="vi-p583">fule, fool,</p>

<p id="vi-p584">fummles, fumbles,</p>

<p id="vi-p585">fun', found,</p>

<p id="vi-p586">fun-buss, whin-bush,</p>

<p id="vi-p587">fund, found,</p>

<p id="vi-p588">furbye, as well; as well as; besides, also over and above</p>

<p id="vi-p589">fushionless, pithless; tasteless; feeble,</p>

<p id="vi-p590">fut, foot,</p>

<p id="vi-p591">gae, gave,</p>

<p id="vi-p592">gaed, went,</p>

<p id="vi-p593">gaein', going,</p>

<p id="vi-p594">gae's, gave us; gave his,</p>

<p id="vi-p595">gaird, guard; watch,</p>

<p id="vi-p596">gait, way; fashion, also route; street</p>

<p id="vi-p597">gaither, gather,</p>

<p id="vi-p598">ga'le, gable,</p>

<p id="vi-p599">gane, gone,</p>

<p id="vi-p600">gang, go; goes; depart; walk,</p>

<p id="vi-p601">gang yer wa's, go on,</p>

<p id="vi-p602">gangs, goes; walks,</p>

<p id="vi-p603">gar, cause; make; compel,</p>

<p id="vi-p604">garred, made; caused; compelled,</p>

<p id="vi-p605">garrin', making; causing; compelling,</p>

<p id="vi-p606">gars, makes; causes; compels,</p>

<p id="vi-p607">gart, made; caused; compelled,</p>

<p id="vi-p608">gar't, make it; cause it; compel it,</p>

<p id="vi-p609">gate, way; route, also method; fashion; habit</p>

<p id="vi-p610">gatherin', gathering,</p>

<p id="vi-p611">gaun, going,</p>

<p id="vi-p612">'gen, by; in time for; whether,</p>

<p id="vi-p613">German Ocean,, old reference to the English Channel &amp; North
Sea</p>

<p id="vi-p614">gether, gather,</p>

<p id="vi-p615">gettin', getting,</p>

<p id="vi-p616">gey, fairly; considerably, also considerable</p>

<p id="vi-p617">gi', give,</p>

<p id="vi-p618">gie, give,</p>

<p id="vi-p619">gie a lift, give a helping hand,</p>

<p id="vi-p620">gied, gave,</p>

<p id="vi-p621">giein', giving,</p>

<p id="vi-p622">gien, if; as if; then; whether, also given</p>

<p id="vi-p623">gi'en, given,</p>

<p id="vi-p624">giena, do not give,</p>

<p id="vi-p625">gies, gives,</p>

<p id="vi-p626">gie's, gives; give us; give his,</p>

<p id="vi-p627">gill, tipple; drink,</p>

<p id="vi-p628">gin, if; as if; then; whether,</p>

<p id="vi-p629">gird, hoop for a barrel or tub,</p>

<p id="vi-p630">girn, grimace; snarl; twist the features,</p>

<p id="vi-p631">glaid, glad,</p>

<p id="vi-p632">glaidly, gladly,</p>

<p id="vi-p633">glaiss, glass,</p>

<p id="vi-p634">gleds, kites; buzzards,</p>

<p id="vi-p635">gleg, quick; lively; smart; quick-witted,</p>

<p id="vi-p636">Glendronach, particular brand of whisky,</p>

<p id="vi-p637">glimmerin', glimmering,</p>

<p id="vi-p638">gloamin', twilight; dusk,</p>

<p id="vi-p639">gloggie, insipid; artificial; unnatural,</p>

<p id="vi-p640">glowered, stared; gazed; scowled,</p>

<p id="vi-p641">goin', going,</p>

<p id="vi-p642">goon, gown,</p>

<p id="vi-p643">goul, howl; yell; whine,</p>

<p id="vi-p644">gowd, gold,</p>

<p id="vi-p645">gowk, cuckoo; fool; blockhead,</p>

<p id="vi-p646">gran', grand; capital; first-rate,</p>

<p id="vi-p647">grandmither, grandmother,</p>

<p id="vi-p648">gran'father, grandfather,</p>

<p id="vi-p649">gran'mither, grandmother,</p>

<p id="vi-p650">grat, cried; wept,</p>

<p id="vi-p651">gravestane, gravestone; tombstone; headstone,</p>

<p id="vi-p652">greet, cry; weep,</p>

<p id="vi-p653">greetin', crying; weeping,</p>

<p id="vi-p654">greit, cry; weep,</p>

<p id="vi-p655">greitin', crying; weeping,</p>

<p id="vi-p656">greits, cries; weeps,</p>

<p id="vi-p657">grew, greyhound,</p>

<p id="vi-p658">grip, grasp; understand, also hold</p>

<p id="vi-p659">grips, grasps; understands, seizures; colic</p>

<p id="vi-p660">growin', growing,</p>

<p id="vi-p661">grun', ground,</p>

<p id="vi-p662">grup, grip; grasp,</p>

<p id="vi-p663">grups, grips; grasp,</p>

<p id="vi-p664">grutten, cried; wept,</p>

<p id="vi-p665">gude, good, also God</p>

<p id="vi-p666">gude-bye, goodbye,</p>

<p id="vi-p667">gude-hertit, good-hearted,</p>

<p id="vi-p668">gudeness, goodness,</p>

<p id="vi-p669">guid, good, also God</p>

<p id="vi-p670">guide, treat; handle; look after; save; keep,</p>

<p id="vi-p671">Guidsake!,For God's sake!,</p>

<p id="vi-p672">ha', have, also hall; house</p>

<p id="vi-p673">haddie, haddock,</p>

<p id="vi-p674">hadna, had not,</p>

<p id="vi-p675">hae, have; has, also here</p>

<p id="vi-p676">ha'e, have, also here</p>

<p id="vi-p677">haein', having,</p>

<p id="vi-p678">haena, have not,</p>

<p id="vi-p679">hae't, have it,</p>

<p id="vi-p680">haill, whole,</p>

<p id="vi-p681">hairm, harm,</p>

<p id="vi-p682">hairps, harps,</p>

<p id="vi-p683">hairst, harvest,</p>

<p id="vi-p684">hairst-play, school holidays during harvest,</p>

<p id="vi-p685">Haith!,Faith!, exclamation of surprise</p>

<p id="vi-p686">haithen, heathen,</p>

<p id="vi-p687">haiven, heaven,</p>

<p id="vi-p688">halesome, wholesome; pure,</p>

<p id="vi-p689">half-dizzen, half-dozen,</p>

<p id="vi-p690">half-stervit, half-starved,</p>

<p id="vi-p691">hame, home,</p>

<p id="vi-p692">han', hand,</p>

<p id="vi-p693">han'fu', handful,</p>

<p id="vi-p694">hangin', hanging,</p>

<p id="vi-p695">hangt, hanged,</p>

<p id="vi-p696">hang't, hanged,</p>

<p id="vi-p697">han'le, handle,</p>

<p id="vi-p698">han'led, handled; treated,</p>

<p id="vi-p699">han'let, handled,</p>

<p id="vi-p700">han's, hands,</p>

<p id="vi-p701">hantle, much; large quantity; far,</p>

<p id="vi-p702">hard, heard, also hard</p>

<p id="vi-p703">hash, mess; muddle,</p>

<p id="vi-p704">hasna, does not have,</p>

<p id="vi-p705">haud, hold; keep,</p>

<p id="vi-p706">hauden, held; kept,</p>

<p id="vi-p707">haudin', holding; keeping,</p>

<p id="vi-p708">hauld, hold,</p>

<p id="vi-p709">haveless, careless (therefore helpless), also wasteful;
incompetent</p>

<p id="vi-p710">haven, heaven,</p>

<p id="vi-p711">haverin', talking incoherently; babbling,</p>

<p id="vi-p712">havers, nonsense; foolish talk; babble,</p>

<p id="vi-p713">hay-sow, long oblong stack of hay, shaped like a sow</p>

<p id="vi-p714">he that will to Cupar maun to Cupar, a wilful man must have his
way,</p>

<p id="vi-p715">heap, very much, also heap</p>

<p id="vi-p716">heardna, did not hear,</p>

<p id="vi-p717">hearin', hearing,</p>

<p id="vi-p718">hearken, hearken; hear; listen,</p>

<p id="vi-p719">hearkened, hearkened; heard; listened,</p>

<p id="vi-p720">hearkenin', hearkening; listening,</p>

<p id="vi-p721">hearkent, hearkened; heard; listened,</p>

<p id="vi-p722">Hecklebirnie,Hell,</p>

<p id="vi-p723">hecklet, cross-questioned; examined,</p>

<p id="vi-p724">hed, had, also hid</p>

<p id="vi-p725">heepocreet, hypocrite,</p>

<p id="vi-p726">heicht, height,</p>

<p id="vi-p727">heid, head; heading,</p>

<p id="vi-p728">heids, heads; headings,</p>

<p id="vi-p729">helpin', helping,</p>

<p id="vi-p730">helpit, helped,</p>

<p id="vi-p731">her lane, on her own,</p>

<p id="vi-p732">hersel', herself,</p>

<p id="vi-p733">hert, heart,</p>

<p id="vi-p734">hertily, heartily,</p>

<p id="vi-p735">herts, hearts,</p>

<p id="vi-p736">het, hot; burning,</p>

<p id="vi-p737">hev, have,</p>

<p id="vi-p738">Hielan',Highland,</p>

<p id="vi-p739">Hielan'man,Highland man,</p>

<p id="vi-p740">hillo,, a call to attract attention</p>

<p id="vi-p741">him lane, on his own,</p>

<p id="vi-p742">himsel', himself,</p>

<p id="vi-p743">hinder, hinder; hind; latter,</p>

<p id="vi-p744">hine, away; afar; to a distance,</p>

<p id="vi-p745">hing, hang,</p>

<p id="vi-p746">hingin', hanging,</p>

<p id="vi-p747">hings, hangs,</p>

<p id="vi-p748">hinnerance, hinderance,</p>

<p id="vi-p749">hinney, honey,</p>

<p id="vi-p750">hintit, hinted,</p>

<p id="vi-p751">hips, borders of a district,</p>

<p id="vi-p752">hiz, us, emphatic</p>

<p id="vi-p753">hizzies, hussies; silly girls,</p>

<p id="vi-p754">hoo, how,</p>

<p id="vi-p755">hooever, however,</p>

<p id="vi-p756">hooly, slowly; cautiously; gently, also 'take your time'</p>

<p id="vi-p757">hoomble, humble,</p>

<p id="vi-p758">hoombly, humbly,</p>

<p id="vi-p759">hoor, hour,</p>

<p id="vi-p760">hoo's, how is,</p>

<p id="vi-p761">hoose, house,</p>

<p id="vi-p762">hooses, houses,</p>

<p id="vi-p763">hoot, pshaw, exclamation of doubt or contempt</p>

<p id="vi-p764">Hoot awa!, tuts!; nonsense!, also exclamation of sympathy</p>

<p id="vi-p765">hoot toot, tut!, exclamation of annoyance</p>

<p id="vi-p766">hoots, pshaw, exclamation of doubt or contempt</p>

<p id="vi-p767">horse-huves, horse hooves,</p>

<p id="vi-p768">hose, stocking,</p>

<p id="vi-p769">hostit, coughed,</p>

<p id="vi-p770">houp, hope,</p>

<p id="vi-p771">houpe, hope,</p>

<p id="vi-p772">houps, hopes,</p>

<p id="vi-p773">humblet, humbled,</p>

<p id="vi-p774">hunger, hunger; starve,</p>

<p id="vi-p775">hungert, starved,</p>

<p id="vi-p776">hunner, hundred,</p>

<p id="vi-p777">huntin', hunting,</p>

<p id="vi-p778">hurdies, buttocks,</p>

<p id="vi-p779">hurry an' a scurry, uproar; tumult,</p>

<p id="vi-p780">hurtit, hurt,</p>

<p id="vi-p781">huves, hooves,</p>

<p id="vi-p782">hynd, straight; by the nearest road,</p>

<p id="vi-p783">i', in; into,</p>

<p id="vi-p784">I doobt,I know; I suspect,</p>

<p id="vi-p785">I wat,I know; I assure (you),</p>

<p id="vi-p786">ilk, every; each, also common; ordinary</p>

<p id="vi-p787">ilka, every; each, also common; ordinary</p>

<p id="vi-p788">ilkabody, everybody; everyone,</p>

<p id="vi-p789">ill, bad; evil; hard; harsh; badly, also misfortune; harm</p>

<p id="vi-p790">'ill, will,</p>

<p id="vi-p791">ill-contrived, tricky; mischievous, also badly behaved;
ill-tempered</p>

<p id="vi-p792">ill-doin', badly behaved, also leading an evil life</p>

<p id="vi-p793">ill-fashioned, vulgar in habits; ill-mannered, also
quarrelsome</p>

<p id="vi-p794">ill-faured, unbecoming; ill-mannered; clumsy, also unpleasant</p>

<p id="vi-p795">ill-mainnert, ill-mannered,</p>

<p id="vi-p796">ill-tongued, foul-tongued; abusive,</p>

<p id="vi-p797">ill-used, used wrongly,</p>

<p id="vi-p798">ill-willy, ill-tempered; spiteful; grudging, also reluctant</p>

<p id="vi-p799">'im, him,</p>

<p id="vi-p800">impidence, impudence,</p>

<p id="vi-p801">imputin', imputing,</p>

<p id="vi-p802">inheritin', inheriting,</p>

<p id="vi-p803">in't, in it,</p>

<p id="vi-p804">interesstin', interesting,</p>

<p id="vi-p805">interferin', interfering,</p>

<p id="vi-p806">interruppit, interrupted,</p>

<p id="vi-p807">intil, into; in; within,</p>

<p id="vi-p808">ir, are,</p>

<p id="vi-p809">Ishmeleets,Ishmaelites,</p>

<p id="vi-p810">isna, is not; is no,</p>

<p id="vi-p811">is't, is it,</p>

<p id="vi-p812">ither, other; another; further,</p>

<p id="vi-p813">'ither, other; another; further,</p>

<p id="vi-p814">itsel', itself,</p>

<p id="vi-p815">iver, ever,</p>

<p id="vi-p816">jabberin', chattering; idle talking,</p>

<p id="vi-p817">jaloosed, suspected; guessed; imagined,</p>

<p id="vi-p818">jaud, lass; girl; worthless woman, old worn-out horse</p>

<p id="vi-p819">jaw, billow; splash; surge; wave,</p>

<p id="vi-p820">jawin', talking; chattering,</p>

<p id="vi-p821">Jeames,James,</p>

<p id="vi-p822">Jeck,Jack,</p>

<p id="vi-p823">jeedgment, judgement,</p>

<p id="vi-p824">Jeroozlem,Jerusalem,</p>

<p id="vi-p825">jined, joined,</p>

<p id="vi-p826">jines, joins,</p>

<p id="vi-p827">jist, just,</p>

<p id="vi-p828">judgin', judging,</p>

<p id="vi-p829">jumps, tallies; coincides,</p>

<p id="vi-p830">justifee, justify,</p>

<p id="vi-p831">justifeein', justifying,</p>

<p id="vi-p832">jyler, jailer,</p>

<p id="vi-p833">kailyard, kitchen garden; small cottage garden,</p>

<p id="vi-p834">keek, look; peep; spy,</p>

<p id="vi-p835">keekin', looking; peeping; prying,</p>

<p id="vi-p836">keepit, kept,</p>

<p id="vi-p837">kelpie, water-sprite; river-horse,</p>

<p id="vi-p838">ken, know; be acquainted with; recognise,</p>

<p id="vi-p839">kenna, do not know,</p>

<p id="vi-p840">kennin', knowing,</p>

<p id="vi-p841">kens, knows,</p>

<p id="vi-p842">kent, known; knew,</p>

<p id="vi-p843">kep, keep; catch, also intercept; encounter</p>

<p id="vi-p844">kickin', kicking,</p>

<p id="vi-p845">kickit, kicked,</p>

<p id="vi-p846">kin', kind; nature; sort; agreeable, also somewhat; in some
degree</p>

<p id="vi-p847">kin'ness, kindness,</p>

<p id="vi-p848">kirk, church,</p>

<p id="vi-p849">kirks, churches,</p>

<p id="vi-p850">kirkyaird, churchyard,</p>

<p id="vi-p851">kirstened, christened,</p>

<p id="vi-p852">kirstenin', christening,</p>

<p id="vi-p853">kissin', kissing,</p>

<p id="vi-p854">kist, chest; coffer; box; chest of drawers,</p>

<p id="vi-p855">kists, chests; coffers; boxes; luggage,</p>

<p id="vi-p856">kitchie, kitchen,</p>

<p id="vi-p857">kittlins, kittens,</p>

<p id="vi-p858">kneipit, knocked,</p>

<p id="vi-p859">lad, boy, term of commendation or reverence</p>

<p id="vi-p860">laddie, boy, term of affection</p>

<p id="vi-p861">laddies, boys, term of affection</p>

<p id="vi-p862">lads, boys, term of commendation or reverence</p>

<p id="vi-p863">laicher, lower,</p>

<p id="vi-p864">laird, landed proprietor; squire; lord,</p>

<p id="vi-p865">lameter, cripple, also lame</p>

<p id="vi-p866">lammie, little lamb, term of endearment</p>

<p id="vi-p867">lan', land; country; ground,</p>

<p id="vi-p868">lane, lone; alone; lonely; solitary,</p>

<p id="vi-p869">lang, long; big; large; many, also slow; tedious</p>

<p id="vi-p870">langed, longed,</p>

<p id="vi-p871">langer, longer,</p>

<p id="vi-p872">lang-leggit, long legged,</p>

<p id="vi-p873">lang's, long as,</p>

<p id="vi-p874">lang-tailed, tedious,</p>

<p id="vi-p875">lan'less, landless,</p>

<p id="vi-p876">lap, leaped,</p>

<p id="vi-p877">lapstane, stone on which a shoemaker, hammers his leather</p>

<p id="vi-p878">lass, girl; young woman, term of address</p>

<p id="vi-p879">lasses, girls; young women,</p>

<p id="vi-p880">lassie, girl, term of endearment</p>

<p id="vi-p881">lat, let; allow,</p>

<p id="vi-p882">lat's, let's; let us; let his,</p>

<p id="vi-p883">latten, let; allowed,</p>

<p id="vi-p884">lattin', letting; allowing,</p>

<p id="vi-p885">lauch, laugh,</p>

<p id="vi-p886">lauchin', laughing,</p>

<p id="vi-p887">lauchter, laughter,</p>

<p id="vi-p888">lave, rest; remainder; others, also leave</p>

<p id="vi-p889">laverock, lark (type of bird),</p>

<p id="vi-p890">Lawlands,Lowlands,</p>

<p id="vi-p891">lea, leave,</p>

<p id="vi-p892">lea', leave,</p>

<p id="vi-p893">leadin', leading,</p>

<p id="vi-p894">leal, loyal; faithful; sincere; true,</p>

<p id="vi-p895">learnin', learning, also teaching</p>

<p id="vi-p896">learnt, learned, also taught</p>

<p id="vi-p897">leavin', leaving,</p>

<p id="vi-p898">leddy, lady, also boy; lad; laddy</p>

<p id="vi-p899">lee, pasture; fallow ground, also shelter from wind or rain;
lie</p>

<p id="vi-p900">leear, lier,</p>

<p id="vi-p901">leebrary, library,</p>

<p id="vi-p902">leed, lied; told lies,</p>

<p id="vi-p903">leein', lying; telling lies,</p>

<p id="vi-p904">lees, lies,</p>

<p id="vi-p905">leevin', living; living being,</p>

<p id="vi-p906">leiser, leisure,</p>

<p id="vi-p907">len', lend; give; grant, also loan</p>

<p id="vi-p908">len'th, length,</p>

<p id="vi-p909">leuch, laughed,</p>

<p id="vi-p910">leuk, look; watch; appearance,</p>

<p id="vi-p911">leys, grasslands,</p>

<p id="vi-p912">licht, light,</p>

<p id="vi-p913">lichtlie, make light of; disparage,</p>

<p id="vi-p914">lickin', thrashing; punishment,</p>

<p id="vi-p915">lien, lain,</p>

<p id="vi-p916">lift, load; boost; lift; helping hand, also sky; heavens</p>

<p id="vi-p917">liket, liked,</p>

<p id="vi-p918">likit, liked,</p>

<p id="vi-p919">likliheid, likelyhood,</p>

<p id="vi-p920">likly, likely,</p>

<p id="vi-p921">limmer, rascal; rogue, also loose woman; prostitute</p>

<p id="vi-p922">lingel, shoemaker's thread,</p>

<p id="vi-p923">links, stretch of sandy grass-covered ground, near the
seashore</p>

<p id="vi-p924">lint-bells, flowers of the flax,</p>

<p id="vi-p925">lippen, trust; depend on, also look after</p>

<p id="vi-p926">list, enlist as a soldier,</p>

<p id="vi-p927">livin', living,</p>

<p id="vi-p928">'ll, will,</p>

<p id="vi-p929">lockit, locked,</p>

<p id="vi-p930">longin', longing,</p>

<p id="vi-p931">Lonnon,London,</p>

<p id="vi-p932">loon, rascal; rogue; ragamuffin, also boy; lad</p>

<p id="vi-p933">loot, let; allowed; permitted,</p>

<p id="vi-p934">Losh!, corrupt form of 'Lord', exclamation of surprise or
wonder</p>

<p id="vi-p935">losin', losing,</p>

<p id="vi-p936">loup, leap; jump; spring,</p>

<p id="vi-p937">loup-coonter lads, shopkeepers; salesmen,</p>

<p id="vi-p938">loupin', leaping; jumping; springing,</p>

<p id="vi-p939">loupin'-on-stane, horse-block,</p>

<p id="vi-p940">lowse, loose; free, also dishonest; immoral</p>

<p id="vi-p941">luckie-daddie, grandfather, also fondly regarded forefather</p>

<p id="vi-p942">luckie-daiddie, grandfather, also fondly regarded forefather</p>

<p id="vi-p943">luckie-minnie, grandmother,</p>

<p id="vi-p944">lucky, old woman,</p>

<p id="vi-p945">lucky-daiddy, grandfather, also fondly regarded forefather</p>

<p id="vi-p946">lug, ear; fin (fish); handle, also shallow wooden dish</p>

<p id="vi-p947">lugs, ears,</p>

<p id="vi-p948">luik, look,</p>

<p id="vi-p949">luikin', looking,</p>

<p id="vi-p950">luikit, looked,</p>

<p id="vi-p951">luiks, looks,</p>

<p id="vi-p952">luve, love,</p>

<p id="vi-p953">lyin', lying,</p>

<p id="vi-p954">lythe, shelter,</p>

<p id="vi-p955">'m, him,</p>

<p id="vi-p956">ma, my,</p>

<p id="vi-p957">magistrand, student about to become M.A., at Aberdeen
University</p>

<p id="vi-p958">maijesty, majesty,</p>

<p id="vi-p959">mainner, manner,</p>

<p id="vi-p960">mainners, manners,</p>

<p id="vi-p961">mair, more; greater,</p>

<p id="vi-p962">mairch, march,</p>

<p id="vi-p963">mairry, marry,</p>

<p id="vi-p964">maist, most; almost,</p>

<p id="vi-p965">'maist, almost,</p>

<p id="vi-p966">maist han', almost,</p>

<p id="vi-p967">maister, master; mister,</p>

<p id="vi-p968">maistly, mostly; most of all,</p>

<p id="vi-p969">maitter, matter,</p>

<p id="vi-p970">maitters, matters,</p>

<p id="vi-p971">mak, make; do,</p>

<p id="vi-p972">mak', make; do,</p>

<p id="vi-p973">makin', making; doing,</p>

<p id="vi-p974">maks, makes; does,</p>

<p id="vi-p975">mak's, makes; does,</p>

<p id="vi-p976">man-body, full grown man,</p>

<p id="vi-p977">Markis,Marquis,</p>

<p id="vi-p978">maukin, hare, also a reference to a poem by Burns</p>

<p id="vi-p979">maun, must; have to,</p>

<p id="vi-p980">maunna, must not; may not,</p>

<p id="vi-p981">mayna, may not,</p>

<p id="vi-p982">meanin', meaning,</p>

<p id="vi-p983">meddlin', meddling,</p>

<p id="vi-p984">meenit, minute,</p>

<p id="vi-p985">meenits, minutes,</p>

<p id="vi-p986">meenute, minute,</p>

<p id="vi-p987">meesery, misery,</p>

<p id="vi-p988">mell, mix; be intimate; meddle,</p>

<p id="vi-p989">mem,Ma'am; Miss; Madam,</p>

<p id="vi-p990">men', mend,</p>

<p id="vi-p991">men'in', mending; healing,</p>

<p id="vi-p992">men't, mended,</p>

<p id="vi-p993">merchan's, merchants; shopkeepers,</p>

<p id="vi-p994">mercifu', merciful; favourable,</p>

<p id="vi-p995">mere, mare, also mere</p>

<p id="vi-p996">merried, married,</p>

<p id="vi-p997">merry, marry, also merry</p>

<p id="vi-p998">micht, might,</p>

<p id="vi-p999">michtna, might not,</p>

<p id="vi-p1000">michty, mighty; God,</p>

<p id="vi-p1001">midden, dunghill; manure pile,</p>

<p id="vi-p1002">middlin', tolerable; mediocre; fairly well,</p>

<p id="vi-p1003">mids, midst; middle,</p>

<p id="vi-p1004">mids', midst; middle,</p>

<p id="vi-p1005">min', mind; recollection, also recollect; remember</p>

<p id="vi-p1006">min' upo', remember,</p>

<p id="vi-p1007">mind, mind; recollection, also recollect; remember</p>

<p id="vi-p1008">ministert, ministered,</p>

<p id="vi-p1009">minit, minute,</p>

<p id="vi-p1010">mint, insinuate; hint; feign, also aim at; attempt</p>

<p id="vi-p1011">mintin', insinuating; hinting; feigning, also aiming at;
attempting</p>

<p id="vi-p1012">mintit, insinuated; hinted; feigned, also aimed at; attempted</p>

<p id="vi-p1013">mirk, darkness; gloom; night,</p>

<p id="vi-p1014">mischeef, mischief; injury; harm,</p>

<p id="vi-p1015">misdoobt, doubt; disbelieve; suspect,</p>

<p id="vi-p1016">missionar', missionary,</p>

<p id="vi-p1017">mistak, mistake,</p>

<p id="vi-p1018">mither, mother,</p>

<p id="vi-p1019">mithers, mothers,</p>

<p id="vi-p1020">mizzer, measure,</p>

<p id="vi-p1021">moedesty, modesty,</p>

<p id="vi-p1022">mony, many,</p>

<p id="vi-p1023">moo', mouth,</p>

<p id="vi-p1024">moose, mouse,</p>

<p id="vi-p1025">mornin', morning,</p>

<p id="vi-p1026">morn's, tomorrow,</p>

<p id="vi-p1027">mou', mouth,</p>

<p id="vi-p1028">moufu', mouthful,</p>

<p id="vi-p1029">mou'fu', mouthful,</p>

<p id="vi-p1030">mould, mould; loose earth; top soil,</p>

<p id="vi-p1031">muckle, huge; enormous; big; great; much,</p>

<p id="vi-p1032">muckler, bigger; greater,</p>

<p id="vi-p1033">mull, snuff-box,</p>

<p id="vi-p1034">mune, moon,</p>

<p id="vi-p1035">munelicht, moonlight,</p>

<p id="vi-p1036">murnin', mourning,</p>

<p id="vi-p1037">mutch, woman's cap with protruding frill, worn under the
bonnet</p>

<p id="vi-p1038">mutchkin, liquid measure, equal to an English pint</p>

<p id="vi-p1039">my lane, on my own,</p>

<p id="vi-p1040">mysel', myself,</p>

<p id="vi-p1041">na, not; by no means,</p>

<p id="vi-p1042">nae, no; none; not,</p>

<p id="vi-p1043">naebody, nobody; no one,</p>

<p id="vi-p1044">naething, nothing,</p>

<p id="vi-p1045">nane, none,</p>

<p id="vi-p1046">nanetheless, nonetheless,</p>

<p id="vi-p1047">nater, nature,</p>

<p id="vi-p1048">nat'ral, natural,</p>

<p id="vi-p1049">natur', nature,</p>

<p id="vi-p1050">naything, nothing,</p>

<p id="vi-p1051">nearhan', nearly; almost; near by,</p>

<p id="vi-p1052">near-han', nearly; almost; near by,</p>

<p id="vi-p1053">nears, kidneys,</p>

<p id="vi-p1054">nebs, tips; points; nibs; beaks,</p>

<p id="vi-p1055">neebor, neighbour,</p>

<p id="vi-p1056">neebors, neighbours,</p>

<p id="vi-p1057">neebour, neighbour,</p>

<p id="vi-p1058">needfu', needful; necessary; needy,</p>

<p id="vi-p1059">needna, do not need; need not,</p>

<p id="vi-p1060">ne'er-do-weel, an incorrigible; troublemaker,</p>

<p id="vi-p1061">neist, next; nearest,</p>

<p id="vi-p1062">nesty, nasty,</p>

<p id="vi-p1063">neuk, nook; recess; interior angle, also corner</p>

<p id="vi-p1064">news, talk; gossip,</p>

<p id="vi-p1065">nicht, night; evening,</p>

<p id="vi-p1066">niffer, exchange; barter,</p>

<p id="vi-p1067">no, not,</p>

<p id="vi-p1068">no', not,</p>

<p id="vi-p1069">noething, nothing,</p>

<p id="vi-p1070">noo, now,</p>

<p id="vi-p1071">noo', now,</p>

<p id="vi-p1072">noo a-days, now; in these days,</p>

<p id="vi-p1073">nor, than; although; if, also nor</p>

<p id="vi-p1074">nor's, than is,</p>

<p id="vi-p1075">notwithstandin', notwithstanding,</p>

<p id="vi-p1076">nuik, corner,</p>

<p id="vi-p1077">o', of; on,</p>

<p id="vi-p1078">objeck, object,</p>

<p id="vi-p1079">obleeged, obliged,</p>

<p id="vi-p1080">och,, exclamation of sorrow or regret</p>

<p id="vi-p1081">och hone, alas,</p>

<p id="vi-p1082">Od, disguised form of 'God', mince oath</p>

<p id="vi-p1083">odds, consequence; change,</p>

<p id="vi-p1084">o'er, over; upon; too,</p>

<p id="vi-p1085">ohn, without; un-, uses past participle not present
progressive</p>

<p id="vi-p1086">Ohone!,Alas!,</p>

<p id="vi-p1087">on', and, possibly a mispelling--should be an'</p>

<p id="vi-p1088">onlike, unlike,</p>

<p id="vi-p1089">onsays, unsays,</p>

<p id="vi-p1090">ony, any,</p>

<p id="vi-p1091">onybody, anybody; anyone,</p>

<p id="vi-p1092">onything, anything,</p>

<p id="vi-p1093">ook, week,</p>

<p id="vi-p1094">ooks, weeks,</p>

<p id="vi-p1095">oor, our,</p>

<p id="vi-p1096">'oor, hour,</p>

<p id="vi-p1097">oors, ours,</p>

<p id="vi-p1098">oorsel's, ourselves,</p>

<p id="vi-p1099">oot, out,</p>

<p id="vi-p1100">ootcast, outcast,</p>

<p id="vi-p1101">oots, outs,</p>

<p id="vi-p1102">ootside, outside,</p>

<p id="vi-p1103">opingon, opinion,</p>

<p id="vi-p1104">opingons, opinions,</p>

<p id="vi-p1105">opposit, opposite,</p>

<p id="vi-p1106">or, before; ere; until; by, also or</p>

<p id="vi-p1107">ordinar, ordinary; usual; natural, also custom; habit</p>

<p id="vi-p1108">ordinar', ordinary; usual; natural, also custom; habit</p>

<p id="vi-p1109">orra, odd job (man); exceptional; over all, also idle</p>

<p id="vi-p1110">o't, of it,</p>

<p id="vi-p1111">oucht, anything; all, also ought</p>

<p id="vi-p1112">ouchtna, ought not,</p>

<p id="vi-p1113">oursel's, ourselves,</p>

<p id="vi-p1114">ow, oh, exclamation of surprise</p>

<p id="vi-p1115">ower, over; upon; too,</p>

<p id="vi-p1116">owerta'en, overtaken,</p>

<p id="vi-p1117">oye, grandchild; grandson; nephew,</p>

<p id="vi-p1118">pailace, palace,</p>

<p id="vi-p1119">paintit, painted,</p>

<p id="vi-p1120">pairt, part,</p>

<p id="vi-p1121">pandies, strokes on the palm with a cane,</p>

<p id="vi-p1122">papistry,Romanism; Popery,</p>

<p id="vi-p1123">Paradees,Paradise,</p>

<p id="vi-p1124">parritch, oatmeal porridge,</p>

<p id="vi-p1125">partic'lar, particular,</p>

<p id="vi-p1126">pat, put; made,</p>

<p id="vi-p1127">peacefu', peaceful,</p>

<p id="vi-p1128">pecks, blows; strikes,</p>

<p id="vi-p1129">pernickety, precise; particular; fastidious, also difficult to
please</p>

<p id="vi-p1130">perris, parish,</p>

<p id="vi-p1131">piana, piano,</p>

<p id="vi-p1132">picter, picture; sight; spectacle,</p>

<p id="vi-p1133">pictur', picture,</p>

<p id="vi-p1134">piece, slice of bread; lunch,</p>

<p id="vi-p1135">pint, point,</p>

<p id="vi-p1136">pipit, piped; played the (bag)pipes,</p>

<p id="vi-p1137">pirn, reel; bobbin, on which thread is wound</p>

<p id="vi-p1138">pit, put; make,</p>

<p id="vi-p1139">pitawta, potato,</p>

<p id="vi-p1140">pits, puts; makes,</p>

<p id="vi-p1141">pitten, put; made,</p>

<p id="vi-p1142">plack, the smallest coin, worth 1/3 of a penny</p>

<p id="vi-p1143">plaguit, plagued; troubled,</p>

<p id="vi-p1144">plaid, plaid used as a blanket,</p>

<p id="vi-p1145">plaistered, plastered,</p>

<p id="vi-p1146">plash-mill, fulling-mill,</p>

<p id="vi-p1147">playacks, playthings; toys,</p>

<p id="vi-p1148">play-actin', acting,</p>

<p id="vi-p1149">playin', playing,</p>

<p id="vi-p1150">playt, played,</p>

<p id="vi-p1151">pliskie, trick; prank; practical joke,</p>

<p id="vi-p1152">plisky, trick; prank,</p>

<p id="vi-p1153">ploy, amusement; sport; escapade,</p>

<p id="vi-p1154">ploys, amusements; sports; escapades,</p>

<p id="vi-p1155">poassible, possible,</p>

<p id="vi-p1156">poddock, frog,</p>

<p id="vi-p1157">pooch, pocket; pouch,</p>

<p id="vi-p1158">pooer, power,</p>

<p id="vi-p1159">pooerfu', powerful,</p>

<p id="vi-p1160">poored, poured,</p>

<p id="vi-p1161">poothers, powders,</p>

<p id="vi-p1162">pop', pope,</p>

<p id="vi-p1163">porkmanty, portmanteau,</p>

<p id="vi-p1164">positeeve, positive,</p>

<p id="vi-p1165">pouch, pouch; pocket,</p>

<p id="vi-p1166">poun', pound (sterling),</p>

<p id="vi-p1167">prayin', praying,</p>

<p id="vi-p1168">preachin', preaching,</p>

<p id="vi-p1169">pree, taste; try; prove; experience,</p>

<p id="vi-p1170">prent, print,</p>

<p id="vi-p1171">prentice-han', novice,</p>

<p id="vi-p1172">press, wall-cupboard with shelves,</p>

<p id="vi-p1173">preten', pretend,</p>

<p id="vi-p1174">preten't, pretended,</p>

<p id="vi-p1175">prood, proud,</p>

<p id="vi-p1176">pruv, prove,</p>

<p id="vi-p1177">pruved, proved,</p>

<p id="vi-p1178">pu', pull,</p>

<p id="vi-p1179">public, public house; pub,</p>

<p id="vi-p1180">public-hoose, public house,</p>

<p id="vi-p1181">pu'd, pulled,</p>

<p id="vi-p1182">puddin's, intestines,</p>

<p id="vi-p1183">puir, poor,</p>

<p id="vi-p1184">pun', pound (sterling),</p>

<p id="vi-p1185">putten, put,</p>

<p id="vi-p1186">quaiet, quiet,</p>

<p id="vi-p1187">quaiet sough, quiet tongue,</p>

<p id="vi-p1188">quaieter, quieter,</p>

<p id="vi-p1189">quaietly, quietly,</p>

<p id="vi-p1190">quaietness, quietness,</p>

<p id="vi-p1191">quean, queen; young girl; hussy,</p>

<p id="vi-p1192">queston, question, also sum</p>

<p id="vi-p1193">questons, questions, also sums</p>

<p id="vi-p1194">quest'ons, questions,</p>

<p id="vi-p1195">quibblin', quibbling,</p>

<p id="vi-p1196">rade, rode,</p>

<p id="vi-p1197">rael, real,</p>

<p id="vi-p1198">railly, really,</p>

<p id="vi-p1199">raither, rather,</p>

<p id="vi-p1200">rale, real; true; very,</p>

<p id="vi-p1201">rampaugin', rampaging,</p>

<p id="vi-p1202">randy, rough; wild; riotous, also coarse-tongued; abusive</p>

<p id="vi-p1203">rase, rose,</p>

<p id="vi-p1204">rash, needle used in weaving,</p>

<p id="vi-p1205">readin', reading,</p>

<p id="vi-p1206">reamy, creamy,</p>

<p id="vi-p1207">rebukit, rebuked,</p>

<p id="vi-p1208">receipt, recipe,</p>

<p id="vi-p1209">reckonin', reckoning,</p>

<p id="vi-p1210">reconceelin', reconciling,</p>

<p id="vi-p1211">reconcilet, reconciled,</p>

<p id="vi-p1212">reekit, rigged out; well-dressed,</p>

<p id="vi-p1213">regairdit, regarded,</p>

<p id="vi-p1214">reg'ment, regiment,</p>

<p id="vi-p1215">reid, red,</p>

<p id="vi-p1216">reik, smoke; vapour,</p>

<p id="vi-p1217">rejeckit, rejected,</p>

<p id="vi-p1218">remainin', remaining,</p>

<p id="vi-p1219">remeid, remedy; cure; redress,</p>

<p id="vi-p1220">repentin', repenting,</p>

<p id="vi-p1221">resentin', resenting,</p>

<p id="vi-p1222">respec', respect,</p>

<p id="vi-p1223">respecks, respects; considers worthy,</p>

<p id="vi-p1224">richt, right; correct, also mend</p>

<p id="vi-p1225">richteous, righteous,</p>

<p id="vi-p1226">richteousness, righteousness,</p>

<p id="vi-p1227">richtly, certainly; positively,</p>

<p id="vi-p1228">rig, ridge; space between furrows, also long narrow hill</p>

<p id="vi-p1229">rin, run,</p>

<p id="vi-p1230">rinnin', running,</p>

<p id="vi-p1231">rins, runs,</p>

<p id="vi-p1232">risin', rising,</p>

<p id="vi-p1233">rist, rest,</p>

<p id="vi-p1234">rivin', renting; tearing; tuging; wrenching,</p>

<p id="vi-p1235">rizzon, reason,</p>

<p id="vi-p1236">rizzonin', reasoning,</p>

<p id="vi-p1237">rizzons, reasons,</p>

<p id="vi-p1238">roarin', roaring,</p>

<p id="vi-p1239">rockit, rocked,</p>

<p id="vi-p1240">ro'd, road; course; way,</p>

<p id="vi-p1241">Rom',Rome,</p>

<p id="vi-p1242">roof-tree, beam forming the angle of a roof,</p>

<p id="vi-p1243">roomy, little room, diminutive</p>

<p id="vi-p1244">roon, around; round,</p>

<p id="vi-p1245">roon', around; round,</p>

<p id="vi-p1246">roset, resin; cobbler's wax,</p>

<p id="vi-p1247">roset-ends, shoemaker's waxed thread-ends,</p>

<p id="vi-p1248">rottan, rat,</p>

<p id="vi-p1249">rouch, rough,</p>

<p id="vi-p1250">rowdie, hag; beldame,</p>

<p id="vi-p1251">ruck, bulk; mass; majority,</p>

<p id="vi-p1252">ruggin', pulling forcibly; tugging; tearing,</p>

<p id="vi-p1253">ruggin' and rivin', draging forcibly, also contending for
possession</p>

<p id="vi-p1254">runklet, wrinkled; creased; crumpled,</p>

<p id="vi-p1255">'s, us; his; as; is, also has</p>

<p id="vi-p1256">s', shall,</p>

<p id="vi-p1257">sae, so; as,</p>

<p id="vi-p1258">saft, muddy; soft; silly; foolish,</p>

<p id="vi-p1259">saiddlet, saddled,</p>

<p id="vi-p1260">sair, sore; sorely; sad; hard; very; greatly, also serve;
satisfy</p>

<p id="vi-p1261">sair heid, headache,</p>

<p id="vi-p1262">sair-vroucht, hard-worked,</p>

<p id="vi-p1263">saitisfee, satisfy,</p>

<p id="vi-p1264">saitisfeed, satisfied,</p>

<p id="vi-p1265">saitisfeet, satisfied,</p>

<p id="vi-p1266">salamander, large poker with a flat heated end, for lighting
fires</p>

<p id="vi-p1267">sall, shall,</p>

<p id="vi-p1268">sang, song,</p>

<p id="vi-p1269">sangs, songs,</p>

<p id="vi-p1270">sanna, shall not,</p>

<p id="vi-p1271">Sanny,Sandy, also Scotsman</p>

<p id="vi-p1272">sark, shirt,</p>

<p id="vi-p1273">sarks, shirts,</p>

<p id="vi-p1274">sattle, settle,</p>

<p id="vi-p1275">saven, wise; knowledgeable, also seven</p>

<p id="vi-p1276">savin', saving, also except</p>

<p id="vi-p1277">savin's, savings,</p>

<p id="vi-p1278">Sawtan,Satan,</p>

<p id="vi-p1279">sax, six,</p>

<p id="vi-p1280">saxpence, sixpence,</p>

<p id="vi-p1281">sayin', saying,</p>

<p id="vi-p1282">scar, cliff; precipice,</p>

<p id="vi-p1283">scart, scratch; strike a match; scrape,</p>

<p id="vi-p1284">schuil, school,</p>

<p id="vi-p1285">schuilin', schooling; education,</p>

<p id="vi-p1286">schuilmaister, schoolmaster,</p>

<p id="vi-p1287">schule, school,</p>

<p id="vi-p1288">schule-time, time for school,</p>

<p id="vi-p1289">scoonrel, scoundrel,</p>

<p id="vi-p1290">scoon'rel, scoundrel,</p>

<p id="vi-p1291">Scotlan',Scotland,</p>

<p id="vi-p1292">scraich, shriek; scream; bird's shrill cry,</p>

<p id="vi-p1293">scrattit, scratched; dug,</p>

<p id="vi-p1294">screed, recite rapidly; talk tediously; reel off, also scraping
sound</p>

<p id="vi-p1295">Scripter,Scripture,</p>

<p id="vi-p1296">sculduddery, fornication; grossness; obscenity,</p>

<p id="vi-p1297">scunner, disgust; disgusting; revolting,</p>

<p id="vi-p1298">scunnert, disgusted; loathed,</p>

<p id="vi-p1299">scurry, scour; got about from place to place, also wander
aimlessly</p>

<p id="vi-p1300">seck, sack,</p>

<p id="vi-p1301">seein', seeing,</p>

<p id="vi-p1302">seekin', seeking,</p>

<p id="vi-p1303">se'enteen, seventeen,</p>

<p id="vi-p1304">sel', self,</p>

<p id="vi-p1305">self-forgettin', self-forgetting,</p>

<p id="vi-p1306">sellt, sold,</p>

<p id="vi-p1307">semies, second year's university students, at Aberdeen
University</p>

<p id="vi-p1308">sen', send,</p>

<p id="vi-p1309">sendin', sending,</p>

<p id="vi-p1310">sen'in', sending,</p>

<p id="vi-p1311">servan', servant,</p>

<p id="vi-p1312">servan's, servants,</p>

<p id="vi-p1313">sessions-buik, church record of its proceedings,</p>

<p id="vi-p1314">set, set out; start off; become, also inclined; disposed</p>

<p id="vi-p1315">Setterday,Saturday,</p>

<p id="vi-p1316">shacken, shaken,</p>

<p id="vi-p1317">shackle-bane, wrist; wrist-bone,</p>

<p id="vi-p1318">Shackspear,Shakespeare,</p>

<p id="vi-p1319">shak'-doon, shakedown; crude makeshift bed,</p>

<p id="vi-p1320">shanna, shall not,</p>

<p id="vi-p1321">sharpset, keen; sharp-witted,</p>

<p id="vi-p1322">sharp-set, keen; sharp-witted,</p>

<p id="vi-p1323">shaw, show; reveal, also grove</p>

<p id="vi-p1324">shawn, shown,</p>

<p id="vi-p1325">shaws, shows,</p>

<p id="vi-p1326">shearin', shearing (sheep),</p>

<p id="vi-p1327">shillin', shilling,</p>

<p id="vi-p1328">shillin's, shillings,</p>

<p id="vi-p1329">shinin', shining,</p>

<p id="vi-p1330">shochlin, waddling; in-kneed,</p>

<p id="vi-p1331">shochlin', waddling; in-kneed,</p>

<p id="vi-p1332">shoothers, shoulders,</p>

<p id="vi-p1333">shortcomin's, shortcomings,</p>

<p id="vi-p1334">shortent, shortened,</p>

<p id="vi-p1335">shouldna, should not,</p>

<p id="vi-p1336">shuit, suit,</p>

<p id="vi-p1337">shune, shoes,</p>

<p id="vi-p1338">shutin', shooting,</p>

<p id="vi-p1339">sib, relation; akin; closely related,</p>

<p id="vi-p1340">sic, such; so; similar,</p>

<p id="vi-p1341">siccan, such a; such an,</p>

<p id="vi-p1342">sicht, sight,</p>

<p id="vi-p1343">sichtit, sighted,</p>

<p id="vi-p1344">sicker, secure; safe; firm; sure,</p>

<p id="vi-p1345">sic-like, suchlike; likewise, like such a person or thing</p>

<p id="vi-p1346">side, district; region, also the side of</p>

<p id="vi-p1347">sidin', siding,</p>

<p id="vi-p1348">siller, silver; money; wealth,</p>

<p id="vi-p1349">simmer,Summer,</p>

<p id="vi-p1350">sin, since; ago; since then, also sin; sun</p>

<p id="vi-p1351">sin', since; ago; since then,</p>

<p id="vi-p1352">sinfu', sinful,</p>

<p id="vi-p1353">singin', singing,</p>

<p id="vi-p1354">sittin', sitting,</p>

<p id="vi-p1355">skelf, shelf, also splinter</p>

<p id="vi-p1356">skelpin', digging; ploughing, also beating; striking</p>

<p id="vi-p1357">skirl, scream; sing shrilly,</p>

<p id="vi-p1358">slack, slow,</p>

<p id="vi-p1359">slauchtert, slaughtered,</p>

<p id="vi-p1360">sleepin', sleeping,</p>

<p id="vi-p1361">sleepit, slept,</p>

<p id="vi-p1362">sleicht o' han', sleight of hand,</p>

<p id="vi-p1363">sliddery, slippery; smooth, also sly; deceitful</p>

<p id="vi-p1364">slinkin', slinking,</p>

<p id="vi-p1365">slip, let slip; convey by stealth,</p>

<p id="vi-p1366">slippin', slipping,</p>

<p id="vi-p1367">slips, tricks,</p>

<p id="vi-p1368">sma', small; little; slight; narrow; young,</p>

<p id="vi-p1369">smacks, single-masted sailing boats, not necessarily a Scottish
word</p>

<p id="vi-p1370">smeddum, spirit; mettle; liveliness,</p>

<p id="vi-p1371">smilin', smiling,</p>

<p id="vi-p1372">smokin', smoking; smouldering,</p>

<p id="vi-p1373">smokin' flax, smouldering wick, reference to <scripRef passage="Matthew 12:20" id="vi-p1373.1" parsed="|Matt|12|20|0|0" osisRef="Bible:Matt.12.20">Matthew 12:20</scripRef></p>

<p id="vi-p1374">smorin', smothering; suffocating,</p>

<p id="vi-p1375">snappin', snapping,</p>

<p id="vi-p1376">snaw, snow,</p>

<p id="vi-p1377">sneck, door-latch; catch (gate), also latch</p>

<p id="vi-p1378">snod, smooth; neat; trim; tidy; snug,</p>

<p id="vi-p1379">sod, sad,</p>

<p id="vi-p1380">sodger, soldier,</p>

<p id="vi-p1381">sodgers, soldiers,</p>

<p id="vi-p1382">sojer, soldier,</p>

<p id="vi-p1383">some, somewhat; rather; quite; very, also some</p>

<p id="vi-p1384">somehoo, somehow,</p>

<p id="vi-p1385">sookit, sucked,</p>

<p id="vi-p1386">soon', sound,</p>

<p id="vi-p1387">soonds, sounds,</p>

<p id="vi-p1388">sornin', taking food or lodging; sponging, taking by force of
threat</p>

<p id="vi-p1389">sortit, sorted,</p>

<p id="vi-p1390">soucht, sought,</p>

<p id="vi-p1391">sough, sigh; sound of wind; deep breath,</p>

<p id="vi-p1392">soun', sound,</p>

<p id="vi-p1393">soun's, sounds,</p>

<p id="vi-p1394">soutar, shoemaker; cobbler,</p>

<p id="vi-p1395">sowl, soul,</p>

<p id="vi-p1396">sowls, souls,</p>

<p id="vi-p1397">spak, spoke,</p>

<p id="vi-p1398">spak', spoke,</p>

<p id="vi-p1399">spark, speck; spot; blemish; atom,</p>

<p id="vi-p1400">spaud, spade,</p>

<p id="vi-p1401">speakin', speaking,</p>

<p id="vi-p1402">speerit, spirit,</p>

<p id="vi-p1403">speik, speak,</p>

<p id="vi-p1404">speikin', speaking,</p>

<p id="vi-p1405">speir, ask about; enquire; question,</p>

<p id="vi-p1406">speired, asked about; enquired; questioned,</p>

<p id="vi-p1407">speirin', asking about; enquiring; questioning,</p>

<p id="vi-p1408">speirs, asks about; enquires; questions,</p>

<p id="vi-p1409">speirt, asked about; enquired; questioned,</p>

<p id="vi-p1410">spen', spend,</p>

<p id="vi-p1411">spence, storeroom; larder,</p>

<p id="vi-p1412">speyk, speak,</p>

<p id="vi-p1413">speykin, speaking,</p>

<p id="vi-p1414">speykin', speaking,</p>

<p id="vi-p1415">spier, ask about; enquire; question,</p>

<p id="vi-p1416">spring, quick lively tune,</p>

<p id="vi-p1417">spult, spilt,</p>

<p id="vi-p1418">spunes, spoons,</p>

<p id="vi-p1419">Squaur, square,</p>

<p id="vi-p1420">stack, stuck,</p>

<p id="vi-p1421">stair, stairs; staircase,</p>

<p id="vi-p1422">stamack, stomach,</p>

<p id="vi-p1423">stamacks, stomachs,</p>

<p id="vi-p1424">stampin', stamping,</p>

<p id="vi-p1425">stan', stand; stop,</p>

<p id="vi-p1426">stane, stone; measure of weight,1 stone = 14 pounds</p>

<p id="vi-p1427">stanes, stones,</p>

<p id="vi-p1428">stan'in', standing,</p>

<p id="vi-p1429">stan's, stands,</p>

<p id="vi-p1430">starnie, very small quantity,</p>

<p id="vi-p1431">startit, started,</p>

<p id="vi-p1432">steek, shut; close; clench, also stitch (as in clothing)</p>

<p id="vi-p1433">steekit, shut; closed; clenched,</p>

<p id="vi-p1434">stept, stepped,</p>

<p id="vi-p1435">sterve, starve,</p>

<p id="vi-p1436">stew, dust; vapour; smoke, also stench; stink</p>

<p id="vi-p1437">stickin', sticking; goring,</p>

<p id="vi-p1438">stingin', stinging,</p>

<p id="vi-p1439">stinkin', stinking,</p>

<p id="vi-p1440">stockin'-fit, feet clothed in stockings, i.e. without shoes</p>

<p id="vi-p1441">stook, arranging the sheaves in a stook,</p>

<p id="vi-p1442">stoun', ache; throb,</p>

<p id="vi-p1443">stown, stolen,</p>

<p id="vi-p1444">Straddle Vawrious,Stradivarius, make of violin</p>

<p id="vi-p1445">strae-deith, death in bed; natural death, not a violent death</p>

<p id="vi-p1446">straik, streak; stroke; blow; caress,</p>

<p id="vi-p1447">straiks, streaks; strokes; blows; caresses,</p>

<p id="vi-p1448">strang, strong,</p>

<p id="vi-p1449">strathspey,Highland dance, like a reel but slower</p>

<p id="vi-p1450">straucht, straighten; straight,</p>

<p id="vi-p1451">straught, straight,</p>

<p id="vi-p1452">stravaguin', saunter; stroll; go about aimlessly,</p>

<p id="vi-p1453">stren'th, strength,</p>

<p id="vi-p1454">stucken, stuck,</p>

<p id="vi-p1455">stud, stood,</p>

<p id="vi-p1456">stule, stool,</p>

<p id="vi-p1457">styte, nonsense,</p>

<p id="vi-p1458">subjec', subject,</p>

<p id="vi-p1459">subjeck, subject,</p>

<p id="vi-p1460">subjecks, subjects,</p>

<p id="vi-p1461">substrackin', subtracting,</p>

<p id="vi-p1462">sudna, should not,</p>

<p id="vi-p1463">sufferin', suffering,</p>

<p id="vi-p1464">suffert, suffered,</p>

<p id="vi-p1465">suld, should,</p>

<p id="vi-p1466">suldna, should not,</p>

<p id="vi-p1467">sumph, soft blunt fellow; simpleton; fool,</p>

<p id="vi-p1468">sune, soon; early,</p>

<p id="vi-p1469">sune's, soon as,</p>

<p id="vi-p1470">sung, singed,</p>

<p id="vi-p1471">sunk, drivel; loiter, also be in a low dejected state</p>

<p id="vi-p1472">sup, drink,</p>

<p id="vi-p1473">supped, drank,</p>

<p id="vi-p1474">supposin', supposing,</p>

<p id="vi-p1475">swack, elastic; limber; supple,</p>

<p id="vi-p1476">swarf, swoon; faint,</p>

<p id="vi-p1477">sweer, swear,</p>

<p id="vi-p1478">sweir, swear,</p>

<p id="vi-p1479">sweirer, swearer,</p>

<p id="vi-p1480">sweirin', swearing,</p>

<p id="vi-p1481">sweirs, swears,</p>

<p id="vi-p1482">sworn, swore,</p>

<p id="vi-p1483">syde, wide and long; hanging low down,</p>

<p id="vi-p1484">syne, ago; since; then; at that time, also in (good) time</p>

<p id="vi-p1485">'t, it,</p>

<p id="vi-p1486">tae, toe; also tea, also the one; to</p>

<p id="vi-p1487">taed, toad,</p>

<p id="vi-p1488">ta'en, taken; seized,</p>

<p id="vi-p1489">taes, toes,</p>

<p id="vi-p1490">taings, tongs; prongs,</p>

<p id="vi-p1491">tak, take; seize,</p>

<p id="vi-p1492">tak', take; seize,</p>

<p id="vi-p1493">tak tent, look out; pay attention; watch,</p>

<p id="vi-p1494">takin', taking,</p>

<p id="vi-p1495">taks, takes; seizes,</p>

<p id="vi-p1496">talkin', talking,</p>

<p id="vi-p1497">tane, the one, also taken</p>

<p id="vi-p1498">tap, top; tip; head,</p>

<p id="vi-p1499">tastin', tasting,</p>

<p id="vi-p1500">taucht, taught,</p>

<p id="vi-p1501">tauld, told,</p>

<p id="vi-p1502">tawtie, potato,</p>

<p id="vi-p1503">taxed, found fault with; scolded,</p>

<p id="vi-p1504">tay, tea; supper,</p>

<p id="vi-p1505">tay-time, tea time; supper,</p>

<p id="vi-p1506">teachin', teaching,</p>

<p id="vi-p1507">teep, type,</p>

<p id="vi-p1508">telled, told,</p>

<p id="vi-p1509">tellin', telling,</p>

<p id="vi-p1510">tellt, told,</p>

<p id="vi-p1511">tell't, told,</p>

<p id="vi-p1512">telt, told,</p>

<p id="vi-p1513">tent, attention; care; heed; notice,</p>

<p id="vi-p1514">thae, those; these,</p>

<p id="vi-p1515">thairm, fiddle-string, also intestine; gut; belly</p>

<p id="vi-p1516">than, then, also than</p>

<p id="vi-p1517">thankfu', thankful,</p>

<p id="vi-p1518">thankit, thanked,</p>

<p id="vi-p1519">thanksgivin', thanksgiving,</p>

<p id="vi-p1520">that'll, that will,</p>

<p id="vi-p1521">the day, today,</p>

<p id="vi-p1522">the morn, tomorrow,</p>

<p id="vi-p1523">the nicht, tonight,</p>

<p id="vi-p1524">the noo, just now; now,</p>

<p id="vi-p1525">the piece, apiece,</p>

<p id="vi-p1526">thegither, together,</p>

<p id="vi-p1527">themsels, themselves,</p>

<p id="vi-p1528">themsel's, themselves,</p>

<p id="vi-p1529">thereaboots, thereabouts,</p>

<p id="vi-p1530">thimmel, thimble,</p>

<p id="vi-p1531">thinkin', thinking,</p>

<p id="vi-p1532">thinksna, does not think,</p>

<p id="vi-p1533">this mony a day, for some time,</p>

<p id="vi-p1534">tho', though,</p>

<p id="vi-p1535">thocht, thought,</p>

<p id="vi-p1536">thochtna, did not think,</p>

<p id="vi-p1537">thochts, thoughts,</p>

<p id="vi-p1538">thoo, thou; you (God),</p>

<p id="vi-p1539">thoomacks, violin-pegs,</p>

<p id="vi-p1540">thoucht, thought,</p>

<p id="vi-p1541">thouchts, thoughts,</p>

<p id="vi-p1542">thrapple, windpipe; throat,</p>

<p id="vi-p1543">thrivin', thriving,</p>

<p id="vi-p1544">throu, through,</p>

<p id="vi-p1545">throu', through,</p>

<p id="vi-p1546">throuw, through,</p>

<p id="vi-p1547">throw, through,</p>

<p id="vi-p1548">thrum, particle; tangle; mess,</p>

<p id="vi-p1549">ticht, tight,</p>

<p id="vi-p1550">til, to; till; until; about; at; before,</p>

<p id="vi-p1551">till, to; till; until; about; at; before,</p>

<p id="vi-p1552">timmer, timber; wood,</p>

<p id="vi-p1553">tint, lost; got lost,</p>

<p id="vi-p1554">'tis, it is,</p>

<p id="vi-p1555">tither, the other,</p>

<p id="vi-p1556">tod, fox,</p>

<p id="vi-p1557">toom, empty; unload,</p>

<p id="vi-p1558">toomin', emptying; unloading,</p>

<p id="vi-p1559">toon, town; village,</p>

<p id="vi-p1560">toon-piper, town piper,</p>

<p id="vi-p1561">toot, tut!, exclamation of annoyance</p>

<p id="vi-p1562">Toots!,Tuts!; Tush!,</p>

<p id="vi-p1563">towie, string,</p>

<p id="vi-p1564">trailin', dragging forcibly; hauling along,</p>

<p id="vi-p1565">traivel, travel,</p>

<p id="vi-p1566">traivellin', travelling,</p>

<p id="vi-p1567">tramp, trudge, also tramp</p>

<p id="vi-p1568">transe, passage within a house, also alley; narrow space</p>

<p id="vi-p1569">tribble, trouble,</p>

<p id="vi-p1570">trimlin', trembling,</p>

<p id="vi-p1571">troo, trust; believe,</p>

<p id="vi-p1572">troosers, trousers,</p>

<p id="vi-p1573">troth, truth; indeed, also used as an exclamation</p>

<p id="vi-p1574">trowth, truth; indeed, also used as an exclamation</p>

<p id="vi-p1575">tryin', trying,</p>

<p id="vi-p1576">'ts, its,</p>

<p id="vi-p1577">tu, too; also,</p>

<p id="vi-p1578">tuik, took,</p>

<p id="vi-p1579">tum'ler, tumbler; glass (of whisky),</p>

<p id="vi-p1580">turnin', turning,</p>

<p id="vi-p1581">turnt, turned,</p>

<p id="vi-p1582">twa, two; a few,</p>

<p id="vi-p1583">twa three, several,</p>

<p id="vi-p1584">twal, twelve,</p>

<p id="vi-p1585">twalmonth, twelvemonth; year,</p>

<p id="vi-p1586">'twas, it was,</p>

<p id="vi-p1587">twise, twice,</p>

<p id="vi-p1588">tyke, dog, also rough clownish fellow</p>

<p id="vi-p1589">tyne, lose; get lost; miss,</p>

<p id="vi-p1590">'ull, will,</p>

<p id="vi-p1591">umquhile, former; of old; late,</p>

<p id="vi-p1592">unbecomin', unbecoming,</p>

<p id="vi-p1593">unco, unknown; odd; strange; uncouth, also very great</p>

<p id="vi-p1594">unco', unknown; odd; strange; uncouth, also very great</p>

<p id="vi-p1595">understan', understand,</p>

<p id="vi-p1596">unner, under,</p>

<p id="vi-p1597">unnerstan, understand,</p>

<p id="vi-p1598">unnerstan', understand,</p>

<p id="vi-p1599">unpleasin', unpleasing; unpleasant,</p>

<p id="vi-p1600">unsoucht, unsought,</p>

<p id="vi-p1601">unweel, unwell,</p>

<p id="vi-p1602">up the stair, upstairs, also to heaven</p>

<p id="vi-p1603">uphaud, uphold; maintain; support,</p>

<p id="vi-p1604">uphaudin', upholding; maintaining; supporting,</p>

<p id="vi-p1605">upo', upon; on to; at,</p>

<p id="vi-p1606">upsettin', forward; ambitious; stuck-up; proud,</p>

<p id="vi-p1607">vailue, value,</p>

<p id="vi-p1608">vainishin', vanishing,</p>

<p id="vi-p1609">vainities, vanities,</p>

<p id="vi-p1610">verra, very; true; real,</p>

<p id="vi-p1611">vex, trouble; vexation,</p>

<p id="vi-p1612">vraith, apparition,</p>

<p id="vi-p1613">vrang, wrong,</p>

<p id="vi-p1614">vratch, wretch,</p>

<p id="vi-p1615">vrote, wrote,</p>

<p id="vi-p1616">vroucht, wrought; worked,</p>

<p id="vi-p1617">wa', wall, also way; away</p>

<p id="vi-p1618">wad, would,</p>

<p id="vi-p1619">wadna, would not,</p>

<p id="vi-p1620">wailin', wailing,</p>

<p id="vi-p1621">waitin', waiting,</p>

<p id="vi-p1622">wakin', waking,</p>

<p id="vi-p1623">wall, well; spring of water,</p>

<p id="vi-p1624">wallopin', dancing; galloping, also beating; thrashing;
knocking</p>

<p id="vi-p1625">wame, belly; stomach; womb; hollow,</p>

<p id="vi-p1626">wamlin', rolling; undulating,</p>

<p id="vi-p1627">wan, reached; gained; got,</p>

<p id="vi-p1628">wan'erer, wanderer,</p>

<p id="vi-p1629">wantin', wanting; lacking; without; in want of,</p>

<p id="vi-p1630">wantit, wanted,</p>

<p id="vi-p1631">war, were,</p>

<p id="vi-p1632">wark, work; labour, also show of affection</p>

<p id="vi-p1633">warl', world; worldly goods, also a large number</p>

<p id="vi-p1634">warld, world,</p>

<p id="vi-p1635">warldly, worldly,</p>

<p id="vi-p1636">warna, were not,</p>

<p id="vi-p1637">warran', warrant; guarantee,</p>

<p id="vi-p1638">warst, worst,</p>

<p id="vi-p1639">wa's, walls, also ways</p>

<p id="vi-p1640">washin', washing,</p>

<p id="vi-p1641">wasna, was not,</p>

<p id="vi-p1642">was't, was it,</p>

<p id="vi-p1643">wastit, wasted,</p>

<p id="vi-p1644">wat, wet, see also 'I wat.'</p>

<p id="vi-p1645">watchin', watching,</p>

<p id="vi-p1646">watter, water,</p>

<p id="vi-p1647">wauken, awake; wake,</p>

<p id="vi-p1648">waukens, wakes,</p>

<p id="vi-p1649">waukin', waking,</p>

<p id="vi-p1650">waukit, woke,</p>

<p id="vi-p1651">waukmill, fulling mill,</p>

<p id="vi-p1652">wauk-mill, fulling-mill,</p>

<p id="vi-p1653">waur, worse, also spend money</p>

<p id="vi-p1654">waure, ware,</p>

<p id="vi-p1655">weddin', wedding,</p>

<p id="vi-p1656">wee, small; little; bit, also short time; while</p>

<p id="vi-p1657">weel, well; fine,</p>

<p id="vi-p1658">weel-behaved, well-behaved,</p>

<p id="vi-p1659">weelfaur, welfare,</p>

<p id="vi-p1660">weel's, well as,</p>

<p id="vi-p1661">weet, wet; dew; rain,</p>

<p id="vi-p1662">weicht, weight,</p>

<p id="vi-p1663">weir, wear, also hedge; fence; enclosure</p>

<p id="vi-p1664">weirs, wears,</p>

<p id="vi-p1665">weyver, weaver; knitter, also knitter of stockings; spider</p>

<p id="vi-p1666">wha, who,</p>

<p id="vi-p1667">wha', who,</p>

<p id="vi-p1668">whaever, whoever,</p>

<p id="vi-p1669">whan, when,</p>

<p id="vi-p1670">wharever, wherever,</p>

<p id="vi-p1671">wha's, who is, also whose</p>

<p id="vi-p1672">whase, whose,</p>

<p id="vi-p1673">What for no?,Why not?,</p>

<p id="vi-p1674">What for?,Why?,</p>

<p id="vi-p1675">whaur, where,</p>

<p id="vi-p1676">whaur'll, where will,</p>

<p id="vi-p1677">whaur's, where is; where has,</p>

<p id="vi-p1678">wheen, little; few; number; quantity,</p>

<p id="vi-p1679">whiles, sometimes; at times; now and then,</p>

<p id="vi-p1680">whilie, short time,</p>

<p id="vi-p1681">whilk, which,</p>

<p id="vi-p1682">whumle, whelm; overwhelm; upset,</p>

<p id="vi-p1683">whusky, whisky,</p>

<p id="vi-p1684">whustle, whistle,</p>

<p id="vi-p1685">whustled, whistled,</p>

<p id="vi-p1686">wi', with,</p>

<p id="vi-p1687">wice, wise,</p>

<p id="vi-p1688">wife, woman; landlady, also wife</p>

<p id="vi-p1689">wight, fellow,</p>

<p id="vi-p1690">willin'ly, willingly,</p>

<p id="vi-p1691">willna, will not,</p>

<p id="vi-p1692">win, reach; gain; get; go; come,</p>

<p id="vi-p1693">win', wind, also reach; gain; get; go; come</p>

<p id="vi-p1694">winkit, winked,</p>

<p id="vi-p1695">winna, will not,</p>

<p id="vi-p1696">winnin', reaching; gaining; getting</p>

<p id="vi-p1697"><br /></p>

<p id="vi-p1698">winnock, window,</p>

<p id="vi-p1699">winsome, large; comely; merry,</p>

<p id="vi-p1700">wi'oot, without,</p>

<p id="vi-p1701">wirrycow, scarecrow,</p>

<p id="vi-p1702">wis, was, also wish</p>

<p id="vi-p1703">wiss, wish,</p>

<p id="vi-p1704">wissed, wished,</p>

<p id="vi-p1705">wit, intelligence; information, also sense; wisdom</p>

<p id="vi-p1706">wite, blame; reproach; fault,</p>

<p id="vi-p1707">withoot, without,</p>

<p id="vi-p1708">withstan', withstand,</p>

<p id="vi-p1709">wob, web; woven material,</p>

<p id="vi-p1710">wolums, volumes,</p>

<p id="vi-p1711">wonner, wonder; marvel,</p>

<p id="vi-p1712">wonnerfu', wonderful; great; large,</p>

<p id="vi-p1713">wonnerin', wondering,</p>

<p id="vi-p1714">wonnert, wondered,</p>

<p id="vi-p1715">wordy, little word; little saying or proverb, diminutive</p>

<p id="vi-p1716">workin', working,</p>

<p id="vi-p1717">worryin', worrying,</p>

<p id="vi-p1718">wouldna, would not,</p>

<p id="vi-p1719">wow, woe, exclamation of wonder or grief or satisfaction</p>

<p id="vi-p1720">wrang, wrong; injured,</p>

<p id="vi-p1721">writin', writing,</p>

<p id="vi-p1722">wud, wood; forest, adj.-enraged; angry; mad; also would</p>

<p id="vi-p1723">wuddyfous, gallows' birds; scamps, also small ill-tempered
persons</p>

<p id="vi-p1724">wull, will; wish; desire, also astray; stray; wild</p>

<p id="vi-p1725">wuman, woman,</p>

<p id="vi-p1726">wumman, woman,</p>

<p id="vi-p1727">wuss, wish,</p>

<p id="vi-p1728">wynd, narrow lane or street; alley,</p>

<p id="vi-p1729">wynds, narrow lanes or streets; alleys,</p>

<p id="vi-p1730">wyte, blame; reproach; fault,</p>

<p id="vi-p1731">yaird, yard; garden; farmyard, also yard (36 inches)</p>

<p id="vi-p1732">yairds, yards; gardens, also yards (1 yard = 36 inches)</p>

<p id="vi-p1733">ye, you; yourself,</p>

<p id="vi-p1734">year, years, also year</p>

<p id="vi-p1735">ye'll, you will,</p>

<p id="vi-p1736">Yellow-beak, first year's student, at Aberdeen University</p>

<p id="vi-p1737">yer, your,</p>

<p id="vi-p1738">yer lane, on your own,</p>

<p id="vi-p1739">ye're, you are,</p>

<p id="vi-p1740">yersel, yourself,</p>

<p id="vi-p1741">yer'sel, yourself,</p>

<p id="vi-p1742">yersel', yourself,</p>

<p id="vi-p1743">yersels, yourselves,</p>

<p id="vi-p1744">ye've, you have,</p>

<p id="vi-p1745">yird, earth,</p>

<p id="vi-p1746">yon, that; those; that there; these,</p>

<p id="vi-p1747">yonner, yonder; over there; in that place,</p>

<p id="vi-p1748">yon's, that is; that (thing) there is,</p>

<p id="vi-p1749">yoong, young,</p>

<p id="vi-p1750">yowth, youth,</p>

<p id="vi-p1751"><br />
</p>






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